Category: Venue Profile

  • Now is the Time: The Eleven brings a new Vibe to Lark Street

    On the corner of Lark and Hudson, one building hosts a great deal of women’s history that continues to be written to this day. 

    lark hall
    photo via Historic Albany Foundation

    Built over 100 years ago, this building served as the location for the 48th Annual Suffrage Convention, as a chapter house for the Daughters of the Eastern Star (the female equivalent to Free Masons), as well as hosting USO events, dances, and a then serving as the eba Center for Dance & Fitness from 1977 until 2017.

    Lark Hall, opened in 2021, continues this tradition of music and the arts at Lark and Hudson still being written 11 decades later, with the opening of a coffee house/bar/taproom, The Eleven.

    the eleven lark hall

    Owner and manager of The Eleven, Jenn Miller, looks at The Eleven as bringing the building vision to full capacity, replacing Lark Street Yoga and Lark Street Mercantile in the downstairs of the building. Connecting to Lark Hall upstairs makes this an ideal pre-show stop, unique among all the choices Lark Street has to offer.

    With a staff of four full time employees and another 20 part time between Lark Hall and The Eleven – including Chef Dale Hajdasz and General Manager Neil Benjamin, Jr. – Miller’s experience in the restaurant industry during college as well as many years within the live music scene puts a hospitality driven focus towards the guests, artists and staff. Whether it be the restaurant industry or music industry, knowing how to treat people so they want to come back, and bring their friends, is at the forefront of her business ethos. 

    photo by Zak Radick

    Now is the time of returning

    Miller attended college at Eastern Connecticut State University, and would meet her husband, Justin, in Saratoga Springs. The pair married in 2002, having three kids and relocating to Rochester where she earned a Masters in Counseling, then moving back to Albany with their family. Working as a guidance counselor in Rochester, Schenectady and Albany City Schools, after 15 years she looked to move out of education and into something new.

    photo by Zak Radick

    The Millers are true live music aficionados who have traveled the country and beyond seeing the best of live music and music festivals, as well as their favorites: My Morning Jacket and Phish. When they would return back to Albany, they lamented the music scene not having certain bands and shows, let alone a venue that club/bar bands can graduate from. At first, they joked about the idea of opening a music venue, and soon it became a goal, and then a serious venture.

    Since purchasing the building in 2018, the Millers have invested more than $1 million into the space to increase accessibility to Lark Hall, and also received a grant from the City of Albany for further work. Now with two businesses both opened in the past two years, the vision has come full circle, with a dedicated bar/restaurant downstairs and music venue upstairs. 

    photo by Zak Radick

    Now is the time past believing

    The Eleven came to be about a year ago when they sought to utilize the vacated Lark Mercantile space downstairs. With a tenant gone and a grant for small business renovation from the City of Albany, they began work on refurbishing the downstairs into a waffle/charcuterie/taproom, something different and not found elsewhere on Lark. Add in a coffee bar, pastries and desserts, it took about a year for the vision to come full circle and be complete, with a grand opening coming on Saturday, November 11, featuring the music of Holly Bowling.

    photo by Zak Radick

    Dining on small plates of local, French or Italian meats and cheeses, waffles, and Grateful Dead themed sandwiches – “Reuben and Cherise” a fresh take on a classic reuben – the menu is not overwhelming and invites you back to try more of these samplings, carefully curated by Chef Dale. A selection of 12 beers – that’s Eleven, plus (the other) one – from around the Northeast pair well with all culinary offerings, was accompanied the evening of November 3 with a crackling fireplace on the widescreen TV, along with an acoustic set of covers from Jeff Becker. 

    A décor of Grateful Dead posters, Stealies, Garcia handprints, and classic show posters from upstairs at Lark Hall around the soffit, the Grateful Dead roots abounding through the modern setting in the perfect neighborhood in Albany for it. Chuck Berry, who played Lark Hall in the 1950s, would smile seeing how far rock ‘n roll has progressed, inspiring the genesis of Lark Hall and The Eleven.

    photo by Zak Radick

    Thought Jewels Polished and Gleaming

    Bringing Lark Hall and The Eleven to where they are now has not been easy, as Miller recognizes and recounts the struggles she has experienced as a woman in the music industry. Miller faced an oft male dominated music industry upon the purchase of the building, which led to more skepticism and in-group favoritism against Miller as she navigated getting bands to play at Lark Hall, in the process bringing Albany a needed mid-size venue (current capacity is ~325). Despite opportunities, Miller found a scene less than responsive at first, yet persevered and has proven skeptics wrong, and does so a second time with the addition of The Eleven.

    photo by Zak Radick

    Working with Dan Smalls and Ed Maier – two promoters covering a great deal of Upstate New York and the Northeast – as mentors to Miller, offering guidance on booking shows and bringing in a variety of acts to Lark Hall. Miller sees the bigger picture of what is possible in the area as a result of this mentorship.

    “With the growing scene in Albany, what should be happening is everyone in the local industry – tourism, businesses and promoters – working together to grow the scene for all benefit.”

