The Waterhole Music Lounge in Saranac Lake has announced the schedule for the annual 2023 Party On The Patio concert series.
Waterhole Music Lounge is Saranac Lake’s music venue of choice, located right on Main Street. The three story lounge features multiple bar spaces, and an outdoor performance space that creates a truly unique concert experience. The annual free Party On The Patio shows are a regional favorite, taking place every Thursday night at 6pm, starting in April and running through October.
The Party On The Patio 2023 lineup has 24 bands from multiple states including Pennsylvania, Massachusetts, and New Hampshire. The lineup also includes local favorites from across the state, including Hanzolo, Folkfaces, Rasinhead, and Los Blancos.
Each show is free to attend, but limited to concertgoers 21 and up. For more information, and to view the full schedule, please visit the Waterhole’s website.
On Friday, April 28th, the line of eager Valley fans spilled from the doors of Irving Plaza to wrap around the block. Despite the misting rain, the energy pulsing in the camped-out line was warm.
Photograph by Emma Dowd
On their “Lost In Translation Tour,” Valley sold out their New York City show. As the venue filled, it became increasingly undeniable that Valley deserved to be at a larger venue. They had performed at the lovely Irving Plaza a year prior, and since then it was clear they’ve collected a larger fanbase.
Photograph by Emma Dowd
The opener for Valley , Aidan Bisset, kicked off the night with his pop-grunge music. The crowd immediately received Bisset’s stage presence and relatable lyrics. He sang of toxic romances, new love, and break-ups. With two electric guitars and a drum set, he commanded a fast rhythm and infectious persona of youthful fun and passionate intensity. Bisset performed some of his hits, three unreleased songs, and even took on the vocally renowned cover, Kings of Leon’s, “Sex On Fire.” Bisset engaged with the crowd, taking their BeReals, getting level to level with them to chat, and wooing over new fans. Before leaving the stage, he graciously thanked Valley for having him on their tour.
Photograph by Emma Dowd
The set change was fascinating. Usually, microphones are changed and some of the instruments are shifted around. Valley’s upcoming set brought on multiple box-screen televisions to be stacked on top of each other, an ambiguous rectangular frame of notable size with drapes hanging over it, and countless additional lights. Valley’s pre-show setlist had the crowd belting familiar songs in each other’s embrace. Fog began to roll down from the balcony level and off the stage. This grabbed hold of the crowd’s attention. When the lights suddenly shut off and Irving was pitch black, the curious murmur rolled into an uproar of excitement.
Photograph by Emma Dowd
The TVs stacked on top of each other switched on. Their screens matched the static sound emanating overhead. Flashes of the band members’ faces and old television clips emerged sporadically through the static. The lights slowly faded from a hint of color to a bright broadcast of a Valley inspired color palette. Bass vibrated the floor, and the crowd stood in awe.
Eventually the band ran onto the stage. Drummer, Karah James, took her throne behind the drums. Guitarist, Michael Brandolino, and bassist, Alex Dimauro ran to their instruments. They played an adrenaline inducing intro for their lead singer, Rob Laska. Laska ran onto the stage, with an electric guitar slung around his shoulders. The crowd’s response was deafening.
Photograph by Emma DowdPhotograph by Emma Dowd
Valley opened with one of their most popular songs, “There’s Still A Light In The House.” The song is a tribute to love and the endless possibilities of finding one’s self in New York City. The lyric on the bridge that goes Is it New York? Or Heaven? I can’t think twice now, was sung proudly by the New York City crowd. Laska, infatuated with the crowd’s energy, encouraged their singing. The audience sang back to the band with one collective voice that shared an affinity for their conversational lyrics.
As the show went on, the performance became more personal. Laska jumped into the pit that separated him from the crowd to sing with some fans. In between songs, he conversed and told stories about band memories in New York City. Laska reminisced, “New York City is special to us, we wrote our first record in this damn city! We’ll be coming back forever.” This led to Valley announcement of their new record Lost In Translation, set to release on June 23rd.
