Tommy Stinson’s Cowboys in the Campfire released a video for their new track “Here We Go Again,” alongside an upcoming Eastern US tour this September. The group will make a stop at New York City’s Bowery Electric on Sept. 9, and will continue with stops across Washington, DC, Winston-Salem, NC, and more.
“Here We Go Again” is the first track off Cowboys in the Campfire’s debut record, WRONGER. As a founding member of The Replacements, Tommy Stinson and his close friend Chip Roberts combined their talents to form the group alongside touring member Chops LaConte this year. “Here We Go Again” features Stinson on the ukulele, with the quirky video showing clips of tour life, Stinson getting a haircut, and the group across chicken coops and living rooms.
In a previous interview with NYS Music, Tommy Stinson discussed his love of performing, saying, “I gotta play for the peoples a little bit because it’s what keeps me alive.” Keeping Cowboys in the Campfire on the road is the group’s current priority, as they embark on their tour this September.
Tommy Stinson’s Cowboys in the Campfire is Tommy Stinson and Chip Roberts, with live accompaniments by Chops LaConte.
More information and tickets for the upcoming tour are available here.
This year’s annual end-of-the-summer celebration of music in Lake George at the Adirondack Independence Music Festival saw two evenings with moe. and a one evening with Dark Star Orchestra. The three-day festival held over Labor Day Weekend saw day-long music with bands alternating between two main stages.
photo by Allison Marie
The festival is always a smooth event, and as attendees we get to see the machinations of soundchecks and the work of loading and off-loading a stage, thanks to side-by-side stages. Emcee Jeff Morad from WEQX gave hourly hydration reminders as he thanked each band and announced the next act. The organization has it down, and it’s great to be there catching all the jams.
Photo by Derek Java
Day One saw a mix of regional and national acts. Standouts during the day were the always jammy Dogs in a Pile, a super fun band, and if you haven’t seen them, consider New Years Eve at Putnam Place. Keller Williams was blissful as always, starting his set with a great version of “Breathe.” Throughout a great loop-filled set (he is a master at building songs solo using loops), he dropped covers and originals, and standing out was a fun-filled “Freeker by the Speaker.” You can’t count any of the daytime bands out, though, as all day was filled with fun jams, people dancing, and bubbles floating through the air. Other daytime acts included Hilltop, Sophistafunk, Eggy, Lucid.
Photo by Derek Java
Headliners on Friday were the always incredible Dark Star Orchestra (DSO). Bringing an authentic sound to the date they reinterpreted, DSO channeled the Grateful Dead’s show on April 16, 1978 show from Huntington, WV, with clarity and wisdom. The sound was spot-on and the crowd danced and sang along all evening. We know the term “nostalgia act” gets some negative connotations, but for DSO, that is the mission, who make every show fun for spectators to guess the date of the show, and the more knowledgeable in the crowd can guess the direction the show is taking by the equipment being brought out by the players. Super fun evening with a classic Dead show performed by DSO.
Photo by Derek Java
Saturday of Adirondack Independence Music Festival saw more attendees and a continuation of killer music. Star-on-the-rise Karina Rykman brought the jams throughout her set, working off her new album, Joyride.
For listeners at ADK Fest, the first half of her 60 minute set saw only three songs, as she and her two bandmates, Adam November on guitar and Chris Corsico on Drums, set the festival alight, taking risks and diving deep into the jammy sections of her bass-led compositions.
Photo by Derek Java
Saturday also had a particular reggae vibe to it. Roots of Creation brought their fiery dub-ska, blending a mythos of Bob Marley-esque roots with Grateful Dead covers including “Row Jimmy” and “Fire on the Mountain,” lots of fun for all seeing this band.
Mihali brought his reggae vibe, too, bringing out a new tune or two, with Twiddle fans all smiles singing reggae-tinged Twiddle songs and Mihali’s own songs from his album Effection.
