Alternative country band Divining Rod just released a new single, “GOAT” in support of their latest studio album, Santa Monica & Other Golden Classics, due for release on May 19.
The sound of “GOAT” is reminiscent of Southern Rock’s golden age, due in large part to the song’s exhilarating vocals by founding member Miyuki Furtado. Santa Monica & Other Golden Classics marks Divining Rod’s first major release since the pandemic first hit the United States.
The cover of Driving Rod’s new album, Santa Monica & Other Golden Classics. Credit: Sean Joyce.
Divining Rod started out as a solo project for Hawaiian native Miyuki Furtado, originally of the rock band the Rogers Sisters. After the Rogers Sisters broke up, Furtado left his beloved Brooklyn neighborhood with his family for greener (and less crowded) pastures. “My wife and I bought a small, beat-up house north of the city and settled down.” With the help of guitarist/vocalist Patrick Harmon, Furtado began playing shows handling guitar, vocals, and drums, utilizing his homemade drumset while Harmon added his unique guitar playing and harmonies to the mix. Second drummer John Malone and bassistMatt Svigalsround out the band.
“GOAT” may be one of the ‘greatest’ songs by Divining Rod of all time. If the rest of Santa Monica & Other Golden Classics is anything like its latest single, Divining Rod is sure to have a long career ahead of themselves, and future releases by the band will be music you certainly won’t want to miss. Before Santa Monica & Other Golden Classics is released, stream Divining Rod’s latest hits.
When discussing their latest single “GOAT“, band frontpersonMiyuki Furtadowrites:
I’m sometimes asked if my songs are fiction or based on something that actually happened to me in real life. My songs are often based on experiences I’ve had or on stories I’ve heard from friends and acquaintances. It is not uncommon for the subject matter to be a combination of several people. There are times, however, when I’ll write about a specific person; like this one. A pretty terrible person is being portrayed in this story: selfish, dishonest, and cruel at times. GOAT is an appropriate title for the song. Despite this, I wonder if I am subconsciously writing about my negative qualities, given that I was raised Buddhist. In Buddhism, people are a reflection of the individual, so it could be my own embarrassment about my own negativity. The question is still fresh in my mind, I guess – Yeesh!
Divining Rod’s new single, “GOAT” is now streaming, and their new album Santa Monica & Other Golden Classics is out May 19.
Troy pop-rock natives Gracies Paris has released their newest single “Fragile”
Gracie’s Paris is a hook-oriented, power pop-inspired rock band from the NY Capital Region. Originally formed as a trio in 2007, the original lineup included Carl Ferritto on guitar and lead vocals, Randy Rose on bass, and Eric Buechner on drums. The band went on hiatus in 2013 and reunited as a four-piece during COVID, adding lead guitarist Steve Hourigan to the original 3. Since mid-2022, Gracie’s Paris has focused on writing and recording.
To keep listeners engaged, Gracies Paris like to change sound for each single. Despite the differences in inspirations, lyrics and genres, Gracies Paris manages to build a cohesive, yet intricately different soundscape for their fans.
Coming in at just under 3 and a half minutes,”Fragile” describes a failing relationship with a narcissist. This track is a high-energy bass driven song with an 80’s inspired feel. Despite the heavy topic, this track manages to hook itself into your brain, with an incredibly catchy chorus. Perfect for your commute to work, or reminiscing on past relationships, “Fragile” shows off the best of Gracies Paris unique vibe.
Caroline Rose delivered a truly captivating performance at Webster Hall in New York City on April 16. The concert was in support of her latest album, The Art of Forgetting, which was released just a few weeks prior on March 24th.
Caroline Rose Performs at Webster Hall, Photography by David Reichmann
The opening act for the concert was Hammydown, a talented musician who delivered a powerful set that warmed up the crowd perfectly for the headliner. Hammydown, who identifies as a trans musician, took a moment during their set to discuss the importance of representation and how Caroline had been their best friend in helping them record their album and feel safe on tour. This touching moment only added to the sense of community and connection that was present throughout the night. Their statements brought big cheers from the New York audience.
