Category: Jam/Progressive

  • Pigeons Playing Ping Pong Kick off Weekend at Brooklyn Bowl

    The most prolific and exciting band in the jam scene, this side of Phish, is Pigeons Playing Ping Pong (PPPP), and they brought their rabid flock of fans and patented bevy of groovy tunes to the famous Brooklyn Bowl for the opening night of a 3 night run on April 13th. The 3 hour show showcased the band’s vast talents and was buoyed by a fervent fan base happy to see their favorite band return to New York City. The show was brought to us by Dog Fish Head and Record Store Day.

    photo courtesy of Lee Melnikoff

    Baltimore-based, Pigeons has been around longer than one might suspect.  The members have been performing as a unit for over 15 years.  The band formed at University of Maryland when Greg and Jeremy were in the dorms together in 2007 –  the boys inform me that Wikipedia has this wrong.  Drummer Gator was hired in 2015 to complete the current lineup of Scrambled Greg Ormont (Vocals, rhythm guitar), Jeremy Schon (lead guitar) and Ben Carrey (bass.)  Some acts PPPP has opened for include Umphrey’s Mcgee, Moe.,  Disco Biscuits, String Cheese Incident, and Lotus. Some acts that have opened for PPPP include Goose, Kitchen Dwellers, Tauk, Karina Rykman and Magic Beans. PPPP present their own festival, Domefest, which is highly respected and regarded in the scene.. The band serves up a lively chat of all things PPPP in their FB group appropriately titled, “The Flock.”  There is another FB group for merchandise and tickets. The band has released an initial EP and then 5 full length albums that all start with the letter P.

    photo courtesy of Lee Melnikoff

    Over a tasty dinner, I was able to ask Jeremy and Greg some questions.  Greg ordered the salmon – a dish he orders almost every night for dinner on the road because it packs on protein and energy while being easy to digest before the show.

    Chadbyrne:  What’s the most challenging song you play live and why?

    Greg: I find our newest songs are most challenging, especially when they have vocals. I’ve been focusing more on lyrics these days, sometimes finalizing them right before showtime, which makes them tricky to memorize. Instrumentally, our new song “Miyagi” is a doozy.

    Jeremy:  You’ll know when you hear it!

    Chadbyrne: PPPP has blown up in recent years, is there a specific moment when you felt like you “made it”?

    Greg: That’s really nice of you to say. I don’t know if I’ll ever truly feel like we “made it” per se, but it was so exciting when we decided to quit our day jobs to pursue music full-time about 12 years ago. I held a few jobs after college, but we were simultaneously touring almost every weekend of the year. We would go on these epic weekend runs and then I’d show up for work just so beat. Eventually we decided it was time to give this thing a real shot and tour full-time, and the fun hasn’t stopped.

    Jeremy:  Every time I look into the crowd and see people smiling and/or losing themselves to our music, I get that amazing feeling that “we made it”.  We’ve had so many awe-inspiring moments at shows and festivals that it’s hard to just pick one, but a few big ones that come to mind are some of our Peach Festival sets, our first headlining shows at the 9:30 Club, and All Good Festival in 2015.

    Chadbyrne: As a songwriter, what song are you most proud of and why?

    Greg: All of them! Writing music is so fun because you always remember each song’s origin and development. Some ideas develop quickly, others take years, but in both cases it’s so exciting when they’re finally played live because you remember the journey.

    Jeremy:  I try not to pick favorites, but it’s always a proud moment when I hear people singing along with our songs!

    Chadbyrne: If music hadn’t worked out, what profession do you think you would have undertaken?

    Greg: I was in sales after college. I had a knack for it, but I wasn’t passionate at all. I don’t know if I could go back to a 9 to 5, but I could see myself getting into real estate as a means to an end to spend more time with my family.

    Jeremy: If I didn’t find myself somewhere in the music industry, I’d probably be working some sort of IT job. I have degrees in Marketing and Business Information Systems, in case anyone is wondering the secret behind my playing.

    Chadbyrne: Who is your favorite guitarist and why?

    Greg: I always keep my ears open for inspiration and don’t play into the favorites game much. That said, I love Nile Rodgers, but I also love Shmeeans from Lettuce, Ryan from The Motet, Dan from Kyle Hollingsworth Band and countless others. They’re all great listeners, unique players, always melodic and in the pocket. Also since we don’t have a keyboardist, I often listen to those elements live. Huge fan of Joey Porter from The Motet and his funky approach on the clavinet, and everything Page from Phish plays.

