Category: Rock

Dead & Company Get Sentimental in Saratoga Farewell

The long strange trip is allegedly coming to an end, but not before one more Saturday night in Saratoga Springs. Kicking off Father’s Day weekend on a high note, the spirit of Jerry Garcia was alive and well as Dead & Company rolled into town for a pair of sold out shows at Saratoga Performing Arts Center (SPAC) on June 17th and 18th.

Billed as “The Final Tour,” concert goers from all over turned out in huge numbers, creating both a circus-like atmosphere, a bit of an over-crowded cluster, and oh yeah, one heck of a good time! While the weekend also marked the 40th anniversary of the Grateful Dead’s first-time playing in Saratoga, many fans were also quick to point out the last time Dead & Company were in town, the show never actually happened, as it was abruptly called off due to a family emergency within the band. It was never rescheduled, although this year, a second Dead & Company show was added for the first, and last time ever.

Discover Grateful Dead shows from over the years across New York State with our interactive map below

In typical Dead fashion, just getting inside the venue was an adventure in itself. Between massive traffic jams, Shakedown Street shenanigans and huge lines at the turnstiles, before the show even started the lawn overflow had spilled well into the food court area. The place was absolutely packed and the buzz in the air was tangible, friendly, and electric. Strangers were literally stopping strangers just to shake their hand. As Dead & Company took the stage to a rousing ovation, things would kick off with a well-received cover of Sam Cooke’s classic “Let the Good Times Roll,” a sure sign that both the band and the fans were on the same page.

Anchored by original Grateful Dead members Bob Weir (guitar/vocals) and Mickey Hart (drums), this incarnation of the group features cross-over pop superstar John Mayer on lead guitar and vocals, Oteil Burbridge (bass/vocals), Jeff Chimenti (keyboards/vocals), and Jay Lane (drums). Noodling their way into the familiar sounds of “Scarlet Begonias,” the 14 minute dance party would pick up even more steam as the band segued into the time tested sing-along of “Deal.” Weir would croon “Black-Throated Wind” for us next, before handing over vocal duties to Mayer for the always appreciated “Dire Wolf.”

The centerpiece of the set, and perhaps the whole night, came next in the form of “Bird Song.” As people slowly realized what it was, you could almost feel the collective sense of joy. The delicate and lush harmonies transporting you to a place of peace and tranquility, despite having the controlled chaos of some thirty thousand people all around you, all clamoring for a better view of the stage. John Mayer’s melodic guitar work played particularly well off Chimenti’s tasteful keyboards here, yielding the longest piece of improvisation of the night, clocking in at just under 19 minutes. A silky smooth transition into “Going Down the Road Feeling Bad” had the entire place feeling groovy and singing along once again with huge smiles on their faces as the opening set came to close.

After a brief break in the action, an up-tempo “70’s era” version of “They Love Each Other” kicked things back into gear to start the second half of the show. The popularity of Mayer was very noticeable here. Anytime he would sing a verse, a wave of female cheers would cascade through the audience, though Mayer, wearing noise canceling headphones, would never hear them. Instead focusing on interplay with Weir and settling into a fiery groove that would eventually lead the train to “Terrapin Station,” the captivated crowed swayed to the music in pure delight as the lengthy, complex composition was executed beautifully. Oteil Burbridge, who will headline the Rye Bread Music Festival not far from Saratoga next month, was particularly charismatic as “Terrapin” reached it’s final peak.

Like I told you, what I said / Steal your face right off your head
– “He’s Gone”

After that, there was nothin’ left to do, but smile, smile, smile as the song that gave birth to one of the most recognizable logos of all time, “He’s Gone,” gave the audience both a chance to sing and to reflect. The slow and bluesy groove would gradually build on itself, adding subtle layers of momentum until coming around again and finally revealing itself as “The Other One.”