    Jenn Miller

    The result is a calendar with a wider variety of shows than any other venue in the Capital Region. This summer, Lark Hall featured a month long residency of musical RENT, and in the past year welcomed Daniel Donato, The Motet, Ghost Light, Circles Around the Sun, The Seapods, LaMP, Karina Rykman, Yo La Tengo, Midnights: A Taylor Swift Dance Party, among dozens of others.

    photo by Zak Radick

    With a background of a guidance counselor as well as a business owner, I asked Miller what resources she would suggest for ambitious female entrepreneurs who are looking to open their own business or venture. Research through experience, as well as patience, are the keys to Miller, starting with making sure to find your spot in the scene. Beyond that, it is most important to learn the backend tasks that no one sees, as she sees that knowledge and experience to be where everything comes together. Indeed, getting involved and off the periphery is the best start, but diving in and finding a niche can bring greater curiosity and reward.

    photo by Zak Radick

    Were Miller able to give advice to her younger self, she shares a nod to the Grateful Dead, “Without love in a dream it will never come true.”

    the eleven lark

    Albany’s Lark Street – the “Village in the City” – gains a feather in its cap with the City Winery vibe found at The Eleven, and along with Lark Hall upstairs, this double threat venue on Lark Street brings new life to an old building and neighborhood. Tickets for Holly Bowling at Lark Hall on November 11 can be found here.

  • Last Chance to Dance in Poughkeepsie: Wicked Garden, Faceless and Halen Rock Out at The Chance

    It was now or never. I had not seen a show at The Chance, despite seeing shows in all parts of New York State, and somehow never made it a point to get there for a show. With the recent sale of the building and renovations slated to begin, The Chance’s final slate of shows in September and October meant that years of putting off traveling south to Poughkeepsie for a show had finally crept up to me, so a jaunt down I-87 was in order on a Saturday night, October 7, to see what this historic Hudson Valley venue held within its walls.

    With a dive bar aura, cracking ceiling paint and a general ambiance best described as faded glory, The Chance feels like a time-forgotten Cohoes Music Hall, where a dedicated effort could put a shine across the venue and bring back patrons by the hundreds. Cohoes Music Hall, on the other hand, has the support of the city of Cohoes, a variety of acts and shows, active renovation efforts (in a building that is more than 30 years older than The Chance) and history on display from lobby to pit and all points in between. But the charm of The Chance, a 110 year old building that was originally designed for vaudeville, was present and the denseness of the room was palpable, with a light crowd spreading out on the lower level throughout the night.

    the chance
    One of the (likely) original sculptures in The Chance, overlooking the bar at Stage Left.

    The Chance feels as if the history has been tucked away, with just a few stained glass windows, a painting or two, and a pair of sarcophagi flanking the stage off to the upper left and right. With the show tonight not sold out, the upstairs was not accessible, although I’m not sure what more could be seen from up above. The view from below did not leave a ton to the imagination – seating upstairs and room for folks to pack in downstairs amounts to a capacity of 900, but with only 200 or so patrons this evening, just the downstairs was rocking.

    the chance wicked garden
    A view from the pit

    On tap for this evening were a trio of tribute bands – Halen (Van Halen, obv.), Wicked Garden (Stone Temple Pilots, immediately piquing my interest) and Faceless (Godsmack). While I’ll always seek out original music before covers, tribute acts for three hard rocking bands from the last 40 years wasn’t a hard sell.

    Growing on up in the 80s with equal parts Van Halen and Van Hagar on the radio, catching Halen – hailin’ from Connecticut – would be a rare chance to hear a non-jamband cover “Running with the Devil” and “Hot for Teacher.” And that was all we would catch from Halen this evening, arriving just past 8pm as they wound down their short opening set. Doors at 7pm and music starting on time at 730pm? Never would have expected that, but I would still seek out Halen again, with hope for some deep cuts next time, as well as the hits.

    The stage curtain at The Chance Theatre

    Having been a Stone Temple Pilots fan since Core, I was ready for a full barrage of STP classics, and Wicked Garden did not disappoint. In a scene where cover bands are plentiful, tribute acts like Wicked Garden stand out for their attention to musical detail and the ability to dive into a catalog with more than just a cursory look at the hits. The fans want those hits no doubt, but the deeper cuts, the tracks that slipped in between the radio play singles on the album, or buried on Side B, those are the money tunes to cash in on as a tribute band.

    Matty Ayerz, the frontman (Scott Weiland) of Wicked Garden, had Weiland’s vocals down, his stage presence and microphone/bullhorn volume just perfect, as well as Weiland’s late career look – button down shirt, tie, jacket, with military-style cap – but saved the crowd from going full-Weiland and taking off his shirt. This evening Ayerz was dialed in, as were his bandmates, and while the bassist and guitarist were not brothers, this tribute band was otherwise as close to what you’d hope to get from an STP show, were Weiland still alive and on good terms with the DeLeo brothers.

    Highlights of the set included the expected “Wicked Garden,” a refreshing revisit to “Interstate Love Song,” a tune whose excessive radio play in 1994 none could escape from, and “Lady Picture Show” – a tune I hadn’t heard in a decade or more, which settled in a little different this evening, with the vaudeville era theater giving off a glow, as if the song harkened back to the era of silent films of a century ago.

    While the setlist below gives you an idea of what the band performs on stage, the actual setlist was a little more varied, slowly working through the band’s numerous hits, and ending with “Creep,” “Sex Type Thing,” “Plush” and “Dead and Bloated.” Looks, sound, energy and presence – Wicked Garden had it all this evening, and no doubt will be in the Hudson Valley again soon.

    Faceless: a tribute to Godsmack, would be the final act of the evening, drawing in many fans to the previously vacant pit, prepared to rock out to the sound and live energy that Godsmack is known for.

