The third annual Brewster Summer Music Series returns with seven straight weeks of programming. Organized by the Town of Southeast Cultural Arts Coalition (CAC), the concerts will run every Wednesday from June 14 through July 26.
All of the performances will take place at the Veterans Park Gazebo in Brewster. The concerts will also feature contests, raffles, and food. The artists performing come from a diverse set of genres including rock, pop, jazz, and more.
CAC is a non-profit group that aims to create and preserve the cultural arts of the Town of Southeast and nearby communities. Along with the Summer Music Series, the organization is also involved with a space to showcase local art and the renovation of Southeast’s Old Town Hall.
Brewster is a village located in southeast Putnam County and is part of the town of Southeast. The village made a name for itself as it was a prominent stop on the railroad line that ran from New York City.
The Brewster Summer Music Series is free and open to members of the public. Details and more information is on the website.
Summer Lineup
June 14- Jake Wildhorn (Rock, Pop, Americana) and Genevieve Faivre (Latin, New Orleans Jazz)
June 21- George Gierer (folk) and Artie Tobia Band (Roots Rock)
June 28- George Mallas (singer-songwriter) and ⅓ of Sophie (Funk)
July 5- Francine Tesler and Jay Prince & Friends (Rock, Funk)
July 12- Bob Stanhope and North Country Band (Country, Western, Americana)
July 19- Ivan Polanco (singer-songwriter) and Santa Barbara Jazz Quartet (Jazz, Soul, Latin)
July 26- Erik Rabasca and The Song Island Band (Acoustic Rock)
On the cusp of releasing their latest album Emotional Contracts,Deer Tick performed two sold-out nights (June 9th and 10th) at Levon Helm Studios in Woodstock. Both shows included performances of new songs while sharing favorites from the bands catalog.
Opening Saturday’s show, Rafay Rashid. A Providence R.I resident by way of Islamabad, Pakistan. Introducing songs from his debut solo album Kitchen Weapons, Rahid and his band (including a few members of Deer Tick) had a melodic grove intensifying as their set progressed. His excitement opening for Deer Tick was evident, calling them out occasionally between songs. Rafay’s performance set the groove, readying the house for what was to come.
Rafay Rashid
With the intimacy of Levon Helm Studios, the vibe between band and audience is beyond palpable. The moment singer/guitarist John McCauley, guitarist Ian O’Neil, drummer Dennis Ryan, bassist Christopher Ryan hit the stage, it was on. With dueling guitars, multiple lead vocals, a solid rhythm section, Deer Tick is a formidable part of rock and roll.
Opening with “Forgiving Ties” from their latest project, the night continued with a host of new material. Deeper into the set, the band maneuvered across the spectrum of Deer Tick. “Jumpstarting” from Dear Tick Vol. 2 had the crowd singing. It continued on from there with people clapping in time and jumping up to dance, because they had no choice.
On night two, their makeshift encore (at Levon’s, it is not logistically feasible to step off the stage to a backstage area), La Bamba leaped out to start it off. Closing, McCauley and company shared “The Real Thing,” the final track from Emotional Contracts.
Deer Tick with Robert Ellis
As a bonus, the Texas Piano Man Robert Ellis sat in with the band. Tucked into the corner of the stage, Ellis’s ticking of the ivories helped take the night to an even higher level. For both Deer Tick and those in attendance, this was a special weekend. Experiencing new songs while pulling out favorites. Quenching the Deer Tick fan palate to the fullest.
Goose has recently announced the release of a landmark concert recording commemorating the band’s two-night performance in June of 2022 at the New York City venue. Live at Radio City Music Hall is now available digitally while a limited edition, vinyl box set is up for pre-order.
Although Goose is no stranger to sold-out shows and incredible success, their performances on June 24th and 25th of last year proved to be a major turning point in their career. The two sold out shows not only allowed them to properly showcase their critically acclaimed breakthrough LP, Dripfield, but brought striking sit-ins from special guests Trey Anastasio and Father John Misty.
