NYS Music 2023

Category: Media

  • Stormy forecast doesn’t stop Sam Hunt fans at Darien Lake

    Sam Hunt rolled into Darien Lake on July 15 with his “On The Outskirts” tour. The tour was properly named for this night, as uncertain and potentially rough weather was on the outskirts of town and patiently waiting for the right moment to burst. Luckily, though, the rough weather held off as only light rains fell during the latter part of the night. Sharing the stage on this night were up and coming Lily Rose and well established Brett Young.

    Amping up the crowd first was Atlanta’s Lily Rose, playing for about 30 minutes. Thanks to Tik Tok and hashtags, we are finally getting to really know Rose. After several years of working on her music career and not getting too far, Rose uploaded a video of “Villian” to Tik Tok with #lesbiansinger in December 2020. With that, she was subsequently signed and launched her career.

    “Villian” is one of those songs that nearly everyone can relate to. Stories or rumors start to circulate around with only one side of a story being known or told. As she belts out the song for the crowd, you can see a larger number of women throughout the crowd laughing and smiling, as they know what the song is about.

    Next up was Young. A former baseball standout, Young has taken the country music scene by storm since 2016’s self-titled EP. The 2018 Academy of Country Music Award winner for Best New Male Vocalist rocked the stage for roughly an hour, telling stories and serenading the crowd with hits such as “Mercy”, “In Case You Didn’t Know’, “Like I Loved You.” Playing through obvious pain, Young was seated for most his set on a set of steps on the stage. Luckily for those in attendance, this added an element to his set that really stepped up the show. Sometimes it the simple things really make a difference.

    Another former athlete, Hunt takes the stage for these patient fans around 9:20 and continues on for nearly 90 minutes. Soon after coming to realization that he would not be quarterback in the NFL, he picked up a guitar and began his venture in the music world.

    Coming out into view atop the stairs the Brett Young did most of his set from, Hunt breaks out into “Raised On It” and “House Party.” The crowd is instantly into this, as I have to duck under hands, beers, and bras while photographing. The photo pit never disappoints.

    During “House Party” Hunt leaves the stage to walk around and get up close and personal with his fans, even signing someone’s CD from the front row. He makes a leisurely loop around front section of seats and makes his way back to stage on the other side, again signing an autograph or two.

    Released in 2014, his first EP was released and debuted in the top 40 of the Billboard top 200 and was also number 5 on Billboard Top Country Albums chart. Darien Lake was treated to “Leave The Night On”, his eventual number one single from his debut EP. Within a few notes of the song starting, the crowd was going bonkers. A group of college aged ladies near me were standing in their seats, dancing away, hands raised high and screaming the lyrics.

    Typically, those in the back sections and lawn seats are left without the experience of seeing an artist up close. Hunt does not like that, so he sets up little stage behind the sound booth and plays a little set from there. Fans in the cheap seats at Darien Lake were treated to a little more intimate show, albeit for 3 songs “Take Your Time”, “Cop Car” (Keith Urban cover) and “Wishful Drinking”. The personal touch he gives these songs and the setting in which he does it were absolutely perfect as the crowd in the back really showed their appreciation by standing there and just listening, rather than screaming and belting out the lyrics. A real class act by Sam.

    As the night goes on, the rain begins to fall. Nothing crazy, but enough. Fans toughed it out as Hunt finished his set with “Ex To See” and “Body Like a Back Road”. Thankfully the rough weather that was once On The Outskirts, has now passed without incident.

    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young

  • Fleet Foxes Bring Harmonious Sounds To Beak and Skiff

    One could not have asked for a more pristine summer evening, on Wednesday, July 12, when Fleet Foxes brought their sounds to the Beak and Skiff Orchard in Lafayette.  

    There is perhaps no other band more in touch with the various seasons these days than Fleet Foxes.  Hailing from Seattle, Washington, Fleet Foxes continue to tour in support of their latest release, 2020’s highly praised Shore. The album, which was released for public consumption precisely at the autumnal equinox, drew much praise from critics and fans alike. Known for creating acoustic folk-rock with exquisite harmonies and musicianship, they have released four studio albums, several EPs as well as 2021’s live offering A Very Lonely Solstice.  