    Veteran musicians Tony, Chad, Rich and Bret crafted a phenomenal set, taking time to pay heed to the venue, recalling the memories made in the venue, bringing up Tommy Terezis (Soundquake, Body Level, Hallow Time, Them) to say kind words for the late Frank Pallet, who booked Terezis, Faceless, and hundreds of other bands in his tenure as owner of The Chance. Kudos were paid to Frank for his years of looking out for bands and booking them, giving them a shot in this intimate room.

    With more playback than Wicked Garden, the build up into each Godsmack song took some time, as the band prepped for each tune, the vocals as spot on as you’d expect – close your eyes and you’re hearing Sully Erna – notably on “Voodoo” and “I Stand Alone.”

    With only 10 total events (including School of Rock and karaoke, as well as a variety of bands), Hatebreed will be the final artist to perform on The Chance stage, for now. Catch them on Sunday, October 29, with doors opening at 4pm. More info can be found here.

  • Tubby’s Caps Off Summer Of Music With An Anniversary Celebration

    Part neighborhood bar and part underground music venue, Tubby’s has established itself as a must-stop destination for music lovers across New York. Located in Kingston, the bar has become a premier venue in the Hudson Valley

    Tubby’s has earned a reputation for highlighting both underground and well-known artists just about every night. Positioned roughly 100 miles North of NYC, the venue has developed into the perfect haven for acts leaving or entering the city. Past performers include Black Midi, Steve Gunn, Jeff Parker, MIKE, Protomartyr, Katy Kirby, and more.

    Black Midi performing in Webster Hall

    Tubby’s commitment to high-quality music means that there is always a wide assortment of genres, sounds, and styles represented on a weekly basis. This commitment goes further than just picking great acts. Owned and operated mostly by musicians, Tubby’s is also dedicated to treating artists with the utmost respect.

    This summer, the bar/venue will host well over 30 concerts. Some of the bands and artists performing are Joyce Manor, R.L. Boyce, Soul Glo, and Rose City Band.

    Even when the warm weather starts to fizzle out the music doesn’t stop at Tubby’s. The venue, originally founded in 2018, plans to celebrate its five-year anniversary in late September with a festival. “Tubby’s 5 Year Anniversary Weekend” will go down across three days, September 29 through October 1.

    The celebration includes a full roster of musicians from a wide variety of genres. Some of the artists who will perform as part of the festival include Armand Hammer, Bonnie Prince Billy, and billy woods. Click here for tickets and more details.

    Tubby’s Kingston Summer Lineup

    JUNE 24- GARCIA PEOPLES

    JUNE 27- Follow Your Arrow: A Queer Singer/Songwriter Night:COLTON THORN + FRANCESCA HOFFMAN + AME

    JULY 1- SEA MOSS + RONG + M. GEDDES GENGRAS + OPEN HEAD

    JULY 2- JOYCE MANOR + TINY BLUE GHOST (SOLD OUT)

    JULY 5- BONZIE + CARLOS TRULY + GREEM JELLYFISH

    JULY 6- BASHER + THE WARBLERS

    JULY 8- ART GRAY NOIZZQUINTET + SKULL PRACTITIONERS +LOVE LETTER

    JULY 11- RL BOYCE (North Mississippi Hill Country Living Blues Legend)

    JULY 12- MUTE DUO + GIFT HORSE

    JULY 13- PYREX + RIDER/HORSE + BEECH CREEPS

    JULY 14- SOUL GLO + MSPAINT

    JULY 17/18- MERIDIAN BROTHERS (first night sold out)

    JULY 19- HAYDEN PEDIGO

    JULY 21- JOHANNA SAMUELS + STUART BOGIE

    JULY 23- ROSE CITY BAND 

    JULY 25- CHEER-ACCIDENT

    JULY 26- SWDYT? Joe Baiza/Damon Smith/Matt Crane; Alec Redfearn’s SWRM

    JULY 27- MAGIC TUBER STRINGBAND + POST MOVES

    JULY 29- BLUE RANGER + CAROL + BRENNAN WEDL

    AUG 1- STOREY LITTLETON

    AUG 2- SWDYT?: GREX + Allen Lowe & Lewis Porter Duo

    AUG 8- ANNIE HART

    AUG 9- TOMATO FLOWER

    AUG 17- CINDY LEE + FREAK HEAT WAVES 

    AUG 24- MIKAELA DAVIS

    AUG 25- JOHNNY DYNAMITE + BUMMER CAMP + SCAFFOLDING

    AUG 26- WILLIAM TYLER & THE IMPOSSIBLE TRUTH + GARCIA PEOPLES 

    AUG 31- GHÖSH + COMMUNITY RAVE NETWORK DJs

    SEPT 1- THE BODY + TROLLER + DEAD TIMES

    SEPT 6- SPEEDY ORTIZ

    SEPT 7- DAVID LONGSTRETCH + BING AND RUTH

    SEPT 9- BLACK DUCK (DOUGLAS McCOMBS)

    SEPT 13 SWDYT? GOLD SPARKLE TRIO + CISCO BRADLEY (reading)

    SEPT 14- ELI WINTER

    SEPT 15- Drom30: DROMEDARY RECORDS 30TH ANNIVERSARY BASH

    SEPT 19- ALIEN NOSEJOB + ACE OF SPIT

    SEPT 21- LEWSBERG + RIDER/HORSE

    SEPT 24- TUBBY’S DJ SET AT WOODSIST

    SEPT 29 -OCT 1 TUBBY’S 5-YEAR ANNIVERSARY PARTY

    Here for more information and details.