Live at Radio City Music Hallincludes the complete setlist from both nights which feature acoustic renditions of Goose fan favorites like “Elmeg the Wise,” covers of Bruce Springsteen, Arcade Fire, and more, as well as a weekend-closing version of The Beatles’ “Tomorrow Never Knows” featuring Anastasio on guitar and Misty on drums.
Goose’s vocalist and guitar player Rick Mitarotonda raves about the band-altering experience saying, “Playing Radio City Music Hall felt like a unifying moment for the band. I was anticipating being nervous considering all of the history and prestige of that room, but it surprisingly ended up feeling really comfortable. I think that speaks to the magic of that venue, and moment for the band. It felt like both reaching a destination and opening a door to a new beginning at the same time.”
Following this stunning release, Goose will be headlining multiple dates this summer on their 2023 tour beginning in June and lasting until November. Their forty date trek includes a sold-out, two-night run at Louisville, KY’s Louisville Palace Theatre; a sold-out, two-night Independence Day celebration at Asbury Park, NJ’s Stone Pony Summer Stage; and visits to famed venues like Saratoga Springs, NY’s Saratoga Performing Arts Center; Detroit, MI’s Masonic Temple Theatre; Santa Barbara, CA’s Santa Barbara Bowl; and Las Vegas, NV’s Brooklyn Bowl.
Thankfully for the “Ganders,” Goose’s hardcore fans, the band will not stop there. They will also continue to be among the headline acts at an array of upcoming festivals and events, including Rothbury, MI’s Electric Forest; Scranton, PA’s Peach Music Festival; and headlining for two nights with four unique sets in Garrettsville, OH at the Resonance Music and Arts Festival.
GOOSE – ON TOUR 2023
June 21 – Chicago, IL – Riviera Theatre (WXRT Summer Solstice Show)
June 22 – Louisville, KY – Louisville Palace Theatre
June 23 – Louisville, KY – Louisville Palace Theatre
June 25 – Rothbury, MI – Electric Forest (SOLD OUT)
June 27 – Columbus, OH – KEMBA Live! Outdoors
June 29 – Scranton, PA – Peach Music Festival
June 29- July 1 – Garrettsville, OH – Resonance Music and Arts Festival (Two Sets)
July 3 – Asbury Park, NJ – Stone Pony Summer Stage (SOLD OUT)
July 4 – Asbury Park, NJ – Stone Pony Summer Stage (SOLD OUT)
July 6 – Portland, ME – Thompson’s Point
July 7 – Saratoga Springs, NY – Saratoga Performing Arts Center
July 8 – Marshfield, MA – Levitate Music and Arts Festival
July 29 – Newport, RI – Newport Folk Festival
September 15 – Buffalo, NY – Borderland Music Festival
September 16 – Detroit, MI – Masonic Temple Theatre
September 17 – Milwaukee, WI – Miller High Life Theatre (SOLD OUT)
September 20 – Salt Lake City, UT – Red Butte Garden Amphitheater (SOLD OUT)
September 22 – Missoula, MT – KettleHouse Amphitheater (SOLD OUT)
September 23 – Spokane, WA – Spokane Pavilion
September 24 – Redmond, OR – Cascade Equinox Festival
September 25 – Oakland, CA – Fox Theater
September 26 – Oakland, CA – Fox Theater
September 29 – Santa Barbara, CA – Santa Barbara Bowl
September 30 – Dana Point, CA – Ohana Fest
October 1 – Las Vegas, NV – Brooklyn Bowl
October 3 – Flagstaff, AZ – Pepsi Amphitheater
October 5 – Morrison, CO – Red Rocks Amphitheatre (SOLD OUT)
October 6 – Morrison, CO – Red Rocks Amphitheatre (SOLD OUT)
October 26-29 – Live Oak, FL – Suwanee Hulaween
November 3 – Paris, FR – Le Trabendo
November 4 – Cologne, DE – Luxor (SOLD OUT)
November 7 – Amsterdam, NL – Melkweg (SOLD OUT)
November 9 – Copenhagen, DK – Hotel Cecil (SOLD OUT)
November 11 – Berlin, DE – Gretchen (SOLD OUT)
November 13 – Brussels, BE – AB Club (SOLD OUT)
November 15 – Glasgow, UK – Baad
November 16 – Manchester, UK – Manchester Academy 2
On Thursday June 8th, Hawthorne Heights started Albany’s Alive at 5 concert Series with tribute to their roots as Emo artists. The show was moved to Albany’s rain location under I-787, but the skies were as clear as could be for the show.
