Straight out of a pair of shows at Mulcahey’s on Long Island, the Disco Biscuits have their sights set on Fall Tour, with shows in Texas and the Midwest culminating with a five-show run in the Northeast. Over October 27+28, they’ll be celebrating Halloween weekend at the Capitol Theatre in Port Chester.
Joining Disco Biscuits this fall will be TAUK Moore (featuring Kanika Moore of Doom Flamingo) and SunSquabi on select dates.
Tickets are available via an Artist Pre-Sale on Wednesday, June 21 at 10am Local time, Venue Pre-Sale(s) on Thursday, June 22 at 10am Local time, and a general On-Sale on Friday, June 23 at 10am Local time.
VIP Packages are available, and will include early entry to each venue + early access to merch, pre-show soundcheck, a group photo with the band, limited edition show poster, and a commemorative laminate & lanyard.
Disco Biscuits Summer and Fall Tour Dates July 6 – Rexford, MT – Abayance Bay July 7 – Livingston, MT – Pine Creek Lodge July 8 – Livingston, MT – Pine Creek Lodge July 9 – Livingston, MT – Pine Creek Lodge July 11 – Boise, ID – Revolution Concert House July 12 – Spokane, WA – Knitting Factory July 13 – Seattle, WA – The Showbox July 14 – Bend, OR – Midtown Ballroom July 15 – Portland, OR – Roseland Theater July 18 – Blue Lake, CA – Blue Lake Casino July 19 – Stateline, NV – Harrah’s South Lake Tahoe July 20 – San Francisco, CA – The Fillmore July 21 – Los Angeles, CA – The Roxy Theatre July 22 – Solana Beach, CA – Belly Up Tavern [SOLD OUT] August 10 – East Hampton, NY – The Clubhouse August 10-12 – East Durham, NY – Catskill Mountain Jubilee August 13 – Dewey Beach, DE – Bottle and Cork September 15 – Austin, TX – Far Out Lounge and Stage * w/ TAUK Moore (TAUK ft. Kanika Moore) September 16 – Austin, TX – Far Out Lounge and Stage ^w/ Sunsquabi September 20 – Minneapolis, MN – First Avenue September 21 – Chicago, IL – Riviera Theatre ^w/ Sunsquabi September 22 – Milwaukee, WI – Pabst Theater September 23 – Indianapolis, IN – The Vogue Theatre September 24 – St. Louis, MO – Delmar Hall October 24 – Burlington, VT – Higher Ground October 25 – Hartford, CT – Infinity Hall October 26 – Portland, ME – State Theatre October 27 – Port Chester, NY – The Capitol Theatre October 28 – Port Chester, NY – The Capitol Theatre
Attention Disco Biscuits fans! The jamtronica pioneers may not be back in New York until mid-August, but you can catch a rare performance by Tractorbear: A Tribute to the Disco Biscuits, on Friday, July 7 at Parish Public House in Albany.
Tractorbear, a tribute to the pioneers of Jamtronica/trancefusion, the Disco Biscuits, will perform two sets of Disco Biscuits tunes – both classic songs from the early years, as well as tunes from the recent Shockedalbum that was released in April.
Opening the night is Sweeping Views, starting at 10pm.
This is a very special late show, with doors at 9pm and Sweeping Views opening the night at 10pm that you won’t want to miss. Don’t sleep on this party Albany! #SIYD
Tractorbear takes the stage at 11pm for two full sets. Get tickets here and check out past Tractorbear shows below.
Elysium Furnace Works (EFW) has announced that the Bass Bridge Quartet will be joining their 2023 seasonal lineup in the Hudson Valley. They are now one of five bands who will play with EFW from July until December 2023.
Co-led by Mike Faloon and James Keepnews, Elysium Furnace Works is a cooperative project that seeks to present the work of upcoming artists in dedicated art-focused settings. While not exclusive to live music, EFW primarily works through live music venues in and around the Hudson Valley.
2023 Lineup
Brass Bridge Quartet – Ballet Arts Studio, Beacon – July 22 at 8:00 p.m.
