Sunset at the Stables will be host bands on July 1, 8, 15, and 22 and will feature some of the region’s most talented musicians, with Knox Farms as a backdrop. As well, there will local food and beverages from 42 North Brewing Company. Event producer and 42 North Brewery Founder, John Cimperman, spoke about how excited he is for the festival.
We were thrilled with the response to the music series last summer. It proved to be the ideal venue for a night of music and relaxation. The Stables at Knox Park provides the ideal backdrop to highlight some of the great musical talent from our region.
Folkfaces is a Buffalo-based quartet who are known for their fusion of genres like Americana, folk, blues, and jazz. The band consists of Tyler Westcott (guitar, vocals), Ellen Pieroni (saxophones), Patrick Jackson (upright bass), and Dan Schwach (drums, washboard).
Miller and The Other Sinners is a nationally touring Southern Soul band from Buffalo, NY. Since August of 2015, they have performed over 700 shows across 21 states and Canada from house parties to festivals. They are known for their unforgettable shows and their blend of memphis soul, gospel spirit, and funky rhythm and blues.
Miller and The Other Sinners.
July 15 at 6 P.M- Leroy Townes Band
Leroy Townes Band is an original Buffalo Americana band performing vinyl-era inspired folk-rock with a shot of country.
Farrow is a funk and soul Buffalo-based band led by producer/bass player André Pilette and singer/lyricist Michael Farrow, with Tim Webb on drums, Cory Clancy on guitar, and Michael Ruopoli on percussion. The band features a group of diverse musicians with an old school sound.
Tickets are onsale now for $20, and some may be at the door for $25 as well, and they can be bought here.
Despite the relief Jason Isbell felt not playing in 125 degree heat for once, it was hot and humid for the western New Yorkers settling in at CMAC on Wednesday night. Isbell, along with Sheryl Crow, and Waxahatchee, incredible songwriters across three generations, would prove their inter-generational appeal over the course of the evening. Each brought their arsenals of songs and their own bands to aid in fleshing them out to their full splendors.
Waxahatchee, the brainchild of Katie Crutchfield, won over the early attendees, stuffing her 40 minute set to the gills with a expansive overview of her material. Gently lilting folk songs that floated upon Crutchfield’s angelic voice. The catchy-as-heck “Lilacs” was dedicated to both Isbell and Crow. You could just imagine each of them stopping her backstage earlier in the day to let her know how great it is. A late set “Witches” had some big 80’s energy that could have easily threaded into Crow’s ensuing set while “Fire” added more modern splashes of electronic pop into the mix. Crutchfield and her five-piece confidently commanded the stage for what could be perceived as quite a difficult position.
Indeed when Sheryl Crow strutted out on the stage in her hot pink leather jacket and sparkling pink cowgirl boots 20 minutes later, with the aid of an engaging light show, a full house, 40 years of experience and a few #1 hits in her pocket, it wasn’t even a fair comparison. The eldest performer of the evening matched both her tour mates in youthful energy, sounding as good as in her prime, or maybe her prime is now. As Isbell correctly pointed out, seeing Crow perform was “just great song after great song after great song,” a deceptively deep catalog.
She hit the crowd early with two of her biggest hits, “Happy” and “All I Wanna Do,” then delved deeper into her catalog where she was more prone to delve deep into their exploration. She brought along a strong 5-piece backing band including the great Audley Freed on guitar, who ripped some mean guitar solos in “Steve McQueen” and “Cross Creek Road.” Aside from the great songwriting and beautifully aged (or not at all) voice, Crow also boasted some great musicianship. She picked up bass duties for “My Favorite Mistake” and “Soak Up the Sun,” strapped on the guitar and even blew some impressive harmonica. And just when you thought she had played all of her hits, she still had “Everyday is a Winding Road” waiting in the wings for the big set closer. She also endeared herself to the locals with tales of taking her kids to the Museum of Play, the Rochester Museum and Science Center and out for some Pittsford Dairy Ice Cream. What, no Wegmans?!