James Woodruff of Hawthorne Heights – Photo by Jarron Childs
Alive at 5 is a free summer concert series that the city of Albany has been throwing on annually for over 30 years. The series host artists from from the local area to national scene to bring the capital region some music from their favorite genre. Each week has a different theme; this one being Emo Pride Night.
The show’s opener was the band Bad Luck from New York City. They had just come off a spring tour to play a 45 min set. Bad Luck set the tone for what was to come for the headliner.
Hawthorne Heights formed in Dayton, Ohio a little over 20 years ago in 2001. They sent out their first song, “Silver Bullet,” to hundreds of record labels until one stuck with Confined Records. By 2006, they had two gold albums and were opening for Fall Out Boy during their Black Clouds and Underdogs Tour. The first stop on that tour, in fact, was in Albany, at what is now MVP Arena.
Hawthorne Heights is currently on a traveling festival around the US called the “Is For Lovers” festival. It has lineups of some of the best emo and pop-punk bands that could have ever been assembled, all in one place.
Hawthorne Heights played a long 90 minutes set to start Albany’s Alive at 5 for 2023. Lead singer, James Woodruff, said this was the longest set they have ever played. Though he proclaimed early on that they would rock out the whole night, there were a lot of speeches in between songs. Fans grew restless towards the end of the set as it could be felt that he was trying to fill up their time slot. Though the speeches did give their songs more meaning, and young fans got to understand emo better, it could be felt that fans just wanted to rock out the night.
Hawthorne Heights did come through with their promise as fans got to mosh to some of their favorite songs. At least two mosh pits that broke out on top of, crowd surfing and the audio engineer jumping into the crowd. The crowd screamed the lyrics to “Niki FM” and helped to close out the show with “Ohio is for lovers.”
Hawthorne Heights will continue their “Is for Lovers” festival on June 24th in Stateline, NV. There are currently no NY shows scheduled, but hopefully NY fans will get new music from them soon.
Don’t miss this week’s Alive at 5 with Mihali with special guest Side B opening. NYS Music will be on site so stop down and check out what the NYS Music team has in store!
Hawthorne Heights Setlist: Pens and Needles, Constant Dread, This is Who We Are, Lucerne Valley, The Transition, Crimson Sand, Saying Sorry, Rescue Me, Spray Paint it Black, Silver Bullet, Hard to Breathe, Blue Burns Orange, Stab Myself, We Are So Last Year, Niki FM, Dandelions, Ohio Is For Lovers
Governors Ball is in full swing over in Flushing Meadows Park with day 2 wrapping up on Saturday. Picture perfect weather settled in for the day, while a diverse lineup did their thing across the three stages, punctuated by a thunderous spectacle courtesy of Odesza.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
At the GoPuff Stage, KennyHoopla brought the energy. Fans were deeply invested in Hoopla’s rash, indie rock tone as his live band brought the lyrics to life. Kenny Beats rocked the Bacardà stage with a stellar DJ performance, mixing current favorites and old school classics. Before the set began, Kenny brought numerous fans onstage to enjoy his set from a platform behind him. Kenny Beats had the moshpit raving over his bass-heavy beats and high climax drops, frequently turning around and dancing along with the fans on stage.
Kenny Beats, Governors Ball, 6/10/2023. Photo by Lucas Kurzweil
Saturday also highlighted two of the biggest artists from South Korea and Japan who are making waves in the United States. The GovBallNYC Stage hosted Rina Sawayama earlier in the day. The Japanese singer dazzled the devoted fans with her energetic interpretive dance sequences and mega vocal prowess. Later on in the afternoon, fresh off throwing out the first pitch at a Yankees game, South Korean girl group Aespa brought their signature K-pop and hyper-pop music to the stage. Self-proclaimed “number one fans” flanked the barricade for their chance to see Aespa up close and personal.
