NYS Music 2023

Category: Genres

  • Five Can’t-Miss Shows in Syracuse In November

    With the holiday season rapidly approaching, many take a moment to reflect and give thanks for their family and friends. Many will also give thanks to the music community that graces their town. Here are five shows you won’t want to miss in Syracuse this November to help ring in the holiday season.

    syracuse city skyline
    Photo by Tony Shi

    November 11: Diva Nova at Maplewood Inn

    A star-studded line up of female Central New York musicians share the stage at the Maplewood Inn on Saturday, November 11.  Headlined by area favorite Jess Novak, the night will include performances by Sheela Tucker, CNY Songbirds, Liz Fiddle, Sydney Irving, Heather Kubacki, Diana Jacobs, Lisa Romano and many more.   See the full line up of musical talent here.

    Tickets start at $23 with music starting at 7pm. 

    November 12:  Deer Tick at Homer Center for the Arts

    Indie-rockers Deer Tick make their much anticipated return to Homer’s Center for the Arts on Sunday, November 12.    Known for their high energy live performances, the folk quartet last played the theater in July 2022.  Currently touring in support of their latest release, Emotional Contracts (2023), the band is sure to mix in many favorites from their extensive catalog.  Abby Hamilton opens the show.

    Doors open at 7pm with music starting at 8pm for this sold out performance.

    November 15:  The Rock Orchestra by Candlelight at the Crouse Hinds Theater

    A unique listening experience will greet concert-goers on Wednesday November 15, as the Rock Orchestra by Candlelight will take stage in Syracuse.  Featuring a 14 piece band of classically trained musicians dressed in skeletal costumes, the musicians will perform an assortment of rock and heavy-metal tracks while lanterns and puppets adorn the stage.  This musical spectacle is surely one you won’t want to miss.

    Doors open at 7pm with music starting at 8pm.  Limited tickets remain available for $88.

    November 22:  All Poets & Heroes at Funk ’n Waffles.

    It’ll be a homecoming celebration Thanksgiving Eve, as Syracuse indie rock favorite All Poets & Heroes return to the stage in Syracuse.  The band relocated to Nashville in early 2023, leading to limited performances in Syracuse. The band, who have drawn sonic comparisons to Radiohead, were winners of the 2023 Syracuse Area Music Award for Best New Single, for their track “Give It To Me Straight”.   Syracuse’s The Dirty Doves Band open the show.

    Doors open at 7pm with music starting at 8pm. Tickets start at $13.

    November 28:  Lawrence at The Westcott Theater

    New York City soul-pop band Lawrence bring their sounds to the Westcott Theater on November 28.  Described as “High-energy, keyboard driven sound, featuring tight, energetic horns, and explosive lead vocals,” the band have been turning heads since a performance on The Late Show with Stephen Colbert in 2022.   Telula opens the performance.

    Doors open at 7pm with music starting at 8pm. Tickets are $30.

  • Razor Braids’ “She” Celebrates Sapphic Love and Spontaneity, Pop-Rock Style

    Brooklyn pop-rock sensation Razor Braids has released their latest single, “She,” a femme-focused, upbeat pop track that captures the excitement and spontaneity of Sapphic love. Accompanied by a carefree music video portraying a lively party scene, Razor Braids invites us into the vibrant world of queer hookup culture.

    “She” isn’t just a song; it’s an anthem for being unapologetically yourself and seizing the opportunity for love. With vocal timbres reminiscent of Carly Rae Jepsen and The Cranberries, “She” offers a fresh take on pop. However, production-wise, the track introduces a rougher edge, echoing the spirit of punk-rock legends such as The Clash and Bikini Kill.

    Razor Braids She

    In discussing the themes of “She,” Razor Braids shared, “Letting yourself be present during moments of change or uncertainty is a common thread across our upcoming releases. ‘She’ is such a fun encapsulation of that theme: embracing the unknown and jumping into something that feels good and joyful, and allowing yourself to accept that joy even when fear is also present in that moment.”

