Author: Isabela Perez

  • Buffalo’s Beau Fleuve Music & Arts Celebration Shares Official Lineup For 7th Annual Event

    Buffalo has always been an incredible summer-music hub of the New York area, and this year is no different, as the Beau Fleuve Music & Arts Celebration is raring to go for its 7th year. The event is set to return on August 27th at the historic grounds of the Buffalo Central Terminal with special curated performances from an immensely diverse and lively lineup along with festivities for all ages.

    The celebration will kick off at 2:00 PM with an intimate Happy Hour where participants can choose to enjoy live DJ sets, live podcasts, and drink specials. Everyone from cocktail-desiring adults to fun-loving children are welcome as the hour-long special will also be featuring a newly added Family Fun Zone. Led by the Explore & More Children’s Museum, the interactive add-on will include balloon making, face painting, caricature drawing, and more for everyone to enjoy.

    When it comes to the live performances of Beau Fleuve, music lovers will not be disappointed as the lineup includes countless acts from diverse genres and styles. Legendary DJ Ted Smooth, also known as “The King of The Remix,” will make an appearance to perform a stunning tribute set to the 50th Anniversary of Hip Hop being celebrated this year. Alongside the NYC disk jockey are performances from Boston R&B singer CD Rose, national touring Pop duo Super American, and even Buffalo’s own American Idol Season 21 top 20 contender Matt Wilson.

    These performers are only the start as many others are raring to take the stage, yet the celebration will not stop there as the Arts Celebration attendees will be able to enjoy and interact with several partnered Art Instalations. Featured displays will include work from fashion designer Billie Essco, graffiti artist Vinny Alejandro, and many more. On top of all the interactions and entertainment, the celebration will reintroduce the fan favorite Silent Disco to the community along with numerous feasting options of food trucks and vendors.

    Beau Fleuve is an inclusive celebration like no other, celebrating diversity through the arts to build bridges throughout the community, and families of all shapes and sizes will not want to miss out.

    Performing Live

    • National Touring Slacker Pop Duo SUPER AMERICAN
    • Buffalo’s own & featured on AMERICAN IDOL’S Season 21 as a Top 20 Contender MATT WILSON
    • Rising Hip Hop Goddess CHE NOIR, from BOSTON– R&B Singer CD ROSE
    • Grace Greenan
    • Free Music Party
    • Farrow
    • Inner City Bedlam
    • Underrated Evolution
    • Jon Jon
    • Kota Sovia
    • Leale
    • Spacebound
    • Dom Brown
    • G Premacy
    • OG Sole
    • Skillie Vanillie
    • Backpack Mafia

    Speciality Curated Performances

    ~ Beau Fleuve Exclusive.  Return to the stage in celebration of renowned artist EDREYS WAJED which will feature a remedy of his song from his days as a Buffalo Hip Hop Pioneer Billy Drease Williams infused with an Art experience. 

    ~ FROM NYC, LEGENDARY deejay TED SMOOTH aka “The King of The Remix” will be rocking the crowd with a tribute to “CELEBRATING 50 YEARS OF HIP HOP”

    ~ DJ AVEE & FRIENDS featuring sensational Bachata & Merenge Tipico BAND LIGHT and more.

    ~ DPONDRUMS JAM SESSION & Producer TONEY BOI’S LIVE MIXTAPE will provide a unique and interactive flare to this year’s celebration.

    ~ Bringing you a Live on Stage Podcast – The Wellness Bestie, Entrepreneur, and Favorite Virgo HEAL HOT GIRL PODCAST

    DJ Sets

    by DJ P, DJ RUPTION, DJ UNK, JAY GETS BUSY, JOEY BAMBINO, DJ MANNIE FRESH, & MORE

    The Arts

    CAFÉ“ curated by artist & fashion designer BILLIE ESSCO will have a café inspired set design featuring his iconic CAFÉ clothing brand, Sponsored by Burchfield Penney Art Center

    “LIBERTY PAINT SPLASH SET” curated by MANDELA HUFF will feature a messy painted library book wall with live photoshoot with a few models I’ll invite involving colored power/ powder bombs and paint. Sponsored by The Buffalo Central Terminal