About 13 minutes into it, things would get a little weird as Mickey Hart and Jay Lane would tag team on “Drums/Space,” which took on a decidedly darker, droning-type vibe that had at least one person near me slightly concerned for their apparent heart condition. Eventually the rest of Dead & Company would return to the stage and seamlessly pick up right where they left off, continuing with the second half of “The Other One.”

Next, Bobby would lead the band though the emotional high point of the evening with a heartfelt rendition of “Days Between,” a tribute to the enduring legacy of Jerry Garcia and a sentiment that resonated deeply with everyone in the audience. Picking up the pace now, the band would get everyone back on their feet and dancing once again for a set closing “Turn On Your Love Light.” With the audience still hollering for more, everyone knew exactly what was coming for the encore. And while fans were treated to a smokin’ yet obligatory “One More Saturday Night,” you couldn’t help but feel skeptical at the shows bittersweet ending.

With the band currently sounding as tight as ever and clearly still with significant drawing power, are we really to believe this is the end of the road for Dead & Company, or is this perhaps just the start of an exciting new chapter? With scores of imitators and Dead cover bands already ensuing the music never stops, one thing is for certain: whether this band tours again or not, The Grateful Dead will never die. After a few days of rest, “The Final Tour” will resume at Citi Field in Queens, NY before heading to Fenway Park in Boston this weekend.

Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, NY | 6/17/23
Set 1: Good Times , Scarlet Begonias > Deal, Black-Throated Wind, Dire Wolf, Bird Song > Going Down the Road Feeling Bad
Set 2: They Love Each Other > Terrapin Station, He’s Gone > The Other One (verse 1) > Drums > Space > ‘The Other One (verse 2) > Days Between, Turn On Your Love Light
Encore: One More Saturday Night

Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, NY | 6/18/23
Set 1: Hell in a Bucket, Sugaree, Mississippi Half-Step > Mr. Charlie, Friend of the Devil > Lost Sailor > Saint of Circumstance > Big Railroad Blues
Set 2: Samson and Delilah, Playing in the Band > Help on the Way > Slipknot! > Franklin’s Tower > Drums > Space > Death Don’t Have No Mercy, Throwing Stones, Sugar Magnolia
Encore: Werewolves of London > Playing Reprise

June 20, 2023
Morrissey Announces Four Night Run at United Palace in October

Morrissey announced that he will return to New York for a four-night run at the historic and magnificent United Palace in Washington Heights from Oct. 21-25.

Regarded as one of the most iconic and influential artists of all time, Morrissey emerged as the lead singer of the British band The Smiths, one of the most influential alternative rock bands of the 1980s. Since their break up, he embarked on a successful solo career, featuring thought-provoking lyricism, heartfelt melodies, and his distinctive vocal style. His solo debut, Viva Hate (1988), was critically acclaimed, setting the stage for a series of highly regarded albums such as Vauxhall and I (1994) and You Are the Quarry (2004).

The United Palace, recently in the spotlight as the host venue for the Tony Awards, has received praise for its grandiose architecture and inviting atmosphere. The New York Times described it as a “dream world” where the performing arts flourish, providing an ideal setting for Morrissey’s performances. Each night of the four-night run features his timeless repertoire, from his early days with The Smiths to his prolific solo career.

For more information about Morrissey’s four night fun, visit here.

Morrissey at the United Palace
Saturday, October 21
Sunday, October 22
Tuesday, October 24
Wednesday, October 25

June 20, 2023
Waddington Summer Concert Series Brings Music To the St. Lawrence River

The Waddington Concert Series returns for its 14th year with “Rollin’ on the River!” Over the last five years the series has treated over 15,000 attendees to high quality performances by artists from across the state. This summer’s series will feature eight performances with concerts taking place directly on the St. Lawrence River at Island View Park Pavilion.

Waddington is located directly on the St. Lawrence River just along the US-Canada border. The town showcases some of the best sunsets in New York and has earned a reputation for its fishing and other wildlife opportunities. Surrounded by rolling fields, family farms, historic buildings, and dense forests, Waddington demonstrates the best of the North Country.

