New band Telecom, from Brooklyn-based musician Sean McVerry, has released their debut single, “Ramon” on March 21 and have plans to release more music soon. Telecom melds 60s brit-pop, late 2000s New York indie grit, and cheeky theatrics. McVerry has worked and toured with artists such as Karen O, Danger Mouse, and Aurora.
Telecom members, from left to right: Andres Valbuena, Zeno Pittarelli, and Jonathan Sacca. Credit: Matt Speno
Telecon comprises Andres Valbuena on drums, Zeno Pittarelli on guitar, Jonathan Sacca on bass, and several other Brooklyn musicians. Their founder, Sean McVerry, is a New York music scene veteran, and recently on The Tonight Show Starring Jimmy Fallon, where he won the show’s “instant songwriter” segment. Telecom has earned millions of streams on music platforms, and music has been featured on several television shows such as NBC’s Zoey’s Extraordinary Playlist and Adult Swim on Cartoon Network.
Telecom’s debut single “Ramon” and its upcoming counterpart were co-produced and mixed by former DFA engineer Abe Seiferth at Brookly’s Transmitter Park studios. McVerry moved a free piano he found on Craigslist into the apartment, (nearly crushing himself to death) and the songs quickly came together. He started working on the songs in late 2020 in his home studio in Crown Heights, as a way to express his feelings about the Covid-19 pandemic. The songs provide different takes on the situation, with “Ramon” describing McVerry’s feelings of being trapped with his neighbors in their Brooklyn apartment building. Both songs remained dormant until a writing retreat with Pittarelli and Rahn in 2021, at which point Telecom was beginning to take form.
If Telecom’s future music is anything like “Ramon,” the band is certain to have a long and successful career ahead of them. Upon listening to their debut single, audiences are sure to be eager for more by Telecom. McVerry truly found magic with the three artists that make up the group.
McVerry said of Telecom’s Debut Single:
‘Ramon’ began with a free piano from Craigslist. After mining a ’70s drum break from my vinyl collection, I laid down the initial cassette tape demo of the song. The track thumps along a hypnotic groove, as the speaker romanticizes the cat in the courtyard, and the introspection that comes with isolation.
On Friday, March 24th, Pink Talking Fish teamed up with Escaper at Sony Hall to honor the 50th Anniversary of Dark Side of the Moon, Pink Floyd’s most famous album. PTF played the album in its entirety, with opener, Brooklyn’s Escaper, closing their set with a masterfully psychedelic “Set the Controls for the Heart of The Sun”.
Will Hanza & Luke Bemand of Escaper
Escaper opened up the night with an exciting set filled with face melting solos by Will Hanza. An incredible and very emotive guitarist, Will is a thrill to photograph. It was great to see him and Luke Bemand’s stage chemistry and how well they play together. Escaper invited Cal Kehoe up for the Pink Floyd cover to end their set.
Luke Bemand & Scott Chasolen of The Machine join PTF on stage to play “Tweezer”
Pink Talking Fish started their show by playing “Dark Side of the Moon” in it’s entirety. A daunting task which PTF has performed incredibly many times before, this time was no different. The vocal part in “Great Gig in The Sky” and the sheer funkiness of “Any Color You Like” stood out.
Cal Kehoe-eidescope
The second set was a medley of Phish, Talking Heads, & Pink Floyd. Favorites from that set included Phish classics like “Alumni Blues”, “Letter to Jimmy Page”, “Frankenstein” which included a key-tar solo, “Tweezer” with Luke Bemand on bass and the keyboardist from The Machine Scott Chasolen, and if you play “Tweezer” you know you have to play “Tweezer Reprise”. The band encored with “Sabotage > Eclipse Reprise”.