Photo by Derek Java
There was also a “foodie” aspect to the daytime bands on Ssaturday, with a blend of rock and jam by Creamery Station, Baked Shrimp, and stretching the metaphor, Melt. Fans of these bands and new listeners alike had a great day of music. Rounding out the daytime acts were Dumpstaphunk.
photo by Chris De Cotis
moe. has made ADK Fest the spiritual successor to moe.down, with a feel of Labor Day weekends spent in Turin at Snow Ridge Ski Resort throughout the weekend. Opening up with a pair of tunes usually played in reverse – “Okayalright” and “Wormwood” – moe. could have opted for “Not Coming Down” to complete the Wormwood trilogy, but shifted to “Downward Facing Dog” before inviting Ivan Neville from Dumpstaphunk to the stage for “Happy Hour Hero.”
photo by Dave Decrescente
Set 2 saw Mihali come to the stage for an intense and exploratory “Recreational Chemistry” (see video below), and moe. breaking out a set nearly full of old school songs, capped off with a classic “Jazz Wank” > “Buster.” For an encore, the addition of Nate Wilson to the lineup has led to the fresh covers making their appearance in the last two years, this evening including Traffic’s “Light Up or Leave Me Alone.”
Set 1: Okayalright > Wormwood > Downward Facing Dog, Happy Hour Hero^, Yellow Tigers -> Mar-Dema > Brent Black Set 2: Recreational Chemistry* > Sensory Deprivation Bank > Seat Of My Pants > Ups And Downs, Jazz Wank > Buster Encore: Light Up Or Leave Me Alone, Spaz Medicine ^ With Ivan Neville on keys. * With Mihali on guitar.
photo by Chris De Cotis
Sunday saw Jimkata keep the crowd swaying in the sunshine and get pumped up for moe. later that evening. What made Jimkata’s performance even more remarkable was the fact that they had performed in Virginia for a late night show the evening before, making the seemingly impossible journey from Virginia to Adirondack Independence Music Festival for a mid-day performance a testament to their commitment to their fans.
photo by Allison Mariephoto by Allison Marie
Neighbor graced the stage and dropped an instrumental cover of The Beatles/Joe Cocker’s “With a Little Help from my Friends. Prince Bowie featured Twiddle/Marble Eyes/Breakfast/Kung Fu drummer extraordinaire Adrian Tramontano on drums along with the Cool Cool Cool horns. Luke Bemand from lespecial joined the all star tribute group for Prince’s “Controversy.”
For moe.’s weekend closing sets, they opened up with “Water” as a nod to Lake George, and closed the set with “Meat” featuring Schleigho guitarist Suke Cerulo joining his one-time bandmates. Set two had no let up, opening with a slow burn of “Tubing the River Styx” > “The Pit”, a cover of Allman Brothers Band’s “In Memory of Elizabeth Reed” – featuring Neighbor/Pink Talking Fish keyboardist Ricky James – followed by “Silver Sun” and a solid 1-2 punch of “George” and “Lazarus.” An encore of “Gone” and “Plane Crash” capped a fantastic weekend of music in Lake George, an annual affair made for a band like moe. and live music fans from across the Northeast.
photo by Frankie Cavone
Set 1:Water, ATL, Donâtcha Know, In Stride, Skrunk, Meat^ Set 2:Tubing The River Styx > The Pit, In Memory Of Elizabeth Reed2, Silver Sun, George, Lazarus Encore: Gone, Plane Crash ^ With Suke Cerulo on guitar * With Ricky James on keys
Maya Donovan, released her newest single, “The Company,” on September 8, a song sure to appeal to audiences that share similar struggles, and with her blending of folk, jazz, and pop, it’s sure to perk up the ears of music listeners.
Maya Donovan has been expressing her emotions through music since she was a little girl. She mastered piano at seven years old, while also learning how to bring her melodies to life.
This song is no exception. Maya Donovan’s, “The Company” is a song that addresses her anxiety directly, personifying her fears and struggles as a real person. She discusses the constant feeling of being in limbo: unsure if the symptoms she experiences are just “in her head,” or a genuine illness.
