Established country group Drive-By Truckers has newly announced their full set of tour dates for the Spring 2023. The tour makes its way to the Northeast in May, with Drive-By Truckers performing at Levon Helm Studios in Woodstock, two nights at the Bowery Ballroom in Manhattan, and a show at The Egg in Albany.
Drive-By Truckers
The band with its roots stemming from Athens, Georgia starts the tour with an appearance in Indianapolis, Indiana on March 9 at The Vogue, followed by traveling from the end of March to the beginning of April for their annual four-day “Heathens Homecoming” celebration at their hometown’s own beloved 40 Watt Night Club.
Welcome 2 Club XIII
Following the four-day celebration, a four-part two-night stands series by the band opens at Saxapahaw, NC’s Haw River Ballroom from April 25-26, leading up to premiering at Washington DC’s 9:30 Club from April 29-30, then New York City’s Bowery Ballroom from May 4-5, and lastly The Orange Peel in Asheville, NC. The recently-made announcement of the schedule of the Drive-By Trucker’s full tour is after the the release of the band’s 14th studio album, Welcome 2 Club XIII, which includes new singles like “The Driver”, “Every Single Storied Flameout”, along with the debut’s anthem, “Welcome 2 Club XIII”.
Drive-By Truckers Spring 2023 Tour
MARCH
9 – Indianapolis, IN – The Vogue #
10 – Detroit, MI – Saint Andrew’s Hall #
11 – Milwaukee, WI – The Pabst Theater #
12 – Madison, WI – Barrymore Theatre #
14 – Iowa City, IA – Englert Theatre #
15 – Urbana, IL – The Canopy Club #
17 – Louisville, KY – Old Forester’s Paristown Hall #
18 – St. Louis, MO – The Pageant #
19 – Fayetteville, AR – JJ’s Live #
21 – Oklahoma City, OK – The Jones Assembly #
23 – Dallas, TX – Granada Theater #
24 – Austin, TX – Paramount Theatre #
25 – New Orleans, LA – Joy Theater #
26 – Birmingham, AL – Iron City #
29 – Athens, GA – 40 Watt †
30 – Athens, GA – 40 Watt %
31 – Athens, GA – 40 Watt ^
APRIL
1 – Athens, GA – 40 Watt @
20 – St. Petersburg, FL – Floridian Social Club $
21 – Ft. Lauderdale, FL – Culture Room $
22 –Orlando, FL – Ace Café (Outdoors) $
23 – Columbia, SC – The Senate $
25 – Saxapahaw, NC – Haw River Ballroom $
26 – Saxapahaw, NC – Haw River Ballroom $
28 – Richmond, VA – Brown’s Island $
29 – Washington, DC – 9:30 Club $
30 – Washington, DC – 9:30 Club $
MAY
2 – Woodstock, NY – Levon Helm Studios $
4 – New York, NY – Bowery Ballroom $
5– New York, NY – Bowery Ballroom $
8 – Albany, NY – The Egg Performing Arts Center
9 – Munhall, PA – Carnegie of Homestead Music Hall $
Infamous alt-J has just announced a tour celebrating the 10th anniversary of their Mercury Prize-winning debut album, An Awesome Wave. The tour will be starting in March 2023 at Kings Theatre in Brooklyn, and each show on the tour will feature a full performance of the album for the first time ever in the US.
“It’s been such a great year promoting both The Dream and An Awesome Wave’s 10th anniversary that we have decided to extend the party into 2023. We are delighted to announce a run of AAW anniversary shows in the US in March where we will play the album in full for the first time in America. We hope you can join us,” the band said in a statement.
The award-winning debut was followed two years later by their GRAMMY and BRIT Award-nominated number one album, This Is All Yours. Then in 2017, “RELAXER” flew straight into the top 10 of the UK album charts and garnered the band their second Mercury Prize nomination.
Alt-J also celebrated the 10th anniversary of An Awesome Wave with a new podcast series presented by music journalist and radio host Jenny Eliscu. Things Will Get Better – An alt-J Podcast. The podcast sees the critically acclaimed, chart-topping British band discussing their early days as university students, delving into how they came together and more.
“We were asked so often how we felt about the ten year anniversary of An Awesome Wave,” say alt-J, “and how we planned to celebrate it, that we realized we didn’t exactly know. So we made a podcast to find out. ‘Things Will Get Better’ is a journey from the formation of the band to the release of our debut album, and features us exploring our old haunts in Leeds, listening to long-lost demos and chatting to Gwil Sainsbury and our producer Charlie Andrew. We loved reminiscing about those days, sharing our individual memories and taking some time to reflect with gratitude on the album that changed our lives more than any other.”
Presale for tickets begins next Wednesday, December 7th at 10am and is concluding on Thursday, December 8th with general on-sale beginning Friday. December 9th at 10am local time.
To sign up for early access to tickets, click the link here.
Fresh off the heels of a successful co-headlining tour with Trey Anastasio and his band, Goose has announced new dates for their 2023 Spring Tour. It’s one that will see the band tour 14 cities over a five-week span that literally crosses the country. After a five-night run at the legendary Capitol Theatre in NY in early March that’s already sold out, the tour is scheduled to begin in Boston on March 23 at Roadrunner.
The spring tour also features two-night stands at such iconic venues as Philadelphia, PA’s The Met (March 24-25), Nashville, TN’s Ryman Auditorium (March 31-April 1), Seattle, WA’s Paramount Theatre (April 22-23), and San Francisco, CA’s The Warfield (April 27-28).