Hammydown Performs at Webster Hall, Photography by David Reichmann
One of the most striking aspects of the show was Caroline’s decision to play the entire first set in front of large panels that hid her band, with lighting that showed only the silhouettes of her bandmates. This gave the performance a unique and mysterious quality, which only added to the already electric atmosphere. The band performed the latest album in its entirety. Caroline joked, “This is the kind of album that will be considered a classic in five years.”
Caroline Rose Crowd Surfs at Webster Hall, Photography by David Reichmann
Returning to the stage for her encore, Caroline removed the panels to showcase her talented band, and the energy in the room surged even higher. It was clear that Caroline had carefully thought out every aspect of her performance, from the setlist to the visuals, to create an unforgettable experience for her fans.
Caroline Rose at Webster Hall, Photography by David Reichmann
One of the most memorable moments of the night was when Caroline walked through the crowd during the encore as she performed. She then crowd surfed, wearing a blissful smile as she floated through the venue with her arms outstretched. This demonstrated her connection to her fans, and it was clear that the feeling was mutual, as the crowd was absolutely wild with excitement.
Caroline Rose walks through the crowd at Webster Hall, Photography by David Reichmann
Overall, Caroline Rose delivered an outstanding performance that left a lasting impression on all those in attendance. Her attention to detail and willingness to take risks in her performance paid off in spades, making this a show that will not soon be forgotten. If you have the opportunity to see Caroline Rose in concert, do not hesitate – it is an experience you won’t want to miss.
Caroline Rose’s North American tour continues, and you can see her upcoming tour dates here. Be sure to check out her latest album here, and listen to Hammydown’s music here.
Pianist and composer Angelica Sanchez put on a brilliant performance this past Saturday, April 15th at the St. Andrew and St. Luke Episcopal Church in Beacon. Sanchez, following no particular setlist and rather letting the music come to her in the intimate venue, did not fail to put on an incredible show for her captivated audience.
Angelica Sanchez
Sanchez, born in Arizona but now based in New York, is well-recognized for her jazz piano playing and has been featured in various publications like the New York Times, the Jazz Times, and the Chicago Tribune. She’s played multiple shows across NYC and the East Coast, and has another concert scheduled at Carnegie Hall for The Sophia Rosoff Concert Series: Jazz Piano Pairings 1. She is set to continue her tour until late November, playing venues across Massachusetts, Connecticut, California, the United Kingdom, France, Finland, and more.
Sanchez truly put on an outstanding performance in the dark-lit church venue. During one piece, she took out a drum mallet and began hitting the inside of the piano, adding a slow beat to her previously solo playing. The sheer silence of the crowd, coupled with the rain and thunder heard from the outside, beautifully matched the almost eerie ambiance of her piano playing. She masterfully blended dissonant chords and melodies together to create a panicky tone throughout her performance, with an incredible resolution toward the end. Her quiet humming to her crafted melodies entranced the audience members as they intently listened to her various eclectic compositions. The crowd stayed silent after each piece and waited to clap until the very end, making her one-hour set feel like a giant performance of a single piece.
Sanchez’s show was not something to miss. She is set to play many more shows across New York state throughout 2023, and her tour schedule can be found here.
Tesla rocked the Seneca Niagara Casino in Niagara Falls with an incredible performance on April 15th. They last played the Niagara Falls area in 2019 and the Buffalo area in 2015. The legendary hard rock band has been a staple in the rock world for over three decades. The crowd eagerly anticipated the show from the moment the band took the stage. Tesla began with “Ladyluck,” a high-energy classic that set the tone for the night.
One of the show’s highlights was the band’s tribute to their former bandmate, Tommy Skeoch. Jeff Keith’s powerful vocals soared over Frank Hannon and Dave Rude’s heartfelt guitar work during the touching rendition of “What You Give.” Fans sang along to the emotional lyrics, paying their respects to the late musician.
Throughout the night, Tesla played hit after hit, including “Modern Day Cowboy,” “Love Song,” and “Love Me”. Fans sang along to every word, their voices blending together in a chorus of appreciation for the band’s incredible music.
