The position of the Earth relative to the Sun indicated it was Spring in the Northern Hemisphere. But unsurprisingly in Rochester, Winter was hanging on for one last (we hope) gasp before ceding the floor. On an absolutely frigid and snowy late March Sunday, a duo of duos, Honeysuckle from New York via Boston, and Tough Old Bird from nearby Buffalo, shared the stage at the Club at Water Street for an intimate evening of folk music.
Honeysuckle, Holly McGarry on guitar and vocals, and Chris Bloniarz on mandolin and vocals, were closing out the first week of their first tour since the big live music pause. They released a new album in 2021 but when they were ready to tour behind it COVID reared its ugly head once again. So, they were promoting their “new” year-old album finally, though their set covered the breadth of their full catalog.
McGarry, donned in a flowery dress more fit for the season than the actual weather, tethered the duo to a more traditional folk anchor. Her beautiful singing brought life to reflective, darkened material, floating along her strummed and picked acoustic guitar work. Bloniarz contrasted that with mandolin playing that veered into jamgrass territory, weaving interesting and exhilarating threads in, out, over and through McGarry’s songs. He filtered his instrument through a large bank of pedals, though it never lost it’s mandolin-ity. He set up an occasional loop to increase the duo’s reach, a grooving bass-line or nice vamp to solo over for a few bars.
Their songs often looked into the past. “Shadow Dance” was inspired by an episode of the British show “Repair Shop,” which McGarry binged over the pandemic, in which an old violin was meticulously restored. The tune had an appropriately timeless quality. “Two Stone Birds,” about a stressful trip transporting delicate family heirlooms cross country on a small airplane, was fittingly jaunty and folksily funky. A cautionary tale about exploring your genealogy, “To the Grave” teetered between bright and dark. A rarely played “Crossbow” emerged from obscurity to fulfill a birthday request (as if having the band sing you “Happy Birthday” isn’t enough of a gift!), and proved to be one of the set’s highlights.
Tough Old Bird, brothers Matthew and Nathan Corrigan, opened the show with a set of their gorgeous folk duets. Matthew handled most of the vocal duties while Nathan took care of most of the flashier guitar work. But there was no exclusivity to this setup, these are brothers that know how to share. They are also brothers who knew how to harmonize, like only kin can, beautifully singing about both winter and spring, even if neither or both were appropriate, and songs inspired by their home’s proximity to the Great Lakes. The duo filled out and diversified their sound; Matthew with deft harmonica playing and Nathan switching it up with a banjo and electric guitar, all the while banging out rhythms on a foot tambourine.
Water Street served up a double shot of double folk that warmed the chilled audience up like a double shot of whiskey, from the inside out.
Honeysuckle Setlist: Miss You, Gaslight, Untouchable, Shadow Dance, Two Stone Birds, Little Less Alone, It’s Getting Late, Something Worth Having, Windstorm, Greenline, Firestarter, To the Grave, Darkness Knows, Crossbow, Deep Blue Eyes, Canary
Marco Benevento has announced a brand new full-length studio album, Benevento, which drops June 10th via Royal Potato Family. Accompanying this exciting news, Benevento’s newest single, “Marco & Mimo,” is available for streaming now.
Additionally, Benevento has announced that they will be touring this April and June with a stop at Abilene Bar and Lounge in Rochester.
“Marco & Mimo,” the first single from the album, contains three songs. On it, Benevento blends groovy funk bounce with psychedelia, creating a beautiful blend of these two formative 80s genres. The vocals on the tracks further transport you into this window of time Benevento creates, transporting the listener back forty years. The single reeks of personality only Benevento can create and his talent shines through. My personal favorite, Winter Rose, has snappy instrumentation, mind-bending keys, and entrancing vocals that make for a magnificent listen.
The entire album was recorded in Woodstock at Fred Short Studios during the pandemic, and the sounds emitted from Marco & Mimo pay homage to Woodstock’s iconic psychedelic culture and history.
In addition to his new album, Marco Benevento has also announced a list of upcoming shows:
4/7 – Cambridge, MA – The Sinclair
4/8 – Burlington, VT – Higher Ground
4/9 – Fairfield, CT – Stage One
6/22 – Rochester, NY – Abilene
6/23 – Pittsburgh, PA – Thunderbird
6/24 – Cleveland, OH – Beachland Ballroom
6/26 – Rothbury, MI – Electric Forest Festival
7/1 – Scranton, PA – Peach Music Festival
7/3 – Quincy, CA – High Sierra Music Festival
9/3 – Portland, ME – Ghostland Festival
Tickets and limited edition bubblegum pink and classic black 180-gram vinyl are available at marcobenevento.com.
