At Cohoes Music Hall this past weekend, the sound of Jerry Garcia and the Grateful Dead was alive and well, as Zach Nugentâs Dead Set performed two strong sets of classic Dead tunes on Saturday, April 29, to an audience hooked from the first to the last note.
The two sets were not your standard Grateful Dead cover band sets, with some choice selections that made it clear this set was written by a disciple from the school of Garcia. Working in lesser played songs like “Dupree’s Diamond Blues,” the crowd at Cohoes Music Hall had a fair lot scene in the lobby, a show perk that you love to see.
On this night, Nugent was joined by Joe Agnello (rhythm guitar, vocals – Swimmer), Josh Weinstein (bass – Kat Wright), Cotter Ellis (drums – Swimmer), Matt Dolliver (keys – Swimmer), and Corey Wilhelm (percussion – Bombino/Kat Wright).
Opening up with “Bertha” and “Good Lovin’,” Nugent’s Dead Set had the crowd moving, the floor full with eager Deadheads looking to dance. A cover of Bob Dylan’s “Stuck Inside of Mobile with the Memphis Blues Again” was an early highlight, with Nugent’s guitar pouring fuel onto the driving chorus alongside keyboardist Matt Dolliver. The set closing “St. Stephen” had a velvety smooth transition into “Cassidy.”
Second set began with a “Dark Star” jam that stretched out with great patience into space for exploration, finding itself at “Terrapin Station” – the full suite and then some. Towards the ending, the group found itself dabbling in a reprise of “Playin’ in the Band” but instead opted for “Uncle John’s Band,” and back into the final section of “Terrapin.” An encore of “Deal” made this one more Saturday night to remember.
Zach Nugent’s Dead Set – Cohoes Music Hall – April 29, 2023
Set 1: Bertha > Good Lovin’, Candyman, Stuck Inside of Mobile with the Memphis Blues Again, Dupree’s Diamond Blues, El Paso, St. Stephen > Cassidy Set 2: Dark Star > Terrapin Suite (full)* > Uncle John’s Band > Terrapin (ending), One More Saturday Night Encore: Deal * Playin’ in the Band (reprise) tease
On April 22 at the Westcott Theater, reggae jam band Giant Panda Guerilla Dub Squad performed the last show of their 2023 Tour. The band was originally founded in 2001 in Rochester, best known for their authentic reggae and dub live performances.
The energy of the night started strong at the Westcott, with two opening performances Flying Object and Dirty Blanket. Flying Object, is a smaller group who feature an upright bass, keys and drums into their music. The band kicked off with an upbeat spunky groove engaging the audience awaiting Giant Panda.
Dirty Blanket incorporates guitars, upright bass, mandolin and banjo. For the past six years the band has remained local to the Finger Lakes Region. Their song “Better Days” led the crowd roaring and dancing as they closed their act and gave a warm welcome to Giant Panda Guerilla Dub Squad.
Giant Panda consists of James Searl, Chris O’Brian, Dylan Savage, Tony Gallicchio and Eli Flynn. Some of their top hits include “Time and Reflection,” “Love You More”, “Steady,” “Trouble Deep” and “Good Love.” This tour honored their latest album Love In Time released on April 7th. The diversity of the songs and various production styles truly compliment the album as a whole. This was one of their first times working on music with outside collaborators.
Although it was announced to be the last show of their 2023 tour, Giant Panda did a fantastic job and put on quite the show for their fans at the Westcott Theater. As fans danced to their mix of reggae, electric beats and rhythm, the band members yelled out to the crowd while engaging with one another on stage. The band is notable for connecting people to the sound of their music and authentic roots. We look forward to what the band has to come as fans anticipate future performances.
Sorry we missed you the past couple months, we were too busy seeing shows! Hopefully you were too. May is here, the flowers are blooming, and so is the live music in Rochester. Here are five lovely shows popping up this month that you should probably go check out.