    Regarding their distinctive sound, Razor Braids explained, “We all grew up in different places and with different musical influences. We’ve learned how to embrace and utilize that within our songwriting. We all bring so many different inspirations to the table: country, folk rock, garage, indie rock, and punk. By tapping into the elements of these genres that we each connect with most, we’ve shaped our music. Connection—connecting with each other and with our audience—is an integral part of our live performance.

    “We want everyone to feel like they’re part of something bigger than themselves when they see us live. That really shines through in the music and lyrics and also with how wild and fun we get on stage.”

    Razor Braids

    Razor Braids Fall 2023 US Tour

    10/18 Grand Rapids, MI @ Pyramid Scheme

    10/20 Lincoln, NE @ 1867 Bar

    10/21 Denver, CO @ The Black Buzzard

    11/8 Philadelphia, PA @ Kung Fu Necktie

    11/9 Pittsburgh, PA @ Bottlerocket Social Club

    11/10 Chicago, IL @ SubT Downstairs

    11/11 Toledo, OH @ The Ottawa Tavern

    11/13 Buffalo, NY @ Buffalo Iron Works

    11/14 Medford, MA @ The Rockwell

    11/16 Troy, NY @ No Fun

    11/17 Brooklyn, NY @ Baby’s All Right

  • Cortland-Based Cloey Tierno Launches Kickstarter For Sophomore Album

    Resilient and powerful are just two words one could use to describe the Cortland-based artist Cloey Tierno. For the past few years she has been battling a rare cancer, Hodgkin’s Lymphoma, spending the summer in treatment facilities. Despite these setbacks, she is powering through, holding that same fiery passion for music.

    Recently, she has asked for support, launching a Kickstarter to create her sophomore album.

    At just 18 years of age, Cloey Tierno has been singing and creating music for as long as she can remember, singing and coming up with lyrics inside countless notebooks. Recording professionally for the first time at the age of 15 with the talented Chris Merkley and Gabe Cummins, her first record i fell in love with the rain brings 14 pop-oriented songs to the table, all written in her bedroom on an acoustic guitar. About the album, Cloey Tierno says “Those songs quickly developed into a fuller potential, musically, than I could’ve given them on my own, and yet simultaneously preserved the organic elements that they possessed when I first wrote them.”

    She was nominated for a SAMMY (Syracuse Area Music Award) the following year for Best Pop Recording of 2023, winning at the end of the night. “It gave me such validation for what
    I’d created and encouragement to continue finding success in what I loved doing more than anything else,” she said. Finding inspiration in arts like Taylor Swift, Gracie Abrams, and Maisie Peters, Cloey Tierno says that these artists integrate writing, the foundations of it, production, and vocal delivery in a beautiful manner, a manner that she finds herself repeatedly connecting with.

    The music I write is just a poetically honest reflection of where my head or my heart is at as I’m writing it, or sometimes it’s just me trying to more deeply understand an experience that, at the time, I couldn’t fully grasp. It’s also important to me to create a final product that exudes relatability and something raw and authentic. Ultimately, I strive to share lyrics and storytelling that I put a piece of myself into and am truly proud of, and that somebody listening to those results also happens to find a piece of themselves in it, too.

    Cloey Tierno.

    Dealing with chemotherapy treatments hasn’t been easy, but she has concluded the majority of the treatments. About the diagnosis, she said, “What I can tell you is that when I chose to navigate it with intention and openness, it grew to be one of the loudest voices in my songwriting and a guiding factor to both my attitude and my creativity. That integration between the world of art and the world of spirituality is something that I believe has strengthened all the music I have created since and will continue to create, for the better.”

    Looking to the future, she is running a Kickstarter campaign to be able to financially support the making of her second studio album. It’s an all-or-nothing approach, meaning she must make the full amount she is pledging or else she won’t be able to produce the album. She wants to demonstrate how she has grown as both a human and as an artist since her first album release and has more important things to say.

