Lap steel band Velocihamster have released a tribute to 80s band Mr. Mister with a cover of their #1 hit, “Broken Wings.”
Cover artwork by Steven Bossler
Velocihamster has been dubbed the worlds only lap steel metal band showcasing the external limits of steel guitar landscape and inspires the limits of the instrument. This single marks the first entirely solo effort in instrumentation with the exception of fretless bass played by longtime collaborator and friend Matt Turner (Static Chicken, Greg Koch). The tribute track honors Mr. Mister’s biggest hit “Broken Wings” released in 1985.
Mr. Mister was an American pop rock band from Phoenix, consisting of Richard Page on lead vocals and bass guitar, Steve George on keyboards/backing vocals, Pat Mastelotto on acoustic and electronic drums/percussion and Steve Farris on guitars/backing vocals.
“I’m hell-bent on extending steel guitar to musical eras, styles and genres you probably wouldn’t expect to hear the instrument, I’m proud to add this ’80s classic to an already diverse catalog of metal inspired lap steel mania. With this track, I’ve also earned my first credit as a drummer.”
– Sean Williamson
“Broken Wings” was the leading single on Mr. Mister’s second album release Welcome to The Real World, the song peaked at number one on the Billboard Hot 100. The song is a mix of synth, digitally delayed guitar, bass and drums. Velocihamster took a lap steel spin creating a unique version and an electric adaptation.
The inaugural Extreme Music Awards will be held at Empire Live in Albany on Saturday, January 13. The awards show celebrates the most extreme music acts in the 518 Capital Region of Upstate New York.
The Extreme Music Awards is the conception of Mike Valente of Upstate Black N Blue Productions who then assembled the team of RadioRadioX, Capital Underground, That Fuzzing Rock Show and 518Scene.com. All five of these entertainment media forces joined together to bring the inaugural event to Albany.
Attendees will be able to enjoy a full concert experience by house band, Uncle SAMM, in addition to watching the awards ceremony. In between presenters, fans can also look forward to a raffle for a chance to win prizes like signed drum heads, guitars, gift certificates, and more.
Check out the nominees and categories below and get your tickets for the Extreme Music Awards here.
The Extreme Music Awards will be held on Saturday January 13 at Empire Live on N. Pearl St. in Albany, starting at 6:00pm.
Tickets to this event are limited and expected to sell out, with general on sale here:
CATEGORIES & PRESENTERS
Best Death Metal Band: Chris Pervelis/Kyle Eddy (Internal Bleeding)
Best Black Metal Band: Mike Score (All Out War)
Best Doom/Goth/Stoner Band: Matt Byrne (Hatebreed)
Best Power Metal Band: Gary Holt (Slayer/Exodus)
Best Progressive/Math Metal Band: Marc Rizzo (Soulfly/Ill Nino)
Best Hair/Glam/Sleaze Metal Band: Nick Miller (Lethal Lipstick)
Best Thrash Metal Band: Gary Holt (Slayer/Exodus)
Best Grindcore Band: Sal Lococo (Sworn Enemy)
Best Metalcore Band: Danny Schuler (Biohazard)
Best Punk Band: Lars Frederiksen (Rancid) (Video Presenter)
Best Hardcore Band: Mike Gallo/Vinnie Stigma (Agnostic Front)
Best Beatdown Hardcore Band: Ray Mazzola/Mike Valente (Brick by Brick)
Best Hardcore Punk Band: Jimmy Gestapo (Murphy’s Law)
Best Metal Video: Drew Stone (Stone Films/The NYHC Chronicles)
Best Live Performance: Art Fredette/Rob Smittix (RadioRadioX)