Acid Mothers Temple returns to the Bug Jar from Japan for the first time in a handful of years, bringing back their intensely psychedelic rock perfectly suited for the trippy little bar on Monroe. Whether you’re on drugs or not, prepare to be sent to another dimension. Austin’s My Education joins them and Rochester’s Pengo will get things kicked off.
The show starts at 9pm and tickets are $15/$18dos.
May 11: Seán Barna at Radio Social
A day before his new album, An Evening at Macri Park, drops on Kill Rock Stars, Seán Barna will play a free show at Radio Social. Be one of the first to hear this incredible queer singer/songwriter and his band perform the album, which was recorded locally at 1809 Studios. Pluck and Cece Vile will open the show.
Pimp Biscuits is Aqueous’ Mike Gantzer and Evan McPhaden, and Pickle Mafia’s Marco Cirigliano. They don’t get together often, but when they do, watch out! And with Aqueous on indefinite hiatus, all the more reason to get in to enjoy some Gantzer and McPhaden magic. With previously recommended Vertices opening the show, we’re in for a night of heavy improvisation. With Pigeons Playing Ping Pong opening up the Lilac Festival earlier in the evening, the possibilities for some nice sit-ins are high.
David Grisman’s son Sam recently assembled a band, heavy on Rochester talent, to explore the music of his father and Jerry Garcia and beyond. Area guitarist Aaron Lipp and drummer Chris English join him, and multi-instrumentalist Ric Robertson rounds out the quartet. They interpret the music acoustically, electrically, and eclectically. This one is going to sound great nestled in between the lilacs. Get there early for Organ Fairchild and Digglers Bridge.
Music starts at 4pm, Sam Grisman comes on at 7pm, and it’s all free.
Margaret Explosion is a long running institution in Rochester. There’s no one named Margaret and the music is decidedly unexplosive, but their regular gigs at the cafe inside The Little Theater are always a treat. Their shows are completely improvised “slow-motion psychedelia.” Melissa Davies has been joining the quartet on cello recently and the results have been stunning.
Brooklyn based rock band Dive Brake have just released their debut EP full of unapologetic progressive rock songs. Along with this, the band has a gig lined up for May 6th at Rockwood Music Hall Stage 2 in Manhattan. Joining them will be Nick Balzano’s band Whaley (fka Logan Whaley Band), and Dysfunktone.
Dive Brake is a progressive grunge jamband trio from Brooklyn. They recorded 9 tracks with Pinch Records, a very small startup label out of Long Island City, and just got their first 3 songs released as an EP titled The Approach.
The tracks are supposed to play well in order. “Static” being the leadoff, coming across funky and heavy. Next, “4 Banger” is an alt-prog banger with 2 different refrains and a jammed out multi part bridge section. Lastly, “Stay on Target” is an 11:34 long epic. The Approach EP is available everywhere.
There will be a follow up LP that contains the rest of the tracks from those sessions where The Approach was recorded. Keep your eyes peeled for more info on that in the coming months.
From casual jams between Nick Pascarella and Steve Remp, following the breakup of Gone Quite Mad, thus, Dive Brake was born. But after grabbing the attention of a longtime friend and collaborator, Dexter Larsen, a once innocuous trio launched into full blown ascent.
With using their distortion laden verses and enveloping choruses, the occasional Latin groove driven bridge, never ending tumults of guitar led melody. Their sound isn’t music you listen to casually, it’s for when you want to be assaulted by sound.
As the legend of Lark Hall continues to grow, the Ryan Montbleau performance from April 20 will be one of the ones they talk about for years to come. An instant classic that showcased everything from rock and blues to funk and folk, eloquent and meaningful storytelling, full band collaborations, over the top guitar solos and even a bit of Marty McFly-type showmanship. Along with a well-received set by the sultry and dynamic female folk singer Kat Wright that included a cover of Bob Marley’s classic song “Burnin’ and Lootin’, being in the Albany room on this night felt like being home for the holidaze.