Aespa, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Back at the GoPuff Stage, Oliver Tree brought his wacky pop music to the festival stage. Utilizing a keytar, Oliver played unreleased music and got the fans rocking with his viral song “Miss You.” To close off the night at the GoPuff Stage, Lil Baby put on a show stopping performance. Baby circled his discography going through hits like “Drip Too Hard,” “On Me,” and “Yes Indeed.”
Lil Baby, Governors Ball 6/10/23. Photo by Lucas Kurzweil
While Lil Baby drew a big audience over at the GoPuff Stage, an eager crowd gathered at the GovBallNYC to catch Odesza’s headlining set. The Washington state electronic duo are known for larger than life production and they did not disappoint. The show opens with a drumline appearing out of thin air at the front of the stage followed by relentless stage pyro, sprawling laser shows, and an epic fireworks finale while driving electro-house keeps fans moving.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Governors Ball wraps up today, Sunday with a much anticipated headlining performance from Kendrick Lamar. Black Midi, Pusha T, Lil Nas X, and Giveon fill out the day; a proper finale to another installment of New York City’s premier summer music festival. Stay tunes for Sunday’s recap and check out a gallery from Saturday below.
A week in advance of the release of their new album, Rhode Island folk-rock stalwarts Deer Tick visited Lincoln Hill Farms in Canandaigua. It was a bit of a weird week in Western New York as smoke from Canadian wildfires filled the air, forcing people indoors and into masks once again. The air cleared enough to safely stage the show, and the show would go on.
But still, for Deer Tick, “it was a weird time to be alive,” according to guitarist and singer John McCauley. Not this era, decade, week, or day, but specifically the current time, 7:47pm. A hard curfew of 9pm, ensured the sun would be out for pretty much the whole show. It was an early set for the band more attuned to the late night bar crowd, even if they’ve outgrown their bar band days.
Weird as it was, Deer Tick stuffed their early-evening time with songs spanning their career, from some of their earliest tunes. like “Easy” and “Twenty Miles,” all the way up to their as-yet released material. It all flowed together seamlessly. The old tunes felt as fresh as ever, while the new ones had a well-worn quality like they had been there all along.
The new record, Emotional Contracts, was actually recorded not all that far away, in the similarly named Cassadaga, NY at Tarbox Road Studios. Kinda weird?
In their own weird way, they worked in some tributes to some of the rockers that helped paved their way. “Me and My Man” got a little bit of ZZ Top’s “La Grange” added at the front, which prompted McCauley to suggest they do that for all of their songs. So on the ensuing, “The Bump,” his band mates jokingly obliged with teases of Tom Petty’s “Running Down a Dream,” and The Beatles’ “Day Tripper.” When MCCauley’s monitor needed a battery change, the rest of the band settled into a nice little groove while waiting. This sounded like Santana and Rob Thomas’ hit “Smooth” to McCauley so he of course started singing what he could remember from that. Then on the tail end of “The Dream’s in the Ditch,” McCauley tacked on Santo and Johnny’s “Tear Drop,” with their signature languid slide guitar sound. They weren’t over a more traditional cover either, throwing in a rollicking rendition of Little Feat’s “Rocket in my Pocket” mid-set that featured searing solos from both McCauley and guitarist Ian O’Neill. Even the banter included tributes, with Cheap Trick’s famous line, “This is the first song off our new album!” appropriately introducing the new tune, “If I Try to Leave.”
The latest single, “Once in a Lifetime” was titled like a cover, but it was all original, getting down with Chris Ryan’s groovy bass line. As much fun as the band was having with their little asides, their original material ruled the day, or the early-evening rather. Drummer Dennis Ryan penned the new “Running From Love,” which came to him in a dream. The soul-inflected tune built and built, culminating in a fiery solo from McCauley on his orange guitar, with his matching orange pick, which he also thought was “weird.”
The set closed on “Mange,” tossing the previous 80 minutes together into a rock assault. A long intro set the scene, a grooving bass laid the groundwork, and a big “whoop” set the fuse. Then the band went all in with raging guitars, a big drum solo, and a drifting feedback jam. They put it all out there for a big rock show finish.
