Boston Flowers has just released their latest single “Man On Mars” as well as an upbeat and colorful music video to go with it. The release comes just a month ahead of the band’s newest album Mondegreen, set to be released to audiences on Sept. 13.
Boston Flowers is made up of members Brad Flowers, who leads on vocals, lead guitar, rhythm guitar, and bass guitar, along with CJ Kostaras who keeps the music together on the drums. The Brooklyn-based musical group is known for their unique, seamless blend of indie, alternative, and pop-rock sounds. Drawing influences from a diverse range of musical styles, the duo has captivated audiences with their infectious lyrics and energetic performances, earning them critical acclaim along with the honor of being one of Brooklyn’s most exciting up-and-coming acts.
Their new single, “Man On Mars,” is a track of pure upbeat intoxication, encouraging listeners to treat every second of life with utmost value and to treat each day with a sense of community. The sound itself, with layered guitars, consistent drums, and strong vocals, exudes happy energy making it fit in perfectly with the alternative pop-rock community. Although it may not stand out strongly against similar releases in the genre, it is fun and captivating none the less, allowing listeners to jam out and let loose.
With the song in mind, Flowers shares, “Being in a busy city (like New York City) and working in a workplace with multiple moving parts, ‘Man On Mars’ touches on the interpersonal connections we must find to make it through each day, and growing a temporary armor to keep the bad away.”
The track comes from their upcoming album Mondegreen, which the band will celebrate and share with a special show at Arlene’s Grocery in the cityon Sept.r 13. Until then, enjoy the new single out everywhere!
The Dirty Pennies have just released their newest single titled “Head Open” for all to hear and enjoy. Alongside the fresh release comes exciting news of the Rochester band’s upcoming performances on New York stages including multiple appearances at the Bug Jar!
The rock band, originally formed back in 2012 by Ryan Klem and Lucas Howe, has evolved exponentially from a blues-rock duo into a garage rock band with the help of former bassist Joe Mungo. Today, especially taking into consideration their new release, The Dirty Pennies continue to take a step closer to exploring the realm of psychedelia with the help of recent additions: bassist Sean Doohan and keyboardist Doug Kelley.
From the beginning of “Head Open,” with its looping guitar melody and the heavy use of a synth, it is evident that the band has not simply crossed the line into the open space of psychedelia but has jumped right into a new sound. The voices layered throughout the single support this energy as the echoed vocals seem far away yet everywhere all at once as they repeat, “Head open wide, empty space.” After the lead stanzas of introspection, the voices are cut out, giving way to an epic concoction of complicated instrumentals.
To support their new single, The Dirty Pennies are set to perform at Rochester’s infamous Bug Jar on Aug. 25, a venue that is special to their hearts as it won’t be their first time rocking the stage. “Head Open” is now available to rock out to on Spotify, YouTube, and various other streaming services.
Upcoming Performances
August 25 – Bug Jar w/ Ace of Wands & Bad Bloom
September 9 – Cafe Nine w/ Pinkhouse / The Problem with Kids today / VVBES
September 16 – West Almond Stomp Festival
Upcoming Tour Dates
October 19 – The Song and Dance w/ Trauma Cat & Dead Wolf
Federico Aubele has officially announced his seventh studio album Time Drips On My Bed which is set to be released to audiences on Oct. 13. Alongside the exciting announcement, the Brooklyn-based Argentine singer/songwriter has decided to give fans a sneak peek of the project by simultaneously dropping the first track on the album, “What We Lost” with an official music video.
To say Aubele is an experienced artist and individual would be an understatement as the singer, born and raised in Buenos Aires, has immersed himself in cultural hubs all over the world by residing in Berlin, Barcelona, and now Brooklyn. With each move and experience, the artist has taken musical and life lessons with him which have been instilled in his almost two-decade long career, fusing the sounds of each city and various genres including electronica, acoustic guitar, flamenco, and so much more.
Aubele’s upcoming album, coming out a little over a year after his sixth The Holographic Moon, will see the singer diving deeper into his past. After suffering the loss of his father in 2021, Aubele found himself reflecting on his home city of Buenos Aires and how it shaped who he is today. By tapping into his first album, Gran Hotel Buenos Aires, utilizing 2000s drum beats, melodica, Moog synth, and his unique baritone vocals, the album grew legs and began to run. It was this careful submersion into his grief and early life that ultimately served as the catalyst for his newfound creativity, allowing him to accept his past and build the foundation of his latest project.
