Category: Features

  • An Interview with Alan Paul, Author of “Brothers and Sisters” Ahead of Summer Jam 50

    Alan Paul, writer of New York Times bestsellers “One Way Out: The Inside History of the Allman Brothers Band” and “Texas Flood: the Inside Story of Stevie Ray Vaughan,” is releasing his new book, “Brothers and Sisters: The Allman Brothers Band and the Inside Story of the Album That Defined the 70s,” on July 25. The release coincides with the 50th anniversary of the 1973 Watkins Glen Summer Jam that featured the Allman Brothers Band, the Grateful Dead, and The Band.

    Alan Paul
    Alan Paul. Credit: George Lange

    The book dives into the history of the Brothers and Sisters album, the Allman Brothers Band’s best-selling album with an influential cultural and musical legacy. Alan Paul notably includes never-before-heard interviews conducted by Kirk West, the Allman Brothers Band’s “Tour Mystic.” Stories within feature familiar faces like Jimmy Carter, Cher, Bob Dylan, Jerry Garcia, and Susan Sarandon.

    Several chapters are dedicated to the Summer Jam at Watkins Glen in 1973. The event drew in 600,000 attendants near the small town of Watkins Glen in the Finger Lakes region. It has been remembered as a record-smasher in terms of size and legacy.

    watkins glen summer jam Alan Paul
    The Summer Jam at Watkins Glen in 1973.

    Alan Paul himself also is a part of the tribute band Friends of the Brothers, in which the members were closely associated with the original band. They continue to bring the sounds of the Allman Brothers Band to new audiences and will play on July 29 at Lincoln Farms to celebrate the 50th anniversary of Watkins Glen as well as on July 30 to promote the book at the City Winery in New York City. More details after the interview.

    New York State Music interviewed Paul before the release of the book. The following is a trimmed-down transcript of that interview which discusses Paul’s inspiration, his thoughts on the Brothers and Sisters album, details from his research, and more.

    NYS Music: You’re involved in celebrating the Allman Brothers Band through the Friends of the Brothers, but what made you come back and write “Brothers and Sisters?” Did you feel like something missing from “One Way Out,” or was there just a different story you wanted to tell?

    Paul: It’s not so much missing from “One Way Out” as… it came out of a conversation I had with Brad Tolinski, who was the long-time editor of Guitar World… it just came up and he was just egging me on. I said “I’ve said my Allman Brother piece,” and he said, “No man, there’s more to say.” He was egging me on and said “Look, the 50th anniversary of Brothers and Sisters is coming up and I feel like it’s just still so unexplored.” I started thinking about it and digging into it a bit, and I came to think he was right.

    It really was the most popular era, and it holds up really well. It’s not like it’s being such an era piece that it’s an embarrassment now… and yet it was an era that was largely forgotten, even by the band’s biggest fans.

    NYSM: Of course, Brothers and Sisters is a very influential album. For you, personally, what made you want to pursue writing about it specifically? What does it mean to you?

    Paul: When I write these books… I dig in really really deep, so I throw myself into it for a year or two. I really have to like the music, first of all. It also has to be a great story because it is in writing, it is a book. It’s not just like “Oh, this album is great. Isn’t it great?” You can’t say that for hundreds of pages. There has to be a story and a plot. I just found this whole era very intriguing. And again, as I said, it was unusual because it was really popular, really vital, and yet it was sort of unexplored.

    Then we had this type of lineup with one guitar and keyboards during this period. The rest of the time they were a two guitar band. I think that is also why fans overlook it, and it ended pretty ugly, which I document pretty thoroughly…. I feel like people ended up focused on the end and the ugliness of the era rather than the beginning of the era and how cool it was.

    NYSM: Something that really caught my eye were the interviews, including the never-before-heard interviews by Kirk West. How did you get access to them or find out about their existence?

    Paul: Kirk West has been a friend for 30 years… Kirk was the “tour mystic” for the Allman Brothers. The title came about because he was the tour manager, but he did so much more than the average tour manager that he needed a special name… he was their historian or archivist.

    He told me that he had been working on a book. At that point it was the early ’90s… he said that he was writing a book on the band and he was doing all of these interviews. I started asking him to write a sample chapter for Guitar World. My thought at that point was that this would be a good story for Guitar World…. He eventually said “I love the idea, but I’m not really a writer and I don’t have time. But I can collaborate on it with someone.” That someone became me.

    I called Kirk and asked what he thought about [“Brothers and Sisters”]. He was very enthusiastic, and we would talk about it. Very early in that process, after that, he offered me and said “Would you like to have my interview tapes?” Of course I said yes, and they were a gold mine… it was an honor and a privilege to have access to them.

    NYSM: Among those interviews, was there anything that you found, maybe not necessarily surprising, but something that you were just very interested in? A new perspective or something like that?

    Paul: I mean, there was so much of that really, that its hard to pinpoint, but there were a specific things that were quite amazing. I had a good relationship with Gregg [Allman] and I interviewed him many many times. There were certain things that you just sort of knew, either because you were told or just knew that they were off-limits… he went there with Kirk.

    For instance, the relationship with Cher, I felt I was able to have a real depth to the way I wrote about it… Gregg talked about it so much in ways that he really never did again afterwards. That was one of the things you couldn’t really expect of Gregg. Another one of those things was the drug trial.

    The other thing was interviews with a few people who are deceased, including Gregg, but I had a lot of great stuff from Gregg… so there would’ve been ways to get around that. Just for instance, Steve Massarsky… he was their manager, he was the lawyer who came in and helped them sort out the mess that the business had become and take on, ultimately, their manager Phil Walden… [Also] Bill Graham, the great promoter who was very very important to the Allman Brothers, and to the Grateful Dead, and to Watkins Glen.

    NYSM: Could you go more into the connection of the Allman Brothers Band and Southern Rock to Jimmy Carter and his campaigning?