Most Brutal Mosh Pit: Tony Foresta (Municipal Waste)(Video Presenter)
Best Merch: Michael “Fuzz” Kebabjian (That Fuzzing Rock Show)
Album of the Year: Ralph Renna (Capital Underground)
Lifetime Achievement Award (25+ Years in the Scene): Bobby “Blitz” Ellsworth (Overkill)
Best New Band (Less Than 2 Years in the Scene): Mario & Kim Cangemi (Upstate Records)
Best Veteran Band (10+ Years in the Scene): Brendan Manley (518scene.com)
THE NOMINEES
Best Death Metal Band: Tyranize, Skinless, Invoke Thy Wrath, Intrusive
Best Black Metal Band: Malefic, Blackbraid, Morticide, Vile Tyrant
Best Doom/Goth/Stoner Band: Gozer, Ike’s Wasted World, Gunther Weezul, Carnwennan
Best Power Metal Band: Deveria, Alloy Reign, Frozen Sun, The Antarctican
Best Progressive/Math Metal Band: Deveria, Psychomanteum, The Phoenix and the Raven, MIRA
Best Hair/Glam/Sleaze Metal Band: The Erotics, Joe Mansman and the Midnight Revival Band, Untaymed, Mystery Girl
Best Thrash Metal Band: Hate The Adversary, FACED, Concrete, Ice Queen
Best Grindcore Band: Escuela Grind, URINE, Horse Grave, Vaginal Fungus
Best Metalcore Band: Concrete, Oakheart, Faded Line, Downswing
Best Punk Band: The Hauntings, VinTri Hill, Nick Rossi, Lurking Class
Best Hardcore Band: Violent By Design, Confinement 413, Halo Bite, Cold Kiss
Best Beatdown Hardcore Band: Wrong Move, Torn Out, From Within, Adhara
Best Hardcore Punk Band: Halo Bite, Murderer’s Row, Gusto, Wet Specimens
Best Metal Video: Alloy Reign – “Blood Demon”, Downswing – “Bound to Misery”, The Antarctican – “I is the Lie”, Freya – “Nothingness or God”
Best Live Performance: Alloy Reign, Tyranize, Joe Mansman and the Midnight Revival Band, Flatwounds
Most Brutal Mosh Pit: Invoke Thy Wrath, Concrete, Assault on the Living, Downswing
Best Merch: Alloy Reign, The Erotics, Malefic, Concrete
Album of the Year: Psychomanteum – Full Fathom Five, Blackbraid – Blackbraid II, Adhara – Abandoned Future, Urine – Excreta Lotium Miasma
Lifetime Achievement Award (25+ Years in the Scene): Paul Rukwid, Jeff Caro, John Glassbrenner, Bob Riley
Best New Band (Less Than 2 Years in the Scene): Alloy Reign, Flatwounds, Confinement 413, Outta My Head
Best Veteran Band (10+ Years in the Scene): Tyranize, The Erotics, Murderer’s Row, Concrete
Avenged Sevenfold announced the third leg of their North American “Life Is But A Dream… Tour,” set to kick off in Buffalo on March 6. Featuring special guests Poppy and Sullivan King, the tour includes 16 shows across the country for an exciting new leg of the tour.
Avenged Sevenfold formed in 1999 in Huntington Beach, CA, and have released seven studio albums and sold over 8 million copies since their beginnings. Now consisting of M. Shadows (vocals), Zacky Vengeance (rhythm guitar), Synyster Gates (lead guitar), Johnny Christ (bass), and Brooks Wackerman (drums), the group is promoting their most recent full-length release, Life Is But a Dream…
Photo Credit: Steve Thrasher
The third leg of the Life Is But A Dream… Tour kicks off on March 6 with a show at Buffalo’s KeyBank Center. The band will make stops in Toronto, Cleveland, Indianapolis, Pittsburgh, and Raleigh, before finishing off with a show at Newark, NJ’s Prudential Center on March 31.
General onsale for tickets will begin on December 1 at 10AM. Additional presales will run throughout the week ahead of the general onsale. More information is available at avengedsevenfold.com and LiveNation.com.