But of course there was more. They came back for a two-song encore that pushed right up to that 9pm curfew. The night closed with “the last song on our new album,” the slow oozing rocker “The Real Thing” that surely left everyone in attendance hotly anticipating their first listen to Emotional Contracts.
If you missed out, don’t fret, the band will be back in the area with a show at the Homer Center for the Arts on November 12.
Setlist: Forgiving Ties, If I Try to Leave, Me and My Man, The Bump > Easy, Rocket in My Pocket (Little Feat), If She Could See Me Now, Twenty Miles, Running From Love, Hope is Big > Tripping Up the Stairs (Traditional), Once in a Lifetime, Clownin’ Around, The Dream’s in the Ditch > Tear Drop (Santo & Johnny), Mange Encore: Jumpstarting, The Real Thing
Binghamton University’s Anderson Center for the Performing Arts announced its annual roster of summer concerts, featuring several opportunities for regional music lovers to get out and boogie.
The Anderson Center, located on the main campus of Binghamton University in Vestal, NY, aims to enhance the local community and support Binghamton University’s educational vision through enriching performances. This summer’s lineup is a testament to their commitment.
Friday, June 30
The Anderson Center presents The Temptations and the Four Tops, iconic Motown groups, for a night of solid gold hits.
The Temptations came to define Detroit’s Motown sound in the ’60s and ’70s with hits like “My Girl,” “Ain’t to Proud to Beg,” and “Papa Was a Rolling Stone.” The Temptations were ranked #1 “Greatest R&B/Hip-Hop Artist of All Time” by Billboard. Additionally, Rolling Stone hailed them as “the greatest black vocal group of the Modern Era,” highlighting their profound influence on the evolution of American music. The group is still touring with founding member Dr. Otis Williams.
The Four Tops emerged from the same Detroit neighborhoods as the Temptations, the Supremes, and Smokey Robinson. They too released their own string of chart-topping hits for the Motown label including “I Can’t Help Myself (Sugar Pie, Honey Bunch)” and “It’s The Same Old Song.” The Four Tops continue to tour with founding member Duke Fakir.
Friday, August 11
Melissa Etheridge’s tour bus rolls into campus later this summer for a stop on her Summer ’23 Tour. Etheridge’s confessional lyrics and raspy, smoky vocals have made her a beloved singer-songwriter. Her string of ’90s hits solidify her enduring legacy. Familiar favorites include “Come to My Window,” “I’m the Only One,” and “I Want to Come Over.” Etheridge, who previously played at the Anderson Center in 2009 solo, will return with a full band this time.
Tickets and More Information
An additional concert by the Jazz Ambassadors of the United States Army Field Band, scheduled for Wednesday, June 28, has already sold out. However, tickets are available for The Temptations, The Four Tops, and Melissa Etheridge.
Tickets for the Temptations and the Four Tops cost $75/65/55 inside, $30 on the lawn. Tickets for Melissa Etheridge: Summer Tour ’23 cost $65/55/45 inside, $25 on the lawn.
A full 2023-24 season announcement is expected in mid-June. For more information, visit anderson.binghamton.edu, contact 607-777-ARTS, or stop by the Anderson Center Box Office between 12-4 p.m., Monday-Friday
Governors Ball kicked off the 2023 edition on Friday, June 9th, showing off their new digs in the sprawling in Flushing Meadows Park. After many years on Randall’s Island, and a brief stint in the parking lot of Citi Field, Governors Ball made the long anticipated move to the famed Queens park. Nestled amongst the giant trees and iconic landmarks, the festival feels right at home in the World’s Borough. The Canadian wildfire smoke cleared out entirely for the day, letting perfect weather shine for most of the day.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
On the GovballNYC stage, Saba set the tone with his early afternoon performance. He got the crowd going with hits like “Ziplock” and “Photosynthesis.” Over at the GoPuff stage, Tai Verdes kept it cool with “A-O-K” to get the crowd ready for Brooklyn’s own Joey Bada$$. Joey went through songs across his entire discography and made sure to let his hometown crowd feel his energy. Joey made a tribute to XXXTENTACION by performing their song “infinity (888).”