    Paul: Jimmy Carter himself has said many times that he would never have been president without the Allman Brothers… they were central to the whole thing… and that was for a variety of reasons. The most direct, most obvious reason is that they raised a lot of money for him…They really helped raise his profile at a time when he was completely unknown.

    [Manager Phil Walden] was an early Carter supporter and he was the one who was crucial in getting these guys behind them. Once they were, they really were all in. It wasn’t just something they threw off, it wasn’t a matter of convenience, and it wasn’t a matter of just pleasing Phil Walden… it was because they really really genuinely like Jimmy Carter.

    NYSM: For those that may be interested, in diving into the histories of these iconic bands, where would you advise them to go, and what would you advise them to read, beyond your wonderful biographies?

    Paul: So obviously they have to start with my books, but it depends on what their interests are… It’s just like listening to music for me. A lot of people got into the blues because they liked the Allman Brothers… Writing is the same way. If you read my books and you like them, then take the part you like and dig deeper.

    I try to write in a way so that you will have a better understanding of music… but also of the era and of other people… that’s my goal, I hope I pull it off. Keep reading, keep digging deeper, whatever the aspect is that is most intriguing to you, read more about it.

    On July 29, Alan Paul and Friends of the Brothers will be playing at Summer Jam ’23 at Lincoln Hill Farms, NY to celebrate 50 years since Watkins Glen. It will also feature the Grateful Dead tribute band Terrapin Flyer and The Band tribute The THE BAND Band. Doors open at 3:00 p.m. with a 3:30 p.m. start and tickets are available here.

    On July 30, Alan Paul will be at a “Brothers and Sisters” book event at City Winery in NYC, which will feature a book signing, author Q&A, as well as a musical performance featuring Duane Betts, Lamar Williams Jr., Johnny Stachela, Vaylor Trucks, Friends of the Brothers, and more. Doors open at 6:00 p.m. with an 8:00 p.m. start. Information and tickets can be found here.

    For book sales and more on Alan Paul, check out his website. More on Friends of the Brothers can be found on their website.

  • Dirty Heads Sell Out Buffalo Riverworks 

    Early 2000’s band Dirty Heads made a stop in Buffalo for their Island Glow Tour on Thursday, July 13 for a sold-out show. The West-Coast rockers brought their Southern California roots to Buffalo Riverworks and completely blew fans away. 

    The event was stacked with openers including G. Love & Special Sauce, Tropidelic, and Lupe Fiasco. Lupe Fiasco absolutely wooed the crowd when performing his hit records “Battle Scars,” and “The Show Goes On.” 

    Photo credit: Maddie McCafferty

    Dirty Heads have created a unique sound by mixing hip-hop, reggae, and rock. This dynamic band consists of Jared “Dirty J” Watson, Dustin “Daddy B” Bushnell, Jon Olazabal, Matt Ochoa, David Foral, and Shawn Gonzalez. All the members help establish a layered sound with trumpets, horns, drums, guitar, and keys. Despite the amount of people on stage they still keep large empty space for those with solos to come up front and interact with fans.

    Photo credit: Maddie McCafferty

    Up Late With Dirty Heads

    Once the clock hit 10:10 the band took over the stage and opened with “Heavy Water” off of their latest album Midnight. Fans ranging from young kids and older folk all showed their dedication not missing a single lyric. This proved to be especially true when Dirty Heads performed a throwback song of theirs “Lay Me Down,” off of their 2012 album Any Port in a Storm

    Photo credit: Maddie McCafferty

    Halfway into the night the lead members even took a pause from their show because the crowd wouldn’t stop cheering. A moment of gratitude was taken in as fans went crazy for a solid 2 minutes. The band acknowledged how special this Buffalo show was. A huge marker in their music career. 

    Photo credit: Maddie McCafferty

    Nothing got fans rowdier as when Dirty Heads played their track “Vacation” which has gained serious traction over the past few years. The song garnered over 6 billion views and streams across social media platforms making everyone in Riverworks incredibly hyped up. They closed out the night with “Island Glow” in honor of this special tour. Fans were left awaiting for another Dirty Heads show. 

    Photo credit: Maddie McCafferty

    If you missed Dirty Heads in Buffalo, no worries! Catch their other shows coming nearby at Patchogue and Pittsburgh. The Riverworks venue in the summer is unmatched. Upcoming events there include Sunset Sundays and a Murder Mystery. Get your tickets here

    Photo credit: Maddie McCafferty

    Setlist: Heavy Water, Medusa, Bum Bum, Franco Eyed, Silence, That’s All I Need, Life’s Been Good, Vacation, My Sweet Summer, El Dorado, Your Love / Garland / Lay Me Down, John Linen, Burn Slow, Rage, Rescue Me, Oxygen, Moon Tower

    Encore: Sloth’s Revenge, Island Glow

  • In Focus: Phish Shine at The Pavilion at Star Lake

    Making their way into to the Northeast, Phish made a two-night stop at The Pavilion at Star Lake, located in Burgettstown, PA, just outside of Pittsburgh. Two nights of exploratory jamming and a few debuts had fans eagerly anticipating tonight’s show in Syracuse at St. Joseph’s Amphitheater at Lakeview.

    Friday night began with a pair of first set openers, “Party Time” and “AC/DC Bag” followed by a fiery “46 Days.” A few songs later, “Stash” was the jumping off point for the first major jam of the night, dark and introspective. Likewise, “Leaves” jammed out nicely, setting the stage for a “Maze” that had Page McConnell furiously hammering the organ, standing up so others could get down. “Scents and Subtle Sounds” would close the set, although tonight the crowd got the full version, unlike Wilmington, NC on Wednesday night where the band was forced to cut the song off due to torrential rain.