    “DENIM WALL” curated by NEKEA BROWN will feature her sought-after Denim Wall with a picnic twist full of the things that make the Beau Fleuve Music Festival special, lots of summer colors, love, diversity, and something that brings everyone together. Picnics have always been a great way to bring in different groups of people to share food and listen to music. Sponsored by The Buffalo Central Terminal 

    “WELCOME” curated by VINNY ALEJANDRO will feature a graffiti-inspired Beau Fleuve Welcome sign for guests to take their selfies and family photos. Sponsored by The Buffalo Central Terminal 

    Exhibiting Artists will include XOJOITA NEESE RICH CONNER CHADDERDON ROZ PAINTED IT, FREDZDAARTIST CARGO SANTANA CASHIS GREEN HOOLY KYLIE PRISCILLA SHANTELLE PATTON PHIL BROWN CAMERON OSBORNE & MORE.

    Other Events

    THURSDAY NIGHT AUGUST 24

    The Celebration Weekend Kicks off with some laughs for the “LAUGH ALIL COMEDY SHOW” with National Touring Comedian and Member of Kevin Hart’s Plastic Cup Boyz SPANK HORTON. This will be held at the Kavinoky Theatre starting at 7 pm. Tickets range between $22-$24, available on Ticket Tailor.

    FRIDAY EVENING AUGUST 25

    The Beau Fleuve VIP RECEPTION will celebrate and honor various community stakeholders in the fields of Music, Arts, Education, and Community. This will be from 5:00 p.m.-8:00 pm at Deco Buffalo, free.

    SATURDAY NIGHT AUGUST 26

    The Beau Fleuve Softball Classic, the most anticipated bragging rights event of the year, comes to the Dobson Field starting at 6 p.m.

  • Karina Rykman Delivers Compelling Debut Album ‘JOYRIDE’

    Karina Rykman has just released her debut album JOYRIDE for all to stream and enjoy. The nine-track project comes just ahead of her 2023 tour, beginning September 20 with multiple festival appearances before hand.

    In light, Rykman’s debut album has been highly anticipated since its announcement, due to the singer’s uniqueness and ability to captivate an audience. Moreover, she brings an original style to fans as the album thoroughly captures Rykman’s jubilant brand of sonic exploration. Additionally bridging an array of genres to arrive at her own take on psychedelic indie rock. With this intention, the album includes the artist’s newest single “All That You Wanted” which features vocal accompaniment from Veronica Stewart-Frommer of Melt, as well as guitars from Melt guitarist Marlo Shankweiler and Phish’s Trey Anastasio.

    About the Album

    Equally important is that JOYRIDE features Trey Anastasio as co-producer and featured musician, contributing guitar on five of the album’s nine tracks. In turn, Anastasio has taken a profound interest in being a part of Rykman’s debut album, since encountering each other at 2021’s Peach Music Festival in Scranton, PA. As well as the Phish frontman offering the use of his storied Vermont studio, The Barn, along with the suggestion to work with renowned mixer Bryce Goggin, the collaboration was set right from the start.

    Moreover, in celebration of the release, Rykman will finish up her summer schedule and head out on her largest headlined tour yet, visiting New York nooks with a sold out show in Brooklyn and a performance in Lake George.

    Although her headline tour truly begins September 20th, the artist will perform in select music festivals all over the states including Thornville, OH’s Secret Dreams Music & Arts Festival, Cockeysville, MD’s Hot August Music Festival, Lake George, NY’s Adirondack Independence Music Festival, and many more. Meanwhile fans can catch the artist at the shows shown below or can simply meander to any streaming service to listen to JOYRIDE.

    JOYRIDE TOUR 2023

    August 18th – Thornville, OH – Secret Dreams Music & Arts Festival *

    August 19th – Cockeysville, MD – Hot August Music Festival *

    September 1st -3rd – Lake George, NY – Adirondack Independence Music Festival *

    September 9th – Indianapolis, IN – All In Music & Arts Festival *

    September 10th – Mundelein, IL – The Miracle In Mundelein *

    September 15th – Fredericton, NB – Harvest Jazz & Blues Festival *

    September 16th – Greenfield, MA – Wormtown Music Festival

    September 17th – East Aurora, NY – Borderland Music Festival *

    September 20th – Brooklyn, NY – Baby’s All Right (SOLD OUT)