A ticket request lottery for all these newly announced Goose Spring Tour 2023 shows is currently underway at the band’s website and will continue through Wednesday, December 7, at 5 pm (ET). Lottery winners will be notified via email before the start of venue presales, set to run Thursday, December 8 from 10 am-10 pm (local). All remaining tickets go on sale to the general public beginning Friday, December 9 at 10 am (local). A variety of VIP packages and accommodation discounts will also be available.
This week also sees Goose marking yet another milestone in what has proven a momentous 2022 with their first-ever live performance on NBC’s The Tonight Show Starring Jimmy Fallon, set for Wednesday, December 7 at 11:35 pm (ET)/10:35 pm (CT) (check local listings).
Goose Spring Tour 2023
MARCH
8-12 – Port Chester, NY – Capitol Theatre
23 – Boston, MA – Roadrunner
24 – Philadelphia, PA – The Met
25 – Philadelphia, PA – The Met
26 – Cleveland, OH – Agora
31 – Nashville, TN – Ryman Auditorium
APRIL 2023
1 – Nashville, TN – Ryman Auditorium
2 – Birmingham, AL – Avondale Brewing Co.
13 – Madison, WI – The Sylvee
14 – Chicago, IL – The Salt Shed
15 – Chicago, IL – The Salt Shed
16 – St. Paul, MN – Palace Theatre
18 – Bozeman, MT – The Elm
19 – Bozeman, MT – The Elm
21 – Boise, ID – Knitting Factory
22 – Seattle, WA – The Paramount Theatre
23 – Seattle, WA – The Paramount Theatre
25 – Eugene, OR – The McDonald Theatre
27 – San Francisco, CA – The Warfield
28 – San Francisco, CA – The Warfield
29 – San Diego, CA – CalCoast Credit Union Open Air Theatre
The Peach Music Festival 2023 has announced the dates for the season, running from June 29 through July 2 at Montage Mountain in Scranton, PA.
The Peach Music Festival was created in 2012 as the first-ever Allman Brothers Band-inspired festival in the Northeast and has quickly evolved into one of the most highly-anticipated summer musical events loved by music enthusiasts from across the nation. It is a one-of-a-kind festival, as it features food and craft vendors on the grounds and access to the scenic Montage Mountain Ski Resort’s large water park.
Last year’s lineup included Billy Strings, Trey Anastasio Band, Goose, Pigeons Playing Ping Pong, and many more. The lineup has not been announced yet, but the Peach Music Festival 2023 weekend will run from June 29 to July 2. A limited number of Early Bird passes will go on sale beginning on Friday, Dec. 9 at 12 p.m. including VIP passes, reserved seating, glamping, travel packages, as well as a special four-day, general admission $99 lawn ticket.
New this year will be a GA+ ticket allowing fans with a General Admission ticket access under the pavilion for headliner sets (in the 200-level seating area) for $149. To purchase tickets for the 2023 festival, go here.
Country star Morgan Wallen announces One Night at a Time 2023 World Tour along with the release of three singles, “One Thing At A Time,” “Tennessee Fan,” and “Days That End In Why.”
Morgan Wallen performs onstage at Madison Square Garden on February 10, 2022 in New York City. (Photo by John Shearer/Getty Images)
Wallen wrote in an Instagram statement that “2023 is gonna be a special year… I got a lot in store for y’all and thought we’d start with this,” alluding to the tour drop. This tour comes off the heels of his wildly successful 55-city Dangerous Tour, that wrapped up on Oct. 8.
Morgan Wallen has over 12.3 billion on-demand streams, multi-platinum certifications and seven chart-toppers at Country radio. His critically-acclaimed, 4x platinum ACM Album of the Year Dangerous: The Double Album topped 2021’s all-genre Billboard 200 Albums year-end chart with 4.1 million units sold earning him 2022 Billboard Awards Country Male Artist top honor.
Man, what a year 2022 has been with the Dangerous Tour. I had the time of my life, and I cannot begin to express how grateful I am that my fans connected with the Dangerous album the way they did. I’ve had so many people ask me if I wanted to take some time off; but the truth is – I have been writing and making so much music in my off-time because I feel as inspired as I ever have. It feels like new songs are pouring out of me, and I love that feeling. We are going to run it back next year with the One Night At A Time World Tour. Bigger venues. New countries. Bigger memories. See y’all there.
Morgan Wallen
The tour kicks off in New Zealand before returning to the US. Morgan Wallen will be performing at MetLife Stadium on May 20 with special guests Parker McCollum, ERNEST, and Bailey Zimmerman. Tickets are being sold through a verified fan sale, and for more information on that and to sign up, go here.