    You can support Cloey by donating to her Kickstarter, and streaming her music on Spotify or Apple Music.

  • The GREAT Salt City BLUES Concert To Be Held at The Middle Ages Brewing Beer Hall After Christmas

    The GREAT Salt City BLUES Concert 7 will take place on December 26 at The Middle Ages Brewing Beer Hall. With various performances from modern blues artists, the concert will also commemorate past artists that had a lasting effect on the entirety of the blues genre, including Savoy Brown, Kim Simmonds, Ann Peebles, and Skip James.

    Mark Westers, Facebook

    The GREAT Salt City BLUES Concert is an annual event held the day after Christmas. A series of 10 GREAT Salt City BLUES Concerts will be presented. This is concert #7, and each concert has been performed in front of a full capacity audience.

    Previously held at The Palace Theatre in Syracuse, The GREAT Salt City BLUES Concert 7 will be a held at one of the Salt City’s newest venues, The Middle Ages Brewing Beer Hall— a new 8,000 square-foot area reserved for music and events on the second floor of the Middle Ages Brewing Co.

    Every one of The Great Salt City BLUES Concerts is unique and never to be repeated, with a changing line-up of performers featuring some of the area’s greatest musicians. Each concert is a thematic show honoring some of our greatest Blues Artists with participating musicians chosen specifically because they are best fitted for the show.

    Savoy Brown’s website

    This year, the GREAT Salt City BLUES Concert 7 will be paying a special tribute to Kim Simmonds and Savoy Brown, the Blues/Rock institution formed in London, England in 1965 by band leader and guitarist, Kim Simmonds.

    Savoy Brown was a big part of the British Blues boom of the 60‘s, along with Fleetwood Mac, Cream, John Mayall, and the Bluesbreakers, The Yardbirds and a host of other U.K. bands that brought the Blues back to popularity in both Europe and the United States.

    Savoy Brown was a huge touring concert attraction in the States after breaking out in Detroit on their first U.S. tour in 1969. They stayed based in London until the late 70’s when Kim Simmonds moved to the States where Savoy Brown’s popularity was the greatest. The late 80’s found Kim moving to the Central New York area and finally settling down in Oswego after marrying Oswego native Debbie Lyons. Together, they resided in Oswego while raising a daughter, Eve Simmonds. Kim lived in Oswego until his untimely passing on December 13th, 2022.

    Kim Simmonds, Wikipedia

    Kim Simmonds was a big part of the Central New York music scene and often employed many local area musicians in the ever changing line-up of Savoy Brown. These included such local legends as former Kingsnake, Pete McMahon, vocalist extraordinaire Joe Whiting, the late drummer Dave Olsen of The Robert Cray Band fame, as well as bass player Pat DeSalvo and drummer Garnet Grimm, the latter two still being members of Savoy Brown at the time of his passing and the rhythm section of Savoy Brown the last two decades. Grimm and Whiting will also be taking part in the GREAT Salt City BLUES Concert 7 paying tribute to their former band mate.

    Savoy Brown’s legacy will continue to live on with a catalog of over 40 albums recorded, including two albums on Baldwinsville’s Blue Wave label, who also released three of Kim’s solo albums. With his hand print enshrined on Hollywood’s Walk Of Fame, Kim Simmonds will always be considered one of the greatest Blues/Rock guitarists of all-time.

    Blue Wave Records’ website

    The GREAT Salt City BLUES Concert 7 will also be paying tribute to Memphis Soul’s great Ann Peebles, who is best known for writing and singing the classic hit song, “I Can’t Stand The Rain” made most popular by Tina Turner in 1984. Ann Peebles retired from touring after suffering a stroke in 2012. Vocalists Marcia Hagan and Donna Colton will be handling the vocals on seven of Ann’s greatest songs at the GREAT Salt City BLUES Concert 7.