AVENGED SEVENFOLD LIFE IS BUT A DREAM…NORTH AMERICAN TOUR DATES LEG 3:
Wed Mar 06 – Buffalo, NY – KeyBank Center
Thu Mar 07 – Toronto, ON – Scotiabank Arena
Sat Mar 09 – Cleveland, OH – Rocket Mortgage FieldHouse
Mon Mar 11 – Grand Rapids, MI – Van Andel Arena
Wed Mar 13 – Cincinnati, OH – Heritage Bank Center
Fri Mar 15 – Des Moines, IA – Wells Fargo Arena
Sat Mar 16 – Lincoln, NE – Pinnacle Bank Arena*
Mon Mar 18 – Moline, IL – Vibrant Arena at The Mark
Tue Mar 19 – Indianapolis, IN – Gainbridge Fieldhouse
Thu Mar 21 – Uncasville, CT – Mohegan Sun Arena
Sat Mar 23 – Manchester, NH – SNHU Arena
Mon Mar 25 – Pittsburgh, PA – PPG Paints Arena
Tue Mar 26 – Columbus, OH – Nationwide Arena
Thu Mar 28 – Knoxville, TN – Thompson–Boling Arena
Fri Mar 29 – Raleigh, NC – PNC Arena
Sun Mar 31 – Newark, NJ – Prudential Center
*Without Sullivan King, Featuring Support from Vended
New York indie pop punk label, Manic Kat Records is bringing the gift of pop punk, rock, emo and alternative to NYC with it’s annual holiday celebration A Very Merry Punxmas at The Bowery Electric on Saturday, December 16.
A Very Merry Punxmas will feature sets from Todd Morse, The Lucky, Just Happy To Be Here, Triple Word Score, A New Violet and Cult Classic, with more special guests and surprise announcements to follow in the coming weeks. The artists include a versatile roster from alternative, rock, punk, and metal producing a unique curated lineup, highlighting bands known for their dynamic performances, raw talent and unapologetic realness.
Manic Kat Records encourages a thriving hub for emerging talent fueling the underground scene, pushing artists to new heights and authenticity in music, keeping the punk spirit ignited.
This years event is presented by NYC staple, 7 Crown, along with Glass Fun, the first platform that helps you earn exclusive rewards and experiences from your favorite brands and Boston America, manufacturer/distributor of creative and fun products to the gift and novelty market. The doors for the long awaited holiday performance open at 5:30pm with the final act wrapping up at 11pm, followed by the exclusive after party for VIP guests.
“We love our local scene, but we felt this year to better accommodate the talent coming in from all over the country, it would be easier to hold the event at the crossroads of the world, New York City.”
– Founder/CEO of Manic Kat Records, Peter James
The annual holiday festivities tradition will be breaking down traditional expectations for holiday music at The Bowery Electric. This December, come feel the energy of mean, green punk-rock revival for yourself and don’t miss out on this unforgettable show. For more information please visit here.
Brooklyn-based rock band ‘The Sees’ performed at The Bowery Electric on Wednesday, November 15,to celebrate their latest album release entitled ConversationsWithMyFutureSelf.
‘The Sees’ have established themselves to capture the essence of life and humanity within their songs. The band includes frontman Jamie DiTringo, bassist Alex Daly, drummer Tim O’Brien and keyboardist Yoni Wilkenfeld. Their music has become a reminder to make the most of the time we do have and not be afraid to confront the harsh realities of it running out.
The Bowery Electric was the perfect venue for a night of rock and roll, with a bar in the back and an intimate standing room allowing show goers to get personal with the band and enjoy their hypnotic pulse of synth sounds, strong drum beat accentuated with electric and bass guitar. The show on this Wednesday night, included three bands, Smoke Break, Newborn Kings and finished off strong with The Sees album release performance.
The album explores a connective sense of global reflection, the nuances of time and the effects it has on us by always slipping away, the concept record tells its story through captivating rhythms and styles that push the boundaries of genre while exploring fresh perspectives. Stitched together by standout guitar riffs and a whirlwind of sonic textures, the group makes a noteworthy entrance onto the scene with this genre blend, encouraging listeners to not only connect deeper with the world, but ourselves.
“We hope that everyone who listens to the record can sit back, take it in, and recognize that while we are here on this mortal coil, we must take a moment to find space for positivity and love. Even with the world in chaos, we can always choose love.“
– Jamie DiTringo
In its entirety, the album crafts a thought-provoking musical experience, taking listeners on a profound ride through various facets of the human experience. The group of four interacted with the crowd and created a truly accomplished sound that left friends, family and fans excited for the future of their music ahead of them.
