Inclusion Festival returns for 2022, from July 15-17 at Kempton Fairgrounds in Kempton, PA with daily programming from 11am to 11pm. The festival features various activities, music, workshops, camping and art, which are accessible experience for all ages and abilities.
Inclusion Festival
Debuted in 2018, Inclusion Festival became the nation’s first festival designed to accommodate disabled people. Since then, the festival has grown to spread inclusion as a state of mind through year-round events, experiences, consultation and training, as well as an online magazine. This year’s festival will offer virtual components to increase accessibility for those unable to attend the live event.
Inclusion Festival (credit to Wendy Dolof)
Presented by the non-profit Accessible Festivals and proudly supported by Rex Foundation and Mimi Fishman Foundation, Inclusion Festival offers sensory-friendly live music, a wide variety of educational and recreational workshops, camping, collaborative art, relaxation areas, a community resource fair, and more, all presented in an environment designed to be accessible for all.
This year’s lineup includes The Mantras, a Greensboro-born rock band, Yam Yam, a vibrant band from Harrisburg, PA, NYC-based award-winning blind recording artist and advocate Lachi, funky Philadelphia brass band Snacktime featuring disabled musician Ryan Gilfillian, and many more.
All donations received from the event will directly benefit the non-profit organization Accessible Festivals, dedicated to making communities stronger by ensuring music and recreation is accessible to all abilities.
To purchase tickets, donate, or get involved, visit inclusionfestival.com.
After its absence in 2020 and 2021 attributed to the coronavirus pandemic, Boston Calling returned to the athletic complex of Harvard University in Allston, MA this past Memorial Day weekend for the first time in three years. Inaugurated in 2013, the eleventh edition of the festival (it was held twice per year from 2013 to 2015) was a welcome event not only for the 40,000 fans in attendance each day (who were able to roll their tickets over from the two previously cancelled years), but also for the musical artists, some of which had yet to play their new material to a live audience.
A 7-foot tall Boston Terrier sculpture, made of high-density polyurethane foam by Sean Roach, greets fans. | Photo: Michael Dinger
This year’s headliners were heavy metal legends Metallica (formed in 1981 in Los Angeles) and industrial rockers Nine Inch Nails (formed in 1998 in Cleveland). Nine Inch Nails replaced the previously announced headliner Foo Fighters who cancelled the remaining dates on their tour following the tragic death of drummer Taylor Hawkins back on March 25. Trent Reznor, Atticus Ross and company also graciously stepped in for The Strokes on Day 2 of the festival after a late scratch Friday afternoon related to COVID-19. The coronavirus would claim one more casualty during the long weekend, King Gizzard & The Lizard Wizard, the psychedelic rock band from Australia who were initially scheduled to perform Saturday evening.
The three-day festival lineup included forty-eight (48) other artists performing across four stages, including the following: HAIM, The Struts, Rüfüs Du Sol, Cheap Trick, Avril Lavigne and Oliver Tree on Day 1 (Friday); Black Pumas, Run The Jewels, Orville Peck and Glass Animals on Day 2 (Saturday); and Weezer, Modest Mouse, Goose and Japanese Breakfast on Day 3 (Sunday).
A replica of Fenway Park’s famed Green Monster displays the 3-day lineup across all four stages. | Photo: Michael Dinger
Across social media accounts related to Boston Calling, it was hard not to notice several festivalgoer posts voicing their displeasure with the line-up changes and merch lines – which did appear to be long every time I walked by. That aside, the festival was a welcome reprieve from the recent and very sad news regarding gun violence in our nation, with relatively few other hiccups.
Day 1 (Friday)
The gates to the festival grounds opened promptly at 1:00 pm and patrons had four stages (designated by color) from which to choose from throughout the day – Green, Red, Delta Airlines Blue and Tivoli Audio Orange (the smallest of the stages which showcased Boston-area acts). Being a fan of Nine Inch Nails since the early ‘90s and wanting to witness their set as close as possible, I opted to ‘camp out’ at the Green Stage where the band would be playing a mere eight hours later! And I was not alone, as I met Jeremy Dubiel and Scott Mack from Holyoke, Massachusetts and Stafford, Connecticut, respectively, who also had the same game plan as I did. Little did I know at the time, but these two gentlemen would be my concert cohorts for the entire weekend.
A map depicting the four stage locations throughout the festival grounds. | Photo: Michael Dinger
After devouring the first of four Tasty Burgers I would have this festival weekend (they are delicious and we don’t have these in New York!), I made the short walk over to the adjacent Red Stage where model/actress/singer Paris Jackson (daughter of the “King of Pop” himself) would be the first performer of the weekend. Nearing the end of her 30-minute set, I headed back to the Green Stage to catch Grandson, a Canadian-American singer that can best be described as an Eminem-Justin Timberlake hybrid. Of the fourteen (14) musical acts I was to see over the next few days, Grandson would be right near the top. I was blown away by his onstage energy as he repeatedly flew from the top of the drum kit riser, ran along the perimeter of the stage apron clutching the hands of his fans or climbing the security rail as he jumped into a sea of people.
