Reggae icon Burning Spear will play at Capital One City Parks Foundation Summerstage in Central Park on August 25, their first NYC show in more than 10 years and final announced show of the summer.
A music-maker, community icon, educator and spiritual uplifter, Burning Spear has carried the torch of the political activist Marcus Garvey’s gospel, promoting self-determination and self-reliance for African descendants for over four decades, throughout 25 albums. Promoting messages of peace and love to all, through his complex lyricism and rhythms, Burning Spear is a lifelong touring musician and his return to the stage will be nothing short of monumental.
The reggae icon will perform in New York for his Fan Appreciation tour which sees the Grammy Award-winning artist return to the stage for the first time in more than five years, playing cities like San Francisco, San Diego, Los Angeles, Portland, Seattle, DC, and more.
Burning Spear’s latest single “Mommy,” pays homage to the bold, powerful, minor-key reggae style that the icon helped pioneer in the 1970s and is the first standalone single from his upcoming album No Destroyer (TBD release date).
The show is presented by Sony Hall and DayGlo and tickets are on sale now. The full list of this year’s SummerStage lineup can be found here.
BURNING SPEAR – 2022 TOUR DATES Jul 22 San Francisco, CA, US The Masonic Jul 23 San Diego, CA, US Cal Coast Credit Union Open Air Theatre at SDSU Jul 24 Inglewood, CA, US YouTube Theater Jul 26 Portland, OR, US Roseland Theater Jul 27 Seattle, WA, US Moore Theatre Jul 29 Silver Spring, MD, US The Fillmore Silver Spring Jul 30 Denver, CO, US Levitt Pavilion Aug 5 Boston, MA, US House of Blues – Boston Aug 6 Philadelphia, PA, US TD Pavilion at the Mann Aug 10 Vertheuil, France Domaine De Nodris Aug 13 Birmingham, UK Forum Birmingham Aug 14 London, UK O2 Academy Brixton Aug 25 NYC, SummerStage in Central Park
Making their first visit to Albany since October 2017, Spafford returned to the Capital Region with a vengeance on Thursday, June 16. Headlining week two of Albany’s beloved Alive at 5 concert series, organizers could not have booked a more appropriate act for “Jam Night” than the Arizona improv quartet; a band that’s bolstered their reputation in recent years by occasionally surprising audiences with unannounced single-song shows.
Despite a tornado warning in areas of Western New York, mother nature played nice and so did the band. Indeed the jams at Jennings Landing on this night went long and strong and judging by the look on many of the first timers in the crowd, it was as if the music was hitting them over the head like a sonic sledgehammer, and they loved it.
Opening band and local legends Annie in the Water started the evening as only they know how. The whole band was delighted to be playing for Alive at Five and you could tell from the first note. Although it wasn’t the jam-heavy sets fans may be accustomed to, the Annie boys threw down a well-rounded set that had a large portion of people on their feet. They chose original songs as well as an excellent cover of Fleetwood Mac’s “Dreams” that have brought their fans to fall in love with the band.
Setlist: Time to Play, In the Sand, Lights up, River, Dreams (Fleetwood Mac), Seeds, Dancing the Night Away
In an age where “jamming” is often viewed as a dirty word, Spafford makes no bones about what type of band they are. Comprised of Brian Moss (guitar/vocals), Jordan Fairless (Bass), Andrew “Red” Johnson on keyboards and Nick Tkachyk on drums, their social media bio simply says “We Jam.” But while the theme for this week was “Jam night,” this was anything but your typical Spafford show. For one thing it was totally free, thus attracting a lot of curious and first-time listeners. Second, due to the 8pm city curfew, there was only time for the band to play one set and no encore. Another key component missing was the bands elaborate light show, which due to the time of day was an impossibility.
Well aware of these limitations, Spafford played it smart and went with an almost “festival-like” setlist. With first time ears upon them, they decided to offer up a collection of some of their more well known and more accessible compositions. Kicking things off with one of the songs that put them on the map, the opening riff of “Electric Taco Stand” made it clear that despite the constraints, these Arizona cats came to Albany to boogie down. After a beautiful and contemplative version of the Andrew “Red” Johnson sung “Slip and Squander,” bassist Jordan Fairless had his chance to shine on what was perhaps the highlight of the night, “Leave the Light On.” Shifting gears from its reggae style structure, this version would drift into a delicate and blissfully sublime space before Jordan would reel it in and lead fans through the call and response portion of the song, so catchy even first timers could be seen mouthing the words in unison.