The new additions to the season, Brass Bridge Quartet, features four celebrated multi-instrumentalists all performing on upright double bass. A new band formed in 2023, members include: Che Chen, a guitarist for the band 75 Dollar Bill; Dave Hofstra; William Parker; and Dave Sewelson, an accomplished, veteran baritone saxophonist. The band seeks to “explore the lower frequencies of improvisation.”
They will be performing at a new location for EFW, the Ballet Arts Studio at 107 Teller Avenue in Beacon. Tickets are $20 in advance and $30 at the door, though the advance discount ends at midnight on the evening before the performance. Tickets can be found here.
exclusiveOr – Cunneen-Hackett Arts Center, Poughkeepsie – Sept. 23
A duo that uses electronic sound to leave behind conventional definitions of music. The two members of the group are Sam Pluta, a Peabody Institute professor of Computer Music and Music Engineering & Technology, as well as Jeff Snyder, a director of Electronic Music and the Princeton Laptop Orchestra at Princeton University.
Sana Nagano’s Smashing Humans – Cunneen-Hackett Arts Center, Poughkeepsie – Oct. 21
Led by the Brooklyn-based noise-jazz violinist Sana Nagano, the band also features Anna Webber on saxophones, Jonathan Goldberger on guitar, Kim Cass on bass, and Danny Sher on drums.
Joe McPhee with Strings – Cunneen-Hackett Arts Center, Poughkeepsie – Nov. 18
The group, which features legendary Poughkeepsie-based multi-instrumentalist Joe McPhee, is a large string ensemble that includes: bassists Michael Bisio and Hillard Greene; cellists Fred Lonberg-Holm and Lester St. Louis; violists Melanie Dyer and Mat Maneri; violinists Rosi Hertlein and Gwen Laster; and guitarists James Keepnews and Billy Stein.
Joe Fielder – Cunneen-Hackett Arts Center, Poughkeepsie – Dec. 16
A solo performance by consummate trombonist, composer, and arranger Joe Fielder. It is built on his recent solo recordings of “The Howland Sessions,” and will close EFW’s 2023 season.
Re:SET Concert Series kicked off its three day run at Forest Hill Tennis Stadium this past Friday, June 16th. The traveling mini festival is in their inaugural year, taking a stacked lineup on the road and commandeering local venues for a long weekend of music. The opening night of Re:SET Queens featured legendary NYC natives LCD Soundsystem supported by Jamie XX, IDLES, and fellow New Yorker L’Rain. Each band brings a distinct style of the music to the stage, creating a truly unique night of music you can’t get at a normal concert.
LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello
The atmosphere was electric from the beginning. General admission floor wristbands were given out on a first come first served basis, drawing a large crowd for the early start time. A brief thunderstorm pushed doors back an hour, but those first fans in the door were greeted to the amazing L’Rain welcoming them from the stage. Her uniquely experimental pop and R&B filled the stadium with dense layers of vocal loops and instrumentation. L’Rain finds herself on many bills throughout the city opening for all sorts of artists, keeping it fresh by bringing something new every time.
IDLES were up next, who brought a drastic shift in energy with their classic, in-your-face punk rock. The band boasts an extremely loyal and engaged fan base that made it out to Forest Hills in droves. IDLES have been pretty active since their excellent 2017 debut Brutalism, releasing four LPs in that time span and embarking on countless tours. Over the course of their one hour set, IDLES hit each of their four LPs including crowd favorites “Crawl!” from 2021’s CRAWLER and “Never Fight a Man With a Perm” from their sophomore LP Joy as an Act of Resistance.
The band loves to be engaged with the crowd, crowd surfing while singing and even jumping into the mosh pit and playing guitar while mixing it up with the kids. Before closing the set with “Rottweiler”, vocalist Joe Talbot thanked the fans for coming out, saying “the only reason we exist as a band is because of the love and passion you bring to the shows, so thank you.”
After the punk infused mosh pits cleared off the tennis courts, UK garage and house infusion was up next courtesy of Jamie XX. One half of The XX, Jamie XX blends the classic garage sound with old school house and rhythm and blues beats to create a unique style of dance music. Parked in front of a giant disco ball projecting rays onto the crowd, Jamie XX played a rather deep setlist littered with snippets of some of his bigger hits hidden in the layers. He opened the set with “KILL DEM”, a one-off single from 2022 that features a vibrant, glitchy vocal array over a very tribal garage beat. Jamie XX followed that up with “Idontknow”, another single that mixes scattered percussions with trippy vocal loops.
