Category: Album Reviews

Hearing Aide: Smoke DZA Drops “Smoke Sessions v2”

Smoke DZA serves the rap game as a mainstay & staple type New York artist. Certain lyricists put forth so much groundwork that they are cemented throughout underground for generations. Roc Marciano and Curren$y come to mind when conceiving the kingship achieved by lowkey legends. There is something special about artists like Your Old Droog that just continue to sharpen and fine tune their penmanship. Furthermore, we set out to place real hip-hop lyricists on your radar for as far our reach yields.

In Mid-May, Smoke DZA dropped Worldwide Smoke Sessions Volume 2 presented by The Smoker’s Club an NYC based lifestyle brand founded by Jonny Shipes, Smoke DZA and Shiest Bubz.

It’s just something about second versions of mixtapes that allow the artist to carefully construct and improve upon the first edition. Hear me out – on this tape – there’s a track reminiscent of Mos Def “Travellin’ Man.” Is it a stretch to consider those two within the same breath? Even if that rings true, real audioheads may hear the resemblances.

Pinpointing

Consequently, a real journalist carries the audacity to auspiciously sense when songs might utilize similar types of flows/cadences. Thus, it just so happens that DZA cleverly pieced together a very smooth collection of songs. The first Worldwide Smoke Sessions dropped in 2019. Since, DZA’s vision continues to clairvoyantly depict relatable scenes and scenarios. Entering into this listening experience in an open-minded manner served the ultimate purpose for v2.

More times than not – if a mixtape passes the “car test” it proves authentic. Sound engineers like Mike Dean recommend playing the mastered product in the car to formulate final decisions. Eventually, the car test combined with a stereo sound bar and a speaker boombox hit for the trifecta when it comes to immersing within an album. Regardless, this DZA tape creates such a genuine vibe that we were taken aback by its phenomenal nature.

Growing Roots

Some projects take longer than others to develop wings and truly begin to move someone. For instance, “Nacksaw Jim Duggan” – a Griselda Records Estee Nack Debut – took several listens to grow roots. It’s clear to understand that greatness comes over time by trying your hand over and over again, or in this case, training your ear to absorb the album within different environments.

Smoke DZA laid the foundation very precisely throughout his endeavors as a New York artist. Without a doubt, his name holds weight within musical circles associated with meditative properties. Hence, listening to Worldwide Smoke Sessions Volume 2 by Smoke DZA creates a multilayered onset effect for the listener. This mixtape comes complete with boatloads of relaxation, variety and tunes good for cruising along.

Key Tracks: House of Blues, Kobe, Back 2 the Crib

June 2, 2023
Hearing Aide: The Dare “The Sex EP”

The Dare, a solo project by singer-songwriter Harrison Patrick Smith, released its first Extended Play (EP), The Sex EP on May 19. The EP features four songs, with a generally vulgar and sexual theme. Many of the pieces incorporate elements of electronic, rock, and punk.

The Dare’s singer, songwriter, and producer Harrison Patrick Smith. Credit: Ben Taylor

Emerging from New York City, The Dare released the EP with Republic Records. The four songs increase in length as the EP goes, ranging from about two minutes to about four minutes. Following the release of The Sex EP, Smith will make his headline debuts, with four of the shows already sold out.

I just wanted to write something funny and true about my relationship to sex. It’s also the most time honored and classic theme of rock and roll, so I had to do it. The other, less horny songs are coming later.
The Dare

The first song, “Girls,” is an upbeat opening, introducing several elements that are continued throughout the EP. A chorus makes its appearance, sometimes echoing, a signature style in the EP. The electric instrumentals give it an almost dubstep feel, though that varies from piece to piece.

“Sex,” which follows “Girls” is heavier on the echoing chorus, and is notable in the change in Smith’s vocals. While in the previous piece Smith was more upbeat, in “Sex” he has more of a murmur. A loud buzzing sound is introduced with a bit less than a minute remaining. This helps carry “Sex” into the next song, “Good Time,” which uses a similar sound.

In “Good Time,” the chorus is not as prominent, opposite of the change to come in “Bloodwork.” The vocals switch between the more upbeat tone of “Girls” and the murmur of “Sex,” setting this one up as a conclusion to that section of the EP.

“Bloodwork” is the final song, and it is very different from the previous three. It has a long opening, about a minute in length, that slowly builds tension in a way that feels straight out of a horror movie. The main vocals take a backseat, only featuring an echoing chorus that says either “blood” or “work.”

The Sex EP is available on various music streaming services, including Apple Music, Spotify, and Amazon Music.