Worth noting is that the guys appeared to be having an absolute blast on stage. Smiles all around, Jordan in particular seemed more jovial than his usual self, even making all kinds of “bass faces” and playing off Brian’s tasty licks by sticking out his tongue during an absolutely epic version of “Back Door Funk.” Showcasing their versatility and flaunting their ability to blend various genres seamlessly into one, the evening had everything from filthy funk and up-tempo jamtronica, to rump-shaking reggae, introspective instrumentals and all out rock n’ roll shred fests courtesy of Mr. Brian Moss and his custom Thomas Milana guitar: The Raven. In fact, if there was an actual way to keep track of such things, I’d be willing to bet Moss played more notes during this set than any other performer in Alive at 5 history.
After working their way through “Mind’s Unchained,” the show would come to a glorious end by way of the anthemic “Salamander Song” in which the audience was encouraged to “dance the whole way home.” Judging by the look on some of the freshly melted faces of Albany’s first timers, that’s exactly what they may have done. While it may not have been your typical two-set Spafford show, there was still plenty to like about this performance. Savoring every minute of it, Albany fans can only hope it doesn’t take 5 more years for this very talented band to return.
6/16/22 | Alive at Five | Albany, NY
Setlist: Electric Taco Stand, Slip and Squander, Leave the Light On, Backdoor Funk, Mind’s Unchained > Salamander Song
Up next in the Alive at 5 concert series is Classic Rock night with Lita Ford headlining and up-and-coming New York band Candy Ambulance opening things up. The event is scheduled to take place on June, 23 at Jennings Landing on Thursday, June 23, 2022 and as always, is completely free.
Sunset at the Stables will be host bands on July 1, 8, 15, and 22 and will feature some of the region’s most talented musicians, with Knox Farms as a backdrop. As well, there will local food and beverages from 42 North Brewing Company. Event producer and 42 North Brewery Founder, John Cimperman, spoke about how excited he is for the festival.
We were thrilled with the response to the music series last summer. It proved to be the ideal venue for a night of music and relaxation. The Stables at Knox Park provides the ideal backdrop to highlight some of the great musical talent from our region.
Folkfaces is a Buffalo-based quartet who are known for their fusion of genres like Americana, folk, blues, and jazz. The band consists of Tyler Westcott (guitar, vocals), Ellen Pieroni (saxophones), Patrick Jackson (upright bass), and Dan Schwach (drums, washboard).
Miller and The Other Sinners is a nationally touring Southern Soul band from Buffalo, NY. Since August of 2015, they have performed over 700 shows across 21 states and Canada from house parties to festivals. They are known for their unforgettable shows and their blend of memphis soul, gospel spirit, and funky rhythm and blues.
Miller and The Other Sinners.
July 15 at 6 P.M- Leroy Townes Band
Leroy Townes Band is an original Buffalo Americana band performing vinyl-era inspired folk-rock with a shot of country.
Farrow is a funk and soul Buffalo-based band led by producer/bass player André Pilette and singer/lyricist Michael Farrow, with Tim Webb on drums, Cory Clancy on guitar, and Michael Ruopoli on percussion. The band features a group of diverse musicians with an old school sound.
Tickets are onsale now for $20, and some may be at the door for $25 as well, and they can be bought here.
Todd Snider has announced his “American Troubadour Tour” for September and October 2022. The dates will begin on the East Coast on September 7th at the Harvester Performance Center in Rocky Mount, VA. Then will kick off on Swyer Theatre at The Egg at 7:30pm, September 13.
Singer-songwriter Lilly Winwood, daughter of British rock legend Steve Winwood, will support Snider’s tour with songs in her 2021 debut album Time Well Spent.
Todd Snider American Troubadour Tour
Along with Snider’s “American Troubadour Tour” his new record Live: Return Of The Storyteller will release at the same time. It was captured during his first shows back from the pandemic and follows up the 2011 concert album The Storyteller. Snider also recently shared a new single, “First Agnostic Church Of Hope And Wonder,” which was highly recommended by the Associated Press.
Todd Snider
Tickets for the “American Troubadour Tour” are on sale now at toddsnider.net.