Jamie XX took a 5-song setlist and fleshed it out for his hour-long set by mixing his songs in and out of curious beats and musical tangents, without skipping a beat or allowing a second of dead space. He rolled on with the fun and vibrant duo of “I’ll Take Care of You” followed by “LET’S DO IT AGAIN” before ending things off with a funky edit of “Gosh”, the opening track from his stellar 2015 LP In Colour. The audience on the floor and in the stadium seats were dancing from the moment he took the stage
LCD Soundsystem always draw quite a bit of hype when they are in town, regardless of the countless residencies they perform in the city. A staple in the city’s thriving music scene since their inception in 2002, the band is beloved in New York and can bring a tiny dive bar or an entire arena to its knees with their infectious dance rock. Forest Hills Stadium was packed to the upper deck before the band took the stage to an enormous reception on a gorgeous night in Queens.
LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello
James Murphy and company started things off with a bang with the driving drum beats of “Get Innocuous!”, the opening track from 2007’s Sound of Silver. The beat sent the audience into a dance groove that did not let up until curfew. The song continued to swell until a sudden transition to “I Can Change” instigated a loud sing along from the 13,000 fans in attendance. The set rolled along with endless crowd favorites, leading up to a climactic three song finale. “New York I Love You But You’re Bringing Me Down” always comes with a vocal outburst from the crowd, which was followed up by the thunderous jam “Dance Yrself Clean”. The band fleshed this song out a bit for the live show, sending an already amped crowd up into another gear. All good things must come to an end, with LCD Soundsystem ending the night with “All My Friends”. A truly joyous ending to day one Re:SET.
LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello
Re:SET has certainly established itself as one of the more unique traveling festivals in only its first year. Each day features a bill of four bands that could all headline shows on their own; many who just completed or are in the middle of their own tours. Each band brings something new to the stage when it’s their turn to play, drawing the interest of the fans who came out, and the other bands themselves. During the earlier acts for Re:SET, James Murphy and others from LCD Soundsystem were in VIP checking out the music, rocking along to IDLES and dancing to Jamie XX. During the headline set, many of the band members from the earlier acts made their way into the crowd to witness the legends themselves. It’s truly a great festival for fans who enjoy a wide array of music.
LCD Soundsystem, Re:SET Forest Hills 6/16/23. Photo by Joseph Buscarello
Ten years ago in 2013, Kendrick Lamar made his way to Randall’s Island for a late afternoon set on the smaller of the Governors Ball stages. It was only a few months after the release of good kid, m.A.A.d. city as Kendrick’s meteoric rise was just underway. Fast forward to 2023; Governors Ball finds itself in a new (and hopefully, permanent) home in Flushing Meadows Corona Park and Kendrick Lamar is closing out the festival unopposed and under the fireworks. This past weekend, Governors Ball proved once again why it is New York City’s favorite music festival.
Kendrick Lamar at Governors Ball 2023. Photo by Lucas Kurzweil
After spending many years on Randall’s Island followed by a two year rental of the Citi Field Parking lot, Governors Ball finally made its long desired move to Flushing Meadows Corona Park. The vast park in central Queens has been woefully underused by the city for decades; a trend that will hopefully be reversed after the success of this year’s festival. The park was designed and built with large-scale events in mind, hosting two World’s Fairs in 1939 and 1964. Flushing Meadows sits on the intersection of two major highways, is adjacent to a subway line with access to Manhattan, and has ample parking lots from the numerous stadiums in the vicinity.
Governors Ball organizers did an incredible job of laying out the festival to take advantage of all of these features, creating a wide open festival experience that never felt too crowded at any point during the weekend. Three stages occupied the larger fields while the vendors and centralized area of the festival was nestled under large trees providing ample shade and character to the grounds. The towering Unisphere greeted fans at the entrance while the main stage was set up right in front of the New York State Pavilion, giving an iconic backdrop to the festival.