Nestled generationally between Waxahatchie and Crow, Isbell came out for the knockout closer set. Him and his 400 Unit band were of course well up to the task. “Dreamsicle” was an early set highlight, with guitarist Sadler Vaden slinking back into a nuanced groove above an infectiously watery bass line. “Be Afraid,” played for Isbells’s 6.5 year old daughter before she had to get to bed, featured some guitar pyrotechnics with both Isbell and Vaden dueling it out. Though bassist Jimbo Hart proved to be the MVP of the set, providing a consistently powerful presence throughout, blasting bass bombs left and right while more than ably directing the rock and roll traffic. His playing was particularly and uniquely noteworthy on “If We Were Vampires,” evoking deep spacey moans, building in both intensity and eeriness. A thing of beauty.
Isbell’s respects to Crow boomeranged around to describe his set just as well, “great song after great song after great song.” The night closed with his Drive-By Truckers classic “Decoration Day,” “an old one, written 20 years ago.” When Crow was 20 years into her career while Crutchfield was a preteen, possibly dreaming of the day she would one day share the stage with rock stars.
It was an evening exhibiting song craft of the highest order. Each artist has a vision and a voice to share it with and we’re all the richer for it. Even so, they each saw fit to share an other’s song as well. To fit into a set with their own incredible works, they had to choose wisely, and that they did. Waxahatchee closed their set with a beautiful rendition of Dolly Parton’s “Light of the Clear Blue Morning,” strong enough to stick itself into your head across two sets and a night’s sleep. Crow tossed a cover of the Rolling Stones’ “Live With Me” in the middle of her set, culminating in a raging jam featuring her aforementioned impressive harmonica playing. Sadler Vaden led the 400 Unit through Isbell’s cover choice, “Honeysuckle Blue,” from Kevn Kinney’s great band Drivin’ N Cryin’, of which Vaden was a member. The song was also featured on Isbell’s 2021 release Georgia Blue, an all covers album benefiting voting rights in Georgia.
By the end of the night the only heat and humidity was emanating off the CMAC stage, though mother nature kept the entertainment going with a wild lightning display that lasted well into the wee hours.
Setlists:
Waxahatchee: Oxbow, Recite Remorse, Can’t Do Much, The Eye, Hell, Lilacs, Ruby Falls, Witches, St. Cloud, Fire, Light of the Clear Blue Morning (Dolly Parton)
Sheryl Crow: Happy, A Change Will Do You Good, All I Wanna Do, My Favorite Mistake, Leaving Las Vegas, Strong Enough, Forever, Steve McQueen, Live With Me (Rolling Stones), First Cut is the Deepest, Cross Creek Road, Soak Up the Sun, Everyday is a Winding Road
Jason Isbell: It Gets Easier, 24 Frames, Dreamsicle, Be Afraid, Hope the High Road, Alabama Pines, Elephant, Overseas, Honeysuckle Blue (Drivin N Cryin), If We Were Vampires, Super 8, Cover Me Up E: Tour of Duty, Decoration Day
Singer-songwriter Brandy Clark, who is a 10-time Grammy nominee and CMA “Song of the Year” recipient, is set to perform an intimate night of stories and music Monday at the Center for the Arts in Homer.
Brandy Clark, photo credit: Chris Phelps
Every songwriter has stories to tell. The Art of the Storyteller Tour will feature new unreleased music from Clark’s upcoming album she is currently working on. Recently performing on “CMT Crossroads: Leann Rimes & Friends,” there is no doubt she is one of the most respected artists of our time. As well as being on her own musical journey, Brandy has written hits for many of todays top artists like Miranda Lambert, Kacey Musgraves, Alicia Keys, and more.
“I hope people listening find themselves in me finding myself.”
Brandy Clark
Each stop features different special guests giving local singer-songwriters a chance to share their story. Central New York’s own groovy indie-folk group, The Rollin’ Rust, will be joining her on Monday evening.