    September 21st – Asbury Park, NJ – Wonder Bar †

    September 22nd – Baltimore, MD – The 8×10 †

    September 23rd – Richmond, VA – The Camel †

    September 25th – Raleigh, NC – The Pour House Music Hall †

    September 26th – Asheville, NC – Asheville Music Hall †

    September 28th – Charleston, SC – The Charleston Pour House †

    September 29th – Atlanta, GA – Aisle 5 †

    September 30th – Nashville, TN – The Blue Room at Third Man Records †

    October 27th – San Diego, CA – Winstons Beach Club †

    October 28th – Los Angeles, CA – Venice West †

    October 29th – San Francisco, CA – The Chapel †

    November 1st – Cave Junction, OR – Bruno’s Cavern †

    November 2nd – Bend, OR – Volcanic Theatre Pub †

    November 3rd – Portland, OR – Polaris Hall †

    November 4th – Seattle, WA – High Dive †

    December 1st – Burlington, VT – Nectar’s

    December 2nd – Burlington, VT – Nectar’s

    December 3rd – Portland, ME – Portland House of Music and Events

    December 15th – Philadelphia, PA – MilkBoy

    December 16th – Boston, MA – Sonia

    * Festival Appearance

    † w/ Special Guests Guerilla Toss

  • Brooklyn-Based Duo Boston Flowers Releases Intoxicating New Single “Man On Mars”

    Boston Flowers has just released their latest single “Man On Mars” as well as an upbeat and colorful music video to go with it. The release comes just a month ahead of the band’s newest album Mondegreen, set to be released to audiences on Sept. 13.

    Boston Flowers is made up of members Brad Flowers, who leads on vocals, lead guitar, rhythm guitar, and bass guitar, along with CJ Kostaras who keeps the music together on the drums. The Brooklyn-based musical group is known for their unique, seamless blend of indie, alternative, and pop-rock sounds. Drawing influences from a diverse range of musical styles, the duo has captivated audiences with their infectious lyrics and energetic performances, earning them critical acclaim along with the honor of being one of Brooklyn’s most exciting up-and-coming acts.

    Their new single, “Man On Mars,” is a track of pure upbeat intoxication, encouraging listeners to treat every second of life with utmost value and to treat each day with a sense of community. The sound itself, with layered guitars, consistent drums, and strong vocals, exudes happy energy making it fit in perfectly with the alternative pop-rock community. Although it may not stand out strongly against similar releases in the genre, it is fun and captivating none the less, allowing listeners to jam out and let loose.

    With the song in mind, Flowers shares, “Being in a busy city (like New York City) and working in a workplace with multiple moving parts, ‘Man On Mars’ touches on the interpersonal connections we must find to make it through each day, and growing a temporary armor to keep the bad away.”

    The track comes from their upcoming album Mondegreen, which the band will celebrate and share with a special show at Arlene’s Grocery in the city on Sept.r 13. Until then, enjoy the new single out everywhere!

  • Lake George Presents A Graphic Design Retrospective Ahead of Annual ‘Jazz at the Lake’

    The Lake George Arts Project is set to present a Courthouse Gallery exhibition titled “Jazz at the Lake: A Graphic Design Retrospective” in honor of the community’s annual event “Jazz at the Lake.” The display will be open to viewers for an entire month beginning on Aug. 23 and ending on Sept. 23.

    Jazz at the Lake is an annual event held by Lake George’s Art Project that brings some of the most incredible talent in jazz right to Shepard Park. The weekend has been a staple of Lake George’s community for over forty years, striving to bring unity and culture to the New York town. This year, the jazz performances will be held from Sept. 15-17.

    In anticipation of the arrival of the musicians and as a way to honor the legacy of “Jazz at the Lake,” the Lake George Arts Project will showcase the evolution of the imagery that has complemented the weekend since 2009. The design firm, Gruskin Creative, which has provided ample support and visuals for the jazz extravaganza for the past fifteen years has created beautiful images that layer the picturesqueness of Lake George with a visual representation of the mood of jazz. “Jazz at the Lake: A Graphic Design Retrospective” will also honor the vision of Paul Pines, Jazz at the Lake founder and artistic director from 1984 until 2018.

    A Gallery Reception for the exhibit will also be held on Thursday, Sept. 14, from 7:00 PM to 9:00 PM to kick off the weekend!

  • The Dirty Pennies Release Rocking New Single “Head Open”

    The Dirty Pennies have just released their newest single titled “Head Open” for all to hear and enjoy. Alongside the fresh release comes exciting news of the Rochester band’s upcoming performances on New York stages including multiple appearances at the Bug Jar!