Legendary heaby metal group Pantera announced the second leg of their North American headline tour, including a stop at New York City’s Madison Square Garden (MSG) on February 22. Following the band’s 20-date tour this past summer, the band has announced 14 new shows across the country throughout February.
Pantera formed in Arlington, Texas in 1981, and have released nine full-length albums since their formation. Their current lineup features original members, vocalist Philip H. Anselmo and bassist Rex Brown, as well as new additions guitarist Zakk Wylde and drummer Charlie Benante.
Pantera’s upcoming tour will feature special guest Lamb Of God opening at every date on the second leg of this tour. More special guests are to be announced.
Photo by Joshua Davis
In addition to their headline tour, Pantera is scheduled to support legendary metal group Metallica at five stadium shows next summer on their M72 World Tour. The band will also make a trip across the pond in June to play at Download Fest in Derby, UK.
Ticket presales and VIP upgrades begin on Tuesday, November 14 at 10 am. General on sale date is Friday, November 17 at 10 am at Pantera.com.
Pantera Upcoming Tour Dates
February 3 – Amerant Bank Arena – Sunrise, FL
February 5 – Amalie Arena – Tampa, FL
February 7 – Rupp Arena – Lexington, KY
February 9 – Bridgestone Arena – Nashville, TN
February 10 – FedExForum – Memphis, TN
February 13 – T-Mobile Center – Kansas City, MO
February 14 – Pinnacle Bank Arena – Lincoln, NE
February 16 – Canada Life Centre – Winnipeg, MB
February 18 – Resch Center – Green Bay, WI
February 20 – Van Andel Arena – Grand Rapids, MI
February 22 – Madison Square Garden – New York, NY
February 24 – CFG Bank Arena – Baltimore, MD
February 26 – Scotiabank Arena – Toronto, ON
February 27 – Centre Vidéotron – Québec City, QC
June 14-16 – Download Fest @ Donington Park – Derby, UK #
August 2 – Gillette Stadium – Foxborough, MA **
August 9 – Soldier Field – Chicago, IL **
August 16 – US Bank Stadium – Minneapolis, MN **
August 23 – Commonwealth Stadium – Edmonton, AB **
The Extreme Music Awards has announced their inaugural event to be held in Albany on January 13, 2024. Created by Mike Valente of Upstate Black N Blue Productions, the Extreme Music Awards are set to bring recognition to the Capital Region’s most extreme artists.
The awards ceremony will feature a house band, performing a full concert experience for attendees at Albany’s Empire Live. In addition, prizes will be raffled off including signed drum heads, guitars, gift certificates, and more.
Mike Valente, also a member of hardcore band Brick by Brick, created the Extreme Music Awards alongside a team consisting of RadioRadioX, Capital Underground, That Fuzzing Rock Show and 518Scene.com. The media groups joined together to celebrate and recognize extreme music throughout New York State and the Capital Region.
Tickets are available now and more updates will be available at extrememusicawards.com, including announcements about presenters and judges at the ceremony.
Hard rock fans piled into the Toyota Oakdale Theatre in Wallingford, Connecticut on Wednesday, October 25, where Godsmack brought their Best of Times World Tour. This show is Godsmack’s second show of the four additional fall dates that were added in August in support of their new record, Lighting Up The Sky, which was released this past February.
Godsmack is made up of Sully Erna on guitar and lead vocals, Robbie Merrill on bass guitar, Tony Rombola on lead guitar and Shannon Larkin on the drums. Erna, Merrill, and Rombola have been in the band since the recording of the band’s debut record, with Larkin joining in 2002.
As fans were still finding their seat, the house lights dimmed and EXTREME hit the stage. Like Godsmack, EXTREME is also from Boston. EXTREME is made up of lead vocalist Gary Cherone, guitarist Nuno Bettencourt, bassist Pat Badger, and drummer Kevin Figueiredo.