The Rollin’ Rust. Photo provided by website, www.therollinrust.com
Brandy Clark–“The Art of the Storyteller Tour” June 17 – Montgomery, NY – City Winery June 18 – Holyoke, MA – Race Street Live June 20 – Homer, NY – Center For the Arts June 21 – Toronto, ON – Great Hall June 23 – Ann Arbor, MI – The Ark June 24 – Gary, IN – Hard Rock Casino June 25 – Minneapolis, MN – Dakota
General Admission tickets are available for $25, here.
The Adirondack Independent Music Festival will once again take place in Lake George at the unofficial end of summer on Labor Day weekend. The festival will return to the Charles R. Wood Festival Commons and take place Friday, September 2 through Sunday, September 4.
Pink Talking Fish
This year’s headliners are moe. who are playing four sets over two nights and Pigeons Playing Ping Pong who will play two sets as well, returning to the festival for the first time since 2019.
In addition to lots of great music, the festival will also feature a variety of food and craft vendors as well a great view of the fireworks at Lake George on Saturday evening. $175 General Admission Weekend (3-day) tickets are on sale now at the Adirondack Music Festival website. There is also a special VIP option available, which includes admission to all three days, a meal each night, free snacks, half-priced adult beverages, $2 water / soft drinks, a private viewing area (with private bar) and access to private bathrooms.
Also featured on this year’s bill are Dopapod, Pink Talking Fish, Badfish: A Tribute to Sublime, Ryan Montbleau Band, lespecial, Dogs in a Pile, Neighbor, Hayley Jane & The Primates and Freekbass & The Bump Assembly (featuring former members of Turkuaz).
Music in the Festival Commons will begin at 1pm on Friday and 12:00pm on Saturday and Sunday and run continuously across two side-by-side stages until 11pm each night. The event is open to attendees of all ages and children 12 and under are free.
Fans of musical icon and New York’s own, the great, late Lou Reed, will soon be able to hear some new and previously unreleased material as part of a new archival release series. In partnership with Reed’s widow, Laurie Anderson, acclaimed label Light in the Attic will release the first album of the series, Words & Music, May 1965, later this summer on Aug. 26. It features some of the some earlier takes on Velvet Underground classics like “Heroin,” “I’m Waiting for the Man,” and “Pale Blue Eyes” that Reed helped craft along with fellow VU co-founder John Cale.
This newly unearthed material is the result of a five-inch reel of recordings that Reed mailed to himself in the form of a “poor man’s copyright” back in 1965. It went untouched for nearly 50 years, only discovered after the artist’s death in 2013. The raw, grainy material gives an early inside look at the genius of Reed and, per music journalist Greil Marcus in the liner notes, “They make a darkness, and Reed and Cale try to feel their way through it. In ‘Heroin,’ there’s just a hint of the hurricane it will become and the enormous authority it will carry two years later. … ‘Pale Blue Eyes’ says go farther, there’s no end to this, and you know that they will go farther — they’re almost there.”
Words & Music, May 1965 will be available in several formats, including LP, cassette, 8-track, digital and CD, and can be preordered here. The deluxe two-LP edition, is being limited to 7,500 copies and also includes an additional 7″ record that features six other early songs and a cover of Bob Dylan’s “Don’t Think Twice, It’s Alright.” The full track listings for both albums can be seen below.
In addition to this, the five-inch reel itself will be physically on display this week, along with other Reed-related artifacts, at Lou Reed: Caught Between the Twisted Stars. The exhibition opens on June 9 at the New York Public Library for the Performing Arts.
“This collection is to inspire people,” Anderson said in a recent NY Times interview. “It’s not necessarily to say, ‘Here’s the real Lou Reed.’ That’s never what it was meant to be. Here’s a lot of his music and how he did it. Be inspired by it. But it’s not and can’t be a real picture of the man.”