Pink Talking Fish – Sony Hall, NYC – Friday, March 24
Set 1: Speak To Me > Breathe > On The Run > Time > Breathe Reprise, Great Gig In The Sky, Money1, Us And Them1 > Any Colour You Like > Brain Damage > Eclipse
Set 2: Burning Down The House, Alumni Blues > Letter To Jimmy Page > Frankenstein2 > Letter To Jimmy Page > Alumni Blues, Mother, Houses In Motion, Tweezer1,3 > Tweezer Reprise1,3, Wish You Were Here, Crosseyed And Painless
Encore: Sabotage > Eclipse Reprise
1 w/ Matt Wayne on sax 2 w/ Steve on keytar 3 w/ Luke Bemand on bass & Scott Chasolen on keys
Brooklyn-based artist, producer, and engineer Justin Meyer has just released his newest single “Friends With Fear,” out Friday, March 24th. Inspired by Justin’s journey of graduating during the pandemic, the single puts a positive spin on uncertainty and the shared experience of having a quarter-life crisis.
Written in 2022, “Friends With Fear” explores the experience of having a quarter-life crisis while confronting the unique challenges of graduating during a pandemic. The upbeat track fuses thought-provoking lyrics with Lily Kelso’s background vocals and Alden Spence’s electric guitar layers to create an undeniably hypnotic sound.
Sharing more behind the song’s inspiration, Justin Meyer explains, “‘Friends With Fear’ is about having a quarter-life crisis and trying to be okay with life’s unknowns. I went through college during the pandemic and graduated a year early, leaving me feeling this sense of time slipping away very quickly. I got super focused on the impermanence of life for about a year. This song is about making friends with those feelings and letting them settle instead of fighting them and making them even worse. Furthermore, it’s about reclaiming the joy of being alive.”
Hailing from Golden, Colorado, Justin Meyer has had a lifelong passion for music. In 2019, he followed his dream and moved across the country to pursue his Music Production and Engineering degree at the renowned Berklee College of Music.
“Justin’s musical career has just begun, but I see it continuing into the far future.”
—The Crescent Magazine
After graduating in 2021, he moved to Brooklyn, New York, and secured a position as an assistant engineer at the prestigious Kensaltown East studio. With his latest single, “Friends With Fear,” Justin continues to demonstrate his exceptional production and songwriting prowess.
Prior to his studies at Berklee, Justin had already begun to hone his sound with his first two EPs, Afterthought and Dreams. During the 2020 lockdown, Justin kept busy, producing his first album Metanoia released in 2021. His third EP, Lonely Rock Star, was recorded as part of Justin’s capstone project at Berklee and featured instrumentation by fellow Berklee alumni.
Justin has had the pleasure of collaborating with many talented artists such as Mae McCoy, Lily Kelso, Aldo Rey, and Claire Donzelli. Returning with his latest single, “Friends With Fear,” Justin continues to demonstrate his exceptional production and songwriting prowess.
To listen to “Friends With Fear,” click the link here.
For more music by Justin Meyer, click the link here.
Seize Atlantis! This Glens Falls local band with a grungey soft rock sound prevailed over Hudson Valley’s respectable rock outfit MAINLINE, and takes home the gold for NYS Music’s March Madness 2023.
Seize Atlantis began as a jamming project in 2018, with a rotating cast of members and a different name. But eventually, only Mike Dardas (bass/backing vocals), Cody Platt (drums), and James Mullen (lead vocals/guitar) remained, and they decided to form a tight-knit trio. Meanwhile, Luc Bourgault had been playing with Cody and James in high school, and he eventually joined the group as lead guitarist.
After playing a few shows together, the pandemic hit, and the band took a seven-month hiatus. During this time, they decided to rebrand themselves as the Seize Atlantis we know and love today, reflecting their new creative direction and revitalized energy. Since returning to the stage in May 2021, Seize Atlantis has been performing regularly and writing new music.
Their debut EP was released last summer, with another one on the horizon. Thanks to their hard work and dedication, they’ve built up a loyal fanbase and earned the support of local venues throughout the Capital Region and North Country. With their unique sound and passion for music, Seize Atlantis is a band to watch in the coming years.
According to the band members themselves, their musical journeys began in different ways. Cody’s parents “mistakenly” bought him a drum kit, and he fell in love with it from there. Mike picked up the bass guitar for the first time when a friend needed a bassist for their middle school band. Luc’s interest in guitar started with the Guitar Hero craze, and he quickly discovered his talent for picking out melodies by ear. James was influenced heavily by bands like U2 and Pink Floyd from a young age, and his passion for writing lyrics started at the age of 15.