But it wasn’t just the music that made the night special. Tesla’s connection with the audience was undeniable, and the crowd responded with cheers and applause. Brian Wheat’s bass and Troy Luccketta’s drums provided a rock-solid foundation for the band’s sound. Frank Hannon and Dave Rude traded blistering solos, their fingers dancing across the fretboards with ease.
As the night came to a close, Tesla launched into a rousing encore, playing “Little Suzi” and “Signs” to the delight of the crowd. Fans sang along, their voices blending together in a powerful show of appreciation for the band’s incredible talent.
In conclusion, Tesla’s performance at Seneca Niagara Casino was a masterclass in classic hard rock. The band’s musicianship was impeccable, their showmanship undeniable, and their connection with the audience was electric. It was a night that will be remembered by all in attendance, a testament to the enduring power of rock and roll.
On Thursday, April 13, Sony Hall hosted a concert featuring three legendary names in hip-hop and jazz music: GZA, Big Daddy Kane, and Roy Ayers. Each artist brought their unique style and energy to the stage, creating a night to remember for fans of all ages.
The evening began with Roy Ayers, who delighted the crowd with some of his biggest hits, including “Searching,” “Everybody Loves the Sunshine,” “Running Away,” “Firehouse,” and “Apache.” Ayers, a prolific jazz-funk musician who has been active since the 1960s, is known for his use of the vibraphone and his signature blend of jazz, funk, and soul.
Next up was GZA, one of the founding members of the Wu-Tang Clan and a hip-hop legend in his own right. He took the stage to thunderous applause and launched into an electrifying set that included fan favorites like “Duel of the Iron Mic,””Living in the World Today,” “Cold World,” “Labels,” “4th Chamber,” “Shadowboxin,” and “Clan in the Front.” GZA’s powerful flow and sharp lyrics combined with the crowd’s energy to create an electric atmosphere that left everyone wanting more.
After GZA’s set, Big Daddy Kane took the stage to the delight of the audience. The rapper, who first rose to prominence in the late 1980s and early 1990s, performed classic hits like “Smooth Operator,” “Ain’t No Half Steppin’,” and “Warm It Up.” His performance was a testament to his status as a true hip-hop icon, and the crowd responded with thunderous applause and cheers.
GZA then returned to the stage to finish the show, performing some of the biggest hits of his career, including “Reunited,” “C.R.E.A.M.,” “Triumph,” “Liquid Swords,” and “WU Tang Clan Ain’t Nuthin to Fuck With.” The crowd was on its feet rapping along to every word, as GZA and his live band brought the night to a close with an unforgettable performance.
Setlists:
Roy Ayers Searching, Everybody Loves the Sunshine, Running Away, Firehouse, Apache
GZA Duel of the Iron Mic, Gold, Living in the World Today, Cold World, Labels, 4th Chamber, Shadowboxin’, Clan in Da Front, Killah Hills, Crash Your Crew
Big Daddy Kane Smooth Operator, Aint No Half Steppin, Warm it Up,
GZA Legend of the Liquid Sword, Reunited, Shimmy Shimmy Ya, C.R.E.A.M. Triumph, Liquid Swords, Wu Tang Clan Aint Nuthin To F With
Oscar, Golden Globe, and BAFTA award nominee Ana De Armas shocked and stunned viewers with her role as Marilyn Monroe in the biopic Blonde, as well as her other roles, including the critically acclaimed mystery Knives Out. This week she hosted Saturday Night Live with Latin musical guest Karol G.
In honor of the warm weather recently, Saturday Night Live’s cold open took place in Central Park with an award show called the “First Warm Day of the Year.” Reporters (Heidi Gardner and Bowen Yang) took turns interviewing various people you’d see throughout the park, from runners, perverts, first-time rollerbladers, disgruntled park employees, and more.