    The second set featured some of the biggest jams of the run, with “Sigma Oasis” clocking in at more than 16 minutes, “The Final Hurrah” providing a segue to the wonderful debut of “Pillow Jets” – a light and fluffy song with a jam to match. “David Bowie” was the highlight of the set though, the band making the most of each space created following the composed portion. During “Bowie,” Page teased “Eleanor Rigby”, as well as in “Ruby Waves” that closed the show. And while “Fuego” did provide the awesome visual of the lighting rig descending to just above the band’s heads, although “Cities” could have had a chance to breathe ahead of the segue to “Fuego.” The encore of “Character Zero” and “Slave to the Traffic Light” would wrap things up and send the crowd out to the lots for a Cosmic burrito and slow crawl out of the venue parking lot.

    Friday, July 21 setlist via Phish.net

    Set 1: Party Time, AC/DC Bag > 46 Days, Birds of a Feather, Bouncing Around the Room, Stash, Leaves, Maze, Scents and Subtle Sounds

    Set 2: Sigma Oasis -> The Final Hurrah > Pillow Jets > David Bowie, Cities -> Fuego > Ruby Waves

    Encore: Character Zero > Slave to the Traffic Light

    On first glance, Night 2 of Phish at Star Lake felt a little more pedestrian compared to Friday, but a cleansing Set 1, with three energetic numbers – “I Never Needed You Like This Before,” “Turtle in the Clouds,” and “Llama” – beginning the night. With the sunset glaring down on the band, a half dozen ‘take em or leave em” numbers were peppered in, with the valley rising to a peak with “Ass Handed” and “Sand” closing out the set on a high note. No complaints, no notes, this was an enjoyable Saturday evening first set.

    What awaited in the second set were jams tucked inside jams – “Everything’s Right” had a distinct “Slave to the Traffic Light” jam within, so if you went to your car Friday night as “Slave” encored, you got a second chance to enjoy this one. “Soul Planet” and “Twist” each had their own solid jams, with McConnell’s Vida Blue composition “Most Events Aren’t Planned” appearing at the right moment, giving the second set from Friday a run for the money. Tonight’s second set debut tune “Monsters,” joining “Pillow Jets” and the previously played “Oblivion” as having strong potential for future Type II exploration. “2001” appeared out of thin air, held its own and gave way to Lou Reed and Velvet Underground’s “Rock and Roll,” a rarer treat these days.

    A triple encore of “Grind,” and short but sweet versions of “Tube” and “Ghost” (first ever in an encore slot) would close the night and send the crowd off to hotels, with visions of Oranges dancing in their heads.

    Phish plays tonight in Syracuse – never miss a Sunday show.

    Saturday, July 22 setlist via Phish.net

    Set 1: I Never Needed You Like This Before, Turtle in the Clouds, Llama, Clear Your Mind > Sample in a Jar, Taste, Ocelot, Julius, Saw It Again > Sparkle, Ass Handed, Sand

    Set 2: Everything’s Right > Soul Planet -> Twist > Most Events Aren’t Planned, Monsters, Also Sprach Zarathustra > Rock and Roll

    Encore: Grind, Tube > Ghost

  • New York Musical Icon Tony Bennett Dead at 96

    New York’s own Tony Bennett, one of the most awarded singers of his generation, has passed away at age 96. His death marks the end of a recent battle with Alzheimer’s Disease and a life filled with chart-topping hits and almost every musical accolade possible, including 20 Grammys, a Lifetime Achievement Award and two Primetime Emmys. His signature jazzy singing style and notable duets with contemporary superstars allowed Bennett to forge a career that lasted nearly 70 years in total.

    (Photo by Kevin Mazur/WireImage)

    Anthony Dominick Benedetto was born in Long Island City in Queens on August 3, 1926, the son of Italian immigrants. He and his older siblings grew up in poverty in New York, in the face of The Great Depression. Although his father passed away when Tony was only 10 years old, he helped him develop a love for arts and music like Al Jolson and Louis Armstrong. With the help of an uncle who worked in vaudeville. Tony Bennett was already performing live at 13 years old, singing at various Italian restaurants in Queens. He attended New York’s School of Industrial Art but dropped out at age 16 to help support his family. He never gave up on his dream of being a singer though, continuing to amass gigs as a singing waiter at restaurants as well as a a successful run at a Paramus, NJ night club.

    In 1944, Bennett was drafted into the US Army during the latter stages of World War II and even spent time on the front lines at one point in Germany. Upon discharge, he studied at the American Theatre Wing on the GI Bill. Here, he was taught the bel canto singing discipline which would allow to sing him for as long as he did. It was at this time that he also first started to develop his atypical approach of imitating, as he sang, the style and phrasing of other musicians.

    Pearl Bailey gave Tony his big break in 1949, asking him to open for her at a show in Greenwich Village. This led to a deal with Columbia Records where Bennett’s career first started out as a commercial pop singer. His first big hit was “Because Of You,” a ballad with a lush Percy Faith-led Orchestra. It reached #1 on the charts in 1951 and stayed there for ten weeks.

    Bennett continued to score more number ones in the early part of the 50s with songs like his rendition of “Blue Velvet” and “Rags To Riches.” He even had a short-lived television variety show in 1956, The Tony Bennett Show, which served as a replacement to The Perry Como Show. As the age of rock and roll ushered in, Bennett adapted accordingly with more jazz-oriented long form recordings like Cloud 7 and the critically acclaimed The Beat Of My Heart which featured icons like Art Blakey and Candido Camero. He even became the first male pop vocalist to sing with the Count Basie Orchestra.

    Bennett was also a notable advocate for civil rights. He participated at the 1965 Selma to Montgomery marches and performed at a rally the night before Martin Luther King’s “How Long, Not Long” speech. His career and popularity took a noticeable dip in the ’60s and ’70s where he tried, unsuccessfully, to record contemporary rock songs. He bounced around between different labels and even started his own record company called Improv which was out of business by 1977.