Morgan Wallen Tour 2023
March 15 — Auckland, N.Z. @ Spark Arena March 19 — Ipswich, Australia @ CMC Rocks March 21 — Sydney, Australia @ Judos Bank Arena March 24 — Melbourne, Australia. @ Rod Laver Arena April 14 — Milwaukee, Wisc. @ American Family Field — NEW April 15 — Milwaukee, Wisc. @ American Family Field April 20 — Louisville, Ky. @ KFC Yum! Center April 22 — Oxford, Miss. @ Vaught-Hemingway Stadium April 27 — Grand Rapids, Mich. @ Van Andel Arena April 28 — Moline, Ill. @ Vibrant Arena April 29 — Lincoln, Neb. @ Pinnacle Bank Arena May 4 — Jacksonville, Fla. @ VyStar Veterans Memorial Arena May 5 — West Palm Beach, Fla. @ iThink Financial Amphitheatre May 6 — Tampa, Fla. @ MidFlorida Credit Union Amphitheatre May 18 — Hershey, Pa. @ Hersheypark Stadium May 19 — East Rutherford, N.J. @ MetLife Stadium — NEW May 20 — East Rutherford, N.J. @ MetLife Stadium May 24 — Austin, Texas @ Moody Center May 26 — Houston, Texas @ Minute Maid Park June 1 — Atlanta, Ga. @ Truist Park — NEW June 2 — Atlanta, Ga. @ Truist Park June 3 — Panama City Beach, Fla. @ Gulf Cost Jam June 8 — Virginia Beach, Va. @ Veterans United Home Loans Amphitheater at Virginia Beach — NEW June 9 — Virginia Beach, Va. @ Veterans United Home Loans Amphitheater at Virginia Beach June 10 — Myrtle Beach, S.C. @ Carolina Country Music Fest June 14 — Pittsburgh, Pa. @ PNC Park — NEW June 15 — Pittsburgh, Pa. @ PNC Park June 17 — Philadelphia, Pa. @ Citizens Bank Park June 22 — Chicago, Il. @ Wrigley Field — NEW June 23 — Chicago, Il. @ Wrigley Field June 29 — Detroit, Mich. @ Ford Field — NEW June 30 — Detroit, Mich. @ Ford Field July 6 — St. Louis, Mo. @ Busch Stadium — NEW July 7 — St. Louis, Mo. @ Busch Stadium July 14 — San Diego, Calif. @ Petco Park — NEW July 15 — San Diego, Calif. @ Petco Park July 19 — Phoenix, Ariz. @ Chase Field — NEW July 20 — Phoenix, Ariz. @ Chase Field July 22 — Los Angeles, Calif. @ SoFi Stadium Aug. 3 — Detroit Lakes, Minn. @ WE Fest Aug. 5 — Camrose, Alb. Canada @ Big Valley Jamboree Aug. 12 — Columbus, Ohio @ Ohio Stadium Aug. 17 — Boston, Mass. @ Fenway Park — NEW Aug. 18 — Boston, Mass. @ Fenway Park Aug. 26 — Washington, D.C. @ Nationals Park Sept. 14 — Toronto, Ont. Canada @ Budweiser Stage — NEW Sept. 15 — Toronto, Ont. Canada @ Budweiser Stage — NEW Sept. 16 — Toronto, Ont. Canada @ Budweiser Stage Sept. 18 — London, Ont. Canada @ Budweiser Gardens Sept. 21 — Ottawa, Ont. Canada @ Canadian Tire Centre Sept. 22 — Quebec City, Quebec, Canada @ Videotron Centre Sept. 23 — Montreal, Quebec, Canada @ Bell Centre Sept. 28 — Winnipeg, Mant. Canada @ Canada Lie Centre Sept. 29 — Saskatoon, Sask. Canada @ SaksTel Centre Sept. 30 — Calgary, Alb. Canada @ Scotiabank Saddledome Oct. 3 — Vancouver, B.C. Canada @ Rogers Arena — NEW Oct. 4 — Vancouver, B.C. Canada @ Rogers Arena Oct. 7 — Tacoma Wash. @ Tacoma Dome
Karina Rykman is a name that is often brought up in conversations discussing everything from “who is next ” to “who is doing it best” with good reason. Growing up in New York City and never adhering to a single band or bending the knee to one musical subculture, Karina breaks down genre barriers naturally. Charismatic and upbeat, Karina’s live music experience provides a sense of togetherness during a time of intense isolation and separation. Karina Rykman’s music defies perceptions by providing a big sound with few bodies on the stage.
Photo: Jesse Faatz
Karina is currently hitting the road with her power trio featuring Adam November (Guitar/Looper/Effects) and Chris Corsico (Drums). Destinations will be throughout the Northeast and begin in Upstate New York. She’ll be performing at The Upstairs in Ithaca on November 30th and at Albany’s Lark Hall on December 1st. Karina’s live show provides nourishment for the brain with technical hypnotism while simultaneously allowing stress relief with an attitude heavily weighing on the side of fun.
Photo By Em Walis
Opening the night in Albany for Karina Rykman is Burlington, VT-based Quiltro, who bring a psychedelic sound reminiscent of Circles Around the Sun. Their 2020 debut record has been described as the soundtrack for a dystopian sci-fi film that has yet to be released. Featuring Mark Taylor (guitar/keys), JD Hoffmann (drums) and Mike McKinley (bass), their Lark Hall performance marks the first hometown show for the Albany-native McKinley. Get a taste of what’s in store with their performance of “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington.
Karina took time to chat with Em Walis about her upcoming tour, creative process, oysters and the metaverse. This conversation took place the week after filling in on Seth Meyers for the second time and before playing a few shows with Marco Benevento. Karina gave insight on how growing up in New York with parents in academia led to a mindset framework for discovery and integration.
Em Walis: Where are you right now?
Karina Rykman: I’m home actually. Unbelievably, I’m home. I will play with Marco tomorrow. It’s nice – a little hometown vibe then off to Connecticut followed by Massachusetts and then home on Sunday. Then Thanksgiving week, and then on to the next. We’re going to enjoy this time. It’s pretty crazy. Last week specifically I thought “oh my god, I have a weekend at home to dial everything in”. I’m really trying to prepare in a big way.
EW: And some recovering I’m sure.