    The rock band, originally formed back in 2012 by Ryan Klem and Lucas Howe, has evolved exponentially from a blues-rock duo into a garage rock band with the help of former bassist Joe Mungo. Today, especially taking into consideration their new release, The Dirty Pennies continue to take a step closer to exploring the realm of psychedelia with the help of recent additions: bassist Sean Doohan and keyboardist Doug Kelley.

    From the beginning of “Head Open,” with its looping guitar melody and the heavy use of a synth, it is evident that the band has not simply crossed the line into the open space of psychedelia but has jumped right into a new sound. The voices layered throughout the single support this energy as the echoed vocals seem far away yet everywhere all at once as they repeat, “Head open wide, empty space.” After the lead stanzas of introspection, the voices are cut out, giving way to an epic concoction of complicated instrumentals.

    To support their new single, The Dirty Pennies are set to perform at Rochester’s infamous Bug Jar on Aug. 25, a venue that is special to their hearts as it won’t be their first time rocking the stage. “Head Open” is now available to rock out to on Spotify, YouTube, and various other streaming services.

    Upcoming Performances

    August 25 – Bug Jar w/ Ace of Wands & Bad Bloom

    September 9 – Cafe Nine w/ Pinkhouse / The Problem with Kids today / VVBES 

    September 16 – West Almond Stomp Festival

    Upcoming Tour Dates

    October 19 – The Song and Dance w/ Trauma Cat & Dead Wolf

    October 20 – headlining at The Bug Jar

    October 21 – Mohawk place

  • Brooklyn-Based Singer Federico Aubele Announces Seventh Studio Album, Releases Haunting Single

    Federico Aubele has officially announced his seventh studio album Time Drips On My Bed which is set to be released to audiences on Oct. 13. Alongside the exciting announcement, the Brooklyn-based Argentine singer/songwriter has decided to give fans a sneak peek of the project by simultaneously dropping the first track on the album, “What We Lost” with an official music video.

    To say Aubele is an experienced artist and individual would be an understatement as the singer, born and raised in Buenos Aires, has immersed himself in cultural hubs all over the world by residing in Berlin, Barcelona, and now Brooklyn. With each move and experience, the artist has taken musical and life lessons with him which have been instilled in his almost two-decade long career, fusing the sounds of each city and various genres including electronica, acoustic guitar, flamenco, and so much more.

    Aubele’s upcoming album, coming out a little over a year after his sixth The Holographic Moon, will see the singer diving deeper into his past. After suffering the loss of his father in 2021, Aubele found himself reflecting on his home city of Buenos Aires and how it shaped who he is today. By tapping into his first album, Gran Hotel Buenos Aires, utilizing 2000s drum beats, melodica, Moog synth, and his unique baritone vocals, the album grew legs and began to run. It was this careful submersion into his grief and early life that ultimately served as the catalyst for his newfound creativity, allowing him to accept his past and build the foundation of his latest project.

    “We’re constantly evolving and changing, which means analyzing, understanding and accepting aspects of our past,” Aubele shares. “If we don’t do that, what we need to process starts spilling into our present, preventing us from fully reaping its benefits and appreciating where we are.”

    Perfectly expressing this theme, the first track on the album, “What We Lost” is available everywhere now along with an official music video directed by Federico Aubele himself. The song itself, backed by a looping drum beat, explores the love gained and lost in relationships of all kinds, and how when they live on in memories, they can enable one’s growth or hinder it. Although Aubele’s shaky and breathy vocals may be an acquired/specific taste for listeners, his message stays strong. The artist explains that the song is meant to express the shared phenomena of how humans are “inclined to recreate, consciously or subconsciously, those moments that moved, transformed and defined us.”

    The video is dreamy in its own right as it is shot throughout Brooklyn and includes countless images meant to enhance the meaning of the song including the trees of Prospect Park and visuals that resemble a flashback reel.