Four of The Dare’s debut shows in New York City and Los Angeles have sold out, with the next shows at the following locations:

Aug. 4-6 – FWB Fest – Idyllwild, CA

Sept. 30 – Portola – San Francisco, CA

May 30, 2023
Rory Farrell from ‘New Rory & Mal’ Podcast Releases Debut Project ‘I Thought It’d Be Different’

Popular Podcaster Rory Farrell has joined the ranks of the creatives with the release of his debut project, I Thought It’d Be Different. Known for his stint as one of the dynamic trio that helped propel The Joe Budden Podcast and as one half of Rory & Mal, this latest venture allows fans a glimpse into Rory’s full potential. Likewise, throughout his stint as a podcast personality Rory has been hailed for his music taste and offers intimate knowledge of the business side having worked at SONY.

Aptly titled, I Thought It’d Be Different, the album tittle reflects the last few years in the newly-minted producers life and career. Nevertheless, this curation demonstrates the potential that Rory’s music taste has teased for years. However, the list of accomplished artists and the quality of songs made for a pleasant surprise. Notably, Rory was able to land features from Jay Electronica, James Fauntleroy, GoldLinK, DRAM, Ari Lennox and Conway the Machine, producing an impressively cohesive album. Labeled as an R&B album, Rory does an effective job of inserting emphatic rap verses, adding a bit of oomph to the soul leaning project.

Consequently, Rory Farrell’s Magnum Opus sees him enter a new chapter in the public eye. For so long the former music exec has seen his public association tied to his once-friend, Joe Budden. However, this 13-track, impassioned project alters his perception and allows him to publicly stand on his own two-feet. After all, fans have watched the mostly calm and collected podcaster go through emotional ebb-and-flows throughout the years. From the deteriorating friendship with Joe Budden, to broken nuptials, and the announcement of a firstborn child during the album rollout, Rory’s oft-mythicized album offers a chance to experience Rory’s rollercoaster last few years through a musical hue.

May 29, 2023
Won’t He Do It: Conway Bares All in Drumwork Debut

For those unaware of the Machine – Conway defied the odds. Merely a man, he proves his machine-like mechanisms on every track with grimey lyrics, references and punchlines. After overcoming gunshot wounds to his head and neck that left the right side of his face paralyzed – he became arguably the most prolific illustrator of our generation. This is Griselda Records.

Griselda Records x Fashion Rebels (GxFR) really started to catapult the competition when they turned adversity into prosperity. Once Westside Gunn put out his first tape, Flyest in Charge – he proved that he meant business. The beautiful part about it is Westside Gunn only started rapping to propel his blood brother Conway the Machine – who was incapacitated at the time.

Conway the Machine and Westside Gunn derive their names from their fallen Buffalo soldier – Machine Gunn Black. The rate at which this collective puts out projects is a direct indicator as to why they are successful. Conway’s latest release, Won’t He Do It symbolizes a turning of the guild. This is his first release under his independent label – Drumwork Music Group. Now does this mean there is a riff between Griselda members? Absolutely not. Westside Gunn conducts business so masterfully that the original trio – WSG, Conway and Benny the Butcher now own and operate their own record labels.

Best New York Rap Reigns from Buffalo

Won’t He Do It contains a great balance of songs for old and new fans. Altogether, there are contemplative, hyphy, reflective and bouncy types of songs. Also, it has been rumored that this collection of songs is only Side A.

Upon making this album, Conway the Machine flew to Denver and recorded from 12 to 12 every day. Within the throws of his creative process, he compiled six albums worth of material. Recording music is like photography in the sense that you create hundreds of pieces of content only to choose the very best few to present to the public.

Furthermore, it feels like there is purposely less depth within the subject matter of this album. For Griselda artists – this is warranted because they consistently tap deep within the psyche of their audience with mind-altering compositions. It is nice to have a balance of pump-up tunes, classic tracks and songs dedicated to legends like Jay-Z and Kanye.

“Everything about his delivery makes me wanna keep paying attention.”
Quarters [Quote @2:36]

The particular line above resonated with me because it emphasizes the importance of fine-tuning all moving parts to sustain a profitable and well-oiled machine. Creating something is only 20% of the battle.

Man v. Machine

Nonetheless, hip-hop connoisseurs often refer to a track that shares the same title as the album as a, “Title Track.” The title track on this tape* truly bares all. It sets the tone for the types of blended wavelengths found throughout this entire album. Therefore, this track symbolizes the album as a whole because it displays vulnerability.

Lastly, this album cements a groundbreaking first step in the solidification of Drumwork Music Group. Not only that, but it is the first time Conway has felt comfortable enough to display his face on the album cover. Couple that with wonderful production, top tier rollout/promotion and an absolute banger of a verse from Sauce Walka and you got yourself a downright enjoyable listening experience.