    Nigerian-born singer/songwriter, Uwade opened the evening. She is well known to fans of Fleet Foxes, having sung extensively on their latest release. Taking the stage by herself and armed with only an acoustic guitar, Uwade quickly took a captive hold of the audience. She delivered a thirty-minute set of acoustic folk tracks, intimately and honestly. It seems often this type of permanence can get lost in a large venue such as Beak and Skiff, however, this was not the case on this evening. The area surrounding the stage was quiet enough to hear a pin drop, as Uwade performed tracks dealing with topics such as the illness of her father.   he was joined by Fleet Foxes members Christian Wargo and Christopher Icasiano to finish out her set.  

    After a brief intermission, the Fleet Foxes took to the stage. Boasting an impressive eight-piece band, and accompanied by opener Uwade, they immediately launched into “Sun Giant.” It was an appropriate opener to showcase what was to come, featuring a beautiful acapella track with layers of harmonies that floated about the concert field. The band followed with the mellow “Wading In Waist-High Water,” which saw Uwade again take lead vocals (as she did on the studio track) as layers of the band’s instrumentation built. The band then followed with the more upbeat “Can I Believe You,” which had the audience singing and dancing along.  

    As their set rolled on, the band would dig deeper into their catalog. Backed with a video board that showed nature scenes and other colorful visuals, the band churned out fan favorites such as “White Winter Hymnal,” “Montezuma,” and “Mykonos.”   In what is becoming a tradition at their concerts, the band pulled an audience member from the crowd to sing and play guitar on “White Winter Hymnal.” For the uninformed, one would not have known this fan was not a lifelong member of the band.

    In all the band would perform over 20 songs followed by a three-song encore. The band would close the evening with “Helplessness Blues,” a track about longing for a simpler life. Featuring the lyrics “If I had an orchard, I’d work ’til I’m raw,” it was a near-perfect ending to a brilliant evening of music.

  • Artpark Welcomes Lauren Daigle Congregation

    Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.

    Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.

    Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.

    For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.

    The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.

    While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.

    Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.

    Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”

    “St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.

    As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.

    Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.

    Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.

    Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.

  • Spafford Mesmerizes in Morristown, NJ

    Spafford is a band that deserves more: more fans, more coverage, and more respect.   With a signature sound amphitheater-ready and a technical proficiency seldom heard in today’s music, the fact they haven’t reached greater heights yet is truly one of life’s simple mysteries. Hooked from the moment I first heard them in 2017, I’ve been singing their praises to anyone who will listen for years now.  That being said, a recent fan post in the band’s “Spaffnerds” group got my blood boiling a bit. It read something to the effect of “Guys. Spafford is destroying the northeast right now and not a single jamblog is writing about it. WTF.” Having written about this band several times in the past, at first I took offense, but then I took it as a personal challenge to get these guys some more ink. So in a completely irrational, last second decision, I loaded up the car in Albany and made the two and half hour drive across state lines to catch Spafford’s headlining show at the Homestead in Morristown, New Jersey on Monday, July 10th.   

    Spafford brought weekend vibes to Morristown, NJ on Monday 7/10/23.

    Having never been to the Homestead before, I initially found parking to be a bit of a situation. With the summer night life of Morristown hustling and bustling right through showtime, I ultimately ponied up at a nearby municipal garage. Following my ear, I knew exactly where to go once I stepped out of the car. That’s because you could hear Spafford’s opening reggae-styled cover of “Soul to Squeeze” by the Red Hot Chili Peppers’ firing up from almost a block away. The colorful and luscious guitar tone of Brian Moss’ custom ax, Raven, was like a beacon calling to everyone nearby, ‘lend us your ears and we’ll send you home happy.’  By the time the band landed on “Plans,” the entire outdoor patio was packed with people. Even the curiously vacant parking lot adjacent to the venue started filling with people who were at least interested enough to listen, but on the fence about paying for it.

    Spafford fans made themselves at home in Morristown on 7/10/23.