  • Elysium Furnace Works’ 2023 Hudson Valley Lineup Receives New Additions

    Elysium Furnace Works (EFW) has announced that the Bass Bridge Quartet will be joining their 2023 seasonal lineup in the Hudson Valley. They are now one of five bands who will play with EFW from July until December 2023.

    Co-led by Mike Faloon and James Keepnews, Elysium Furnace Works is a cooperative project that seeks to present the work of upcoming artists in dedicated art-focused settings. While not exclusive to live music, EFW primarily works through live music venues in and around the Hudson Valley.

    2023 Lineup

    Brass Bridge Quartet – Ballet Arts Studio, Beacon – July 22 at 8:00 p.m.

    The new additions to the season, Brass Bridge Quartet, features four celebrated multi-instrumentalists all performing on upright double bass. A new band formed in 2023, members include: Che Chen, a guitarist for the band 75 Dollar Bill; Dave Hofstra; William Parker; and Dave Sewelson, an accomplished, veteran baritone saxophonist. The band seeks to “explore the lower frequencies of improvisation.”

    They will be performing at a new location for EFW, the Ballet Arts Studio at 107 Teller Avenue in Beacon. Tickets are $20 in advance and $30 at the door, though the advance discount ends at midnight on the evening before the performance. Tickets can be found here.

    exclusiveOr – Cunneen-Hackett Arts Center, Poughkeepsie – Sept. 23

    A duo that uses electronic sound to leave behind conventional definitions of music. The two members of the group are Sam Pluta, a Peabody Institute professor of Computer Music and Music Engineering & Technology, as well as Jeff Snyder, a director of Electronic Music and the Princeton Laptop Orchestra at Princeton University.

    Sana Nagano’s Smashing Humans – Cunneen-Hackett Arts Center, Poughkeepsie – Oct. 21

    Led by the Brooklyn-based noise-jazz violinist Sana Nagano, the band also features Anna Webber on saxophones, Jonathan Goldberger on guitar, Kim Cass on bass, and Danny Sher on drums.

    Joe McPhee with Strings – Cunneen-Hackett Arts Center, Poughkeepsie – Nov. 18

    The group, which features legendary Poughkeepsie-based multi-instrumentalist Joe McPhee, is a large string ensemble that includes: bassists Michael Bisio and Hillard Greene; cellists Fred Lonberg-Holm and Lester St. Louis; violists Melanie Dyer and Mat Maneri; violinists Rosi Hertlein and Gwen Laster; and guitarists James Keepnews and Billy Stein.

    Joe Fielder – Cunneen-Hackett Arts Center, Poughkeepsie – Dec. 16

    A solo performance by consummate trombonist, composer, and arranger Joe Fielder. It is built on his recent solo recordings of “The Howland Sessions,” and will close EFW’s 2023 season.

    For more information, check out Elysium Furnace Works’ Facebook page.

  • Perelman Performing Arts Center to Open in Lower Manhattan this September

    The final public piece of the reconstruction of the World Trade Center, the Perelman Performing Arts Center (PAC), will be opening in September 2023. Executive Director Khady Kamara and Artistic Director Bill Rauch announced recently that the facility would be opening after 20 years of labor to create a new heart of culture in lower Manhattan.

    Perelman Performing Arts Center
    Perelman Performing Arts Center exterior at day. Credit: Field Condition

    The vision for the PAC began almost 20 years ago as a part of the original master plan for reconstructing the World Trade Center during Michael Bloomberg’s time as mayor of NYC. Bloomberg currently acts as the chair for the project. Named after Ronald O. Perelman, a businessman, philanthropist, and benefactor, the building was designed by the architecture firm REX, with many interior spaces being designed by Rockwell Group.

    According to a recent article by the New York Times, the building has gone through a lot of changes over its 20-year development. Even without formally changing the name of the building, the institution has switched from calling it “the Perelman” to “the PAC.” Though the namesake of the PAC, Ronald Perelman, has his name on the building, former mayor Bloomberg has now contributed more capital, totaling at $130 million.

    Our goal in developing the artistic program is to innovate – providing exciting new ways
    for artists to create, collaborate, and share their work with a broad public – while representing and celebrating the humanity of our city in all its fullness. Whoever you are, wherever you come from, we want you to be able to find yourself in the PAC and find your connection to everyone else who shares in the work we do.

    Artistic Director of PAC Bill Rauch

    A defining feature of the building’s façade are the 5,000 panels of bookmatched marble. They allow for light to cast an amber glow into the building in the day and for the building to produce an amber glow at night. The panels were quarried and cut in Portugal, fabricated with glass in France, and assembled into panels in Germany.

    Perelman Performing Arts Center
    Perimeter interior of the PAC, with marble panels visible. Credit: Laurian Ghinitoiu

    The interior design is also unique, with three modular stages that can quickly merge or separate depending on the venue’s requirements. Independently, the three stages include: the John E. Zuccotti Theater, which seats up to 450; the Mike Nichols Theater, which seats up to 250; and the Doris Duke Theater, which seats up to 99. Altogether, their capacities range from 99 to 950 people.

    Perelman Performing Arts Center
    A render of a theater in PAC. Credit: REX

    The interior of the eight-story structure is divided into three main sections. The “public” level includes the John C. Whitehead Lobby, which features a stage for free performances, a restaurant, a bar, and the Dalio Family Terrace. The “artist” level has the necessary support spaces for artists at the center, whereas the top level, the “play” level has the three theaters and a rehearsal space.