    Jeremy: I’m a huge Phish fan, so I can’t deny that Trey Anastasio has been a huge inspiration – he’s a master of tension/release.

    photo courtesy of Lee Melnikoff

    “Let Your Cup Overrun”

    Yam Yam opened the night.  Pigeons took the stage just after 9pm.  This was the only night of the run anticipated not to sell out but that was just as well for the hard core members of The Flock in attendance as they were afforded more dancing room. “Distant Times” was the perfect up-tempo opener and the crowd knew all the lyrics.  But it was “Live it Up” that was the highlight of the first set.  The popular Pigeons staple builds and builds until Jeremy and Greg get locked into a tight call and response ultimately paying off with an exquisite crescendo. 

    After a Chili Peppers cover, as usual, Fun in Funk provided a spark near the end of the set.  PPPP are masters of no matter the genre or the song – they can always find a groove and it is usually danceable. Manny Newman again demonstrated why he is one of the best LDs in music.

    photo courtesy of Lee Melnikoff

    PPPP is like going to the Circus.  Greg is the affable and enthusiastic carnival barker who lures in patrons, Jeremy is the lion tamer guiding and patient who leads the posse to the next level and Ben is the charismatic clown always entertaining the masses with zest. 

    A highlight of the 2nd set was Gator on the drums – he is a heavy hitter adept at keeping impeccable time behind the kit as best exemplified by his bombastic extended drum solo at the end of “Water.”  PPPP should do the soundtrack to a sci-fi film as the music is not of this world.  Jeremy continues to demonstrate that he is the most underrated guitarist around – with the fastest fingers in the scene.  The show was complete, with even Ben singing a tune.  The encore was special with arguably the band’s best tune, “Dawn a New Day.”  Upbeat and packed with lyrics ala “Strawberry Letter 23,” it is a lengthy joyous romp and a proper way to end the epic night on a positive note.

    Pigeons Playing Ping Pong – Brooklyn Bowl, Williamsburg – Thursday, April 13

    Set 1: Distant Times, Henrietta, Live it Up, Hit the Ground Runnin, Around the World, Overrun, Fun in Funk>Skinner  

    Set 2: Fall in Place, Water, Beneath the Surface, Bad for You, Melting Lights, Ha ha ha yeah, su casa, schwanthem

    Encore: Dawn a New Day

  • Snarky Puppy Delivers a Captivating Performance in Buffalo

    Snarky Puppy took to the stage at Buffalo’s Town Ballroom on Thursday, April 6th to a sold out crowd. They gave an electrifying performance that left no doubt as to why they are one of the most exciting and innovative bands in the music industry today. Led by bassist and composer Michael League, the 12-piece ensemble showcased their exceptional musicianship. With each member contributing to the vibrant and complex sound that has made them a fan favorite.

    From the moment they hit the stage, Snarky Puppy had the crowd on their feet with their unique blend of jazz, funk, and world music. The opening number, “Trinity” set the tone for the evening, with its infectious groove and intricate melodic lines. The band’s energy and enthusiasm were infectious, and their seamless and intuitive interaction created a rich and dynamic performance.

    The rhythm section was tight, with drummer Robert Searight and percussionist Marcelo Woloski providing the perfect foundation for the band’s melodic and harmonic explorations. Michael League’s bass playing was exceptional, laying down deep grooves and leading the band with his melodic and harmonic sensibility.

    The setlist featured a mix of old favorites and new material, all delivered with the band’s trademark energy and flair. “Thing of Gold,” another standout track, was a tour-de-force of jazz-funk fusion, with its driving beat and virtuosic solos. “What About Me?” was another highlight, with its funky bassline and catchy melody.

    Throughout the evening, each member of the ensemble was given the opportunity to shine with captivating solos. The band’s ability to seamlessly blend different genres of music was a testament to their exceptional musicianship and creativity. Michael League’s leadership was particularly noteworthy, guiding the ensemble with precision and passion.

    Snarky Puppy’s live show was an unforgettable experience that showcased their exceptional musicianship and creativity. Their unique fusion of jazz, funk, and world music is a breath of fresh air in the music industry. Their live performance left no doubt as to why they are one of the most exciting and innovative bands around. If you have the chance to see Snarky Puppy live, do not hesitate – it’s an experience that you won’t soon forget.

    Snarky Puppy has five more tour stops in New York this year.

    Snarky Puppy Tour Dates 2023

    April 13 – Beacon Theatre – New York, N.Y.

    April 14 – Union Transfer – Philadelphia, Pa.

    April 16 – Cornell University Concert Series at Bailey Hall – Ithaca, N.Y.

    April 19 – Warner Theatre – Washington, D.C.

    April 20 – Stage AE – Pittsburgh, Pa.