Todd Snider – American Troubadour Tour Dates
September 7 – Harvester Performance Center – Rocky Mount, VA*
September 9 – Infinity Hall Norfolk – Norfolk, CT*
September 10 – Narrows Center for the Arts – Fall River, MA*
September 11 – Infinity Hall Hartford – Hartford, CT*
September 13 – Swyer Theatre at The Egg – Albany, NY*
September 15 – StageOne – Fairfield, CT*
September 16 – The Center for Arts in Natick – Natick, MA*
September 17 – Sellersville Theater – Sellersville, PA*
September 18 – The Queen – Wilmington, DE*
September 29 – Paramount Theatre – Denver, CO+
October 1 – The Wilma – Missoula, MT+
October 2 – The ELM – Bozeman, MT+
October 3 – Egyptian Theatre – Boise, ID@
October 4 – Tower Theatre – Bend, OR@
October 6 – Revolution Hall – Portland, OR@
October 7 – Soreng Theater at Hult Center – Eugene, OR@
October 8 – Neptune Theatre – Seattle, WA@
October 9 – The Bing Crosby Theater – Spokane, WA@
October 12 – Arcata Theater Lounge – Arcata, CA@
October 13 – Raven Theatre – Healdsburg, CA@
October 14 – Great American Music Hall – San Francisco, CA@
October 16 – Rio Theatre – Santa Cruz, CA@
October 18 – The Fremont Theater – San Luis Obispo, CA@
October 19 – The Coach House – San Juan Capistrano, CA@
October 21 – Paradise Performing Arts Center – Paradise, CA~
October 22 – Bally’s Lake Tahoe Casino Resort – South Lake Tahoe, NV~
October 24 – The State Room – Salt Lake City, UT~
October 25 – The State Room – Salt Lake City, UT~
October 26 – Washington’s – Fort Collins, CO
October 28 – Knuckleheads – Kansas City, MO
October 29 – Scottish Rite Hall – Omaha, NE
October 30 – Wooly’s – Des Moines, IA
October 31 – Jamf Theatre – Eau Claire, WI
* with Lilly Winwood + with Nicki Bluhm @ with Ryan Montbleau ~ with Ray Wylie Hubbard
Classical musician turned hip hop producer, Michael Vincent Waller, returns with another entry into his budding catalogue. This latest effort, titled “Oscar,” sees the NYU grad team with frequent collaborator and Good Music artist, Valee. Since dropping his debut project, CLASSIC$, in November, 2021, MVW has not let up. “Oscar” is his one of several singles from the classical producer in anticipation for his second album. His rollout includes the Matt Ox assisted “Check In,” a collaboration with Desiigner, as well as a feature from Detroit rapper, Babyface Ray.
On “Oscar,” MVW’s minimal expressionist style meshes with Valee’s laidback delivery, as he flows his way onto the track. While MVW’s production is laced with his aristocratic sound, Valee juxtaposes it with his own brand of luxury as he raps about the glamours of living the “Oscar” lifestyle.
Yea, but that Mercedez Benz much better for my posture Bad B**** with me, Actress no Oscar.
Valee’s unique set of flows and beat selection have helped him establish a niche fanbase in the luxury rap scene, yet his collaborations with MVW have seen the Chicago native find his perfect pocket. MVW’s relaxed production and Valee’s easygoing style of rap go hand-in-hand. On “Oscar” he rhymes about his cars, trips to luxurious fashion houses and his bank account, all with a devil- may-care attitude. His style isn’t forceful yet makes it mark.
Yeah, definitely noticed that. It happened fast. It started happening, then it happened fast. More and more people. But I guess I’m happy that people noticed it. I didn’t have to call it out.
Celebrating its 11th anniversary, Governors Ball Music Festival took over Flushing, Queens for the weekend of June 10-12, 2022. Returning to Citi Field for a second year, the lineup featured headliners Kid Cudi, Halsey, and J. Cole, as well as a slew of other talented acts across three stages. NYS Music contributors David Reichmann and Joseph Buscarello were on the grounds covering the three day event. Full festival coverage and photo gallery below.
Governors Ball in a Nutshell – Iconic Festival Returns to Citi Field
Each year fans are treated to performances by some of the biggest names in music. The 2021 Festival was headlined by Billie Eilish, A$AP Rocky, and Post Malone while other notable acts from included, Rüfüs Du Sol, Future Islands, J Balvin, Megan Thee Stallion, Phoebe Bridgers, and Carly Rae Jepsen. Before the pandemic, Governors Ball was always held on Randall’s Island. It was moved to Citi Field for the first time last year, following 2020’s pandemic-related cancellation. The new festival location offers fans easier accessibility via mass transit; a welcome change for those familiar with traveling to and from the old location.
This year’s production boasted a three-stage setup in the parking lot of Citi Field, dozens of local food and drink vendors, smaller experiential booths, lounge areas, and a space for intimate acoustic sets from artists on the bill. Governors Ball has always highlighted diverse local food vendors that represent the melting pot of New York City. NYC born and family-owned Doughnuttery was at the festival this year serving their iconic, coarsely sugared mini doughnuts and cold brew coffee.
Performances encompassed a wide range of genres across the festival’s three stages, some highlights including: Black Pumas, Jack Harlow, Channel Tres, Flume, Joji, Chelsea Cutler, Playboi Carti, Clairo, Japanese Breakfast and 100 Gecs.