    Inside the Homestead was a completely different vibe. A combination of danceable and sweaty energy, the smell of chicken wings and comfort food, and more mesmerizing than anything, the sound. The high ceilings of the venue made Spafford sound huge. Admitted audiophiles, the band which consists of Brian Moss (guitar,vocals), Jordan Fairless (bass,vocals), Nick Tkachyk (drums,vocals), and Cory Schechtman (keybords), work tirelessly before every show to achieve peak tones in whatever room they’re playing; they always sound great on whatever stage you put them.

    Originally formed in Arizona, the last few years have seen much of the band return to their east coast roots. With Moss growing up in Jersey, the show would take on a bit of a “hometown throwdown” feel. Close family and friends could be seen dancing along on the side of the stage, including Moss’ adorable little rock star, Henry, who appeared to be having a blast watching his dad shred into our third song of the night in “Todd’s Tots.” While I don’t know who Todd is, I do know this was the musical highlight of the opening set.  Things would then get down right “untzy” then “reptilian” with a well-placed combination of “Funkenseven” that alligatored into the Jordan Fairless led “Salamander Song” to send the Morristown crowd dancing the whole way into set break at the Homestead.      

    Keyboardist Corey Schechtman played his first show with Spafford at this same venue in 2023.

    Walking out for second set accompanied by music from Rage Against the Machine, you could just feel the boys were about to get down to some serious business.  Launching into the nights only track from their most recent studio album, 2022’s Simple Mysteries, “Fake the Fate,” the dance party resumed almost instantly. Some fans expressing themselves by spinning in circles, showing their moves to drift away while the surging groove carried us straight into “Windmill,” one of the band’s most sought after originals.  Perhaps the centerpiece of the show, Spafford let it all hang out here, tongues included. Sustaining those high notes for added emphasis, when Moss starts making unintentional stank face, you know things are going pretty good. People who were seeing the band for the first time simply could not believe what they were hearing. As Brian’s complicated guitarwork reached soaring new heights reminiscent of what you might hear in the peak of Phish’s “David Bowie,” one older gentleman near the soundboard commented how he hasn’t heard chops like that since his days of seeing Jerry.  

    So Raven: Spafford’s Brian Moss plays his custom ax in Morristown 7/10/23.

    Exchanging rays of mental dues
    Accepting moods that new grooves proves
    A simple song, it has no cost
    Through this rif my troubles’ lost
    You’ve got me dreaming again
    Open my mind to a new way
    A long way from fine

    -Lyrics from “Windmill”

    Up next came another Fairless special with “Lonely,” a track that has continually showed itself to be one of the bands biggest jam vehicles.  This exceptional rendition proved that true once again with Jordan crooning his heart out while the band stretched its legs into some beautiful type II territory. Keyboardist Corey Schechtman also really shinned here. Schechtman, who played his first Spafford gig at this same venue one year prior, has really settled into his role nicely; you can just see how much more confident he is now. With other-worldly skills dripping out of his fingertips, Schectman has the ability to completely change the direction the jam is going…and that’s usually for the better.  Often locking eyes with Nick on drums, the two seemed to have formed a strong bond over this past year.

    Spafford drummer Nick Tkachyk played Jersey in a jersey on 7/10/23.

    Showing amazing musical maturity by building the groove up, then holding onto it until they have everyone’s undivided attention, imagine how difficult it must be to show this kind of restraint. Like driving a Ferrari through a 30mph school zone, Spafford’s patience has always been one of their biggest assets. They always seem to know just the right moment to step on the gas and when to let off of it.  Closing the four song second set was our second cover of the night, a crowd-pleasing version of “Love Song,” as popularized by The Cure. It was only the second time they’ve played it this year. 

    Spafford bassist Jordan Fairless had his fingerprints all over the Morristown setlist on 7/10/23

    With a hard 11pm curfew rapidly approaching, it was from here to “Eternity” as another Jordan led song was selected as the lone encore of the evening, capping off another stellar performance by a band that’s currently at the top of their game.  Afterwards the guys could be seen hanging out by the merch table, signing posters and taking selfies with fans. Their approachability is yet another endearing quality.  