The lineup for the 2023 edition of Governors Ball attempted to model the diversity of Queens, the World’s Borough, as well as the eclectic music tastes of New Yorkers. There was a heavy lean towards rap and hip-hop overall, but festival organizers did sprinkle in rock, pop, indie and EDM throughout the weekend. International artists graced the stages as well including Korean pop superstars Aespa, Puerto Rican rapper Eladio Carrión and Japanese singer/dancer Rina Sawayama. Indie and rock was represented by Girl in Red, Black Midi, KennyHoopla, and Haim while Odesza was the lone EDM act for the weekend.
Kendrick Lamar Trades The Production For a Microphone
Kendrick’s latest album Mr. Morale and the Big Steppers was released a little over a year ago, but its relevance lived on with his Governors Ball performance. Although the stage production did not include the same amount of intricate detail that the “Mr. Morale and the Big Steppers” tour held, the set had a simplistic yet empowering feel. The only additions to Kendrick on the GovBall NYC stage were some lights on either side, large Henry Taylor backdrops, a couple of flares, and a few dancers. Kendrick proved that he does not need the fancy add-ons to pump up a crowd. He had all of Flushing Meadows screaming the words to his songs like they were the national anthem at a playoff sporting event.
Kendrick did the majority of the set solo, running through tracks like “King Kunta” and “LOVE.” and even his iconic feature on Pusha T’s track “Nosetalgia” (sadly, no Pusha T appearance even though he performed on the adjacent stage before Kendrick). Near the end of his captivating performance, Kendrick brought out his cousin and protegé, Baby Keem, to perform their RIAA Platinum song “Family Ties.” Through his crowd control and high energy performance, Kendrick Lamar further established himself as the best of the best in the rap game.
Lizzo And Odesza Headline With All The Fanfare
Lizzo was the Friday night headliner and she did not disappoint. Her band and numerous dancers lined the stage as the lights went out, leading up to a grand entrance to “Cuz I Love You”, the opening track of her 2019 sophomore LP of the same name. Lizzo’s thunderous voice reverberated throughout the festival grounds, especially when she dropped into her mega hit song “Juice” which sent the crowd into a dance frenzy. The glamorous staging featured retro big band style decor and backdrops, with sultry visuals playing along on the giant LED screen on the stage. Lizzo ran through her setlist with a powerful grace, performing her signature flute solo leading into “Truth Hurts” along with a fan favorite cover of Chaka Khan’s legendary “I’m Every Woman”; a song and a sentiment that has become a mantra behind Lizzo’s approach to music writing and performance.
Odesza fulfilled headlining duties on Saturday, with their larger than life EDM show filled with lasers, flaming pyro, guest vocalists, and a fireworks finale fit for a music festival. The duo took to the stage and started their set off with a bang with “This Version of You” and “Behind The Sun”. There was no shortage of pyro, as large fireballs erupted behind the DJs throughout the show, sending waves of heat into the crowd. Lasers fanned out over the crowd to interact with the tall trees in the back of the field, with house beats driving the dance floor until curfew. Odesza sprinkled in a Pretty Lights cover in “One Day They’ll Know” as well as a “TENSE” and “KEEP MOVING” from their BRONSON collaborative project with Golden Features. They closed out their set with a huge fireworks display over the stage while 2022’s “The Last Goodbye” pulsed through the night.
Filling Out The Days
Lil Uzi Vert was the perfect addition to the rap-filled GoPuff stage. Their Friday night performance had fans in awe. They came down from the stage to rock out with the fans on the barricade, and made sure fans that fell over were able to get up and continue jamming. They brought out rappers Ken Carson and Destroy Lonely, and got the crowd going with songs like “Do What I Want” and “Money Longer.” They left fans with a feeling of anticipation for what is to come in the following weeks by announcing that they have a new album releasing this month.
While rock and indie were not as prevalent on the lineup this year, the biggest draw in the category was certainly Haim on the GovBall NYC stage. The three sisters burst onto the scene in 2013 with their debut record Days Are Gone featuring the utterly infectious song “The Wire”. Throughout the set, the three sisters alternate vocal roles and instruments while also engaging heavily with the fans. Their dynamic performance style creates a light and fun atmosphere that is perfect for the summer festival stages.