Fans “packed” into Lark Hall to celebrate 4/20 with Ryan Montbleau
Until recently though, home for Ryan Montbleau has been on the road. After spending more than two decades on tour living out of a suitcase, the critically acclaimed singer/songwriter has finally settled down and purchased property in Burlington, Vermont. Only a short drive to the Albany area, Montbleau has become a regular fixture in the Capital Region music scene. Often playing in Saratoga Springs at venues like Caffe Lena and Putnum Place, over the years Montbleau has shared the stage with everyone from the Tedeski Trucks Band and Mavis Staples, to the Wood Brother and Goose. This night, however, would be his Lark Hall debut.
Here comes the Pain: Ryan Montbleau had the crowd feeling fine while performing “Just Enough Pain”on 4/20
Montbleau, who was dressed in a Todd Snider T-shirt and would perform the majority of the show with a spliff safely tucked behind his ear, addressed the doobious date by saying, “I feel like 4:20 doesn’t mean as much as it used to. These days you can just go down the street and get some gummies and a couple pre-rolls. How rebellious is that?” Opening up with “Just Enough Pain” and passionately singing as if it were the encore, Ryan and the band were dialed in from the start. Repeating the chorus of “I guess I’m fine” until the whole room was saying it too, it was the kind of cathartic start to a show that rarely comes around. The kind that let you know that no matter what other 4/20 shenanigans were happening simultaneously elsewhere, you were exactly where you needed to be and you had picked wisely.
When I Misbehave: Ryan Montbleau rolled into Lark Hall for the first time on 4/20/2023
Playing most of his recently released studio album, 2023’s Wood, Fire, Water, and Air, Ryan Montbleau’s band currently consists of Ex-Turkuaz/current Cool Cool Cool members Craig Brodhead on guitar and Michelangelo Carubba on drums, Paul Philippone from West End Blend on keys, and Michael Friedman from The Slip on bass. Montbleau has gone on record calling them his best band yet, and after working their way through songs like “Ankles,” and fan favorite “75 and Sunny” it’s easy to why. The band would have fans chanting along again on “Yeah Man,” before ripping into the aptly appropriate 4/20 rocker “Sweet, Nice ‘n’ High.” Brodhead’s incredible tone control sounded gorgeous in this room and on this song in particular. You can check out fan shot video it below:
Sweet: Watch fan shot footage of “Sweet, Nice ‘n’ High” from Lark Hall on 4/20
Cooling things off a bit, a stripped down and somber rendition of “Never Gonna Be” gave the audience some time to reflect, while “Long for You Again” explored similar sentiments, but with a notably more up-tempo swing. Ryan would abort the intro of “Til the End of Our Days,” laughing to himself that it sounded too much like the theme song from the 1993 film Free Willy. Then in a moment of priceless crowd participation, fans of the Michael Jackson song briefly started singing the chorus of “Will You Be There.” Things got more serious when Montbleau dusted off a pair of deep-thinkers from 2017’s I was Just Leaving, “Time and Time Again” and the album’s title track.
With a little Help From Friends: The Kat Wright Band performing with Ryan Montbleau on 4/20/23
Then for a special treat, members of the Kat Wright Band would join in on the festivities, lending backing vocals on “When I Misbehave” and on one of the more popular songs of the night, “Bright Side.” Earlier in the evening, Wright had let her feelings about the venue be known, commenting how special this room felt to her. Saying, “Long live Lark Hall. Such a beautiful venue. It feels like slipping into a dream. Back to a time when people cared about storytelling and being together and listening to the music and it’s just so beautiful. I hope it stays open forever.” The heartfelt sentiment was collectively felt by all. The energy level would raise even higher when the band bounced back with a full-on funk attack during “Dead Set,” where chairmen Paul Philippone shinned particularly bright. “Songbird” took on strong Rastafarian vibes, only to be outdone by the most bombastic cover choice of the night in Shaggy’s “It Wasn’t Me.”