Gary Numan stopped by the Town Ballroom in Buffalo on March 12th. Best known from his 1970’s and early 1980’s hits “Are ‘Friends’ Electric?” and “Cars“, Numan is still going strong in support of his newest album Intruder, his 21st solo record.
Though he played a good amount off of his new science fiction soundtrack about the impending climate catastrophe, he also included a good mix of his material throughout the years. Gary still has some dates in America before heading back overseas to continue his world tour.
Gary Numan – Town Ballroom, Buffalo – March 12, 2022
Setlist: Intruder, Metal, The Promise, The Gift, Everything Comes Down to This, Films, Ghost Nation, Love Hurt Bleed, Pray for the Pain You Serve, Bed of Thorns, Down in the Park, Cars, Here in the Black, The Chosen, My Name Is Ruin, A Prayer for the Unborn
Encore: Me! I Disconnect From You, Are ‘Friends’ Electric?
As Benny the Butcher and his Griselda cohorts further entrench themselves in the music industry and the lines between mixtapes and studio albums continue to blur, the Buffalo-bred rapper returns with another edition of his cult-like mixtape series. The array of Tana Talk mixtapes helped lead Benny’s ascension including his breakout third edition, which featured standout tracks like “Langfield,” and “Rubber Bands & Weight.”
Tana Talk 4 is officially Benny’s third studio album and the intro track serves as a reminder of Benny’s current standing within the industry. The lead single — “Johnny P’s Caddy”– features a strong J. Cole verse, while the rest of the appearances remain close to home in the likes of Stove God Cooks, Westside Gunn, Conway The Machine, 38 Spesh and fellow Griselda signee, Boldy James. While Benny commands that street presence throughout his projects, the Tana talk series has always maintained a more personal feel and has seen the Def Jam signee at his most introspective.
This ain’t my story about rags to riches, more about how I mastered physics.
The records opening line sets the tone for the entire body of work as Benny weaves through street tales and the specific details of the drug game, while giving attention to his growth in the music industry and the supposed dissension between Conway and the rest of Griselda records after his departure from the label. Songs like “Johnny P’s Caddy” sees Benny flex his muscles in the rap game, as he went from making street dollars to legitimate rap money.
In the game, I used to train like Rocky catchin’ chickens. I was nice, but they was right when they told me that rap a business.
While once again flexing his loyalty to the ones he entered the game with.
Besides Con’ and West, tell me, who else I gotta respect?
Benny effortlessly exchanges his street and rap personas. His production is composed of Griselda in-house producer Daringer’s grimy, raw, slowed down beats, combining that with famed hip hop producer Alchemist’s soul-samples. On the 38 Spesh assisted, “Uncle Bun,” Benny is raw and unforgiving about his street dealings.
I sold dope to a fiend while she pregnant, emotionless. I’m not a case worker, that’s not the reason I sold the shit.
While the more soulful “Weekends In The Perry’s” featuring Boldy James, sees the Def Jam signee portray himself as simply an author to his own motion picture, which is the sort of bob-and-weave that is displayed throughout the 12-track, 40-minute long project.
Tana Talk 4 isn’t all drug and industry talk, as Benny also addresses the relationship between him, Westside Gunn and Conway The Machine. On “Tyson vs. Ali” featuring Conway The Machine, he addresses the media and fans attempts to pin the former label-mates against each other, while unbeknownst to them, the trio remain tethered.
So confused when ya’ll compare two n**gas from the same movement. Only for ya’ll amusement is funny to me. Ya’ll do it, truth is, while I’m killing shit Conway is somewhere rootin’.
Conway The Machine responds with his own salute to his cousin,
Ayo, Benny, I remember what we used to do to the fiends. That’s why it feel so good to see you doin’ your thing.
As the entire Griselda empire has grown within the past few years, they’ve maintained their model, even as they’ve ventured with bigger labels and entertainment entities. The making of Tana Talk 4 — a renowned mixtape series — into a studio album exemplifies just that. Benny The Butcher continues to elevate and flexes his industry connections with the J.Cole feature, while remaining true to his core fanbase.