For all of them, music has been a driving force in their lives, and performing and creating has become an integral part of who they are. This deep passion for music truly bleeds through in their tunes, since, as James puts it, “this is what keeps us sane!”
Seize Atlantis has big plans for the upcoming summer months. They’re set to release their highly anticipated second EP, Ruins Rebuilt, in June, they already have a number of dates lined up to celebrate the occasion.
Fans can expect an EP release party, as well as a performance at GEM Fest 2023 in Glens Falls on July 22nd. But Seize Atlantis is not content to rest on their laurels. As a completely DIY and independent operation, they handle everything from management and booking to designing and selling merch, as well as recording, mixing, and mastering all of their original material. The band is always striving to grow and evolve in every aspect of being an indie band, and they’re committed to taking the next step in their journey.
As Seize Atlantis gears up to release their second EP, Ruins Rebuilt, the band is excited to showcase their new collaborative approach to songwriting. In contrast to their previous release, which was a concept album with a social commentary theme, these new songs delve into more personal and introspective themes. The band describes the creative process for this EP as a true team effort, with each member contributing to the unique dynamic and sound of each song. They can’t wait to share this new direction with their fans and see how they react to the EP as a whole.
Congratulations Seize Atlantis, NYS Music’s 2023 March Madness Winner!
For the past 8 years, this annual competition has been shining a spotlight on the talented artists and musicians from across the Empire State. This year’s competition is the biggest and best yet, with a lineup of diverse genres and highly skilled performers. March Madness 2023 highlights 64 bands and artists you might not know, but should know, as these homegrown talents are making waves through the New York State. Review each round below.
Joshua Bassett recently played at the Hammerstein Ballroom on Friday, March 24th with opener Lindsey Lomis for his only New York date during his The Complicated Tour.
The two put on an unforgettable performance for their audience of 2500, with Bassett playing various songs from his EPs, Different, Sad Songs In A Hotel Room, and Joshua Bassett. Thousands of fans, many of them wearing sparkly tops, colorful pants, and pink cowboy hats, waited in anticipation for Joshua’s incredible set.
Joshua Bassett
Bassett, initially gaining popularity for his role alongside Olivia Rodrigo in High School Musical: The Musical: The Series, resides in New York City but grew up in San Diego, California. The 22-year old pop singer is currently in the middle of his tour and has various dates left in the US and across Europe.
Joshua first entered the stage yelling “New York City!” and jumped up and down during his upbeat song, “Feel Something.” The crowd lost it when he jumped off of the stage, greeting fans and accepting flowers from one girl, whilst encouraging everyone to get into the groove of the music. During his song, “i’m sorry,” Bassett truly awed the crowd with his deeply intimate lyrics as he touched on subjects like depression, addiction, breakups, and loneliness.
He made his way into the middle of the audience during “Common Sense,” as he sang his first ever release acoustically to his starstruck fans. In the chorus of “Different,” he disappeared from the stage and made his way to the upper balconies to greet the rest of the crowd. Finally, at the end of his last song, “Set Me Free,” Joshua climbed onto a piano and jumped off at the drop of the beat, while confetti shot out of cannons on either end of the stage.
Bassett ended his set with a long wait before the crowd began shouting, “One more song, one more song!”, where he reentered and put on a final performance of “SHE SAID HE SAID SHE SAID.”
Setlist: Feel Something, Secret, Doppelgänger, LA, Used To It, Finally Free, Medley (Joshua Bassett EP), Heaven Is You, Sad Songs In A Hotel Room, Lie Lie Lie, Common Sense, Lifeline, All In Due Time, Empire State of Mind, Pt. 2 (Alicia Keys cover), would you love me now?, i’m sorry, Different, Smoke Slow, Iris (The Goo Goo Dolls cover), Beautiful City (Stephen Schwartz cover), Set Me Free Encore: SHE SAID HE SAID SHE SAID
Sound Mind Live has announced the fifth annual Sound Music Festival for Mental Health will take place on Saturday, May 20, between Irving Ave and Wyckoff Ave in Bushwick, Brooklyn. The free event, which starts at 12 p.m., will feature a number of performers including Iron & Wine, Hiss Golden Messenger, Langhorne Slim, Kamauu, and Pom Pom Squad, and includes DJ sets from House of Yes, Food by Smorgsaburg, Yoga and Sound, Bath Sessions, and more.