Photograph by Emma Dowd
The draped frame that was brought onto the stage during set transitions became a crucial filament of the show. Over half way through the concert, the TVs turned back on and the lights dimmed. Laska approached the frame and tore the drape off to reveal a reflective mirror surface with strobe lights hanging from it. A phone began to ring, and Laska tugged a landline phone from the structure. He sang one of their hits, “A Phone Call In Amsterdam,” into the phone. The entire show was an artistic performance, rather than a band just performing on stage. The appreciation for the theatrics and the attention to detail resembled The 1975’s “At Their Very Best Tour.”
As Valley trailed towards the end of their setlist, Laska emphasized his gratitude for everyone choosing to be at their show. “There’s a lot of cool shit going on in New York City on a Friday night, so I’m happy we all found each other in this vortex.” Underneath the twirling Irving disco ball, the fans really unified in their fandom. He invited everyone to join them in a state of appreciative awareness for the last couple of songs. Without a clear goodbye, Valley left the stage. The crowd was not going to leave without an encore.
Photograph by Emma Dowd
Heads turned in a whiplash from the front of the stage to the back of the venue. A murmur of eager confusion echoed throughout the venue. Suddenly, a spotlight shone on the back of the crowd. Laska began to make his way through the crowd towards the stage, singing “Paper Cup (sorry for myself).” The audience parted like the red sea for him to make his way towards the front of the crowd, where he sang for the remainder of the song. The rest of the band took to the stage, and Laska joined them to finish out their set with their popular song, “hiccup.”
Photograph by Emma Dowd
The encore applause was impressive. The sounds of cheers and screams took over Laska’s volume as he thanked the crowd. All the band members joined him at center stage to take their hard-earned bow. Karah James tossed her drumsticks, kisses were blown, and hands clasped in praise for New York City. Laska closed out the night with a sweet send off, “Take care of each other, love one another, and we’ll see you very soon!”
1988 was a groundbreaking year for Steven Page. 1988 was the year Steven Page was introduced to the locals in Toronto, Ontario, as he was taking the stage with Ed Robertson for the first time as Barenaked Ladies. Witty lyrics and quirky stage presence quickly become the norm for this duo who routinely missed or skipped show rehearsals and relied more on improv as they took to the stage.
After a successful run with the band including Juno awards, Grammy nods, and huge pop songs, Page left in 2009 and pursued a solo career. A solo career which still includes the witty lyrics and quirky antics, both of which helped make him a household name in Toronto, and across SUNY school campuses in New York. Having seen Barenaked Ladies 10 times, all with Page as the front man, I was hoping for some of that charisma at the Riviera Theatre in North Tonawanda.
With nearly 1000 fans filling the seats at this 97-year-old theatre, Steven Page opened up the show with ‘It’s All Been Done,” from the album Stunt. Fans of all ages were immediately into it. Hands waving in the air, random lyrics being belted, and a couple 20-somethings dancing in the aisles. We all knew then how this show was going to go. While he is no longer with the band, Page routinely plays favorites like this as diehard fans still enjoy them.
Coming up next was one of my favorites, from 1994’s Maybe You Should Drive, Page belted out lyrics to “Jane.” More of the sellout crowd began singing along and dancing in the aisles. Sadly, the security wasn’t having it, as they were quick to make these young ladies take their seat. It wouldn’t last though.
When Page was done talking about Jane, he began to reminisce of yesteryear, touring with Barenaked Ladies across campuses of SUNY schools. Recalling shows at Fredonia, which some fans cheered at, as well as driving around saying “we played there, we played that college…” I recall seeing Barenaked Ladies at SUNY Brockport in 1993, or maybe 1994. Either way, it was few years ago and the year doesn’t matter. What matters is watching Steven and the band have a blast on stage and fans throwing boxes of Kraft Macaroni and Cheese during one of their songs. These are the memories that Page was getting at, along with meeting new people and seeing how they perform. Bands such as The Odds, featuring Craig Northey, who now tours with Page as one third of Steven Page Trio.
Done recalling the past, page continues his set with an extended version of “Alternative Girlfriend,” “Golden Age,” and “What a Good Boy.”
In the midst of all this, of course he has to plug his newest album, Excelsior – Steven Page, to which he references New York’s state motto, and continues on about the new NY rest stops. Being a newer NY resident, Page seems to not agree with the size of some of the newer rest stops as well as the choice of an un-named chicken place that isn’t open on Sundays. All of which got some loud applause and cheers from the crowd.