Lou Reed, ‘Words & Music, May 1965’ Track Listing 2xLP 1. “I’m Waiting for the Man” (May 1965 Demo) 2. “Men of Good Fortune” (May 1965 Demo) * 3. “Heroin” (May 1965 Demo) 4. “Too Late” (May 1965 Demo) * 5. “Buttercup Song” (May 1965 Demo) 6. “Walk Alone” (May 1965 Demo) 7. “Buzz Buzz Buzz (May 1965 Demo) 8. “Pale Blue Eyes” (May 1965 Demo) 9. “Stockpile” (May 1965 Demo) * 10. “Wrap Your Troubles in Dreams” (May 1965 Demo) 11. “I’m Waiting for the Man” (May 1965 Alternate Version) 7-inch 1. “Gee Whiz” – (1958 Rehearsal) * 2. “Baby, Let Me Follow You Down” (1963/64 Home Recording) 3. “Michael, Row The Boat Ashore” (1963/64 Home Recording) 4. “Don’t Think Twice, It’s All Right” (Partial) (1963/64 Home Recording) 5. “W & X, Y, Z Blues” (1963/64 Home Recording) * 6. “Lou’s 12-Bar Instrumental” (1963/64 Home Recording) *
The rich music history of the Capital Region was celebrated on Tuesday, June 7 with the Eddies Hall of Fame Induction Ceremony. Held at Universal Preservation Hall in Saratoga Springs. The eight honorees included folk, ambient, rock, and acoustic artists, as well as a promoter, writer/musicians, and an independent radio station founder.
Paul Rapp, a musician and entertainment rights lawyer, as well as a 2020 Eddies Hall of Fame inductee knew them all and gave opening remarks noting such. Rapp, drummer for renowned Albany act Blotto, weighed in on each musician, offering heartfelt thoughts and a few laughs as he discussed his connection and the impact each of the eight left on the Capital Region scene.
Paul Rapp – photo by Erin Reid Coker
Honorees included Joel Ross, a 7-time Grammy Award winner who engineered songs for Broadway musicals and TV shows, and worked with Ray Charles and Tony Bennett among many others.
Joel Ross – photo by Joe Putrock
Brooks Brown, founder of WEQX, an independent radio station, was referred to by Rapp as having “saved the Albany Music scene” by creating a radio station that played local bands that couldn’t be heard elsewhere. Rapp noted that Brown took great joy in telling corporations looking to buy his station to “go fuck themselves.”
Jason Keller and Mimi Brown – photo by Erin Reid Coker
Super 400 from Troy has had an impact felt as far away as Spain, which led to Spanish band Red Apple sharing via prerecorded video how they were looking for bands that were real and similar to them. In discovering Super 400, they found a band on the same wavelength, as well as future friends. Red Apple then performed “Green Grass End” in tribute to Super 400.
Super 400 – photo by Erin Reid Coker
Greg Bell, the promoter who made Albany a jam band mecca and must hit tour stop, has run Guthrie/Bell Productions since the early 1990s. His presence in the Capital District will be profiled in the upcoming documentary from Mirth Films, Grapplin’ Greg. Rapp noted that no one has done more to support local bands than Bell, adding, “Music promoters are like adding kindling to a fire. The good ones make it burn bright.”
Greg Bell – photo by Erin Reid Coker
Rich Ortiz, the “fishin’ musician,” comes from a family rich in music history and plays more than 300 gigs a year and has been featured on the cover of numerous fishing magazines.. If night fishing were a thing, we may not have this legend from the Lake George region. Saratoga Springs guitarist from 80’s band The Morons, Steve Candlen, later performed Ortiz’ “I Love You Everyone.”
Rich Ortiz – photo by Erin Reid Coker
Michael Eck is many things – a painter, arts writer, Caffe Lena board member, and Ramblin Jug Stompers spoke with great emotion in receiving the Eddies Hall of Fame honor. Candlen later performed an Eck original “You’re a Mountain,” with the fitting lyrics “you’re a mountain, you’re a legend, you’re a king.”
Michael Eck – photo by Erin Reid Coker
Sara Ayers, with an eclectic career that includes folk, punk, bubblegum, rock, electronica and especially ambient music, was a crowd favorite as she was honored for her contributions to the scene.