This Must Be the Place: The Lark Hall kids loved it when Montbleau channeled his inner Marty McFly on 4/20/23
Putting down his guitar and working both sides of the stage while rapping the lyrics to the turn-of-the-century mega hit, the charismatic Montbleau drove the ladies in the crowd absolutely wild here. Well, “Seeing is believing so you better change your specs.” That’s what fans were thinking during the follow-up cover choice of Talking Heads “This Must Be the Place” when both Montbleau and Brodhead were having so much fun together, they briefly ended up playing guitars while laying on their backs ala Marty McFly in Back to the Future. Considering Lark Hall’s storied Chuck Berry history, it somehow seemed to make sense.
Floored: Guitarist Craig Brodhead laid down a smoking solo during “Naïve Melody” at Lark Hall on 4/20/23
After finding their feet again, the band would go into the song “Affected,” which Montbleau helped write with Maddy O’neal and appears on the 2022 album Ricochet. The boogie down continued with a rippin’ version of “Honeymoon Eyes” and then more full audience participation on “I Can’t Wait,” which brought the main portion of the show to a close and left the packed house hollering for more.
Watch fan shot footage of Ryan Montbleau’s final song at Lark Hall on 4/20
After soaking in the cheers for a few moments, the band would emerge from the curtains with one more heartfelt ballad from Wood, Fire, Water, and Air called “Outside Looking In.” Finally, they would send the audience home on a high note with a smoking rendition of “Pacing Like Prince.”
Just an incredible, fun, and well-rounded performance from start to finish. Complete with a carefully crafted, career spanning setlist, an absolutely badass backing band, guest sit-ins, and his innate ability to develop a wonderfully organic rapport with his audience, it would seem that Ryan Montbleau made the most of his Lark Hall 4:20 debut and may have found a new home away from home in the process. Carving his name into the venue’s growing legend, it genuinely feels like something special happens every time you step foot into Albany’s newest concert spot. If you’re looking for great music, great vibes and a great time, this must be the place indeed-e.
Fans “packed” into Lark Hall on 4/20
Ryan Montbleau | 4/20/2023 | Lark Hall | Albany, NY
Setlist: Just Enough Pain, Ankles, Yeah Man, Sweet, Sweet, Nice ‘n’ High, After Dark, 76 & Sunny, Never Gonna Be, Long For You Again, ‘Til The End of Our Days, Time and Again, I Was Just Leaving, When I Misbehave, Brightside, Dead Set, Songbird, It Wasn’t Me*, This Must Be the Place (Naïve Melody) **, Affected, Honeymoon Eyes, I Can’t Wait
Encore: Outside Looking In, Pacing Like Prince
*Shaggy cover
**Talking Heads cover
Kat Wright | 4/20/2023 | Lark Hall | Albany, NY
Setlist: Can’t Explain, Problems, Lovers & Tides/All About You, Try, Take Me With You, Rhonda, Burnin’ and Lootin’, I’ve Been Down
It was a hazy, high-energy night of other worldly soundscapes, prog-inspired improv, funky dance grooves, and surprise sit-ins in Saratoga Springs on April 19th, as revered indie jam rockers Dopapod and charismatic up-and-comers Baked Shrimp joined forces for a wild time at Putnum Place, a show presented by Hartstone Productions.
Kicking off the festivities was red-hot Long Island crustation sensation Baked Shrimp. The fiery trio wasted no time getting the party going, launching into mythical beast mode early with “Chimera.” “Is this all a dream or am I awake?” crooned guitarist Jared Cowen, as the band magnetically pulled you into an exploratory and surreal type-two realm before the opening 16-minute number would reach its impressive peak.
