Category: Folk/Americana

  • Wild Hearts Tour Concludes with Two Nights at Central Park SummerStage

    Indie legends Sharon Van Etten, Angel Olsen, and Julien Baker joined together for The Wild Hearts Tour, a mostly outdoor-focused concert series. Angel and Sharon released the cathartic and joyful song, “Like I Used To” together last year, to critical acclaim. Julien Baker’s latest album, Little Oblivions also received widespread praise when it was released last year. Given the triple-headliner lineup on The Wild Hearts Tour, it quickly became one of the most highly anticipated acts in the indie music scene. After hitting roughly 20 stops in the United States, the tour concluded with two incredible nights at Central Park SummerStage during the weekend of August 21, with support from Quinn Christopherson.

    Sharon Van Etten performing at Central Park SummerStage, photography by David Reichmann

    The final night at Central Park’s SummerStage began with light cloud cover and mild heat. Fans lounged on picnic blankets and enjoyed the afternoon sun with a beer or a snack. Quinn Christopherson opened the show with driving guitar progressions and passionate vocals. His set also included a handful of tear-jerking and quieter moments. The crowd was well warmed up by the time Quinn’s set finished, and the onstage crew turned over for Julien’s set in what seemed like just a few minutes.

    Quinn Christopherson performing at Central Park SummerStage, photography by David Reichmann

    Julien Baker took the stage as the sun began to dip and the air cooled. The crowd swelled as she began playing her hard rock set. Julien leapt up and down the stage, flipped her hair, and held her guitar above her head at moments. She also sprinkled in a number of quiet and sorrowful moments throughout her set, displaying the great range her musical catalog is known for. Julien thanked the audience and joked with them occasionally between songs. She mentioned how special this tour had been. As her set neared an hour in length as the sun entered into golden hour, she thanked the crowd one last time before walking off to great applause.

    Julien Baker performing at Central Park SummerStage, photography by David Reichmann

    Angel Olsen’s set began at the very last moments of daylight. The stage lights took over as the atmosphere in the venue turned stark and dramatic. She walked onstage under a glowing orange spotlight and thanked the crowd. She played a number of tracks from her latest full-length record, Big Time as well as a number of deep cuts and fan favorites. She ended her set with the rousing lead single, “All The Good Times.” Angel thanked the audience one last time, told them how special this tour had been, and walked off as the crowd’s excitement peaked in anticipation of the final set of the evening and the tour.

    Angel Olsen performing at Central Park SummerStage, photography by David Reichmann

    Sharon Van Etten took the stage as the final headliner in The Wild Hearts Tour. Her latest album, We’ve Been Going About This All Wrong, was released earlier this year and was a smash hit. Her performance featured intimidating and powerful vocalizations and dancing. She frequently singled out audience members to lock eyes with and single directly towards. Sharon’s dynamic movements and passionate vocals created an all-encompassing stage presence which took over the crowd.

    Sharon Van Etten performing at Central Park SummerStage for The Wild Hearts Tour, photography by David Reichmann

    Sharon paused occasionally between songs to share sentimental moments with the audience. She said towards the end of her set, “I came up in New York City,” and mentioned how great it was to be able to end this tour “where it all started.” She talked briefly about the 40 or so people working on the tour, the hardships of touring in a post-pandemic world, and urged the New York City crowd to embrace kindness and acceptance. She also shared a few anecdotes of her first times meeting Julien, Angel, and later Quinn. “These people have become my family…Thank you so much for coming out.”

    Sharon Van Etten performing, photography by David Reichmann

    Sharon closed out her main set with her hit track “Seventeen.” She walked off stage briefly, only to return a few moments to answer the cheers demanding an encore. She began her encore with a solo rendition of “Darkish.” For the final track of her set, Sharon invited Angel Olsen onstage to perform their sensational single, “Like I Used To.” She talked about writing this track of Angel, saying how she had been a fan of hers and wanted to work on something together. Then she invited Julien, her bandmates, and Angel’s bandmates to join Sharon onstage for the final song of The Wild Hearts Tour. Sharon thanked the crowd one last time and the band played as the artists slowly walked off.

    Sharon Van Etten Singing, photography by David Reichmann

    Now concluded, The Wild Hearts Tour was surely a one-of-a-kind event. You can follow Sharon Van Etten’s ongoing world tour here, and listen to her music here. Angel Olsen’s tour has a few remaining stops in the US before she heads overseas, and her catalog can be found here. Julien Baker has one upcoming show scheduled for November in Atlanta, and her catalog can be found here. Quinn Christopherson’s music can be streamed here.