During the height of the pandemic, Page began doing home show, as many artists to keep in contact with their fanbase. Although the worst is behind us as far as the pandemic goes, Page continues his live from home shows and recently aired his 100th episode Steven Page Announces 100th Live From Home Show ::antiMusic.com. With this he recorded the song “Zoom,” which is an ode to a way of life for everyone for a great while. The song talks about seeing your family and your living room, making new friends, and of course hoping the internet holds up.
As Page finishes his set with Northey and Kevin Fox on cello, he is still amazed that he sold out the theatre and thanks everyone for their continued support. Very grateful for 30+ years in the business, both with Barenaked Ladies and on his own. The support he has received over the years is clear as the packed house is on their feet for the entire 4 song encore.
Follow and support Steven as he continues touring and pushing his albums. Steven Page | Musician
Setlist: It’s All Been Done, New Shore, Jane, Alternative Girlfriend/SW Cool, Golden Age, What a Good Boy, Gravity, Linda Ronstadt in The 70’s, Something About Me, No Song Left to Save Me, Looking For The Light, Zoom, Bull in a China Shop, Old Apartment, Brian Wilson Encore: Asleep at the Wheel, Enid, Call And Answer, Shoe Box
It was a night that deserves more words and praise than I can possibly articulate, but for people like John Darnielle, the mastermind behind The Mountain Goats, finding words has never been a problem. Making a career out of shouting whatever comes to mind and never sitting on an idea long enough to question it, the acclaimed novelist and songwriter has toured all over the world and released a staggering 21 studio albums since adopting The Mountain Goats moniker in the early 90’s.
More than 600 songs and countless miles later, it’s almost hard to believe the band has never played a gig in Albany before. On Tuesday, April 18th at Empire Live, that surprising fact was finally laid to rest. The night would have extra special meaning for one member of band, as the cathartic show would also serve as a birthday celebration for keyboard player/multi-instrumentalist Matt Douglas.
The Mountain Goats, making their Albany debut, have plenty to celebrate this year
Opening the evening was Knoxville, TN singer-songwriter Adeem the Artist. Dawning a Canadian tuxedo and resembling a look somewhere between Jeff Tweedy and Ryan Adams, you could already tell he wasn’t like the other boys. One fan immediately yelled out “What’s your name?” “My name? I don’t have one. I’m Adeem the Artist. It turns out there was already a rapper.” Demonstrating spectacular stage presence and finding a balance between serious and sarcastic, the lyrics to his songs were nothing to joke about. Beginning with the opening song “I Never Came Out,” the audience listened intently as the soul-searching lyrics poured out of the man originally born Kyle Bingham. “Fervent For the Hunger” came next before we would learn a little bit more about Bingham’s roots and his Aunt Peggie on “Painkillers & Magic” from his most recent, fan-funded 2022 album White Trash Revelry.
Adeem the Artist performing in Albany, NY on 4/18/23
While the structure of the songs came off as rather traditional, by this point in the set, it was clear Adeem the Artist was doing something very special and very brave. A queer, southern Christian, blue-collar country songwriter. As unpopular as that may be in some areas, the Albany crowd here was totally down with it and fully invested in every word he had to say. Things would pick up for the foot-stomping “Run This Town,” before an eager fan requested a rare song that stopped Bingham in his tacks. “Tiger Prince of Knoxville”? How do you know that one? I wrote that a long time ago when everyone was trying to cash in on the Tiger King phenomena, so I figured I would too. I can’t believe someone here has actually heard it! Let’s see if I remember how it goes.” He did and the crowd loved it. They got even more into it on the next song, “Going to Hell,” which featured a fun, full room ‘call and response’ and made you think “it won’t be long before this guy is a very big star.” Filled with strong social commentary and hilarious banter, Adeem the Artist played the title track from his 2021 album Cast Iron Pansexual to round out his fantastic opening set. After a brief intermission, it was finally time for the main event.