Key Tracks: Super Bowl, Monogram, Kanye

May 26, 2023
Brooklyn duo Robinson & Rohe set to perform in NYC as new album “Into the Night” releases
Brooklyn might not be the place where you’d imagine the next great American folk band to come from, but Liam Robinson and Jean Rohe are looking to change that. The duo has been channeling the sounds of Appalachia and the soul of America since they met over 15 years ago. After exploring their musicality as individuals, Robinson and Rohe drop their next album Into the Night on Friday, May 26th.

In a musical landscape that is often ripe with generic lyrics and songs made to “trend” on social media, Into the Night is a breath of fresh air. Punctuated by rhythmic guitar strums, bright banjo beats, passionate vocals, and simple but powerful drums, Into the Night does enough to stay engaging without straying too far away from its traditional influences.

Although the project is undeniably folk-inspired, elements of rock, bluegrass, jazz, and even pop are found throughout the 11-song album. The real standout element of Into the Night however is Robinson & Rohe’s writing and lyricism, which often comes across more like well-crafted lines of poetry than the lyrics of a song.

The album begins with the feel-good title track “Into the Night” which acts as the perfect introduction to the overall tone and atmosphere of the project. Robinson & Rohe put together one of their best and most harmonious vocal performances of the entire album. The pair’s soulful singing gives way to the steady beat of drums and the intricate sounds of a fiddle as the track reaches its climax. The first half of the album also features the songs “Off track” and “Where I’m Coming From”, which both help to demonstrate the project’s strong instrumentation and production.

Another gem is “One Last Waltz”, which invites the listener to reflect on time, love, and the brevity of life. Its poetic lyrics and powerful cascade of horns, drums, and guitars act as a comforting “goodbye” as the album nears its end. While Into the Night doesn’t reinvent the wheel when it comes to contemporary folk music, Robinson & Rohe display their songwriting and arrangement skills on just about every track. Together, the duo crafts a project that is not only impressive in its musical value, but also approachable for anyone looking to hear something shaped by the heart.

Robinson & Roe will celebrate Into the Night in New York City at Rockwood Music Hall on June 4th. The full list of upcoming performances can be found below:
- May 31, 2023- Parlor Room/Northampton, MA
- June 1, 2023- Passim/Boston, MA
- June 2, 2023- The Word Barn/Exeter, NH
- June 4, 2023- Rockwood Music Hall/New York, NY
May 25, 2023
Hearing Aide: Rob Beaulieu Band “Fade Just Right”

Rob Beaulieu Band’s new album Fade Just Right features nine songs by the band, each one with a unique sound that compliments the overall feel of the album. Different members of the band get their opportunity to shine throughout the pieces, coming together into the album’s many harmonies.

Rob Beaulieu founded Rob Beaulieu Band, a deeper dive into Americana when compared to other projects, mixing in blues and soul alongside it. He is also a founder and member of the bands Raisinhead and Stone Revival Band. Beaulieu plays guitar and provides vocals for the band, with other members including: James Kirk (bass and vocals), Chad Ploss (drums and vocals), Dave Spadaro (Guitar), Sherry Jean Waite (Vocals), and Tony Perrino (Organ).

The album opens with “Ghosts,” which sets the standard for the rest of the album. About the dedication of lovers throughout their lives, even when they have been separated, “Ghosts” has Rob Beaulieu Band’s signature harmonies and organ acting as a haunting undercurrent for the piece.

Each song brings in a new element to mix up things a little bit. The titular song “Fade Just Right” has a much slower piece than most of the album, and uses a xylophone-like sound in one of its motif’s, a sound unique to the piece. In songs such as “Searchin for Paradise” and “Light from the Shoreline,” Sherry Jean Waite takes the role of lead vocalist, a performance that shines through in the album.

While the songs all have different stories to tell, “Ghosts” and “Spooky” have a haunting theme. “Spooky” in particular latches onto this, with a slower pace and emphasis on a long, mournful note that echoes throughout the piece. The song creates its own phantoms with these notes, the ghosts of “Spooky” occasionally joining in with the harmony through these “phantom calls.”

The final song, “Sweet Marie” is an energetic conclusion to the album, ending it on a high note. The song’s love letter-like nature is enhanced by its clean rhymes, making it sound almost like a love poem. All the instruments in this piece are tuned for the upbeat finale and are given space to play without the vocalists.

The band will be playing at The Hollow in Albany on June 23 at 8:00 p.m. alongside Aiko the Dog. For more information and to RSVP for their next show, check out Rob Beaulieu Band’s website.