Paris Jackson | Photo: Michael DingerGrandson | Photo: Michael Dinger
Shortly after Grandson’s set concluded, Rick Nielsen and Rock & Roll Hall of Famers Cheap Trick appeared on the Red Stage, thrilling the crowd with their hits, including “Dream Police,” “The Flame,” “I Want You to Want Me” and “Surrender,” performed with Paris Jackson.
Up next on the Green Stage were The Struts, a British rock quartet fronted by their flamboyant frontman, Luke Spiller. Among several standout offerings from their 8-song set was the closing number “Could Have Been Me,” along with the ‘70s style pop duet “Low Key In Love,” performed with Paris Jackson. Ms. Jackson was making the most of her Boston Calling debut as she navigated back and forth between the Red and Green Stages, looking like she was having the time of her life.
Luke Spiller of The Struts | Photo: Michael Dinger
The third act to hit the Green Stage on Day 1 were HAIM, a pop rock band based in Los Angeles comprised of sisters Danielle, Este and Alana, the last of which who starred as an actress in last year’s Licorice Pizza, written and directed by Paul Thomas Anderson. Clad in matching black bikini tops and stylish leather pants, all three young women displayed their musical prowess, each playing several different instruments (guitar, bass, drums, piano) with great proficiency.
HAIM (from left to right – Alana, Danielle & Este) | Photo: Michael Dinger
Right on schedule, Nine Inch Nails entered the main stage at 9:00 pm Friday night to thunderous applause from the audience grateful to have them there. Their first tour in nearly four years, this band holds a special place in the collective heart of Generation Xers, who first fell in love with Reznor’s studio wizardry more than 20 years ago. At that time, there were no other bands creating their now signature, chaotic sound of drum machines, keyboards and guitars, accompanied by dark and tormented lyrics.
Trent Reznor of Nine Inch Nails | Photo: Michael Dinger
Side-by-side on stage with fellow composerproducer Atticus Ross, a frequent collaborator on numerous film scores, Nine Inch Nails’ performance was also visually stunning, set against high-intensity, flashing strobe lights. The 21-song set list covered a wide range of their discography, including “Closer,” “Sanctified,” “The Perfect Drug,” “Head Like A Hole” and “Hurt,” including a stirring cover of David Bowie’s “I’m Afraid Of Americans.” For any fans who missed Friday’s performance, or wanted to do it all over again, they had less than 24 more hours to wait for an encore performance on Saturday night.
Trent Reznor of Nine Inch Nails | Photo: Michael DingerAtticus Ross of Nine Inch Nails | Photo: Michael Dinger
Day 2 (Saturday)
After spending most of the day at the Green Stage on Friday, I perused the entire festival grounds to take in the entire vibe of the festival. Arriving just as the Boston-based indie band Dutch Tulip’s last song was finishing up on the Tivoli Audio Orange Stage, I made my way to the Blue Stage where Charlotte Sands was set to perform at 2:20 pm. Shadowed by a 100-foot Ferris wheel that is a staple at Boston Calling festivals, the Blue Stage’s floor area was packed with mostly young adult fans waiting in anticipation for the hip-hop rapper with folk-style lyrics.
Charlotte Sands | Photo: Michael DingerFerris wheel | Photo: Michael Dinger
Not wanting to miss the end of Hinds’ set, a Spanish indie rock band from Madrid, formed in 2011 and comprised of Carlotta Cosials, Ana García Perrote, Ade Martin and Amber Grimbergen, I made the longest walk between stages back to the Green Stage. Near the conclusion of their set, I made the quick jaunt over to the Red Stage, weaving through the crowd until I was a few rows back to see Celisse, an R&B and soul singer-songwriter who plays face-melting, blues-tinged guitar with infectious hooks.
Ana Perrote of Hinds | Photo: Michael DingerCelisse | Photo: Michael Dinger
After a brief stop at one of the strategically-placed medic tents for a bandage wrap (my feet were already killing me early on the second day), I headed back to the Blue Stage to catch Frances Forever, best known for their song “Space Girl,” which became a viral hit on TikTok in 2020, at 3:30 pm. However, moments before their time on stage, it was then when I noticed that the skies above had turned an ominous gray, and the stagehands did too – as they quickly swooped in to cover up Frances Forever’s instruments under plastic sheeting.
Only a couple of minutes later, due to nearby lightning and thunderstorms, a directive came over the PA system that all fans and staff were to evacuate the festival grounds and take shelter in nearby Harvard Square or Harvard Stadium. I was one of the many thousands who headed to the stadium, packed into the historic concourse beneath the stands for nearly the next 2 hours. Time passed quickly, however, aided by a positive attitude from the collective people seeking shelter from the torrential downpour. It was in these damp and dark quarters where an impromptu sing-along erupted to the chorus of Neil Diamond’s “Sweet Caroline,” an eighth inning tradition at nearby Fenway Park, home of the Boston Red Sox. Others passed the time by participating in random “Go Celtics” chants ahead of their Game 7 NBA conference final playoff game that was to take place at TD Garden the following night.