EXTREME delivered a bombastic set of new songs off their most recent record, SIX, as well as classic hits like “Get the Funk Out,” and “More Than Words.” Throughout the entire set, Cherone was interacting with the crowd, getting them to sing along while dancing around the stage. Bettencourt shredded away on guitar with a slight nod to the late Eddie Van Halen and the band plowed through their opening set.
As two curtains were raised while the road crew swapped out equipment, a video montage of The Beastie Boys with Queen’s “We Will Rock You” blasted through the theatre, the excitement was building for the New England natives.
When the curtain fell and the first song “When Legends Rise” blasted through the row of speakers, Godsmack took the stage with a thunderous cheer from the crowd. In a theatre that typically doesn’t showcase pyrotechnics, Godsmack showed off their theatrical side with fire during their first few songs. Throughout the hard rock extravaganza, Godsmack blasted through a setlist of newer material from their aforementioned Lighting Up The Sky record as well as classics off of their older records.
Throughout the show, the general admission section became a sea of bodies. From the start of the show till the band said their final goodbyes at the end, concertgoers were crowd surfing, attempting to form mosh pits and fist bumping.
As Larkin’s drums were pushed forward at the start of “Batalla de los Tambores,” a second drumkit was hauled forward and Erna hopped on the drums for a drum battle. At the end of the battle between bandmates, the band jumped into a jam that included short covers from artists like Aerosmith, Metallica, AC/DC, and Led Zeppelin. With each new recognizable riff from Rombola, the fans all clapped and cheered in applause. Some fans were so enthusiastic about some of the covers being played that they took out their air guitars and played along.
Towards the tail end of the set during “Whatever” which is off their self-titled debut album, Erna brought up the “future of rock and roll.” Children like one boy, Michael, and his sister Amy joined other kids that ranged from eight to 17. With Erna prancing around the stage, he riled the crowd up hailing the next generation of rock and roll.
The band’s second to last song, “Under Your Scares,” featured Erna playing the piano that had a QR code to a link to Scaresfoundation.org which is the band’s foundation that fights mental health. As the band jumped into the song, Erna dedicated the track to some of the musicians that the music world had lost like Chris Cornell, Chester Bennington, and Van Halen.
As fans walked out of the theatre, smiles were on their faces as they witnessed Godsmack deliver a hard rock performance that was unforgettable. Fans were leaving the building singing their favorite songs, air guitaring, or looking at the new concert t-shirt they bought to add to their collection as they filed out into the cool Connecticut night.
Setlist: When Legends Rise, 1000hp, Cryin’ Like a Bitch!, What About Me, Surrender, You and I, Red, White & Blue, Awake, Keep Away, Voodoo, Batalla de los Tambores, Whatever, Under Your Scars, Bulletproof, I Stand Alone
Coming to Upstate soon is Saratoga’s biggest Halloween party of the year, Rock & Oddities Con. From Oct. 28-29 from 10 a.m.- 7 p.m., the event features local metal/rock musicians and a whole slew of enchanting activities.
The energy of metal/rock musicians from the East Coast collides with spine-tingling tales of Paranormal Experiences, including encounters with celebrities at meet-and-greets. Audiences can step into the enchanting realm of the Witches’ Den, and brace themselves for a journey through the Haunted Maze. Also featured at Rock & Oddities Con are premier Tattoo Artists, 100+ vendors, paranormal experiences with investigators with the Travel and Discovery Channels, and costume contests, with cash prizes.
You’re in a circle, running around and bumping into people with the beat of hardcore bass and percussion surrounding you, syncing with the beat of your heart. You feel a sense of violence, and yet safety. All your pent-up rage from yesterday begins to pour out; you feel yourself forget arguments you had with your coworkers, or the piles of homework on your desk. You let yourself enjoy the music for a couple of hours with strangers that somehow– in a few hours– became family.
Moshing, where people in the crowd of a concert run and slam into each other in beat with the music, has been around since the early 80s– but its origins can be traced back to Skanking in the late ’50s and ’60s. Originally called “mashing” in fanzines, it was still pronounced “moshing,” and ultimately stayed that way. There is no definitive origin to the term, or credit for its invention. These mosh pits started at high energy punk concerts. The anarchic nature surrounding the music made the fans need to release their energy somehow– thus, moshing came into the spotlight.