KR: Oh, definitely and in a super big way because my October was so slammed and just, just crazy. I spent two weeks on the road with Marco on the West Coast. And the first weekend of the month my band did a festival in Virginia, and a festival in Pennsylvania. It felt as though I was just on the road the entire time; flying, driving, planes, trains, automobiles. November was going to be chill, rehearsing with my band, and just one weekend with Marco, and then I get a call from my buddy Eric, who’s the producer on Late Night with Seth Meyers asking “Hey, are you around this week?” “Oh snap. Yes, I AM around!”
EW: Stars aligning is awesome.
Photo: Jesse Faatz
KR: Crazy, crazy. And then I did last week and it was amazing. It was on guitar. The last time I publicly played guitar was last December at the Capitol Theater. I played two tunes on guitar for this Headcount benefit. It was with Larry Campbell and so many incredible players. In the past I played guitar on the Today Show, backing up Julia Michaels in 2017. So anyway, all I’m trying to say is there have been very few and far between guitar gigs. I got that call late Monday night, and they asked for me to come in on Wednesday and Thursday. That Tuesday was Election Day, so I was voting and then practicing, just trying to become a confident guitar player again. I just want to do such a good job and I don’t want to let anyone down, almost to a fault. I over prepare and over prepare.
Photo By Em Walis
EW: This can be good. Even if it’s just a visualization or something. I would be curious how you manage all of the hats that you wear? In switching head spaces from Marco mode to solo mode to, you know, selling guitars on the side. Haha
KR: Great question. It definitely requires patience with yourself, as well as actively recognizing that you’re switching gears and shifting hats. When I work with Marco it’s really fun for me because I am a hired gun who’s not in charge of anything.
EW: And he’s really fun.
KR: Oh, he’s the most incredibly fun loving, hysterical, wonderful band leader and mad scientist. He’s just incredible. So all of that combined, results in not a lot of stress for me in the same way that my solo band is. The solo stuff is more pressure on me because it’s my band, it’s my name, I book the hotel rooms and rent the van and figure out all the logistics, and everything. It’s my music. So you’re kind of putting yourself out there in a big way
Photo by Em Walis
EW: On all sides of music, from every angle, it seems we all have this similar internal story going on or a question of how safe is this space for me? Just emotionally and with that, you know, there are different levels. Sometimes it’s totally chill and at other times, as you said, which I think is great. Just a little more active noticing where am I? What’s the actual thing that’s at stake here? Why is everybody here? Sometimes you’re in situations where you feel a little more pressure or more scrutinized. Depending on the venue or if it’s a festival with strangers.
KR: Especially this TV gig, you know? Those nerves never quite go away. Working on a new thing, or taking a new gig, or launching into some sort of uncharted territory, I’m often thinking “I’m so nervous, why do I keep putting myself in these situations?” But honestly, those are the moments where you know you’re doing something cool as shit, because you feel that way. There’s something worth suffering over. And then you overcome it. You’re like, wow, learn from that.
Photo: Michael DiDonna
EW: Absolutely. I’ve been curious about what brain scans of musicians might look as compared to extreme sports dudes. We are acclimated to these huge buckets of epinephrine and dopamine being poured all over us. It seems as though in those down moments, when we can remember that one time that you were home. We look at our laundry. It’s not all the excitement, tea cups are worth of satisfaction from that. I don’t know if that’s worth it.
KR: It’s so funny. I find that especially in the last few years, having adjusted to no gigs for a minute there. Now, with them coming back, you’re in a constant state of readjustment – you’re either adjusting to tour life or adjusting to home life. And honestly, if you do it as much as I do it, you don’t have the time to be fully adjusted to either, but as soon as you do, you have to go home and then you are a total circus freak at home for a minute with this misplaced adrenaline that hits you at midnight when you’re supposed to go to sleep and you’re thinking, ‘Wait, where’s my show? Where’s the show? Where are the people? Where are my friends?’
Photo By Em Walis
EW: I was curious about your creative process and how you manage or if you have any recommendations for those that are newer in this back and forth. Do you have anything that helps you get into it?
KR: That’s a great question. I’m very lucky to have such a great producer and writing partner whose name is Gabe Monro, whom I’ve written almost all my tunes with. I can’t speak too much on this, but I have a whole record that’s going to see the light of day next year. I’m so much more of a social creator, if that makes sense. I don’t go into my bedroom and come out 12 hours later with the greatest song – I find that when I work with Gabe or I work with my band, we make the creative process sort of a communal thing and that elicits better results. For lyrics though, I do need to be alone. Gabe and I have this process where we basically write what we refer to as ‘seedlings’, which can be just an A section and a B section or whatever it might be, but it’s just a vibe. I bring that home with me and if I always know that, if we work in the studio all day and then I come home with a seedling that I’m so geeked on, it’s two in the morning and I HAVE to listen to it, you know that it’s worth developing and worth sticking to. But sometimes you have seedlings and then you listen back the next day, and you’re not inspired at all. So it goes.
EW: We’re not seeing roots. We’re not seeing a little leaf pop out on that paper towel.
KR: Totally. It’s amazing to have folders and folders of seedlings that maybe in a year or two I can go back through them and be like, ‘Oh my god, there was something here! This is an inspiring moment.”
Photo: Steph Port
EW: What’s your view on the balance between a purist straight plugged in sound versus effects driven sound?
KR: I am a big fan of both things in moderation. With my band specifically, I really love the fact that with Adam November on guitar, he’s so much more than just a classically ripping guitar player. He is a complete mad scientist over there with multiple loopers and effects and crazy stuff going on. I don’t even know what to call it or what it is, but I think that’s very specific to us. That is a big part of the sound.It’s obviously a trio, but we are larger than the sum of our parts. I don’t want you to come to my show and think that you’re seeing a measly three piece – you’re seeing a power trio. You’re coming to see a full, lush sonic experience.