The monologue opened with Ana De Armas showcasing her bilingual skills, swapping from Spanish to English, talking about how she learned to speak English from the TV show Friends, and different acting classes. Armas discussed her Oscar nomination as well as the fact that she is becoming a U.S. citizen in just three weeks. She finished it off by saying how she feels like she made it because she is hosting Saturday Night Live.
The second sketch, “Matt Schatt Game Show” featured Kenan Thompson as the game show host, with Ana De Armas playing an attractive wife, married to a nerdy, unattractive man with a humourous amount of nipples, played by Mikey Day. Lately, pop culture has been overtaken by the new Barbie movie trailer and SNL references that, utilizing American Girl dolls in a fake movie trailer, bringing the dolls to life.
Other sketches include “Album Recording Session,” about a producer (Devon Walker) trying to record his producer tag, starring Armas and Ego Nwodim as the girls recording it, messing up and joking about his car, his ability to get women, and more. Following that is a sketch about a Spanish class, with musical guest Karol G making an appearance towards the end, singing the Spanish alphabet. The “Please Don’t Destroy” sketch spoke about a bad night out, where they cannot remember what happened, suffering hangxiety.
Colombian singer/songwriter Karol G, described as a reggaeton and Latin trap artist, experiments with different genres throughout her music. She has amassed over 50 million monthly Spotify listeners and has over one billion streams. Her first song of the night “MIENTRAS ME CURO DEL CORA” off of her critically acclaimed record Mañana Será Bonito featured background singers humming the tune to “Don’t Worry Be Happy,” the tempo which is sampled in the track. Everyone was dressed in brown and beige, with a satin curtain background, dancing to the different beat changes the song includes, making the listener want to get up and groove. The vibes are happier on the song as Karol G sings in Spanish, catering to native and non-native speakers alike with her infectious energy and overall good mood.
https://youtu.be/_Q8b-dzZ9gA
Weekend Update rammed in on the Trump arrest and various politicians, from Supreme Court Justices to those voting against a women’s right to choose. Guests include Kenan Thompson as Funky Kong, talking about getting cut from the new Super Mario Bros. Movie, and Sarah Sherman as Genesis Fry, a meditation guru attempting to make Colin Jost become intuitive while making fun of his ego and soft arms. SNL makes it a point to introduce the first nonbinary cast member Molly Kearney as who they are, not a character. Kearney spoke about trans rights, which are a topic of discussion amongst lawmakers, trying to limit their rights, but Kearney makes it a point to discuss how important their rights are, and that we need to protect trans youth.
The final sketches included Armas and others in “Enter Stage Woof: Acting School for Dogs,” featuring actual dogs on the SNL stage, and Bowen Yang, holder of the Guinness Book World Record for the longest nails, with his wife, played by Armas. The sketch takes a shocking turn as Yang cuts his fingernails off, saving their relationship. Karol G performed her last song “TUS GAFTAS” with a completely different vibe change, suddenly in a spiky black outfit laying against a black car, with an all-female backing band, also in all black. The song is heavier than the last, with melodic guitars and a fast drum beat, showing her versatility. She wows the crowd with her stage presence, moving all around as she sings, not stopping the swaying of her hips even when the song stops.
https://youtu.be/BaQ532bS3N4
Pete Davidson will make his Saturday Night Live return on May 6 with musical guest Lil Uzi Vert.
Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Reese Fulmer, Modern Fools, and Northern Faces.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Modern Fools don’t fall into just one genre, creating music that can be classified as country, folk, alternative, or even indie. Last year they released the track “Misery,” tune into EQXposure on Sunday to hear it.
Reese Fulmer and his Carriage House Band are quickly rising stars in the Capital Region. Fulmer is a bit of an old soul, and his music is reminiscent of Justin Townes Earle, Jeffrey Foucault, John Prine, and Iron & Wine. He will be performing at the Hollow in Albany on April 22, and tickets are on sale here.
Northern Faces is a rock band formed in 2012 featuring Bryan Shortell and Marco Testa on vocals and guitars, and Matt Ippolito on bass. Their single “18” was released on March 17.