“Rollin’ on the River!” runs every Friday at 6:30 from July 7 to August 25 and is free to the public, however donations are always accepted. Attendees can enjoy the show from the pavilion or float by in a boat.

More and details and information about the Waddington Concert Series here.

Concert Lineup

July 7: Fritz’s Polka Band (Annual Memorial Dedication Concert)- everything from modern style polka to country to rock and even blues

July 14: Phil Hurley- a tasteful blend of country and rock

July 21: Double Axel- covering the classic tunes of Van Morrison, Bob Seager, The Beatles, and the Doobie Brothers

July 28: Bear Tracks- country and bluegrass with a hint of Roots rock

August 4: SFM- a premier party band specializing in 80s hits

August 11: Tas Cru- a unique take on Roots rock and blues

August 18: Mark Rust- classic covers and “sing alongs” played on guitar, fiddle, banjo and hammered dulcimer

August 25: Northbound- a variety of pop, rock, and folk favorites from the last five decades

June 20, 2023
Hearing Aide: Nevāda Nevada’s Single “CHARGE!”

Nevāda Nevada, a rock band based in Brooklyn, has recently released their single “CHARGE!” which is a part of their upcoming debut LP Past Life. The piece is a rallying cry for activism, a song of unity in a time of crisis.

The band’s four main members are Kathryn Musilek (of Burn Disco Burn and Deathships), Andrew Gerhan (of Our Lady of the Highway, Adam Arcuragi, and The Animals), David Olson (of The Poison Control Center, and The Wheelers), and Alicia Berbenick. The four are also joined by, Isiah Gage (cello) and Anya Combs (saxophone).

The name of the band, Nevāda Nevada, originates from frontperson Musilek’s hometown of Nevada, Iowa. Olson is also from Iowa, with Gerhan and Berbenick both being New Yorkers. The band is currently working with Rocks In Your Head Records, founded by Sonny Smith of Sonny and the Sunsets.

The Past Life LP is said to be “about time and activism, love and rage, and being stuck while still building something,” with figurative and feminist lyrics by Musilek. This is clear in “CHARGE!,” with the first line being “Good news, you cannot save the world.” The song itself is a question of who is in charge, who is responsible for the world, and who can do things beyond the human scale.

The vocals and the message of the song feel like the focus, but this is mixed up through gaps in the lyrics that let the instruments get their chance to shine. There is a repeated sequence throughout the piece that fills this hole at around 0:55. At 2:35, an electric guitar cuts through this sequence, a good addition.

A nice touch that starts at 3:00 is the echoing effect on the line “we’re callin’” which makes it seem as though the call is traveling through space. This is helped by the relatively long delay between the line itself and the echo, which is in itself distorted.

“CHARGE!,” will be followed by another single “The One About the Sky” on June 23, with the full Past Life LP to come out on July 21. For more information on the band and links to their music, check out their website.

June 19, 2023
Dermot Kennedy – From Street Busker To Madison Square Garden Headliner

Nearing the end of a 29-date tour of North America that kicked off on May 6 in Canada, Dermot Kennedy visited Madison Square Garden – “The World’s Most Famous Arena” – on Wednesday, June 14. In the span of a just a few years, the crooner of his own emotionally charged folk-pop anthems has gone from busking on Grafton Street in his native Dublin to selling out arena after arena on The Sonder Tour. His second studio album of the same name, released in November of last year, has been described by Kennedy as “the realisation that each random passerby is living life as vivid and complex as your own.”

In a world where we are all connected by social media, it often seems like we have never been more separated from one another. But for at least two hours on a weeknight in Midtown Manhattan, we were 20,000 strong as his music united us all under one roof.

On a gorgeous late-spring evening, the first of two female opening acts was Laila Mach, a pop singer and local native from New Paltz. Best known for her Season 19 appearance as a 16-year old contestant on American Idol (2002), Mach released her first music in 2020 via a six-song EP dubbed Lessons Learned. The following year, the singer/songwriter who also plays the piano and guitar released her debut studio album, Stuck on You.