Joey Bada$$, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
The GoPuff stage did not disappoint with later sets from Ice Spice, Metro Boomin, and Lil Uzi Vert. Ice Spice drew one of the biggest crowds of the day, and took the house down with her viral songs “Much” and “In Ha Mood.” Metro Boomin’ followed up Ice Spice’s performance with an intricate DJ set. Rain started to pour but that didn’t stop the fans from screaming every word, bar for bar, during Metro’s performance. Over on the Bacardi stage, the brief rain shower made for an even raunchier set than normal from pop icon Kim Petras.
Kim Petras, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Lil Uzi Vert closed out the night with a bang. Interacting with fans throughout the set, he even announced that the highly anticipated “Pink Tape” will drop at the end of the month. Uzi went through the hits, brought out Ken Carson and Destroy Lonely and ended the night with their latest hit “Just Wanna Rock.”
Lil Uzi Vert, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
Meanwhile, over on the GovBallNYC stage, Lizzo dominated the stage with her larger than lifer performance. Flanked by a sea of dancers, backup vocalists, a killer live band, and several outfit changes, Lizzo’s powerful voice reverberated through Flushing Meadows.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Day 2 gets going today, with sets from Finneas, Snail Mail, Rina Sawayama, Lil Baby, and Odesza. Stay tuned for our Saturday recap tomorrow morning.
Nestled amongst the backdrop of the Catskill mountains, just an hour outside Albany, Foothills Performing Arts Center (PAC) is a non-profit entertainment and civic center that serves the cultural, educational, and community needs of the Otsego, Delaware, and Chenango tri-county region.
Centered in the eclectic university community in Oneonta, Foothills PAC originally opened in 2005 and has become the region’s go-to venue for live entertainment for both national and local acts such as Bela Fleck and The Flecktones, Gordon Lightfoot, Bernie Williams, Rusted Root, Tanya Tucker, John Michael Montgomery, Joe Diffie, and Thompson Square.
Wilber Wright Atrium
Foothills consists of multiple venues on its property, from its grand two story Wilber Wright Atrium, perfect for weddings and large events, to its Bettiol Theatre for smaller productions. The center also offers two smaller production spaces, The Loft and The Production Center.
As part of Foothill’s community engagement initiative, Foothills is also home to the Oneonta Farmers Market, providing the local community with fresh, home grown produce and artisanal crafts.
The Loft Performance Space
Recently appointed Executive Director Geoff Doyle has spent the better part of the last two years investing hundreds of thousands of dollars into renovations for Foothills, as part of his initiative to turn Foothills into a more diverse and utilized space for the local community. When Foothill’s closed at the beginning of the Covid-19 pandemic, Mr. Doyle took that time to write grants and to fundraise. Having found themselves with an empty building, as well as a surplus of funding from grants and generous donations, the Foothills Board used that time and those resources to finally do the work that had needed to be done for many years.
Bettiol Theatre
Taking both comments and critiques from the local community, renovations have included updated lighting and sound equipment for productions, to infrastructure improvements of the performance spaces.
We’ve become more than an arts center over the years. People donate blood here. They vote here. They attend weddings, birthday parties, bridal showers, conferences, speaking engagements, fundraising events and so much more. We’ve been partners with SUNY Oneonta’s Music Industry program for a decade now, providing internships for many students in that time, and even hiring recent grads.
Geoff Doyle, Executive Director
Foothills Performing Arts Center is also home to Black Hole Studios, a fully equipped recording studio local artists can book for recording, mixing and mastering. With a top-ten Music Industry program located just down the street at SUNY Oneonta, the addition of Black Hole Studios has allowed student artists to have yet another resource to utilize their art.
Atrium Entrance
Upcoming events include this fall’s “Foothill’s Fringe Festival”. The brainchild of newest board member, Allie Church, Foothills Fringe takes inspiration from similar festivals around the world, and will be the centers newest annual event. Taking place over two days this September, Foothill’s Fringe will offer plays, film screenings, musical productions, stand-up comedy and more. With over 30 acts already booked, Fringe Festival is sure to draw in hundreds of spectators, artisans, and vendors.