    Perelman Performing Arts Center
    Render of the restaurant on the “public” level. Credit: Rockwell Group

    Leading PAC is Executive Director Khady Kamara, who has more than 24 years of theater management experience. Prior to being executive director at PAC, Kamara was executive director for Second Stage in NYC. She would go on to win a Tony Award in 2022 as a member of the leadership team for “Take Me Out.” As a part of her extensive non-profit background, Kamara had a 20-year career with Arena Stage in Washington DC.

    Responding to the sanctity of the World Trade Center site and the humanistic
    aspirations of the PAC’s mission, our design empowers artistic teams to imagine and create a vast range of performances and audience experiences, within a building that addresses its setting with respect and warmth.

    Joshua Ramus, founding principal of REX

    Bill Rauch acts as PAC’s artistic director, and has worked as a theater director in venues ranging from small community centers to the largest in the country. He has been a part of productions of the Tony Award-winning “All The Way” and its sequel “The Great Society,” as well as directed seven world premieres of plays.

    While details for the opening Fall shows have yet to be announced, more information and updates can be found on the PAC’s website.

  • Harlem Stage’s 40th Anniversary Season

    Harlem Stage has announced its 40th Anniversary Season, taking place from September 2023 to June 2024. It aims to celebrate Harlem Stage as an institution that has been a platform for emerging and established artists of color. Many of the events for the 2023-2024 season feature artists with whom Harlem Stage has built long-term relationships.

    Credit: Harlem Stage

    Aaron Davis Hall, Inc., later named the Harlem Stage, was opened in 1983 to provide resources, a platform, and an audience for artists of color due to their unequal treatment and recognition. For almost 40 years, the organization has championed the unique and diverse artistic legacy of Harlem. They continue to be a voice for justice as well as historical examination and denunciation of racism and its legacy.

    Harlem Stage has hosted legendary artists, including Harry Belafonte, Max Roach, Sekou Sundiata, Abbey Lincoln, Sonia Sanchez, Eddie Palmieri, Maya Angelou, and Tito Puente. The organization has also won the Association of Performing Arts Presenters William Dawson Award for Programming Excellence and Sustained Achievement in Programming.

    Harlem Stage began in a time of great inequity, resulting in a form of censorship by exclusion of visionary artists of color. Our intent was to level the playing field by supporting the development of their new work in new forms. Artists of color are constantly in a dialogue with their worlds—and Harlem Stage has always sought to be a place where all of our constituents can engage in the kind of transformative discourse that enriches our lives and broadens our horizons.

    Artistic Director and CEO Patricia Cruz

    Events

    WaterWorks Commissions

    A signature program of the Harlem Stage, WaterWorks is intended to identify and cultivate emerging or established artists of color. It engages with the community through residencies and educational activities.

    On Dec. 9, 2023 is the “WaterWorks Emerging Artists Showcase,” which will feature artists such as: interdisciplinary performing artist and painter Shantelle Courvoisier Jackson; singer/songwriter Hannah Lemmons; choreographer and dancer Bobby Morgan; interdisciplinary artist, composer, and pianist Mary Prescott; and trumpeter and composer Kalí Rodríguez-Peña.

    March 29 and 30, 2024 will have Ambrose Akinmusire performing “Banyan.” It is an intersection of griot, mentor, and oral historian in social history that culminates in this multi-part suite.

    On May 3 and 4, 2024, Tamar-kali will be presenting excerpts from the work-in-progress opera “Black Damask.” The opera is about the life and times William Dorsey Swann, who is the first to dub himself as a “queen of drag.” Following the excerpts will be a discussion with the creators of the opera.

    E-Moves

    “E-Moves” is Harlem Stage’s flagship dance series and has showcased movement-based creations for over 20 years. For the 40th Anniversary Season, Harlem Stage is inviting back several artists critical to the institutions dance legacy.

    On a yet-to-be-announced date is Kyle Abraham, who created “Pavement” through the WaterWorks program and first performed with E-Moves in 2006.

    EVIDENCE and Ronald K. Brown will return on Oct. 13 and 14, 2023 for a not-to-be-missed performance featuring work from an emerging choreographer, as selected by Brown. EVIDENCE first performed with the organization in 1998.

    April 19 and 20, 2024 will feature the Bill T. Jones/Arnie Zane Dance Company. Their performance in 2024 will include an emerging artist selected by Jones. They performed at the opening of the Harlem Stage Gatehouse in 2006.

    On May 17 and 18, 2024, nora chipaumire is presenting “ShebeenDUB” featuring three dancers and a dub DJ. A monumental sound installation, the “soundshitsystem” will be used for the performance. The installation was designed by Ari Marcopoulos and Kara Walker, and constructed by Matt Jackson Studio. nora chipaumire herself is based in Berlin, Germany and Harare, Zimbabwe.

    Camilla A. Brown, first in E-Moves in 2004, is returning June 14 and 15, 2024. She is presenting her own work alongside the work of her associate choreographers: Rickey Tripp; Mayte Natalio; Chloe Davis; and Maleek Washington. The theme for the night is “BLACK JOY.”

    Guest Curated Programs

    On March 1 and 2, 2024, Vijay Iyer is returning to guest curate and perform in “Eternal Spirit: Vijay Iyer and Friends Celebrate the Music of Andrew Hill.” The ensemble includes: drummer Nasheet Waits; trumpet player Milena Casado; and saxophonist Mark Shim. Iyer originally wrote a commissioned work with the Harlem Hall called “Holding It Down.”