    After a near fatal overdose and an ongoing battle with the IRS, Bennett hired his son as manager in an effort to turn his career around. He was able to get his expenses under control, moved him back to New York, and began booking him in colleges and small theaters to distance him from a “Vegas” image. By 1986, Tony Bennett was re-signed to Columbia Records, this time with creative control, and released his first album to reach the charts since 1972, The Art Of Excellence.

    He continued to stay relevant throughout the ’80s and ’90s thanks to the guidance of his new management which regularly booked him on TV shows like Letterman and Late Night With Conan O’Brien. In 1993, Bennett played a string of benefit concerts organized by alternative radio stations around the country, introducing a whole new generation to composers like Cole Porter and Gershwin. He even made an appearance at the MTV Movie Video Awards alongside the Red Hot Chili Peppers, cementing the gap between his and the current generation. His 1994 appearance on MTV’s influential Unplugged is heralded as one of the better episodes and may have marked the peak of Bennett’s popularity.

    Bennett continued to tour extensively throughout the 90s, including a memorable appearance at Glastonbury in 1998, with his financial worries long a thing of the past. He was given a star on the Hollywood Walk of Fame and inducted into the Big Band and Jazz Hall of Fame in 1997. Tony Bennett is also a member of the Long Island Music Hall of Fame.

    The latter part of his career may have produced one of his more successful recordings of all time in Duets: An American Classic, which was released in 2006 as part of a celebration of Bennett’s 80th birthday, receiving two Grammy awards and resulting in a slew of corresponding concerts and TV specials. A sequel, Duets II, was released five years later featuring collaborations with artists like Aretha Franklin, Willie Nelson and Lady Gaga. His recording of “Body and Soul” for the album with Amy Winehouse is reportedly the last one she made before her death.

    In 2021, Tony Bennett announced his retirement from concerts and released his final album Love For Sale, another collaboration with Lady Gaga. With this, he broke the record for longest span of top-10 albums on the Billboard 200 chart for any living artist. He also broke the Guiness World Record for the oldest person to release an album of new material, at the age of 95 years and 60 days. Fittingly, his last live performances were also with Lady Gaga in 2021 that was later aired as a television special. Bennett is survived by by his wife, Susan Benedetto; his two sons, Danny and Dae Bennett; his daughters, Joanna Bennett and Antonia Bennett; and nine grandchildren.

  • Auburn-Based Singer Luke Mock Releases Heartfelt and Catchy Single

    Indie-pop singer/songwriter Luke Mock released his chill yet upbeat single “What You Deserve,” featuring irresistible vocal harmonies, catchy lyrics, and groovy instrumentals.

    Luke Mock

    Luke Mock is an indie-pop artist hailing from Auburn. His music immerses you in a captivating whirlwind of emotions, driven by catchy hooks, and delivered with genuine charm. With honesty and diving into his personal side at the core of Mock’s music, he forges connections and resonates with others. Compared to the likes of Shawn Mendes, Charlie Puth, and Julia Michaels, his captivating vocals and infectious pop music elements captivate audiences.

    “What You Deserve” is not your typical sad pop song, instead Luke Mock opts for an upbeat feel to the composition. Produced entirely by him with the help of a few friends, the song is professional and well thought out. The single is about Mock reflecting on a past relationship where he felt unable to provide his partner with what they deserved, primarily due to bad timing and his own journey of self-discovery, with elements of upbeat madness and sadness.

    Luke Mock

    The song immediately brings you in with an upbeat guitar and percussion, inviting the listener into his melancholy world. Fading just as fast as it started, Mock brings in his acoustic guitar, hitting your ears with his soft yet powerful vocals. Singing, “It was the wrong time/For you to walk in my life/I just couldn’t suffice/Something ’bout it all didn’t feel right,” he reflects on how he couldn’t give his partner what they needed, and it was the wrong place and wrong time. Simple yet complex, the lyrics tear at your heartstrings and leave you tearful.

    As he brings you through the first verse, the chorus suddenly pounds in your ears with infectious guitars and upbeat percussion, with overlaying harmonies. Keeping these instrumentals into the second verse, Mock sings, “It’s been a long time//Since I met someone with your heart/Oh baby right from the start/You reached your hand out but I was too far.” Although these lyrics are sad, he doesn’t let you feel that way with his energetic backing guitars and pop sensibilities. He could not give the person “what they deserve,” as the rest of the song keeps this steady rhythm, Mock tells the tragic story but adds a hopeful tone for his future.

    Luke Mock’s new song “What You Deserve” is available on all streaming services. For more information about him and to see him live, visit here.

  • Lineup Revealed For Inaugural AfroCruise

    Rock The Bells, AfroFuture, AfroVerse and Sixthman festivals have announced the first-ever AfroCruise which will sail from Miami, Florida to Nassau, Bahamas. The cruise will depart on March 29, 2024 and will arrive on April 1. The multi-day event will feature performances from some of the biggest African artists and will also showcase African and diasporic culture through food and fashion. 

    Linking together travel, live music, and a cultural celebration, the AfroCruise is one of the first events of its kind. Hosted on the Norwegian Pearl, the celebration still possesses all of the amenities and elements normal to an extravagant cruise ship. Attendees will have access to the boat’s fully stocked bars, dining options, pools, casino, spa, fitness center, and more. 

    Amongst the hustle and bustle of a standard cruise, the event also boasts an impressive roster of performing artists. Headlined by Nigeria’s Adekunle Gold and Ayra Starr, AfroCruise gives guests the opportunity to experience some of the best music from all over the world. The aim is to fully immerse attendees into the sounds and sensibilities of Afrobeats and Amapiano music. 

    Ayra Starr

    AfroCruise will also feature multiple different cultural events and workshops. In addition to traditional cruise ship tournaments and activities, there will also be an event focused on the African rice dish Jollof, a West African BBQ, and several different themed parties. 