  • The Town Hall to Host “A Tribute To Bob Dylan” This September

    On Sep. 30 at 8 P.M., The Town Hall will present A Tribute to Bob Dylan, with performances from Sara Bareilles, Bill Frisell, Margaret Glaspy, Punch Brothers, and more.

    The Town Hall Tribute to Bob Dylan poster with lineup and image of performer singing.

    Curated by Grammy-winning producer and songwriter T Bone Burnett, the lineup features a diverse set of artists who will each perform songs from Bob Dylan’s long career. The concert also honors Dylan’s 1963 debut at The Town Hall and all proceeds will benefit the venue.

    Dylan’s debut at the Hall back in 1963 marked a turning point in the musician’s life. The show would be the largest hall he had ever performed in at the time and moved him from Greenwich Village to uptown. Dylan’s first concert at the Hall also marked a shift at the venue, which previously held mostly classical music events, towards the protest music of the 60s and 70s.

    Town Hall has been the location of many fateful moments, and I’m grateful for the invitation to celebrate one of those historic evenings on the 60th anniversary of Bob Dylan’s first concert there … He sang twenty-four songs that night, all of which have been woven into the fabric of our culture. We are going to play a few of those songs, and we are also going to celebrate the sixty years of songs that have followed that night.

    – T Bone Burnett

    The Town Hall opened in 1921 and has become world-renowned for its civic events and for its history of debuts and inclusivity. With the aim to provide accessible world-class entertainment and to inspire youth in the community to appreciate the arts, the Hall has been a staple in NYC.

    As The Town Hall reflects on its role in New York City and the world, we are turning to the great artists and movements that have shaped who we’ve become … there’s no one more befitting of celebration than Bob Dylan, whose lyrics have carried us through personal and social tragedies and transformation repeatedly over the last six decades. We can think of no one better to partner with than Dylan’s close collaborator and friend of our hall: the legendary artist T Bone Burnett.

    -The Town Hall’s Artistic Director Melay Araya.

    Tickets for the Bob Dylan Tribute show featuring various performers can be found here.

  • In Focus: Phil Lesh & The Midnight Ramble Band at Bethel Woods

    Phil Lesh and The Midnight Ramble Band joined forces for a recent gig on Saturday, August 20 at Bethel Woods Center for the Arts. With the Midnight Ramble Band featuring names like Larry Campbell, Teresa Williams, and Amy Helm (daughter of Levon), the powerhouse ensemble delighted all with a mix of The Band and Grateful Dead material. NYS Music’s Howard Horder was in attendance and captured some of the magic with the photos below. And check out archive.org for an audience recording of the show if the setlist below appeals at all.

    Phil Lesh & The Midnight Ramble Band Bethel Woods Center For The Arts – Bethel, NY 8/20/22

    Set 1: Tennessee Jed, Rubin & Cherise, Scarlet Begonias > Not Fade Away, Brokedown Palace, Franklin’s Tower, Ophelia, Sugaree

    Set 2: Shakedown Street, Playing in the Band, Eyes of the World, Chest Fever, Unbroken Chain, Atlantic City, River Deep, Mountain High

    E: Donor Rap / Band Intro, The Weight

  • Meet You At The Catskill Mountain Jubilee

    The second ever Catskill Mountain Jubilee took place this past weekend. Nestled within the Catskill Mountains at the Blackthorne Resort, the festival provided a great mix of nature and comfort. There was a pool with DJs playing throughout the weekend, several stages, including a late night rave hangar, lakes, cabins, even a haunted house!

    Aqueous & Friends ft Craig Broadhead at The Hangar Stage

    The music was phenomenal throughout the whole weekend. Sit ins included Aqueous & Friends featuring Craig Broadhead, DJ Logic & Friends as well as Star Kitchen featuring James Casey and Natalie Cressman, and DrFameus featuring Glyfiks were the musical sets that stood out to me. Put a saxophone in my face and I’m hooked!

    Craig Broadhead

    Dark Star Orchestra played four sets over the course of both nights with the first night being a recreation of 6/3/76. Highlights included a “Might As Well” opener, “Lazy Lightning,” “Dancing in the Streets,” and a thumping two-song encore featuring “The Wheel” and “The Golden Road (To Unlimited Devotion).” The second night proved to be much slower and the “Drums” jam was going nowhere. An incredible “White Rabbit” encore brought life back into the crowd, but not without the sound dropping out for a bit.