EW: I was wondering if you ever, in perhaps middle school years, had any particular musical identity commitments?
KR: You know, from the jump I had very diverse tastes, I had my metal friends, my jam friends, and beyond. I was a sponge. I never pledged allegiance to one style or genre. I would see Slayer on Saturday and Phish on Sunday.
EW: I think sometimes it gets forgotten is that you can you can belong in multiple spaces and be welcomed into multiple spaces and your status or validity does not come from your commitment to one particular scene or your amount of shows on your spreadsheet or you know, which you know which special event with that special seat and you happen to be present for that. There’s so much more.
KR: I never pledged allegiance to one style or genre. I would be at Slayer on Saturday and Phish on Sunday.
Photo By Em Walis
EW: What was music the relationship with music in your house growing up?
KR: Well, my parents are both academics.They both teach at Columbia University. They are so supportive. They’re so thrilled, and can recite to you every lyric of every song I’ve ever written. They’re at every show that they possibly can be at, but there was very little music exposure in my house growing up. My dad would listen to Goldberg Variations (Bach) on CD while he was writing, but they didn’t show me the Beatles, The Stones or Led Zeppelin, or any normal stuff, and I’m super grateful honestly. I was able to form these absolutely insane bonds with the music I enjoy, and it was such a desire of my own and not a desire of somebody else’s. Those were all my own discoveries. I really appreciate them for that.
EW: Beautiful. Correct me if I’m wrong, but it seems your parents provided a framework to pursue a curiosity and manifest a passion. Maybe there wasn’t literally music in the house, but there were many curiosities being pursued.
Photo by Em Walis
KR: In a big way. My dad writes books and gives lectures, he’s a philosopher, and for me growing up, I saw this guy wake up every day, sit on his yellow chair and write and write. And then he goes for a walk, and then he comes back from a walk and, you know, in his super jovial, hilarious manner, has all these thoughts that came to him on his walk, and he runs back to his yellow chair and writes them all down before he forgets them. And seeing his complete dedication and commitment and joy for what it is that he’s interested in, gave me the utmost permission to do the same, and it allowed me to explore the stuff that did it for me in that exact same way.
EW: Thank you again for taking the time. My last question is from Dogs In A Pile. They would like to know what your favorite gas station snack is while on tour?
Metallica has announced their 2023-24 M72 Tour, with performances at MetLife Stadium for August 4 & 6.
Metallica at Highmark Stadium in Buffalo – photo by Mike Miller
Promoting their upcoming 12th studio album 72 Seasons, the tour begins on April 27 in Amsterdam and finishes September 29, 2024 in Mexico City. It will include two performances each at 22 different locations across North America and Europe.
Promotional poster for the M72 tour.
With unique setlists and different supporting acts for each night of every stop along the tour, Metallica’s Metlife guests include Pantera and Mammoth WVH on night one (August 4), with Five Finger Death Punch and Ice Nine Kills on night two (August 6).
Ticket presale for Citi cardmembers will be offered from 1 p.m. on Wednesday until 10 p.m. on Thursday through the Citi Entertainment program. Two-day tickets for Metallica’s MetLife Stadium dates as well as the rest of the M72 Tour will become available on Friday through Ticketmaster.com, while single-day tickets will be opened for purchase on January 20.
72 Seasons, slated for April 14 release, will follow up Metallica’s 2016 record Hardwired… to Self-Destruct. Every album from their nearly 40 year career has been certified platinum, with the previous six all hitting number one on the Billboard 200.
METALLICAM72 WORLD TOUR 2023-2024
Thursday, April 27 2023 – Amsterdam NL – Johan Cruijff Arena
Saturday, April 29 2023 – Amsterdam NL – Johan Cruijff Arena
Wednesday, May 17 2023 – Paris FR – Stade de France*
Friday, May 19 2023 – Paris FR – Stade de France
Friday, May 26 2023 – Hamburg DE – Volksparkstadion
Sunday, May 28 2023 – Hamburg DE – Volksparkstadion
Friday, June 16 2023 – Gothenburg SE – Ullevi Stadium**
Sunday, June 18 2023 – Gothenburg SE – Ullevi Stadium
Friday, August 4 2023 – East Rutherford, NJ – MetLife Stadium
Sunday, August 6 2023 – East Rutherford, NJ – MetLife Stadium
Friday, August 11 2023 – Montreal, QC – Stade Olympique
Sunday, August 13 2023 – Montreal, QC – Stade Olympique
Friday, August 18 2023 – Arlington, TX – AT&T Stadium
Sunday, August 20 2023 – Arlington, TX – AT&T Stadium
Friday, August 25 2023 – Inglewood, CA – SoFi Stadium
Sunday, August 27 2023 – Inglewood, CA – SoFi Stadium
Friday, September 1 2023 – Glendale, AZ – State Farm Stadium
Sunday, September 3, 2023 – Glendale, AZ – State Farm Stadium
Friday, November 3, 2023 – St. Louis, MO – The Dome at America’s Center
Sunday, November 5, 2023 – St. Louis, MO – The Dome at America’s Center
Friday, November 10, 2023 – Detroit, MI – Ford Field