Sara Ayers – photo by Erin Reid Coker
Greg Haymes, a man who did so much for local bands, venues and aspiring writers and photographers, was the final honoree of the night. The late “Sarge” Blotto has a varied career in multiple genres and styles, and in founding local music website Nippertown, he had a connection to nearly the entire room of musicians, journalists and fans. Rapp pointed to one of the many quirks of Haymes, was his mentions in reviews of a musician’s shoes, considering those with good shoes to have ‘made it’, and with that, Rapp pulled out a ruby slipper. The unofficial Jug Stompers theme song, “Jug Band Music,” by the Memphis Jug Band, and performed by Tom Lindsay to honor Haymes.
A young Greg Haymes. Photo by Amy Modesti
While Haymes passed away in 2019, he was fêted by his fellow inductees in a slideshow retrospective. Ayers accepted on behalf of her late husband, noting that he lived an artistic life as a musician, a writer and a website publisher, and it was a life he was proud of. His not too serious approach to preparing himself for a performance on stage (whether with a customized washboard, or a typewriter for a percussion instrument), his experience as a musician made him want to share the passion of local musicians in the Capital District through his writing. In doing so, Haymes gave many writers and photographers a chance to, a tradition we continue at NYS Music.
Americana singer-songwriter Marcus King has announced U.S. fall tour dates in promotion of his upcoming album, Young Blood, slated for August 26 release.
With King’s European tour beginning June 23 and finishing July 8, followed a couple American stops in the weeks after, the U.S. stretch will start September 9 in Philadelphia and wrap up October 27 in New Orleans.
Poster for Marcus King’s U.S. Tour.
Hosted by comedian Dean Del Ray and featuring Neal Francis and Ashland Craft for most dates, the tour includes shows at Beacon Theatre in Manhattan on September 15 & 16.
Young Blood, which is produced by Dan Auerbach of the Black Keys, is King’s second studio album. His 2020 debut record El Dorado earned a Grammy nomination for “Best Americana Album.”
Cover art for Young Blood, releasing August 26.
King has released two singles for the album so far, “Hard Working Man” and “Rescue Me.” A music video for “Hard Working Man,” the record’s lead single, dropped Tuesday.
A South Carolina native, King has been around music his entire life, first learning to play guitar at three years old. He has opened for Chris Stapleton, Greta Van Fleet, and Nathaniel Rateliff. Festivals King has made the bills of include Stagecoach, Fuji Rock, and Rock Werchter.
More information regarding tickets/the tour can be found on King’s website.
Tour Dates
JUN 23 THU – Fairview Park – Dublin, Ireland* JUN 25 SAT – Alexandra Palace – London, United Kingdom* JUN 26 SUN – The Globe – Cardiff, United Kingdom JUN 28 TUE – O2 Apollo Manchester – Manchester, United Kingdom* JUN 29 WED – O2 Apollo Manchester – Manchester, United Kingdom* JUN 30 THU – Rock City – Nottingham, United Kingdom JUL 2 SAT – Rock Werchter – Werchter, Belgium JUL 3 SUN – Rockhal – Esch-sur-alzette, Luxembourg JUL 5 TUE – Oosterpoort – Groningen, Netherlands JUL 6 WED – Cognac Blues Passions 2022 – Cognac, France JUL 7 THU – Doornroosje – Nijmegen, Netherlands JUL 8 FRI – North Sea Jazz Festival 2022 – Rotterdam, Netherlands JUL 16 SAT – Wild Hare Music Festival 2022 – Canby, OR, United States JUL 27 WED – FloydFest 22- Heartbeat 2022 – Floyd, VA, United States *with Greta Van Fleet