Also providing support for Kennedy was Sasha Alex Sloan, born in Russia and who was discovered at the age of 18 when one of her Reddit posts went viral. Having moved to Los Angeles the following year, working at a coffee ship to support her music aspirations, it was not long before Sloan was penning lyrics for major pop artists such as Dua Lipa and Charli XCX. Her debut album released in October 2020, Only Child, was met with critical acclaim. Sloan released her sophomore studio album, Blame the World, in May 2022.

At 8:40 pm, the house lights went down and Kennedy’s set commenced with the large black screen at center stage suddenly appearing with a series of white handwritten text penned by Kennedy himself. The messages read as follows:

I know that you can feel it, magic hangs in the air.
I’ve heard if you can make it here, you’ll make it anywhere.
I had a dream, and it came true, so will you celebrate with me?
Guide me home, keep me warm, hold me tight New York City.

Suddenly, appearing in the dark shadows of the stage were the backing quintet of Elize Kellman (backup vocals), James Bradshaw (backup vocals, keyboards), Benjamin Keys (keyboards), Kieran Jones (guitar) and Micheál Quinn (drums). The sell-out crowd, already at a fervent pitch, somehow took it up another level when Kennedy finally arrived on stage, opening with “Blossom” (Sonder, 2022). “Power Over Me” (Without Fear, 2019) came next, Kennedy’s second single from his debut studio album that essentially launched him into stardom and winning him the world’s collective ear.

A quartet of tunes (“One Life,” An Evening I Will Not Forget,” “Lost” and “Young & Free”) composed over the span of five years by the Irish singer-songwriter subsequently transpired. The chorus refrain of each one of these songs was belted out by Kennedy’s faithful fans, filling up the iconic venue to its rafters where only the retired jerseys of past NY Knicks and Rangers legends have dared to soar. Next, the romantic folk rocker whose tracks often include a collision with the rap genre performed a sublime rendition of “Dreamer,” another gem taken from Sonder. As the song neared its climax, it segued into a speech by Michael D. Higgins, the President of Ireland, encouraging everyone to pursue their dream of creating art.

“Moments Passed” and “Glory,” each presented by Kennedy from his self-titled compilation album released in 2019, were succeeded by him taking a seat at his piano stage left for solo, heartfelt deliveries of “Rome” (Without Fear) and “Innocence and Sadness” (Sonder). Speaking of the heart, in between these songs – when a pin could be heard dropping – a young woman exclaimed “I LOVE YOU!” from the top of her lungs, immediately after which the entire arena erupted into laughter and applause.

Well into the second half of his 19-song set, Dermot Kennedy bestowed upon his legion of enthusiastic supporters a few more numbers dating to 2019, including fan favorite “Outnumbered,” “After Rain” and “Without Fear.” As the epic night entered its home stretch, the roof of The Garden was officially torn off with a goose bump inducing assemblage of five selections from Sonder – all of which are deemed classics despite their infancy – comprised of “Better Days,” “Don’t Forget Me,” “Homeward,” “Kiss Me” and “Something to Someone.” The last of which, accompanied by blasting canons that filled the sky with confetti bombs, was a fitting conclusion to the highly emotional show for everyone who bore witness. The night’s crowning moment saw Kennedy repeatedly serenading his fans with the chorus, and vice versa, “Once upon a time, I was something to someone.”

The excitement did not end when the house lights came back up at MSG. Immediately following his first ever headlining show in The Big Apple, Kennedy made a short trip downtown to the Swift Hibernian Lounge (his favorite Irish pub in Gotham) where he climbed atop the bar to thrill the punters with an acoustic rendition of “The Parting Glass,” a traditional ditty often sung at the end of a gathering of friends.