The title, “The Company,” has two meanings, one being the unexpected companionship Donovan finds in her anxiety, and the other suggesting something more insidious. Donovan explains, “anxiety sometimes feels like it’s being orchestrated by this sinister network that I’m always trying to outsmart, a ‘company’ if you will, with a conspiracy to overthrow me from my own body.”
Maya Donovan crafts a powerful, relatable story for those who also struggle with their mental health, and the journey it takes to rediscover yourself on the never-ending mental health journey.
Donovan graduated from the prestigious LaGuardia High School for Performing Arts in New York City. The skills she learned while at this school are prevalent in all her performances at the Bitter End in Greenwich Village.
Maya Donovan’s latest single, “The Company,” is now available for streaming and download on all digital platforms. For more information on Maya Donovan, visit her website MayaSings.com.
Catch Maya Donovan this fall
Tuesday, September 12 – City Winery – The Loft , with Song Suffragettes
Josh Schwartz, well known in the jam scene as the tall baritone saxophone player and occasional singer from Turkuaz and Cool Cool Cool, has announced his solo project, JOSCH. Pronounced like his first name, JOSCH debuts with his soulful debut single, “Icarus In Motion.”
“Icarus in Motion” features Schwartz alone on all vocals and instruments, with the entire track his brainchild. With pre-production support from producer/songwriter Rob O’Block, Schwartz makes a grand entrance as a solo performer, channeling the likes of James Blake and Hosier.
A modern day reimagining of the ancient Greek myth of Icarus – who ignored his father’s warning and flew too close to the sun, melting the wax that held his wings together and plummeting him to his death into the ocean – Schwartz was inspired by “The Power of Myth” by Joseph Campbell, and spoke to NYS Music, sharing deeper insight into the lyrics of the track.
The lyrics are basically a modern-day retelling of the classic Icarus myth. I was partially inspired by Trump’s rise and (hopefully eventual) fall. The character in the song supposedly pulled himself up by his bootstraps (“You come from such humble beginnings/rough hands and dirty shoes/stranger to silver spoons”) but similarly to how some people in this country seem to think Trump did that, the details often tell a different origin story.
I was also envisioning the main character, Patrick Bateman, from American Psycho and typical Wall Street bros in general. I grew up with and went to college with lots of those types and was always amazed at the degree of materialism they had.
With the legend of Icarus taking on a deeper meaning, JOSCH presents “Icarus in Motion” has a departure from the high-energy power funk that Josh Schwartz is known to deliver on stage. “This song and the other tunes I have ready under JOSCH are more in the vein of electro-pop. Lots of synths, lots of emotions. If you’re expecting horn-driven funk, you’re certainly in for a surprise!”
Over hard-hitting drums and droning bass, behind-the-beat vocals on “Icarus” sing of a man with a hard upbringing (“rough hands and dirty shoes/stranger to silver spoons”) who rises to great financial success (“you soar on guilded wings/keep score with gods and kings”); in the process, he becomes addicted to and obsessed with the material goods and pleasures he can now afford (“hungrily grasp for more/the endless spoils of war”). Will the man in the song succumb to his own hubris and greed or will he realize the folly of his ways and get a grip on his dangerous habits? You’ll just have to listen to find out.
JOSCH is available on all streaming platforms now. Listen on Spotify.
In addition to the single, JOSCH will release an accompanying music video shortly after. Shot on 8mm film and directed by longtime collaborator Dani Barbieri of Two Truths Production, the video brings the imagery of Schwartz’s lyrics to life.
“Icarus in Motion” Lyrics
High above it all
Far from the commotion
But you’re about to fall
Icarus in motion
You come from such humble beginnings
Rough hands and dirty shoes
Stranger to silver spoons
And now you’re drowning in your winnings
You soar on gilded wings
Keep score with gods and kings
No time for self-reflection
When striving for perfection
Ambition suits you like the labels that you wear
(Labels that you wear)
On the way up, it’s all so thrilling
‘Til you remember nothing is under you but air
High above it all
Far from the commotion
But you’re about to fall
Icarus in motion
High above it all
Far from the commotion
But you’re about to fall
Icarus in motion
The universe just keeps on giving
Hungrily grasp for more
The endless spoils of war
They say that life is for the living
You’ve burned through twenty lives
Almost as many wives
The same universe that gave you wings
Can snatch them back before you blink
Your narcissism is a dangerous affair
(Dangerous affair)
On the way up, it’s all so thrilling
‘Til you remember nothing is under you but air
High above it all
Far from the commotion
But you’re about to fall
Icarus in motion
It’s always sunny when you’re flying high above the clouds
The 11thSummer Hoot was held August 25-27 at the Ashokan Center in Olivebridge, NY. Three days of family, friendship, camping, combined with music, music, music. Two performance stages (affectionally named Toshi and Pete after the Seegers), located at the base of Hoot Hill, showcased a plethora of local and national acts.