BetterHelp is partnering with Sound Mind Live for this year’s Sound Music Festival
For this year’s festival, the world’s largest therapy platform, BetterHelp, is partnering with Sound Mind Live to provide a month of free therapy for their combined communities.
“We’re so proud to partner with Sound Mind on this amazing festival,” Co-founder of House of Yes Anya Sapozhnikova says.
Additionally, containing its focus on mental health awareness, the Sound Music Festival will host a series of panels in partnership with Absurd Conclave, including Mental Health in Communities of Color, Mental Health in the Music Industry, The Importance Of Fostering Community, and more.
Research shows that since the pandemic, more people have contemplated self-harm, with one in four youth having considered suicide, and the fall out of post-pandemic depression is expected to last 3-5 years. The upcoming Sound Mind Music Festival hopes to bring about deeper community connections for healing and elevate conversations and resources that can help those in need find affordable resources sooner.
“Over the past several years the world recognized that mental health issues impact us all in one form or another,” Executive Director of Sound Mind Live Chris Bullard says.
Guests will have the opportunity to make a donation and enjoy a VIP experience, which includes an enhanced viewing area, a private bar, and complimentary swag bags. This year’s Sound Music Festival is in partnership with over 10 music artists, 3 local venues, and over 20 mental health organizations including National Alliance on Mental Illness, JED Foundation, and TransLifeline, and is supported by the Society of Valued Minds, an initiative of Otsuka America, Pharmaceutical, Inc., BetterHelp, Sozosei Foundation, and G4D Productions. Media partners include YouTube Health and Consequence.
While this year’s Sound Music Festival for Mental Health in Brooklyn is free, tickets are still needed to enter the event and can be found here.
Fresh off live scoring The Fifth Element at The Caverns in Tennessee, The Disco Biscuits marched north to Port Chester for three nights at The Capitol Theatre over March 23-25, quite possibly their strongest run at the ‘Original Rock Palace,’ dating back to 2016.
Few bands display the consistency the Disco Biscuits have displayed as of late, going back nearly a year to their last Capitol Theatre run, which has been followed by more than a dozen original song debuts that have quickly become part of the rotation.
From the crowd, the band looks like they’re having a blast on stage, rocking out to the music they’re creating, feeding off their own creation just as the fans are, creating a live camaraderie that is rarely seen. From the stage, one can see the band is getting down while watching the fans do the same, all while creating live electronic music to an unmatched degree of quality, making it look like just another day at the office.
Typically, Thursday of a three-night Cap run has been more of a ‘‘warm up night,’ as the band gets comfortable in the room. The shows have been great, but have been overshadowed by stellar Friday and Saturday shows. This was not the case this weekend, given the way the band has been playing, as there was no warm up needed and Thursday was on par if not stronger than the next two nights.
Starting the run with a jam that evolved into an almost 20-minute “Gangster,” a “Spacebirdmatingcall” sandwiched “Cyclone” that found Jon “Barber” Gutwillig hitting next level peaks as the industrial techno beat took over. As the set reached the second half, two rarely played songs, “Trooper McCue” and “Floes” appeared, a double dose of early Biscuits, with the more recent “Lake Shore Drive” fitting in nicely in between.
A rarely played “Park Ave” made its third appearance since 2011, and second this year, opening up the second set, then dipping into an inverted “Shelby Rose” which was last performed inverted style at the Capitol Theatre in 2019. The flowing set continued with an inverted “Reactor” which found Barber taking a section for “a couple of laps” as bassist Marc Brownstein put it. The set would close with ”Evolve,” a 2021 composition that gives off a late 90s Eurodance vibe, segueing into a 20-minute set closing “Caterpillar.” With a short encore slot leftover, “Portal To An Empty Head” put a exclamation point on a night that to some was the highlight of the run, but if anything, simply foreshadowed the greatness of the next two nights that followed.