The Mountain Goats made their long awaited Albany debut on 4/18/23
Walking out to Foghat’s “Fool For the City,” The Mountain Goats would methodically craft the story they wanted to tell. Consisting of front man and vocalist John Darnielle, this incarnation of the band also includes longtime collaborators Peter Hughs on bass, multi-instrumentalist Matt Douglas and Superchunk/Bob Mould drummer Jon Wurster. Beginning with the brooding buildup of 2008’s “In the Craters of the Moon,” the tempo picked up during the dreamy, reverb drenched “Hostages” from the bands most recent album, Bleed Out. Darnielle would introduce the next song by saying “this is about the incipient android takeover” before launching into “Incandescent Ruins.” Slowing things down a bit with “one of them bible songs” in “Hebrews 11:40.” “We’re still working out how this one goes and we’ve been doing that for at least 10 years,” he chuckled. The energy continued to build straight into the song “Younger,” which on this night, meant a little more to birthday boy Matt Douglas. Uncorking one of his most expressive saxophone solos of the night on the song, the entire crowd would sing “happy birthday” to him prior to his beautiful piano duet with Darnielle on the song “Wear Black.”
Mountain Goats multi-instrumentalist Matt Douglas celebrated his birthday on 4/18/23
Darnielle would then play a series of solo songs, beginning with “Jenny,” which the crowd knew every word too. He would remark that he doesn’t plan this section of the set, he just waits for the spirit to move him. “That’s why I envy the Quakers. They’ll sit there for 20-30 minutes waiting for the spirit. I don’t have that kind of confidence. And the other thing is I’ve never been to Albany before, right, so there’s a conflict. I tend to prefer the newer songs with my band, but some people have been waiting a long ass time to see me play some old songs.” Darnielle continues, “So then I feel obligated to play the super old songs, but then the people mainly into the newer ones are like, “I don’t know what that one in the middle was about. Some guy who wanted to kill somebody?” he joked. “This is one of those,” before playing “Black Molly” from 2002’s Bitter Melon Farm.
The crowd became noticeably more exited at the opening cords of another 2002 song, “Color in Your Cheeks,” to the point Darnielle had to stop them from clapping along. “Not to be ungracious, but I don’t recommend the clapping because it loses it’s place and my timing is inconsistent.” “When people start yelling the words along with me, I’m like ‘no, to get into the zone of this song I need people not to be yelling it back at me. It’s just a personal song about somebody I know.” After it’s conclusion, he would remark “I changed the chorus because somebody thought it was too mean. It was my wife.”
The Mountain Goats performing at Empire Live on 4/18/23
A laidback lounge version of “Abandoned Flesh” came next before Darnielle would profess his love for The Grateful Dead and say he “just noticed the next three songs on the setlist are alligatored together, so can the tapers in the crowd please refer to this section as “The Goths Suite,” ala The Dead’s Terrapin Station Suite. The trifecta would include the songs “Abandoned Flesh,“ flowing directly into “Andrew Eldricth is Moving Back to Leeds,” and finally into “Rain in Soho” to complete the so-called Goths Suite segment. Bouncing back “Lizard Suit” and “Palmcorder Yajna,” Darnielle would remark that he was in awe of the Albany audience. “When your back in the dressing room and hear that there’s 800 people in a town you’ve never played before, it could go a couple of ways. You know, like there’s people waiting to hear one or two songs, and you know, you’re not going to play those at the top of the set because you’re not stupid. You’re so amazing, I thank you so much.”
John Darnielle of The Mountain Goats performing in Albany on 4/18/23
An intimate and powerful rendition of “Tallahassee” would follow, prompting Darnielle to call an audible and add a song on the fly. Turning to his bandmates and saying, “Guys, we gotta add another one. That was second to last, but this has been a pretty special show for me. And if they are being amazing, you need to play something from The Sunset Tree.” With that, the well-behaved crowd was rewarded with “Song for Dennis Brown” from the bands iconic 2005 album. Playing off each other and jumping from side to side with huge smiles, a hard rocking “Training Montage” would bring the main portion of the set to a close and leave the Albany audience begging for more.