    Rock The Bells was founded in 2018 by acclaimed rapper LL Cool J and Geoff Yang. The organization creates content and experiences within hip-hop culture. Together, with their partners Afrofuture, AfroVerse and Sixthman festivals, the collective looks to create an event that celebrates and encapsulates contemporary African and Disaporic culture. Click here for reservations and more details

    Artist Lineup

    Adekunle Gold

    Ayra Starr

    Black Sherif

    The Compozers

    Juls

    Mayorkun

    Naira Marley

    Spinall

    Teni

    Uncle Waffles

    Zinoleesky

  • Griselda Umbrella: Keisha “Paint the Town” Plum

    Hip-hop artists are the most envied and least protected individuals on the planet. Many pursue a rap career without knowledge of the risks associated with the occupation. Keisha Plum could be considered a rapper, yet she never has to sound like one. She sounds sensuous and soulful as her poetic tongue glides down the back end of Griselda tracks. A true spoken word poet – this woman gives hope to those who speak their truth in the form of soliloquies.

    In Plum Poetry We Trust

    Keisha Plum – a.k.a Buffalo Jill – drips Tears of Honey onto every page. A great deal of her poetry began when she would send meaningful letters to her brother who was serving in the military.

    keisha plum

    Growing up in Buffalo made her gravitate toward the African American Cultural Center to express herself. Within the AACC compound, she learned what she could do with her craft. A young Keisha Plum learned about her roots through various mediums of cultural black excellence

    “If Rakim & Nikki Giovanni did the nasty, they would have had me.”

    K.Plum on Flygod

    She learned that she could write poetry and talk shit at the same time. Obviously, it is much deeper than that but it is evident that she enjoys to paint vivid pictures with her poems. Drawing incredible inspiration from the likes of Maya Angelou, this phenomenal woman lays down piercing poetry that encapsulates the entire Griselda movement. 

    Griselda the Behemoth

    Griselda Records hits you from so many different angles. With nearly 30 artists on roster – each one brings something different and puts the listener into a different perspective on each and every track. 

    Not to mention, they are the head of the umbrella to all of these spectacular artists that hear their work and strive to go harder than the day before. It is such a blessing to discover all of these underground talents adjacent to Griselda who just want to put their own spin on it. 

    keisha plum

    Clearly, Westside Gunn never even had to touch a mic and he would still be set – his kid’s great-grandkids would be set. But we are so glad he did. His lead-by-example no nonsense approach, creative direction and guerilla marketing tactics place him head and shoulders above the competition.

    Estee Nack, Keisha Plum, 1000Words, Rome Streetz

    Westside Gunn is the type of individual who ensures that his legacy will carry on for generations. Ultimately, humans judgment ultimately occurs as a result of outcomes. Did you push yourself every day to ensure that your work will live on when your physical form no longer can? WSG pushes him and his team to their furthest extent – hence all of the new artists and real rap that has risen to the forefront in the past decade. 

    Buffalo Kids Stick Together

    Westside Gunn and Keisha Plum attended Grammar School for the Gifted & Talented together. When Keisha had to settle for a retail job, Wes pulled up on her at the mall to recruit her talent. He wrote poems for Keisha to lay down in the booth as everything came into fruition with meticulous planning and preparation. It was just up to her to fine tune the content, plug & play words that she saw fit and ultimately execute the vision laid before her. 

    The most impressive part about Keisha Plum and her ascension is the way that she bends the genre backwards and flips hip-hop on its headpiece. She is living proof that if you know yourself – know your worth – know what you’re capable of doing – and act upon ideas you can be successful. This woman is single-handedly rearranging the constructs of hip-hop one spoken word at a time.

    Interested in hearing her live? Catch her at The Cookout in September.

  • Jenny Lewis Brings Joy & A Lust For Life To College Street Music Hall In New Haven, CT

    This past Sunday evening, July 16, in the heart of New Haven’s downtown arts district, veteran singer-songwriter Jenny Lewis paid a visit to College Street Music Hall (CSMH), a historic concert hall constructed in the mid-1920s that was nearly sold-out to its holding capacity of 2,000 souls.

    Jenny Lewis | Photo: Michael Dinger

    Lewis is touring in support of her latest solo album Joy’All (Blue Note/Capitol) released last month, a good portion of which was written in early-2021 during a week-long virtual songwriting workshop hosted by Beck. For more than 90 minutes, the co-founder of the charting indie outfit Rilo Kiley in the late-1990s did not disappoint en route to a dazzling performance. But more on our treasured country-rock troubadour a bit later.

    College Street Music Hall Marquee | Photo: Michael Dinger

    The first of two opening acts was Hayden Pedigo, an eccentric 29-year old performance artist who also moonlights as a model and even a politician – he campaigned in 2018 to fill a City Council seat in his native Amarillo, TX. Pedigo mesmerized the growing audience on the general admission floor with four tranquil instrumental pieces featuring exquisite fingerpicking on an acoustic Yamaha 12-string and an electric Epiphone.

    Hayden Pedigo | Photo: Michael Dinger

    Following Pedigo was Cass McCombs who hails from Concord, CA, but calls NYC his home. Born in 1977, the alt-country musician who owns the reputation as one of the great songwriters of his generation was backed by a trio of touring musicians on bass, drums and keyboards. Like Pedigo, music is not McCombs’ only passion – in 2020, a book of his poetry was published titled Toy Fabels, with illustrations by none other than McCombs himself. For nearly 40 minutes, and without much pandering to the audience, the quartet presented a set filled with jaw-droppingly gorgeous, soulful rock delivered with a laid-back attitude, which was more than fine by me.

    Cass McCombs | Photo: Michael Dinger

    Smack in the middle of an 18-date tour that kicked off in early-June in Nashville, TN, including an appearance by Lewis at the Bonnaroo Music & Arts Festival, the Las Vegas native who first gained prominence in the 1980s as a child actress took to the CSMH stage at 9:15 pm. Bathed in a sea of red, purple and blue lights and accompanied by a foursome of all-female musicians, Lewis gracefully glided about the stage, frequenting an elevated circular platform adorned in red roses or taking a seat at her piano which was positioned front and center.