With a belly full of Guinness, Dermot Kennedy headed to Boston for a pair of dates on June 16 and 17, before moving onward to Saratoga Springs for an outdoor gig slated for June 19. The North American leg of The Sonder Tour culminates at Freedom Mortgage Pavilion in Camden, New Jersey on June 20, after which Kennedy will fly back home for a pair of outdoor shows at Marlay Park in Dublin on June 23 and 24. Ensuing the Emerald Isle performances will be an appearance on the main stage at Rock Werchter (Belgium) on July 2.

Setlist: Blossom > Power Over Me > One Life > An Evening I Will Not Forget > Lost > Young & Free > Dreamer > Moments Passed > Glory > Rome > Innocence and Sadness > Outnumbered > After Rain > Without Fear > Better Days > Don’t Forget Me > Homeward > Kiss Me > Something to Someone

Dermot Kennedy

June 19, 2023
Re:SET Forest Hills Day 1: LCD Soundsystem Bring The Funk To The Tennis Courts

Re:SET Concert Series kicked off its three day run at Forest Hill Tennis Stadium this past Friday, June 16th. The traveling mini festival is in their inaugural year, taking a stacked lineup on the road and commandeering local venues for a long weekend of music. The opening night of Re:SET Queens featured legendary NYC natives LCD Soundsystem supported by Jamie XX, IDLES, and fellow New Yorker L’Rain. Each band brings a distinct style of the music to the stage, creating a truly unique night of music you can’t get at a normal concert.

LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

The atmosphere was electric from the beginning. General admission floor wristbands were given out on a first come first served basis, drawing a large crowd for the early start time. A brief thunderstorm pushed doors back an hour, but those first fans in the door were greeted to the amazing L’Rain welcoming them from the stage. Her uniquely experimental pop and R&B filled the stadium with dense layers of vocal loops and instrumentation. L’Rain finds herself on many bills throughout the city opening for all sorts of artists, keeping it fresh by bringing something new every time.

Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

IDLES were up next, who brought a drastic shift in energy with their classic, in-your-face punk rock. The band boasts an extremely loyal and engaged fan base that made it out to Forest Hills in droves. IDLES have been pretty active since their excellent 2017 debut Brutalism, releasing four LPs in that time span and embarking on countless tours. Over the course of their one hour set, IDLES hit each of their four LPs including crowd favorites “Crawl!” from 2021’s CRAWLER and “Never Fight a Man With a Perm” from their sophomore LP Joy as an Act of Resistance.

IDLES, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

The band loves to be engaged with the crowd, crowd surfing while singing and even jumping into the mosh pit and playing guitar while mixing it up with the kids. Before closing the set with “Rottweiler”, vocalist Joe Talbot thanked the fans for coming out, saying “the only reason we exist as a band is because of the love and passion you bring to the shows, so thank you.”

IDLES, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

After the punk infused mosh pits cleared off the tennis courts, UK garage and house infusion was up next courtesy of Jamie XX. One half of The XX, Jamie XX blends the classic garage sound with old school house and rhythm and blues beats to create a unique style of dance music. Parked in front of a giant disco ball projecting rays onto the crowd, Jamie XX played a rather deep setlist littered with snippets of some of his bigger hits hidden in the layers. He opened the set with “KILL DEM”, a one-off single from 2022 that features a vibrant, glitchy vocal array over a very tribal garage beat. Jamie XX followed that up with “Idontknow”, another single that mixes scattered percussions with trippy vocal loops.

Jamie XX, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

Jamie XX took a 5-song setlist and fleshed it out for his hour-long set by mixing his songs in and out of curious beats and musical tangents, without skipping a beat or allowing a second of dead space. He rolled on with the fun and vibrant duo of “I’ll Take Care of You” followed by “LET’S DO IT AGAIN” before ending things off with a funky edit of “Gosh”, the opening track from his stellar 2015 LP In Colour. The audience on the floor and in the stadium seats were dancing from the moment he took the stage

Jamie XX, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

LCD Soundsystem always draw quite a bit of hype when they are in town, regardless of the countless residencies they perform in the city. A staple in the city’s thriving music scene since their inception in 2002, the band is beloved in New York and can bring a tiny dive bar or an entire arena to its knees with their infectious dance rock. Forest Hills Stadium was packed to the upper deck before the band took the stage to an enormous reception on a gorgeous night in Queens.

LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

James Murphy and company started things off with a bang with the driving drum beats of “Get Innocuous!”, the opening track from 2007’s Sound of Silver. The beat sent the audience into a dance groove that did not let up until curfew. The song continued to swell until a sudden transition to “I Can Change” instigated a loud sing along from the 13,000 fans in attendance. The set rolled along with endless crowd favorites, leading up to a climactic three song finale. “New York I Love You But You’re Bringing Me Down” always comes with a vocal outburst from the crowd, which was followed up by the thunderous jam “Dance Yrself Clean”. The band fleshed this song out a bit for the live show, sending an already amped crowd up into another gear. All good things must come to an end, with LCD Soundsystem ending the night with “All My Friends”. A truly joyous ending to day one Re:SET.

LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

Re:SET has certainly established itself as one of the more unique traveling festivals in only its first year. Each day features a bill of four bands that could all headline shows on their own; many who just completed or are in the middle of their own tours. Each band brings something new to the stage when it’s their turn to play, drawing the interest of the fans who came out, and the other bands themselves. During the earlier acts for Re:SET, James Murphy and others from LCD Soundsystem were in VIP checking out the music, rocking along to IDLES and dancing to Jamie XX. During the headline set, many of the band members from the earlier acts made their way into the crowd to witness the legends themselves. It’s truly a great festival for fans who enjoy a wide array of music.

LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello

Night two on Saturday featured headliners Boygenius along with Clairo, Dijon, and Bartees Strange. The final day was on Sunday, with a stellar performance by Steve Lacy supported by James Blake, Toro y Moi, and FousheÃ©. Stay tuned for our coverage of nights two and three and check out our gallery from the opening night below.

LCD Soundsystem, Re:SET Forest Hills 6/16/2023

June 19, 2023
Marina Laurendi Releases Groovy Single With Deeper Meaning, “Silver Lining”

Marina Laurendi, recognized as a “sad girl on the rise,” returns with a series of rock-centric singles, starting with her latest, “Silver Lining.” The Buffalo-based singer released the single following the success of her debut EP and music video, “Stay Mine.” The indie rock songstress further solidifies her hold as “one to watch” in the alt. world with this dancey, evocative up-tempo.

Buffalo born and bred, Marina Laurendi is an indie pop/rock singer-songwriter. Her sound fuses storytelling, alternative elements, and bursts of cinematic pop. Through this, she evokes a sense of wanderlust, nostalgia, and dreamy idealism. With poetic verses, infectious hooks, and haunting vocals, Marina throws a refreshing twist on old school Alt.

“Silver Lining” grooves with nostalgia, featuring reverberating guitars and subtly nuanced vocals, oozing texture and allure. The elements blend together seamlessly to create the perfect soundtrack for road trip radio jamming, or a sunny day stroll.

Despite the song’s happy melody and dance-worthy beat, but carries a raw, honest message about change. Laurendi says that the song is about going through life-changing events that alter who you are as a person. Written during her father’s terminal battle with cancer, the song depicts being unable to keep up with appearances in the midst of grief and loss.

The music contrasts with the lyrics, with a nostalgic vibe of a 1950’s bandstand—vintage vocals, layered instruments, and a melancholic slide guitar. The song details a romantic relaitonship where one party can always see the silver lining, but the other is in a different place entirely, struggling to feel seen.

Laurendi says of the song, “I think it’s so relatable because at some point we all suffer a loss that alters us, at least for a little while. When you’re in a different place emotionally than yout friends or even your partner, you can drift apart. Sometimes people can’t fathom what you’re going through unless they’ve lived it.” The feeling of being unseen and misunderstood is simply and eloquently summed up in the lines, “You want to paste a smile on my face and act like I’m alright…I can’t dance the way I used to anymore.”

