Category: Features

  • Damn Sam Productions Looks Ahead to Year 26 of Harvest Festival and Freedom Fair

    For more than a quarter century, Damn Sam Productions has held Harvest Festival and Freedom Fair in locations throughout Eastern New York and the Catskills. Now, the festival has found a home in Trumansburg, just outside of Ithaca, giving solid ground for the October 6-9 celebration of music and cannabis culture.

    The 2023 lineup features Skeleton Keys, Dogs in a Pile (2 sets Friday), Immortal Technique, The Garcia Project, and Sophistafunk, but as promoter Rob Robinson notes, “The headliner of Harvest Fest has always been cannabis.”

    harvest festival freedom fair

    Add to the music lineup plenty of pro-cannabis speakers and vendors – among them, Tim Tyler, sentenced to life in prison for possession/distribution of LSD under a federal three-strikes law, and later saw his life sentence commuted by President Obama.

    Also speaking at this year’s Harvest Fest and Freedom Fair is Donnie Greenthumb, who has been growing medical marijuana for decades, starting out working in a greenhouse at 13 years old, where he learned organic tricks, compost teas, and the importance of soil ph. At 20 years old he wrote for High Times Magazine with John Holmstrom and from the years 1989-2015, he assisted with writing 187 articles about basic questions, problems with growing, and how to get started in the great outdoors. He also wrote about pests and diseases in the Horticulture Medical Growers Bible by Jorge Cervantes. Donnie has had various discussions with many different cultivators throughout the region and brings a great deal of knowledge to a state that is now allows citizens to grow their own.

    With these speakers, Harvest Festival and Freedom Fair continues a legacy of music and activism that is now more than a quarter century strong.

    History of Harvest Fest

    Starting out in Beacon, Damn Sam Productions held an initial event in 1991 dubbed ‘HempSplash’ at Arrowhead Ranch in the Catskills, and after four years, an offshoot festival, Harvest Fest, was held in Modena, NY at an apple orchard.

    harvest festival freedom fair

    The festival would move around over the last two decades, holding the event in the small towns of Earlton, Warrensburg, Afton, Bainbridge, hill towns near Oneonta, Camp Minglewood (which would later host Catskill Chill for five years), Monticello, New Berlin, the Washington County Fairgrounds in Saratoga Springs, and finally, Trumansburg, at the home of Grassroots Festival. 

    Being that this was the 1990s, a drug culture festival being held at a time when cannabis was not nearly as prevalent as it is today, nor legal anywhere in America, was a risky move, but this was part of founder Rob Robinson’s vision – to rally cannabis allies together for a ‘protestival.’

    At these early festivals, the speakers now amount to a ‘who’s who’ of cannabis culture – Jack Herer, Ask Ed Rosenthal, “Saint” Steven and Ida May Gaskin (the modern day mother of midwifery in America, also ran a commune in Tennessee), and Pete Seeger all took part in Harvest Festival and Freedom Fairs over the last 25 years. Seeger in particular was a tough sell to play the event – Robinson knew him from growing up in Beacon, and Pete always declined. But after 16 years, Pete said to Rob “You don’t belong in jail, I’ll play your event.” And with that, the legend who wrote “Where Have All the Flowers Gone” and “Which Side Are You On?” took his well worn voice and shared it at Harvest Fest.

    Harvest Festival even attracted national attention with Peter Jennings from ABC news arriving at the second annual event to film a segment that would be aired as “Pot of Gold.” Featuring footage from Cannabis Cup, you could see scenes from Harvest Fest, yet there were no interviews or faces seen in the episode. When Robinson and his team reached out to ask why the footage wasn’t used, they said simply that they didn’t want to be the reason they went to jail. The mid-1990s were a time when New York State still held cannabis as a criminalized drug and Rockefeller Drug Laws were in effect, meaning Robinson and others could have faced 15-25 years in prison. 

    All over the use of a plant that has killed no one.