    Lewis’ evocative lyricism was on full display from the jump with “Psychos,” the lead single from Joy’All and her first No. 1 song on a Billboard chart that she earned only two days prior to the CSMH show. Lewis would go on to gift her fans four more songs from Joy’All, but she was sure to spread the wealth around from her discography, including “Red Bull & Hennessy” (On the Line, 2019), “Head Underwater” (The Voyager, 2014) and the title track from 2008’s Acid Tongue.

    Jenny Lewis | Photo: Michael Dinger

    During the sugary-sweet “Cherry Baby” (Joy’All), red, white and silver balloons were released into the air, much to the delight of the audience, many of whom were in their late-teens and early-20s and sung along to the chorus on several songs. Several of the flailing balloons that were being batted around by the fans depicted the likeness of Bobby Rhubarb, Lewis’ beloved two-year old black Cockapoo who even has her own Instagram account with more than 5,600 followers! Two tunes later, during “Just One of the Guys” (The Voyager), one of the balloons mysteriously hovered between Lewis and her bassist at stage left. Static electricity? A demonic possession? Check out the video below and you decide what the strange occurrence may have been attributed to.

    Speaking of Lewis’ dog, as the show turned for the home stretch, the rotary dial telephone sitting atop her piano suddenly rang. It was Bobby Rhubarb on the other end of the line, and she had a joke for all of us! Because most of us in attendance did not speak the “bark” language, Lewis translated, “Why is it so hot at the Grateful Dead show? Because their fans don’t work!” As part of the four song encore, Lewis offered up two wonderfully rendered covers – “Lust for Life” by Girls and the night’s finale, “With Arms Outstretched,” by none other than Rilo Kiley from 2002’s The Execution of All Things.

    Following its New Haven stopover, The Joy’All Tour continues for three more weeks, including scheduled dates along the west coast in early-August. For the final three shows of the tour – Bend, OR (August 3), Concord, CA (August 5) and Inglewood, CA (August 7) – Lewis will be joined by the aforementioned Beck and Phoenix, who are embarking on a split bill of their own next month.

    Jenny Lewis | Photo: Michael Dinger

    No rest for the weary, Lewis and the indie pop supergroup The Postal Service, a trio that she has been a part of since 2002 with Ben Gibbard and Jimmy Tamborello, will be hitting the road on a co-headlining, 30-date U.S. tour (performing Give Up in its entirety to celebrate the album’s 20th Anniversary) with Death Cab for Cutie this fall. So, in case you missed Lewis this time around, or you just cannot get enough of the “redheaded indie wet dream,” as the rock critic Robert Christgau fittingly referred to her in a 2004 piece for The Village Voice piece, she’ll be back soon!

    Jenny Lewis Setlist: Psychos > Do Si Do > She’s Not Me > Late Bloomer > Joy’all > Red Bull & Hennessy > Heads Gonna Roll > Head Underwater > Giddy Up > Cherry Baby > Little White Dove > Just One of the Guys > Puppy and a Truck > Acid Tongue > Encore: The Next Messiah > Lust for Life (Girls cover) > With Arms Outstretched (Rilo Kiley song)

    HAYDEN PEDIGO

    CASS MCCOMBS

    JENNY LEWIS

  • Recording Studios in Western New York

    Several recording studios in Western New York are at the disposal of aspiring musicians looking to make a name for themselves in the industry. Within the region, Buffalo and Rochester are the epicenter of music-making. with many studios established for decades, and others just starting out.

    Counties of Western New York

    Blackdog Recording Studios in Rochester, incorporated in 2005, is a full-service audio and video production company located in the heart of downtown Rochester’s East End district, right near the world-renowned Eastman School of Music. The studio offers a wide array of specialized services including recording, mixing, mastering, and a wide variety of aspects of audio, podcast, video production, musical scores, sync licensing, and educational programming.

    recording-studios-in-western-new-york
    The sound room in Blackdog Recording Studios.

    Wicked Squid Studios in Rochester offers recording, mixing, mastering, editing services, and music lessons for artists. The facility has two studios, A and B, and a mobile recording studio, “The Truck.” The custom-built RV functions as a mobile control room, and can be used for location recording, broadcast, and mixdown.

    The sound room in Studio A at Wicked Squid Studios.

    GFI Music Productions in Wayne County, part of the Rochester Metropolitan Statistical Area, has welcomed a steady stream of talented artists of all styles from legendary multi-platinum artists such as Lou Gramm (Foreigner) and Russell Tompkins Jr. (Stylistics) to well-known genre artists like Greg Howe, Victor Wooten and Dennis Chambers. Whether you’re a seasoned veteran or a band just starting, GFI will assure that your recording experience is a great one. GFI offers several recording, production, and artist management services. GFI has two studios, A, and B, available for artists’ recording needs.

    GFI’s Studio A is one of the best tracking and mixing rooms in Upstate New York. Studio A offers state-of-the-art digital recording, a 14’x23′ control room, a 25′x 27′ main room, a 6′x 7′ iso booth, and more. Studio B is equipped with a 14’x 22′ control room, a 14’x 26′ main room, and a 5’x 6′ iso booth, and offers HD recording and editing, among others.

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    A guitar set in Studio B of GFI Recording Studio.

    Outer Limit Recording Studio opened in 1993 and is located in the Erie County city of Cheektowaga, a suburb of Buffalo, and offers artists high-quality recording, professional mixing, professional mastering, music production, and more. The studio comes equipped with a control room, recording room, production suite, drum room, piano room, snack room, game room/lounge, and writing room. The control room is outfitted with top-quality outboard gear by Avalon, Focusrite, Universal Audio, Lexicon, PreSonus, Grace Design, Empirical Labs, and more. The recording room comes equipped with microphones from Neumann, AKG, Blue, Sennheiser, Oktava, GA Project, Shure, and a dozen others, allowing artists to have the best mic quality to achieve the best sound for their music. The production, the newest edition to the outer limit, is available to rent to produce beats with either Maschine and its controller and keyboard, or with Reason and the controller and/or keyboard.