The Mammals
Tucked away in a lower-level location the Magical Music Campground hosted the Jubilee Jam tent. Jams ran continuously day and night for the many who brought instruments with them.
Jubilee Jam Tent
The Hoot utilizes the entire Ashokan Center. Music isn’t confined to specific performance locations. At the instrument petting zoo, the young (and young at heart) could be found creating their own special sounds. Impromptu collaborations were popping up everywhere you turned. Even backstage, musicians arriving could be seen joining in with those warming up before their set.
Future musician at the instrument petting zoo
Nature did not sit by silently for the Hoot. Floating on the sweet Hudson Valley air the rippling sounds of the Esopus Creek filled your ears while strolling through the grounds. With the setting of the sun, the crickets would emerge to accompany the music flowing from the stage, chirping in rhythm.
Jordan Hamilton
The Summer Hoot performers included The Shaker (feat. Simi Stone) opening the Hoot on Friday evening. Brooklyn-based Oliva K and the Parkers playing twice, on Friday and Saturday. Kingston’s Pulso De Barro sharing their Son Jarocho style of music. The City Stompers giving an exhibition of Appalachian Clogging with Furnace Mountain supplying the musical backdrop.
The City Stomperswith Furnace Mountain
Saturday night a bonfire singalong took people into the late evening. As the clock struck midnight, Cellist Jordan Hamilton performed an intimate set in the Pewter Shop. If you had the energy, the late-night jam at the Magical Music campground took you till the morning light.
Mike Merenda and Ruthy Ungar
To reach 11 years for an event is not an easy thing. The effort is huge. Without co-creators Mike (Merenda) and Ruthy (Ungar) none of this would be possible. To say they are the heart and soul of the Hoot is an understatement.
Pulso De Barro
Across the three day these two are going nonstop. Greeting everyone, introducing performers, and sitting in with many performers. Topping it off their band The Mammals closed out the Toshi stage Saturday night.
Oliva K and the Parkers
On the face of it, the Hoot is all about the music. But there is so much more. Creativity plays a special part. From original songs shared, yoga and breathwork sessions to calm your soul, along with food and crafts offered by local artisans.
Cole Quest & the City Pickers
Drawing from the Ashokan Center, the spirit of family and community is another cog that makes up the Summer Hoot. Many people brought their young children. Some people even brought their own parents. If you didn’t know the person next to you it did not matter. Everyone is family when you are at the Hoot.
Families enjoying the Summer Hoot
A musical chord can be referred to as a triad. Three notes played together achieving a harmonious outcome. The combination of music, creativity, and the spirit of family and community construct the chord that is The Summer Hoot.
The 2023 edition of Electric Zoo Music Festival took a turn into the history books this past weekend, with fans encountering hours-long Will Call lines, a main stage still under construction on Friday, and an overflow of attendees on Sunday.
Add in allegations of overselling the event by a reported 7,000, according to Mayor Eric Adams, and EZoo joins the ranks of Fyre Fest, AstroWorld, Curveball, and Woodstock 99 in the lore of music festivals gone awry.
It’s unfortunate that the organizers wanted to turn our city into a zoo, and we were not going to allow that to happen. And we will be dealing with them in the next few days based on their behavior and actions.
NYC Mayor Eric Adams
Electric Zoo 2023 was produced by Billy Bildstein of Avant Gardner and Cityfox, who bought EZoo creator Made Events, in July 2022 through an investment group for $15 million.