Overall, fans of Benny can be left satisfied with this project, as it has plenty of rugged street talk, but more importantly growth, as fans can see the fruits of Benny’s ascension as he rubs elbows with the hip hop industry’s elite.
After two years of silence on Rochester’s downtown streets, the 19th edition of the Rochester International Jazz Festival will finally take place June 17-25, 2022. From the 17th through the 25th the streets will literally come alive with music. The entire headliner series will be taken out of Eastman Theater and presented free out on Parcel 5 and also in MLK Park on the final weekend. Add in the free shows on Gibbs, er Jazz, Street, the Fusion Stage and elsewhere, that’s over 130 free shows over nine days.
Of course the festival’s signature Club Series is also back. Both the Little Theater and Innovation Square (née Xerox Auditorium) are back after renovations, along with Kilbourn Hall, Max of Eastman Place, Montage Music Hall, Hatch Recital Hall, Glory House (formerly Lutheran Church), Wilder Room, Temple Theater and the Big Tent. The Hyatt Regency Ballroom will also be added as the newest venue. Club passes are on sale now in both 3- and 9-day varieties. There truly is no better way to enjoy the festival.
“It is with a profound gratitude to all our patrons and sponsors that RIJF has been able to weather the past two years of the global pandemic. It has been an extremely challenging period worldwide for all live event producers. We are beyond excited to bring the Rochester International Jazz Festival back to all of you as global health restrictions ease. From June 17-25, we will stage another amazingly diverse program for all patrons to enjoy in Downtown Rochester. We invite you all to downtown Rochester to enjoy the finest in creative improvised music, and never forget: ‘it’s not who you know, it’s who you don’t know.’
John Nugent, Producer and Artist Director
The full lineup can be found below. See RochesterJazz.com for full schedule and details and stay tuned for our preview in early June. See you on Jazz Street!
3D Jazz Trio In The Spirit Of Ray Brown, Adam Melcho, All In Brass Band, Ana Egge, Andy McKee, Arturo O’farrill Quintet, Bad Sneakers, Big Lazy , Bill Frisell Trio, Bill Tiberio Group, Bob James Quartet, Bob Viavattne, Bobby Rush, Booker T Presents: A Soul Stax Revue, Brockport Big Band, Brubeck Brothers Celebrating Dave Brubeck’s Centennial, California Guitar Trio, Champian Fulton, Champian Fulton Trio, Charlie Lindner & The Pickle Mafia, Chris Botti, Cinnamon Jones, Con Brio, Connie Han, Connie Han Trio, Cy Smith, Danielle Ponder, Davina & The Vagabonds, Dan Wilson, Dayna Kurtz, Devon Allman Project with Special Guests Allman Family Reunion, Dmitry Baevsky Quartet, Drum Battle!! Kenny Washington vs. Joe Farnsworth, Dwayne Dopsie & Zydeco Hellraisers, Emmaline, Eastman School of Music / Eastman Community Music School Group, Eastman School of Music-Rochester International Jazz Festival Jazz Scholarships Performance, G Love & Special Sauce, Gary Versace Trio, Gate Swingers Big Band, Giveton Gelin, Grace Serene & The Superclean, Greece Jazz Band, Grupo Ife, Hans Bilger Group, Harold Danko, Helen Sung, Helen Sung Trio, Hell’s Kitchen Funk Orchestra, Hot Club of Cowtown, Huntertones, Immanuel Wilkins, Itamar Borochov Quartet, Jamie Baum Quintet, Jeremy Beck & The Heavy Duty Horns, Jeremy Pelt Quintet, Jesse Stone, Jimmie Highsmith Jr., Jochen Ruckert Quartet, Joe Locke Group, John Bailey Sextet, Jon Ballantyne, Jonathan Kreisberg Quartet, Jonathan, Scales Fourchestra, Joonas Haavistio Trio, Judah Sealy Band, Kaisa’s Machine, Kenny Werner Trio, Kind Folk, Kurt Elling “Super Blue” W/ Charlie Hunter, Laura Anglade Quintet, Lew Tabackin Trio, Lioness, Majestics, Martin Taylor, Matt Savage Trio, McDonald Labarbera Quintet, Melody Masters Big Band, Michael Weiss, Michael Weiss Trio, Mike Cottone & Friends, Mike Ledonne Trio, Moho Collective, Ms. Lisa Fischer, Music Educators Big Band, Nabate Isles, New Power Generation, Nikki