    Time Drips On My Bed Track List

    01. What We Lost

    02. Like Fire

    03. Silent Film

    04. Back No More

    05. Suspended Days

    06. Solitary Moon

    07. Time Drips on my Bed

    08. Videos

    09. Distant Cloud

    10. 20 Steps

    11. Lonely House

  • Brooklyn Group salamander Shares Hypnotic Single “xylem” With News of Debut LP

    The Brooklyn-based group salamander has made galant strides forward in their musical journey as they have recently released a new single, “xylem,” on top of announcing their debut LP. The LP titled, [container], is an eleven track project set to be released later this Fall on Oct. 18.

    salamander is dynamic trio, originally formed by songwriters PJ Hunter and Leo Frampton in 2019, adding in drummer Ben Verde two years later. The band takes improvisation and raw emotion to form an interesting-sonic sound that struggles to be placed in the confines of any genre. In a similar style, their songwriting process is fluid and highly collaborative, with many arrangements, structured ideas, and lyrics coming from multiple members of the band. While some songs, such as “wildfire” and “xylem,” have lyrics and chords written mostly by one of the band members, other songs such as “ride” and “wave” were written in full collaboration.

    “xylem” is the second track the band has released from [container] following their previously dropped track “ride.” The new song has a hypnotic and distilled pop beat and melody that blends into the moody vocals of the group. The lyrics themselves, coming mostly from band member Frampton, express haunting ideas surrounding the inevitability of death and trying to grapple and make peace with them saying, “I love this place, I want to be somewhere else/I love this place/We are going somewhere else.

    “This song sprouted from the way I have made peace with this fear, trying to see my own life and generation as part of a cycle bigger and smaller than myself,” Frampton explains. “I wrote the lyrics during springtime, which is the essence of the chords as well. I like the idea that people can interpret ‘place’ differently, zoomed in or out as far as they like.”

    The writing process of “xylem” was completely unique with melodies being created by Frampton and Hunter, guitar tones and a resonating mood being brought by Cody Zusman, and production being put together by Carlos Hernandez, among various other hands and voices in the mix. The new song comes with an artistic video visualizer created by Linnea Nugent.

    The single is now available on Spotify, YouTube, and all DSP’s.

    [container] Track List

    01. boomerang
    02. xylem
    03. unnamed thing 23
    04. wildfire
    05. unnamed thing 23.1
    06. the label
    07. instrumental believers
    08. ride
    09. images
    10. wave
    11. the 100th meridian

  • UAlbany Announces Upcoming Performances For 2023-2024 Season

    As colleges are preparing to welcome back students, the University at Albany is anticipating the music as its Department of Music and Theatre has announced its upcoming performances for the 2023-2024 season. The performances will begin on Sept. 19 and will take place at the UAlbany Performing Arts Center.

    The Music and Theatre programs have prepared for a year jam-packed with incredible musical talent. The Music program itself will present twenty-three performances while the Theatre Program will prepare three full productions offering five to six performances of each show plus its annual festival of new plays written and conducted by students.

    Tickets for all shows are now available for purchase here.

    Full 2023-2024 Schedule

    Viva Mexico

    Tuesday, September 19, 2023, at 7 pm

    Pianist Max Lifchitz celebrates the beginning of Hispanic Heritage Month performing a recital featuring music by Mexican composers.

    Tangos & More

    Thursday, October 12, 2023, at 7 pm

    Pianist Max Lifchitz marks the ending of Hispanic Heritage Month performing a recital featuring dance-inspired music from the Americas.

    The Glass Menagerie by Tennessee Williams

    • Wednesday, October 18, 2023, at 8 pm

    • Thursday, October 19, 2023, at 8 pm

    • Friday, October 20, 2023, at 3 pm

    • Saturday, October 21, 2023, at 2 pm & 8 pm

    • Sunday, October 22, 2023, at 3 pm

    This poetic drama, about the choices in the life of a young artist, made the yet-unknown playwright an overnight sensation. It’s an American classic: envisioned for our world today and our unique theatre in the round.

    UAlbany Symphony Orchestra & Concert Band

    Sunday, October 22, 2023, at 1 pm and Thursday, March 14, 2024, at 7:30 pm

    Two of the University’s large ensembles present a shared program.

    The Choral Hour

    Saturday, October 28, 2023, at 3 pm and Saturday, April 20, 2024, at 3 pm

    The UAlbany Chamber Singers and Community Chorale perform separately and combined in a program of music from a wide array of styles and cultures.

    Senior Recital

    Tuesday, November 7, 2023, at 7 pm

    This program of guitar music features solo classical pieces as well as jazz ensemble selections arranged by Sam Piazza.