    The Musical Legacy of Harvest Fest

    The last 25 years of Harvest Fest has seen an amazing number of musicians make their way to the event: Cabinet, Pete Seeger, Richie Havens, Melvin Seals and the Persuasions, Ghostface Killah, George Clinton & the 420 Funk Mob, Hamilton Morris, Immortal Technique, dead prez, Alex & Alison Grey, The Wailers, Bluestar Radiation, New Riders of the Purple Sage, Dead Milkmen, Levon Helm, Particle, High Times Cannabis Cup Band, Col. Bruce Hampton, Fishbone, John Kadlecik, Ike Willis, Ed Mann, Napoleon Murphy Brock, DJ Logic, The Real Radio Rahim, Frankie Bones, DANK, Queen Mother (wife of Baba Olatunji), Max Creek, ecoustic hookah, Moonalice, The David Nelson Band, Tony Vacca & World Rhythms with Massamba Diop, Garth Hudson & The Dharma Bums, Vassar Clements, Buddy Cage, Steve Hagar, Dogs in a Pile, Deep Banana Blackout and many, many more.

    Add to the list this year’s headliner, Skeleton Keys, the keyboard centric electronic exploration of the Grateful Dead, will feature founder Alex Mazur (Gratefully Yours), Aron Magner (Disco Biscuits, Billy and the Kids), Chris J. English (Sam Grisman Project, FUNKNUT) and Tom Pirozzi (Ominous Seapods, Lo Faber), plus sets by Immortal Technique, The Garcia Project, Sophistafunk and many more, and the full music festival aspect is locked down and continuing to deliver memorable sets and join a pantheon of past performers. 

    Never Straying from the Original Mission

    The original goal of Harvest Festival was to raise money for lobbying in favor of hemp and cannabis legalization. This being in the 1990s, the pitch to legalize cannabis, let alone hemp, was a tough sell and would lead to decades of activism by the New York Cannabis Action Network, later renamed the New York Cannabis Alliance. This continual activism led Rob Robinson to serve as NORML state chair for 5 years in the 1990s, and being twice named High Times Freedom Fighter of the Year.

    With legalization, the mission of the festival has evolved. For an event that was started under prohibition and continued to be run that way, Robinson admits “it’s not the best way to judge cannabis, but it is the funnest way to judge cannabis.” Over the years, production value has risen as the event has evolved into being a true festival, putting the focus on the music and celebration, and not just legalization and activism, although the latter still exist in this American cultural event.

    Every person wants to change their conscientiousness – some do it through religion, some through exercise, some through substances, some through all three.

    Rob Robinson

    With prohibition ending in many states (24 have fully legalized), and the medical value becoming clear (38 states allow medical use) the mission encourages folks to explore and embrace the benefits of cannabis.Yet lobbying wise, there is still a black market and mis-management of the dispensary license process has held back progress for the cannabis industry in New York. The new focus is on other drugs being decriminalized, with a focus on this being a land of the free.

    The 26th year of Harvest Fest and beyond 

    One of the only festivals in 2020 to be held during Covid, Robinson notes there were no infections and the festival held like a ‘Drive In’ event, which helped the festival sustain that year and led to continued growth, unabated. 

    The 2022 location, the Washington County Fairgrounds, was looking to have Harvest Fest return, but with Cannabis being illegal federally, the location had some issues that led to the event needing to be moved to Trumansburg, out of necessity. 

    “The Ithaca scene is totally different, and a part of NY Harvest Fest has not visited yet. The cannabis part of the Finger Lakes is huge and always has been (likewise the Catskill Mountains), so we’re bringing Harvest Fest to cannabis activists and growers who have been ‘in the closet’ for 30 years.”

    Cannacup at Camp Minglewood

    Harvest Fest will take place in Trumansburg, NY over October 6-9, 2023, offering a way for people to commune over a shared love of cannabis and all it has to offer. As Robinson puts it, cannabis is the “non-lethal alternative to alcohol and tobacco,” and when joined by the music lined up for the festival, a momentous celebration of freedom is on tap this fall in the Finger Lakes. 

    Tickets and more info can be found here.

  • Arctic Monkeys Celebrate 10th Anniversary of Self-Titled Album with Sold Out Return to Forest Hills

    Arctic Monkeys played two sold out shows at Forest Hills Stadium in Queens, NY over September 8-9, as part of their ongoing North American tour. The second evening at Forest Hills Stadium coincided with the tenth anniversary of their self-titled album, and marked their return to Forest Hills Stadium after last playing there in 2018.

    Forest Hills arctic monkeys
    Arctic Monkeys at Forest Hills Stadium, NY. Photography by David Reichmann (@davidpresspass)

    Beloved post-punk outfit Fontaines DC opened for Arctic Monkeys both nights. They played powerful hard-hitting sets, warming up the crowd before the Arctic Monkeys took the stage.