The album, Fade Just Right, can be found on Spotify and on Apple Music.

May 24, 2023
Lloyd Banks’ Natural Progression: The Course of The Inevitable 3, A Review

Much like the regional differences between rappers from differring coasts, New York MC’s are often the representation of a larger community’s ethos. For instance, Cam’ron‘s slick-talking, flamboyance embodied Harlem, Jay-Z‘s sharp, hustler mentality derived from Brooklyn, while Nas’ profound, thought-out and laissez-faire style is a Queens thing. In that regard Lloyd Banks is a lot like Nas. The veteran rapper has taken the long-winding road to artistic nirvana and his latest project, The Course of the Inevitable 3: Pieces of My Pain, sees the Queens native at his songwriting best, while capturing the essence of New York City’s underbelly.

Widely recognized as the punchline king, Banks’ cultural relevance within hip hop often relied on his hard-hitting punches. However, the platinum-selling rapper has re-emerged and reinvented himself through his COTI series, showcasing never before seen vulnerability and earnestness. Through a hue of sinister, 90’s inspired boom-bap production, Banks plays the role of philosopher and commentator. After all, the rap game has changed drastically since Banks released his platinum-selling debut, The Hunger for More.

Invariably talented, the knock on Lloyd Banks has been his indifference to the promotional aspects of a rap career. While that apathy played a part in Banks not releasing a studio album for over a decade, the boom bap sound’s re-emergence in niche form was the perfect opportunity to return to the scene and Banks struck while the iron was hot. “I was like, ‘Yo, it’s time for me to attack now.’ he reveals. “The boom bap wave was kind of reemerging. I was like, “Yo, it’s no better time than now.” “Let me get my feet wet.”

Album’s Best

With a New York-centric supporting cast, the 16-track, 54-minute project was curated to capture New York City’s hardened nature. Hence, Banks alternates between first person tales and analysis of the state of the culture. Furthermore, the PLK’s more descriptive form of songwriting led to a few vulnerable album cuts. Records like “Voices,” “Pieces Of My Pain,” “Daddy’s Little Girl” and “Deceitful Intentions” provide insight into Banks’ mental state. Meanwhile, songs like “Automatic Pilot,” “101 Razors,” “Money Machine” and “LSD” sees the veteran rapper provide commentary on the current state of street ethics, making numerous mention to the current trend of recording one’s death and disrespecting the dead that has been brought about by drill culture. Moreover, Banks’ improved beat selection and swift, hard-hitting rhymes make for a incredible coherent project with plenty of replay value.

My album’s flawless for your rap genius to scrutinize
They told me sharks was in that water, watch me scuba dive
– Lloyd Banks, “Money Machine”

Album’s Worst

If there can be a knock on this project, it would be the redundancy in Lloyd Banks’ voice. While the songs vary enough in beats, flows and rhyme patterns, Banks’ grizzled, monotone voice remains a constant. Established fans should have no issue with this, while first-time listeners may be thrown off by the lack of variance in Banks’ pitch. Correspondingly, Banks featured a host of New York rappers throughout the album, making it a very east-coast friendly project. Moreover, Vado and Dave East hold their own in supporting roles, while Method Man delivers one of the album’s best verses on “101 Razors.” However, it was lackluster features from former G-Unit cohort Tony Yayo and Rochester native, 38 Speech, that left more to be desired. The duo share the stage on the album’s 10th track, “Red Alert.” While 38 Spesh came with potent rhymes, the lack of chemistry between the two was apparent. Meanwhile, Tony Yayo’s verse began decently enough, but quickly tales off as his flow did not mesh with the beat.

May 15, 2023
Conway The Machine Releases Won’t He Do It and Celebrates at Ludlow House

Conway The Machine just released his new full album Won’t He Do It? The album was released via Drumwork Music Group and EMPIRE.

Features on this project include Westside Gunn, Benny The Butcher, Juicy J, Fabolous, 7xvthegenius, Dave East, Sauce Walka and Jae Skeese. Production includes acclaimed hip-hop producers Daringer, Justice League, Juicy J, and Khyrysis. The production on Won’t He Do It is top-level, with standout tracks like “Super Bowl” and “The Chosen” featuring guest appearances from Sauce Walka and Jae Skeese respectively.

Throughout the album, Conway The Machine showcases his impeccable wordplay and storytelling ability. On “Brucifix” featuring Westside Gunn, Conway spits gritty bars over a hard-hitting beat, while Gunn delivers a standout verse that perfectly complements Conway’s style.