“We’re constantly evolving and changing, which means analyzing, understanding and accepting aspects of our past,” Aubele shares. “If we don’t do that, what we need to process starts spilling into our present, preventing us from fully reaping its benefits and appreciating where we are.”
Perfectly expressing this theme, the first track on the album, “What We Lost” is available everywhere now along with an official music video directed by Federico Aubele himself. The song itself, backed by a looping drum beat, explores the love gained and lost in relationships of all kinds, and how when they live on in memories, they can enable one’s growth or hinder it. Although Aubele’s shaky and breathy vocals may be an acquired/specific taste for listeners, his message stays strong. The artist explains that the song is meant to express the shared phenomena of how humans are “inclined to recreate, consciously or subconsciously, those moments that moved, transformed and defined us.”
The video is dreamy in its own right as it is shot throughout Brooklyn and includes countless images meant to enhance the meaning of the song including the trees of Prospect Park and visuals that resemble a flashback reel.
The Brooklyn-based group salamander has made galant strides forward in their musical journey as they have recently released a new single, “xylem,” on top of announcing their debut LP. The LP titled, [container], is an eleven track project set to be released later this Fall on Oct. 18.
salamander is dynamic trio, originally formed by songwriters PJ Hunter and Leo Frampton in 2019, adding in drummer Ben Verde two years later. The band takes improvisation and raw emotion to form an interesting-sonic sound that struggles to be placed in the confines of any genre. In a similar style, their songwriting process is fluid and highly collaborative, with many arrangements, structured ideas, and lyrics coming from multiple members of the band. While some songs, such as “wildfire” and “xylem,” have lyrics and chords written mostly by one of the band members, other songs such as “ride” and “wave” were written in full collaboration.
“xylem” is the second track the band has released from [container] following their previously dropped track “ride.” The new song has a hypnotic and distilled pop beat and melody that blends into the moody vocals of the group. The lyrics themselves, coming mostly from band member Frampton, express haunting ideas surrounding the inevitability of death and trying to grapple and make peace with them saying, “I love this place, I want to be somewhere else/I love this place/We are going somewhere else.”
“This song sprouted from the way I have made peace with this fear, trying to see my own life and generation as part of a cycle bigger and smaller than myself,” Frampton explains. “I wrote the lyrics during springtime, which is the essence of the chords as well. I like the idea that people can interpret ‘place’ differently, zoomed in or out as far as they like.”
The writing process of “xylem” was completely unique with melodies being created by Frampton and Hunter, guitar tones and a resonating mood being brought by Cody Zusman, and production being put together by Carlos Hernandez, among various other hands and voices in the mix. The new song comes with an artistic video visualizer created by Linnea Nugent.
The single is now available on Spotify, YouTube, and all DSP’s.
[container] Track List
01. boomerang 02. xylem 03. unnamed thing 23 04. wildfire 05. unnamed thing 23.1 06. the label 07. instrumental believers 08. ride 09. images 10. wave 11. the 100th meridian
The milestone anniversary of one of the most influential and diverse music genres in history is here, as August 11th marked Hip Hop 50. In light of the anniversary, legends ranging back from the ’70s until now have been resurfacing to pay tribute, revisit the past, as well as stake their claim as hip hop luminaries. Today we lay out the history of a hip hop icon who helped shape the genre as one of the first ever female MC’s, the Queen of Queens: Roxanne Shanté.
Lolita Shante Gooden, better known to the world as Roxanne Shanté, was born and raised on the streets of New York City, just like hip hop itself. Coming out of Queens, the spit-fire herself was introduced to the rising genre at an early age and possibly more lucrative was the genre being introduced to her. At eight years old, Shanté discovered her love and talent for spitting rhymes whilst watching the witty celebrity wordsmith Nipsey Russel on TV. What’s more, is that the streets called to her as rhyme was just a sign of the times and battles were the name of the game. After her substantial discovery, the little girl would rhyme all day every day, and by the age of ten years old, Shanté won her first battle, securing a cash prize of $50. From there on, Roxanne battled her way to the top beating out her competition one by one leaving a clearer path for those brave enough to follow. Her confidence, fearlessness, and pure talent all came together, leading her to become one of the most popular and sought after female rappers of her time.