Sunday, November 12, 2023 – Detroit, MI – Ford Field
Friday, May 24 2024 – Munich DE – Olympiastadion
Sunday, May 26 2024 – Munich DE – Olympiastadion
Friday, June 7 2024 – Helsinki FI – Olympic Stadium
Sunday, June 9 2024 – Helsinki FI – Olympic Stadium
Friday, June 14 2024 – Copenhagen DK – Parken Stadium
Sunday, June 16 2024 – Copenhagen DK – Parken Stadium
Friday, July 5 2024 – Warsaw PL – PGE Narodowy
Sunday, July 7 2024 – Warsaw PL – PGE Narodowy
Friday, July 12 2024 – Madrid ES – Estadio Cívitas Metropolitano
Sunday, July 14 2024 – Madrid ES – Estadio Cívitas Metropolitano
Friday, August 2 2024 – Foxborough, MA – Gillette Stadium
Sunday, August 4 2024 – Foxborough, MA – Gillette Stadium
Friday, August 9 2024 – Chicago, IL – Soldier Field
Sunday, August 11 2024 – Chicago, IL – Soldier Field
Friday, August 16 2024 – Minneapolis, MN – US Bank Stadium
Sunday, August 18 2024 – Minneapolis, MN – US Bank Stadium
Friday, August 23 2024 – Edmonton, AB – Commonwealth Stadium
Sunday, August 25 2024 – Edmonton, AB – Commonwealth Stadium
Friday, August 30 2024 – Seattle, WA – Lumen Field
Sunday, September 1 2024 – Seattle, WA – Lumen Field
Friday, September 20 2024 – Mexico City MX – Foro Sol***
Sunday, September 22 2024 – Mexico City MX – Foro Sol
Friday, September 27 2024 – Mexico City MX – Foro Sol***
Sunday, September 29 2024 – Mexico City MX – Foro Sol
Show 1 Support Europe: Architects & Mammoth WVH**
Show 2 Support Europe: Five Finger Death Punch & Ice Nine Kills
*Five Finger Death Punch/Ice Nine Kills play show 1 in Paris, Architects & Mammoth WVH play show 2 in Paris
**Volbeat replaces Architects on show 1 in Gothenburg
Show 1 Support North America: Pantera & Mammoth WVH***
Show 2 Support North America: Five Finger Death Punch & Ice Nine Kills
***Greta Van Fleet replaces Pantera on show 1 both weekends in Mexico City
On Monday, Nov. 21, country’s beloved Parker McCollum announced the extension of his 2023 tour. Dates revealed for the second leg of his upcoming tour for this summer, which includes a performance at the ArtPark in Buffalo on August 17 and St. Joseph’s Health Amphitheatre at Lakeview in Syracuse on August 19.
Parker McCollum (Photo Credit: Chris Kleinmeier)
The second part of the Texas native’s tour is to be co-produced through the collaboration of Live Nation and Emporium Presents and will feature support from rising country artists including Larry Fleet, Jackson Dean and the Randy Rogers Band. McCollum is scheduled to close off his tour in New York on August 19 in Syracuse.
Parker McCollum 2023 Tour Dates
May 18 2023 – Toledo, OH -Toledo Zoo Amphitheater *with Larry Fleet
June 3 2023 – Wilmington, NC – Live Oak Bank Pavilion *with Jackson Dean
June 9 2023 – Midland, TX – La Hacienda Event Center *with Larry Fleet
June 10 2023 – Dallas, TX – Dos Equis Pavilion *with Larry Fleet
June 24 2023 – Indianapolis, IN – TCU Amphitheatre at White River State Park *support TBD
June 29 2023 – Saint Augustine, FL – The St. Augustine Amphitheatre *with Larry Fleet
July 14 2023 – Huntsville AL – The Orion Amphitheatre *with Flatland Cavalry
July 29 2023 – Nampa ID – Ford Idaho Center Amphitheater *with Jackson Dean
August 10 2023 – Morrison CO – Red Rocks Amphitheatre *with Randy Rogers Band
August 17 2023 – Buffalo NY – ARTPARK *with Larry Fleet
August 19 2023 – Syracuse NY – St. Joseph’s Health Amphitheatre at Lakeview *with Larry Fleet
On Saturday, November 19, Goose and Trey Anastasio Band concluded their eight-show fall tour of the Northeast. The arena tour began in Portland, ME on November 9th, followed by performances in Lowell, MA, Uncasville, CT (at the Mohegan Sun Casino where Goose played their first arena show in February 2021), Glens Falls, Moon, PA, Fairfax, VA, and Syracuse. Endearingly referred to as “TABoose” over the past few months, the bands co-headlined the tour and sold out each of the nights, with each night of the run consisting of two 90+ minute sets of music opening with Goose and concluding the night with TAB, with various sit-ins throughout each of the bands’ performances.
Throughout the tour, both Peter Anspatch from Goose and Anastasio have expressed to the audience how grateful they were for the fall run and how much fun they have been having working, rehearsing, and chatting while on tour. Palpably so, fans have stated how much they’ve seen the tour has rubbed off on both the young indie-groove band and the veterans of the jam band scene.
Just after 7:30pm sharp, Goose took the stage, greeted with booming applause. The Connecticut-based five-piece began their set with “Flodown.” Referred to by fans as the “Flopener,” the jam’s introductory train-beat from drummer, Ben Atkind kicked the crowd into a barn dance style frenzy while guitarist, Rick Mitarotonda and keyboardist Anspach being to play around with space and chaos to pump the room’s energy to 11. As Goose’s skill and performance have evolved over the years, their older songs continue to grow and expand in composition. An example of this can be seen in the beginning of the “Flowdown” from the 2021 album, Shenanigans Nite Club. However the twisty angelic tones of the band’s 2022 Dripfield album could be heard in this performance tonight.