NYC indie-pop artist Olivia Reid is getting ready to release her newest single “Wounds (Healing)” on Friday, April 14th. The track is an introspective, ethereal reflection that sees the budding singer-songwriter questioning the layered, complex healing process.
Olivia Reid stated about the single, “I recognized how much I had to heal from, but simultaneously feared that truly healing it would leave an absence or a blankness in me. When I’m in fight or flight mode long enough, wounds in the form of anxiety or sadness can mistakenly feel like a crucial part of who I am. The wounds feel familiar, so starting the healing process made me feel so much weaker at first.”
Based in NYC, Olivia Reid’s production style blends indie acoustics with exploratory electronic pop soundscapes, landing listeners in a visceral sonic world. Reid’s interests are diversified, exploring areas such as screenwriting, neuroscience, digesting current events, advocating for nature.
Currently, Olivia is involved with Brian Eno’s charity EarthPercent, and listening to podcasts, she formerly hosted Spotify For Artists and Notable’s Song Start podcast where she interviewed artists like Sam Smith, Victoria Monet, Hayley Williams of Paramore.
As a self-proclaimed “chronic collaborator,” Reid has connected with audiences around the world via collaborations such as “Time is Mine” with Kidswaste, “What You Came Here For” with Jae Luna, and “Above the Clouds” with SŸDE.
As stated in a previous article by NYS Music, Reid’s music serves as a self-reflection and dedication to her path to success, above all of the challenges. Olivia Reid’s debut EP Earth Water hit streaming platforms in 2021, with new songs on the way in 2023. Fueled by deeply personal lyrics and boundary-pushing production, the new project conceptually details an artist’s slow descent into madness.
The most prolific and exciting band in the jam scene, this side of Phish, is Pigeons Playing Ping Pong (PPPP), and they brought their rabid flock of fans and patented bevy of groovy tunes to the famous Brooklyn Bowl for the opening night of a 3 night run on April 13th. The 3 hour show showcased the band’s vast talents and was buoyed by a fervent fan base happy to see their favorite band return to New York City. The show was brought to us by Dog Fish Head and Record Store Day.
photo courtesy of Lee Melnikoff
Baltimore-based, Pigeons has been around longer than one might suspect. The members have been performing as a unit for over 15 years. The band formed at University of Maryland when Greg and Jeremy were in the dorms together in 2007 – the boys inform me that Wikipedia has this wrong. Drummer Gator was hired in 2015 to complete the current lineup of Scrambled Greg Ormont (Vocals, rhythm guitar), Jeremy Schon (lead guitar) and Ben Carrey (bass.) Some acts PPPP has opened for include Umphrey’s Mcgee, Moe., Disco Biscuits, String Cheese Incident, and Lotus. Some acts that have opened for PPPP include Goose, Kitchen Dwellers, Tauk, Karina Rykman and Magic Beans. PPPP present their own festival, Domefest, which is highly respected and regarded in the scene.. The band serves up a lively chat of all things PPPP in their FB group appropriately titled, “The Flock.” There is another FB group for merchandise and tickets. The band has released an initial EP and then 5 full length albums that all start with the letter P.
photo courtesy of Lee Melnikoff
Over a tasty dinner, I was able to ask Jeremy and Greg some questions. Greg ordered the salmon – a dish he orders almost every night for dinner on the road because it packs on protein and energy while being easy to digest before the show.
Chadbyrne: What’s the most challenging song you play live and why?
Greg: I find our newest songs are most challenging, especially when they have vocals. I’ve been focusing more on lyrics these days, sometimes finalizing them right before showtime, which makes them tricky to memorize. Instrumentally, our new song “Miyagi” is a doozy.
Jeremy: You’ll know when you hear it!
Chadbyrne: PPPP has blown up in recent years, is there a specific moment when you felt like you “made it”?
Greg: That’s really nice of you to say. I don’t know if I’ll ever truly feel like we “made it” per se, but it was so exciting when we decided to quit our day jobs to pursue music full-time about 12 years ago. I held a few jobs after college, but we were simultaneously touring almost every weekend of the year. We would go on these epic weekend runs and then I’d show up for work just so beat. Eventually we decided it was time to give this thing a real shot and tour full-time, and the fun hasn’t stopped.