    Fontaines DC at Forest Hills Stadium, NY. Photography by David Reichmann (@davidpresspass)

    On the second night, legendary poet John Cooper Clarke introduced the band with his spoken word poem “I Wanna Be Yours,” which the band had covered in their self-titled album.

    John Cooper Clarke introduces Arctic Monkeys at Forest Hills Stadium, NY. Photography by David Reichmann (@davidpresspass)

    After taking the stage to rapturous applause, Arctic Monkeys started the second evening’s set with the opening track on their self-titled record, “Do I Wanna Know.”

    Forest Hills arctic monkeys
    Arctic Monkeys at Forest Hills Stadium. Photography by David Reichmann (@davidpresspass)

    Fans of all ages seemed to know the words to every song, occasionally even singing the guitar melodies along with the band.

    Forest Hills arctic monkeys
    Arctic Monkeys at Forest Hills Stadium. Photography by David Reichmann (@davidpresspass)

    The setlist featured many of the band’s most iconic tracks from their catalog, including “Brianstorm,” “Why Do You Only Call Me When You’re High,” and “Fluorescent Adolescent.” At the end of “There Better Be a Mirrorball” from their latest record, a large disco ball descended from above, bearing the singular word “Monkeys” on both sides. They immediately launched into “505” and the mirrorball lit up, spreading dots of glowing white light throughout the stadium and its 13,000 fans. This induced a seemingly-involuntary cheer among the audience, who lost themselves in the moment that was certainly a highlight from the show.

    Forest Hills arctic monkeys
    Arctic Monkeys at Forest Hills Stadium. Photography (captured on a point-and-shoot) by David Reichmann (@davidpresspass)

    For their encore, the band returned to the stage to play their cover of John Cooper Clarke’s “I Wanna Be Yours,” and closed their sold out two-night run with “I Bet You Look Good on the Dancefloor” and “R U Mine?” (which they started with the opening chords to The Strokes’ “Last Nite”).

    Forest Hills arctic monkeys
    Arctic Monkeys at Forest Hills Stadium. Photography (captured on a point-and-shoot) by David Reichmann (@davidpresspass)

    Arctic Monkeys North American tour with Fontaines DC continues, and you can check out their upcoming tour dates here and stream their music here. And if you like the Monkeys, you should definitely listen to Fontaines DC’s catalog here.

    Check out our full gallery below, with photography by David Reichmann.

  • Jackson Browne draws the crowds to Tanglewood ahead of Labor Day Weekend

    On Thursday, August 31, Jackson Browne and his band performed at the Koussevitzky Music Shed in Lenox, Massachusetts, performing as part of Tanglewood’s 2023 Popular Artist Series.

    With the ring of the shed bell, the show began promptly at 7pm. Jackson, taking to the stage solo with one of his many guitars that he would use through the night, performed “Don’t Let Us Get Sick”, a Warren Zevon cover, before motioning for his band to join him on stage.

    The evening was filled with a stellar setlist, fantastic vocals and an outstanding instrumental performance. Jackson shared stories that inspired the songs that were played. The night was filled with many well-known hits such as, “Somebody’s Baby”, “Doctor my Eyes” and, “Running on Empty” to name a few.

    While they kept to their planned setlist, they did play the audience’s request of “Lawyers, Guns and Money” during the 2nd set. The audience was filled with people of all ages having a great time dancing and singing along throughout the evening.

    Jackson Browne – Koussevitzky Music Shed in Lenox, Massachusetts – August 31, 2023

    Set 1: Don’t Let Us Get Sick (Warren Zevon cover), Downhill From Everywhere, Until Justice Is Real, For Everyman, My Opening Farewell, Time The Conqueror, The Long Way Around, Call It a Loan, Sky Blue and Black, The Indifference of Heaven (Warren Zevon Cover), Doctor My Eyes, These Days, The Barricades of Heaven.