The weekend started on a low note for promoters, with the stage being deemed unsafe by New York authorities, leading to the full Friday of music being canceled, and refund information shared by Electric Zoo. In a statement, the promoters said,
Despite our tireless efforts and round-the-clock commitment, we have made the painful decision to cancel the first day of Electric Zoo. This year has presented unparalleled challenges for everyone. The global supply chain disruptions have impacted industries worldwide, and, sadly, our beloved festival has not been immune. These unexpected delays have prevented us from completing the construction of the main stage in time for Day 1.
Among artists whose sets were canceled on Friday were The Chainsmokers, Excision, Griz and New York born and raised, Eli Escobar.
Saturday saw the festival delayed gates opening until 230pm, with crowds waiting for five hours (if not longer) for Will Call tickets. Some fans were not able to get into the venue on Randall’s Island until nearly 8pm, leading one outlet to ask, “Is Electric Zoo the new Fyre Festival?”
Major safety hazard, disappointing, disgraceful honestly. It's 8pm and we aren't moving we're all going to miss it. All day traveling here for nothing. Just let us in. Never again. pic.twitter.com/JwobmeFesN
Although the EZOO team reassured fans, “Your patience and dedication mean the world to us, and we cannot thank you enough for being part of this incredible community,” fans were not placated, with some having flown in from around the country and world, nowhere to turn but to head home.
Then on Sunday evening, piggybacking off a cancellation and incredibly long wait times, promoters said the festival was full and could not accommodate any additional patrons. Fans crashed the gates, passing security checkpoints, nearly destroying the entry way on Randall’s Island, frustrated by the actions of the promoters.
Hundreds (thousands?) of people have rushed the @ElectricZooNY gates after being told that the festival had reached its capacity on the final night, and valid ticket holders would no longer be granted entry. pic.twitter.com/uJJ8XWIV1y
After the disappointment from the cancellation of Day 1, Electric Zoo kept the show running on Day 2, opening the gates two hours later than initially posted. Headliners Timmy Trumpet, Gryffin and the closing finale of Zedd left attendees smiling from ear to ear.
From glitter to sequins, fish nets and strobe light sunglasses, the fans inside were enlightened with character despite the issues outside the gate, showing their love for the electronic dance community.
To close out Saturday, German DJ and producer Zedd put on an outstanding finale with a crowd full of thousands screaming, clapping and dancing among themselves to some of his hit remixes “Alive by Empire of the Sun – Zedd Remix” and “Break Free” by Ariana Grande (feat. Zedd).
On Day 3 the festival was up and ready to go when the gates opened for attendees at 1pm. While the days prior led to confusion, frustration and disappointment, EZOO was determined to turn it around. The main stage known as Convergence added two more columns to the overhead screens which illuminated the overall feel and experience of the final day.
However, with more tickets sold than Randall’s Island could accommodate, promoters announced at 6:30pm that no more fans would be allowed to enter, even if they had a ticket. And with this, fans frustration hit its peak, and the gates were stormed.
Headliners included Tiesto, Major Lazor, a combined set of both well known artists Dom Dolla and John Summit, and leading finale Marshmellow. The on stage visuals of all artists performing reached with psychedelic imagery, strobes of color and front stage flames, smoke and fireworks enhanced the fans’ experience.
By this point, all stages were flooded with fans from front to back, savoring their last moments of Electric Zoo 2023 and not letting the oversold event and actions of promoters stifle the finale of what was intended to be a magnificient weekend for thousands of EDM fans.
Even with the delays and frustration, EZOO kept the show running for Day 2 and Day 3 to the best of their ability. The event performances left fans ecstatic, and for some the festival was worth the wait, while for others a weekend without music, but for all attendees, it was a weekend for the history books.
GriffinJaden ThompsonSo tuff so cuteBrina KnaussTimmy TrumpetDom Dolla x John SummitTiestoMarshmellow
GWAR have released a 10th Anniversary Edition of Battle Maximus. fully remixed and remastered, this edition features the final recorded vocal performance of Oderus Urungus on the previously unreleased and never-before heard song “Tammy, The Swine Queen.”