This year’s festival started strong, with a warm and sunny Friday leading up to Grammy Award-winning headliner Kid Cudi’s main stage performance. Fans traveled from both near and far to come to the festival, with one fan telling staff contributor David Reichmann, “I came in from Chicago for the weekend today! I asked around, ‘What’s there to do for a weekend in New York City?’ I saw a post about the festival and bought my ticket!” Other fans came from throughout the Tristate Area and beyond, representing the typical “melting pot” experience New York is known for. The first day ran smoothly, and fans enjoyed dozens of their favorite artists during this action packed weekend event.
Crowd at Governors Ball at Citi Field, Photograph by David Reichmann
Earlier in the day on Friday, the mainstage was dominated by indie rock. Plastic Picnic opened the day, followed by Julia Wolf, New York City native Samia, and Beabadoobee with her indie pop stylings. Over on the GoPuff Stage, punk bands Ultra Q and Aly & AJ kicked off the day before the stage transitioned over to hip-hop and EDM with Channel Tres, Skepta, and Louis The Child. Experimental rap dominated the Bacardí Stage with Coi Leray, Paris Texas and JPEGMAFIA.
About a week before the festival began, Migos announced they would no longer perform and were replaced by Lil’ Wayne. Only a few hours before his set, the festival announced that Weezy would not make it due to “flight delays” and would be replaced by Harlem native A$AP Ferg. Joking with the crowd during his set, A$AP Ferg said he was on his couch when Governors Ball called, asking him to save the day. He did not miss a beat, delivering a fiery performance to a packed crowd eagerly awaiting Kid Cudi.
Black Pumas are a soul and psychedelic rock band from Austin, Texas. The group found immediate, worldwide success with their self-titled debut EP released back in 2019. The band has since won three Grammys, including ‘Best New Artist’ in 2020, and ‘Best Rock Album’ in 2022. Only a couple days after their mainstage set at Governors Ball, the group are heading out on a lengthy European tour. Barely a minute into their show, frontman Eric Burton leapt from the very tall stage into the pit, posed for the cameras, and walked the center aisle while singing and greeting fans from the front all the way to the back of the crowd. The future is extremely bright for Black Pumas, whose sophomore record will be one of the most highly anticipated rock albums when it comes to be.
The Bacardi Stage hosted Between Friends, Paris Texas, and Coi Leray before JPEGMAFIA went on to deliver a powerful set. The crowd went wild for each track in his set, and he interacted with them frequently. He joked before playing his song, “BALD!” that he sees “lots of beautiful heads of hair,” but “this one is for the bald” people in the audience. New York founded electronic duo The Knocks delivered the next hour of music before Jack Harlow closed out that day for the stage with massive pyrotechnics.
Jack Harlow at Governors Ball, Photograph by David Reichmann
Channel Tres Continues Meteoric Rise
Hip-hop and house music have a long history of coming together to create dance floor anthems spanning different generations. Channel Tres leverages that relationship and creates a hard-hitting yet cool and laid back sound. Thunderous bass and house beats provide the backdrop for his equable vocal delivery, all while dancing flanked by a crew of backup dancers. Channel Tres has collaborated on songs with the likes of JPEGMAFIA, Tyler, The Creator, Tinashe, and Robyn all while climbing the ranks and becoming more and more popular with each new song he releases.
As the daylight began to fade leading up Kid Cudi’s mainstage set, fans at the Gopuff Stage were treated to a special sunset. The sky glowed red, pink, and orange over the festival as Louis the Child played and fans reveled in both the increasing prominence of the light show and the gorgeous sunset. Fans still enjoyed a few more hours of music even after night fell, but this picturesque sunset came as the perfect way to punctuate a great first day of Governors Ball Music Festival 2022.
Louis The Child Sunset Set, Governors Ball. Photo by Joseph Buscarello
Kid Cudi Plays Classic Hits, A New Single, And A Live Debut
Although there were plenty of great acts spread across the three stages, diehard Kid Cudi fans waited by the mainstage for nearly the entire day, to secure a spot as close to the front as possible. With frequent hydration reminders displayed between sets on the stage screens, security and paramedics onsite worked constantly to distribute free water throughout the festival grounds, focusing on fans who were stuck waiting at the very front of the crowds. Kid Cudi closed out the first night with a powerhouse performance of tracks spanning his expansive Grammy Award Winning, seven-album catalog. His set featured a number of hit singles, deep cuts, pyrotechnic fireballs, and waves of emotion from his devoted fans in attendance.
Kid Cudi has just announced the premiere date for his new Netflix animated series Entergalactic. The show follows the story of a young artist (voiced by Cudi) as he finds love and success in New York City. He also played the new single “Do What I Want,” which saw its official release earlier that day and serves as the lead single for the album accompanying the series. Entergalactic premieres on Netflix later this year on September 30th; no official release date for the album has been set.