Make a Wish: The Mountain Goats had their cake and ate it too during their Albany debut on 4/18/23
After walking off stage, the band would return with a birthday cake to present to multi-instrumentalist Matt Douglas. Easing into the encore portion of the show with “You and Your Memory,” one of the bands trademark songs came next with the anthemic “Heretic Pride.” With anticipation reaching a fever pitch for the bands two most popular songs still on the table, Darnielle would have some more fun with the audience. “You may not know this, but there’s like a shadow version of “No Children” forming, waiting for its chance. It’s called “Jazz No Children.” It’s the way mellower version. “Jazz No Children” is the one you sing ten years after you needed no children. “Jazz No Children” is the one that comes when some of the details are funny to you instead of sad.
On the preview side of “No Children,” there’s the people who ask me to play it at their wedding, because they think it would be funny. I say to them, ‘friend, I’ll tell you what. I’ll play it at your ten-year anniversary.” I am safe under these circumstances because anybody who would ask me to play “No Children” at their wedding won’t be having a ten-year anniversary. They’re not taking the whole matter seriously. As my drummer would say, “It’s all a big joke to them.” And yet, I hope when those people sit in a lawyer’s office, they have a little song in their head that helps. This is that song and this, such as it is, is the nature of that help.” Seamlessly shifting from a jazz monologue to an all out punk assault, The Mountain Goats would finally deliver the goods and unleash a cathartic version of “No Children” followed up by their biggest hit to date, “This Year,” which took on a life of its own during the Covid-19 pandemic and has become the calling card of the band.
Giving everyone a chance to shout out the lyrics that meant so much to them during lockdown, it was the kind of reaction that made the hair-on-your-neck stand up. Basking in the sustained adulation, Darnielle said “he kinda feels like playing two more.” Opting to go with “Broom People,” the show would finally come to a close with a rambunctious version of “Spent gladiator 2,” which gave Douglas one final sax solo in the birthday spotlight. “Stay alive. Stay alive. Stay forever alive. Thank you, goodnight.”
Watch fan shot footage of The Mountain Goats performing “No Children” on 4/18/23
Just an incredible performance that reinvigorated your spirit and made you feel alive. Part poetry, part social commentary, part punk rock fury – all delivered with a sense of urgency and passion that simply could not be faked. There are no posers in this band and that sentiment deeply connected with the blue-collar Albany audience. Fortunately fans in New York won’t have to wait nearly as long to see The Mountain Goats perform again. Kicking off their lengthy summer tour in early June, the band will play The Rooftop at Pier 17 in NYC on August 4th.
The Mountain Goats | April 18 | Empire Live | Albany
Setlist: In The Craters on the Moon, Hostages, Incandescent Ruins, Hebrews 11:40, Dance Music, Younger, Wear Black, Jenny, Black Molly, Color in Your Cheeks, You Were Cool, Abandoned Flesh, Andrew Eldritch is Moving Back to Leeds > Rain in Soho > Lizard Suit, Palmcorder Yajna, Tallahassee, Song For Dennis Brown, Training Montage, You or Your Memory, Heretic Pride, Jazz No Children > No Children, This Year
Encore: Broom People, Spent Gladiator 2
Watch fan shot footage of The Mountain Goats performing “This Year” on 4/18/23
Adeem the Artist | April 18 | Empire Live | Albany
Setlist: I Never Came Out, Fervent for the Hunger, Painkillers & Magic, Run This Town, Tiger Prince of Knoxville, Going to Hell, Cast-Iron Pansexual
Saratoga’s famous Caffè Lena has announced “Sing In The Streets”, a six stage music festival celebrating the 63rd anniversary of Caffè Lena’s opening on Sunday, May 21st.
Caffè Lena presents extraordinary music in an intimate setting steeped in history. It is widely recognized as the longest continuously operating folk music venue in the United States. The Library of Congress calls Caffè Lena “An American treasure,” and the Caffe has been recognized by The GRAMMY Foundation for their important contributions to the development of American music.
In staying true to Lena’s founding vision of simplicity, kindness to strangers, and art above profit, “Sing In The Streets” will take place for free at six stages around Caffè Lena’s neighborhood, making this festival a community event. Two artists will share each stage, with performances at Impressions of Saratoga, Library Terrace, Frog Garden, Caffè Lena’s Courtyard, Caffè Lena Upstairs, and Ben & Jerrys.
“SING IN THE STREETS’ LOCATIONS AND PERFORMERS:
IMPRESSIONS OF SARATOGA Steve Candlen is an Albany based drummer who has been performing both nationally and locally since the late 80’s and was the winner of the 2005 “Music For Miracles” Songwriting Contest.