But, you can’t talk about moshing without mentioning the history of punk rock; moshing wouldn’t exist without it.
Punk rock is defined by its unique sound, fashion, and behavior. Typical punk rock is made up of fast tempos, nasal or shouted vocals, black clothing with shocking colorful and spiky hair, with an anti-establishment “stick-it-to-the-man” attitude.
Punk rock has roots in garage rock way back in the ‘60s, preceding the hippie era, and as a movement to rebel against the change in rock n’ roll– how it became more “commercial” and “bloated.” It was the beginnings of other musical genres such as hardcore punk, pop punk, and even Christian punk. But they ALL started as punk rock.
Punk rock was picked up quickly by fans but also musicians because of the overall anarchical vibe: it disregarded musical and social rules, leaving a great deal of freedom for experimentation on numerous fronts.
While it’s hard to pinpoint exactly where punk rock began, there are bands that are absolutely monumental in the punk rock origins, such as The Stooges (or Iggie and the Stooges), MC5, The Velvet Underground, and The Sex Pistols.
The band that is best known as the creator of punk rock is The Stooges– where, in Detroit on Halloween night 1967, Iggy Pop performed what would become common punk behavior. In fact, some fans thought he was possessed– likely because he cut himself with glass, flashed the crowd, and even smeared his chest with hamburger meat and peanut butter. Iggy is also credited with integrating stage diving into hardcore concerts, which later spread to all types of music. But, while The Stooges are credited in the early beginnings of punk rock, they did not have all the requirements to be a punk rock band– sound, fashion, and behavior. Regardless, their actions on that Halloween night started a movement that influenced numerous bands, and also had parents thinking their children were devout Satan worshippers.
MC5 on ‘Kick Out The Jams’: “We weren’t on a meth power trip… just a power trip” – UNCUT
When people think of punk rock, if they don’t think of The Stooges, they think of MC5. They started playing together in Lincoln Park, and were automatically put into the “garage rock” category. However, due to their eclectic performances, they stood out to people as being something entirely different and new.
Shunned in the ’60s for their avant-garde, shocking rock, The Velvet Underground were more important to music’s future than the Fab Four, argues Greg Kot – BBC
The Velvet Underground then took up NYC with their bold and experimental sound in the early ‘70s– “experimental” because many people said their music bordered on noise.
Glam Rock also had immense influence over the punk rock genre, such as David Bowie and the New York Dolls. This genre contributed greatly to the aesthetic and lifestyle of artists in punk rock, such as dressing outrageously, living extravagantly, and producing loud, trashy rock.
The first concrete punk rock scene– where it was purposeful and not accidental– was in the mid ‘70s with The Ramones, Wayne Country, Johnny Thunders and the Heartbreakers, as well as Blondie and the Talking Heads, all playing at CBGB.
But punk is not all-american. There were big influences in the UK as well from The Strand, formed in 1972, later renamed to the Sex Pistols in 1975 with the arrival of John Lydon. The Sex Pistols are credited with kicking off the punk movement in the UK.
The Sex Pistols’ lone album reached number one in the UK charts, and was known as one of the most censored records in history, due to the song “God Save The Queen” – many calling it “treason.” While this would be devastating for most bands, it actually worked precisely the way they had hoped, as the negative press that they accumulated worked in their favor to sharpen their anti-establishment lyrics and attitude.
The Sex Pistols’ God Save the Queen storm: ‘We declared war on England without meaning to’ – The Telegraph
In the late ‘70s, punk rock emerged as a solid musical force, and split into many genres including horror punk, hardcore punk, pop punk, psychobilly punk, Christian punk, Celtic punk, cowpunk, death rock, emo, gypsy punk, hardcore, street punk, and many more.