Goose continued the set with “Pancakes,” whose mysterious drum-beat and feedback are combined with fun audience participation clapping along with Peter Anspach. The punchy jam originating from Peter’s previous band, Great Blue, was filled with wailing overdrive from Rick while Anspach exercised his piano and organ playing skills. Rumblings from bassist Trevor Weekz provided subtle foreshadowing to the evil peaks and valleys at the end of the jam until the band’s speedy timing and turnaround at the end of the song.
To cool down the hot and bothered audience from the “Pancakes” jam, Goose provided a breezy rendition of their song “Turned Clouds,” a first time play on the tour. While the song’s back-end jam always provides fun vibes, the crowd was met with an extra flair from Trevor’s slap bass which built up intense tension and release to send the “Turned Clouds” sky high.
Next, the crowd at Santander Arena saw “Dripfield,” summoned by the usual entrancing synth from Peter, digital drumbeat kicked in by percussionist Jeff Arevalo, and mystifying beams of purple and green light from Andrew Goedde. The song’s eight-note trade-off between Rick and Peter on guitar pumped the energy through the crowd until the toms from Ben’s kit kicked in and sent the drip into an extremely primal sounding jam. Rick channeled the energy through his hollow body PRS sending commanding growls over the controlled chaos composed by the Connecticut quintet.
After this stunning performance, Peter took a moment to thank the fans, the 77-person crew working to get everything in place for the shows, and of course Trey for all the fun they have been having on the tour. With that, Peter welcomed Trey on to the stage and the group began the Vasudo original, “Rockdale.” Rick and Trey harmonized the opening notes of “Rockdale” in a style reminiscent of the Allman Brothers style. As the main jam began to take form both Rick and Trey dove into low frequency distortions creating a comfortable valley for the two to later shoot off. Rick began to wail as Trey filled the space with expression before the two wove through each other’s soloing in complimentary form. The rest of the band held down intense space and rhythm with Trevor Weeks holding it down on bass, Jeff and Ben shredding high hats and snares, and Anspach on organ.
With the energy up, the honking and hollering fans were then treated to a bustout of “Elmeg the Wise,” which this author would describe as peak Goose. The enchanting hymn, written by Mitarotonda, describes a being on a path searching for wisdom and inspiration. As the song punched into the jam, the band’s enchantment of the crowd quickly lit up.
To cap off the set, the band welcomed the TAB horns players, James Casey, Natalie Cressman, and Jennifer Hartswick to the stage shortly before Rick tore into the opening notes to the fan favorite, “Hot Tea.” In its studio debut on Dripfield, the classic jam was paired with horns for the first time. With seasoned trumpet, trombone, and saxophone players on stage, the crowd was in for a raging tea party and received nothing short of it.
Goose Setlist:: Flodown[1], Pancakes, Turned Clouds, Dripfield, Rockdale[2], Elmeg The Wise[2], Hot Tea[3][1] Flopener. [2] With Trey Anastasio on guitar. [3] With Trey Anastasio on guitar, James Casey on saxophone, Jennifer Hartswick on trumpet, and Natalie Cressman on trombone.
The Trey Anastasio Band graced the stage for the final time of the tour and was greeted by the sold out crowd with eruptions of warm applause and cheers. The love and reception of Trey in the arena felt like an entire crowd welcoming their rock star father to melt faces.
The set began with “Push on Til the Day,” whose bouncy rhythm kept Trey hopping and bopping around the quick and concise composition. Things cooled things down with “Love is What We Are,” a fun reggae half-time beat was adorably paired with percussionist Cyro Baptista playing a small bow and arrow to appear as a bearded, can-jingling Cupid.
To fire things up again the band erupted into “Mozambique” with a jazzy salsa style that kept the crowd moving as Trey ran back and forth across the stage. “Cayman Review” came next followed by an incredibly funky “Camel Walk.” Bassist Dezron Douglas kept everything locked in place as keyboardist Ray Paczkowski revved up his organ. Trey took this as a queue to glide through a solo which was met at the end with a palpably strong call and response jam between saxophonist James Casey and the rest of the band.
“Twist” had a fun jam paired with some high kicks and “woo’s” from Trey, who showed off a fair amount of his looping skills that he has grown partial to over the last couple of years. “No Man in No Man’s Land” kept the night moving with tight and concise horns and on-the-dime turnarounds. The jam concluded with a drum and space style solo from Cyro and drummer Russ Lawton.
“Life Beyond a Dream” captivated the crowd next with harmonic crescendos from the horn/vocal section. “Dark and Down” was a highlight of the TAB set with its intense vibe and composition. Trey’s soulful solo raised the hearts of the crowd and left the room speechless before its eruption of applause.
While waiting for Mitarotonda and Anspach to join the stage on guitar and keys, Cyro treated the crowd to a spacey jam consisting of Vargan playing and voice modulated poetry. Rick and Peter sat in for “Ghost” where the jam sent the crowd once again into overdrive. While waiting for Trey’s fried amp to be fixed, Peter shared some words that he heard from Trey at one of his first Phish shows. Anspach recounted that Trey asked the crowd, “Hey, any youngsters out there? This is a pretty good job!” With that Peter encouraged the young people of the crowd to pursue music if their passions lie there.