On Saturday, KennyHoopla and Snail Mail kept the rock vibes going on the GoPuff stage. KennyHoopla’s vigorous post-punk dominated the crowd first, bouncing all over the stage while delivering a rambunctious vocal performance over heavy guitars. Snail Mail came up next, keeping the punk rock going, featuring a set full of songs from their two excellent LPs: 2018’s Lush and 2021’s Valentine.
Governors Ball Artists March On
In the wake of Governors Ball, many of the artists who played use the opportunity to announce new projects and tours. Many of the artists are on their own headlining tours and mix in the festival appearances. Right before Governors Ball weekend began, Metro Boomin released his highly anticipated soundtrack to the movie Spider-Man: Across The Spider-Verse. Just after the weekend, Eladio Carrión announced a North American tour with a stop at The Theater at MSG in October. Philadelphia’s major music festival, Made in America, announced their lineup with Lizzo making another headlining appearance along with Ice Spice, and Metro Boomin. Joey Bada$$ is running through the festival circuit with a dozen appearances including Glastonbury, Rolling Loud, and Lollapalooza.
Kendrick Lamar, fresh off the epic Big Steppers World Tour, is also hitting the summer festivals, taking his minimal yet relentlessly in your face festival show to the biggest stages in the world including Bonnaroo, Lollapalooza, Rokslide, Austin City Limits, and Summer Sonic in Japan. If any of those festivals are within reach, it is worth the opportunity to catch a generational talent at his very best.
The Future Of New York City’s Premier Music Festival
By all accounts, the first edition of Governors Ball in Flushing Meadows was a major success. The layout of the venue was nearly perfect, transit in and out of the festival went smoothly, and three days of music went on without skipping a beat. Governors Ball has been at it for many years and are no strangers to throwing such a large party in NYC, but expectations were sky high this year. One could have argued that the very future of the festival rested with this weekend going off without a hitch. The cost of putting on these events has never been higher, and fans have so many choices of shows these days that it was unclear if Governors Ball could even draw a large enough crowd. Last weekend in Queens put all of the chatter to bed. With the Canadian wildfire smoke clearing out just in the nick of time, a glorious weekend of sunshine and music ensued. There is no doubt Governors Ball will be back at it in 2024; now we can all start dreaming of our ideal lineup we would want to see grace the stages in Flushing Meadows.
Basilica Hudson is gearing up for a busy summer 2023 with six Jupiter Nights events taking place from June-August in the gallery building. Additionally, Basilica Hudson will host legendary NYC electronic music party The Bunker Hudson Valley on July 8th in both the main hall and gallery space.
Melissa Auf der Maur, a musician, and filmmaker Tony Stone founded Basilica Hudson in 2010. It is housed in a reclaimed, solar-powered 1880s industrial factory on the riverfront of Hudson, NY. The organization welcomes over 20,000 visitors each season. They enjoy genre-pushing music festivals, large-scale marketplace events, regular film screenings, an artist residency program, public installations, and other community gatherings. The majority of its programs are free or sliding scale.
Through its programs, Basilica Hudson supports the creation, production, and presentation of independent arts and culture. The organization strives to forge experiences that aspire to the scale, grit, and beauty of its surroundings. It draws inspiration from Hudson’s epic history, the region’s artistic legacy, and environmental advocacy for its mission and programming.
Jupiter Nights
Jupiter Nights is a twice-monthly series held every other Thursday. The series, celebrating regional musicians and community through adventurous live concerts, rotating art exhibits, and local food, returns June 15.
Series highlights include Water From Your Eyes, whose latest album Everyone’s Crushed (Matador) just received a Pitchfork “Best New Music” nod. Kalia Vandever, an exploratory trombonist currently on tour with Harry Styles as part of his backing band, will also be featured.
Eclectic, cross-genre programming spotlights next-generation regional talent while creating space for both locals and visitors to come together and build community on a weekly basis. Admission for events goes directly towards supporting the artists and Basilica Hudson’s mission to be a platform for innovative voices in arts and culture.
There will be six Jupiter Nights events in Summer 2023, presented with additional support from Basilica’s green energy partners at SunCommon. Each event unfolds in tandem with monthly visual art exhibitions, connected to the performers whenever possible.
The Bunker New York is set to bring a full-on dance party to Basilica Hudson with The Bunker Hudson Valley on July 8th.