Hill, NYC Chillharmonic, Parker Trio, Paul Beaubrun, Penfield Big Band, Peter Bernstein, Prime Time Brass, Ranky Tanky, Ravi Coltrane Freedom Trio, Red Hot & Blue, Reverend Paytons’s Damn Dig Band, Richie & Rosie, RIJF All Stars, Rina, Robin Mckelle, Robin Thicke, Rochester Metro Jazz Orchestra, Ryan Johnson & The Coexistence, Samantha Fish, Samara Joy, Sammy Miller & The Congregation, Sarah Mckenzie, Scott Mulvahill Trio, Shayna Steele, Sheila E., Sonidos Unidos, Soul Stew, Spyro Gyra, Stephane Wrembel, Sunna Gunnlaugs, Sunna Gunnlaugs Trio, Syndicate Jazz Band, Tessa Souter, The Aquaducks, The Able Bodies, The Bacon Brothers, The Cookers, The Dip, The RT’s, Tiberi & Garzone Quartet, Tivon Pennicott Quartet, Tommy Emmanuel, Tommy Smith, Tuck & Patti, Tuomo & Markus, Under The Surface, Vanessa Collier, Ward Hayden & The Outliers, Wayne Escoffrey Quartet, Wynonna Judd.
There once was a time when marijuana was illegal in New York State, and on March 21, 1976, David Bowie and three associates found themselves arrested for possession in Rochester. How he ended up taking the most iconic mugshot of all time unveils a deeper layer to the story.
David Bowie’s iconic mugshot
On March 20, 1976, David Bowie was in Western New York performing amid his 65 show international Isolar Tour, in support of Station to Station, having performed just once previously in Rochester on June 17, 1974. On this evening, as he was two years prior, Bowie was at the Rochester Veterans War Memorial, and began the evening as he did at each stop this tour – without introduction and showing the 1928 surrealist film Un Chien Andalou by Luis Buñuel and Salvador Dalí, which includes a famous section of a razor blade cutting into a woman’s eyeball. Bowie appeared on stage immediately as the film finished, while the audience was still disoriented.
9,200 fans came out for this Saturday night performance, and although Bowie reportedly had the flu during the concert, he sang without issue. As Bowie closed the show with “Jean Genie,” he said to the audience, “Thank you very much, we’ll see you in about five months from now, thank you.” Seeming to imply a return to Rochester that fall, tonight would be Bowie’s last time ever performing in Rochester.
David Bowie – Rochester War Memorial Auditorium – March 20, 1976
Setlist: Station To Station, Suffragette City, Fame, Word On A Wing, Stay, Waiting For The Man, Queen Bitch, Life On Mars, Five Years, Panic In Detroit, Changes, TVC, Diamond Dogs Encore: Rebel Rebel, The Jean Genie
Bandmates performing with Bowie this tour included music director Carlos Alomar (rhythm guitar, backing vocals), Stacy Heydon (lead guitar, backing vocals), George Murray (bass guitar, backing vocals), Dennis Davis (drums, percussion), and Tony Kaye (keyboards). The band became collectively known as Raw Moon.
The next week, the penultimate North American tour performance took place at Nassau Veterans Memorial Coliseum, which was recorded by RCA Records with portions broadcast by The King Biscuit Radio Network, later released as Live Nassau Coliseum ’76. It is from this show that Bowie and his entourage would drive back to Rochester for their eventual arraignment on the 25th.
The Arrest of David Bowie
So how did Ziggy Stardust end up getting arrested in Rochester after the show? As detailed by the Rochester Democrat and Chronicle in 1976, and again in 2017 with a first hand account of the arrest, it seems Bowie was set up following the after-party, acting on a tip.
That first hand account comes from Chi Wah Soo, who at the time was a twenty-year-old Rochester local that had moved to Rochester from Hong Kong with her parents when she was eleven. Soo used lyrics from her favorite music to learn English, and attended the concert, catching Bowie’s eye from the front row. Bowie passed a note to her through a third party, saying “Meet me at my party. David”. Obliging him, Soo remarked that he had a “halo around his head” when he arrived at the party, saying “Hello, love” to her.