    Clyde’s by Lynn Nottage

    • Wednesday, November 15, 2023, at 8 pm

    • Thursday, November 16, 2023, at 8 pm

    • Friday, November 17, 2023, at 3 pm

    • Saturday, November 18, 2023, at 2 pm & 8 pm

    • Sunday, November 19, 2023, at 2 pm

    The most produced play in America in 2022, this comedy, by the two-time Pulitzer Prize-winning author of Sweat and Intimate Apparel, is set in the kitchen of a truck stop where the art of making a sandwich is perfected by a group of formerly incarcerated individuals.

    Bach to Broadway

    Friday, November 17, 2023, at 7:30 pm

    Students in the vocal program perform staged versions of classical and contemporary song repertoire.

    Miolina: The Dueling Violinists

    Wednesday, November 29, 2023, at 4 pm

    Mioi Takeda and Lynn Bechtold perform music for two violins by contemporary composers including Capital District composers Hilary Tann, Max Lifchitz, and Rain Worthington. 

    Student Recitals

    Friday, December 1, 2023, and Wednesday, April 24, 2024, at 6 pm

    A host of performers showcase their vocal and instrumental talents as part of their departmental studies.

    Holiday Concert

    Sunday, December 3, 2023, at 3 pm

    Music Program ensembles (Chorale, Chamber Singers, Concert Band, Jazz Band, Symphony Orchestra) are joined by student groups (Serendipity, Pitch Please) for a concert celebrating the season.

    UAlbany Percussion Ensemble & Jazz Band

    Monday, December 4, 2023, at 7 pm

    Two of the University’s large ensembles present a shared program.

    American Romantics

    Tuesday, January 30, 2024, at 7 pm

    Pianist Max Lifchitz performs piano music by American composers.

    Albagli & Friends

    Friday, February 16, 2024, at 7 pm

    Faculty member Richard Albagli and his top students perform a percussion recital.

    “To Refresh Their Spirits” – Keyboard Music of Bach and Handel

    Wednesday, February 28, 2024, at 7:30 pm

    Pianist Kuok-Wai Lio presents two great works side by side: the Handel Chaconne in G Major, HWV435, and Bach’s Goldberg Variations, BWV 988.

    The Taming of the Shrew by William Shakespeare

    • Wednesday, March 6, 2024, at 8 pm

    • Thursday, March 7, 2024, at 8 pm

    • Friday, March 8, 2024, at 3 pm

    • Saturday, March 9, 2024, at 2 pm & 8 pm

    • Sunday, March 10, 2024, at 2 pm

    Unfolding with music and merriment, a nearly all-female cast of players takes on Shakespeare’s classic comedy about the politics of empowerment and who wears the pants when two fabulously headstrong individuals fall in love.

    Festival of Contemporary Music

    Monday, March 11, 2024, at 7 pm

    This concert of percussion music features four ensembles.

    Music by Women Composers

    Wednesday, March 27, 2024, at 7 pm

    Pianist Max Lifchitz marks Women’s History Month by performing music by women composers.

    Fresh Acts

    •  Wednesday, April 10, 2024, at 8 pm

    •  Thursday, April 11, 2024, at 8 pm

    •  Friday, April 12, 2024, at 3 pm

    •  Saturday, April 13, 2024, at 2 pm & 8 pm

    This spring festival of brand-new plays is written, directed, and performed by students, the future of American theatre.

    Showcase Concert

    Friday, April 12, 2024, at 7:30 pm

    Vocal students complete their study of the operatic and oratorio repertoire with this staged production.

    Youth Movements XVI

    Sunday, April 14, 2024, at 3 pm

    The annual festival includes musicians of all ages from around the Capital Region.

    UAlbany Jazz Band

    Monday, April 22, 2024, at 8 pm

    Directed by Keith Pray, this student and community ensemble presents a concert featuring classic and contemporary jazz.

    UAlbany Symphony Orchestra

    Sunday, April 28, 2024, at 3 pm

    With conductor Christopher David Neubert, this large ensemble performs works representing outstanding repertoire from the Baroque, Classical, and Romantic periods of the 20th and 21st centuries.

    The Sound of the Trumpets, The Roar of the Drums

    Monday, April 29, 2024, at 7 pm

    The UAlbany Concert Band and UAlbany Percussion Ensemble present a shared program.