Roxanne’s popularity, however, truly began at 14 with a passing interaction with long time acquaintance Marley Marl – American DJ, record producer, rapper, and so much more. Soon after getting out of her two year stretch at multiple girl’s homes and returning to her mother and sisters, Roxanne was walking up the street in the midst of doing her mother’s laundry when Marley called to her. Hearing that she was the best around, the DJ asked Shanté to rap over a track he was working on. Shanté told him she could only give him seven minutes of her time – the time remaining on her laundry.
Marly Marl, Mr. Magic, and Tyrone Williams, all members of the soon to be hip hop collective, the Juice Crew, had been working on a special track using the original beats from group U.T.F.O.’s hit song “Roxanne, Roxanne,” which tells the story of a woman who rejected the group’s advances time and time again. Marl’s track was always meant to be an answer record as U.T.F.O. backed out of a concert promoted by Mr. Magic and lost him a substantial amount of expected income. As Marl laid down the track, Shanté was free to do her thing, taking on the persona of “Roxanne” and putting every member of U.T.F.O. in their place one after another saying, “He ain’t really cute, he ain’t really great, He don’t even know how to operate.” Every second, every word, and every rhyme was free-styled by that 14 year old talent in seven minutes, making history as one of the first moments a female took to hip hop and forced the male dominated genre as a whole to sit down, listen, and show some respect.
The song was officially named “Roxanne’s Revenge” and became a massive hit selling over a quarter of a million copies in the New York area alone. Not only that, but the track spawned a series of answer-back records, possibly the most in history, numbering well over a hundred as artists and fans received Shanté’s free-style as a challenge, including U.T.F.O. who produced another track along with a law suit. This time, the trio’s response highlighted the female rapper Elease Jack who they deemed “The Real Roxanne.” This third track on the same woman took hip hop into uncharted waters, as in that day in age most answer records ended with a second recording. The controversy and attention was quickly named the “Roxanne Wars” resulting in perhaps the first ever ‘rap beef’ between two artists in hip hop history.
With the song’s success, Lolita was fittingly Roxanne and became an official member of the Juice Crew. Throughout her stretch of tours and live performances with the collective, Roxanne’s battle image and mindset never faded, as Shanté came out with numerous recorded battle tracks including “Round One: Roxanne Shanté vs Sparky Dee” alongside rapper Sparky Dee who not long before released a diss-track about Roxanne herself.
“Even after I started making records, I still had such a battle mentality,” says Shanté. “I didn’t want to be second best, I didn’t want to be the best girl — I wanted to be the best.”
Unfortunately, time and time again the artist faced challenges due to her age and role as a woman in a male dominated career and world. In 1985, Shanté battled it out with Busy Bee Starski for the title of “Best Freestyle Rapper” but lost to Kurtis Blow’s bias admitting his vote went to Starski since Roxanne was a girl.
By the age of 25, with two completed studio albums Bad Sisters and The Bitch Is Back along with over 18 critically acclaimed singles, Shanté had taken a huge step back from the music scene and largely retired from recording. The MC faced physical and sexual abuse on many accounts resulting in hospital visits and the birth of her first son by the time she was sixteen years old. Not only that, but Shanté had been cheated out of money by managers and various others who she believed she could trust the most. These challenges along with the evolving scene of the hip hop industry all led to her hiatus.
Today, Roxanne is still doing her thing, staying busy, and most importantly staying connected to her roots. Shanté, who now lives in New Jersey, co-leads an education nonprofit, is known to occasionally perform, and has done a series of press events where she comments on hip hop and rap artists of today. Additionally, she hosts Sirius XM’s Have A Nice Day on Rock The Bells Radio along with DJ Cool V where the pair sit down together, crack jokes, and play the music that they love. The rapper also continues to make impressive live appearances as just on July 21st of this summer she participated in DJ Cassidy’s Pass The Mic Live! at the one and only Radio City Music Hall.
For years, Roxanne has gone on to be an unsung hero when it comes to the history of hip hop and its evolution, yet the artist refuses to live in spite, saying, “I’m not the female Hip Hop artist people talk about. I’m not invited to the awards. I’m the person who people would assume would be angry at home. And I’m the total opposite of that. I love life so much. I’m a breast cancer survivor. I know what it’s like to go through lumpectomies, through everything. Life is amazing to me. I enjoy every minute of it.”