For this single and her upcoming sophomore EP, Laurendi dove headfirst into the alternative rock pocket, lovingly nicknaming her particular genre as “Bitch Rock.” She says, “It’s about embracing all the emotions women are taught not to show – rage, desire, ugliness, all of it. We’re people not flowers,” she laughed. If you’re a fan of the honest songwriting style of Samia, the gritty textures of Angel Olsen, and the effortlessly nostalgic quality of Alvvays and Best Coast, “Silver Lining” is sure to top your summer sad girl playlist.

Marina grew up as a theatre performer and moved to NYC shortly after college to perform Off-Broadway and around the East Coast. She recently performed at The Bitter End (NYC), Buffalo Ironworks, Rec Room, and Nietzsche’s, Whirlybird Music & Arts Festival (Jamestown, NY), and Buffalo’s 20th Annual Music is Art Festival. Her music has been featured on Thunder 102 in Sullivan County, WBFO The Bridge, Broadway World, NYS Music, and more. In 2022, she was a quarter finalist in a national competition to open at the Hollywood Bowl. Her debut EP “Stay Mine” and title track music video are out now on all platforms. Follow Marina Laurendi on social media here and catch her next hometown performance on August 4th at Nietzsche’s in Buffalo.

Listen to “Silver Lining” here.

June 19, 2023
Seize Atlantis Releases Striking New EP “Ruins Rebuilt”

The close knit alternative rock band from Glens Falls, Seize Atlantis, just released their newest EP on Saturday, June 17th, titled Ruins Rebuilt. These winners of NYS Music’s March Madness earlier this year created their EP to feature a total of five tracks which showcase the band’s growth in production and lyricism since their founding in 2019.

Ruins Rebuilt is the band’s second EP with their first having been released during the summer of 2022. Since their first release, Seize Atlantis has been performing and creating music consistently, thrusting their sound into the limelight and solidifying them a loyal fanbase. Three of the five tracks on Ruins Rebuilt are singles that have already been released including “Crawl,” “I Need It,” and “Monster” with two new tracks “Hide” and “Cosmos.” Their latest release, just two weeks before the EP dropped, was an acoustic version of “Hide” which takes on a new life and form in the EP’s production. Together, the tracks give off a message and tone of eeriness, worldly unknowns that lay in the future, and memories and scars of the past that one wishes to be forgotten. This theme takes form in context of individuals’ relationships with each other as well as one’s toxic and increasingly complicated relationship with themselves. Every message is highlighted through the sound of hard rock, powerful vocals, and at times overbearing yet incredible instrumental backing.

Each song on the EP takes the band and listeners into a striking direction while staying consistent in theme and tone. The beginning moments of “Crawl” work to immediately grasp listeners with an intoxicating beat that builds in each measure as the band adds in one instrument after another. This rise in sound and intensity is similarly followed by James Mullen’s consistent and powerful vocals which go through multiple flips and key changes. The lyrics express an internal battle while simultaneously instilling the idea that personal demons can enter from the outside as well. In this manner, it calls attention to the parasitical characteristics of fraudulent personalities threatening to take over the social public. “Cosmos” is a track that is more laid back and eerie than the previous, yet this is where the lyric talent of the band truly shines. It follows an individual calling out into an endless void asking if they can be heard and receiving no reply. As the song is a solo, the singer is vocally alone, knowing there will be no answer to come, yet recognizes that everyone is similar in this sense taking away the intensity of that feeling. Halfway through the song, however, production takes over as different voices are blending together and fighting against each other, not giving the audience the ability to understand what they are saying – this is where music is used as a guiding light as everyone is able to comprehend the solemn, invigorating, and sometimes hopeful energy of the rest of the band.