Sept 9 – The Met – Philadelphia, PA Sept 10 – The Theater at MGM National Harbor – Washington DC Sept 11 – House Of Blues – Boston, MA Sept 15 – Beacon Theatre – New York, NY Sept 16 – Beacon Theatre – New York, NY Sept 17 – KEMBA Live! – Columbus, OH Sept 18 – Bourbon & Beyond Festival – Louisville, KY Sept 20 – HISTORY – Toronto, ON Sept 21 – Stage AE – Pittsburgh, PA Sept 23 – GLC Live at 20 Monroe – Grand Rapids, M Sept 24 – The Sylvee – Madison, WI ^ Sept 25 – Palace Theatre – St. Paul, MN Sept 27 – Egyptian Room @ Old National Centre – Indianapolis, IN* Sept 29 – Ryman Auditorium – Nashville, TN* Sept 30 – Ryman Auditorium – Nashville, TN* Oct 1 – The Tabernacle – Atlanta, GA Oct 2 – The Tabernacle – Atlanta, GA Oct 4 – Stubb’s Bar-B-Q – Austin, TX Oct 6 – The Van Buren – Phoenix, AZ* Oct 7 – The Wiltern – Los Angeles, CA Oct 11 – The Masonic – San Francisco, CA Oct 13 – Crystal Ballroom – Portland, OR Oct 14 – The Neptune Theatre – Seattle, WA Oct 15 – The Neptune Theatre – Seattle, WA Oct 17 – The Complex – Salt Lake City, UT Oct 18 – Mission Ballroom – Denver, CO Oct 20 – The Pageant – St. Louis, MO* Oct 21 – Byline Bank Aragon Ballroom – Chicago, IL* Oct 22 – The Fillmore Detroit- Detroit, MI Oct 23 – Agora Theatre – Cleveland Ohio Oct 25 – The Fillmore Charlotte – Charlotte, NC Oct 26 – Avondale Brewing Company – Birmingham, AL Oct 27 – The Fillmore New Orleans – New Orleans, LA
Neal Francis and Ashland Craft unless otherwise stated, ^ Neal Francis only * Support to be announced
On Friday, May 20, Albany folk singer Sabrina Trueheart released her debut EP, Holding Onto Something Good. The four-song project follows the release of singles “To Die Alone” and “Wait,” released in January and March respectively.
Cover art for Holding On To Something Good.
The instrumentation of Holding Onto Something Good is almost as simple as possible, featuring nothing more than Trueheart’s voice and acoustic guitar along with a simple drumbeat on the title track.
Trueheart’s singing is the EP’s best element, with her soft voice matching the project’s focus on tender emotions. She also makes sure to save her impressive vocal range for the right moments, going high in the final seconds of “Honey Bee” and “Skinny Dipping.”
In terms of Trueheart’s guitar work on the EP, while the first two songs consist of slow and simple finger picked melodies, the second half showcases some technical prowess with the quick chord changes on “Skinny Dipping” and closer “Two of Us.”
Lyrically, Holding Onto Something Good is introspective, with musings centered around romance and moving past personal hardship. “Used to wanna run, but those days are gone,” she sings on the pre-chorus of the title track, a moment showing the project at its catchiest.
The EP’s title track showcases the project at its catchiest.
“Skinny Dipping” shows some vulnerability with its use of imagery, as Trueheart sings, “your body glistening, medicine for my troubled mind.”
“Two of Us” closes the EP on an intimate note, painting a picture of romance between two imperfect people. “Life’s good when it’s the two of us, but I’m still me and you’re still you,” she sings in the closing seconds.
While just 12 minutes long, Holding Onto Something Good rings clear, painting Sabrina Trueheart as a person who acknowledges her growth and is looking forward.
Key Tracks: Holding Onto Something Good, Skinny Dipping, Two of Us
Folk rock legends The Lumineers made a stop in Canandaigua on Friday, May 27, on their heavily anticipated world tour. Popular Upstate NY venue CMAC had a packed crowd despite the on and off rain storm that carried on all day.
Photo Credit: Maddie McCafferty
The Lumineers opened up the amphitheater’s debut concert series and left people wanting more. It was only right that another on the rise folk band open up the night and Caamp did just that. These Ohio natives are composed of Evan Westfall, Taylor Meier, Matt Vinson, and Joseph Kavalec. The group played some hits that the crowd seemed very familiar with including “Hey Joe,” “By and By,” and “Vagabond.”