    April 21 – Newport Music Hall – Columbus, Ohio

    April 22 – PromoWest Pavillion at Ovation – Newport, Ky.

    April 24 – Ritter Amphitheater – Huntington, W.Va.

    April 26 – Ryman Auditorium – Nashville, Tenn.

    April 28 – The Eastern – Atlanta, Ga.

    6/24- SPAC – Saratoga Springs (Freihofer’s Jazz Fest)

    6/25- Sharkey’s Event Center – Liverpool, NY

    6/27- Chautauqua Institution – Chautauqua, NY

  • Watch Adequate Phil’s “Mystery Jam” and Prepare for Doritos Daze in North Adams

    Troy band Adequate Phil has shared a unique new single, “Mystery Jam,” the band’s first live recording, which is accompanied by a multi-cam video of the performance filmed at the Jive Hive in Albany.

    adequate phil

    The single showcases the band’s signature sound, blending catchy, experimental hooks, dreamy jams, and intricate rhythms to create a captivating listening experience.

    Adequate Phil is an indie rock band, drawing influences from Radiohead, Animal Collective, The Beatles, and The Shins, with a sound blending experimental rock, psychedelic pop, and alternative folk.

    Since forming in 2021, Adequate Phil has been making waves in the local music scene, earning plays on WEQX and performing at local festivals such as Bacchanalia and at various venues, including Rare Form, No Fun, and the Troy Speakeasy. They have also performed in Massachusetts at venues such as Greylock Works in North Adams, where they have an upcoming 3-show residency, dubbed as the “Doritos Daze” Residency. 

    Monday April 10 is “Cool Ranch” night with special guests Boss Crowley, and Monday May 8 is “Spicy Nacho” with special guests Headless Relatives.

    With a growing fan base and a reputation for delivering unforgettable live performances, Adequate Phil is poised to become a force to be reckoned with in the indie rock scene.

    Stream Mystery Jam on all Platforms

  • Bushwick’s Dead to Premiere on May 7 at Brooklyn Made

    Bushwick’s Dead, a new series launching in May at Brooklyn Made in Bushwick, features a rotating roster of local jam bands on the first Sunday of the month. The first three shows have been announced and include bands covering The Grateful Dead, Phish, The Beatles and Steely Dan. 

    Bushwick’s Dead is produced by Brooklyn-based production company Loop Troupe, which has a history of producing series and residencies. Loop Troupe launched Walrus with a six-month long weekly residency at The Delancey before Walrus started playing larger venues like Brooklyn Bowl and Brooklyn Made.  

    The first show of the series, on Sunday, May 7th, features Walrus and Near Dead Experience. Walrus is a Brooklyn based jam band playing the music of the Beatles and Near Dead Experience brings a fresh and dynamic energy to the Grateful Dead catalog. The two groups have previously performed shows together at Brooklyn Bowl. 

    Walrus is Chris Mackin (Guitar/Vocals), Josh Santiago (Guitar/Vocals), Dan Shein (Drums), Satoko Mori (Keyboard/Vocals), Jason Figueredo (Vocals), & Will Corona (Bass/Vocals). The members of Walrus have previously performed together in Loop Troupe Family Band, an original funk band.

    On Sunday, June 4th, Dead Meat, an electrifying tribute to The Grateful Dead, is supported by Steely Jams, a one time only experiment to jam on songs from the Steely Dan catalog. Dead Meat has become a fan favorite known for their moving harmonies, high-energy blocks of music and routinely pushing the limits of Dead’s vast catalog. The band’s unique renditions of timeless classics make them a must see, whether you’re a lifelong Dead head or a casual listener. 

    On Sunday, July 2nd, Uncle Ebenezer and Strangers Stopping Stopping play the music of the worlds two most iconic jam bands, Phish and The Grateful Dead. Uncle Ebenezer are four musicians and Phish fans who are dedicated to spreading the joy and excitement of the live Phish experience. Strangers Stopping Strangers bring a youthful energy to the music of the Grateful Dead. The band approaches the songs with a folk and bluegrass influence, much like the original members of the Dead.

    Brooklyn Made is located at 428 Troutman St. Doors open at 6pm, with 7pm showtime. Tickets are $15 advance / $15 day of show and available here

    Stay tuned for future show announcements and never miss a sunday show! 

  • Keyanna Hutchinson announces “Plugged and Unplugged” at the Greenwich House Music School 

    The gifted Keyanna Hutchinson announced her Uncharted concert, Plugged and Unplugged, at the Greenwich House Music School.  The show will begin at 8pm on Thursday, April 13.