Concertgoers seeking shelter from the rain in Harvard Stadium | Photo: Michael Dinger
With the rain finally letting up, but before the fans and staff were permitted to return to the festival grounds, I made the decision to return to the main grounds in search of a ‘porta potty.’ It was there that I encountered an eerie, almost post-apocalyptic scene – a field that was once filled with thousands upon thousands of concertgoers earlier in the day, was now completely void of any souls (albeit two pink rain poncho clad girls). Seeking refuge in a beer tent until the last of the rain had finally dissipated, fans were allowed to return at approximately 5:30 pm. I watched as they trickled in, back through the main gate, while the Green and Red stages were being brought back to life by various staff and roadies.
Poncho-clad fans | Photo: Michael DingerA rainbow following Saturday’s downpour | Photo: Michael Dinger
With a revamped schedule for the remainder of the day, the musical festivities would resume with Black Pumas on the Green Stage at 6:30 pm, a psychedelic soul band based in Austin, Texas, led by singer/songwriter Eric Burton and guitarist/producer Adrian Quesada. Coming off their first Grammy Award nomination in 2020 for Best New Artist, Mr. Burton thoroughly enjoyed himself, playing tag with the photographers in the pit as they chased him while he posed for the camera with the fans as a backdrop.
Eric Burton of Black Pumas | Photo: Michael DingerEric Burton of Black Pumas | Photo: Michael Dinger
Outside of Metallica and Nine Inch Nails, I was most excited to see the performance by Run The Jewels (a.k.a. RTJ) on the Red Stage, which commenced shortly after 7:30 pm on Day 2. RTJ are the hip hop duo composed of Atlanta-based rapper Killer Mike and Brooklyn-based rapper and producer El-P. The former is a sociopolitical activist whose anti-establishment messaging and calls for peace and an end to police violence are evident throughout his lyrics. As the sun began to set halfway through RTJ’s set, the mosh pit opened up while a few crowd surfers rode the wave to the front of the stage where they landed into the arms of waiting security.
Killer Mike of Run The Jewels | Photo: Michael DingerEl-P of Run The Jewels | Photo: Michael DingerRun The Jewels Mosh Pit | Photo: Michael Dinger
After by-passing the Tasty Burger food tent, it was not easy (trust me), I had more than thirty other options from top, local area restaurants to choose my next meal from. I finally expanded my culinary horizons and opted for a mouth-watering pastrami Reuben from Mamaleh’s, a sandwich that would rival the famous Katz’s Deli, a Jewish institution in Lower Manhattan dating to 1888. After washing it all down with an Oatmeal Stout by Beer Geek Breakfast (7.5%), I maneuvered my way through the packed audience towards the rear of Harvard’s athletic field where I positioned myself to view the remainder of Nine Inch Nails’ set from the exact opposite vantage point from the previous night, taking in the enormity of the venue and the miraculous stage lighting. Hoping to grab an Uber ride back to my Airbnb before the local streets of Allston were crammed with others trying to do the same thing (a lesson learned from Friday night), I exited the festival grounds while Nine Inch Nails were nearing their set’s completion – mission accomplished.
Nine Inch Nails | Photo: Michael Dinger
Day 3 (Sunday) The festival’s final day arrived without any other surprises such as another line-up change or looming bad weather – aside from the size of the crowd, because James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo of Metallica would be concluding the festival weekend in epic fashion later this night.
But before Metallica, there was still a full afternoon of music to be had by all. The first band to play the Green Stage on Sunday were Peach The Rascals, an indie music collective from San Jose, CA who also achieved fame via TikTok with their song “Mariposa” last year. Cults followed next, the pop band duo of Madeline Follin and Brian Oblivion hailing from New York City. Although their set was hindered with an apparently faulty guitar instrument cable that was not resolved until the final song, their heavily-layered instrumentation was still a joyful listen.
Tarrek Abdel-Khaliq of Peach Tree Rascals | Photo: Michael DingerMadeline Follin of Cults | Photo: Michael Dinger
The Green Stage’s penultimate act of Day 3 were Glass Animals, a jovial rock band from England that lead singer Dave Bayley formed in 2010 with childhood friends Joe Seaward, Ed Irwin-Singer and Drew MacFarlane. Easily one of the best performances of the weekend, their stage setup was the cover of their latest record Dreamland (released in August 2020), reincarnated with hanging neon signs, pastel purple palm trees, a giant television and pyramid, basketball hoop, and of course, their pineapple mascot.
Dave Bayley of Glass Animals | Photo: Michael Dinger
Not wanting to chance it by veering too far away from my coveted spot on the Green Stage’s rail, I made the difficult decision to sacrifice checking out performances by Japanese Breakfast (fresh off their Saturday Night Live season finale appearance) and Goose on the Delta Airlines Blue Stage, as well as Modest Mouse and Weezer on the Red Stage. A case of FOMO hit me hard as I glanced over in the direction of the Red Stage often, taking in the visual images of Rivers Cuomo and his Weezer bandmates as they appeared on the large, vertical video boards on either side of the stage.
