On Sunday, July 30 at The Brooklyn Boardwalk, The Day Party and Empire Club NYC presented some of the most iconic names in hip-hop and R&B, with the lineup including Ashanti, Jadakiss and the Lox, and Tina (Hoodcelebrityy). Music was provided by Funk Flex and Nick Scalici, along with special guests. The event featured an afternoon and evening filled with pop-ups, food vendors, and other installations.
All originating from New York, Ashanti originally from Glen Cove and Jadakiss and The Lox representing Yonkers, all played in their home state and city within Coney Island at the Brooklyn Boardwalk.
Concertgoers enjoyed the music from five different DJs, few local artists, Tina (Hoodcelebrityy), Jadakiss and The Lox followed by the grand finale, Ashanti. Tina (Hoodcelebrityy) is a Jamaican born dancehall singer and songwriter, who moved the Bronx at a young age.
The Lox, including Jadakiss, Sheek Louch and Styles P is an hip hop group formed in 1994 in Yonkers, NY. They were under a few labels until finally they launched their own label, D-Block.
Ashanti is an well-known R&B American singer, songwriter and actress who grew up in New York and was signed to a label in 2002
With lots of Empire Club vendors, everyone enjoyed themselves as Funk Flex DJ’d and had everyone dancing. Nems, a New York based rapper, opened the evening with a few of his songs, which was then followed by a long DJ set of dance music and partying. Hookahs and joints filled the air with smoke and laughter, as everyone was grooving and dancing to the beat.
As the sun slowly went down, the the main three acts followed as the crowd continued to keep the energy and applause.
The Day Party and Empire Club NYC hosted some of New York’s biggest artists and performers at The Brooklyn Boardwalk. The stacked lineup brought people from all boroughs filled with pride and joy for some of the biggest names in R&B and Hip Hop.
On a warm Tuesday, August 1st evening, the Outerharbor in Buffalo, became the epicenter of a breathtaking display of rock mastery as Alter Bridge, Sevendust, and Mammoth WVH kicked off their highly anticipated Pawns and Kings tour. With an intimate atmosphere and a diverse set of hits and new songs, this show proved to be a memorable and personal experience for every rock enthusiast in attendance.
Mammoth WVH, the brainchild of the multi-talented Wolfgang Van Halen (Son of Eddie Van Halen), stormed the stage first, proving that talent indeed runs in the family. Despite being relatively new to the music scene, Mammoth WVH delivered a blistering performance that left a lasting impact. The crowd sang along to the infectious hooks of hits like “Mr. Ed,” “You’re to Blame,” and “Don’t Back Down.” Wolfgang’s mastery of the guitar was awe-inspiring, and his powerful vocals resonated throughout the venue.
But it was when Mammoth WVH performed “Distance,” a poignant tribute to his late father, that the atmosphere became particularly emotional. The song’s heartfelt lyrics, combined with Wolfgang’s raw emotion, struck a chord with the audience, leaving many in tears.
Sevendust took the stage next, despite being a four-piece due to guitarist John Connolly’s unfortunate illness. This setback didn’t diminish the band’s energy, as they burst onto the stage with an electrifying presence. Lajon, Sevendust’s iconic lead singer, won the hearts of the audience with his endearing interaction with the crowd. When a cheeky fan yelled, “Go Bills,” Lajon, a staunch Kansas City Chiefs supporter, playfully replied, which was met with good-natured boos before they all united in headbanging and cheers as the band started playing.
Morgan Rose
Sevendust’s setlist was a well-balanced mix of classic hits and new songs from their latest album. The crowd erupted when they played their hits, “Face to Face,” “Denial,” and “Thank You.” The new tracks also received an enthusiastic response, showcasing Sevendust’s ability to maintain their signature sound while continuing to evolve as artists.