Drummer Jager Soss would take over on vocal duties during the up-tempo swing of “Molly Ann” and then trade them off to bassist Scott Reill on the equally energetic “Pig Hearts and Mechanical Parts.” Playing this particular show using Dopapod drummer Neal Evans massive kit, Soss was like a kid in a candy store here, clearly having a blast while utilizing all the bells, blocks and cymbals that were at his disposal.
The prog-heavy technical chops of the band were on full display once again during “Missing Midnight,” which by now, everyone that had been standing in the back, had collectively moved forward to get a better look at the young sorcery taking shape before their eyes. Celebrating the one-year anniversary of his custom Forshage guitar, Cowen and his trusty new ax known as “The Wrench” sounded particularly potent during the set closing “Wannabe,” which also included an “I Am The Slime” tease by Frank Zappa for good measure. Despite the time constraints, it was another impressive set by this talented young band from New York. As early believers, tracking Baked Shrimp’s continued growth over the last few years has been an absolute joy and it seems like their hard work is beginning to pay off. With a massive summer ahead that includes making their Peach Festival debut, along with high profile slots at Northlands and The Rye Bread Music Festival, it’s safe to say these talented nice guys are right on the cusp of busting out of their proverbial shells.
After a brief intermission followed by several minutes of sci-fi ambiance, it was finally time for our headliners Dopapod to take over. No stranger to the Putnum Place, the band has played several memorable shows here, including joint gigs with Pigeons Playing Ping Pong, a “Grateful Sabbath” themed Halloween show, and just last year playing a single-song set covering Pink Floyd’s “Echoes.” On the eve of April 20th, it felt like anything was fair game.
Kicking things into high gear off the rip was “Numbers Need Humans” from the bands 2019 album Emit Time. Consisting of Eli Winderman on keys, Rob Compa on guitar, Chuck Jones on bass and Neal “Fro” Evans on drums, Dopapod had the whole room vibing right from the start. The dank grooves continued as the band seamlessly transitioned into the always coveted “New James,” which took on a far more sentimental feel here as Dopapod worked in a significant “Wax” tease, paying tribute to their peers and friends in Lotus. Still fresh in everyone’s mind, fans of both bands continue to grieve the suddenly loss of Lotus’ percussionist Chuck Morris and his son Charley who tragically lost their lives on a recent kayaking trip.
“Wheazy” and “Test of Time” would then follow suit before segueing nicely into “Imaginary Friend.” From there, Dopapod would get some help from a real-life friend in moe. drummer Vinny Amico, who would trade seats with Neal Evans to sink his teeth into “Dracula’s Monk” and bring the hour long first set to a pummeling close.
Following a 25 minute intermission, Putnum Place popped off once again when Dopapod returned with a dynamic “Sonic” > “My Elephant vs. Your Elephant” combo to get the second frame rolling. The band would then invite another longtime friend, Adrian Tramontano of Twiddle/Kung Fu/ The Breakfast fame out to play drums on the popular old-school track “Indian Grits.” The heavy hands of Tramontano both brought the thunder and the house down during his extended solo, wowing the crowd to rowdy new heights.
Accompanied by a spectacular light show, the energy level would go through the roof on the next song “Vol. 3 #86” which would flow through “Man or Machine” and finally land on “Black Holes”; the only song from the band’s latest self-titled studio album to be played on this night.
With just 5 minutes to go before the stroke of midnight, the band opted to go with the appropriate “Nuggy Jawson” to officially ring in the 4/20 holidaze and put a bow on yet another memorable performance at the Putnum.
A jam packed show from start to finish, in a room full of longtime fans and friends, complete with surprise sit-ins from members of moe. and Twiddle, it was everything you could have hoped for on this mid-week throwdown in Saratoga Springs. Up next for Dopapod, the band will take a few weeks off before returning to the road for a lengthy run of shows that will see them through the end of May. Their only confirmed summer festival appearance thus far is set for the last weekend in June at the annual High Sierra Music Fest in Quincy, California.