In the spirit of collaboration between the Bunker and Basilica, the event will feature three back to back sets in the Main Hall. The event will feature rising starts such as AceMo x DJ SWISHA, Analog Soul, and Sister Zo x Scotia.
Those who need a break from the dance floor can head over to the gallery for the “Going In” room. The “Going In” room is a quiet space with meditative music, featuring a durational set from Nyhne incorporating live and DJ elements. Community Rave Network’s Luv Bruvs aka SVB and Villi Manilli will hold down the room for the rest of the night.
There will be full production onsite with a custom sound system by White Rabbit Audio, and lights and lasers by Nitemind. Local 111 will be on hand with delicious food. Additionally, the party will feature a stocked bar.
More Information
Tickets to The Bunker Hudson Valley are available here. For additional information on the Summer 2023 season, visit Basilica Hudson’s website.
Dan Deacon brought his colorful glitch pop to No Fun in Troy on Thursday, June 8th. This is his first tour since the pandemic, he had a huge tour planned in support (he was scheduled to play Ithaca) of his studio album from 2020, Mystic Familar, and it was just about to kick off as everything shut down.
During the downtime, Dan turned his energy towards writing numerous film scores, including the Academy Award-nominated documentary “Ascension”, and the Adam Sandler Netflix film “Hustle.” The Troy show was almost at end of a scattered tour that started in March, and even though he was pulling double duty (there was an early and a late show) the passion of his performance had not faltered or aged from years past, once the music started, he still had the charm of a mad man possessed.
Joining Dan Deacon on the tour was drummer Jeremy Hyman. Hyman has played for Ponytail, Avey Tare’s Slasher Flicks and also toured with Animal Collective when Panda Bear decided to sit out on drums during the Painting With tour. You know that if Panda Bear turned over the drumsticks to Jeremy for a tour, that he is an absolute monster behind the drum kit.
Starting out the night was Jeremy Hyman with a DJ set of some lovely ambient/house music that was the perfect appetizer for the night. His set entranced the crowd with some tripped out soundscapes, while occasionally locking into a deep house beat that would get the crowd moving. After his set he came back out with Dan to play drums, and since there were two shows and he played both sets, that made for an impressive 4 sets over the course of the night for Jeremy Hyman, a monster indeed.
Seeing a Dan Deacon show isn’t an average electronic music dance party, it is that, but it’s also an interactive slumber party with some like-minded strangers. It’s like going to a concert and all of a sudden that day in gym class breaks out where you didn’t have to play sports, and you just got to play silly games with a parachute. There is a lot of focus on the crowd and their dancing, which makes everyone feel silly and goofy, which is perfect mood for the kind of insane pitched up, ADHD-riddled, electronic pop music providing the soundtrack to all of this. Dan Deacon has really built up a nice catalogue of tunes to play live, and when you really distill down all of those earcandy electronic pop songs into a single show it’s a very impressive concert, musically, along with everything else going on. With the tour wrapped up and all of those scores under his belt, I think it’s a safe bet that Dan will be returning to the studio at some point in the near future for his next full length album.
Setlist: Become a Mountain, The Crystal Cat, Change Your Life (You Can Do It), Learning to Relax, Arp I: Wide Eyed, Arp II: Float Away, Arp III: Far From Shore, Arp IV: Any Moment, Wham City, Snookered, Sat By A Tree, Paddling Ghost, When I was Done Dying, Feel the Lightning
Oneonta’s Space Carnival will perform their first show in New York State in nearly 5 years, with a special performance on Thursday, July 6 at Lark Hall in Albany.
Space Carnival grew from the Mohawk Valley, playing music festivals and venues across New York State, before the band agreed to part ways, amicably. You may have even seen Chris Meier playing bass with Annie in the Water.
Blending high-energy disco funk and progressive rock, Space Carnival features Jeremy Kraus on Guitar, Cameron Fitch on Keys and Vocals, Chris Meier on Bass, with Josh West (Annie in the Water, Lucid) joining on drums.
Originating in Oneonta in Fall 2013, the group has honed their live sound while accumulating a solid following across the Northeast and as far as Colorado, with crowds drawn by shows full of fresh energy, working through a catalog of confident originals and rotating covers. The four piece returns in 2023, inviting fans to get down to their loose funk and slippery disco vibe.