On this very hot Boston afternoon, dehydration also hit me hard, as well as many others in the first several rows who were packed shoulder-to-shoulder like sardines in a tin can. Thankfully, security guard Scott Turner, who I had gotten to know earlier in the day from chatting with him, repeatedly pushed bottles of water into the waiting hands of desperate audience members.
As dusk approached, and Weezer’s encore offering of “Buddy Holly” having concluded, Tuukka Rask, the recently retired goalie who played for 15 seasons with the Boston Bruins, took a quick seat at Lars’ drum kit for a quick photo op, before he and his small entourage exited stage left to the crowd chanting, “Tuukka, Tuukka, Tuukka!”
Boston Calling Archway | Photo: Michael Dinger
Not before long, AC/DC’s “It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll)” played over the house speakers, signaling Metallica’s imminent arrival. However, as per tradition at every Metallica show since 1983, Ennio Morricone’s “The Ecstasy of Gold” played next, accompanied by video footage from the classic 1966 Western film starring Clint Eastwood, The Good, the Bad and the Ugly. At 8:50 pm, drummer Lars Ullrich was the first band member to appear on stage in front of the largest Boston Calling crowd of all time, followed shortly by guitarist Kirk Hammett and bassist Robert Trujillo. James Hetfield was the last to arrive, and equipped with his iconic white, well-worn Flying V, these metal gods launched into the first of sixteen songs, “Whiplash,” from their debut studio album Kill ‘Em All (1983).
James Hetfield of Metallica | Photo: Michael DingerRobert Trujillo of Metallica | Photo: Michael DingerKirk Hammett of Metallica | Photo: Michael DingerLars Ullrich of Metallica | Photo: Michael Dinger
Over the next two hours, diehard fans in attendance would be treated to hits taken from Ride the Lightning (1984), Master of Puppets (1986), …And Justice for All (1988) and Metallica (1991), better known as The Black Album. The unforgettable night culminated with a three-song encore of “Battery,” “Nothing Else Matters” (with a restart needed when Hammett humorously bungled the intricate guitar picking of the song’s introduction) and “Enter Sandman.”
Just days ahead of dropping their latest studio album Dripfield, buzz-worthy psychedelic improv rockers Goose kicked off summer in terrific form over the Memorial Day weekend, playing a pair of well received shows in their home state of Connecticut. Packing the Westville Music Bowl in by the thousands, the former tennis stadium turned live music mecca is quickly becoming a favorite venue for both Goose and fans alike. In the latest chapter, the band raised expectations even higher by capping Night 2 off with two impressive sets of original music.
Goose guitar players Rick Mitarotonda and Peter Anspach duel it out at the Westville Music Bowl on 5/28/22
Taking flight on their turf, the summer of Goose began in New Haven, and in promoting their latest studio effort, Dripfield, the boys came prepared, unveiling a fresh new line of Dripfield themed merch that included a limited-edition beer and their first gig poster by acclaimed artist Miles Tsang. After quick pat down through security, excited fans quickly made a B-line for the venue’s well-run merch both. While an ominous sky still lingered over the Bowl, there seemed to be a minor delay to the advertised start time of 6pm. While waiting, a lot of the conversation was centered on the Tsang diptych print, which appeared to be both polarizing to some collectors, while praised by others. The second most debated topic seemed to be over which state really has the best pizza?
Fresh Merch: The Miles Tsang diptych poster for New Haven was a hot topic of debate on 5/28/22
Taking the stage to a healthy hometown welcome on Saturday, May 28th, OG Goose fans were delighted to hear the opening riff of the song “Drive,” one of the bands earliest songs. Feeling a groovy vibe from the start, the band were all smiles early on. Consisting of guitarist Rick Mitarotonda, keyboardist/guitaristPeter Anspach, drummer Ben Atkind, bassist Trevor Weekz and percussionist Jeff Arevalo — Goose would continue to work their magic with high energy takes on “California Magic” and an excellent version of the ever-evolving “This Old Man’s Boat.” Once looking gloomy, by now the weather had become beautiful and a beach ball party was in full swing, making for a particularly on-point and potent rendition of “Turned Clouds,” the opening track off the bands 2016’s studio debut Moon Cabin.
Goose bassist Trevor Weekz kept his shirt on in New Haven, CT 5/28/22
With his trusty rain stick in hand, the uplifting energy continued as the bands beloved tour manager, Jon “Coach” Lombardi, then pulled up a spot near Trevor to shake things up on “Honey Bee.” Closing the opening set on a high note, Coach would stick around for the irresistible “Empress of Organos,” the same song that launched the band into 2022 during their NYE run. Indeed, this show was a celebration and the hometown homies had come to party.