Dopapod | 04/19/2023 | Putnam Place | Saratoga Springs, NY
Set I: Numbers Need Humans >New James * ->Wheazy, Test of Time ^ > Imaginary Friend. Dracula’s Monk +
Set 2: Sonic ^ -> My Elephant vs. Your Elephant, Indian Grits %, Vol. 3 #86 > Man or Machine -> Black Holes
Encore: Nuggy Jawson
* Wax (Lotus) tease
^ Unfinished
+ with Vinnie Amico of moe. on drums
% with Adrian Tramontano of Twiddle, The Breakfast, and Kung Fu on drums
Baked Shrimp | 04/19/2023 | Putnam Place | Saratoga Springs, NY
Setlist: Chimera, Molly Ann -> Pig Hearts and Mechanical Parts, Missing Midnight, Wannabe*
Jazz is PHSH will be heading out on a late spring tour covering the Northeast and Midwest from May 31 to June 11. The instrumental group bring electrifying interpretations of the Phish song book for Phish phans and Jazz fans to dive into, including shows at Buffalo Iron Works and Nublu in NYC.
Don’t let the name of the band fool you – while the arrangements for Jazz is PHSH are steeped in jazz, the funky, rocking fusion interpretations of the music will bring you to your feet.
A rare treat, Jazz Is PHSH creates an exhilarating experience, journeying through the catalogue of Phish while seamlessly weaving the songs together with the music of jazz legends such as Miles Davis, Jaco Pastorius and Herbie Hancock.
Figuring out the songs as they are rearranged and reimagined is equally as fun an aspect of Jazz Is PHSH that Phish phans enjoy as much sharing in the groove of the music. For jazz fans and those unfamiliar with the music of Phish, the deep dives into the history books of jazz as well as the references to current artists like Robert Glasper and Nate Smith provide a never ending stream of auditory pleasure.
The upcoming Spring Tour includes a mix of sit down jazz clubs like the Bop Stop in Cleveland on June 1 and famous rock club venues like Nectars in Burlington on June 8.
The mix of rooms will give fans an opportunity to catch a few different shows on the tour to have a range of experiences with the band. While their catalogue is not quite as big as Phish’s hundreds of songs spanning over 40 years, Jazz Is PHSH has been touring since 2015 and has created an impressive catalgoue of their own.
With mashups of Phish’s “You Enjoy Myself” with Nate Smith’s “Bounce” and Phish’s “Divided Sky” with the John Coltrane masterpiece “A Love Supreme” along with a plethora of other mashups of Phish songs, the band is able to craft unique setlists each night so that fans that travel with the band can have unique experiences each night.
JAZZ is PHSH Spring Tour 2023
May 31 – Cincinnati OH – Fretboard Brewing
June 1 – Cleveland OH – Bop Stop June 2 – Baltimore MD – 8×10 (w/ The Chase Brothers) June 3 – Toronto ON – Adelaide Hall June 7 – Buffalo NY – Buffalo Iron Works June 8 – Burlington VT – Nectars June 9 – New Market NH – Stone Church June 10 – Manchester CT – Main Pub June 11 – New York, NY – Nublu
Gretsch Drums have announced “Gretsch Night in New York City,” a special one-night-only event to celebrate 140 years of Gretsch Drums history, featuring performances by revered drummers Mark Guiliana, Will Calhoun, Nate Wood, and Bill Stewart, on May 23 at The Cutting Room.
Founded in Brooklyn in 1883, Gretsch Drums is an iconic American drum brand manufactured in Ridgeland, South Carolina. For 140 years, this award-winning company has been providing “That Great Gretsch Sound” to drummers around the globe, including Phil Collins, Vinnie Colaiuta, Cindy Blackman, Ash Soan, Steve Ferrone, and Keith Carlock, among others. The 140th celebratory concert will take place on May 23 at The Cutting Room in NYC.