Finally, the moment the crowd had been eagerly waiting for arrived as Alter Bridge took center stage. As always, their musicianship and tight-knit chemistry were evident from the first note. Frontman Myles Kennedy’s soulful voice soared, captivating everyone in the venue. Alter Bridge’s setlist was a perfect blend of their most beloved hits, including “Silver Tongue,” “Come to Life,” and the anthemic “Rise Today.” Each song brought a surge of energy, with the audience singing and headbanging along in unison.
What truly made this concert special was the connection between the bands and their fans. The intimate setting of the Outerharbor allowed for a more personal experience, fostering a sense of camaraderie between the artists and their audience. The bands interacted with the crowd, creating an atmosphere of genuine appreciation and love for the music.
The Pawns and Kings tour’s opening night in Buffalo was an unforgettable evening of powerful performances, unforgettable moments, and a celebration of rock music’s enduring spirit. Sevendust, despite the setback, showed resilience and enthusiasm. Mammoth WVH demonstrated immense promise and talent, and Alter Bridge once again proved why they are revered as one of rock’s finest acts.
As the night drew to a close, it was evident that this tour would leave a lasting impression on fans and musicians alike. The Pawns and Kings tour is a testament to the timeless allure of rock music, and with this spectacular start, it is sure to captivate audiences across the nation. If this performance was any indication, the journey is set to be a magnificent one, and those who are fortunate enough to attend will undoubtedly be in for an unforgettable experience.
There was quite a big fish market near MSG with thousands rushing to midtown for night 5 of Phish, as well as the post-shows that would follow. Dopapod had the honors of playing Sony Hall in NYC on Saturday, July 29, playing from just around midnight until almost 3 AM.
The band has long been a staple of the jam scene and a crowd favorite for many years. The funkiness of Eli Winderman on keys, with Rob Compa’s expert and original guitar playing, mixed with phenomenal Chuck Jones on bass and drummer Neal ‘Fro’ Evans, making a late-night force to be reckoned with.
Their late night set was full of energy, as should be after a Phish show, especially one where many fans had just seen an exhilarating show right beforehand. Their set included originals like “Trickery” & “Present Ghosts” as well as a rocking cover of “Dazed and Confused,” played in true Dopapod fashion.
Dopapod – July 29, 2023, Sony Hall, NYC
Setlist Trickery, Turning Knobs, Freight Train, Present Ghosts, Bubblehouse, Dracula’s Monk, Onion Head, Fannie, Dazed and Confused, We are Not Alone, Weird Charlie, End it on the Yeah, Nuggy Jawson
NYC-based artist Guitarmy of One released a new retro sci-fi inspired single, “Soylent Seaform Green.” The single’s release comes ahead of the release of The Wave Files LP.
Guitarmy of One is a solo project from guitarist Scott Helland. Helland has solo projects dating back to 1996 with his Hellbox Mood Rings CD. However, he began to release music under Guitarmy of One in 2016. Excluding the imminent release of The Wave Files, Guitarmy of One’s latest record is The Spy Detective Collective, inspired by the crime and intrigue shows of the ‘60s and ‘70s.
“I want the music to be a sonic equivalent of those shows and movies where you’re riding the waves of intrigue and espionage so the music has to match that sense of urgency and excitement,” Helland said speaking of The Spy Detective Collective. “Soylent Seafoam Green” maintains Guitarmy of One’s unique surf rock sound. However, it is also infused with inspiration from the 1973 dystopian cult sci-fi thriller Soylent Green.
The movie contains themes of overpopulation, overuse of resources, and pollution. The movie’s namesake refers to a product called Soylent Green, one of the few easily accessible foods. At the end, it’s revealed that the flavor and nutrition comes from its main ingredient—human corpses. “‘Soylent Seafoam Green’ is in keeping with my blend of the spy and surf sound and is quite dark for a surf song. However, it fits the theme of the 1973 dystopian thriller film ‘Soylent Green’ of which the song’s title is based, but don’t worry, listening to the song repeatedly won’t lead to cannibalism!” Helland said.
The song is available across all digital platforms, and Guitarmy of One will release The Wave Files on Aug. 18.