After the party, Bowie, his bodyguard Dwaine Vaughs, Iggy Pop and Soo went to American Rochester Hotel, at 70 State Street (now a Holiday Inn), and met two girls (undercover cops) at the hotel bar, who were looking to score cocaine. After receiving a seemingly unrelated prank call, and with police listening next door, the party was over for the night as the four were arrested for possession.
At 2:25 am on March 21, three police detectives and a state police officer searched Bowie’s three-room suite, where they found 182 grams of marijuana – a little more than six ounces. It does seem that Bowie mugged for the camera before being taken to jail, with the photo below showing Bowie posing for a photo opp., with Iggy Pop to his right and the arresting officers on either side.
All four were booked at Monroe County Jail on fifth-degree criminal possession, which at the time was punishable by up to 15 years in prison. The four were all released around 7 a.m. on $2,000 bond each, with Bowie covering the cost for everyone.
Upon being brought to jail, Bowie used his real name, David Jones, and an address of 89 Oakley St., London, England. The others he was arrested with were identified as James Osterberg, Jr., 28 (Iggy Pop) of Ypsilanti, Michigan, and Dwaine Vaughs, 22, of Brooklyn, who was Bowie’s karate instructor and bodyguard. Soo was also arrested, and while the three men moved onto the next show in Springfield, MA, it would be a few days before all four were back in court to face the charges.
The Return for Arraignment
On March 25, the first day Bowie had a break from tour to return to Rochester, the Thin White Duke was greeted by a large crowd that included a teen fan who got his autograph as he stepped off an escalator, and “a half-dozen suspected prostitutes,” according to the John Stewart from Democrat and Chronicle.
Bowie wore a gray three-piece leisure suit and pale brown shirt, holding a matching hat, and was represented by Rochester lawyer Anthony F. Leonardo. He was arraigned within 10 minutes, pleading “Not guilty, sir.”
Reportedly at the arraignment, Soo gave Bowie her traditional Chinese wedding blanket, and Soo believes that in the music video for Bowie’s 1983 hit “China Girl,” her blanket appears in the music video. The pair would not speak again after this day.
Bowie and his entourage used stairwells and elevators to avoid the crowds, using a side exit to arrive at Leonardo’s office on the Times Square building’s seventh floor. Although he had remained silent throughout the morning, Bowie granted a five-minute interview to newspaper reporters in Leonardo’s office, although his lawyer would not allow any questions directly concerning the arrest, saying it was the first criminal charge he’d ever faced.
While complimenting the city police, Bowie noted the protection they provided him when he arrived back in Rochester. “They were very courteous and very gentle. They’ve been just super,” said Bowie. His fans efforts were also noted, saying he felt “honored” by fans’ support and insisting that the arrest would not sour him on future concerts in the city. Bowie answered most questions in the brief interview with short answers, shaking hands with reporters as they entered and left Leonardo’s office.
Over the next month, all four were allowed to remain free, and Bowie, being in Europe on tour at the time, was excused from appearing at the next hearing. Perhaps having a sense of humor about the case, Judge Alphonse Cassetti set the preliminary hearing for all parties on April 20, 1976. The charges, however, were effectively dismissed in May when a grand jury declined to indict Bowie or the other three.
Another Look at the Mugshot
The mugshot photo was uncovered in 2007, when auction house employee Gary Hess was clearing out the estate of a retired police officer. Hess gave the print to his brother Todd to sell on eBay, and wanting to garner some publicity for the sale, Todd leaked the photo to The Smoking Gun, which quickly published the photos and helped the image go viral.
The photo ended up selling on eBay in 2007 for over $2,700 to an “uber fan” in the Midwest, who notified the singer of the special purchase; Bowie was reportedly “pleased” at the news.
As you might notice, the mugshot displays March 25 for the date, and while this is not a typo or error, the circumstances are certainly unique given that David Bowie was arrested in the early morning hours of March 21, yet the date displayed is four days later. The reason for this was that Bowie’s lawyer successfully argued to delay arraignment until March 25, given that Bowie was mid-tour – with four stops left in North America – and the penalties for being forced to appear in court on March 21 would be stiff, given that he was due to perform at Springfield Civic Center in Massachusetts that night.