    While the high-flying bird band Goose is currently commanding most of the jam scene headlines, bubbling just under the surface is a whole litany of other amazing acts of the same genre. Right at the top has got to be Spafford. Using music as their weapon and perhaps benefitting from all the recent attention the improv community has been getting, we can only hope this band will get their big break soon. Worth every penny of the $20 ticket and worth traveling for every time I’ve seen them, these guys are the real deal. Real people with a real shot at achieving their dreams. Still finding the balance between touring life, raising toddlers, and writing new songs, these hardworking guys are putting it all on the line every time they go out there, both musically and personally.  When I asked Moss point blank if filling amphitheaters is even what he wants, without hesitation he said, “Of course, that’s what I’m in this for.  We’re here to take over the world.”  A true rock n’ roll answer if there ever was one, well Mr. Moss, I believe you can do it and I believe in Spafford.   

    Spafford | July 10, 2023 | The Homestead | Morristown, New Jersey

    Set 1: Soul to Squeeze*, Plans, Todd’s Tots, Funkenseven>Salamander Song

    Set 2: Fake the Fate > Windmill, Lonely, Love Song **

    Encore: Eternity

    *Red Hot Chili Peppers cover

    **The Cure cover

  • Maya Donovan Captures the Art of Healing on New Single “Lenox” 

    Brooklyn-based singer-songwriter Maya Donovan has just released her latest single “Lenox,” a contained ballad that recounts the residual emotions created through trauma. This track sees Donovan embrace rich bass lines, complex vocal harmonies, and a uniquely electric piano tone to establish her signature sonic environment.  

    Maya Donovan Captures the Art of Healing on New Single “Lenox” 

    Following her 2018 debut EP and her new successful single “We Should Get Dinner,” Maya Donovan is hopeful to bring her mellow compositions to audiences through a string of upcoming single releases. Her music is beautifully made, blended with her heartfeltly modern lyricism. 

    Maya Donovan is a 24-year-old singer-songwriter raised and based in Brooklyn whose style draws on a host of genres: folk, soul, pop, and jazz. A masterful storyteller, Donovan writes of the most painful parts of life with unflinching honesty, empathy, and humor. Her rich voice, armed with delicate control, will pull you into her music and keep you there. 

    Since almost as early as she could talk, Maya Donovan has been writing tunes to express her innermost feelings. Most recently, Donovan continues to utilize songwriting to chronicle her battles with anxiety and her constant re-discovery of herself through adolescence and young adulthood.  

    A graduate of New York City’s prestigious LaGuardia High School for Performing Arts (the “Fame” school), Donovan has been making music for as long as she can remember. Some of her first songs she wrote before the age of 10, hunched over a first-generation iMac computer. Donovan comes from a long line of creatives: daughter of Academy Award-winning documentary filmmaker Vanessa Roth, and granddaughter of screenwriter Eric Roth, whose prolific work includes the Forrest Gump screenplay. 

    To enjoy Maya Donovan’s charismatic presence live, you can find her as a resident artist at The Bitter End in Greenwich Village, which has been graced by some of her biggest musical influences, such as Carole King, Billy Joel, and Lady Gaga. Additional inspiration for her art comes from fellow contemporary singer-songwriters such as Fiona Apple, Sara Bareilles, and Julia Jacklin. 

    Listen to “Lenox” by clicking the link here. 

    For more music by Maya Donovan, click the link here. 

  • Great South Bay Music Festival Returns in 2023 with an Unforgettable Lineup

    The Great South Bay Music Festival 2023, one of the most highly anticipated events of the summer, is set to make a triumphant return this year after facing numerous challenges due to the COVID-19 pandemic. The festival begins on Thursday, July 20 and runs through Sunday, July 23rd.