Boston Concussion Victim Speaks Out Against City’s Moshing Ban – exclaim
Moshing typically emerges in a crowd during punk rock concerts, as well as metal and hardrock. With all the energy that builds up at concerts such as these, everyone needs an outlet to let out their energy in a (mostly) safe manner. Pits form where people slam into each other, on beat with the music, while also dancing and singing/screaming.
The first mosh pits formed in the early ‘80s hardcore punk rock scene, and more followed in hardrock and metal scenes. They later spread to grunge and rock concerts, and in recent years, they even started in hip hop and rap.
Moshing actually took a while to become what it is today. It can be traced back to skanking, created by the Rude Boys of Ska and Reggae music in the late ‘50s and ‘60s.
After skanking came the Pogo, invented by punks in the ‘70s in the UK. This dance is where fans jump up and down, and lightly bump into each other. It likely started at a Sex Pistols concert, where no one could see the band, so they started jumping up and down to see the Sex Pistols– then everyone started doing it, and the short-lived Pogo was born.
After all of this, moshing finally came to life. Originally “mashing,” it’s when people start getting “mashed together” as they jump and move all over in a pit.
There are two types of moshing, starting with the well-known circle pit, where people run along the edge, leaving the middle open. In fact, this is seen as a tame version, as the other type of moshing is called The Wall of Death– where two groups line up and slam into each other. More brutal than the circle pit, The Wall of Death dates back to the ‘80s pun scene, emerging as a variant of the circle pit, said to be invented by the American hardcore punk band Sick of it All– but like punk rock itself, the origin is debated.
When you see moshing, whether on a video or in-person– though it’s SURREAL to see in real life– you may think “that looks really scary and dangerous.” And if moshing is done wrong, yes, it can be. The ideal mosh pit is safe and welcoming, with people helping each other up when they fall, and being aware of who is in the ring and who isn’t.
This writer’s experience with moshing thus far has been a good one. At The Interrupter’s Concert at the Stone Pony in Jersey, I stayed on the outskirts and kept people in, or helped them when they wanted to get out. If anyone had accidentally hit me, they apologized immediately. Memorably, a big, burly dude dressed in black from head-to-toe stepped in front of me to make sure no one knocked me down. Everyone dressed like they could kill, but everyone made me feel welcomed and safe.
Astroworld tragedy renews debate on the safety of mosh pits – The Tribune
More recently, there was a devastating Travis Scott Astroland festival, where 10 fans died with hundreds injured in 2021– and Travis Scott didn’t stop the concert. Victims were pinned against barriers, and unconscious fans were crowd-surfed out of the mosh pit and dumped into the sea of bodies waiting for the rapper to start performing, ultimately resulting in numerous deaths and injuries. The official cause of death for some of these fans was compression asphyxia, which an expert likened “to being crushed by a car.”
While this writer still enjoys moshing, it must be done safely in order to continue to be fun. At any given show, there may be people who don’t trust the crowd enough to join in– which should be respected. That being said, for those who do engage in mosh pits, there are some guidelines that emerged because of the potential dangers from moshing that everyone must follow in order to have a safe environment, and keep moshing from being banned completely.
No karate in the pit.
Never try to hurt anyone intentionally.
Offer help if necessary.
Be aware of everyone else. Pick people up when they fall. Tell everyone to stop if it gets messy, and similarly, if told to stop, listen.
Don’t wear accessories that could hurt anyone.
Those spiky bracelets are cool, but if they can hurt you, they can hurt others. Leave them behind if they’re too spiky.
Don’t bring loose items into the pit.
Don’t bring anything with you that can fall down and be stomped on. If you find anything on the ground, let everyone know.
Respect the borders.
If they’re not in the pit, they are not involved. Leave them alone and respect the pit’s boundaries and their boundaries.
29 Wholesome Pics and Memes Filled With the Feels – eBaum’s World
Punk rock started a new era of music, birthing numerous subgenres that wouldn’t exist without punk. While punk rock scared parents, it gave teens and young adults an outlet to release their rage in a mosh pit. But don’t let the aesthetic confuse you: the goal of punk rock and moshing is never to hurt anybody, but to allow yourself to let go of your everyday worries, and enjoy the trashy music and outrageous clothing.