On July 30, Darien Lake Amphitheater played host to a festival of Americana, when Willie Nelson and Friends rolled into the venue as part of the Outlaw Music Festival. Joining him was his son, a.k.a. The Particle Kid, as well as Kathleen Edwards, Gov’t Mule, and Nathanial Rateliff & The Night Sweats.
A perfect summer afternoon for some rustic Americana music, fans were trickling into the concert venue, situated directly behind a Six Flags amusement park. The open spaces near the entrance were taken up today by various vendors for hemp products, tie dyed shirts, bucket hats, beer cozies shaped like boots, and vodka from Wheatley Vodka, a sponsor of the Music Festival. The smells of carnival type foods were permeating all around. Fried Oreos, fried dough, and hand cut fries were all available as soon as you entered the venue. Pretty smart marketing, if you know what I mean.
Concert goers continue to flow in as The Particle Kid, better known as Micah Nelson, hits the stage around 3:45 p.m. Yes, that is the son of the Nelson you’re thinking of. The younger Nelson played for roughly 30 minutes, comfortably seated in a chair in front of a microphone. With only a guitar to assist him, you couldn’t help but notice some nuances that really made you realize what blood line this kid comes from. The voice, simple and smooth, almost distinguished. The body language and handling the guitar made you think you were watching the elder Nelson, 60 years prior. Later on, playing alongside his father, Micah really belted out the lyrics and put rest any doubt of who his father is.
Following up The Particle Kid was Kathleen Edwards. Coming from Canada, she talks jokingly about how it took a team of lawyers and such to make it possible for her to be there on stage. Regardless of the size of the team or if it really happened that way, Edwards is elated to be on this tour, her second time around, with the everlasting Willie Nelson.
Musically, Edwards played for close to an hour belting out ten songs and telling some stories along the way. Releasing her first EP in 1999, she hit the Billboard top 200 albums with first three albums and her fourth album, Voyager, hit number 40 on the same charts. Although she hit the scene hard and impressed many prominent names in the business who called her a force to be reckoned with, Edwards eventually had to walk away from music for bit. Taking some time for mental health and revitalization, Edwards opened a little café with a former supervisor from a famous Seattle coffee icon. Known for puns and plays on words, the café was named Quitters, reminding her everyday about leaving the music business. Over time, Edwards began writing again, and subsequently got her passion for music back. The café has since been sold and music is now hers to enjoy all over again.
With vocals that carry hints of Suzanne Vega or k.d. Lang, Edwards can put together some pretty solid and thought-provoking lyrics. Who knows where she would be if the passion was never gone or if the café was never opened up. For now, though, let’s be grateful that we can experience this talented Canadian.
I’m a Ford Temple, you’re a Maserati You’re The Great One, I’m Marty McSorley You’re the Concord, I’m economy I make the dough, but you get the glory
I Make the Dough, You Get the Glory
Following Edwards was the classic Americana/folk voices of Gov’t Mule. Mule, as fans call them, was formed in 1994 as side project of Allman Brothers members Warren Haynes and Allen Woody, which lends to the sounds that fans keep coming back for. With inspiration from early bands like Cream and Mountain, it’s obvious why these guys have developed quite the following. Such is the case for the guy I watched play the air drums damn near perfect in a few songs. Hit for hit, this fan was in tune with the band for a good portion of the set. Mule recently announced a visit to a nearby Rochester theatre, not far from Darien Lake, definitely worth a look.
These next musicians know how raise the roof, as they demonstrated for this crowd and many that before them. Nathaniel Rateliff and his R&B influenced back up band The Night Sweats, hit the stage and the fans were almost immediately energized. Playing a 20 set prior to a guy named Willie Nelson can be intimidating, but Rateliff and his Night Sweats were definitely up for the challenge and boy did they deliver. The songs became progressively heavier and louder through the set, and fans responded accordingly.