His setlist included fan favorite tracks, “Memories (David Guetta cover),” “Mr. Rager,” and “Surfin’.” Cudi brought out King Chip (a.k.a. Chip Tha Rapper) mid-set to join him for a performance of their track, “Just What I Am.” Cudi also treated fans to the live debut of his Travis Scott collaboration “THE SCOTTS.” Kid Cudi closed out the first night of the festival by playing, “Pursuit of Happiness (Nightmare) – Steve Aoki Remix.” You can Listen to his latest single here.
Kid Cudi walked off-stage to a thunderous applause and a fully-satiated fanbase. Now that Governors Ball takes place in the heart of Flushing, fans were able to exit the grounds and hop on the subways, buses and ride shares that awaited them. Local food trucks and vendors were eagerly awaiting the departing crowd, offering an authentic array of the rich Latin food from the neighborhood.
Saturday – Halsey Can’t Resist Playing “Running Up That Hill,” Debuts New Single
The second day of the festival started strong, with another sunny day and some weather reports of minor scattered showers and thunderstorms. Festival staff were on alert in the event of a sudden storm, to maintain crowd safety and all costs, but thankfully only a few light raindrops dared to rain on the festival goers. And the second day went off without a hitch, with numerous excellent acts leading up to Halsey’s incredible and jaw-dropping headlining performance.
The Mainstage featured standout acts, Benee, Tove Lo, and Still Woozy. Tove Lo wished the audience a happy Pride Month during her set, and played a number of her hit tracks, including “Bikini Porn” and “Habits (Stay High)”
There is little NBA legend Shaquille O’Neil is not involved in after retiring from basketball. The CEO of Papa John’s and ubiquitous spokesperson has cultivated a second life and a cult following as a dubstep producer and DJ. DJ Diesel just released “Welcome To The Playhouse,” a collaboration with EDM giant Steve Aoiki, and is curating (and headlining) two weekends of Shaq’s Bass All Stars which features surging names in the underground bass music scene.
It’s hard for a 7 foot NBA hall of famer not to cast a big presence in everyday life, but behind the decks at Governors Ball, DJ Diesel took on an even larger persona with his hard hitting musical style and frequent cries of “where’s my mosh pit” into the microphone. Drawing one of the largest crowds of the weekend on the second stage, DJ Diesel dropped a wide palate of crowd pleasing favorites and underground bangers. Jerseys from the Lakers, Heat, and Magic littered the crowd, and many were brought onto stage for Shaq to sign and return to his fans.
Roddy Ricch had been scheduled to perform on Saturday, but apparently was forced to cancel at the last minute. A few minutes before he was scheduled to begin his set, a message displayed on the screens alerting the crowd of the cancellation. There was a momentary upset among the crowd, but they picked up from their spots and went on to enjoy the other upcoming sets, Joji, Ashnikko, and Flume. Flume put on an amazing set, with stunning visuals and lighting as the sun went down. Towards the latter half of his set, he brought Tove Lo onstage to join him for a song. The crowd loved it.
Halsey took the stage to a packed crowd of fans who had waited for hours to get the best possible spot. During her set, she mentioned having attended Governors Ball 8 years ago, on the day she signed her record label deal. She told the audience how much of an impact that moment had on her life, signing the deal with her Governors Ball wristband on.
Halsey debuted a new single, “So Good” towards the end of her set. As she began to wrap up, she thanked the crowd again and began a cover of the trending Kate Bush song, “Running Up That Hill.” The song recently made it to the top of the charts for the first time in decades thanks to its inclusion in Netflix’s fourth season of Stranger Things. At the end of the song, she laughed and said, “I couldn’t resist.”
She ended the set with her powerhouse single, “I Am Not a Woman, I’m a God.” Fans once again exited the festival in an excited buzz, talking with friends about the long and full day of performances. With the second festival day over, only one more day remained. And fans would have to savor it. Weather reports looked mixed, and there was no telling whether New York would have clear skies or daylong thunderstorms for Sunday. Fans would just have to wait until the morning to find out.
Sunday – J. Cole and Playboi Carti Close Out Governors Ball with a Bang
Despite some ominous weather reports and a passing storm overnight, fans enjoyed mostly sunny weather and moderate heat for the festival’s final day. J. Cole and Playboi Carti were set to close out the festival, with fans in eager anticipation of what was to come on the last day of 2022’s Governors Ball Music Festival. Although many fans complained of sore feet, lack of sleep, or responsibilities they had been shirking all weekend, they all did so with gleeful smiles and laughs.