    Wikipedia

    On the acoustic stage, The GREAT Salt City BLUES Concert 7 will pay tribute to the Delta Bluesman Skip James, a Blues Hall of Fame artist who recorded in the 1930’s and continued to record in the Blues revival of the 60’s after being rediscovered. Skip James passed in 1969, but his songs live on, including his often covered gems, “I‘m So Glad“ (covered most famously by Cream), “Devil Got My Woman,” and “Hard Time Killing Floor Blues.” Woodstock native and New York Blues Hall of Fame artist, Elly Wininger, will be performing four of Skip James’ classics at The GREAT Salt City BLUES Concert 7 .

    The GREAT Salt City BLUES Concert 7 participating musicians are:

    Tas Cru

    Morris Tarbell

    Mark Doyle

    Joe Whiting 

    Mark Westers

    Donna Colton

    Marcia Hagan

    Rolland Brunet

    Dan Morison

    Jeff Stockham

    Rod Zajak

    Garnet Grimm

    Don Williams

    Dave Schneider

    Rob Hoston

    Mira Grimm

    Scott Ebner

    Elly Wininger

    Tickets available online at ticketweb.com. They are $30.00 advance / $40.00 at door (if available), and went on sale November 1.

    For more information, visit their website or follow The GREAT Salt City BLUES Concert on Facebook.

  • Listen To The Vigilance Committee’s Insightful LP “Coming Home”

    Indie punk band The Vigilance Committee has released their newest LP Coming Home– the band’s first LP since their historical concept record, Exit a Hero, released way back in April 2015. 

    The Vigilance Committee is what it is because of Peter J. Scoma (guitar/vox), Phil Corso (drums), Christian Cepeda (guitar), and Adam James Tomlinson (bass). Their latest releases since their other album, Exit a Hero, include their single “Reflections III” and the activism-driven EP “Join Us.” 

    Their newest release, Coming Home, features 10 emotionally charged songs that the band crafted during quarantine at the start of the COVID-19 pandemic. 

    While all songs are impactful, with specially crafted lyrics and perfected blends of electrifying punk and indie, there are some songs that particularly stand out: “It Was Dawn,” “Beacon,” “Hive Mind,” “Oakfield,” “Unanchored,” and “My Body (Moved But My Mind Stayed There).” 

    Most of the album consists of upbeat punk, but some slow back down, letting The Vigilance Committee’s indie side shine through. One such example is “Hive Mind” which is slower than the other songs, and slightly more relaxed. This song in particular shows The Vigilance Committee’s versatility– but they hit you with a perfectly crafted electric guitar solo in the middle. The lyrics themselves are equally as powerful, and stay true to the title. The song is about questioning our everyday lives– the “hive mind” mentality. This song begs the question: are we making our life choices with intent, or are we just going through the motions?

    Some of the most powerful, emotional lyrics are toward the end, showcasing the rage that many people in society face today due the decisions of those in control, such as government officials. “This is not the world that they sold us // Empty promises // A fire burns. // All we want is to be heard.” 

    Another powerful song is “My Body (Moved But My Mind Stayed There).” This song is more somber and relies on the instrumentals due to the few (but impactful) lyrics and angelic vocals. 

    For more information on The Vigilance Committee, follow them on Instagram, Twitter, YouTube, or visit their website.

  • Binghamton Philharmonic Orchestra Presents “Faces of Joy” This November With Piano Soloist Andrew Russo

    The Binghamton Philharmonic Orchestra presents “Faces of Joy” this November, an exhilarating concert of joyful classical works, both old and new.

    The Binghamton Philharmonic Orchestra is the Southern Tier’s largest and longest-serving symphony orchestra. Today, the Binghamton Philharmonic serves 10,000+ people annually through innovative, engaging, and affordable programming– connecting professional musicians with audiences to stimulate the economy, and expand music’s possibilities for a broad listenership– within and beyond the concert hall.