Bowie took the opportunity for a ‘staged’ mugshot photo to look as dapper as possible, posing for one of the most iconic mugshots in rock n roll history. The mugshot has even spawned a documentary, Bowie Goes to Jail, as well as merchandise.
On February 26th, Cannibal Corpse stopped by to a sold out show at Anthology in Rochester and accompanied with a pretty heavy line up by White Chapel, Revocation, and Shadow Of Intent. Upon entering the venue, you can tell right off the bat it was going to be a packed house with the main floor area already full and lines at the mercy tables. The show started off with Shadow Of Intent who reigned from Connecticut and wasted no time getting the crowd moving and you can feel the energy throughout.
Cannibal Corpse
Next up to kick off the wild night was Revocation, who was formed in Massachusetts. Revocation was a fun band to watch as front man David Davidson, who is the lead vocalist and guitarist.
White Chapel
After them, we had the heavy hitters, White Chapel who are well known for their American deathcore music. When they took the stage, things got a bit foggy and rowdy as some decided it was time to give the security staff a workout.
Looking back into the crowd, all you can see is a sea of metal lovers waiting for the main reason why we all came out tonight. Cannibal Corpse, who is no stranger to the area as they were formed in Buffalo back in 1988. As soon as the band kicked off their set, crowd surfers were in full force, making some of the photographers duck for cover as the security staff was busy catching them. Watching them perform was a delight, as they really showed why they are part of some of the most iconic death metal bands around. With their tour in full swing still, surely it won’t be long before Cannibal Corpse comes back with another killer show that would most definitely sell out again.
All That Remains brought their 15th anniversary of the “Fall of Ideals” album tour to Niagara Falls on Monday March 14, 2022. This was their third stop on a long awaited tour for the band. All That Remains is an American heavy metal band from Springfield, Massachusetts, formed in 1998. Three other bands join All That Remains on this tour – Miss May I (direct support), Varials, and Tallah.
Tallah
Tallah- Rapids Theatre (Photo credit Mike Miller)
The opener of the night was Tallah, a Nu metal band from Pennsylvania. They are currently signed to Earache records. Their whole setlist was filled with energy, power and emotion. At one point the singer Justin Bonitz, did a flip on the stage in the middle of a song. Tallah drew a decent size crowd considering they were an opener. Their setlist contained some of their hits titled; Overconfidence, No one should read this, and Telescope. Tallah consists of Justin Bonitz – vocals, Max Portnoy – drums (touring with code orange currently), Derrick Schneider – lead guitar, Alizé “Mewzen” Rodriguez – turntables, samples, keyboards , and Alex Snowden – rhythm guitar.
Varials
Bass- Mike Foley
Next up was Varials. They are an American hardcore punk band from Philadelphia, formed in 2013. The band currently consists of Lead Vocalist Mitchell Rogers, guitarist James Hohenwarter, bassist Mike Foley and drummer Sean Rauchut. The crowd started to hint at this point that there would be circle pits and crowd surfing later in the night. Fans started to bob their head and move with the music just slightly more than the previous band. Varial’s setlist consisted of; South of One, In Darkness Violent Measures, Pain Again, Romance, God Talk, Anything to Numb, and Empire of Dirt.
Miss May I
Vocals- Levi Benton
Miss May I is an American metalcore band from Troy, Ohio, formed in 2007. They are direct support for All That Remains on this tour. The crowd really got into the music and at times had multiple people crowd surfing into the photo pit. Security seemed concerned at times when bringing reinforcements up front to handle the people. The band stood on platforms in front of the stage at times so everyone in the crowd could get a good view of them. Some of the songs they played include, Under fire, My sorrow and Shadows inside. Miss May I band members include Levi Benton – vocals, B.J. Stead – lead guitar, Justin Aufdemkampe – rhythm guitar, Jerod Boyd – drums, and Ryan Neff – bass.
All That Remains
All That Remains at Rapids Theatre
By this time in the show, the crowd was packed together waiting for All That Remains to kickoff their set. You could feel the anticipation in the air by looking at each crowd member and seeing the smiles on their faces. The lights went black, and each band member walked out one at a time with intro music playing. Then appears the singer, Phil Labonte, walking out in a leather jacket. He quickly walks towards the front of stage and the song “Indictment” starts immediately.