    Set 2: Farther On, The Naked Ride Home, Too Many Angels, I’m Alive, Fountain of Sorrow, For A Dance, Love Needs a Heart, Boulevard, Rock Me on The Water, Somebody’s Baby, Lawyers, Guns and Money (Warren Zevon cover), Your Bright Baby Blues, Sleep’s Darker and Silent Gate, The Pretender, Running on Empty

    Encore: The Load Out/Stay

  • Alice Cooper & Rob Zombie: The Freaks Marched Into Jones Beach Theater For A Hellraising Parade

    Dubbed the Gruesome Twosome when Alice Cooper and Rob Zombie toured together 13 years ago, the pair have reunited for their Freaks on Parade 2023 co-headlining tour that brought them to the Jones Beach Theater in Wantagh, NY this past Saturday, September 9, for another haunted hell ride. Joined by industrial pioneers Ministry and the eclectic alternative rockers Filter, these special guests have opened every show on the massive, 38-date trek of North America.

    Alice Cooper | Photo Credit: Michael Dinger

    Cooper, the 75-year old “Godfather of Shock Rock,” is promoting his 22nd solo album Road (earMusic), released last month. Bringing a signature style of macabre rock, Cooper’s stage show included a boa constrictor brandished across his shoulders and escaping from a straight jacket only to meet his maker guillotine-style at the hands of his wife Sheryl, in the gowned guise of Marie Antoinette. Cooper and his bandmates – “Hurricane” Nita Strauss (guitar), Tommy Henricksen (guitar), Chuck Garrick (bass) and Glen Sobel (drums) – offered up a set filled with classic tracks, including “I’m Eighteen” (the 1971 single that put him on the map), “Feed My Frankenstein,” “Poison,” and the closing number, “School’s Out.”

    Rob Zombie | Photo Credit: Michael Dinger

    An acclaimed cult horror filmmaker, Zombie is said to be turning his attention back to music and is currently working on his first new material since he dropped his seventh studio album, The Lunar Injection Kool Aid Eclipse Conspiracy (Nuclear Blast), back in 2021. Backed by Piggy D. (bass), Ginger Fish (drums) and Mike Riggs (who is back with the band after replacing guitarist John 5), Zombie delivered a theatrical, mind-blowing performance to the near 15,000-capacity crowd.

    The stagecraft was impeccable, complete with pyrotechnics, a hovering flying saucer, large-scale puppetry and eye-popping, next-level videos displayed across numerous high-def screens. Zombie and company delivered a 14-song set (including an epic drum solo) comprised of notable hits like “House of 1000 Corpses” and “Living Dead Girl,” along with two covers by his former band White Zombie – “More Human Than Human” and “Thunder Kiss ’65.” The night concluded with Zombie’s most notorious anthem, “Dragula.”

    Filter Setlist: The Drowning > For the Beaten > Obliteration > Take a Picture > Welcome to the Fold > Hey Man Nice Shot

    Ministry Setlist: Thieves > The Missing > Deity > Stigmata > Supernaut > Burning Inside > N.W.O. > Just One Fix > Goddamn White Trash

    Alice Cooper Setlist: Lock Me Up > No More Mr. Nice Guy > I’m Eighteen > Under My Wheels > Billion Dollar Babies > Hey Stoopid > Lost in America > Snakebite > Feed My Frankenstein > Poison > “The Black Widow” segment from Alice Cooper: The Nightmare > Nita Strauss Guitar Solo > Black Widow Jam > Ballad of Dwight Fry > Killer > I Love the Dead > Elected > School’s Out

    Rob Zombie Setlist: The Triumph of King Freak (A Crypt of Preservation and Superstition) > Dead City Radio and the New Gods of Supertown > Feel So Numb > Well, Everybody’s Fucking in a U.F.O. > What Lurks on Channel X? > Superbeast > Demonoid Phenomenon > The Lords of Salem > House of 1000 Corpses > Drum Solo > Living Dead Girl > More Human Than Human (White Zombie song) > Thunder Kiss ’65 (White Zombie song) > Dragula