The Disco Biscuits – Thursday, March 23 – The Capitol Theatre – Port Chester
Set 1: Jam > Gangster > Spacebirdmatingcall > Cyclone > Spacebirdmatingcall, Trooper McCue, Lake Shore Drive > Floes Set 2: Park Ave > Shelby Rose 1 > Reactor 1 > Evolve > Caterpillar Encore: Portal To An Empty Head 1 inverted
Friday night featured opener Dogs in a Pile, a New Jersey band that was making waves prior to the pandemic and who have not looked back in that time, touring across the country and building a ‘Dog Pound’ fanbase in the meantime. The full set is worth a listen, especially the final tune, “Time Stands Still,” with Ben Pinnola on saxophone.
When it comes to the Disco Biscuits, anything can be a jam vehicle, nearly everything is in play – new songs, old songs, fan favorites, rare covers – and that is what makes the band so enjoyable to see show after show, no matter if you last saw them a week ago or five years ago.
Cracking open the first set was “Shocked,” which stands to be the first song from the band’s forthcoming “Space Rock Opera,” and had fans shouting “Shocked” as if the tune was a longtime part of the repertoire. A stand alone “Digital Buddha” followed, with the pace accelerated by Barber and drummer Allen Aucoin to a furious froth, giving unparalleled energy as the song reached its peak.
Among all new debuted songs, a clear fan favorite is “Twisted in the Road,” which would proceed to sandwich three songs in between a “Twisted” 22 minute jawn, with lyrics “Let it run and let it roll” becoming a mantra for Biscuits fans in the process. “Bombs” made a return appearance at The Capitol Theatre (played in 2017 and 2019) after being brought off the shelf by fan request at a Drive-In show in May 2021. “Orch Theme,” the ever-welcome dark electronic Conspirator song arrived out of “Bombs,” bringing the rare “Rainbow Song” from the ashes of “Orch Theme,” before winding back into “Twisted in the Road” to close the set and reach the halfway point of the run.
Set 2 began with the fresh “Freeze” that ran for nearly 25 minutes and exemplified one of the best elements of the Disco Biscuits – you can easily forget what song you’re dancing to, and happily so. In the moment, it doesn’t matter what song it is when they’re jamming at this level of consistency, making song chasing secondary to enjoying these jams more than ever before. Anything is in play with improvisation opportunities found at all turns.
The middle section of “Crickets” gave way to “Another Plan of Attack” and “Space Train,” and then an inverted “Above The Waves” that clocked in at a raging 20 minutes. “One Chance To Save The World” closed the set with “King of the World” celebrating this powerful set in the encore slot.
The Disco Biscuits – Friday, March 24 – The Capitol Theatre – Port Chester
Set 1: Shocked, Digital Buddha, Twisted in the Road > Bombs > Orch Theme > Rainbow Song > Twisted in the Road Set 2: Freeze > Crickets 1 > Another Plan of Attack > Space Train > Above The Waves 2 > One Chance To Save The World Encore: King of the World 1 middle only 2 Inverted
Opening Saturday night was Eggy, who has been on the rise as of late and had recently opened for Twiddle at The Capitol Theatre in November 2022. This remarkable Connecticut band has excellent stage presence and precision jamming, with Jerry Garcia Band’s “Gomorrah” a fitting cover for the room.
The Biscuits’ first set opened up with stand alone versions of “Story of the World” and “Astronaut,” a departure from the sandwiching of other tunes inside segments of these compositions. A classic “Little Shimmy In A Conga Line” had a percussion segment that was unique and fit the jam well, and may have been exploring a shift into “O Fortuna” (a cantata by Carl Orff), from the Biscuits’ catalog of classical covers. Shortly after, “Shimmy” started to give off “Digital Buddha,” but having already played “Buddha” the night before, this meant the audio doppleganger for “Buddha” – “Tricycle” – was on the horizon.