While the crowd was noticeably into the current music, when Rateliff played “S.O.B.” the fans under the tent went absolutely nuts, singing along (more like screaming) to every word like it was their song. At one point, Rateliff held his mic out for the crowd and they nailed the lyrics in style. One of their more popular tracks, “S.O.B.” was made as sort of a joke or satire. Listening to the song, you realize it is about addiction and the sobering process and temptations that come along with it. A subject that can be quite taboo to talk about, let alone sing about. However, the instant popularity led to a studio recording, and now it is one the biggest songs during their sets.
Next up was the iconic Willie Nelson. Touring for over 60 years, with song after song, album after album, accolades, awards, etc. It is 2023 now, and what can be said about this Outlaw musician that hasn’t been said already? I cannot think of anything. He was in a band called the Highwaymen, he played the Grand Ole Opry, and he organized Farm Aid in 1985.
What I can say is this. I have been going to concerts for about 30 years now. There was something different about this one, though. It had a feel to it that you don’t see at other shows. As Willie Nelson broke into song, the crowd went almost silent. There was no hootin’ and hollerin’, there was no cheering or obnoxious singing. There was silence in the crowd during every song. The fans let Willie Nelson perform as he has since 1960. Much respect is given to this outlaw that is now “On The Road Again” heading to his next stop on this journey.
For over 60 years, Willie Nelson has done his thing, he has done it his way for the most part, and he has lived a seemingly happy life. He moved from record label to record label to keep more control over what he does. He moved from Nashville back home to Texas to get away from the polarizing grip of record companies. Nelson is now 90 and seems to have little to no regret about life choices, including anything marijuana related.
Sitting on stage for a set of 20+ songs, Nelson sat within arm’s reach of his son Micah, aka The Particle Kid, and surrounded by a few bandmates. The two played every song together and told a few stories that acted as segways to next song, or maybe tidbit for the previous song. A story from Micha becomes the segway for a song he wrote, at the urging of dad. He talks about dying while high, and if he does, he is either half way to heaven or looking at a long fall down. Originally just a thought of Micah’s but soon realized it would be an awesome song and needed someone to record it with him. The younger Nelson sings the song through the eyes of his legendary father, and you could almost hear a pin drop.
While PR team did not allow photos of Willie Nelson, I assure you he looks the same as has for the past 30 years. If you have seen any photos of him, that is the same person that was on stage at Darien Lake. I assure you, he sounds the same, he still smokes the good stuff, and he loves to be stage. I was bummed about not getting photos, however, looking back, being able to sit there and listen a living legend is good enough for me. Seeing the respect that fans gave him for nearly 90 minutes of stage time, was unreal and well deserved. If you ever have a chance to see someone like this, even if you aren’t a superfan, I strongly urge you to make it happen. It will take your appreciation of music to new heights.
The Outlaw Music Festival continues through October 15, finishing in Pelham, Alabama.
Setlist: Whiskey River / Stay a Little Longer, Still Is Still Moving to Me, I Never Cared for You, Mammas Don’t Let Your Babies Grow Up to Be Cowboys, Die When I’m High (Halfway to Heaven), Angel Flying Too Close to the Ground, On the Road Again,You Were Always on My Mind, Georgia (On My Mind), I Been to Georgia on a Fast Train, Everything Is Bullshit, Roll Me Up and Smoke Me When I Die, Still Not Dead, Write Your Own Songs, Move it On Over, I Thought About You Lord, I’ll Fly Away, Will The Circle Be Unbroken, It’s Hard to Be Humble
After their first weekend at Madison Square Garden, Phish took a day off and returned with even more energy, making the Tuesday, August 1 show stand head and shoulders above the three previous shows.