Jon “Coach” Lombardi helped shake things up via rain stick on Night 2 in New Haven 5/28/22
After a somewhat lengthy intermission, Goose was straight birdn’ upon their return, going deep with the new song “Red Bird.” The party atmosphere picked up some more during “Butter Rum,” which featured some of the loudest cheers and best audience participation of the evening. Showing off a new and improved rig, lighting director Andrew Goedde was simply dazzling during the second half of the show. Vibing perfectly in sync with the band as our musical journey seamlessly shifted from “Echo of a Rose” to a standout version of “Into the Myst,” the latter was played in its entirety for the first time since 11/17/21. Upon its completion, the band members slowly disappeared from the stage in a cloud of, well, mist, triggering an ambient-like loop that would continue through the brief encore break. With subtle teases of “Dripfield” all evening long, when Goose returned for their curtain call, they gave fans the full treatment of their new album’s title track. Jammed all the way until curfew, Goose closed out the second night of their hometown throwdown in top notch form.
Lighting Director Adrew Goeddde showing off his new rig at Westville Music Bowl 5/28/22
A scintillating performance showcasing all original material, stellar musicianship, an impressive light show, fun-loving fans and a charismatic “X” factor that can’t be faked, this is a band worthy of the hype. With a new album and a jam-packed summer officially underway, it’s safe to say Goose are set to soar. For more information on where you can see them, including their debut at Radio City Music Hall and a stop in at Artpark in Lewiston, NY, head to bands website.
Goose | Westville Music Bowl | New Haven, CT | 5/28/2022
Set 1: Drive, California Magic, The Old Man’s Boat, Turned Clouds, Honeybee1, The Empress Of Organos
Set 2: Red Bird, Butter Rum, Echo Of A Rose > Into The Myst2, Dripfield
Encore: Dripfield3
Notes 1. Coach on rain stick 2. First finished Into the Myst since 11/17/21 3. Continued from set-closing rendition
The daily lineup for the 10th anniversary Peach Music Fest has been released, with a lineup that makes this installment head and shoulders above past years.
The four-day live music and camping experience returns to Montage Mountain in Scranton, PA, from Thursday, June 30 through Sunday, July 3.
The Peach Music Festival began in 2012 as the first-ever Allman Brothers Band-inspired festival in the Northeast and quickly evolved into one of the most highly-anticipated summer musical events loved by music enthusiasts from across the nation.
To celebrate the 10th anniversary of The Peach Music Festival, Trey Anastasio Band and The Black Crowes will headline The Festival, and be joined by Billy Strings, Joe Russo’s Almost Dead, Goose, the Revivalists, Pigeons Playing Ping Pong, and the reunion of The Word.
Additionally, Trouble No More, featuring Brandon “Taz” Niederaurer (Guitar, Vocals), Daniel Donato (Guitar, Vocals), Dylan Niederaurer (Bass Guitar), Jack Ryan (Drums), Lamar Williams Jr. (Vocals), Nikki Glaspie (Drums), Peter Levin (Keys) and Roosevelt Collier (Pedal Steel Guitar), will celebrate the 50th anniversary of the Festival’s founders, the Allman Brothers Band’s seminal “Eat A Peach” album.
The Peach Music Festival, which was inspired by the legendary music of the Allman Brothers Band, will feature founding member Jaimoe with Jaimoe and Friends, as well as Friends of the Brothers, and Brother & Sister (featuring Butch’s kids, Melody and Vaylor).
Thursday, June 30
Billy Strings, Trouble No More: Performing Eat A Peach, Keller Williams, Samantha Fish, Midnight North, Yam Yam, Consider the Source, JD Simo, Miss Mojo, Carly Moffett, and Tand Band.
Friday, July 1
Joe Russo’s Almost Dead, Pigeons Playing Ping Pong, Jason Bonham’s Led Zeppelin Evening, Steel Pulse, Andy Frasco & the U.N., Eric Krasno & the Assembly, the Motet, Marco Benevento, the Bogie Band featuring Joe Russo, Lacuna featuring Tom Hamilton & Holly Bowling, Doom Flamingo, Kitchen Dwellers, The Nth Power featuring Jennfier Hartswick, Funk You, Eggy, Little Stranger, Brother & Sister, Snacktime, Wax Owls, Gabriel Kelly, Evanoff, and the Jauntee.
Saturday, July 2
Trey Anastasio Band, Goose, the Revivalists, Ripe, Rayland Baxter, Celisse, Karina Rykman, Jaimoe and Friends, Brandon “Taz” Niederauer and Friends, the Shady Recruits, Neighbor, Melt, Cordovas, Friends of the Brothers, Cycles, One Time Weekend, Pixie & the Partygrass Boys, Chalk Dinosaur, Dry Reef, JB Strauss, Daniel Donato’s Cosmic Country, and Muskrat Lightning.
Sunday, July 3
The Black Crowes, the Word featuring Robert Randolph, John Medeski, Luther Dickinson, Cody Dickinson, and Ray Ray Holloman, G. Love & the Juice, the Wailers, Duane Betts, Star Kitchen, Spaga, Tauk, Dogs In A Pile, Maggie Rose, Daniel Donato &. Friends, Hannah Wicklund, the Wild Feathers, Bobby Lee Rodgers, Sicard Hollow, GA-20, and Great Time.