  • The Story of Roxanne Shanté: Hip Hop’s First Female Icon

    The milestone anniversary of one of the most influential and diverse music genres in history is here, as August 11th marked Hip Hop 50. In light of the anniversary, legends ranging back from the ’70s until now have been resurfacing to pay tribute, revisit the past, as well as stake their claim as hip hop luminaries. Today we lay out the history of a hip hop icon who helped shape the genre as one of the first ever female MC’s, the Queen of Queens: Roxanne Shanté.

    Lolita Shante Gooden, better known to the world as Roxanne Shanté, was born and raised on the streets of New York City, just like hip hop itself. Coming out of Queens, the spit-fire herself was introduced to the rising genre at an early age and possibly more lucrative was the genre being introduced to her. At eight years old, Shanté discovered her love and talent for spitting rhymes whilst watching the witty celebrity wordsmith Nipsey Russel on TV. What’s more, is that the streets called to her as rhyme was just a sign of the times and battles were the name of the game. After her substantial discovery, the little girl would rhyme all day every day, and by the age of ten years old, Shanté won her first battle, securing a cash prize of $50. From there on, Roxanne battled her way to the top beating out her competition one by one leaving a clearer path for those brave enough to follow. Her confidence, fearlessness, and pure talent all came together, leading her to become one of the most popular and sought after female rappers of her time.

    Roxanne’s popularity, however, truly began at 14 with a passing interaction with long time acquaintance Marley Marl – American DJ, record producer, rapper, and so much more. Soon after getting out of her two year stretch at multiple girl’s homes and returning to her mother and sisters, Roxanne was walking up the street in the midst of doing her mother’s laundry when Marley called to her. Hearing that she was the best around, the DJ asked Shanté to rap over a track he was working on. Shanté told him she could only give him seven minutes of her time – the time remaining on her laundry.

    Marly Marl, Mr. Magic, and Tyrone Williams, all members of the soon to be hip hop collective, the Juice Crew, had been working on a special track using the original beats from group U.T.F.O.’s hit song “Roxanne, Roxanne,” which tells the story of a woman who rejected the group’s advances time and time again. Marl’s track was always meant to be an answer record as U.T.F.O. backed out of a concert promoted by Mr. Magic and lost him a substantial amount of expected income. As Marl laid down the track, Shanté was free to do her thing, taking on the persona of “Roxanne” and putting every member of U.T.F.O. in their place one after another saying, “He ain’t really cute, he ain’t really great, He don’t even know how to operate.” Every second, every word, and every rhyme was free-styled by that 14 year old talent in seven minutes, making history as one of the first moments a female took to hip hop and forced the male dominated genre as a whole to sit down, listen, and show some respect.

    The song was officially named “Roxanne’s Revenge” and became a massive hit selling over a quarter of a million copies in the New York area alone. Not only that, but the track spawned a series of answer-back records, possibly the most in history, numbering well over a hundred as artists and fans received Shanté’s free-style as a challenge, including U.T.F.O. who produced another track along with a law suit. This time, the trio’s response highlighted the female rapper Elease Jack who they deemed “The Real Roxanne.” This third track on the same woman took hip hop into uncharted waters, as in that day in age most answer records ended with a second recording. The controversy and attention was quickly named the “Roxanne Wars” resulting in perhaps the first ever ‘rap beef’ between two artists in hip hop history.

    With the song’s success, Lolita was fittingly Roxanne and became an official member of the Juice Crew. Throughout her stretch of tours and live performances with the collective, Roxanne’s battle image and mindset never faded, as Shanté came out with numerous recorded battle tracks including “Round One: Roxanne Shanté vs Sparky Dee” alongside rapper Sparky Dee who not long before released a diss-track about Roxanne herself.

    “Even after I started making records, I still had such a battle mentality,” says Shanté. “I didn’t want to be second best, I didn’t want to be the best girl — I wanted to be the best.”

    Unfortunately, time and time again the artist faced challenges due to her age and role as a woman in a male dominated career and world. In 1985, Shanté battled it out with Busy Bee Starski for the title of “Best Freestyle Rapper” but lost to Kurtis Blow’s bias admitting his vote went to Starski since Roxanne was a girl.