In celebration of Pride Month, Foothills will also be hosting an 18+ Alice In Wonderland themed “Pride Prom” in collaboration with the Otsego Pride Alliance. The Prom, taking place June 30th, will feature dancing, face painting, specialty cocktails, prizes, fashion, and drag performances by local drag artists.
For more information, or to book an event space, please visit Foothills Performing Arts Center’s website.
Pink Talking Fish is hitting the ground running this summer as they celebrate their 10 year anniversary with over twenty shows, three of which will be performed on various stages across New York State.
The Hybrid Tribute Fusion Act spent the first half of 2023 honoring multiple album and concert anniversary’s for the three bands they admire most: Pink Floyd, Talking Heads, and Phish. They celebrated Pink Floyd’s staple album “Dark Side Of The Moon” in light of its 50th anniversary by playing it through each night they performed. In addition to that specific album, they included Talking Heads’ “Stop Making Sense” in homage of the 40 years that have passed since the Talking Heads’ concert film that took fans by storm in 1984.
Throughout this summer and into the fall, however, the band will be commemorating their own success and longevity through concerts, festivals, and other events. To kick off the summer of celebration and music, Pink Talking Fish will play a Dead & Company afterparty in Saratoga Springs where they will sprinkle in songs by Grateful Dead throughout their own setlist. Other highlights include a Southeast run, a Halloween Weekend “Island Tour” in Rhode Island/Long Island, and a stacked festival season that includes performances in New Jersey, West Virginia, Ohio, Vermont, Kentucky, and Indiana.
The band doesn’t plan to stop there as they will be spending the 4th of July weekend giving their fans another high-energy, holiday weekend of music in New England. On July 1st, Pink Talking Fish will return to Portsmouth, NH on the outdoor stage of Cisco Brewers then continue forward by bringing the act back to Cape Cod for a two-night run at The Wellfleet Beachcomber.
To fully celebrate the completion of a 10 year run, the band will perform a special anniversary show in their hometown of Boston, Massachusetts at The Paradise. These are only a few of the events that Pink Talking Fish is looking forward to as they commemorate a decade of creating dream setlists and performing the music of three diverse and, to many, iconic bands in a new and fresh way.
Also announced is the Saturday, October 14th event “Pink Talking Fish Presents: The Must be the Cirque,” at the Capitol Theatre in Port Chester.
This Must Be The Cirque, the follow-up to 2018’s critically-acclaimed Junta Circustransforms The Cap into a magical circus voyage set to the soundtrack of Pink Floyd, Talking Heads and Phish. PTF is teaming up with cirque troupe Modern Gypsies who has worked with Phish, String Cheese Incident and more to enhance the live music experience. Tickets available here
Pink Talking Fish Anniversary Tour
June 17 – Saratoga Springs NY at Putnam Place – Dead & Company AfterParty
June 23 – Hammonton NJ at Beardfest
June 24 – New Martinsville WV at Back Home Festival
June 25 – Morrisville NJ at The Homestead
July 1 – Portsmouth NH at Cisco Brewers
July 2 – Wellfleet MA at The Beachcomber
July 3 – Wellfleet MA at The Beachcomber
July 7 – Manchester VT at Dead Of Summer Music Festival
July 14 – Cabot VT at Jerry Jam
July 21 – Garrettsville OH at Gratefulfest
August 12 – Crown Point IN at Rockopelli Music Fest
August 25 – Longmont CO at Wibby Brewing
September 8 – Syracuse NY at The Westcott Theater
September 9 – Bedminster NJ at Fiddlefest
September 16 – Morrisville VT at Keep On Growing Festival
September 22 – Plymouth NH at The Flying Monkey
September 23 – Boston MA at Paradise Rock Club – 10 Year Anniversary Celebration
October 4 – Washington DC at Pearl Street Warehouse
October 5 – Waynesboro VA at Basic City
October 6 – Raleigh NC at Bowstring Pizza and Brewyard
October 7 – Charleston SC at The Pour House
October 8 – Asheville NC at Salvage Station
October 14 – This Must Be the Cirque, Port Chester, NY at The Capitol Theatre
October 27 – East Greenwich RI at The Greenwich Odeum
October 28 – Port Washington NY at Landmark On Main