Opening up with a monstrous “Ghost” laid the groundwork for deep, exploratory jams, including an ethereal, outstanding version “Reba” that followed. You’d be remiss to find a version of Son Seals’ “Funky Bitch” that did not pair up as well with the energy that flowed from “Reba”‘s finale. “Timber (Jerry the Mule)” had a much longer presence in the first set than typically found, flowing into the debut of “Broken Into Pieces.” A rip-roaring 17-minute “Wolfman’s Brother” was quickly discussed at setbreak as one of the best versions ever seen, and the Beatles’ “I Am the Walrus” closed, easily the best first set of the run.
https://www.youtube.com/watch?v=L_mwN-I-OJU
Throwing it back to the Baker’s Dozen, Set 2 opened with the rarely jam-friendly “Sample in a Jar,” and tonight would end up being the longest version of the Hoist track, at more than 17 minutes in total. The jam would spill over to “Kill Devil Falls” which included quotes from a new song not played this evening “The Well” from Fishman, and made for two sets of the first two songs combining for more than 28 minutes of music to get things started. “Golden Age” was another substantial jam to follow this pairing, with “Shade” giving the crowd a breather before dipping into the warm waters of “Sneakin’ Sally Through the Alley,” funk filling in the round room. A short “Twist” and set closing “You Enjoy Myself” would be the cap to the second set, fully
For an encore, “Wilson” made an appearance where you might find “Cavern” or “Golgi Apparatus” following, but the ever rare “Sanity” making its first appearance in two years, giving fans a chance to cross this tune off their “Most Common Phish Songs Not Heard” list. Just when you thought it was over, the hi-hat intro of “David Bowie” gave way to an unexpected (now) three song encore, with a dialed in jam that seemed to be cut short after Trey and Fishman had a chat, only to close out “Bowie” and bring in “Character Zero” for the grand finale of the evening.
Phish – Madison Square Garden, NYC – Tuesday, August 2
Set 1: Ghost, Reba, Funky Bitch, Timber (Jerry the Mule), Broken Into Pieces[1], Wolfman’s Brother, I Am the Walrus
Set 2: Sample in a Jar > Kill Devil Falls[2] > Golden Age, Shade > Sneakin’ Sally Through the Alley > Twist, You Enjoy Myself
Encore: Wilson > Sanity, David Bowie > Character Zero
[1] Phish debut. [2] Unfinished.
If there is a theme emerging from this run of Phish shows, it would simply be that each show is better than the last. Wednesday, August 3rd put that theory to the test, opening up with a pair of animal tunes, “Possum” and “Guyute,” both of which might be a vanilla way to start the show, but tonight the energy was high. So high that the Apples in Stereo song “Energy” reemerged in the rotation for the first time since last summer, providing a wonderful jam that found its way into the “Meatstick.” The fan interaction tune was met with a jam that followed and one of the smoothest segues you’ll find this summer as it moved into “It’s Ice.”
Set two opened with a slow, funky jam, reminiscent of the Island Tour’s “Cavern” opener, and that was exactly the song that would emerge, a slow and funky version of the normally late-set tune. A fiery “Carini” followed, which brought back a jam on “Angels We Have Heard on High,” riffed by Trey quite a bit and also found in the “Kill Devil Falls” of Syracuse a few weeks prior. Following “Piper” was the new track, “The Well,” which at first sounds like “Wolfman’s Brother Part 2” but that’s just the first half. The second half of the song was one of the deepest jams the band could provide in a new song, one that fans will be clamoring for at SPAC and Dick’s later this summer.
Closing the set were the “2001” jam-adjacent “The Howling”, “Taste” and “About the Run,” with a “Chalkdust Torture” tacked on at the end for good measure. For an encore, keyboardist Page McConnell appeared on stage with his keytar, signaling “Frankenstein,” which hadn’t been heard live since before Covid. But that wasn’t all – Anastasio would end up playing the opening notes to “Slave to the Traffic Light” for the final song of the night, eliciting immense cheers from the audience when Trey sang “Seen the Greatest City.”
Phish – Madison Square Garden, NYC – Wednesday, August 3
Set 1: Possum, Guyute, Axilla (Part II) > Energy -> Meatstick -> It’s Ice > Blaze On
Set 2: Cavern[1] > Carini > Piper > The Well > The Howling > Taste > About to Run, Chalk Dust Torture
Encore: Frankenstein[2], Slave to the Traffic Light[3]
[1] Slow, funky version. [2] Page on keytar. [3] Lyrics changed to “see the best city.”