The VIP sets, performed exclusively to VIP ticket holders in the “Midland” above the water park with firepits, a bar, and concession stands, will feature Andy Frasco’s World Saving Podcast with special guests, Brandon “Taz” Niederauer with Kanika, the Cordovas performing an acoustic set, Daniel Donato, Dogs In A Pile, Duane Betts, Karina Rykman performing a DJ set, Kitchen Dwellers, and Maggie Rose.
In addition to the four days of live music with over 50 artists, this one-of-a-kind experience features food and craft vendors on the grounds and access to the scenic Montage Mountain Ski Resort’s large water park, zip line and ski lift rides.
The 10th-anniversary celebration of The Peach Music Festival will conclude with a spectacular Independence Day Weekend fireworks display on Sunday, July 3.
To purchase VIP tickets, ticket packages, reserve travel packages, camping, glamping tent, RV passes, and individual tickets, or for the most up-to-date information on the Peach Music Festival, including additional artist announcements, visit ThePeachMusicFestival.com.
The Jersey City Jazz Festival has returned for its ninth annual celebration on the weekend of June 4th and 5th in the Powerhouse Arts District.
Just across the Hudson River, the free-to-the-public event will include performances from fourteen bands on two stages, food trucks, a full bar, and a VIP experience at the parking lot on 107 Morgan Street. The festival will also coincide with Bike JC’s annual Ward Tour on the 5th, with there also being an “after-party jam session” at Moore’s Place.
Jazz group Nation Beat will lead off the festival with their performance at noon on the 4th. (photo by Carolina Mama)
Brazilian-inspired group Nation Beat will lead off performances at noon on the 4th, followed by singer & WBGO radio host Lezlie Harrison at 1, pianist David Kikoski at 2, Winand Harper and his band the Jeli Posse at 3, flamenco guitarist Andreas Arnold at 4, Afro-Cuban jazz group Santi De Brian’s Arkestra Bembe at 5, and acclaimed vocalist Svetlana at 6.
The next day, award-winning duo Sounds of A&R will lead off at noon, followed by guitar-driven ensemble Walter Parks and the Unlawful Assembly at 1, modern gypsy jazz artist Gonzalo Bergara at 2, New Orleans-based trad group Aurora Nealand and the Royal Roses at 3, and guitarist Julian Lage at 4.
Both days will close out with dancing to salsa performances by percussionists Little Johnny Rivero on the 4th at 7, and Johnny Rodriguez and the Dream Team the following day at 5. Shows will alternate on an hourly basis between the Bank of America and Exchange Place stages.
Little Johnny Rivero’s career watermarks include the eighteen albums he recorded with the La Senora Ponceña Band and having performed with names in Latin Music such as nine-time Grammy Award winner Eddie Palmieri.
The festival, which was first held in 2013, is produced by Jersey City-based non-profit Riverside Jazz, and is presented by Exchange Place Alliance. “We have some of the best players in the world here – and it’s not just one style of music or jazz, it’s everything!” says Riverview Jazz director Brian Beninghove. “Not everyone has access to great music and art, but we do here – and we want to celebrate it with a big, free party for the people.”
Information on purchasing VIP tickets, directions, parking, volunteering, and links to the artists can be found on Riverview Jazz’s website.
Trey Anastasio Band played one of the newest music venues in Boston, Roadrunner, over May 7 & 8, playing a variety of TAB originals & Phish classics. The first night Trey played an acoustic encore featuring “Theme From The Bottom,” “More,” “Chalkdust Torture,” & “Harry Hood.” Highlights of the second set included dueling leads of James Casey & Trey, “Moma Dance,” “Camel Walk,” “Night Speaks to a Woman,” “Gotta Jibboo,” “First Tube,” and “Blaze On.”
Trey Anastasio Band is playing as good as ever and clearly having a lot of fun doing it. Mixing a good amount of Phish fan favorites, TAB classics, new Trey songs, and some acoustic songs the show is proven to be as diverse as it is entertaining. Setlists via Phish.net.
Trey Anastasio Band – Roadrunner, Boston, MA – Saturday, May 7, 2022
Set 1: Alive Again, Set Your Soul Free, Love Is What We Are, Magilla, Ocelot, Olivia, Camel Walk, Drifting, The Moma Dance, Night Speaks to a Woman
Set 2: Speak to Me, Everything’s Right, Gotta Jibboo, Hey Stranger [1], Liquid Time > Ghost > Mozambique, Ether Sunday, Rise/Come Together > Sand
Encore: Theme From the Bottom [2], More[2], Chalk Dust Torture[2] -> Harry Hood [3] > Chalk Dust Torture[2], Push On ‘Til the Day
[1] Debut. [2] Trey solo acoustic. [3] Trey solo acoustic; started mid song and unfinished. Cyro teased Watermelon Man before Gotta Jibboo.