    UPCOMING TOUR DATES

    09/12 – Nashville, TN @ Bridgestone Arena
    09/13 – Cincinnati, OH @ Riverbend Music Center
    09/15 – Bonner Springs, KS @ Azura Amphitheater
    09/16 – Greenwood Village, CO @ Fiddler’s Green Amphitheatre
    09/19 – Ridgefield, WA @ RV Inn Style Resorts Amphitheater
    09/20 – Auburn, WA @ White River Amphitheatre
    09/22 – Concord, CA @ Toyota Pavilion at Concord
    09/23 – Anaheim, CA @ Honda Center
    09/24 – Phoenix, AZ @ Talking Stick Resort Amphitheatre
    10/04 – St. Augustine, FL @ St. Augustine Amphitheatre
    10/05 – Wilmington, NC @ Wilson Center at Cape Fear Community College
    10/07 – Evansville, IN @ Aiken Theatre
    10/08 – Wheeling, WV @ Wesbanco Arena
    10/10 – Troy, OH @ Hobart Arena
    10/11 – Wabash, IN @ Honeywell Center
    10/13 – Paducah, KY @ The Carson Center for the Performing Arts
    10/14 – North Little Rock, AR @ Simmons Bank Arena
    10/15 – Lafayette, LA @ Heymann Performing Arts Center
    10/17 – Enid, OK @ Stride Bank Center
    10/19 – Colorado Springs, CO @ Pikes Peak Center for the Performing Arts
    10/20 – Rio Rancho, NM @ Rio Rancho Events Center
    10/21 – Tucson, AZ @ AVA Amphitheatre
    10/23 – Paso Robles, CA @ Vina Robles Amphitheatre
    10/25 – Highland, CA @ Yaamava’ Resort & Casino
    10/26 – Reno, NV @ Grand Sierra Resort and Casino
    10/28 – Las Vegas, NV @ Zappos Theater

    FILTER

    MINISTRY

    ALICE COOPER

    ROB ZOMBIE

  • The Endless Mountain Derelicts Show Grit on Good Got Damn

    Hailing from New York’s Finger Lakes Region, The Endless Mountain Derelicts released their third full-length EP in August, titled Good Got Damn. The group is an all-original blend of alternative, country, classic rock, folk, and punk, or a self-described mountain rock. EMD cites a blue collar, original yet familiar sound as inspiration for Good Got Damn. The EP features six tracks, all distinct yet with a strong style indicative of their passion and intensity.

    The Endless Mountain Derelicts' Good Got Damn

    The opening track, “State Lines,” starts out strong with energized, gritty vocals. The minor key and consistent backing vocals create a depth to the track that shows the group’s skill and unity. 

    The EP’s second track, “Ain’t It A Shame,” follows with an acoustic base and melancholy lyrics, leading into another energized, belting chorus. The vocals stay reserved during verses, but the energy and passion is released in the strong chorus.

    “Light That Fuse” stands out creatively as a key track on the record. In this track, the group shows off their versatility in structure. The song has a strong, memorable hook in the chorus’s “light that fuse and run.”

    The Endless Mountain Derelicts

    Overall, The Endless Mountain Derelict’s Good Got Damn is a strong display of their unique style and passion. Their use of drums and creative syncopation is a key component that stands out across the board, as the arrangements strongly feature percussion. Additionally, the vocals show off an intense grit, which is a strong way to add character to a track, but finds its way to being a hallmark of EMD’s style.

    The group carries an ethos of blue collar, lively inclusivity, which shines through in both their lyrics and sound. The group’s third full length release, Good Got Damn is a passionate combination of soulful lyrics and skilled musicianship.

  • Best of the Boroughs: How Brooklyn Put Hip-Hop On Notice

    While Hip-Hop started in the Boogie Down Bronx, Brooklyn birthed hip-hop’s heart. As an art form, New York started hip-hop. How wondrous the gift of spinning records to make new records. Hustle never quits. From the DJ spinning on turntables to the space decked out in graffiti – real performers make bystanders break out and dance. In the beginning, Brooklyn seismically shook the genre to its core and showcased all four core elements of hip-hop masterfully.  

    Imitation remains the highest form of flattery and nobody does it better than cats from Brooklyn. Subsequently, those outside of New York may struggle to understand the sense of pride attached to being Brooklyn-bred. The confidence serves as a survival tactic and the greatest emcees of all time – Biggie and Jay-Z exemplify this to the fullest.

    Brooklyn Lineage

    Many significantly trace hip-hop’s lineage to the Native Tongues. Imagine a genre-wide family tree and the many roots/branches that sprout as time progresses. Individuals who emerged from the throws of Native Tongues travel far and wide. Real artists leave an incredulous mark on the genre through the element of timelessness. Jungle Brothers, Yasiin Bey, De La Soul and A Tribe Called Quest all blossomed ‘Straight out the Jungle’ of the Native Tongues.