The Cutting Room sits at its new location on East 32nd Street between Park and Madison, building on a decade of history that includes some of today’s top performers like John Mayer, Lady Gaga, Sting, Sheryl Crow, and David Bowie, all of who have graced the stage at the previous location. “We wanted a place where up-and-coming artists could get seen and established artists felt comfortable playing club gigs. We wanted a place with great sound, creative food, and cocktails where the venue itself was as beautiful as the music,” says Steve Walter, the venue’s owner.
There are multiple revered drummers performing at the celebratory concert, including Mark Guiliana, who has played on over thirty recordings including David Bowie’s final album Blackstar, and has been described by the New York Times as “a drummer around whom a cult of admiration has formed.” Bill Stewart has played in the John Scofield band since the early ‘90s, although his extensive credits have seen him record with artists including Maceo Parker, Pat Methany, and Lee Kopnitz, as well as solo records.
Other drummers included in this special event include multiple GRAMMY award winner and longtime drummer for Living Colour Will Calhoun, who has performed and recorded with a diverse array of notable artists such as B.B. King, Mick Jagger, Paul Simon, Lou Reed, Carly Simon, Public Enemy, and more. The final musician is Grammy-nominated drummer and multi-instrumentalist Nate Wood, founding member of the quintet Kneebody. He has also performed or recorded with many notable artists including Taylor Hawkins and the Coattail Riders, Brian May and Roger Taylor (Queen), Sting, and more.
For more information about this special one-night-only concert celebrating Gretsch Drums 140th anniversary and to buy tickets please visit here.
Brooklyn locals PEAK stopped by The Sultan Room in Bushwick on Thursday, April 20th for a hometown gig packed with friends and family. The show was in support of fellow jam band Magic Beans, but the room filled in early with PEAK fans who danced and sang along to the entire set. Frontman Jeremy Hilliard and crew cranked up the energy of the room for nearly an hour, playing older songs as well as unreleased material.
PEAK began as Hilliard writing and performing music outside of his time as guitarist and vocalist for the band Turbine. This work culminated into PEAK’s 2018 debut album, Electric Bouquet. The album garnered critical acclaim in the jam scene, attracting an accomplished array of musicians to join Hilliard. Today, the band rounds out with Kito Bovenschulte on drums, Josh T. Carter on bass, and Johnny Young on keys and vocals. In 2021, the boys from Brooklyn released their sophomore record, Choppy Water.
At The Sultan Room in Brooklyn, PEAK proved they were here to stay. Hilliard and company seamlessly feed off of each other on the live stage, going in and out of extended jams without skipping a beat or ever allowing the music to become stale. Their fans bring great energy as well, dancing and grooving along to whatever PEAK was willing to feed them. One of the standout moments of the set, was when PEAK began playing new song “Summer”, but transitioned into “Merry Go Round” with a “Summer” reprise in the back end. Another example of the group being able to make sharp turns within the live performance of a song, and doing so with finesse.
PEAK continue on with shows and festival stops in the coming months. They will be at Wescott in Syracuse on April 29th, and return to New York later this summer with shows at Snug Harbor in New Paltz on June 9th, and Yasgur’s Road Reunion in Bethel on August 12th. Head over to the PEAK’s website for their full tour details, and check out the photo gallery from The Sultan Room below.
Zach Nugent’s Dead Set kicked off a six-show run across New York State at Garcia’s in Port Chester on Wednesday, April 19.
Performing with members of Swimmer and Corey Wilhelm on Percussion, a wide range of Grateful Dead and Jerry Garcia songs were featured, with a crowd filling the room and enjoying one of the freshest takes on the music of the Grateful Dead you’ll hear.
In concert, Nugent is exhilarating and unforgettable, energizing and inspiring fans, uplifting the crowd from the moment he and the band take the stage, Nugentâs virtuosic guitar playing and deep connection to the music of the Grateful Dead captivates the audience and transports them to another realm.