    Jason Moran will guest curate and perform on April 26 and 27, 2024 for “Pianos for Duke Reimagined: Featuring Jason Moran, Abdullah Ibrahim, and Friends.” Moran originally played Duke Ellington’s music in 1999 with Harlem Stage for “Piano’s For Duke” alongside other superstars of piano. The event for April is to be presented on the 125th anniversary of Ellington’s birth.

    Special Projects

    Sept. 14, 2023 will have the “Harlem Stage 40th Anniversary Concert” in collaboration with Bryant Park. A thus-far unannounced major jazz artist will be performing.

    On Oct. 20 and 21, 2023, Craig Harris will be presenting “TONGUES OF FIRE (in a harlem state of mind),” a combination of music, poetry, and movement. It is an exploration of the evolution of the Harlem community from the ’70s to present day.

    “In the Court of the Conqueror,” performed by george emilio sanchez, will be on Nov. 3, 2023. It is a solo performance that revolves around the 200-year-old Supreme Court ruling that reduced sovereignty for native nations, juxtaposed against sanchez’s own experiences with Indigenous identity in an Ecuadorian immigrant household.

    On March 22 and 23, 2024, Stew’s “HIGH SUBSTITUTE FOR THE DREAD LECTURER: Baraka Jones in Dub” will be featured. It is in the spirit of his other work, the critically acclaimed “NOTES OF A NATIVE SONG,” and is focused on the twin influences of his life and art.

    Uptown Nights

    To be fully announced in September 2023, “Uptown Nights” will feature “Uptown Nights Latinx Music Series” from Sept. to Dec. 2023. Uptown Nights is a music series that presents an array of artists from across genres.

    For more information, check out Harlem Stage’s website.

  • Foothill Performing Arts Center, Oneonta’s Hidden Gem

    Nestled amongst the backdrop of the Catskill mountains, just an hour outside Albany, Foothills Performing Arts Center (PAC) is a non-profit entertainment and civic center that serves the cultural, educational, and community needs of the Otsego, Delaware, and Chenango tri-county region.

    Foothills Performing Arts Center

    Centered in the eclectic university community in Oneonta, Foothills PAC originally opened in 2005 and has become the region’s go-to venue for live entertainment for both national and local acts such as Bela Fleck and The Flecktones, Gordon Lightfoot, Bernie Williams, Rusted Root, Tanya Tucker, John Michael Montgomery, Joe Diffie, and Thompson Square.

    Foothills Performing Arts Center
    Wilber Wright Atrium

    Foothills consists of multiple venues on its property, from its grand two story Wilber Wright Atrium, perfect for weddings and large events, to its Bettiol Theatre for smaller productions. The center also offers two smaller production spaces, The Loft and The Production Center.

    As part of Foothill’s community engagement initiative, Foothills is also home to the Oneonta Farmers Market, providing the local community with fresh, home grown produce and artisanal crafts.

    The Loft Performance Space

    Recently appointed Executive Director Geoff Doyle has spent the better part of the last two years investing hundreds of thousands of dollars into renovations for Foothills, as part of his initiative to turn Foothills into a more diverse and utilized space for the local community. When Foothill’s closed at the beginning of the Covid-19 pandemic, Mr. Doyle took that time to write grants and to fundraise. Having found themselves with an empty building, as well as a surplus of funding from grants and generous donations, the Foothills Board used that time and those resources to finally do the work that had needed to be done for many years.

    Bettiol Theatre

    Taking both comments and critiques from the local community, renovations have included updated lighting and sound equipment for productions, to infrastructure improvements of the performance spaces.

    We’ve become more than an arts center over the years. People donate blood here. They vote here. They attend weddings, birthday parties, bridal showers, conferences, speaking engagements, fundraising events and so much more. We’ve been partners with SUNY Oneonta’s Music Industry program for a decade now, providing internships for many students in that time, and even hiring recent grads.

    Geoff Doyle, Executive Director

    Foothills Performing Arts Center is also home to Black Hole Studios, a fully equipped recording studio local artists can book for recording, mixing and mastering. With a top-ten Music Industry program located just down the street at SUNY Oneonta, the addition of Black Hole Studios has allowed student artists to have yet another resource to utilize their art.

    Foothills Performing Arts Center
    Atrium Entrance

    Upcoming events include this fall’s “Foothill’s Fringe Festival”. The brainchild of newest board member, Allie Church, Foothills Fringe takes inspiration from similar festivals around the world, and will be the centers newest annual event. Taking place over two days this September, Foothill’s Fringe will offer plays, film screenings, musical productions, stand-up comedy and more. With over 30 acts already booked, Fringe Festival is sure to draw in hundreds of spectators, artisans, and vendors.

    Foothills Performing Arts Center

    In celebration of Pride Month, Foothills will also be hosting an 18+ Alice In Wonderland themed “Pride Prom” in collaboration with the Otsego Pride Alliance. The Prom, taking place June 30th, will feature dancing, face painting, specialty cocktails, prizes, fashion, and drag performances by local drag artists.

    For more information, or to book an event space, please visit Foothills Performing Arts Center’s website.

  • CMAC 2023 Concerts and Events Calendar feat. Santana, Duran Duran, Weezer and more

    Throughout the summer, the Constellation Brands-Marvin Sands Performing Arts Center (CMAC) in Canandaigua offers various concerts and events. Beginning in June and lasting until September, the lineup includes something for everybody from country stars to rock festivals.

    Located next to the campus of Finger Lakes Community College, the CMAC summer concert series always attracts big crowds enjoying the artists.

    Santana- June 22 at 8 PM

    Grammy Award winning artist and Rock and Roll Hall of Fame guitarist Santana kicks of the CMAC summer series on June 22. Santana will be traveling across North America this summer for his 1001 Rainbows Tour.