Even though the rapper may not take her lack of recognition to heart, the world of music and the world of hip hop have begun to right its wrongs and give Roxanne the attention she truly deserves. In 2017, Netflix released a biopic named “Roxanne Roxanne” which tells the story of her beginnings in the genre along with the struggles she faced as a woman of color in NYC. The movie not only highlights the hurdles she jumped through and her immense talent but also displays her impact on the genre itself and rappers that have gone on to find their own success because of her. One of these artists is the Grammy Award-winning rapper Nas who credits Roxanne with being the person to first get him to take rap seriously.
“Roxanne Shanté was a young teenage girl who had heart ’cause she would just be out in the projects, hanging, and I would see her,” he explains. “We heard about her and she was a hood star at first. She heard me doing some little rhymes and she was interested, and she was like, ‘Yo, I want you to participate in something. I want you to do some stuff. I want you to work on your craft and when I see you again, have it together.’”
Roxanne’s story, influence on others, and connections with the hip hop world are impossible to write on one page as the artist has history with legends such as Big Daddy Kane, Biz Markie, and Queen Latifah; however, as Roxanne has shown time and time again, she can prove herself to anybody, anyplace, anytime with a beat and a microphone.
Roxanne is a hip hop icon and deserves to go down in music history appreciated as a true luminary. Not only did she defy odds as a young woman of color on the streets of Queens, the splash Shanté made with her immense talent, street cred, and her seven minutes helped push the entire genre into the mainstream. Hip hop artists today can’t ever fully comprehend their complete history unless they recognize the Queen of Queens: Roxanne Shanté, the blueprint for hip hop MC’s.
Sohil, a singer/songwriter, guitarist, and producer, released his new single, “Movie Star.” Accompanied by a music video shot in New York City, the song is a love letter to Manhattan and New York City as a whole. It blends futuristic sounds, horns, Sohil’s vocals, and self-aware lyrics to paint a true picture of the Big Apple.
Sohil began releasing music to streaming platforms in 2018. Since then, he has released numerous singles and an EP consisting of acoustic versions of several of his songs.
“My songs all give off a feeling of longing and hopefulness,” Sohil previously said in an interview. “I love lyrics that tell a story and paint a picture for the listener so they feel like they are sitting next to me on my couch while I tell them about a moment in my life.”
Sohil’s music combines a blend of sounds all across the map, including hip-hop, electronic, and soul. “Movie Star” in particular combines UK drum & bass inspirations with pop belting and a little saxophone thrown in for good measure.
The music video also acts as a companion art piece to the song. In the video, Sohil sings each line in a different part of the city and truly captures what it feels like to be in New York.
Rock and roll group Hairball is getting ready to take the New York State Fair Suburban Park Stage alongside 20 other acts. Performing on the fair’s final day, the six-member band hits Syracuse on Sept. 4, 2023, at 1:00 pm.
Highlighted by vocalists Kris Vox, Dave Moody, and Drew Hart, and the additional help of HBK, Billy, and Happy on instrumentals, the group will cover hits from Van Halen, KISS, Motley Crue, Queen, Journey, Aerosmith, and more.
Interim Fair Director Sean Hennessey anticipates Hairball’s performance to be one of the best of the Summer, stating that they aren’t your ordinary 80’s rock band and are ready to deliver “20 concerts in one.”
These guys bring it and they play every show as if it’s their last. While they’re known for recreating iconic songs and moments in Rock history, they’re also constantly innovating and evolving, introducing their own style and flair.
– Sean Hennessey
Celebrating their 23rd year as a group, Hairball guarantees to bring the energy, props, and flair for a one-of-a-kind experience at the New York State Fair, unlike any performer from past years.
The band rounds out Labor Day weekend and the end of the New York State Fair in a Sept. 4 lineup that also includes Foghat and Skid Row, with Foghat at 4:00 pm on the Chevy Court and Skid Row following Hairball’s show at 6:00 pm on the Suburban Park Stage.
Additionally, over the 13-day fair, 20 other acts will hit the Suburban Park Stage ranging from hip-hop to country to Hairball’s rock and roll showcase. The full lineup for the New York State Fair is available now.