The last two minutes of “Shimmy” made it seem as though the band would be dipping into one of their most high energy songs for a segue. Then out of left field came a short, sweet and nasty “Tempest” that provided a bridge to the full on “Tricycle,” which had the crowd singing along in unison like no other in recent memory, the four fully dialed in for this fusion of sound and bringing the audience along with them for the ride. The newer “Vibes” hit the spot out of “Tricycle” and found its way into the ending of “Svenghali” to close the set on a high mark.
The first set had so much energy and hit all the right spots, contending quickly for ‘Set of the Weekend.’ The general consensus at setbreak gave no notes, no criticisms and no hot takes other than ‘these guys are on fire.”
Sorry if that sounds like hyperbole, but the dedicated fan base is in agreement that the band is as dialed in and consistent as they’ve ever been. So when it came time for Set 2, the crowd was abuzz as the setlist was confirmed to be written by longtime Biscuits audio engineer Rich Steele, celebrating his 300th show this evening. The set unfolded as a dissection of one of the Biscuits’ earliest songs, “Basis For a Day” spread out over the 90 minute set with four of the newer ‘Space Opera’ songs woven in between, leading fans to coin the fluid set “Spaces for a Day.“
If you hadn’t heard “Basis For a Day” in a minute, you were in for a treat. The band opened up with “Basis,” segueing into “The Wormhole” before finding their way back to “Basis.” Despite only debuting nine months ago, “Who’s In Charge” has found its home in regular rotation and followed the second “Basis,” with a driving beat behind Barber’s repeated query “Who’s in charge….. of this place right here?” From there, it was back into “Basis” for round 3, followed by “The Deal,” a song so new it had only been played three times prior to this evening. Back into “Basis” and then “To Be Continued,” with a new wave/techno riff from Aron Magner, seeming to be a song towards the end of the Space Opera. By the time they went back into “Basis” for a final time, nearly 90 minutes had passed but fans didn’t notice as they were far too busy getting down.
You couldn’t find a stronger way to cap the run with a set of this nature, where knowledge of the band’s collective level of consistency in performance and songwriting was put high on a pedestal for all to see. Weaving the band’s unnamed/unreleased “Space Opera” in and out of one of their most performed songs was a master stroke and paid dividends for everyone in attendance. A fitting encore of “We Like To Party” framed the three night run, with the band and fans in unison proclaiming enthusiastically, loudly and proudly, “We like to dance, sorry if you don’t.”
Don’t sleep on the Disco Biscuits – they’re in Colorado this coming weekend for four shows, head down south for four more in May before heading to Iceland for their first international jaunt in well over a decade. Tour dates for the summer have just been announced, which find the band touring up the east coast in June for eight shows, starting in South Carolina on June 7 and closing out with two nights at Mulcahey’s in Wantagh. Here’s hoping for more details on the upcoming “Space Opera” as the year progresses.
The Disco Biscuits – Saturday, March 25 – The Capitol Theatre – Port Chester
Set 1: Story of the World, Astronaut, Little Shimmy In A Conga Line > Tempest > Tricycle > Vibes > Svenghali 1 Set 2: Basis For A Day > The Wormhole > Basis For A Day > Who’s in Charge > Basis For A Day > The Deal > Basis For A Day > To Be Continued > Basis For A Day Encore: We Like To Party 1 end only
It was an electrifying night of sonic diversity, high-octane improv and jaw dropping prog-inspired grooves on March 23rd when homegrown Albany rock-fusion favorites Timbre Coup and buzz-worthy Colorado up-and-comers Squeaky Feet teamed up for a rowdy Thursday night throw down at The Hollow Bar + Kitchen. The show was presented by Guthrie/Bell Productions.
Albany prog-rockers Timbre Coup made their triumphant return home to The Hollow on 3/23/23
Putting their best foot forward, the exciting evening of music kicked off with a stellar set from Squeaky Feet. The talented quintet comprised of Colin Shore (guitar/vocals), Greg King (guitar), Jimmy Finnegan (bass/vocals), Brian Keller (keyboards/sax/flute/vocals), and Kevin D’Angelo (drums) originally formed while attending Berklee College of Music and have seen a steady growth since relocating to Denver, CO in 2018. Holding it together through the pandemic and arguably growing even tighter because of it, the band has been hitting the road hard since the return of live music.