“Hey Stranger” and “Everything’s Right” brought joy and whimsy to the crowd as the night neared the end. For the last song of the set, the rest of Goose rejoined the stage for “First Tube,” where Dezron and Trevor wove through heavy basslines together and brought even more energy. A disco ball at the top of the stage canopy shone throughout the arena while the rhythm section turned around and played to the crowd behind the stage.
Both bands came to the stage for the encore and ripped into a beloved slow version of the Phish jam, “Llama,” whose final lyric, ‘Taboot’ was appropriately changed to ‘Taboose’ for the night. The slow and melodic “Show of Life” came next and as Trey ended the song and thanked all the band members and crew, Trey said, “We don’t want the party to end. So I say keep the fuckin’ party going!” With this, the group punched into “Party Time” which ended with a New Orleans-Style parade walk off guided by Cyro’s whistle and the TAB horns.
Trey will be back with Phish for their NYE run at Madison Square Garden over December 28-31. Goose is scheduled to play two nights at 1stBank Arena in Broomfield, CO for two nights of their Annual Goosemas show on December 16-17, with other scheduled Goose events at the Fox Theater in Boulder on December 18, two nights of New Years Eve at the Brady Music Center in Cincinnati, and five nights at the Capitol Theatre in Port Chester from March 8-12.
Trey Anastasio Band Setlist: Push On ‘Til the Day, Love Is What We Are, Mozambique, Cayman Review, Camel Walk, Twist, No Men In No Man’s Land, A Life Beyond The Dream, …And Flew Away, Dark and Down, Ghost [1], Hey Stranger [1], Everything’s Right[1], First Tube [2]
Encore: Llama [3], Show of Life [4], Party Time [5]
[1] Rick Mitarotonda on guitar and Peter Anspach on keys. [2] Rick Mitarotonda on guitar, Peter Anspach on keys, Trevor Weekz on bass, and Jeff Arevalo and Ben Atkind on percussion. [3] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion; performed in an alternate arrangement. Final lyric changed to “Taboose.” [4] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion. [5] Rick Mitarotonda on guitar, Peter Anspach on keys and vocals, and Jeff Arevalo, Ben Atkind, and Trevor Weekz on percussion. Ended with the horns and everyone else on percussion playing as everyone walked off stage.
On the heels of the announcement that guitarist Chuck Garvey will be sitting-in as a “special guest” for their NYE performance, moe. has announced a short run of tour dates for Winter 2023, which will include select performances up and down the east coast.
Beginning with three nights in NY, NJ, and DC in late January, the tour will resume with a 2-night run at the State Theatre in Portland, ME over President’s Day weekend, and an additional 2-night run at the Palace Theatre in Albany on February 24-25, coinciding with “moe.day” in Albany on 2/24. The band has yet to announce plans for Chuck to return to the band on a full-time basis following his sit-in on NYE.
moe. – Chuck Garvey (guitar, vocals), Rob Derhak (bass, vocals), Al Schnier (guitar, vocals), Jim Loughlin (percussion, vibes), Vinnie Amico (drums)
The band made its long-awaited return to Colorado this month, where they played their first three-night run in nearly a year at the Fox Theater in Boulder. On the final night of the run, the band announced that Garvey, who suffered a stroke last November, would sit-in as a “special guest” for a portion of the band’s NYE performance at the Fillmore Philadelphia for the first time in over a year. The announcement came exactly one year to the day since Garvey suffered his stroke, and his return appearance is also especially significant, since the Fillmore Philadelphia was the last venue he performed at on Halloween 2022.
Today marks the one-year anniversary of my worst day ever. I scared my wife, my family, my friends, and many of you who heard of my stroke. Thank you for your well-wishes and your donations, without which my recovery would not have happened. This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat. So, thank you for your help and your community. I can’t wait to see all of you where the water falls, and the music calls. I will be joining my brothers on stage in Philly, the city of brotherly love.
Chuck Garvey’s note to fans
The band is gearing up for the holidays with a selection of limited-edition merch, currently on-sale via the moe. online store. Offerings include “ugly” t-shirt and crewnecks sold alongside a moe. holiday ornament. For more information, click here.
A special artist pre-sale will begin Wednesday, November 16th at 10am local time – for details click here. Tickets go on sale to the general public this Friday, November 18th at 10am local time. For ticketing and show info, please visit moe.org/tour.
moe 2023 Winter Tour Dates
Thursday, January 19 – The Paramount – Huntington, NY Friday, January 20th – 9:30 Club – Washington, D.C. Saturday, January 21st – Wellmont Theater – Montclair, NJ Friday, February 17th – State Theatre – Portland, ME Saturday, February 18th – State Theatre – Portland, ME Friday, February 24th – Palace Theater – Albany, NY Saturday, February 25th – Palace Theater – Albany, NY Thursday, March 9th – Brooklyn Bowl – Nashville, TN Friday, March 10th – Mars Music Hall – Huntsville, AL Saturday, March 11th – Minglewood Hall – Memphis, TN Sunday, March 12th – Vinyl Music Hall – Pensacola, FL Wednesday, March 15th – Music Hall – Charleston, SC Thursday, March 16th – The Plaza Live – Orlando, FL Friday, March 17th – Culture Room – Ft. Lauderdale, FL Saturday, March 18th – Jannus Live – St. Petersburg, FL Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL Tuesday, March 21st – Lincoln Theatre – Raleigh, NC Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA Thursday, March 23rd – The Orange Peel – Asheville, NC Friday, March 24th – Variety Playhouse – Atlanta, GA Saturday, March 25th – Variety Playhouse – Atlanta, GA