    Great South Bay Music Festival 2023

    As Long Islanders emerge from quarantine and yearn for the joy of live music, this family-friendly festival promises to deliver an unforgettable experience for music enthusiasts of all ages. I had the pleasure of speaking with James Faith, the festival’s producer, about the festival’s journey and what attendees can expect this time around on The Long Island Sound Podcast

    The Great South Bay Music Festival, held in the picturesque Patchogue, Long Island, has always been a celebration of local talent alongside renowned artists from various genres. What sets this festival apart is its commitment to creating a family-friendly environment, where attendees of all ages can enjoy music from both local acts and big-name performers across multiple stages.

    James Faith – Producer of the Great South Bay Music Festival

    James Faith, the festival’s producer, emphasized the importance of creating an inclusive atmosphere, stating, “We want to make sure that families can come and enjoy the music together. It’s not just about the headliners; it’s about showcasing the incredible talent from our local community as well.” This unique blend of local and established acts allows for a diverse range of musical styles and ensures that there’s something for everyone to enjoy.

    Putting the Pandemic in the Past

    Reflecting on the impact of the pandemic, Faith described the challenges faced by the festival and its organizers. Despite the uncertainties and setbacks, they remained committed to delivering a memorable experience for attendees. “We had to adapt and overcome numerous obstacles, but we never lost sight of our goal: to bring people together through the power of music,” Faith explained.

    We want to provide a platform for emerging artists to shine alongside the big names. It’s about fostering a sense of community and giving these talented musicians the exposure they deserve.

    James Faith

    Now, as the festival gears up for its 2023 edition, attendees can look forward to an impressive lineup that embodies the festival’s spirit. A few of the local artists have been my guests on The Long Island Sound Podcast, including, Matt Marshak, Kerry Kearney, Lex Grey and Phil Firetog.

    Among the artists set to grace the stages are Phil Lesh and Friends, Gov’t Mule, Dave Mason, Hot Tuna, Dirty Heads, Cassandra House, Kerry Kearney, Gold Finger, The Fabulous Thunderbirds, Duane Betts, Bad Fish, Tauk, Neighbor, Miles to Dayton, Lex Grey and the Urban Pioneers, oogee Wa Wa, Clifdiver, Harbour, The Joni Project, Phil Firetog Trio, Shecky and the Twangtones, Adam and the Metal Hawks, Jules Radino, Jack Licitra, and Matt Marshak.

    Great South Bay Music Festival 2023

    The Great South Bay Music Festival goes beyond just the music, offering a range of activities and amenities to enhance the overall experience. Attendees can explore artisan craft vendors, indulge in delicious food from local vendors, and engage in interactive workshops and activities for all ages. From art installations to face painting, there’s something to captivate the entire family.

    Faith encouraged attendees to immerse themselves in the vibrant Long Island music scene by exploring the Long Island Music Hall of Fame in Stony Brook. This esteemed institution showcases the island’s rich musical legacy and pays tribute to iconic musicians such as Billy Joel, Eddie Money, Joan Jett, and many more.

    The Great South Bay Music Festival promises to be a thrilling experience for music lovers and a testament to the resilience of the Long Island community. With its four-day duration, family-friendly atmosphere, and a diverse lineup of local and renowned acts, this festival is set to reclaim its place as one of the region’s premier summer events.

    I have my tickets to the Festival! So when you see a white haired guy, who looks like the picture below, make sure you say hello.

    For more information and updates on the Great South Bay Music Festival 2023 including ticket sales and the complete artist lineup, stay tuned to The Long Island Sound Podcast and visit the festival’s official website.

  • MAX Shakes up Jones Beach Theater

    Max Schneider, the charismatic and multi-talented artist, set the stage on fire as he opened for Big Time Rush on June 9th at Jones Beach Theater in Wantagh, Long Island. With his infectious energy and undeniable talent, Max captivated the crowd from the moment he stepped foot on stage.

    This highly anticipated show brought together fans who were eager to witness the magic unfold. As the sun set and the first notes reverberated through the air, it became evident that this night would be filled with unforgettable moments. The atmosphere was electric as fans anxiously awaited Max’s performance, knowing they were about to be treated to an extraordinary display of musical prowess and captivating stage presence.