No Fun, a Capital Region music venue on River Street in Troy, hosted five live electronic acts this past Saturday, July 29. The night included an hour-long set from Albany-native Atlas.B, alongside performances from fellow DJs Spike Right, SM Ink, Dito, and Waybach.
The self-proclaimed “hub for experimental music in the Capital Region” is a smaller-sized bar and music performance space owned by Downtown Albany bar Pint-Sized. No Fun has created a comfortable community vibe using multicolored string lights, wall murals, a low stage, and a spacious dance floor for crowd engagement.
Lighting Designer Riley Irving from Colonie’s Technical Video Inc. programmed a dual-screen stage set-up featuring LED wall tiles that cycled through kaleidoscopic color patterns as a live visual accompaniment to the music. Spike Right accompanied by Sherwood traded on-and-off the DJ setup for an hour of live D.I.Y. beats mixed with samples from popular rappers like Ice Spice.
By 9 p.m., No Fun was packed from stage-front to the side of the bar with concertgoers. The crowd was made up of Capital Region locals out for an evening of casual nightlife, alongside electronic dance music (EDM) fans who brought the party with rave glow wands and brightly colored outfits. Shuffling and freestyle moves took over the dance floor as other crowd members encouraged more people to join in and clap to the beat.
Dito and SM Ink continued the night with similar vibes of fresh beats intertwined with well-known hits. In contrast to the other performances, Waybach and Atlas.B have a deep bass and funk vibe. The pair have previously collaborated with singles “Life is So Hard” and “All Out of Time.” Altas.B not only performed previously released songs but also experimented with new mixes and techniques using Ableton Live.
The variety and creativity of each DJ set refreshed the crowd and kept the good energy flowing throughout the evening, with dancing only increasing with every passing hour. Listen to Altas.B’s newest single, “Don’t Look Back,” released on July 20, 2023, on all major platforms.
For information on future shows at No Fun, visit their website at NoFunTroy.com.
If you are someone who is closer to 50 than you are to 25, chances are really good that you have listened to Foreigner, either on your own accord or thanks to friends or maybe parents. Were you riding around in your friend’s Trans-Am with your Aqua-Net glazed hair standing pat as “Juke Box Hero” filled the summer air? Maybe you were driving your 5.0 Mustang around with the cheerleading captain in the passenger seat, singing along to “I Wanna Know What Love Is.” Regardless, you have the memories, and you need not be embarrassed.
Originally formed in 1977, Foreigner has had their time in the limelight. Now 46 years later, the band had decided to Rev on The Red Line for one more time, as they brought their Farewell Tour to Darien Lake Amphitheater on July 28.
While the band has seen its share of members come and go, including founding members, Mick Jones has stood the test of time as the lone original member. Along with Rochester native Lou Gramm, Jones formed Foreigner with Ian McDonald (of King Crimson), Al Greenwood, Dennis Elliot, and Ed Gagliardi. The band’s name was decided based on citizenship. With three Brits and three Americans, at least half of the band would be foreigners no matter where they were playing.
in 1977, Foreigner’s self-titled album was released and would be the first of 4 consecutive releases to go 5x platinum. “Feels Like First Time” and “Cold as Ice” would help make Mick Jones and crew a household name for years to come. The following year Double Vision peaked at number three on the charts and gave us “Hot Blooded” the title track, which became a number two hit.
Into the 80s, Foreigner continued to have huge success with hits like “Urgent,” “Juke Box Hero,” and the powerful ballads “Waiting For a Girl Like You” and “I Want to Know What Love Is.” Songs that have stood the test of time, just as 78-year-old Mick Jones has.
Opening up for Foreigner are Canadian rockers, Loverboy. With hits like “Turn Me Loose” and “Working For The Weekend,” Loverboy is no slouch in the arena rock business and are members of the Canadian Music Hall of Fame.