Trey Anastasio Band – Roadrunner, Boston, MA – Sunday, May 8, 202
Set 1: Blaze On, Mercy, Undermind, Curlew’s Call, Tube, The Silver Light, Money, Love and Change
Set 2: No Men In No Man’s Land, Cayman Review, Simple Twist Up Dave, I Never Needed You Like This Before, Spin, 46 Days, Roll Like a River [1], Valentine, A Life Beyond The Dream
Flyday Music Festival will return this fall, September 29 through October 2, 2022 at Blackthorne Resort in East Durham, NY in the heart of the Catskills.
Flyday Music Festival, in its fifth year at Blackthorne Resort, is a non-corporate, intimate festival put on by two musicians who love great music. A celebration of life and creativity, freedom, spirit, heart and soul, and friends and family through music, art, and movement, Flyday has grown since inception in 2017, and brings together a stellar lineup and community.
The 2022 Flyday Music Festival lineup includes more than 20 bands, with a variety of genres including funk,
The lineup includes Ghost-Note, Black Rock Funk Allstars, Yam Yam, Schleigho, Gnarbot, Space Junk is Forever, Shwizz, Baked Shrimp, Glass Pony, The Magnetic Pull, Screaming Headless Torsos, Honker, Ampevene, Level:Memory, Eugue Tyler Band, Children of the Judge, Laura Leigh and Denise Parent, Dr. Jah and the Love Prophets, Sungazer, Now vs Now, Nigel Felony and K-Weef.
Artists will perform on two side-by-stages at the 100+ acre Blackthorne Resort, with 80+ rooms on site, camping and RV sites, a pool and tiki bar, in addition to a creek, hiking, a bar, a restaurant, a playground and play fields and courts, and a haunted house. Amenities include free showers, flush toilets and charging stations for all campers.
The quality of the music and the coming together of friends and the ever-growing Flyday Family is the main focus of Flyday today. Besides some of the best music the Northeast has to offer, there will be workshops (tie-dye, juggling, and more), vendors (massage, artisan, clothing, food, microbrew) and glass blowing and other artisan demonstrations. There will be live, interactive art exhibits as well as a black-light art gallery/lounge.
More info and tickets for Flyday Music Festival 2022 are available at flydaymusicfestival.com.
Harry Styles has announced his upcoming tour, “Love On Tour 2022” will include 15 performances at Madison Square Garden while showcasing his third studio album, Harry’s House.
Styles’ fans will have the chance to see him in concert multiple times within each city he visits. In addition to Madison Square Garden, he will stop at the Scotiabank Arena in Toronto, ON for two nights, Moody Center in Austin, TX for five nights, United Center in Chicago, IL for five nights, and lastly Kia Forum in Los Angeles, CA for ten nights.
Harry is known to be one of the most influential performers and artists of this generation. He has sold out shows a multitude of times, especially within the last year during his tour in 2021. With such a great reputation, Styles’ fans will be in for a treat.
Registration for Ticketmaster’s Verified Fan pre sale tickets are available until May 19 at 10 P.M. ET. After receiving the code, fans will have access to purchase tickets in advance on May 25 at 12 P.M. Meanwhile, for the general public, tickets will drop May 26 at 12 P.M.
HARRY STYLES LOVE ON TOUR 2022 DATES:
Mon Aug 15 –Toronto, ON – Scotiabank Arena is Harry’s House^
Tue Aug 16 – Toronto, ON – Scotiabank Arena is Harry’s House^
Sat Aug 20 – New York, NY – Madison Square Garden is Harry’s House*!
Sun Aug 21 – New York, NY – Madison Square Garden is Harry’s House*!
Mon Aug 22 – New York, NY – Madison Square Garden is Harry’s House*!
Fri Aug 26 – New York, NY – Madison Square Garden is Harry’s House*!
Sat Aug 27 – New York, NY – Madison Square Garden is Harry’s House*!