    By the age of 25, with two completed studio albums Bad Sisters and The Bitch Is Back along with over 18 critically acclaimed singles, Shanté had taken a huge step back from the music scene and largely retired from recording. The MC faced physical and sexual abuse on many accounts resulting in hospital visits and the birth of her first son by the time she was sixteen years old. Not only that, but Shanté had been cheated out of money by managers and various others who she believed she could trust the most. These challenges along with the evolving scene of the hip hop industry all led to her hiatus.

    Today, Roxanne is still doing her thing, staying busy, and most importantly staying connected to her roots. Shanté, who now lives in New Jersey, co-leads an education nonprofit, is known to occasionally perform, and has done a series of press events where she comments on hip hop and rap artists of today. Additionally, she hosts Sirius XM’s Have A Nice Day on Rock The Bells Radio along with DJ Cool V where the pair sit down together, crack jokes, and play the music that they love. The rapper also continues to make impressive live appearances as just on July 21st of this summer she participated in DJ Cassidy’s Pass The Mic Live! at the one and only Radio City Music Hall.

    For years, Roxanne has gone on to be an unsung hero when it comes to the history of hip hop and its evolution, yet the artist refuses to live in spite, saying, “I’m not the female Hip Hop artist people talk about. I’m not invited to the awards. I’m the person who people would assume would be angry at home. And I’m the total opposite of that. I love life so much. I’m a breast cancer survivor. I know what it’s like to go through lumpectomies, through everything. Life is amazing to me. I enjoy every minute of it.” 

    Even though the rapper may not take her lack of recognition to heart, the world of music and the world of hip hop have begun to right its wrongs and give Roxanne the attention she truly deserves. In 2017, Netflix released a biopic named “Roxanne Roxanne” which tells the story of her beginnings in the genre along with the struggles she faced as a woman of color in NYC. The movie not only highlights the hurdles she jumped through and her immense talent but also displays her impact on the genre itself and rappers that have gone on to find their own success because of her. One of these artists is the Grammy Award-winning rapper Nas who credits Roxanne with being the person to first get him to take rap seriously.

    “Roxanne Shanté was a young teenage girl who had heart ’cause she would just be out in the projects, hanging, and I would see her,” he explains. “We heard about her and she was a hood star at first. She heard me doing some little rhymes and she was interested, and she was like, ‘Yo, I want you to participate in something. I want you to do some stuff. I want you to work on your craft and when I see you again, have it together.’”

    Roxanne’s story, influence on others, and connections with the hip hop world are impossible to write on one page as the artist has history with legends such as Big Daddy Kane, Biz Markie, and Queen Latifah; however, as Roxanne has shown time and time again, she can prove herself to anybody, anyplace, anytime with a beat and a microphone.

    Roxanne is a hip hop icon and deserves to go down in music history appreciated as a true luminary. Not only did she defy odds as a young woman of color on the streets of Queens, the splash Shanté made with her immense talent, street cred, and her seven minutes helped push the entire genre into the mainstream. Hip hop artists today can’t ever fully comprehend their complete history unless they recognize the Queen of Queens: Roxanne Shanté, the blueprint for hip hop MC’s.

  • Elysium Furnace Works to Welcome Eugene Chadbourne and Jim McHugh in Poughkeepsie

    The co-led, cooperative NY music project, Elysium Furnace Works is set to welcome the legendary creative forces Eugene Chadbourne and Jim McHugh in the Fall. The duo will perform at the VBI Theatre of Cunneen-Hackett Arts Center in Poughkeepsie on Sept. 14 at 8:00 PM.

    Although this performance will not be the first time that the artists have performed as a dynamic duo, the musicians are both stars in their own right. Chadbourne is a multi-instrumentalist, vocalist, composer, author, and all-around creative artist having performed on over 358 albums with artists ranging from John Zorn and Jello Biafra to the Violent Femmes and Camper Van Beethoven. His genre knows no bounds, originally exploring the conventions of rock and pop and later switching over to the bottleneck blues. On the other hand, McHugh took to rock music and stuck there, being an essential part of the New York City-based ensemble The Sunwatchers. The artist himself is an incredibly talented guitarist and vocalist whose contributions have shaped the band’s sound.

    Together, the pair is unmatched, from their intimate live performances to their nine-track record Bad Scene released back in 2021. Eugene Chadbourne and Jim McHugh’s performance scheduled for Sept. 14 will see the duo perform original music, covers, and so much more. Interested parties can get their tickets here.