Seize Atlantis has been on a wicked run which has given them various things to celebrate. Not only will the band have new singles to rock out to and share with their fans, but the members are coming off of winning “Favorite Rock/Hard Rock Artist,” and “Favorite Progressive Rock Artist,” at the 2023 ListenUp Awards. To keep the party going, “Ruins Rebuilt” will be debuted on the evening of June 17th at Glens Falls’ Mean Max Brew Works and will also be performed on the road to GEM FEST 2023. You can listen to Ruins Rebuilt and more by Seize Atlantis on any streaming service including Spotify, iTunes, and Apple Music.

June 17, 2023
Music On The Green Returns To Saranac Lake

Saranac Lake’s Music on the Green concert series is back for another year of summer programming. Located in the picturesque Adirondack Mountains, Saranac Lake has been hosting the concert series for a decade.

Music on the Green runs from July 5 through August 9 and takes place every Wednesday evening from 7pm to 9pm. All the concerts are held at Riverside Park and are free to the public. The series aims to shine a spotlight on Saranac Lake’s downtown and arts scene.

Since its inception in 2013, Music on the Green has brought 60 different music groups from various genres to the mountains. This year artists from all over New York and Vermont will make their way to Saranac Lake to share offerings of rock, jazz, soul, country, and more.

Summer Lineup:

July 5: Los Blancos- a roots and blues group from Syracuse

July 12: Fenimore Blues- a blues and rock outfit based out of Saratoga Springs

July 19: Freight- an Ithaca alt-country group

July 26: Mo’ Mojo- a zydeco band looking to channel the spirit of New Orleans

August 2: High & Mighty Brass Band- a groovy Brooklyn jazz brass ensemble with hints of hip-hop

August 9: Mal Maïz- Vermont musicians with a unique take Cumbia and other Latin sounds

More information and details here.

June 15, 2023
Rock the Locks Brings Bands and History to Albany, Buffalo, Rochester

Nine bands will be playing as a part of “Rock the Locks,” a rock and roll showcase with six shows near three Upstate NY cities: Albany, Buffalo, and Rochester. The shows will take place on July 7, July 8, Aug. 4, and Aug. 5.

Rock the Locks events are being presented by Rockin’ Rochester Productions, Hey Greasy! and Yace Booking. Each of the three cities has three bands playing, and each has two events. The three groups of bands switch between cities for the different dates, excluding the city that they are native to.

The name is a callback to the Erie Canal, which passes by all three cities. Locks 1 and 2 are near one end in Albany, locks 65 and 66 near Rochester, and locks 67-71 near Buffalo in Lockport. Locks were used to raise and lower boats traveling through the canal, and were a key part of the system’s infrastructure. Mules were often used to pull boats along, with mules and canal boats pictured in the Rock the Locks promotional material.

Albany

Taking place across the river in Troy at No Fun, the two concerts here will be on July 8 and Aug. 5, with doors opening at 7:00 p.m.. The first show will feature Thee Isolators, The Evil Things, and The Burkharts, with the second show featuring Aweful Kanawful, Low Spirits, and Jazz Goons.

The tickets are $10 for advanced payment and $13 at the door. More information can be found on No Fun’s website.

Buffalo

At Nietzsche’s in Buffalo, the concerts will be on Friday, July 7 and Saturday, Aug. 5. For the Friday show, doors will open at 9:00 p.m., with the show starting at 10:00 p.m.. Bands on that day will include Aweful Kanawful, Low Spirits, and Jazz Goons. For the Saturday show, doors will open at 8:00 p.m., with the show starting at 9:00 p.m.. Bands on that day will include Flavour, Abysmals, and Safety Meeting.

For both dates, tickets are $10. More information can be found on Nietzsche’s website.

Rochester

The two concerts in Rochester will be held at Lux on July 7 and on Aug. 4, starting at 10:00 p.m.. For the first show, Flavour, Abysmals, and Safety Meeting will be featured. For the second show, Thee Isolators, The Evil Things, and The Burkharts will be featured.

Tickets are $5 for both dates. More information can be found on Lux’s website.

June 15, 2023