    Hip-Hop as a Timeless Tool

    While hip-hop began to surround the sound of Brooklyn in the late eighties – it wasn’t until the next decade that hip-hop started to resonate across all boroughs. Accordingly, Brooklyn encapsulated the sound that everyone tried to emulate. While some might argue that Cutmaster D.C.’s “Brooklyn’s in the House” put Brooklyn on the map – it’s not about who did it first – rather who did it right. Artists like Notorious B.I.G. and Jay-Z stepped into the spotlight and left a footprint in the hip-hop world that could never be duplicated.

    Centrally, hip-hop exists as the single greatest knowledge-based tool for all to encounter. The sheer cultural wisdom and latitude that the platform provides outweighs all other genres by a landslide. Hip-hop changes the world when it allows artists to elevate from aspirational to generational. Essentially, nobody manifested their realities into existence quite like Brooklyn-area emcees.

    Surviving as a Brooklyn Artist

    Naturally, a Brooklyn artist may be known to overcompensate within their discography to reach their desired heights. Reason being, overconfidence and a tough demeanor come as prerequisites for anyone who aims to survive in Brooklyn. Simultaneously, the way that Brooklyn artists polish their renditions to overcome struggles and hardships contributes wonderful works of art as a whole. 

    Consequently, groundbreaking artwork emerges to reflect the socioeconomic conditions of the times. Hip-hop during the Reagan-era birthed many blossoming acts with illusions of grandeur. Only the strong survive, as the opportunities of the times gave many a chance to shine. Alas, Brooklyn-born artists consistently put forth the most bravado and gumption to properly represent New York – the mecca of hip-hop.

    Brooklyn We Go Hard

    After Biggie passed in 1997 – he left a major void. As time went on, Jay-Z continued to outshine his counterparts. In 1998, Mos Def and Talib Kweli purchased Nkiru Books in Park Slope to turn it into an education center filled with open mic events, workshops and lectures. Nevertheless, Brooklyn carries the most soul and flavor for all to appreciate. Throughout time, gentrification slammed Brooklyn as it hardly resembles the original infrastructure. Long live Brooklyn landmarks like Albee Square Mall and Fulton Mall where countless hip-hop heads would gather and legends were made.

    Today, nobody holds it down for Brooklyn quite like Joey Bada$$ and the Pro Era crew. The Beast Coast movement includes Flatbush Zombies, Underachievers and Pro Era which was started by Capital Steez. These prolific artists capitalize on the concept of tonal perception – which allows the listener to interpret the lyrics based upon how they sound. 

    Undoubtedly, hip-hop remains the most pivotal component to artistry as a whole. Nobody could replace the contributions made by hip-hop and the blessings continue to multiply within the genre. For those about to rap – we salute you!

  • Brooklyn Group Strange Weather’s New Concept Album “The Last Man Alive” Slowly Awakens

    Strange Weather, the Brooklyn-based genre-bending group, has been slowly rolling out their newest record, The Fool’s Journey. The record is a concept piece, with one track released each month as the full story of the album unfolds. The most recent track to debut is “The Last Man Alive,” inspired by the classic Rip Van Winkle folk tale. 

    The Last Man Alive

    “The Last Man Alive” follows a story format about a man who wakes up to find himself, as one could guess, the last man alive. With lively vocals and whimsical tones, the track is truly an entertaining story in itself. The song breaks into guitar solos and maintains a bouncing musical undertone as the protagonist’s story unfolds.

    The Fool’s Journey follows a protagonist as he falls down the rabbit hole of love, leaving his private sunny abode. Throughout the album, he faces challenges, riddles, romance, and hardship. Through it all, however, The Fool learns to face those hardships and comes to represent many facets of the human condition.

    Strange Weather

    Strange Weather cites bombastic 90s rock, 70s Afrobeat, and spaghetti western, among others, as inspiration for their indie rock project. Strange Weather is led by songwriter and producer Sean Brennan, and includes Callie Brennan (vocals), Paul Peglar (keys and vocals), Philip Ambuel (bass), Alex Beckmann (drums and percussion), Isaac Gardner (drums and percussion), Evan Hamaguchi (saxophone), and Ethan Fox (tablas).