Photo Credit: Maddie McCafferty
The Lumineers fans’ have waited many years for new music. Luckily, at the beginning of 2022 the band released their fourth studio album BRIGHTSIDE. Following that they announced their worldwide tour. The joyous nine-song collection is co-written by Wesley Schultz and Jeremiah Fraites. On stage they join countless other musicians to give fans the full experience of their music.
In addition to the intricate projecting screens and lighting effects, The Lumineers entered the stage with their uplifting dance beats. They opened with popular songs “BRIGHTSIDE,” “Cleopatra,” and “Ho Hey.” All of which had the crowd dancing from the front aisles to the back of the lawn. The gratitude to be back with their fans had The Lumineers pumped up and even spread the love with their fans as Wesley walked into the crowd throughout his set.
Photo Credit: Maddie McCafferty
Although this was the BRIGHTSIDE tour it did not let the band shy away from playing their much-adored songs off of their older albums III, Cleopatra, and The Lumineers. They even managed to play some covers and bring Caamp back out on stage for a group performance.
They finished their set with songs that the lead singer said reminded him of the many obstacles that everyone endured during the pandemic and the perseveration that we all held on to. With a heavy heart the crowd collectively screamed the lyrics to “Stubborn Love.”
Photo Credit: Maddie McCafferty
CMAC is welcoming many more artists this summer including Kenny Chesney, Fitz and the Tantrums, and more. Don’t miss out!
The Lumineers – CMAC, Canandaigua, NY – May 29, 2022
Setlist: BRIGHTSIDE, Cleopatra, Ho Hey, Flowers in Your Hair, Angela, A.M. Radio, Dead Sea, My Cell, Slow It Down, Charlie Boy, NEVER REALLY MINE, Gloria, Sleep on the Floor, Ophelia, Leader of the Landslide, ROLLERCOASTER, WHERE WE ARE, Walls (Circus), Big Parade
Encore: Donna, Submarines, BIRTHDAY, REMINGTON/REPRISE, Stubborn Love
This July in the Madison County Village of Hamilton, the Village Green will offer an all ages free summer concert series each night at 7pm. Each night there will also be kids activities, starting at 5:30pm
Live music on the Village Green is a tradition that dates back to 1902 and is one of the Hamilton community’s most beloved summer activities.
This series is presented by Arts at the Palace and the New York State Council on the Arts in addition to a variety of other sponsors and community supporters.
The 2022 season kicks off on July 14th with family-friendly events and terrific musical performances each night. Folks are encouraged to picnic on the Village Green or enjoy the music from the patio of the Colgate Inn. The evening’s concert and activities are free for all to enjoy, with blankets, chairs and dancing encouraged.
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July 14 – Robert Rogers Puppet Show: Finnie’s Ocean Treasure, followed by music from Alea.
July 21 – The REV Theatre Co presenting The Fisherman and His Wife, followed by music from the Jesse Taylor Band with support from Zach Dupont.
July 28 – Didgeridoo Down Under is the early show for the kids, while music this evening will feature Pearly Baker’s Best: A Grateful Dead Experience.
August 4 – don’t miss a magic show by Nate the Great, followed by a reunion concert from local favorite Rabbit in the Rye.
Mosher Farms will sell popcorn at all events and a variety of food vendors will be on-site throughout the series including Brake From The Grind, Gilligan’s Ice Cream, Oh Crepe, Oscar Concession Gourmet Crab Cake & Steak, Ray Brothers Barbeque, Stathis Greek Food, Squeezers Lemonade, and TacoCat Gourmet Tacos. Follow @thursdaysonthevillagegreen on Facebook and Instagram for more details and to see which trucks will be present each week.
Thursdays on the Village Green is run by a dedicated team of volunteers who are proud to continue this 120+ year community tradition. Interested in helping out or learning more – send an email to thursdaysonthevillagegreen@gmail.com