    The Binghamton Philharmonic Orchestra will feature a guest piano soloist Andrew Russo, a musician known for his diverse interests from business to music.

    A Syracuse native, Russo graduated from Fayetteville-Manlius High School and spent his early years studying with William Goodrum and Steven Heyman. He earned his bachelor and master degrees at The Juliard School, followed by post-graduate studies in Leipzig and Paris with pianist/alternative pedagogue Frederic Chiu. He has performed in many of the world’s cultural capitals including Paris, London, Moscow, Rome, Brussels, Tokyo, New York, Los Angeles, Chicago, and Buenos Aires.

    His appearance as a finalist in the 2001 Van Cliburn International Piano Competition drew public attention when he became the first pianist to perform a significant work using alternative techniques requiring the inside and frame of the piano as well as the keys. He was featured in Peter Rosen’s internationally broadcast documentary “Playing on the Edge” not long after the competition and profiled in New York Times writer James Barron’s book, The Making of a Steinway Concert Grand.

    With twelve commercial recordings to his credit, the highlight of Andrew’s recording career was a 2007 Grammy nomination for his Black Box Records release of music by John Corigliano. His video of Jacob TV’s “The Body of Your Dreams” has become a popular draw on YouTube and was broadcast on Dutch television. Andrew’s most recent recording on Naxos featured new works by Aaron Kernis, including Three Flavors for piano and orchestra, commissioned by Russo and premiered with David Alan Miller and the Albany Symphony Orchestra.

    Russo continues to perform as a recitalist, concerto soloist, and chamber musician, with several appearances each season. He lives in the scenic Skaneateles, NY with his wife Natalia and their children Andrei and Mila.

    The Binghamton Philharmonic Orchestra’s “Faces of Joy” will take place Saturday, November 18, 2023 at 7:30pm. In addition, the orchestra will hold free community events in advance of “Faces of Joy,” including “Music as Play” (November 16 at 6:30pm) and “Ab ordine libertas (From Order Comes Freedom): How Composers Balance Restraint and Joy” (November 18 at 6:30pm).

    Tickets to “Faces of Joy” will be $25 to $65 per person, available on their website or by calling (607)723-3931.

  • YoFiFest Returns With Music Films “Kings of Blah” and “Louder Than You Think”

    YoFiFest returns for its 11th year as an international film festival that welcomes filmmakers and film lovers from across the globe to Yonkers. This year, YoFiFest will showcase many films, including music films “Kings of Blah” and “Louder Than You Think.”

    YoFiFest launched its annual festival just 11 ago. Starting as a small non-profit, their mission was to raise the level of arts and culture in its community by showcasing the work of independent filmmakers and providing educational and cultural opportunities that otherwise wouldn’t exist in the area. This year, the organization is more committed than ever to not only continue that mission, but expand on it. For ten days, YoFiFest will present around 125 films from 24 countries, as well as films from our home state. The films include features, documentaries, shorts, animation, music videos, web series, and student work. 

    This year, two great “music movies” will be featured in the YoFiFest lineup, Kings of Blah and Louder Than You Think. 

    Kings of Blah is a story centered around two coworkers– Danny and Tom– at an electronics supply store, but by night, they are “Frog”: a guitar rock duo looking for their break. When their new EP makes a big splash in England, the boys bid farewell to Queens to seek glory “across the pond.” Frog will also be holding a live performance and throwing a record release party just after the screening of their film. 

    Louder Than You Think is an up-close cinematic film through the life of Gary Young, the original drummer of indie rock royalty, Pavement. His booze and drug-fueled stunts (such as on-stage handstands and gifting vegetables to fans) and haphazard production methods (which accidentally helped launch the lo-fi aesthetic) were both a driving force of the band’s early rise and the cause of his eventual crash landing. Leaving a wake of joy and/or destruction at every turn, Gary teeters the thin line between free-form self-expression and chaotic self-destruction. 