    Keyanna Hutchinson is a Brooklyn-born versatile musician. The multi-talented artist uses her Caribbean lineage, love for music, conservatory training, experience with rock, jazz, R&B and experimental composition tours as inspiration. While known for her mastery of the guitar, Hutchinson is also a multi-instrumentalist, songwriter, and producer.

    Hutchinson reveals that the efforts of Terri Lynne Carrington, Lizz Wright, and Brandon Ross of Harriet Tubman have motivated her throughout this journey. Her mentors inspired her to craft a sound that pays homage and to propagate the roots of black and indigenous sound. She also is a recent awardee of the prestigious Next Jazz Legacy fellowship through New Music USA. 

    Plugged and Unplugged will feature Hutchison’s many talents for a new project that will eventually be released as a debut album. The album will fuse her love of live performance with recent explorations into electronic composition and remix culture. In its ninth year at Greenwich House Music School, the Uncharted residency and concert series provides a resource for New York-based musicians to develop original material, foster new collaborations, and premiere first-look projects in an intimate concert setting. 

    Greenwich House Music School was founded in 1902 and currently offers innovative programs in arts and education, older adult services, behavioral, mental health, and workforce development. The music school strives to help communities by taking thoughtful risks, piloting new models and approaches, and implementing effective solutions. More information about the Greenwich House Music School can be accessed here.

    Tickets are available for purchase here.

    https://www.youtube.com/watch?v=Ie1kGk0mifM
  • In Focus: The Furious Bongos Deliver Fabulous Show At The Westcott Theater

    The sounds of Frank Zappa were in the air on Sunday, March 26, as The Furious Bongos took the stage at The Westcott Theater, in Syracuse.  

    Based out of Wisconsin, The Furious Bongos are a nine-piece progressive rock band who focus on delivering quality renditions of Frank Zappa songs. The band consists of Lo Marie (vocals, rhythm guitar, Conrad St. Clair (bass guitar, music director), Chris Huntington (lead guitar), Flip Fjellstrom (drums), Zachary Bowers (percussion), Scott Fischer (vocals, keyboard), Jonathan Sindelman (keyboards), Willow Dougherty (vocals), and Vince Szynborski (saxophones).  

    At promptly 8pm the house lights dimmed and the band took the stage.  The theater was quickly filled with the groovy bass notes of the opening number, Chunga’s Revenge.  The song built layer upon layer of sound, with each band member joining along until the theater was filled with a symphony of sound.  

    Through out the evening, the band would perform various songs from the Frank Zappa catalog.  Lo Marie, Willow Dougherty and Scott Fischer would delight the crowd with their vocal deliveries, while each band member traded turns putting their musical talents on display. The band’s stage manager, Mike Stehr, would join in the fun, taking lead vocal duties during the Zappa classic, Cosmik Debris. Through out the evening, the audience sang and danced along, even earning muffins from the band to reward their participation.

    Through out the two and a half hour set, the band put on display the qualities which made Frank Zappa a legend;  complex and diverse musical arrangements along with comical, satirical, and at times racy song lyrics.  The band delivered on these concepts with the precision and the eccentric delivery which made Zappa famous.   They are a must band see for any music fan.

    The Furious Bongos – The Westcott Theater, Syracuse – March 26, 2023

    Set 1: Chunga’s Revenge > Zoot Allures > Zomby Woof > Uncle Remus > Let’s Move To Cleveland > Find Her Finer > Heavenly Bank Account > Andy > Inca Roads > Cosmik Debris

    Set 2: Dirty Love > Doreen > What’s New In Baltimore > Peaches En Regalia > Montana > Village of the Sun > We Are Not Alone > Advance Romance > Sam with the Showing Scalp Flat Top > Black Page #2 > Hot Plate Crew Slut Heaven > City of Tiny Lites

    Encore: The Meek Shall Inherit Nothing > Willie the Pimp

  • In Focus: Papadosio Find Their Cloud on 4-Day Northeast Tour

    Papadosio just wrapped up a four day tour in the Northeast, stopping in Harrisburg, Philadelphia, New York City, and Bridgeport, CT. For the NYC show, they played at Sony Hall on Saturday, March 25 with 5 A.M Trio as the opener.

    5 A.M Trio got the crowd dancing and grooving. The band consists of Sam Andrus, Aaron Harel, and Keith Wadsworth.

    Papadosio opened up with “Cubensis.” They displayed their talents through intricate, danceable jams as they weave in and out of grooves. Their captivating visuals greatly accompany their unique sound and leave the audience in a trance like dance for most of the show.

    Speaking with some of the members of the band, it seems like their sights are set on sustainability and maintaining healthy family lives.