10 years have passed since the release of GWAR’s masterwork known as Battle Maximus, which served as a tribute to fallen Scumdog Warrior Flattus Maximus (AKA Corey Smoot) and was also the last album recorded with vocalist Oderus Urungus (AKA Dave Brockie) before he departed the planet Earth in 2014.
“Musically, ‘Battle Maximus’ is a great debut work by Pustulus Maximus, and lyrically, it is the final word of lead singer and band founder Oderus Urungus, The record is run through with the desperate, dangerous, and fully bananas imagination of Oderus. In fact, this re-release includes a song so nutty we named it twice, and then promptly forgot to put it on the record the first time around. ‘Tammy, Queen of Dirt,’ or, ‘Tammy the Swine Queen’ is the final performance of the maestro of mayhem, Oderus Urungus, and for our fans, it does not disappoint,”
Blothar the Berserker
This Fall, GWAR declares war on humanity (again) on their upcoming “Age of Imbeciles” Tour. The infamous Lords and Masters of Shock Rock will return to the road wreaking havoc, and laying waste to audiences across the US and Canada this Fall. Shows in New York include at the Palladium Times Square and The Rapids Theatre in Niagara Falls.
The tour features support from Negative Approach, X-Cops and Cancer Christ on select dates. A complete list of dates can be found below.
New York’s goth metal band Nefariant have released their new single “Beg” this August. The first single from their upcoming EP Noct scheduled to release on February 9th, 2024.
The band includes quartet members vocalist Jason Lekberg, pianist Paul Cibrano, bassist Daniel Martinez, and drummer Andrew Maciejewski. They’ve created a new expression of music they call ‘brutal elegance’ that allows metal to work without a guitarist. The band defines their music by using vocals, piano and bass elements to produce an intense and powerful genre of hard metal.
‘Beg’ begins with an instrumental build up that provokes the listeners as Lekberg emits strong and powerful vocals accompanied by the drums. Nefariant once again produces the sound of heavy metal with an array of growled vocals. Thematically darker and deeper with a progressive theme of self-realization and independence.
Nefariant has begun the release process for Noct by releasing one song a month, starting with “Beg”. In addition, the band has announced an upcoming show in Brooklyn on October 21st at The Meadows. Not only did they release just a new single but a music video as well, highlighting how the song adopts strong vocals, drums and invokes an emotional response that connects the fans to the band.
A new recording of Cyndi Lauper’s “Come On Home” was released on September 1, with proceeds benefitting the Sound Mind Network, a non-profit organization helping those battling mental health issues and drug addiction. The recording features Billboard-charting artist Danni Baylor, with vocals by Cyndi Lauper.
Written by Lauper in collaboration with Jerome Baylor, “Come On Home” was produced by Sound Mind Network founder Joe Nicolo. Lauper originally released the song on her 1994 greatest hits album Twelve Deadly Cyns… And Then Some.
Proceeds from the song’s release will benefit Sound Mind Network’s Foundation and mission to break the stigma surrounding addiction, while helping those in need fulfill their potential.
“Come On Home” will feature alongside 10 other tracks on a compilation album for the Sound Mind Network. It will include artists such as The Bacon Brothers, Joan Osborne, Kathy Sledge, Taj Mahal and others.
The more we learn about mental health, the better we are as a society. This is an issue we have swept under the rug forever. My hope is that ‘Come On Home’ can raise money to eliminate the shame around mental health that has caused a lot of people to needlessly suffer.
Cyndi Lauper
Recorded at Joe’s Garage in Audubon, NJ, the song features Andy Meyer on drums, Jerome Baylor and Mitch Beer on bass, Glenn Hale on keyboard, Brian Fitzy and Bo Rains on guitar, Jay Davidson on horns, and Ryan “Gooch” Nelson on percussion.
I’ve been fortunate to spend an entire career witnessing the power of music and personal creativity. I am excited and honored to help empower the recovery community through Sound Mind Records. What Cyndi and Danni have done with this beautiful song, and what the other amazing artists are contributing, is truly something special. Their gifts of music are going to help so many others overcome their demons.