Vocals- Phil Labonte (Photo Credit Mike Miller)
The crowd is instantly into the trance of the metal thrashing music. Drummer Jason Costa, blasting out 32nd note double bass runs and Lead Guitarist Jason Richardson shredding solos, hit the crowd hard. Ear protection was most definitely needed for the music plus the roar from the crowd can damage your hearing.
All That Remains Guitarists
All That Remains asked the crowd at one point, who has seen them before and who has never seen them. The applause for each was 50/50 so the band gained a-lot of new fans in Niagara Falls. They played all their hits from their “Fall of Ideals” album which include; Six, The Weak Willed and This Calling. Check out how far All That Remains has come from our review of when they last played the area at Town Ballroom in 2015 with Swedish band In Flames.
You can catch the All That Remains tour throughout the months of March, April and May. They will have another stop in New York on Thursday May 19th at the Paramount in Huntington.
The Canadian Celtic-Folk Rock Band, The Town Pants have announced their final tour as a band with their 25th Anniversary Tour. In March, the band will perform a pair of St. Patrick’s Day shows – on March 17 in Ottawa, Ontario at the Hard Rock Casino on March 17th, and in Buffalo at Buffalo Iron Works on March 18th.
The Town Pants were created in 1997 in Vancouver by brothers Duane and Dave Keogh. For the last 25 years the Celtic-Rock Band released eight full length albums, toured Europe five times, headlined major music festivals throughout North America, led three tours of Ireland and Scotland with fans along and now finishing with their 25th Anniversary Celebration Tour for 2022.
Throughout 2022, the band will return to the regions that have shown tremendous support to the band over the years with their final shows. The band will finish their Anniversary Celebration with a bus tour of Scotland which fans are welcomed to join them on.
The Town Pants are hosting their online event of the month on March 13th through the platform Side Door Access. Event tickets for all March shows are available by visiting thetownpants.com
Jon Middleton and Sierra Lundy took a trip from their home in Victoria, British Columbia to Rochester New York. Their first time to the US as a married couple, or at least their first as the couple making up the band Ocie Eliot, 2022 Juno Award nominees for Breakthrough Group of the Year. It was also their first show of 2022.
The sparse but beautiful space in the Arbor Loft was the perfect environment to take in Ocie Eliot’s likewise sparse and beautiful music. Middleton led the way with a captivating picked guitar melody, or rhythmic strums. Lundy coaxed gently shifting organ tones or at times short melodic piano lines out of her small Mellotron keyboard. Occasionally dual harmonicas or amplified foot stomps added depth and texture. But throughout, their voices, particularly in harmony, highlighted each song, punctuated with poignant and familiar lyrics.
When you haven’t played much in two years time, even old songs can seem new. Ocie Eliot spent much of the pandemic writing and recording, releasing four EP’s in that time. Songs like “Take Me Home” felt fresh to introduce, but as noted by Lundy, it isn’t really all that new anymore. And songs written in the before-times, like “Alive and All,” though released during the pandemic, felt more like a reaction to it: “And I want to yell from a hill, I’m alive / and I want to cry out until, I am fine.”
Interspersed with their originals, they worked in some more familiar material, to this American audience at least. Covers of some of the best songwriters around in Gillian Welch’s “Miss Ohio” and Simon and Garfunkel‘s “The Boxer”, provided a bit of grounding. A more obscure cover of Youth Lagoon’s “17” provided some late show sparks however, as they took a more ownership with their own spin.
Still, the highlights came in their own songwriting. Their strengths all collided gloriously in “Coming Home,” complete with a dual harmonica interlude, and again midway through the second set on “Run To You,” with its syncopated piano and guitar elevated the vocal harmonies. Long walks on an abandoned rail line inspired “Tracks,” which worked repetitive lyrics into a near round, building to a familiar train-themed harmonica finish. An emotional Lundy explained how she sang “Forest Floor,” her father’s favorite song, to him recently on his death bed. A slow-grooving rocker that again, felt more like it would have been inspired by his passing: “Through the light softly the colours storm / And we both come to falling / Let me down easy, baby /Lay me down on the forest floor.”
A portion of proceeds from all Honest Folk shows benefit the Center for Youth in Rochester, but for this show, 100% was donated. There’s a promoter in it for all the right reasons. And they continue to bring in great folk shows to town, next up being Dead Tongues at Good Luck on on May 15. Get your tickets!