  • Members of TAB & JRAD Light Up Albany with LaMP Trio

    It was a birthday party like no other on Saturday, March 25th, as members of the Trey Anastasio Band and Joe Russo’s Almost Dead joined forces as LaMP to light up Lark Hall in Albany.  The memorable evening of stellar improvisation and infectious grooves was extra special for the venue’s owner, Jennifer Miller. That’s because many of her nearest and dearest friends helped pack the place to capacity in celebration of her turning 50 years young.

    FUNGKSHUI kicked off the party at Lark Hall on Saturday, March 25, 2023

    Kicking off the festivities with a high energy, fun-fueled set was Asbury Park, NJ young bloods FUNGKSHUI.  Pronounced “funk-shway,” the exciting upstarts made the most of the opportunity to share the stage with a few of their musical heroes.  Comprised of Jack Reed (guitar), Max Vitale (guitar), Jon Scheps (bass), and Kyle Donovan (drums), the psychedelic funk quartet had Lark Hall moving and grooving from the beginning. 

    FUNGKSHUI performing at Lark Hall in Albany, NY 3/25/23

    With two powerhouse guitar players and an incredibly tight rhythm section, the young band showcased a musical maturity well beyond their years. With irresistible hooks, dynamic soloing, and plenty of room left for improvisation, songs like “Orange Cadillac,” “Sinkhole” and “Blue Rat Bastard” highlighted the set. Clearly grateful to be there, afterwards the band members stuck around to chat with new fans and hand out free stickers, while also managing to create quite a buzz about their upcoming appearance at the nearby Rye Bread Music Festival later this summer. With their debut album also on the way, we expect to hear a lot more from this talented group in the very near future.

    Ray Paczkowski, Scott Metzger & Russ Lawton performing together as LaMP at Lark Hall on 3/25/23

    After a rain-soaked intermission dampened many a spliff, the party reignited inside with a special performance from the recently revived trio known as LaMP.  Made up of Soule Monde/TAB members Russ Lawton on drums and organist Ray “The Milkman” Paczkowski, the time-tested duo was joined by Joe Russo’s Almost Dead/WOLF! guitarist Scott Metzger. The band gets takes its name from the first letters of each members’ surname. Originally debuting in 2018 at Nectar’s in Burlington, Vermont, LaMP released their debut album in the summer of 2020 and to date has only played a handful of gigs together, making each appearance a bit of a novelty and a “can’t miss” affair. 

    Opening their set with a funky rendition of the title track from 2021’s Mimi Digs It, Metzger immediately fits right in with the guys from Soule Monde. Tastefully adding guitar textures and subtle melodies to the otherwise drum and organ instrumentals, The Milkman, as always, pulled double duty by supplying the bass lines on the lower deck of his vintage Hammond organ. All warmed up and full of smiles, LaMP then cooked up something fresh for the curious cats who still weren’t sure what the band was all about. Pro-shot footage of “Out of Curiosity” has been posted on the band’s Facebook page at the link below, courtesy of our friends at Mirth Films.

    Ray Paczkowski, Scott Metzger & Russ Lawton performing together as LaMP at Lark Hall on 3/25/23

    The avant-groove compositions continued on with “Hit Return,” “Ollie ‘ 88” and “Hey Francis.” Each song undeniably groovy and each with a different feel, every member had ample opportunity to shine and empty their bag of musical tricks. Following “Seven Days” came one of the biggest highlights of the set in the form of “Q Division.” It was here where guitarist Scott Metzger really let things rip, playing off Paczkowski’s funky Clavinet lines and launching into one of the biggest shreds of the evening.  Afterwards, an excited Paczkowski would get on the mic and tell everyone how much he loves playing improvisational music with these guys and that it was for moments just like that. Lightning in a bottle. 

    Scott Metzger performing with LaMP at Lark Hall on 3/25/23

    LaMP would continue socking it to the Lark Hall faithful with “Sock Full,” then an extra greasy rendition of “Bernard,” which saw drummer Russ Lawton in complete command behind the kit.  Showcasing a wealth of styles and versatility while diving in-and-out of groove pockets with a cool confidence, Lawton would use every inch of his instrument, at one point even banging on the side walls of his kit, cross-sticking it to great effect yielding a huge pop from the crowd.

    LaMP’s Russ Lawton got sound from every inch of the drum kit on 3/25/23

    The bumping progression of “Elsie’s River” came next, followed by “Allah Uya,” which had the entire room moving and grooving to the world-beat. “Clipse Dog” would then bring the main portion of the show to a close and leave the audience hollering for more.  Happy to oblige, the LaMP trio returned to the stage with some very kind words about the venue, its staff, and to wish it’s owner a very happy 50th birthday.  “Tinyland” was chosen as the night’s only encore.