    “When we started the film festival nine years ago, Yonkers wasn’t known as a film-friendly city…but with an increasing number of movies and television shows shooting here, and a new studio complex right outside our YoFi Digital Media Art Center, it’s beginning to feel like people are realizing what we’ve know for awhile—Yonkers is Hollywood on the Hudson!”

    Dave Steck

    The 10 day festival kicks off on November 10 and offers over a hundred independent films, live filmmaker Q&A’s, educational workshops led by entertainment industry professionals, networking events, receptions, and parties.

    Most of YoFi’s film programs will be followed by a live Q&A where the audience has the opportunity to ask the filmmakers questions about their movies. Patty Schuman, the festival’s co-founder and programmer, notes that nearly every one of their filmmakers plan to attend their film’s Q&A’s this year. 

    The festival provides an amazing opportunity for audiences to watch films that they might not see anywhere else. FilmFreeway named YoFiFest one of the “Top 100 Best Reviewed Festivals” nine times. YoFiFest also been named “Best of Westchester” twice by Westchester Magazine, and it was named as one of the top ten reasons Yonkers was voted the “Hippest Town in the Lower Hudson Valley” by The Journal News/LoHud.

    All the screenings and workshops are held in downtown Yonkers within a few blocks of each other at either the Yonkers Riverfront Library theater, directly across the street from the Yonkers Metro North Train Station, or YoFi’s own year-round DMAC (Digital Media Art Center). The festival is convenient to public transportation, as well as several nearby parking lots.

    Besides the festival, YoFi offers year-round programs, screenings and events throughout the winter and spring. This year it piloted its new TEAM (Training for Employment in the Arts and Media) program that gives 18-26 year olds the skills they need to enter the entertainment industry in entry level positions. The program is preparing to expand and start its next cohort in January, 2024. The participants will receive classroom instruction, as well as location visits, mentorship and job placement. 

    More information and tickets are available at their website.

  • Norah Jones Announces Concerts & Cultural Experience in Cuba

    Norah Jones has announced a concert program in Havana, Cuba as part of a four-day cultural experience in February. The program, titled Vive En La Habana, celebrates Cuban culture through music, education, and more, with two headline shows at Havana’s historic Teatro Martí.

    Norah Jones: Vive En La Habana Cuba

    An NYC native, Norah Jones launched her solo career in 2002, winning Grammy Awards for Album of the Year, Record of the Year, and Best New Artist following her debut album, Come Away With Me. Most recently, she re-released the deluxe version of her 2012 album, Little Broken Hearts. Jones began her newest project, a podcast titled Norah Jones Is Playing Along, in 2022, where she explores creative collaborations, conversation, and connection.

    Norah Jones will play Havana’s Teatro Martí on February 17 and 18. Attendees will have the opportunity to participate in a Q&A session with the artist, watch soundcheck, and sit-in on a seminar session with Jones and musicians from Institute Superior De Arte, Cuba’s leading arts university. The program aims to celebrate Cuban cultural and musical heritage, as well as provide an educational experience for attendees visiting the country.

    Teatro Martí

    In addition to Vive En La Habana, Norah Jones will take the stage at NYC’s The Town Hall at Rufus and Martha Wainwright’s Not So Silent Night, a Christmas concert special featuring Norah Jones, Debby Harry, Sean Ono Lennon, and more. Tickets are on sale now, available here.

    Attendees at Vive En La Habana will experience all things Norah Jones: tickets to both shows at Teatro Martí, Q&As, a Cuban music masterclass, accommodation, excursions, and more. The program runs from February 15-19, 2024. Tickets are available now at norahinhavana.com. Attendees can register by November 27 for a 10% discount.

  • Tool in Rochester: Sonic Mastery and Visual Spectacle

    In a mind-blowing spectacle that filled the hallowed Blue Cross Arena in Rochester with an eager crowd of 10,400 fans, the mighty progressive rock maestros Tool proved once again that they can pack any venue in the heart of Western New York. Their popularity in this region is nothing short of legendary, with sold-out shows being the norm.