Joe Nicolo
The Sound Mind Network is dedicated to changing the way the world looks at drug addiction and mental health through music and the arts, according to Nicolo. The organization funds partner programs that empower those struggling to overcome their personal challenges and lead healthy and fulfilling lives.
“Come On Home” is available on all digital formats and for digital download as part of Sound Mind Network’s Healing Through the Arts program.
Soca music, otherwise known as “The soul of Calypso’’ is a genre of upbeat music that was created in the West Indian Island of Trinidad & Tobago. The alluring rhythmic energy of soca can be enjoyed at carnivals, fetes, parades, and even at home. The lively tempo gives its audience no choice but to dance and be swept away by the vibrant music.
Trinidad and Tobago flag. Waving flag of Trinidad and Tobago 3d illustration. Port of Spain
On September 4th, Soca music can be enjoyed at the West Indian Labor Day Parade in Crown Heights, Brooklyn.
photo @newyorkcarnival
Soca music is a combination of Calypso and Indian music. Ras Shorty I, a Trinidadian musician sought to fuse the genres after the realization that calypso was becoming threatened by reggae music. Shorty created an energetic hybrid genre called solka, which later became known as soca. In 1973, the musician introduced soca to the world through his song, “Indrani.” Shorty established two different types of soca music known as Power and Groovy soca.
Power soca music is fast with tempos around 160 beats per minute. This upbeat soca encourages people to dance as a response to artists giving dancing instructions through their music. Groovy soca is slower paced with tempos around 115 beats per minute. Songs such as “Turn Me On” by Kevin Lyttle and “Tempted To Touch” by Rupee demonstrate this type of soca.
The creation of soca gave Caribbean Islanders numerous hits by popular artists such as Machel Montano, Destra, Alison Hinds, Atlantik, KMC, and Bunji Garlin, among others.
Montano, also recognized as the “King Of Soca” celebrated 40 years in the industry in September 2022. Montano was the first Trinidadian and youngest performer to win the Caribbean song festival in 1987. Additionally, the musician won the Young Kings Competition in 1991, the Party Vocalist Competition in 1995, and the Road March King Competition of Trinidad and Tobago in 1997. At the age of nine, Montano exposed the world to soca with his performance with the Mighty Sparrow, at Madison Square Garden. He is most known for his songs “Fast Wine”, “Like Ah Boss” “Vibes Cyah Done” and “Soca Kingdom.”
As soca became more renowned and spread to other Caribbean Islands such as Jamaica, Guyana, Barbados, Grenada, more sub genres were created. Other variations include ragga, Chutney soca, Raga soca, Afrosoca, Steelband soca, Parang soca, Bouyon soca, and Bashment soca. Chutney soca is directly connected to East Indian culture with lyrics featuring both English and Hindi. Raga soca fuses traditional soca with Jamaican dancehall beats and instruments any you will most likely hear the presence of electric bass and electronic drums in this subgenre. Like Raga soca, Afrosoca is also influenced by Jamaican dancehall beats, an intermixture of dancehall and Nigerian beats.
Steelpan soca is characterized by its heavy usage of steel pans. Unlike the other subgenres, Parang soca is the only subgenre to incorporate Spanish into its lyrics. Bouyon soca is influenced by rhythms of Dominica. Besides Trinidad, many Bouyon soca artists are from St. Lucia, Antigua, and Martinique. Finally, Bashment soca is a contemporary form of soca and based in Barbados.
Although in many soca songs, human vocals are the only melodic instrument, often you will hear electric bass, keyboard synthesizers, cowbells, and machine drums. Larger soca bands are more likely to have a brass section featuring the trumpet, trombone, and the saxophone in their productions.
Soca has transformed throughout the years and has become a genre that not only represents Trinidad but the Caribbean as a whole, loved internationally and has inspired music from Western culture. Artists such as Drake, Nicki Minaj, Chris Brown, Busta Rhymes have multiple top charted songs influenced by soca.