    Max Schneider, the versatile and dynamic artist, is making a name for himself with his magnetic blend of pop, R&B, and soul. Hailing from Manhattan, Max’s musical journey began at a young age, with songs like “Someday” from the Nickelodeon movie he starred in Rags. Since, he’s immersed himself in various genres and honing his craft as a singer and songwriter. With his undeniable talent and captivating stage presence, Max quickly gained attention and built a devoted fanbase.

    His music is marked by infectious melodies, heartfelt lyrics, and an innate ability to connect with his audience on a deeply personal level. With breakout hits like “Lights Down Low” and “Love Me Less,” Max showcases his versatility as an artist, effortlessly blending catchy pop hooks with soulful vocals. 

    As he continues to push boundaries and explore new sonic territories, Max’s star continues to rise, solidifying his position as a rising force in the music industry. With a string of successful releases and an electrifying stage presence, Max Schneider is poised to captivate audiences around the world with his undeniable talent.

    Max’s performance at Jones Beach Theater was an exhilarating display of his immense talent and showmanship. With a setlist that spanned his diverse discography, Max delivered a high-energy and unforgettable performance that had the crowd on their feet from start to finish.

    Kicking off the set with the infectious hit “Love Me Less,” Max immediately established a powerful connection with the audience. The atmosphere was electric as he seamlessly transitioned into a medley of “Holla” and “Drop It Like It’s Hot,” infusing his own unique style into these iconic tracks.

    Max’s versatility as an artist was on full display as he effortlessly shifted gears into the hypnotic and dreamy “Acid Dreams.” The crowd was captivated by his smooth vocals and mesmerizing stage presence, fully immersed in the musical vibes he created.

    Taking a moment, Max performed a heartfelt mashup of “Someday” and “Me And You Against The World,” showcasing his ability to tug at heartstrings with his soulful delivery and emotionally charged lyrics. The audience swayed along, enveloped in the powerful atmosphere Max created.

    The highlight of his set was the debut of a new, unreleased track titled “Say Less.” The funky and energetic song ignited the crowd, with its infectious hooks and irresistible groove. Max’s performance of this fresh offering left fans eager for what’s to come from his forthcoming album.

    Continuing to dazzle the audience, Max delved into the energetic yet intimate “Blueberry Eyes,” a fan-favorite that showcased his vocal prowess, korean rapping mastery, and ability to evoke genuine emotions. The crowd sang along, creating a beautiful moment of unity and connection.

    With “Strings,” Max demonstrated his artistry and musicianship, delivering a captivating performance that showcased his skill on the guitar. The intricate melodies and heartfelt lyrics resonated deeply with the audience, further solidifying Max’s status as a true musical talent.

    The energy reached its peak as Max unleashed the infectious anthem “Satisfied.” The crowd erupted into cheers, dancing and singing along to every word. Max’s infectious energy and stage presence were contagious, filling the venue with an electrifying atmosphere.

    A standout moment came with the performance of his chart-topping hit “Lights Down Low.” As the opening chords filled the air, the entire stadium was illuminated by the sea of phone flashlights held up by fans, creating a magical sight and a testament to the profound impact this song has had on listeners.

    Closing out the set with the powerful and dynamic “Mug Shot,” Max left the audience craving more. In a moment of excitement and anticipation, he announced a forthcoming album, set to be released at the end of the year, accompanied by an accompanying tour. The crowd erupted into cheers, eagerly awaiting what promises to be another exceptional chapter in Max’s career.

    His performance was a masterclass in showmanship, talent, and connection. With an electrifying stage presence, a versatile setlist, and an unwavering connection with his fans, Max proved once again why he is a force to be reckoned with in the music industry. As fans eagerly anticipate his upcoming album and tour, it’s clear that Max Schneider will continue to rise, and his captivating performances leave an indelible mark on all who have the pleasure of witnessing his artistry.

    Stay up to date with Max on socials and any updates from upcoming tour here. 

    MAX Setlist: Love Me Less, Holla / Drop It Like It’s Hot, Acid Dreams, Someday / Me And You Against The World, Say Less [Unreleased], Blueberry Eyes, Strings, Satisfied, Lights Down Low, Mug Shot

  • In Focus: My Morning Jacket at Artpark

    The anticipation was palpable as My Morning Jacket took the stage at the Artpark Amphitheater in Lewiston on June 26. The crowd erupted in cheers as the band launched into their set with the powerful and infectious “War Begun.”