  • toriendofstory and B.Chaps/Freedom Stratton Featured on This Week’s EQXposure

    Each Sunday evening from 7-9 pm you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from toriendofstory and B. Chaps/Freedom Stratton.

    toriendofstory and B. Chaps/Freedom Stratton

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    toriendofstory- “Cool For Now”

    toriendofstory is an indie-pop songwriter and singer from Albany. Some of her musical influences include Adele and Maggie Rogers, tying them into her music. She fuses powerful ballads and indie-style production to create a universally loved sound. She takes her listeners on a journey through relatable emotions, bringing people together with her range and strong vocals.

    B.Chaps/Freedom Stratton– “Sundaze”

    B. Chaps and Freedom Stratton are both MCs, born and raised in Albany. B. Chaps comes from an instrumentalist background with experience as a songwriter, producer, and engineer. Additionally, he has experience working in Albany’s premier studio. Freedom Stratton comes from a performance background. He is a trained actor, dancer, and vocalist with formal education in performing arts schools. Together the two have amassed millions of streams and worked with many reputable labels and artists.

  • In Focus: Albany Latin Fest 2023

    The 2023 Albany Latin Fest was held on Saturday, August 26 in Washington Park, with the day-long family-friendly community event hosting music and fun activities for children and adults alike. All throughout the park, families and friends celebrated Latin American culture while enjoying games, dominoes, food trucks, and live music performances.

    Photo by Mabou Riddick

    Live music and cultural performances were presented by Legacy Women, Son Latino, Lulada Club and Puncho & The Boricua Legends. Sibie LaVoz paid homage to Hip Hop’s 50th Anniversary, being celebrated in 2023. During the live performances, crowds were growing, dancing and grooving to the variety of Latin music on hand this afternoon. Sponsors, Congressman Paul Tonko and Organizers of Latin Fest spoke on Latin Culture and their yearly involvement with Latin Fest, and efforts within the Latin community of the greater Capital District.

    Photo by Mabou Riddick

    For many years, Albany Latin Fest has established itself as a unique platform in the Capital Region, providing the local Hispanic population with deserved recognition as a vital element of the community. At Latin Fest, the showcasing of local, regional and international performing artists provides commercial and non-profit businesses and organizations access to the local Hispanic population and engaging in coalition building efforts to address recent disaster relief efforts.  All photos by Mabou Riddick for NYS Music.

    The Crowd at Latin Fest

    The Food at Latin Fest

    The Speakers

    Sibie Lavoz

    Vendors and Non-profits

    Lulda Club

    Legacy Women

    Puncho and The Boricua Legends

    And more of the Crowd at Latin Fest 2023

  • Hearing Aide: Organ Fairchild “Leisure Suit”

    Organ Fairchild’s new album, Leisure Suit, was released on all platforms on September 8. The sophomore album from the Buffalo-based jam band, the group recorded, mixed, and co-produced the album in New York’s Hudson Valley.

    Leisure Suit Album Cover

    An eclectic instrumental mix from the band’s three members, Joe Bellanti, Corey Kertzie, and Dave Ruch, Leisure Suit carries an ever-positive energy and displays the group’s technical skill and creativity. A stand out feature of the album is the guitar tracks as well as, of course, the ever-present organ throughout the record.

    The title track and opening song on the record, “Leisure Suit,” has an earworm opening guitar track that captures the listener as it repeats throughout the song. This track especially highlights guitarist Dave Ruch’s laid-back yet technically impressive skills. 

    In addition, the group mastered a cover of the famed Grateful Dead’s “He’s Gone.” The beloved track with numerous live recordings, as per Grateful Dead usual, is a seamless fit with Organ Fairchild’s tone and musical presence. Instead of a vocal track, the band opts for a guitar playing the usual vocal melody. In addition, the group infuses an upbeat rhythm to the classic track.

    A third track on Leisure Suit that stands out is the final “Rusty Barge.” The band shared that this track came as engineer Justin Guip played effects pedals on his hands and knees, coaxing the song from the musicians. An eerie yet invigorating opening echo, the song opens into a sci-fi-like mysterious tune with a constant organ tone.

    Organ Fairchild
Photo by Greg Meadows
    Photo by Greg Meadows

    Organ Fairchild is Joe Bellanti (organ/keyboard), Corey Kertzie (drums/percussion), and Dave Ruch (guitar). Leisure Suit was recorded and mixed by Juistin Guip at Milan Hill Studio, co-produced by the band and Guip, and mastered by Alan Evans at Iron Wax Studios.