Colorado jammers Squeaky Feet made their Albany debut at The Hollow on 3/23/23
Opening with a tune called “Chance to Grow,” the technical prowess of each member of the band was on display early. Blurring the lines between psychedelic funk jams, intricate jazz rock fusion, and at points just downright metal, the vibe got comfortably spacey on a fully realized rendition of “Outer Ring.”Making a bit of a return to his old stomping grounds, between songs guitarist Colin Shore, formerly of Mister F, a side project of Timbre Coup, would take a moment to say how nice it was to see so many of the old 518 music family in attendance.
Sneaky Feet guitarist Colin Shore got his start in Albany with Mr. F, a side project of Timbre Coup
Now humbly wearing the colors of his new band, presumably because he’s out of clean clothes from being on tour, Shore dug deep on the next tune “Shovelware,” leading the charge through the songs unique arrangements and head-banging peaks.
Squeaky Feet multi-instrumentalist Brian Kelle had his hands full at The Hollow on 3/23/23
With time left for just one more, multi-instrumentalist Brian Keller would impress with his dexterity, busting out both a saxophone and a flute while simultaneously playing the keyboards during the course of the epic 16-minute “Little Bit Further” set closer. You can check out fan shot video of that in the clip below, or listen to the soundboard of the entire set on nugs.net. Immediately following this tour, Squeaky Feet will return to the studio to finish up recording their highly anticipated debut album. If the songs played in Albany are any indication, there is a lot to look forward to from this promising young band.
After a brief break in the action, fans rushed in from the rain the moment local hometown prog rockers Timbre Coup took the stage. That’s because longtime followers of the band know that every time they play together is a rare and special occasion. Originally formed in the small village of Altamont just outside of Albany, the charismatic quartet has gained a reputation for throwing one hell of a live show. Once a band that toured around the country and always on the cusp of breaking out, in recent years the band has been laying low and picking their spots. Consisting of Dan Gerken (guitar, bass, vocals), Andrew Chamberlaine (guitar), and brothers Ben (bass /guitar) and Matt Pickering (drums), on this Thursday night in Albany, Timbre Coup came out of the gates ready to party and have a good time. You could see on it on all of their faces.
Timbre Coup rocked the 518 faithful to their core on 3/23/23
Showcasing their complex and unique sound from the start, crossing somewhere between progressive rock and psychedelic jamtronica, the signature duel-guitar “improg” style has been a calling card of Timbre Coup ever since forming in 2007. A bit of a Gregorian theme started taking shape early as the opening song “January” soon turned the calendar over to “May.” From there we got our first cover of the set with Gerken channeling his inner Josh Homme for a spot on ride through the Queens of the Stone Age smash hit “No One Knows.” Armed with considerable chops and plenty of natural showmanship, Gerken and Ben Pickering then traded off instruments with each other, swapping bass for guitar and going headfirst into a lengthy “Verbal Kint” jam before returning to theme with “July” and then “October.”
Dan Gerken pulled doubly duty on 3/23/23, frequently switching between bass and lead guitar
Pushing the music in a heavier direction was fan favorite “Arnold Schwarzeneggar,” which saw even the oldest fans in the room throwing down through the songs pummeling peak. After “Bunnies,” Timbre Coup would give proper thanks to the fans who came out on a rainy Thursday, the promoter and their former manager Greg Bell, and local artist Shanti Payne who did the beautiful gig poster for the show and was also in attendance doing live sketches.
Timber Coup’s Ben Pickering lays down the low end at The Hollow on 3/23/23
Up next came perhaps the longest jam of the single set show, “Z#” off the bands most recent studio album, 2021’s Sudden Urge. The band would then jam their way back into the monthly theme and appropriately enoughm finally land on “March,” bringing the main portion of the performance to a close. After a little begging from the hometown faithful, the guys came back out to deliver a stellar version of one of their oldest and most beloved compositions, sending the audience home happy and sweaty with fully funked out version of “I Didn’t Know She Had a Mustache.”