    LaMP packed the house at Lark Hall on 3/25/23

    Truly masters of the craft, the years of experience and chemistry between these three talented musicians is something rarely seen in a live setting.  Seamlessly blending together a myriad of styles and creating a sound that simply couldn’t be replicated by anyone else, it was another special night of music at Lark Hall and a birthday party The Millers will never forget. Not only does Brick Tamland love LaMP, it’s safe to say Albany does too.

    Up next, the guys will head downstate for a performance at Brooklyn Bowl on March 30th before returning to Burlington for a pair of sold out shows at Nectar’s this weekend.  With each member of the group balancing extremely busy touring schedules with their “other” bands, there’s no telling when fans will get another chance to see LaMP light it up again.  If you have the opportunity, I would highly suggest going to see this incredible act while you still can. For those unable to make the trip, free livestreams of both Nectar’s gigs will be available via Volume.com.

    LaMP | March 25, 2023 | Albany, NY | Lark Hall

    Setlist: Mimi Digs It,  Out of Curiosity, Hit Return, Ollie ’88, Hey Francis, Seven Days, Q Division, Sock Full, Bernard, Elsie’s River*, Alla Uya**, Clipse Dog
    Encore: Tinyland

    *Abdullah Ibrahim cover
    **Ali Farka Toure cover

    FUNGKSHUI:

    LaMP (Russ Lawton, Scott Metzger and Ray Paczkowski):

  • In Focus: Pink Talking Fish Celebrate 50th Anniversary of Dark Side of the Moon Album with Escaper

    On Friday, March 24th, Pink Talking Fish teamed up with Escaper at Sony Hall to honor the 50th Anniversary of Dark Side of the Moon, Pink Floyd’s most famous album. PTF played the album in its entirety, with opener, Brooklyn’s Escaper, closing their set with a masterfully psychedelic “Set the Controls for the Heart of The Sun”.

    pink talking fish dark side
    Will Hanza & Luke Bemand of Escaper

    Escaper opened up the night with an exciting set filled with face melting solos by Will Hanza. An incredible and very emotive guitarist, Will is a thrill to photograph. It was great to see him and Luke Bemand’s stage chemistry and how well they play together. Escaper invited Cal Kehoe up for the Pink Floyd cover to end their set.

    pink talking fish dark side
    Luke Bemand & Scott Chasolen of The Machine join PTF on stage to play “Tweezer”

    Pink Talking Fish started their show by playing “Dark Side of the Moon” in it’s entirety. A daunting task which PTF has performed incredibly many times before, this time was no different. The vocal part in “Great Gig in The Sky” and the sheer funkiness of “Any Color You Like” stood out.

    pink talking fish dark side
    Cal Kehoe-eidescope

    The second set was a medley of Phish, Talking Heads, & Pink Floyd. Favorites from that set included Phish classics like “Alumni Blues”, “Letter to Jimmy Page”, “Frankenstein” which included a key-tar solo, “Tweezer” with Luke Bemand on bass and the keyboardist from The Machine Scott Chasolen, and if you play “Tweezer” you know you have to play “Tweezer Reprise”. The band encored with “Sabotage > Eclipse Reprise”.

    Pink Talking Fish – Sony Hall, NYC – Friday, March 24

    Set 1: Speak To Me > Breathe > On The Run > Time > Breathe Reprise, Great Gig In The Sky, Money1, Us And Them1 > Any Colour You Like > Brain Damage > Eclipse

    Set 2: Burning Down The House, Alumni Blues > Letter To Jimmy Page > Frankenstein2 > Letter To Jimmy Page > Alumni Blues, Mother, Houses In Motion, Tweezer1,3 > Tweezer Reprise1,3, Wish You Were Here, Crosseyed And Painless

    Encore: Sabotage > Eclipse Reprise

    1 w/ Matt Wayne on sax
    2 w/ Steve on keytar
    3 w/ Luke Bemand on bass & Scott Chasolen on keys

  • Disco Biscuits Continue Remarkable Consistency During Capitol Theatre Run

    Fresh off live scoring The Fifth Element at The Caverns in Tennessee, The Disco Biscuits marched north to Port Chester for three nights at The Capitol Theatre over March 23-25, quite possibly their strongest run at the ‘Original Rock Palace,’ dating back to 2016

    Few bands display the consistency the Disco Biscuits have displayed as of late, going back nearly a year to their last Capitol Theatre run, which has been followed by more than a dozen original song debuts that have quickly become part of the rotation. 