    The Tool faithful are a zealous bunch who ardently believe in the gospel of Maynard James Keenan, Adam Jones, Danny Carey, and Justin Chancellor. They’ll gladly regale you with countless reasons why Tool reigns supreme and why your existence remains incomplete until you’ve bathed in the band’s unparalleled glory. Opening the night was Steel Beans from Everett, WA.

    While Tool devotees can be a tad vexing at times, it’s hard to fault their passion. They speak the truth when they beseech others to witness this sonic juggernaut live in all its grandeur. The band’s musical prowess alone warrants pages upon pages of discussion, but if you’re a neophyte to the world of Tool, or simply curious about the enigmatic quartet, here’s a taste of what transpired at their mesmerizing Monday November 6 performance.

    The atmosphere within the arena was nothing short of transcendental, much like a religious congregation, albeit one with a penchant for intricate time signatures and cryptic lyrics. Despite Tool’s audience not being a sea of saccharine girls in pink dresses and glitter, the sense of unity was palpable. “Lotta dudes here” a friend texted during intermission, and indeed, the crowd comprised primarily of prog-rock Gen Xers, all donning knowing smiles and exchanging high-fives. However, in stark contrast to other male-dominated events, there was a conspicuous absence of lewd remarks or reckless antics. Beer flowed without incident, and by the end of the evening, the floor was mercifully unmarred by spilled brews.

    The absence of cell phones was instrumental in preserving this immersive experience. In a world where every fleeting moment demands digital documentation, Tool remains steadfast in its commitment to a strict no-cell phone policy. After all, who needs grainy concert footage on their phone that will likely languish unwatched in the depths of their gallery? Tool’s discerning guardians diligently enforced the rule, ejecting over three dozen misguided souls during the show. A few lucky souls escaped with warnings after proving their contrition by deleting their videos or images. But for the stubborn second-time offenders, there were no second chances. After the notes of “Invincible” reverberated, Maynard James Keenan, in a rare act of benevolence, granted the audience permission to whip out their phones to capture the ephemeral moment.

    Tool may shun technology like cell phones, but they fully embrace cutting-edge light effects. The band’s unwavering commitment to privacy and mystique extends to the live experience as well; they avoid interviews and public appearances to ensure that all eyes remain on the music. Mark “Junior” Jacobson, Tool’s lighting virtuoso, orchestrates a symphony of lights, lasers, and screen images that synchronize seamlessly with every note change. This visual spectacle draws the audience even deeper into Tool’s sonic realm, amplifying the emotional resonance of the music and its profound messages.

    The imagery displayed on the screens is nothing short of mind-bending. Volcanoes spew molten lava before transforming into the all-seeing Eye of Sauron, which seamlessly transitions into new, surreal landscapes. Fractal heads pour forth from other heads, while an eyeball twitches its iris over the captivated audience. Tongues spill forth from gaping mouths in an intoxicating loop, and alien-like forms twist and turn in eerie dance. It’s as though the most spine-tingling horror movie has met the soundtrack of your wildest dreams.

    Crafting a subpar setlist is an impossibility for Tool, given their extensive catalog of exceptional, heavy songs accompanied by ethereal vocals. The journey began with the iconic “Fear Inoculum,” setting the stage for a mesmerizing odyssey. Favorites like “Jambi,” “Stinkfist,” and “The Pot” enraptured the crowd, intermingling with tracks from newer albums, such as “Culling Voices” and “Pneuma.” But the pièce de résistance came early on when Maynard declared that the band would resurrect a long-dormant song. The ensuing performance of “Rosetta Stoned” was a jaw-dropping revelation – a song not performed with live vocals since 2009, and it sent shockwaves through the enraptured crowd.