Travis Gray – A virtuosic musician and songwriter, with masterful guitar work. In his 20+ years writing, recording and performing around the world, Gray’s work has ranged from contemplative singer-songwriter to fronting powerhouse 6 piece bands and back again
LIBRARY TERRACE Rick Bolton– From playing in garage bands on northern Lake George, to touring out west, only to return home and help launch a thriving music scene in Saratoga, Singer/Songwriter Rick Bolton is no stranger to the Caffe Lena neighborhood.
Rees Shad & the Conversations – Rees Shad & The Conversations refer to their sound as ‘Swinging Americana Done Right.” Those who know Shad’s catalog have come to refer to him as a wordsmith and a songwriter’s songwriter.
FROG GARDEN Bill & Finnegan Ackerbauer – Father and Son Folk duo Bill & Finnegan will bring their lighthearted family and children songs Bill and Finnegan made famous with virtual concerts through the Johnstown Public Library in a series called Singin’ in the Kitchen.
Novus Cantus– With a flair for storytelling and theatricality, these brothers have created a show for kids that draws on their love of world music, rock and classical. Parents will recognize nods to Jethro Tull, Rusted Root, Gypsy Kings and Metallica
CAFFÈ LENA COURTYARD Jimi W. – Jimi W. is a singer songwriter based out of the capital region of Upstate NY. His sound combines influences from songwriting legends such as James Taylor and Tom Waits with a modern eclectic indie-folk twist.
Keanen Stark & Orion Kribs – The Adirondack duo have brought their blend of modern yet classically old-timey sounds, blues, bluegrass, and classic americana tunes, and dabble at entertaining endless other influences and flights of fancy.
CAFFÈ LENA UPSTAIRS Angelina Valente – Valente’s singer/songwriter style strips music down to its bare bones with a folk/pop sound. Her soft piano and strong voice, along with honest lyrics, create an exceptional, emotional experience – a travelogue through folk, bluegrass and indie pop-rock.
Reese Fulmer & The Carriage House Band – Reese has quickly made a name for himself in the Capital Region music scene with his precocious songwriting and charming stage presence, while The Carriage House Band includes some of the finest and most versatile musicians in the Capital Region
BEN & JERRY’S Margo Macero Duo – Known to deliver unforgettable performances with passionate powerhouse vocals and impressive guitar solo and the ability to impact a wide audience, Macero is not only a genuine artist, but an inspiring and relatable person.
Blue Ranger – Here to remind us that there are small moments of magic in the everyday, Albany’s Blue Ranger create subtle, melodious folk stories that ruminate on universal introspection.
For More information on “Sing In The Streets”, please visit Caffè Lena’s website.
Olivia Barton and Lizzy McAlpine delivered an unforgettable performance at Brooklyn Steel on April 25th. With Olivia’s whimsical and dreamy indie-folk sound, followed by Lizzy’s soulful and emotionally charged ballads, the night was filled with an electric energy that left the audience mesmerized. The two talented musicians complemented each other perfectly, creating a show that will be remembered for a long time to come.
Olivia Barton – Photograph by Chinaza Ajuonuma
Olivia Barton is a Boston-based singer-songwriter originally from Orlando, Florida. Growing up as the youngest of four children to an English teacher and a literary writer, Barton was a sensitive child who quickly took to songwriting. Her musical influences range from The Eagles, James Taylor, and Indigo Girls, which have all shaped her writing style. Her writing can now be compared to contemporary indie folk rock artists such as Margaret Glaspy, Pinegrove, The Staves, and Phoebe Bridgers.
Olivia Barton Setlist: Good Day, I Don’t Sing My Songs, Control Freak, Sonic [Unreleased], I Don’t Do Anything, if i were a fish [corook cover, with corook], I Love You Just For Trying
Lizzy McAlpine – Photograph by Caroline Reynolds
Lizzy McAlpine is an indie folk singer-songwriter from the suburbs of Philadelphia, Pennsylvania, who has been writing music since the 6th grade. She studied songwriting at Berklee College of Music in Boston before leaving in her junior year to pursue music full-time. McAlpine’s debut studio album, Give Me a Minute, released in August 2020, received critical acclaim and has been streamed millions of times on Spotify. She has since released an 8-song EP “When the World Stopped Moving: The Live EP”, made her late-night debut on Jimmy Kimmel, and released her second studio album, Five Seconds Flat. She has a growing global fanbase, as shown by her entirely sold out Spring tour, including 2 shows in NY. With a unique voice and heartfelt lyrics, she has solidified her place in the indie-folk scene.