One of the standout tracks on the album is Brooklyn Chop House featuring Fabolous and fellow Griselda member Benny The Butcher. The two rappers trade bars over a haunting instrumental, with Conway showcasing his storytelling abilities as he weaves a tale of drug dealing and violence. Overall, Wont He Do It is a powerful, introspective project that showcases Conway the Machine’s talent as a rapper and storyteller.

To celebrate the album’s release, Conway held a record release party at Ludlow House in New York City. Guests in attendance included Westside Gunn, Armani Caesar, Nems, Statik Selektah, and 38 Spesh, among others. The event was a celebration of Conway’s success and a testament to the impact he’s had on the rap game.

There is also an upcoming tour to support the new album. There will be a show at Brooklyn Steel on June 24th. All of the other tour dates can be found here.

May 9, 2023
Hearing Aide: Evil Sweet’s Pop-Rock EP “Queen Victoria”

New York-based alternative indie band Evil Sweet has just debuted their newest EP Queen Victoria, on April 28^th. According to the band, the album evokes a different she of love at various stages in a relationship.

Evil Sweet is an up-and-coming pop-rock band based in Long Island founded by members Scotty O’Brien-Curcie and Zachary Castro. Thus, having achieved over 100K streams on the singles for the EP and playing legendary venues like The Bowery Electric. Their energy is familiar to indie artists like The Neighborhood, Tame Impala and Arctic Monkeys.

Zach is the guitarist and rapper for the group with Scotty on lead vocals, both having heavy roles in the songwriting. Evil Sweet blends multiple genres like rock, pop, blues, folk, and hip-hop. The two have been creating music together since their early high school years.

When listening to the album, keep in mind that each song is supposed to represent a different stage of love in a relationship. Queen Victoria is a unique album for Evil Sweet to release, it has sweet and delicate songs like “Long Live The Queen,” where the lyrics are quite meaningful. Almost very similar to Panic! At The Dico’s 2008 release Pretty Odd.

The intro song “Something” also hits differently, having sounded straight out of an 80’s soundboard, flowy and bubbly. Songs like “Queen Victoria” and “Out of Nowhere” are energetic and high-strung, the vocalist reminiscent of The Kooks. “How To Love You” was a favorite on the album, having meaningful lyrics and an upbeat tempo.

The band has also had an amazing start to 2023 with the two singles “Something” and “Out of Nowhere” achieving over 100,000 streams on Spotify being interviewed by underground indie-blog “Girl at the Rock Shows.” Evil Sweet prepare for the release of their debut EP Queen Victoria on April 28^th.

To pre-save Queen Victoria, click the link here.

For more music by Evil Sweet, click the link here.

April 28, 2023
In Focus: Morgan Heritage Brings Us Back To “The Homeland”

On Tuesday, the world-renowned reggae group, Morgan Heritage, performed their upcoming album, The Homeland, for a group of fans and friends at the illustrious Platinum Sound Studios. The event was an electrifying preview of the highly anticipated album, which is set to be released on April 21.

The Homeland is a masterpiece that blends Afrobeats, Amapiano, and Reggae, creating a project that aims to be a bridge from Jamaica to Africa. As the title suggests, the album references Africa as the ancestral home of reggae music. The project is meant to bring together different cultures and sounds in a way that promotes unity and inclusivity.

The Homeland features collaborations with some of the most prominent West African artists, such as Shatta Wale, and Jamaica’s own Popcaan. This collaboration of different sounds and cultures is a testament to Morgan Heritage’s creativity and their commitment to expanding the reach of reggae music beyond its traditional roots.

Sonically, the group is in rare form on this project, as they seamlessly blend East African instrumentation with beautiful horns and flutes. This creates a unique sound that is both fresh and appealing to younger audiences while still honoring the roots of reggae music. The group’s ability to blend different musical styles in such a cohesive manner is a testament to their versatility as musicians.

Morgan Heritage’s performance at Platinum Sound Studios was a remarkable display of their musical prowess. The group delivered an energetic and captivating performance, leaving the audience in awe of their talent.

The Homeland is a project that is sure to be a hit among reggae fans worldwide. The album’s release on April 21 is highly anticipated, and fans are eagerly waiting to hear the full album. Morgan Heritage’s ability to bridge different cultures and sounds in a way that promotes unity and inclusivity is a message that is sorely needed in today’s world.

The Homeland is a beautiful fusion of different musical styles and cultures, making it a testament to Morgan Heritage’s dedication to pushing the boundaries of reggae music. The album is a must-listen for anyone who loves music and wants to experience the power of unity through music. The release of The Homeland on April 21 is a date that should be marked on every music lover’s calendar.

April 5, 2023