    Outer Limit provides musicians with four soundproof performance rooms, each offering its own unique sound, bringing a different depth and quality to your project. The 1945 Everett upright in the piano room, from the now-defunct Everett Piano Company, is always tuned and waiting, and the room has been specifically designed for great sound. The snack room is available anytime for artists to unwind or have a bite to build up their energy, and provides a microwave and a small refrigerator. While your songs are being mixed or if you just need a break from the studio, enjoy the Xbox One or PS4 in the game room. Lastly, the writing room is the perfect place to rework your music or put that last-minute sparkling touch on your project.

    In business for nearly three decades as of 2023, Outer Limit Recording Studio is one of the top recording studios in New York State and one of the go-to studios in Buffalo. Owner and chief engineer Ken Rutkowski is determined to provide each client with the best recording possible and an inspiring and comfortable environment in which to create it. Big names in the music business like Smokepurpp, Eminem Raheem DeVaughn, and the music group D-12 have recorded at the Outer Limit, as have local recording artists based in Western New York and all throughout the East Coast.

    Ken Rutkowski, chief engineer/owner of Outer Limit Recording Studio.

    Discover Recording Studios from across New York State in the Capital Region, Long Island, the Hudson Valley, Central New York, and New York City.

    GCR Audio, located in the heart of downtown Buffalo, has worked with the Goo Goo Dolls on several of their albums. Buffalo natives, the Goo Goo Dolls recorded their self-titled debut album Goo Goo Dolls, as well as Jed, Hold Me Up, Superstar Car Wash, A Boy Named Goo, Jessie J, and Who You Are at GCR Audio. Opened in 1980 and originally known as Trackmaster Audio, the studio is housed in the former chapel of the historically protected, 150-year-old St. Margaret’s Girls School.

    GCR Audio was designed by world-famous studio architect John Storyk (Electric Lady Studios, Jungle City, personal studios for Whitney Houston, Bob Marley, Jay Z, Aerosmith, Green Day, and Alicia Keys). Prior to the Goo Goo Dolls gaining international success in the mid-’90s, both guitarist/singer John Rzeznik and bassist/singer Robby Takac worked at the studio in various roles that ranged from reception to engineering and producing. Their first #1 song, “Name,” was recorded at GCR Audio while it was still known as Trackmaster.

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    The Fender Jaguar guitar is available for musicians to practice with at Select Sound Recording Studio.

    Select Sound Recording Studios in Erie County Village of Kenmore, part of the Buffalo-Niagra Falls metropolitan area, has been in business in New York for nearly 50 years since 1974. Select Sound provides musical artists with two recording studios, A and B, and a comfort and convenience area with a reception, lounge, and coffee area. The main studio, A, has a control room, a Yamaha C-7 Grand Piano, a drum riser, and a live room. Studio B is equipped with a vocal booth for voice-overs, editing, and spot production. The studio was designed by Lakeside Associates, now the Yanchar Design and Consulting Group, who designed the Los Angeles headquarters of Disney-ABC, Capitol Records, and both the Los Angeles and New York headquarters for CBS Records.

    ProTools MIDI suite with a vocal booth in Studio B of Select Sound Recording Studio.

    Additionally, Select Sound Recording Studios offers a wide variety of training programs for musicians. The Vocational Training Program is made up of six courses, First in Audio Recording, followed by Non-Linear Recording, Advanced Production Techniques, Midi and Sequencing for the Home and Pro Studio, Analog Recording and Mastering, and lastly, an Independent Study for Advanced Students. Furthermore, internships are available for students in the Vocational Training Program.

    The Control Room in Studio A of Select Sound Recording Studios.

    Recording Technologies 1: Audio Engineering is a comprehensive study of the history of recording, the recording chain, the physics of sound, production techniques, studio acoustics, signal processing equipment, various applications of microphones and direct lines, and the operation of the mixing console. Students participate in the production of a recording session. Recording Technologies 2: Non-Linear Recording teaches students what they need to know to complete a recording project, from initial setup to final mixdown. Recording Technologies 3: Advanced Production Technologies provides a more detailed look at Pro Tools and covers all the key concepts and skills needed to operate a Pro Tools LE system. Students will learn about external controllers, loop recording, advanced techniques, audio editing and file management techniques, automation enabling, playing, viewing, and editing automation data, mixing, using sends, returns, plug-ins, master faders, and groups.

    The Yamaha C-7 Grand Piano in Studio A of Select Sound Recording Studio. Tuning and maintenance by BPO technician Robert Sowyrda.

    The next class, Recording Studios 4: MIDI and Sequencing for the Home and Pro Studio teaches students the basics of Musical Instrument Digital Interface (MIDI,) event editing and its role in music creation. Students will learn how to create sequencer and drum patterns without needing any keyboard skills and be able to use them to enhance audio recordings, complete songs, or just create demos. The focus will also be on analog synthesis, sampling, and loop construction as it applies to the creation of much of today’s music using Propellerhead’s Reason software. In Recording Studios 5: Analog Recording and Mastering, students will learn analog recording and mixing, audio for multi-media, and 5.1 surround sound production. The final course, Recording Studios 6: Independent Study for Advanced Students concentrates on the student’s professional goals, and the student will receive a block of hours for instruction, pre-production, recording, mixing, and mastering.