    From the crowd, the band looks like they’re having a blast on stage, rocking out to the music they’re creating, feeding off their own creation just as the fans are, creating a live camaraderie that is rarely seen. From the stage, one can see the band is getting down while watching the fans do the same, all while creating live electronic music to an unmatched degree of quality, making it look like just another day at the office. 

    disco biscuits capitol theatre

    Typically, Thursday of a three-night Cap run has been more of a ‘‘warm up night,’ as the band gets comfortable in the room. The shows have been great, but have been overshadowed by stellar Friday and Saturday shows. This was not the case this weekend, given the way the band has been playing, as there was no warm up needed and Thursday was on par if not stronger than the next two nights. 

    Starting the run with a jam that evolved into an almost 20-minute “Gangster,” a “Spacebirdmatingcall” sandwiched “Cyclone” that found Jon “Barber” Gutwillig hitting next level peaks as the industrial techno beat took over. As the set reached the second half, two rarely played songs, “Trooper McCue” and “Floes” appeared, a double dose of early Biscuits, with the more recent “Lake Shore Drive” fitting in nicely in between. 

    A rarely played “Park Ave” made its third appearance since 2011, and second this year, opening up the second set, then dipping into an inverted “Shelby Rose” which was last performed inverted style at the Capitol Theatre in 2019. The flowing set continued with an inverted “Reactor” which found Barber taking a section for “a couple of laps” as bassist Marc Brownstein put it. The set would close with ”Evolve,” a 2021 composition that gives off a late 90s Eurodance vibe, segueing into a 20-minute set closing “Caterpillar.” With a short encore slot leftover, “Portal To An Empty Head” put a exclamation point on a night that to some was the highlight of the run, but if anything, simply foreshadowed the greatness of the next two nights that followed.

    Setlists via Biscuits Internet Project 2.0

    The Disco Biscuits – Thursday, March 23 – The Capitol Theatre – Port Chester

    Set 1: Jam > Gangster > Spacebirdmatingcall > Cyclone > Spacebirdmatingcall, Trooper McCue, Lake Shore Drive > Floes
    Set 2: Park Ave > Shelby Rose 1 > Reactor 1 > Evolve > Caterpillar
    Encore: Portal To An Empty Head
    1 inverted

    Friday night featured opener Dogs in a Pile, a New Jersey band that was making waves prior to the pandemic and who have not looked back in that time, touring across the country and building a ‘Dog Pound’ fanbase in the meantime. The full set is worth a listen, especially the final tune, “Time Stands Still,” with Ben Pinnola on saxophone.

    When it comes to the Disco Biscuits, anything can be a jam vehicle, nearly everything is in play – new songs, old songs, fan favorites, rare covers – and that is what makes the band so enjoyable to see show after show, no matter if you last saw them a week ago or five years ago. 

    Cracking open the first set was “Shocked,” which stands to be the first song from the band’s forthcoming “Space Rock Opera,” and had fans shouting “Shocked” as if the tune was a longtime part of the repertoire. A stand alone “Digital Buddha” followed, with the pace accelerated by Barber and drummer Allen Aucoin to a furious froth, giving unparalleled energy as the song reached its peak. 

    Among all new debuted songs, a clear fan favorite is “Twisted in the Road,” which would proceed to sandwich three songs in between a “Twisted” 22 minute jawn, with lyrics “Let it run and let it roll” becoming a mantra for Biscuits fans in the process. “Bombs” made a return appearance at The Capitol Theatre (played in 2017 and 2019) after being brought off the shelf by fan request at a Drive-In show in May 2021. “Orch Theme,” the ever-welcome dark electronic Conspirator song arrived out of “Bombs,” bringing the rare “Rainbow Song” from the ashes of “Orch Theme,” before winding back into “Twisted in the Road” to close the set and reach the halfway point of the run.

    Set 2 began with the fresh “Freeze” that ran for nearly 25 minutes and exemplified one of the best elements of the Disco Biscuits – you can easily forget what song you’re dancing to, and happily so. In the moment, it doesn’t matter what song it is when they’re jamming at this level of consistency, making song chasing secondary to enjoying these jams more than ever before. Anything is in play with improvisation opportunities found at all turns. 

    disco biscuits capitol theatre

    The middle section of “Crickets” gave way to “Another Plan of Attack” and “Space Train,” and then an inverted “Above The Waves”  that clocked in at a raging 20 minutes. “One Chance To Save The World” closed the set with “King of the World” celebrating this powerful set in the encore slot.