    From that moment on, it was clear that this would be a night to remember. My Morning Jacket flawlessly navigated through their setlist, effortlessly blending old favorites with newer tracks. “Circuital” and “Mahgeetah” showcased the band’s signature sound, with Jim James’ distinctive vocals soaring above the intricate guitar work and driving rhythm section.

    The band’s musicianship was on full display throughout the night. The intricate guitar solos and dynamic drumming added depth and complexity to each song. Whether it was the introspective beauty of “Golden” or the raw energy of “One Big Holiday,” My Morning Jacket commanded the stage with a magnetic presence that held the audience in rapt attention.

    As the evening progressed, the crowd was treated to a range of emotions. The hauntingly beautiful “Never in the Real World” and the introspective “If All Else Fails” showcased the band’s ability to delve into more introspective and introspective territory. The energy reached its peak during fan-favorite anthems like “Wordless Chorus” and “One Big Holiday.”

    The encore was a fitting culmination of an already exhilarating performance. “Touch Me I’m Going to Scream Pt. 1” enveloped the venue in a wave of sound, with its infectious rhythm and soaring vocals. The atmospheric “Spring (Among the Living)” provided a brief moment of reflection before the band unleashed the explosive “Touch Me I’m Going to Scream Pt. 2.” The combination of these three songs created an electrifying finale that left the audience wanting more.

    Setlist: War Begun, I Will Sing You Songs, Circuital, Love Love Love, Mahgeetah, Golden, Never in the Real World, Anytime, One Big Holiday, Death Is the Easy Way, Feel You, If All Else Fails, Lay Low, Friends Again, Off the Record, Evil Urges, Wordless Chorus

    Encore: Touch Me I’m Going to Scream Pt. 1, Spring (Among the Living), Touch Me I’m Going to Scream Pt. 2

  • In Focus: Shania Twain’s Unforgettable Queen In Me Tour At Lakeview Amp

    A sold-out crowd eagerly gathered at St. Joseph’s Lakeview Amphitheater in Syracuse for a momentous occasion – the highly anticipated Woman In Me Tour featuring country music icon, Shania Twain. With excitement in the air, cowboy hats, sparkle ensembles, and devoted fans were in for a treat that would be etched in their memories for years to come.

    As the lights dimmed and the anticipation reached its peak, the crowd erupted in thunderous applause as Shania Twain surprised everyone by emerging from a box in the middle of the crowd singing “Wake Up Dreaming.” It was a jaw-dropping moment that set the stage for a night filled with surprises, energy, and pure musical magic instantly establishing a connection with her fans.

    This concert marked a significant milestone for both Shania Twain and the Central New York region, as it was her first performance in the area in an impressive 25 years. The anticipation and nostalgia were palpable, as fans eagerly awaited the chance to witness the country superstar’s return to the region that holds a special place in their hearts.

    Shania Twain’s stage presence was nothing short of captivating. Throughout the night, she effortlessly commanded the stage with her unmistakable charm and undeniable talent. The crowd was treated to a visual feast as she donned multiple dazzling outfits, and glamourous visual backgrounds to her set.

    One of the highlights of the evening was Shania Twain’s exceptional crowd interaction. She had a genuine connection with her fans, taking the time to engage with them on a personal level. From sharing heartfelt stories and reading the signs her fans waved high in the air, she made everyone in attendance feel like they were part of an intimate gathering rather than a sold-out arena. It was this genuine connection that further heightened the concert experience, leaving the audience feeling seen and valued.

    A true celebration of Shania Twain’s iconic discography, with hit after hit igniting the crowd’s enthusiasm. From timeless classics like “Any Man of Mine” and “That Don’t Impress Me Much” to heartfelt ballads such as “You’re Still the One” and “From This Moment On,” each song was met with resounding cheers and singing from the passionate audience. The energy in the venue was infectious, with everyone on their feet, dancing and singing along to every word. The combination of Shania Twain’s soaring vocals, the vibrant stage lighting, and the backdrop of a breathtaking sunset over the lake created a truly magical atmosphere. It was a moment where music, nature, and community seamlessly intertwined, amplifying the already incredible experience.