Lizzy McAlpine Setlist: an ego thing, Over-the-Ocean Call (Andrew), all my ghosts, firearm, doomsday, Give Me A Minute, Nothing / Sad N Stuff, called you again, ceilings, Broken Glass [Unreleased], I Guess [Unreleased], In What World, erase me, come down soon [Unreleased], Pancakes for Dinner, orange show speedway
Olivia Barton – Photograph by Chinaza Ajuonuma
Olivia Barton’s set was an intimate and engaging affair, with the crowd hanging onto every word and chord. From the very beginning, the audience was in sync with the performer – with one fan even shouting out that they were fellow acapella academy alumni like Barton. She kicked things off with “Good Day”, a buoyant and soulful tune that set the tone for the rest of the evening.
Barton’s banter between songs was just as charming and captivating as her music, with the singer reminiscing about her time living in Brooklyn and working at three restaurants simultaneously. She congratulated the crowd on their strength and resilience, telling them that they must be “strong as hell” to make it in the city. The standout song of the night was undoubtedly “Sonic”, a brand new, unreleased track that Barton explained was actually about the restaurant chain “Steak and Shake” and also about the love of her life. The singer stumbled adorably during her performance, accidentally blending the chords of “I Don’t Do Anything” with “Sonic” – a moment that only added to the overall charm of the night. She closed out her set with “If I Were a Fish”, bringing up her partner and fellow musician Corook to sing the song together – a fitting end to an unforgettable set.
Photograph by Chinaza Ajuonuma
The US leg of The End of the Movie Tour is going on all the way until May 13 in Oakland, CA before Lizzy jets off to Dublin for the European leg of the sold out tour.
New York-based alternative indie band Evil Sweet has just debuted their newest EP Queen Victoria, on April 28th. According to the band, the album evokes a different she of love at various stages in a relationship.
Evil Sweet is an up-and-coming pop-rock band based in Long Island founded by members Scotty O’Brien-Curcie and Zachary Castro. Thus, having achieved over 100K streams on the singles for the EP and playing legendary venues like The Bowery Electric. Their energy is familiar to indie artists like The Neighborhood, Tame Impala and Arctic Monkeys.
Zach is the guitarist and rapper for the group with Scotty on lead vocals, both having heavy roles in the songwriting. Evil Sweet blends multiple genres like rock, pop, blues, folk, and hip-hop. The two have been creating music together since their early high school years.
When listening to the album, keep in mind that each song is supposed to represent a different stage of love in a relationship. Queen Victoria is a unique album for Evil Sweet to release, it has sweet and delicate songs like “Long Live The Queen,” where the lyrics are quite meaningful. Almost very similar to Panic! At The Dico’s 2008 release Pretty Odd.
The intro song “Something” also hits differently, having sounded straight out of an 80’s soundboard, flowy and bubbly. Songs like “Queen Victoria” and “Out of Nowhere” are energetic and high-strung, the vocalist reminiscent of The Kooks. “How To Love You” was a favorite on the album, having meaningful lyrics and an upbeat tempo.
The band has also had an amazing start to 2023 with the two singles “Something” and “Out of Nowhere” achieving over 100,000 streams on Spotify being interviewed by underground indie-blog “Girl at the Rock Shows.” Evil Sweet prepare for the release of their debut EP Queen Victoria on April 28th.
Long Island’s Family Dinner have just served the release their newest single “Revenge Dress,” a empowering/spicy break-up track. The band has also announced a few shows with The Dirty Nil this July and will head out on a short run with Only Sibling this week.
“Revenge Dress” is a total breakup anthem and with lines like “This pretty face is gonna raise some hell tonight,” it’s hard not to get stuck in your head. The song rides from floaty to fierce, with chiming riffs and upbeat drums complementing Natalie O’Keeffe’s cool and collected vocals. Along with this release, the music video for the song encapsulates the mood of the lyrics.