Sun Aug 28 – New York, NY – Madison Square Garden is Harry’s House*
Thu Sep 01 – New York, NY – Madison Square Garden is Harry’s House*
Fri Sep 02 – New York, NY – Madison Square Garden is Harry’s House*
Sat Sep 03 – New York, NY – Madison Square Garden is Harry’s House*
Wed Sep 07 – New York, NY – Madison Square Garden is Harry’s House*
Thu Sep 08 – New York, NY – Madison Square Garden is Harry’s House*
Sat Sep 10 – New York, NY – Madison Square Garden is Harry’s House*
Wed Sep 14 – New York, NY – Madison Square Garden is Harry’s House*
Thu Sep 15 – New York, NY – Madison Square Garden is Harry’s House*
Wed Sep 21 – New York, NY – Madison Square Garden is Harry’s House*
Sun Sep 25 – Austin, TX – Moody Center is Harry’s House~
Mon Sep 26 – Austin, TX – Moody Center is Harry’s House~
Wed Sep 28 – Austin, TX – Moody Center is Harry’s House~
Thu Sep 29 – Austin, TX – Moody Center is Harry’s House~
Sun Oct 02 – Austin, TX – Moody Center is Harry’s House~
Thu Oct 06 – Chicago, IL – United Center is Harry’s House#
Sat Oct 08 – Chicago, IL – United Center is Harry’s House#
Sun Oct 09 – Chicago, IL – United Center is Harry’s House#
Thu Oct 13 – Chicago, IL – United Center is Harry’s House#
Fri Oct 14 – Chicago, IL – United Center is Harry’s House#
Mon Oct 31 – Los Angeles, CA – Kia Forum is Harry’s House+
Wed Nov 02 – Los Angeles, CA – Kia Forum is Harry’s House+
Fri Nov 04 – Los Angeles, CA – Kia Forum is Harry’s House+
Sat Nov 05 – Los Angeles, CA – Kia Forum is Harry’s House+
Mon Nov 07 – Los Angeles, CA – Kia Forum is Harry’s House+
Wed Nov 09 – Los Angeles, CA – Kia Forum is Harry’s House+
Fri Nov 11 – Los Angeles, CA – Kia Forum is Harry’s House+
Sat Nov 12 – Los Angeles, CA – Kia Forum is Harry’s House+
Mon Nov 14 – Los Angeles, CA – Kia Forum is Harry’s House+
Tue Nov 15 – Los Angeles, CA – Kia Forum is Harry’s House+
^Madi Diaz *Blood Orange ~Gabriels #Jessie Ware +Ben Harper
On the day they released their sixth album WE, Arcade Fire has announced an extensive tour that features European and North American legs. Arcade Fire makes their way to New York on Friday, November 4th with a stop at Barclays Center in Brooklyn.
The tour starts in late August at Dublin, Ireland’s 3Arena, and ends in Toronto, Ontario on December 1st at Scotiabank Arena.
The WE world tour will bring the full production of Arcade Fire’s “must-see live act” (Variety) experience to global stages. For all European dates, Feist will be the special guest, while the North American leg will include Beck performing an acoustic set each night.
Arcade Fire – Bowery Ballroom – photo by Michael David Reichmann
Tickets for all dates will be on sale to the public beginning Friday, May 13th at 10 am. Arcade Fire has partnered with PLUS1 with $1/£1/€1 per ticket going to KANPE and their work bringing support to the most vulnerable communities in Haiti. Tickets are on sale here.
Arcade Fire WE Tour 2022
European Tour
08/30/22 – Dublin, IE – 3Arena *
09/02/22 – Birmingham, UK – Utilita Arena Birmingham *
09/03/22 – Manchester, UK – AO Arena *
09/05/22 – Glasgow, UK – OVO Hydro *
09/08/22 – London, UK – The O2 *
09/11/22 – Lille, FR – Zenith *
09/12/22 – Antwerp, BE – Sportpaleis *
09/14/22 – Cologne, DE – Lanxess Arena *
09/15/22 – Paris, FR – Accor Arena *
09/17/22 – Milan, IT – Mediolanum Forum *
09/18/22 – Munich, DE – Olympiahalle *
09/21/22 – Madrid, ES – WiZink Center *
09/22/22 – Lisbon, PT – Campo Pequeno *
09/23/22 – Lisbon, PT – Campo Pequeno *
09/25/22 – Bordeaux, FR – Arkea Arena *
09/26/22 – Nantes, FR – Zenith de Nantes *
09/28/22 – Amsterdam, NL – Ziggo Dome *
09/29/22 – Berlin, DE – Mercedes Benz Arena *
10/01/22 – Warsaw, PL – COS Torwar *
North American Tour
10/28/22 – Washington, DC – The Anthem ^
11/01/22 – Camden, NJ – Waterfront Music Pavilion ^
11/04/22 – Brooklyn, NY – Barclays Center ^
11/08/22 – Boston, MA – MGM Fenway Music Hall ^
11/10/22 – Uncasville, CT – Mohegan Sun Arena ^
11/12/22 – Chicago, IL – United Center ^
11/13/22 – Minneapolis, MN – The Armory ^
11/16/22 – Los Angeles, CA – The Kia Forum ^
11/19/22 – San Francisco, CA – Bill Graham Civic Auditorium ^
Legendary band of 45 years, The B-52s, have announced their farewell tour, beginning this August. Within their 11 city tour, the group will stop in New York at the Beacon Theatre, on October 13 and 14.
Considering the group has over 20 million albums, there is no doubt their tour will be a success. The B-52s have been one of the most monumental pop groups since the 70s and continue to make such a heavy influence on the music industry. This tour will conclude in Atlanta at the Fox Theatre.
However, a tour is not the only thing in store for The B-52s. In fact, their long awaited documentary, directed by Craig Johnson, and executively produced by Fred Armisen, will air in 2023. This film will discuss their musical journey as a group and share never before seen footage, as well as highlight the impact they still have on music.
No one likes to throw a party more than we do, but after almost a half-century on the road, it’s time for one last blow-out with our friends and family…our fans. And with KC & The Sunshine Band and The Tubes on board, it’s going to be one hell of a farewell party at these concerts.