    As the final notes rang out, the crowd erupted in thunderous applause, showing their gratitude and appreciation for the unforgettable evening they had just experienced. Shania Twain delivered a concert that exceeded all expectations, leaving fans with a renewed sense of joy and a reminder of why her music has stood the test of time. In conclusion, Shania Twain’s Woman In Me Tour at St. Joseph’s Lakeview Amphitheater in Syracuse was a monumental event that showcased the enduring power and talent of a country music icon and her long-awaited return to Central New York was a triumph, and the memories created will undoubtedly be cherished for years to come.

    For more on Shania Twain, click here.

    Set List: Wake Up Dreaming, Up!, Don’t Be Stupid, I’m Gonna Getcha Good, You’re Still The One, Giddy Up!, Any Man of Mine, Who’s Bed Have Your Boots Been Under?, Honey, I’m Home, Inhale/Exhale AIR with Breland, From This Moment On, Medley, Forever And Always, My Number One, Rock This Country.

    Encore: You Don’t Impress Me Much, Party For Two, Man! I Feel Like A Woman!

    Shania Twain at Lakeview July 8 2023

  • In Focus: Plush rock out at Alive at 5

    On Thursday, July 6th, Plush rocked a hot summer stage for Albany’s 4th installment of Alive at 5.

    Kenny Hohman of Super 400 – Photo by Jarron Childs

    Super 400, from Troy, NY, opened rock night with a strong 1 hour set. Playing together for over 20 years, they are no stranger to the Capital Region spot light. The trio were inductees to the Class of 2022 Eddies Hall of Fame. Their psychedelic and class rock sound really drew in the very adult Albany crowd. Towards the end of their set, they brought up singer, writer, and producer Sean Whiteford for a song. They crowd gave them a strong exit as they really played straight through the summer heat.

    Sean Whiteford and Kenny Hohman – Photo by Jarron Childs

    Lead vocalist, Moriah Formica, got her start in music at a fairly young age. She was previously on The Voice at the age of 16 in 2017. She made it to the last playoff round before getting eliminated; but it was enough to jump start her professional music career. Plush was formed soon after during the COVID-19 pandemic mainly through ads on social media. The young, all female rock band has been capitalizing on the growing female rock scene. From debuting their first song “Hate,” it wasn’t long before they were supporting acts like Kiss.

    Moriah Formica of Plush – Photo by Jarron Childs

    Lead by Albany native Moriah Formica, they did not not let the heat stop them from playing a full hour and a half set. Plush braved the humidity with a burst of energy the radiated well into the crowd. With lots of bopping around stage, they really brought the excitement of rock to the stage with their classic and hard rock rock style. Bassist and New York native, Ashley Suppa, seemed to be a crowd favorite as she really took up the as much as the stage as she could. Her and guitarist, Bella Perron, kept switching places which helped really stimulate the audience to keep on moving with them. Perron also had some great solos where she really used her guitar to bring the energy from some of Plush’s newest fans.

    Ashley Suppa of Plush – Photo by Jarron Childs

    Even though they may have had a weird start, they had a powerful exit with their latest single, “Left Behind.” They took a photo with the crowd before greeting them by the merch table for fans to greet their new favorite band. Their great sound coupled with young energy make them really hard not to like.

    The closest show the band has to New York is in Atlantic City on September 8th. They play at Rock Fest in Cadott, WI on July 15th for anyone that can check them out soon.

    Faith Powell of Plush – Photo by Jarron Childs

    Plush Setlist: Athena, Champion, Sober, Better Off Alone, Baracuda, Found A Way, Walk Away, Don’t Say That, Man in the Box, Hate, Will Not Win, I Don’t Care, Bring Me Down, Why Do I Even Try, Sorry, Heaven’s On Fire, Left Behind