Space Carnival
Opening the night will be Albany native, SM Ink.
From Jam Band to DJ, Albany native, SM Ink, has continued blazing his trail in the jam scene he has loved so dearly. Furthermore, SM has progressed into a must see artist at clubs and festivals.Taking his love for Bass lines and grooves, SM delivers high energy sets through a wide range of Funky, Minimal, Deep/tech house flavors, which are great for any time, day or night.
Doors open on July 6 at 7pm for an evening of celebration at Lark Hall in Albany, with SM Ink starting shortly after and Space Carnival at 8pm.. Tickets are $10 in advance, $15 at the door.
The Catskill Mountain Jubilee 2023 lineup has been announced, returning to Blackthorne Resort in East Durham from Aug. 10-12.
The Catskill Mountain Jubilee 2023 features three nights of music, with two full performances from The Disco Biscuits, Melvin Seals with Karl Denson, and many more. Returning for the third year in a row, the event will take place from Aug. 10-12 at Blackthorne Resort in East Durham. In a recent announcement, new performers added to the lineup include two sets by Twiddle, BlueStar Radiation featuring Lotus’ Tim Palmieri with Rob Derhak, Nate Wilson and Vinnie Amico from moe., Mihali (solo), Sophistafunk, The Englishtown Project, Ben Silver & Allen Aucoin, Gratefully Yours and many more. Other performers include Dogs in a Pile, Desert Dwellers, Space Bacon, Beg Steal or Borrow, Rose Ganache, Eugene Tyler Band, The Laura Leigh Band, Hilltop, Newpy Hundo, Leila, SMInk, and more.
Governors Ball is in full swing over in Flushing Meadows Park with day 2 wrapping up on Saturday. Picture perfect weather settled in for the day, while a diverse lineup did their thing across the three stages, punctuated by a thunderous spectacle courtesy of Odesza.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
At the GoPuff Stage, KennyHoopla brought the energy. Fans were deeply invested in Hoopla’s rash, indie rock tone as his live band brought the lyrics to life. Kenny Beats rocked the Bacardà stage with a stellar DJ performance, mixing current favorites and old school classics. Before the set began, Kenny brought numerous fans onstage to enjoy his set from a platform behind him. Kenny Beats had the moshpit raving over his bass-heavy beats and high climax drops, frequently turning around and dancing along with the fans on stage.
Kenny Beats, Governors Ball, 6/10/2023. Photo by Lucas Kurzweil
Saturday also highlighted two of the biggest artists from South Korea and Japan who are making waves in the United States. The GovBallNYC Stage hosted Rina Sawayama earlier in the day. The Japanese singer dazzled the devoted fans with her energetic interpretive dance sequences and mega vocal prowess. Later on in the afternoon, fresh off throwing out the first pitch at a Yankees game, South Korean girl group Aespa brought their signature K-pop and hyper-pop music to the stage. Self-proclaimed “number one fans” flanked the barricade for their chance to see Aespa up close and personal.
Aespa, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Back at the GoPuff Stage, Oliver Tree brought his wacky pop music to the festival stage. Utilizing a keytar, Oliver played unreleased music and got the fans rocking with his viral song “Miss You.” To close off the night at the GoPuff Stage, Lil Baby put on a show stopping performance. Baby circled his discography going through hits like “Drip Too Hard,” “On Me,” and “Yes Indeed.”
Lil Baby, Governors Ball 6/10/23. Photo by Lucas Kurzweil
While Lil Baby drew a big audience over at the GoPuff Stage, an eager crowd gathered at the GovBallNYC to catch Odesza’s headlining set. The Washington state electronic duo are known for larger than life production and they did not disappoint. The show opens with a drumline appearing out of thin air at the front of the stage followed by relentless stage pyro, sprawling laser shows, and an epic fireworks finale while driving electro-house keeps fans moving.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Governors Ball wraps up today, Sunday with a much anticipated headlining performance from Kendrick Lamar. Black Midi, Pusha T, Lil Nas X, and Giveon fill out the day; a proper finale to another installment of New York City’s premier summer music festival. Stay tunes for Sunday’s recap and check out a gallery from Saturday below.