With nine studio albums to their credit, Mike Reno and the rest of Loverboy have been on and off for the past 30 years, touring with REO Speedwagon, Styx, Journey, Night Ranger, and Pat Benatar/Neil Giraldo over this time.
Tonight, though, Loverboy and Foreigner blew the tent of Darien Lake Amphitheater like it was 1985 all over again. Starting around 7:30 to an already packed house, Mike Reno and crew played exactly what the crowd came for. Hit after hit resonated with the crowd of fans that most likely owned cassette tapes of both bands and donned denim jackets 24/7.
Starting with 1987’s “Notorious,” Reno hit the ground running hard and continued for nine more songs, finishing up with “Turn Me Loose” and “Everybody’s Working For The Weekend.” While they never had a number-one song or album, Loverboy made their mark on the music world and songs continue to be played and enjoyed by younger generations, as well as original fans.
Loverboy setlist: Notorious, Lucky Ones, Queen of the Broken Hearts, Take Me to the Top, The Kid is Hot Tonight, Heaven in Your Eyes, Lovin’ Every Minute of It, Hot Girls in Love, Turn Me Loose, Working for the Weekend.
Rocking the stage at 9 p.m., Foreigner took the stage without Mick Jones. They were fired up, though, and ready to go as they opened up with “Double Vision,” “Head Games,” and “Cold as Ice.” Sadly, while this is the Farewell Tour, Mick Jones will be a game-time decision for most stops on the tour, as he battles health issues that have limited his stage time since 2012.
Even without the only remaining member, Kelly Hansen and the rest of the band kick some serious ass as it “Feels Like The First Time” with every show. Hard guitar riffs, solid drums, and vocals that bring a smile to Lou Gramm’s face are all part of what makes Foreigner the recognizable band they are.
After the band finishes “Girl on The Moon,” Hansen addresses the modern issue of AI as it pertains to ‘art’ and associated topics. Clearly annoyed by so many who utilize computer-generated pieces of AI, he makes sure the fans know that this show is 100% live, with no use of AI whatsoever. Vocals are actually sung, and all the backing sounds are made right before our eyes. Just like the old days, we all remember.
Going back to the memories mentioned before, this Hansen touches on that as they finish up a three song acoustic set. Mentions that while there are a handful of fans under the age of 40, the fans over 40 have the memories to last a lifetime. Music without AI, enjoying a full show without phones, and the joy of cassette tapes. “How many of those under 40 remember rolling up a cassette tape with a pencil?” Those are memories that the under-40 crowd won’t get or appreciate, and this feels like the first time they are hearing the song, like the song they released 46 years prior, “Feels Like the First Time.”
As the night goes on, the crowd is getting more and more active, with fans dancing through the aisles and spilling their $18 can of beer, singing along with every word. As “Juke Box Hero” begins, the beer spiller is escorted to the exit, and the fans go nuts as they await the “standing in the rain…” opening lyric. On stage, however, there is no Kelly Hansen. Spotlights direct fans to the soundboard area, about halfway to the lawn seats. There stands Hansen strapped to a rising pedestal and about 30 feet above the crowd. Someone put a quarter in the jukebox, and Kelly Hansen is now the hero they wanted.
For 46 years, Foreigner has stood the test of time. They have sold countless albums, download after download, and thousands of cassettes rolled up with number two pencils. They have been a recognizable voice for a generation that drank water from the hose and lived to talk about it. They get played at thousands of weddings and proms every year, and yet they are not in the Rock & Roll Hall of Fame. For 46 years, the band that brought Lou Gramm and Mick Jones together is saying goodbye on this Farewell Tour and blowing the roofs off venues one last time. Do you have your tickets yet? Polish the Trans-Am, put on the leather pants one more time, pop side A of Double Vision in the cassette deck, and cruise on down to your local Ticketmaster outlet to get your tickets. Better yet, here is a shortcut.