Speaking on the song, Natalie expands by stating, “‘Revenge Dress’, put very simply is a breakup ‘fuck you’ song about realizing your worth and no longer letting yourself get taken for granted. The best revenge is success and nothing gets you over some loser more than looking good and raising hell with your friends.”
Formed in 2017, Family Dinner are friends first and a band second. Living just a few miles apart, the group formed naturally when drummer Nick Amalfitano was jamming out with guitarist Michael O’Keeffe as Natalie hummed melodies while making dinner, and thus the band name came to be.
The members of Family Dinner are almost as carefree as the beach town they reside in. The band has created a unique alternative rock sound that makes you want to dance, paired with lyrics that take a dark twist.
Rounded out by bassist Sam Weiss, Family Dinner began crafting songs, released a few singles, and started playing shows at DIY spots within the tight-knit Long Island music scene. In 2021 the band released the EP, You’re So Cool, four melodic tracks that pull from 90’s alternative rock and punk ethos.
Following the EP, the band knew they had something special on their hands and soon found themselves opening for acts like The Lemonheads, Grouplove, Bayside and Iron Chic. Entering the studio with Brett Romnes and Vinnie Caruana (The Movielife, I Am The Avalanche) last year, Family Dinner is currently putting the finishing touches on their debut full-length.
Tour Dates:
w/ Only Sibling
4/20 – Brooklyn, NY @ The Kingsland
4/21 – Westfield, MA @ Hutghi’s
4/22 – Providence, RI @ Alchemy
w/ The Dirty Nil
7/12 – Boston, MA @ Sonia
7/13 – Syracuse, NY @ Song and Dance
7/14 – Buffalo, NY @ Rec Room
Listen to “Revenge Dress” by clicking the link here.
Brooklyn-based alt-band Citrus Maxima has dived headfirst into the indie-rock genre with their newest release “I Don’t Wanna Die,” the first single from their upcoming record. With hundreds of thousands of Spotify streams and years of local gigging experience around New York, the band is looking forward to releasing their upcoming debut album this spring.
The new single “I Don’t Wanna Die” is a song that cuts through the dirge of washed-out, lazy indie rock and instantly jolts the listener with its infectious chorus. The band captures this by combining wailing feedback, crunchy guitars, and driving drums with instantly catchy vocals and heartfelt melodies.
Formed in Albany, but now based in Brooklyn, Citrus Maxima offers up a fresh take on indie rock, anchored by strong songwriting, raw energetic rhythms, and melodic guitars. Citrus Maxima was originally formed in 2014 with Shawn Majeed on drums and Lucas Rinaldi on guitar and vocals. The band added members Wyatt Kirschner on lead guitar in 2018, and Max Gucinski on bass and backup vocals in 2021.
Citrus Maxima has built up a strong online presence with a string of successful releases. In December 2020, the band released “1970”, their most played song with over 250k Spotify streams, and followed up with “Sprouts” a small collection of songs including “Seeds Don’t Bleed”, which incorporates a 90s alternative rock influence.
Their “live session” videos uploaded to YouTube further solidified their online buzz, as their cover of Pavement song “Harness Your Hopes” even grabbed the attention of Pavement member Bob Nastanovich, who praised the cover on social media. Devotees of the DIY ethos, all releases, social media growth, and touring was planned and executed by the band alone without the assistance of a label or management.
Listen to “I Don’t Wanna Die” by clicking the link here.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from, Jim Cesare, North Side Sound and Leyeux
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Jim Cesare “Away We Go”
North Side Sound “Take my Time”
For fans of rock, indie, reggae, or funk, North Side Sound, a band out of Albany formed in 2020 and create genre bending music, releasing their EP Take My Time, January 2022.
Leyeux “Tightrope”
Leyeux (Jack Snyder) was born and raised in Central Vermont. He began drumming at the age of 8, and performed as a singer and guitarist in high school, playing drums in the school jazz band and other professional gigs. From 2013-2015 he attended the Berklee College of Music in Boston and joined the a capella group Pitch Slapped, which competed and won the International Championship of Collegiate A Cappella in the Spring of 2014.