Timbre Coup performing at The Hollow on 3/23/23
Just starting to rediscover their stride and clearly having fun jamming on older originals, up next Timbre Coup plans to do some recording for the remainder of March and into April. Their next scheduled gig comes on June 8th at Nanola in Malta, NY. Later this summer the band will take part in the annual GEM Arts and Music Festival in Glens Falls.
Squeaky Feet | March 23, 2023 | Albany, NY – The Hollow Setlist: Chance to Grow, Outer Ring, Shovelware, Little Bit Further
Timbre Coup | March 23, 2023 | Albany, NY – The Hollow
Setlist: January, May, No One Knows (QOTSA cover), Verbal Kint>Jam>July, October, Arnold Schwarzeneggar, Bunnies, Z#, Jam>March
Caroline Rose celebrated the launch of her new album, “The Art of Forgetting” and debuted her short film of the same name on Friday (March 24, 2023). Tucked away in a red brick building in Williamsburg in Brooklyn, NY sits Tower Records’ newly reopened event space, Tower Labs.
Caroline Rose introducing her short film at Tower Labs, photograph by David Reichmann
The intimate setting was perfect for the debut of Caroline’s short film, featuring three songs off the new album. She briefly introduced the album onstage, saying it was a dark time and was a very difficult record to create. The crowd enjoyed an open bar, a polaroid photo booth, and unique merchandise to commemorate the album.
Caroline Rose album release party at Tower Labs, photograph by David Reichmann
You can listen to Caroline Rose’s music here. She returns to New York on April 12th for a show at Webster Hall, and you can purchase tickets here.
Hudson Valley’s Sam Kogon has just shared a hauntingly beautiful music video for his track “All I Wanna Do,” directed by G.W. Duncanson. Kogon said he was inspired to write the song after moving into his Westchester Apartment in a 1920’s era building, soon realizing that he was not alone yet found comfort in his uninvited guests.
The Hudson Valley is home to lots of tales of creepy crawlies and wandering spirits. Hometown singer/songwriter Sam Kogon grew up listening to them all and has brought that ghostly history alive in his latest music video.
“Intertwining a retro charm with a modern perspective, Sam Kogon has mastered the art of fusing something you already love with something you’ll love even more, pushing his psychedelic influences into fresh new landscapes anyone can enjoy.”
Thus, “All I Wanna Do” tells the story of an impossible love story between a mortal and a house spirit. The classic love story of unrequited love takes on an unusual twist with Kogon’s smooth vocal styling and catchy melodies.
Filmed at several undisclosed location in Yonkers in Westchester County, Kogon enlisted a talented troop of creative technical and performance artists to produce the alluring cinematic offering that utilizes the crumbling remains of an historic Hudson River Estate as a backdrop.
In the video, Kogon stars as a Phantom character, singing in an old-fashioned living room while the action takes place elsewhere. Spirits of child brides, beautiful witch temptresses (one of which is played by Violet Hetson aka Powerviolets), a trapper played by Danny Christmas, and even a frisky bear tell the story of an impossible romance between the two realms.
Fun fact: the aforementioned bear costumed character is the same one that appeared in numerous episodes of the David Letterman Show. Hwtson made the witch dress herself, and all other fashions used in the shoot come from Beyond Costumes, also located in Yonkers.
You may also remember Kogon’s last video from 2022 for his international hit “Barbed Wire,” filmed in Kingston, where his family hails from. That storyline included scenes filmed in Sam’s Swap Shop, his family’s business for over one hundred years, before it fell victim to gentrification and high rents. Both “Barbed Wire” and “All I Wanna Do” made their appearance in his 2022 self-titled 4-track EP.
Sam Kogon describes his new approach as that of an “Upstate country rockabilly crooner,” a sound he had once put off while playing in Brooklyn’s psychedelic scene. Kogon lived and played in New York for several years, but nowadays lives in Westchester and spends more time in LA.
To watch and listen to “All I Wanna Do,” click the link here.