Clairo’s mainstage set featured some technical issues with her microphone, but she played it off very well with her charming laugh and smile, to huge applause from the audience. The rest of her set went off smoothly, with fans packed to the front of the barricades, singing along for every song. She apologized to fans for the technical difficulties as she exited the stage, but the audience didn’t seem to mind, cheering and thanking her for the moving set.
Clairo checking her mic at Governors Ball, Photograph by David Reichmann
JID Takes One for the Team, Breaks Wrist Onstage
Atlanta-born rapper JID filled a mid-day slot on the main stage on Sunday. At this point in the day, fans were packing into the main stage grounds to claim their spot for J. Cole. JID is a relative newcomer to the scene, releasing his debut LP The Never Story back in 2017, but the fans who were there to see him were quite familiar with his music and rapped along with him throughout his set. Towards the end of his set, he brought out Kenny Mason for an energetic performance of fan-favorite “Stick.” Unfortunately, JID fell and fractured his wrist while moshing onstage during his performance, but continued on despite the minor injury. It wasn’t made clear the extent of the injury until he was brought onstage for a guest spot during J. Cole’s performance where he admitted he “went too hard, don’t be like me!”
JID also treated the Governors Ball crowd to the live debut of his just released new single, “29 Freestyle.” JID’s flow is as cohesive and vibrant as ever on the new song, which is being teased as a lead up to a new album, The Forever Story. The single and music video were officially released Friday, June 17th.
Japanese Breakfast Returns to Citi Field – the “Scene of the Crime”
Twice-Grammy-Nominated artist and New York Times Bestselling author of Crying in H Mart, Michelle Zauner and her band performed to a dedicated audience of her most hardcore fans. Japanese Breakfast had played Governors Ball once before, and a huge crowd of adoring fans came to their set to cheer and sing along through nearly every song. “I didn’t know if you would all come today,” Michelle told the crowd, “but you came through, New York. As you always do.”
Japanese Breakfast at Governors Ball, Photograph by David Reichmann
Michelle threw out the first pitch at Citi Field just a few weeks prior. She joked, “We’re from Philly […] I know I am returning to the scene of the crime, where I threw out the first pitch here for the Mets.” Japanese breakfast recently featured on SNL as the final music guest of the year for season 47. They also released a two-song EP for Spotify Singles this year, featuring a cover of Bon Iver’s “Skinny Love” and an acoustic rendition of Japanese Breakfasts’ hit single, “Be Sweet.” During their set, a newly-turned fan was overheard saying, “Wow, they’re amazing. This is amazing, I have to check them out later.”
Japanese Breakfast at Governors Ball, Photograph by David Reichmann
Playboi Carti Moves the Earth
Playing opposite J. Cole on the GoPuff Stage, Playboi Carti brought his signature staging and rap style and offered a fiery closing to the weekend. Some fans lamented having to choose between the J. Cole and Playboi Carti, but both acts drew impressively large crowds. Playboi Carti spent a good portion of the show rapping from atop a tall pyramid while a singular guitar player patrolled the stage. Featuring constant pyrotechnics and a rabid, near heavy metal-like performance, the set was one of the most chaotic and in-your-face moments of the weekend. Carti’s fans were raging, causing a noticeable bounce in the parking lot of Citi Field while screaming along to the lyrics.
J. Cole took the mainstage for the final performance of the festival’s 2022 year. He came out swinging, starting the opening track, “95 South” from his latest LP, “The Off Season” without wasting a second to introduce himself or greet the crowd, which he only took the time to do before moving into his next song, “Amari.” The crowd let out massive cheers and their dancing literally shook the ground beneath their feet throughout the set. He also included classic tracks “G.O.M.D.,” “Wet Dreamz,” and “No Role Modelz” in his expansive setlist.
J. Cole took on a more wistful tone between songs, pausing for a moment to listen to the sound of a nearby passing 7 train. He then talked about living in Queens writing songs “just down the street from here,” listening to the sounds of the trains while looking out his window. He thanked the audience and said, “New York is like a second home to me.”
J. Cole and JID at Governors Ball, Photograph by David Reichmann
JID and Kenny Mason joined J. Cole on stage to perform “Stick.” Before they started, JID told the crowd, “I want you to be safe out there.” He held up his hand, wrapped in bandages, and said, “I broke my hand earlier during my set because I was raging too hard. Don’t be like me.” He asked the crowd if they felt comfortable with some mosh pits, and told any fans who weren’t comfortable or interested to move back from the pits before they began. “I see fun. I see mosh pits. I see safety.” He held up his hand one more time, “Listen, I’m serious, don’t be like me. Have fun.” The crowd obliged, and a massive wave of movement took over the excited crowd. The three artists flew around the stage.