Jeremy: Every time I look into the crowd and see people smiling and/or losing themselves to our music, I get that amazing feeling that “we made it”. We’ve had so many awe-inspiring moments at shows and festivals that it’s hard to just pick one, but a few big ones that come to mind are some of our Peach Festival sets, our first headlining shows at the 9:30 Club, and All Good Festival in 2015.
Chadbyrne: As a songwriter, what song are you most proud of and why?
Greg: All of them! Writing music is so fun because you always remember each song’s origin and development. Some ideas develop quickly, others take years, but in both cases it’s so exciting when they’re finally played live because you remember the journey.
Jeremy: I try not to pick favorites, but it’s always a proud moment when I hear people singing along with our songs!
Chadbyrne: If music hadn’t worked out, what profession do you think you would have undertaken?
Greg: I was in sales after college. I had a knack for it, but I wasn’t passionate at all. I don’t know if I could go back to a 9 to 5, but I could see myself getting into real estate as a means to an end to spend more time with my family.
Jeremy: If I didn’t find myself somewhere in the music industry, I’d probably be working some sort of IT job. I have degrees in Marketing and Business Information Systems, in case anyone is wondering the secret behind my playing.
Chadbyrne: Who is your favorite guitarist and why?
Greg: I always keep my ears open for inspiration and don’t play into the favorites game much. That said, I love Nile Rodgers, but I also love Shmeeans from Lettuce, Ryan from The Motet, Dan from Kyle Hollingsworth Band and countless others. They’re all great listeners, unique players, always melodic and in the pocket. Also since we don’t have a keyboardist, I often listen to those elements live. Huge fan of Joey Porter from The Motet and his funky approach on the clavinet, and everything Page from Phish plays.
Jeremy: I’m a huge Phish fan, so I can’t deny that Trey Anastasio has been a huge inspiration – he’s a master of tension/release.
photo courtesy of Lee Melnikoff
“Let Your Cup Overrun”
Yam Yam opened the night. Pigeons took the stage just after 9pm. This was the only night of the run anticipated not to sell out but that was just as well for the hard core members of The Flock in attendance as they were afforded more dancing room. “Distant Times” was the perfect up-tempo opener and the crowd knew all the lyrics. But it was “Live it Up” that was the highlight of the first set. The popular Pigeons staple builds and builds until Jeremy and Greg get locked into a tight call and response ultimately paying off with an exquisite crescendo.
After a Chili Peppers cover, as usual, Fun in Funk provided a spark near the end of the set. PPPP are masters of no matter the genre or the song – they can always find a groove and it is usually danceable. Manny Newman again demonstrated why he is one of the best LDs in music.
photo courtesy of Lee Melnikoff
PPPP is like going to the Circus. Greg is the affable and enthusiastic carnival barker who lures in patrons, Jeremy is the lion tamer guiding and patient who leads the posse to the next level and Ben is the charismatic clown always entertaining the masses with zest.
A highlight of the 2nd set was Gator on the drums – he is a heavy hitter adept at keeping impeccable time behind the kit as best exemplified by his bombastic extended drum solo at the end of “Water.” PPPP should do the soundtrack to a sci-fi film as the music is not of this world. Jeremy continues to demonstrate that he is the most underrated guitarist around – with the fastest fingers in the scene. The show was complete, with even Ben singing a tune. The encore was special with arguably the band’s best tune, “Dawn a New Day.” Upbeat and packed with lyrics ala “Strawberry Letter 23,” it is a lengthy joyous romp and a proper way to end the epic night on a positive note.
Pigeons Playing Ping Pong – Brooklyn Bowl, Williamsburg – Thursday, April 13
Set 1: Distant Times, Henrietta, Live it Up, Hit the Ground Runnin, Around the World, Overrun, Fun in Funk>Skinner
Set 2: Fall in Place, Water, Beneath the Surface, Bad for You, Melting Lights, Ha ha ha yeah, su casa, schwanthem