Setlist: Double Vision, Head Game, Cold as Ice, Waiting For a Girl Like You, Dirty White Boy, When it Comes to Love (acoustic), Girl on the Moon (acoustic), Say You Will (acoustic), Feels Like the First Time, Urgent, Keyboard solo, Drum Solo, Juke Box Hero, I Want to Know What Love Is, Hot Blooded
Drew Jacobs, a Comedy Musician from Latham released his fifth CD, Get Your Ha-Ha’s Out! Recorded live at The Linda, WAMC’s Performing Arts Studio in Albany, the album is a brilliant mix of witty stand-up and original songs.
Drew Jacobs first saw commercial success in 2001 when “Santa Claus is Coming To Rock You” aired on the nationally syndicated Dr. Demento Radio Show. Since then, Jacobs released more albums, including Easy Listening For The Hard of Hearing, I’m Allergic To My Job, and more. His latest release, Get Your Ha-Ha’s Out!, seamlessly blends stand-up comedy and original songs.
“I write what makes me laugh: relationships, modern society and life as a babyboomer,” Jacobs wrote on his website. He also listed his musical influences, such as The Beatles, Arlo Guthrie, Weird Al Yankovic, and more.
Get Your Ha-Ha’s Out! is an excellent showcase of Drew Jacob’s talent for both comedy and music. Jacobs managed to produce an album that is both funny and insightful. Moreover, there is something on the album for all listeners to enjoy.
When Culture Club burst onto the scene in the early 80s, new wave music was the new big thing. Synthesizers, flashy attire, neon lights, and new sounds were all the rage in music and Boy George knew how to play the game well. Always known as a flashy dresser, Boy George and Culture Club became icons in the new wave genre. Now, 40 years later, the music style is making a new splash and of course one of the originals is right there again, as they bring The Letting It Go Show to Darien Lake on July 29. Riding the waves on the tour are Howard Jones and Berlin.
With rain showers going on for the early part of the day, and more in the forecast, Darien Lake Amphitheater is slow to fill as Howard Jones takes the stage for a 40-minute set. A flashy dresser in his own right, Jones comes out in classic 80s attire consisting of a black suit with a t-shirt underneath, Don Johnson would be proud. Jones belts out hits such as “No One is to Blame,” “Everlasting Love,” and “Like to Get To Know You Well” as diehard fans from yesteryear sing along with him.
Following up Jones was Berlin, who had some success with a song from some movie with Maverick and Goose. Additionally, Terri Nunn and her bandmates have put out nine studio albums since 1979, when Nunn joined the band for the first time as lead singer. While they never tore up the charts, Berlin did have their biggest, and ultimately last, big hit in 1986’s Top Gun, “Take My Breath Away.”
Like Howard Jones and Culture Club, Berlin’s sound was in the new wave genre and influenced by sounds coming over from Germany and much of Western Europe at the time. Tweak some keyboard notes, add a little more synth-pop to it, and presto, you have your own style.
Finishing up the night was the iconic and poignant Boy George with Culture Club. With iconic sound, looks, and creativity, Boy George is welcomed to the stage standing atop a small staircase flanked by two drum kits, casually outfitted with stereotypical baggy and bright clothing.
Joining him on stage were the two drummers, two dancers/backup vocalists, a saxophonist, two bassists, and a keyboardist. Just like the glory days, Boy George puts on an eclectic show, with everyone on stage taking part in the production. The two dancers provide backing vocals throughout the set, as well as both strut their stuff at the front of the stage later in the set. Equally amazing job by both, and the crowd made them aware.
Going through the set, it was noticeably more mellow than the classic sounds of Culture Club, which provided a little more upbeat mix. During “Do You Really Want to Hurt Me?” the song almost seemed dragged out as Boy George took his time and made it more of a story. It was very reminiscent of “The Crying Game” from the early 90s which was a solid rendition.
Regardless of the sounds you hear today or what it may have sounded like 40 years ago, this tour with Boy George & Culture Club, Howard Jones, and Berlin is the perfect blend of original new wave artists as a new generation is getting cultured in ‘old people music.’