    Setlists via Biscuits Internet Project 2.0

    The Disco Biscuits – Friday, March 24 – The Capitol Theatre – Port Chester

    Set 1: Shocked, Digital Buddha, Twisted in the Road > Bombs > Orch Theme > Rainbow Song > Twisted in the Road
    Set 2: Freeze > Crickets 1 > Another Plan of Attack > Space Train > Above The Waves 2 > One Chance To Save The World
    Encore: King of the World
    1 middle only
    2 Inverted

    Opening Saturday night was Eggy, who has been on the rise as of late and had recently opened for Twiddle at The Capitol Theatre in November 2022. This remarkable Connecticut band has excellent stage presence and precision jamming, with Jerry Garcia Band’s “Gomorrah” a fitting cover for the room.

    The Biscuits’ first set opened up with stand alone versions of “Story of the World” and “Astronaut,” a departure from the sandwiching of other tunes inside segments of these compositions. A classic “Little Shimmy In A Conga Line” had a percussion segment that was unique and fit the jam well, and may have been exploring a shift into “O Fortuna” (a cantata by Carl Orff), from the Biscuits’ catalog of classical covers. Shortly after, “Shimmy” started to give off “Digital Buddha,” but having already played “Buddha” the night before, this meant the audio doppleganger for “Buddha” – “Tricycle” – was on the horizon.

    disco biscuits capitol theatre

    The last two minutes of “Shimmy” made it seem as though the band would be dipping into one of their most high energy songs for a segue. Then out of left field came a short, sweet and nasty “Tempest” that provided a bridge to the full on “Tricycle,” which had the crowd singing along in unison like no other in recent memory, the four fully dialed in for this fusion of sound and bringing the audience along with them for the ride. The newer “Vibes” hit the spot out of “Tricycle” and found its way into the ending of “Svenghali” to close the set on a high mark. 

    The first set had so much energy and hit all the right spots, contending quickly for ‘Set of the Weekend.’ The general consensus at setbreak gave no notes, no criticisms and no hot takes other than ‘these guys are on fire.”

    Sorry if that sounds like hyperbole, but the dedicated fan base is in agreement that the band is as dialed in and consistent as they’ve ever been. So when it came time for Set 2, the crowd was abuzz as the setlist was confirmed to be written by longtime Biscuits audio engineer Rich Steele, celebrating his 300th show this evening. The set unfolded as a dissection of one of the Biscuits’ earliest songs, “Basis For a Day” spread out over the 90 minute set with four of the newer ‘Space Opera’ songs woven in between, leading fans to coin the fluid set “Spaces for a Day.

    If you hadn’t heard “Basis For a Day” in a minute, you were in for a treat. The band opened up with “Basis,” segueing into “The Wormhole” before finding their way back to “Basis.” Despite only debuting nine months ago, “Who’s In Charge” has found its home in regular rotation and followed the second “Basis,” with a driving beat behind Barber’s repeated query “Who’s in charge….. of this place right here?” From there, it was back into “Basis” for round 3, followed by “The Deal,” a song so new it had only been played three times prior to this evening. Back into “Basis” and then “To Be Continued,” with a new wave/techno riff from Aron Magner, seeming to be a song towards the end of the Space Opera. By the time they went back into “Basis” for a final time, nearly 90 minutes had passed but fans didn’t notice as they were far too busy getting down.

    disco biscuits capitol theatre

    You couldn’t find a stronger way to cap the run with a set of this nature, where knowledge of the band’s collective level of consistency in performance and songwriting was put high on a pedestal for all to see. Weaving the band’s unnamed/unreleased “Space Opera”  in and out of one of their most performed songs was a master stroke and paid dividends for everyone in attendance. A fitting encore of “We Like To Party” framed the three night run, with the band and fans in unison proclaiming enthusiastically, loudly and proudly, “We like to dance, sorry if you don’t.” 

    Don’t sleep on the Disco Biscuits – they’re in Colorado this coming weekend for four shows, head down south for four more in May before heading to Iceland for their first international jaunt in well over a decade. Tour dates for the summer have just been announced, which find the band touring up the east coast in June for eight shows, starting in South Carolina on June 7 and closing out with two nights at Mulcahey’s in Wantagh. Here’s hoping for more details on the upcoming “Space Opera” as the year progresses.

    Setlists via Biscuits Internet Project 2.0

    The Disco Biscuits – Saturday, March 25 – The Capitol Theatre – Port Chester

    Set 1: Story of the World, Astronaut, Little Shimmy In A Conga Line > Tempest > Tricycle > Vibes > Svenghali 1
    Set 2: Basis For A Day > The Wormhole > Basis For A Day > Who’s in Charge > Basis For A Day > The Deal > Basis For A Day > To Be Continued > Basis For A Day
    Encore: We Like To Party
    1 end only

    Photos by Filip Zalewski