    Mammoth Recording Studio in Buffalo exhibits a laid-back, old-school feel akin to that of a ‘70s rec room or secret clubhouse, complete with a rotary dial telephone. Its décor radiates a colorful, comfortable vibe that reflects the studio’s philosophy, which is to provide creative, high-end production that helps to realize the musician’s initial ideas and facilitate their journey as artists. Mammoth is owned and operated by Justin John Smith and Mike Santillo. Smith, singer, and guitarist of Aircraft, has a degree in sound recording from Full Sail University in Winter Park, Florida. Santillo is the Keyboardist for Buffalo’s The Tins and has been recording his band’s music for the better part of a decade. 

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    The inside of Mammoth Recording Studio.
    Musicians have access to the Korg MS-20 guitar center at Mammoth Recording Studio.

    LBA Recording Studio in North Collins, a village in Erie County, was established in 2010 and offers music production, recording, analog mixing, mastering, and photography for musicians. LBA Studios is a 40-track professional recording studio focused on delivering high-quality audio with an inspiring analog sound. LBA is fully equipped with an extensive collection of vintage and modern pieces of professional recording equipment. When it comes time to record, there are multiple rooms with video communication and personal audio mixers for your headphones. It’s a comfy vibe just a short car ride from Buffalo.

    Owner Mike Congliosi II has a long history and background in music making. Music producer, recording engineer, and sole proprietor at LBA, he has more than 20 years of experience in the business, first began recording music in 1998, and has an associate’s degree from Villa Maria College of Buffalo before obtaining his master’s in studio production from SUNY Purchase. Throughout his career, Congliosi has worked with hundreds of artists in many various genres from around the United States.

    Mike Congliosi, owner of LBA Studios.
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    A drumset at LBA Studios.

    A wide array of recording studios are at artists’ disposal who are looking to make a name in the music business in Central New York. Some of these studios have been in business for decades, while others are just starting out. Buffalo and Rochester are the epicenters of music-making in Western New York, with several recording studios at artists’ disposal.

  • Hip Hop Pioneer Slick Rick Added to NYS Fair Lineup

    Hip hop pioneer Slick Rick has announced he will make his New York State Fair debut on Aug. 26 at 2 p.m. as part of the statewide  I Love NY Summer of Hip Hop celebration.

    With his British accent, witty lyrics spoken through a leisurely cadence, and nasally voice, Slick Rick has one of the most recognizable voices in hip-hop. Featuring legendary lyrics and note-worthy fashion, he has inspired many artists including JAY-Z, Eminem, and Idris Elba. Dubbed “the most sampled hip-hop artist in history,” it all started in 1984 when Slick Rick – who went by “Ricky D” at the time – joined Doug E. Fresh and the Get Fresh crew to record the breakout hit, “La-Di-Da-Di.” He then signed to Def Jam Records and had several multi-platinum albums, including The Great Adventures of Slick Rick (1988) and The Art of Storytelling (1999), his highest-charting album to date.

    Not just an inspiring artist, he also is active in the New York City real estate community, providing affordable housing to communities in the Bronx. As a philanthropist, he supports efforts to fight youth incarceration and poverty, and works to raise awareness about homelessness, food insecurity, and children’s literacy. In 2020, Slick Rick and his wife co-founded the Victory Patch Foundation, which empowers underserved and overlooked communities by partnering with FreshDirect, City Harvest, and the New York City Department of Youth & Community Development.

    I Love NY Summer of Hip Hop is a statewide celebration held in partnership with cultural organizations around the state – including Lincoln Center in New York City, The Plaza in Albany, and The Strong National Museum of Play in Rochester. “Since The Fair is a showcase of New York State, we also appreciate Slick Rick’s connections to New York. Hip hop was founded in The Bronx, which is where Slick Rick settled when he moved to this country at age 11, and where he spends time advocating for community causes today. It’s always great when we can highlight New Yorkers in our musical line-up!” said Sean Hennessey, Interim Fair Director.

    New York State Fair Lineup

    Chevy Court

    Aug. 23 at 1 p.m.- Chubby Checker

    Aug. 23 at 6 p.m.- Salt-N-Pepa

    Aug. 24 at 6 p.m.- Quiet Riot

    Aug. 26 at 1 p.m.- Peppa Pig Live! Peppa Pig’s Adventure 

    Aug. 26 at 6 p.m.- Julio Iglesias Jr. 

    Aug. 27 at 1 p.m.- The Prodigals

    Aug. 27 at 6 p.m.- Matt Stell

    Aug. 28 at 1 p.m.- Herman’s Hermits starring Peter Noone

    Aug. 28 at 6 p.m.- Anne Wilson

    Aug. 29 at 1 p.m.- Tommy James and the Shondells

    Aug. 29 at 6 p.m.- Bret Michaels

    Aug. 30 at 1 p.m.- Danielle Ponder

    Aug. 30 at 6 p.m.- Chapel Hart

    Sept. 1 at 6 p.m.- The Fray

    Sept. 2 at 12-9:45 p.m.- JAMS Funk Fest Featuring: Brick (6:45 p.m.) & Dazz Band (8:15 p.m.)

    Sun. Sept. 3 at 1 p.m.- Disney Junior Live On tour: Costume Palooza

    Sept. 4 at 12 p.m.- The High Kings

    Suburban Park

    Aug. 23 at 2 p.m.- Steven Page

    Aug. 23 at 8 p.m.- Lainey Wilson

    Aug. 24 at 8 p.m.- Theory of a Deadman

    Aug. 26 at 2 p.m.- Slick Rick

    Aug. 26 at 8 p.m.- George Thorogood and the Destroyers

    Aug. 27 at 2 p.m.- Boys World

    Aug. 28 at 8 p.m.- REO Speedwagon

    Aug. 29 at 8 p.m- Tyler Hubbard

    Aug. 30 at 8 p.m.- Ann Wilson

    Aug. 31 at 8 p.m.- Ludacris

    Sept. 1 at 8 p.m.- J.I.D.

    Sept. 2 at 8 p.m.-Quinn XCII

    Sept. 3 at 8 p.m.- Yung Gravy and bbno$

    Sept. 4 at 6 p.m.- Skid Row