    Darius Rucker- June 24 at 8 PM

    Rucker first rose to fame as the lead vocalist and rhythm guitarist of Hootie & the Blowfish. In advance of the release of his forthcoming album Carolyn’s Boy, Rucker began the Starting Fires Tour. Drew Holcomb and The Neighbors are special guests who will also be joining him.

    Weezer- July 3 at 7 PM

    This summer, popular indie rock band Weezer is joined by special guests on their Indie Rock Roadtrip tour. For their CMAC date, Future Islands and Joyce Manor will also be taking the stage as the guests.

    Roc The Lake Music Festival- July 7 at 5 PM

    AJR will be headlining the Roc The Lake Music Festival. A band made up of three brothers (Adam, Jack, and Ryan), AJR is constantly re-envisioning pop music with their music. Also joining the group for the festival is Chelsea Cutler, Lawrence, Blake Rose, and Almost Monday.

    The Doobie Brothers- July 14 at 8 PM

    Four-time Grammy Award winners The Doobie Brothers added a tour stop at CMAC to their 50th Anniversary Tour. For over five decades, The Doobie Brothers have been known for delivering mind-blowing, roots-based, harmony-laden, guitar-driven rock and roll – all of which recently culminated in an induction into the 2020 Rock & Roll Hall of Fame.

    The Chicks- August 11 at 7:30 PM

    Fresh off the heels of their massively successful U.S. tour last summer, The Chicks return to the stage with their 2023 world tour. They will also be joined by special guest singer-songwriter Ben Harper.

    Dan + Shay- August 19 at 8 PM

    Country duo Dan + Shay will stop at CMAC during their tour promoting their most recent album Good Things. They are best known for their global hits, including “Tequila,” “Speechless,” and “All To Myself.”

    Duran Duran- September 3 at 7 PM

    Continuing to perform to huge concert audiences around the world since the band first formed in 1980, Duran Duran has seen more than 100 million record sales worldwide. In the past year alone, they performed live at the Queen’s Platinum Jubilee concert at Buckingham Palace, headlined London’s Hyde Park and, in a full circle moment, closed the iconic opening ceremony of the 2022 Commonwealth Games in their hometown of Birmingham.

    Tickets and more information on these events can be found on CMAC’s website.

    Other Concerts and Events at CMAC:

    Tears For Fears- June 27 at 7:30 PM

    Counting Crows- July 2 at 7:30 PM

    Kane Brown- July 9 at 7 PM

    Tedeschi Trucks Band- July 11 at 7 PM

    RAIN: A Tribute to the Beatles- July 13 at 8 PM

    Pat Benatar & Neil Giraldo- August 4 at 8 PM

    Lynyrd Skynyrd & ZZ TOP- August 24 at 6:30 PM

  • Historic Carol Theatre in Chestertown Prepares for Summer Concert Series

    Stationed in Chestertown, a 20-minute drive from Lake George, The Carol Theatre opened its doors in 1931, and its rich history will glide into the Summer with seven new shows.

    Walter “Pop” Wertime built the historic building, known as the Chester Theatre at the time, and enjoyed nothing more than bringing live, vibrant entertainment to the region.

    Following Wertime’s passing in the 1950s, the new owner ensured to push out impeccable content for the community and renamed it the Carol Theatre after his daughter.

    For 80 years, live events, movies, and other forms of entertainment passed through the historic theater, but in 2013 they shut their doors. Many of the new movies and productions coming out did not fit their old projection systems but in 2019, a local group of volunteers known as the Tri-Lakes Community Alliance took over, rebooting the location.

    Since the mark of the Tri-Lakes Community Alliance take over, they have put on concerts and live shows every Summer. The Carol Center for the Arts ownership position has helped the theater continue its performing arts traditions and turn its films into a more digital era market.

    Beginning June 14, the Summer show series will return to the theater, with the concerts running until August 11.

    Summer Concert Schedule

    Seagle Festival (Free Concert), June 14 at 6:00 pm – The oldest summer vocal training program in the United States comes to perform at the Carol Theatre.

    June 30 – TBD

    Margo Macero Band, July 8 at 7:30 pm – Glen Falls-based vocalist Margo Macero brings her whole band to Chestertown for an amazing Summer concert. Buy Tickets Here!

    July 14 – TBD

    Mamma’s Marmalade, July 22 at 7:30 pm – Bluegrass and pop group Mamma’s Marmalade performs covers, classics, and original pieces from their catalog. Buy Tickets Here!

    The Wheel, August 5 at 7:30 pm – The Grateful Dead cover band has their own take on the group’s rock hits. Buy Tickets Here!

    Thor Jensen, August 11 at 7:30 pm – Singer and songwriter Thor Jensen, who has performed here in the past with Hot Club of Saratoga, is back for a solo performance. Playing in multiple bands and putting out his own music, Jensen will have an unforgettable showing at the Carol Theatre.

  • No Fun: One Year and Counting of Something New in Troy

    When discussing the capital region’s vibrant post-COVID underground music scene, it’s impossible to ignore Troy’s No Fun. Founded in Dec. 2021 by August Rosa, originator of the Albany/Saratoga Springs craft beer business Pint Sized, the venue has quickly become a hotbed for DIY music in the capital area and greater northeast region.