J. Cole at Governors Ball with JID and Kenny Mason, Photograph by David Reichmann
J. Cole played a few more songs before walking off to an instrumental version of “Hunger on Hillside.” He thanked the audience once more as he walked off. As the fun of the weekend came to a close, fans shuffled off from Citi Field in a happy daze of exhaustion and excitement. They told stories of their day to each other as they found their way to the buses, cars, trains, and bikes that would see them home. Although each fan had their own unique experience, with their own mix of artists and activities, they all shared in this singular one moment that was Governors Ball Music Festival 2022.
Another year of the Governors Ball music Festival has come and gone. Fans were treated to dozens of massive acts who may not typically share a stage together, and were – hopefully – exposed to plenty of new styles, genres, and artists as a result. Governors Ball has and always will be a definitive New York experience, and although New York concert-goers may have to wait another year for the upcoming 12th installment of the festival in 2023, music fans in the Tristate area will have plenty of great options until then. Summer concerts and festivals continue strong in New York City, with Rolling Loud Music Festival, Central Park’s Summerstage Concert Series, and Celebrate Brooklyn’s Summer Concert Series just to name a few.
You can listen to all artists mentioned wherever music is streamed, and see the full photo Gallery featuring coverage from David Reichmann and Joseph Buscarello below.
HalseyJ. ColeKid Cudi at Governors BallJPEGMAFIAJPEGMAFIAJPEGMAFIAJPEGMAFIAGovernors Ball Hydration StaffBlack PumasBlack PumasBlack PumasA$AP FergJack HarlowJack HarlowJack Harlow Kid Cudi takes the mainstage at Governors BallKid Cudi Kid CudiKid CudiKid CudiKid Cudi Kid CudiTove Lo Tove Lo YGYGDenzel Curry backstageDenzel CurryDenzel CurryDenzel CurryFlumeFlume FlumeFlumeHalseyHalseyHalseyHalseyHalsey Halsey Halsey singing Kate Bush cover with Stranger Things inspired lightingHalsey HalseyHalseyHalseyHalseyHand held up during J. Cole’s setJ. Cole ClairoClairo checks her micJ. ColeJ. ColeJ. ColeJ. ColeJapanese Breakfast backstage portraitJapanese Breakfast Japanese Breakfast Japanese BreakfastJapanese BreakfastAudience for Japanese Breakfast cheeringJazmine Sullivan performsKaytranada KaytranadaKaytranadaBeneeBeneeDJ Diesel (Shaq) BackstageDJ DieselChelsea CutlerRoddy Rich Cancelled!Soccer MommyJIDCoin100 Gecs100 GecsPippin!Glass AnimalsGlass AnimalsSamia
On Friday, 10 June, Brooklyn quartet band Living Room released their new album, New Years. After their growth in the last decade, the band performed their surprising leveling up in this album.
Living Room
Based out of Brooklyn, Living Room is anchored by a decade-long friendship between their members, and now joined indie label Fear Icon Records. It has Scott Fitzpatrick and John Nicholls on guitar/vocals, Kevin Dobbins on bass, and Fred Trumpy on drums.
Influenced by late ’90s and early aught acts, Living Room released a rich discography that blends emo, shoegaze, and post-punk. Their discography displays their evolving and precise musicianship with lyrics that reflect the complexity, vicissitude, and euphoria of life.
The first powerful impression of this album is its strong sense of rhythm. Based on the intense drumbeats, “Mauve Frame” successful built a cheerful but absurd environment. And the drum is the spine to support the emotional storytelling from the lyrics and vocals.
Guitar and bass played an important role in performing their shoegaze style. The long and droning riffs in “Flood” expressed the shoegaze style of the band. This album widely used such sound in guitar and bass performing.
Stand out tracks like “Petrol Head” and “Flood” have big choruses that shine with the production work of Gary Cioni. Cooperated with the Scott and John’s vocal, the big choruses amplified the emotion embeded in the songs.
Lyrically the album used metaphor to express their feelings. Written by the two vocals, the lyrics told the feelings of romance and life experiences. “All I saw was the mauve frame. It all looked burnt orange to me. I’m sorry, it’s not funny. A world so colorful yet so boring”, they sang in the “Mauve Frame”, with the bright melodies reflected the loneliness in the song.
A Blues BBQ Festival at Hudson River Park’s Pier 76 (34th Street) this summer will kick off on August 13th from 12PM to 9PM, with performances scheduled to take place throughout the day. The riverfront performances will be hosted by Binky Griptite and featuring performances from Walter “Wolfman” Washington, Don Bryant, Bette Smith, Dwayne Dopsie & The Zydeco Hellraisers, and Jackie Venson.