    In the end, Tool’s concert is more than just a musical performance; it’s a transformative experience. With their strict rules, awe-inspiring visuals, and an undeniably majestic setlist, Tool is not just a band; they’re an otherworldly force of nature that sweeps you into a realm of unparalleled sonic and visual artistry. Tool fans may be a vocal bunch, but when it comes to experiencing their live show, words alone can’t do justice to the transcendental journey they offer.

    Tool – Blue Cross Arena, Rochester, NY – Monday, November 6, 2023

    Setlist: Third Eye Intro, Fear Inoculum, Jambi, The Pot, Rosetta Stoned, Pneuma, Descending, The Grudge, Intermission, Chocolate Chip Trip, Culling Voices, Invincible, (Ions excerpt)
    Encore: Stinkfist

    Upcoming tour dates:

    November 10 – Uncasville, CT – Mohegan Sun Arena
    November 13 – Manchester, NH – SNHU Arena
    November 15 – Boston, MA – TD Garden
    November 16 – Philadelphia, PA – Wells Fargo Center
    November 19 – Montreal, QC – Bell Center
    November 20 – Toronto, ON – Scotiabank Arena
    November 21 – Toronto, ON – Scotiabank Arena

  • NY-Based Classical Musicians Curate ‘Connecting Through Sound’ at St. John’s

    New York-based Canadian musicians Joenne Dumitrascu and Jelena Cingara have teamed up to create the new recital series Connecting Through Sound. Now in its third installment, the duo will be coming to St. John’s in the Village on Dec. 15 at 1:30 p.m.

    Joenne Dumitrascu trained formally as a violinist, pianist, and composer, performing professionally as a soloist, chamber musician, and orchestral player at venues such as Carnegie Hall, Lincoln Center, Koerner Hall, La Scala, and more. She was a guest artist on WFMT’s Relevant Tones with Seth Boustead: Discovery Series and has collaborated with members of the Emerson String Quartet (ESQ) on several chamber music projects, including the New Music for Strings Festival in Denmark.

    Her recording career ranges from contemporary music to film and TV soundtracks, including Atom Egoyan’s 2009 film Chloe and TV show Nikita, as well as recording work with the Screen Composers Guild of Canada and WGBH in Boston. As a music coach, she trains young artists in the highly acclaimed JSE ensemble in New York City.

    Jelena Cingara is an active performer and teaching artist in the United States, Canada, and Europe. Her career includes a series of solo, chamber, and collaborative international recitals, two decades of piano pedagogy, and a wide range of chamber music performances. She has performed in concert venues such as Carnegie Hall, Libby Gardner, Dumke, Abravanel Hall, and many more.

    During her training years, she was a prizewinner of numerous piano competitions as well as a recipient of several scholarships. She has performed at the Off-Broadway/Broadway production The Last Boy in the summer of 2021 and April 2022 respectively, as well as in The Kiss of the Spider Woman (Scarborough Players Theatre), Carrie (Utah Rep Theatre), and Charlie Brown (Toledo Theatre).

    Connecting Through Sound is now in its third installment, featuring Beethoven, the French classics of Debussy and Saint-Saens, and the works of modern composers. Its goal is to bring people together who share a passion for music and culture. The event features a one-hour concert and wine reception to follow where the audience is invited to the beautiful St. Benedict’s Courtyard.

    Music gives us the ability to connect to people from diverse backgrounds, both in the physical form of meeting audiences at concerts but also perhaps on a more psychological level. In many ways, it not only writes history through sound, but it taps into every human emotion. So it’s a way for all of us to also connect to the past, to connect through these works to other cultures. I have a very diverse background, so being able to connect through music to people who are complete strangers is a beautiful thing. It was actually the basis of starting the series of shows for me. We live in a very divided world in 2023 and the need for human connection is more important than ever.

    Joenne Dumitrascu

    For more information about Connecting Through Sound and to purchase tickets, visit here.

    https://youtu.be/Nv1l52Zg2X0?si=gKMJiCJDmdgizS-_