Suburban Park Stage Lineup & Ticket Information
All performances are free and are a part of the admission ticket price. Fair admission tickets are on sale now at NYSFair.NY.Gov and are $6 for adults. Those 12 years old and younger, and 65 years old and older, get in for free.
The anthemic rock musical trio Today’s Outfit has dropped a brand new single titled “Best Seats in the House” with a five-minute long music video to accompany the release. The band will be rocking their nostalgic sound on Saturday, August 12th at Garcia’s at The Capitol Theatre in Port Chester!
Since debuting two years ago at the Toonerville festival, the pandemic-formed band has opened for hard rock legends Living Colour, released an inaugural EP, and has built up an impressive reputation by frequently performing in New York City and throughout the greater New York region. The band is comprised of bassist Mark Garufi, drummer Grant Zacharias, and lead singer and keyboardist Andrew Wood, whose previously active band Bridges and Powerlines experienced runs on the CMJ top 200 radio charts.
Although the band’s name may lead audiences to believe Today’s Outfit is all about using music to express ideas and sounds of the modern day, their inspiration and melodies work to contradict that. With their ’80s New Wave influenced keyboard instrumentals along with a ten-string bass bringing back the ’70s classic rock era, Today’s Outfit proves to be a trio that accepts how the past influences the present.
Their new single, “Best Seats in the House,” comes from the band’s unreleased first full-length record titled It’s AlgoRhythmic!, set to be released this fall. The song itself has energetic vocals and instrumentals that transport listeners to the time of The Outfield and classics such as “Your Love” while the lyrics tell a familiar story about our ever-shrinking attention spans and the switch-cost effect. Although the video that accompanies the single is more or less underwhelming, showing the band play their music with various scenes at a theater, the impressive melodies including a rocking Moog solo along with the mix of past and present influences screams that Today’s Outfit deserves attention and their single is worth another listen.
To be able to see them perform their new single live, get your tickets now for their upcoming show this Saturday, here. The doors of Garcia’s open at 7:00 PM and the toe tapping and head banging will begin at 8:00 PM!
Buffalo artist Stress Dolls released a new single, “Body,” preceding a performance at Funk ‘N Waffles in Syracuse.
Stress Dolls is the moniker of Chelsea O’Donnell, an alt/pop/rock artist from Buffalo. Originally the name of a band, O’Donnell adopted the Stress Dolls title for herself and decided to move to Nashville after the group split up in 2017.
However, chronic health issues led to O’Donnell’s hospitalization less than a year later. After undergoing a feeding tube procedure, O’Donnell moved back to Buffalo, and after a period of recovery, began writing, performing, and recording again. Largely due to the tentative nature of her health, O’Donnell established Stress Dolls as a solo act in order to decrease stress and go at her own pace.
During this time, O’Donnell wrote “Body.” The song is a reflection of O’Donnell’s complicated relationship with her body in the face of ongoing health concerns, including Crohn’s disease and gastroparesis.
“I’m working on not pitting blame, or shame, on my body anymore, and through that practice I’ve realized that, really, the body is amazing.” O’Donnell said. “Mine withstood all of that anger, angst, stress, and physical anguish, and with some help, it found ways to heal. I’m learning to be a friend to my body instead of an opponent, and that’s making all the difference.”
The Planes, a New York City indie rock band, has released their summer single “Thrift Store,” which is a part of the larger album Dark Matter Recycling Co. The new album will release on Sept. 15.
The Planes were originally founded in 2010 by Stephen Otto Perry and are known for their deft songwriting and loud performances. Alongside Perry, who plays guitar and writes the songs, are drummer Don Lavis and bassist Jackie Perrone.
“Thrift Store” is a loud, triumphant piece, the guitars, and drums layered above the vocals. The vocals provide a smooth undercurrent, maintaining a low volume throughout. This is contrasted by the instrumentals, which occasionally dive up and down in volume.
The song flows into itself, with not many clear breaks between chorus and verse. There are sometimes absences in either instrumentals or vocals, which helps mix up the track.
The full-length album, Dark Matter Recycling Co. will release on Sept. 15 through Totally Real Records in the United States and Safe Suburban Home Records in the United Kingdom.