    More than just a place, Rosa views it as a project and a springboard for creativity in the area. “I built it here so we could have new and different artists come through,” he said. “I’m trying to involve the folks that I think have their head in the same place that want to bring new, challenging different artists to the capital region.” While Rosa initially intended for No Fun to be an extension of his first enterprise, he’s enjoyed seeing the space take a life of its own.

    no fun troy
    Performance by Algonquin singers/drummers The Medicine Singers at No Fun in September. (Photo credit: Rudy Lu)

    Rosa fits the appearance of your prototypical mid-30s punk. He sports thick frame glasses and a brown beard, wearing a gray beanie, blue-yellow flannel, and gray jeans. Even though he scoffs a bit at his fashion sense, Rosa had an active eye for aesthetic when setting up the venue itself.

    Made for 200 people, No Fun is an artsy yet minimalistic space, with a checkerboard floor, walls of white sheet rock, and a modest yet decently sized stage area in the back, complete with a disco ball. The single bathroom specifically emits a punk aesthetic, featuring a crude black paint jump and walls covered by graffiti and posters for future No Fun shows. Aspiring for a genuine atmosphere, Rosa modeled the space with DIY venues of NYC in mind. “I want it to feel like you’re more at an art space or your friend’s apartment than a business,” he said. “I think that’s resonated, for sure.”

    While No Fun’s physical layout was very much intentional, Rosa feels its importance pales in comparison to the people actually occupying it. We’ve had packed houses on the regular here,” he said. “I think we’ve sold out about a dozen shows this year so far which is awesome.”

    In terms of promotion and planning of shows, Rosa describes No Fun as a team effort. Describing his noteworthy act booking efforts, he mentions hauls such as NYC noise rock band A Place To Bury Strangers and global acts such as Algeria’s Imarhan and an upcoming show featuring Australia’s Surprise Chef. There’s Shane Sanchez, the frontrunner of Super Dark Collective, a capital region promotion which hosts shows on the grittier and experimental side. Rosa also credits Sanchez as having “amplified the hip-hop angle” at No Fun.

    He additionally mentions bartender Shane Secor, the man behind promotion arm Hey Greasy!, shouting out his booking of Gibby Haynes from Butthole Surfers and his rock-and-roll and Rochester connections. Rosa also namedrops a couple peripheral figures such as Rachel Freeman, ex-runner of the Byrdhouse venue in Albany and current regional promoter through Byrdhouse Records. “I want to give massive credit to the team that I initially put in place here, and I’m so grateful that they’ve stuck around,” he said. “Between the people that were initially hired here, and the folks that evolved with it as it continued, the place wouldn’t be the same without them.”

    Despite the hindrances of an Omicron-delayed beginning for No Fun, Rosa has found nothing but joy in the project so far, delighting in memorable and unique performances at the venue. He reminisces on hosting prolific New Jersey indie pop group Pinegrove and organizing for an interesting collaboration between Algonquin singers/drummers the Medicine Singers and members of legendary noise rock band Swans. “I’m seeing more of people just coming out to stuff where they’re like, ‘I saw some weird band that No Fun booked, it’s probably gonna be cool, I don’t know much about the band,’” said Rosa.

    This same approach went into his program on Friday, March 3, a four-band showcase featuring some new and some native to the Capital District scene.

    Tonight isn’t a sellout, but the crowd is still significant and full of enthusiasm. Up first is Aaron Wilson, co-owner of Herbie’s Burgers on Lark Avenue and tonight, frontman of a folk rock four-piece. The guitarist has long auburn hair and dons a light beard and glasses, singing about beer and romance. The five-song set starts upbeat before becoming wistful for a couple tracks, closing out with an energetic and quick number backed by thwacking drums.

    Next is Binghamton dream pop act Pleasure Dome. They’re a six-piece with two keyboardists and one guitar, fronted by vocalist Cydney Edwards who softly sings over waves of reverb. Their six-track set ranges between slow, moody shoegaze and uptempo surf rock, featuring plaintive melodies. Their stage presence is expressive but not overzealous, inspiring dancing near the front of the crowd. “Tonight was really fun, but the venue is mislabeled because we had a good time,” said guitarist Brandon Musa after the performance.

    Third is Precious Metals, a local alt-rock band. Lead vocalist J. Lee White reminisces of glam with frizzy brown locks and a jean jacket over a tank top, singing in a shrieky falsetto that harkens of Journey’s Steve Perry and Geddy Lee of Rush. The four-piece mixes groovy, urgent originals with covers such as Jimmy Eat World’s “Sweetness,” building the excitement and motion from the show’s earlier half.

    Closing the night is singer-songwriter The Age, who steals the show. Age oscillates between blue-eyed soul and funk rock across his six song set, crooning Billboard-worthy melodies, dueling with his backing guitarist John Drabnik, interpolating Arctic Monkeys and the Outkast, and effortlessly engaging his audience. His four-man group’s musicianship is commendable and their enthusiasm is infectious, with the checkered tiles of No Fun becoming a dance floor by the second song. To finish, Age shreds the closing track in Purple Rain-esque fashion, capping off a magnetic performance.

    no fun troy
    The Age on March 3. (Photo credit: Kiki Vassilakis) The Age on March 3. (Photo credit: Kiki Vassilakis)

    The scene at No Fun as the night ended is exactly what the venue is about: an excited swarm of people having enjoyed a wide-ranged and impassioned show of regional music over the course of three hours. Nights like these prove just how much the No Fun mission can pay off.

    Rosa’s been patient, understanding that “just like anything, it takes time to develop your crowd, to have people feel comfortable to have them feel like the space is theirs.” If the space wasn’t theirs before, now it is.