Bule BBQ Festival at Hudson River Park
Hudson River Park, which extends from Chambers Street to 59th Street along Manhattan’s West Side, is the longest riverfront park in the United States. It facilitates skate parks, playgrounds, sports fields, gardens and nature exhibits, boating and maritime activities, art installations, and myriad year-round events that celebrate the diverse cultures and neighborhoods along its shores.
The Blues BBQ Festival is the longest-running free blues festival in the New York City metro-region since 1999. It runs four miles along the West Side, attracting over 17 million visits each year. Over the last two decades, over 100 musicians have entertained performances happened here.
During this incredible festival, various restaurants include blue Blue Smoke, Dinosaur Bar-B-Que, Jase’s BBQ, Kimchi Smoke, and Big Papa Smokem. They will provide incredible BBQs with different flavours to support the festival. Beverage companies participating will be Allagash, Bronx Brewery, Sunday Beer Lager, Archer Roose Rose and Sparkling White Wine and Two Robbers Hard Seltzer.
The musical lineup is designed to showcase the many interpretations and influences of the blues genre. The event will be hosted by Binky Griptite of The Dap-kings and will feature Brooklyn native Bette Smith, acclaimed Memphis-born singer-songwriter Don Bryant, “America’s Hottest Accordion” winner, Dwayne Dopsie, and his band, The Zydeco Hellraisers, recording artist Walter “Wolfman” Washington, and multi-instrumentalist and singer/songwriter Jackie Venson.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from, Scotchka, Phantom Suns, Witch Culture and many more.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Phantom Suns – “Probably Wrong”
From Burlington, Phantom Suns perform riffy and melodic Alternative Rock, and released their last album, Cordyceps in July 2021. On EQXposure you’ll hear “Probably Wrong,” a new tune from the group consisting of Seth Gundersen, Chris Mathieu, Chris Knauer, and Tristan Baribeau.
SCOTCHKA – “Corinthians”
From Albany, Scotchka is a rock band blending emo, pop punk, and alternative influences for an energetic, introspective style. The band includes Dominick Murdock (Rhythm Guitar, Vocals), Brian Fahey (Drums, Juul Master), Maiya Campbell (Lead Guitar, Backing Aux), and Jacob Hite (Bass, Producer)
Witch Culture – “You”
Witch Culture is a rock band based out of Nashville. Their music can best be described as intimate and emotional, yet energetic. “You” was released on released June 10, 2022 and the band includes Dan McGarr (Vocals/ Guitars), Aaron Messina (guitar), Joe Moran (bass), and Ryan Bedlack (drums)
After three years together, Rock ‘n Soul band FARROW, from Buffalo, is gearing up to release their first album, Agitate, on July 9. With joyous music and infectious melodies, this diverse group of musicians excels on this newest project.
Agitate will be the first of three EPs in a series. To accompany the sound component of the album, FARROW will have video releases for each song every month. These videos will be available to the Farrow Fan Club on Patreon.
FARROW is made up of seven talented musicians and artists. Led by André Pilette (producer/bass) and Michael Farrow (lyricist/singer), the band released two previous singles on Spotify, “Rise Up” and “Insoluble” in 2020. Other members feature Tim Webb (drums), Michael Ruopoli (percussion), Cory Clancy (guitar), Rufus “Breezy” Cole Jr. (keys), and Danielle Johnson (backing vocals).
The new album is filled with joyous, empowering lyrics and snappy beats. The second track, “Steal My Joy,” opens up with laughter and the lyrics “you ain’t gonna mess with me today!” – a phrase that seems to encapsulate a theme of the album.
Just one listen and it is easy to move to the rhythm. FARROW’s Agitate explores different beats and instrumentation on the album, and all 6 tracks are energetic and thought-provoking.
The group has a history of performing around Western NY, with other performances including Buffalo Iron Works, Sportsmen’s Tavern, Bowery Electric, Rockwood Music Hall, and more. In the future, they will extend their reach, including a performance at the North By Northeast Festival in Toronto.
To celebrate the release of their first album, FARROW will hold a party and concert at Sportsmen’s Tavern in Buffalo on July 9.
Key tracks: Steal My Joy, In This Place, Love Me For Me
FARROW is also performing at the following upcoming events:
June 18 – NXNE Music Festival – Toronto
June 26 – Elmwood Summerfest – Buffalo
July 7 – Thursday & Main – Buffalo
July 9 – Sportsmen’s Tavern – Buffalo
July 22 – Sunset at the Stables at Knox Farm State Park – East Aurora
Aug. 19 – The Erie County Fair – Hamburg
Sep. 17 – Borderland Music + Arts Festival – East Aurora