    Dark Star Orchestra

    After the main shebang there was much to do, late night shows were aplenty. DJ Logic with Craig Broadhead, James Casey, & Natalie Cressman was my favorite late night shindig but I also enjoyed Baked Shrimp at 3 a.m.

    Marc Brownstein with Natalie Cressman during Star Kitchen

    Laura Lee’s gospel set was soul touching and right during that Sunday morning church time. Marc Brownstein made a funny crack about how shorts aren’t showbiz appropriate as he mustered through the hot sun in jeans at the Star Kitchen set.

    James Casey sitting in with Star Kitchen

    Catskill Mountain Jubilee has something going for it; the grounds are really enjoyable. With every event there’s issues and problems that need to be solved but seeing how well it’s done for it’s second year, I think this festival has a bright future ahead. It has a good mix of live and electronic music, activities, chill spots, amenities, and a good crew.

    Dark Star Orchestra
  • PearlPalooza 2022 Lineup Announced for Sept. 17

    The 2022 PearlPalooza lineup for Sept. 17 has been announced, taking place on North Pearl Street in downtown Albany, and featuring a variety of artists.

    pearlpalooza
    Photo by Pete Mason.

    WEQX Director Jeff Morad is excited to bring in a lot of new and old talent to the stage.

    We are thrilled to be able to partner with the Downtown Albany BID and all of the incredible sponsors once again this year to bring some free live music to Pearl Street in downtown Albany!  There is so much talent in this area, it’s tough to decide who to put on the stage, but we think our local picks for this year will blow you away, plus the national acts and the return of Phantogram to the PearlPalooza stage will be something very special.

    The day starts out will YogaPalooza, the Capital Region’s only street-wide mass yoga gathering, at 11 A.M. After that, the music begins with BattleaXXX [battle ax], a hard-working trio of all-female rockers from Albany, starting at 12 P.M. At 1:30 P.M. comes Precious Metals, a solo project by Troy singer-songwriter J Lee White. The band’s sound pulls from the early 2000s emo explosion and 2010s indie rock revival.

    At 3 P.M. Arizona newcomer The Kaleidoscope Kid is playing. He blends counter-culture music with his broad musical and personal appeal. At 4:30 P.M., Los Angeles band Whole Damn Mess is playing. Made up of Don Miggs, C. Todd Nielsen, Lawrence Katz, and Greg Hansen, they bring a new perspective on reality and an understanding of the challenges to maintain a piece of yourself in the face of mounting responsibilities. 

    The featured artist this year is Phantogram at 6 P.M. Comprised of lifelong friends Josh Carter and Sarah Barthel, they amassed over a billion streams, achieved one platinum-certified single, two gold-certified singles, and have played at top festivals with artists like Arcade Fire and Miley Cyrus.

    The 2022 PearlPalooza will be happening on Sept. 17 from 11 A.M. to 7:30 P.M. on North Pearl Street in Albany. This free event will feature lots of local and national acts, as well as great food and beverage vendors.

  • Brooklyn Comes Alive at The Brooklyn Mirage on September 17

    On September 17th, Brooklyn Comes Alive will return to The Brooklyn Mirage for its sixth installment. This one-day festival brings together the best genres of live music ranging from jazz, jam and funk. Likewise, this event features some unforgettable collaborations, unique one-off performances and one-of-a-kind music experiences. 

    Brooklyn Comes Alive September 17th

    Inspired by New Orleans and its famed Jazz & Heritage Festival, Brooklyn Comes Alive has been breaking the mold of traditional festivals with unprecedented music experiences since 2015. This year, Brooklyn Comes Alive will feature STS9, Medeski Martin & Wood, Lettuce, and the debut of Cool Cool Cool, an unforgettable project from former members of Turkuaz.

    It is so rewarding to work with some of our favorite artists to deliver special performances, debut new projects, and create memorable experiences for fans and bands alike at Brooklyn Comes Alive. That we get to do this in one of the country’s best live music venues, in the best city in the world, is a dream come true. Brooklyn, we’re back, and we can’t wait to celebrate with you at the incredible and unique venue, The Brooklyn Mirage.

    – Festival director Gideon Plotnicki (GMP Live)

    Brooklyn Comes Alive was built from the fabric of the vibrant live music community of Brooklyn. Much like past “Comes Alive” events, Brooklyn Comes Alive 2022 will be full of exciting firsts and never-before-seen surprises. This event will mark STS9’s first show in NYC since 2019 when they last took over the Brooklyn Mirage. Similarly, Medeski Martin & Wood, who have not played on their home turf in NYC since 2019, will use the special appearance to celebrate their 30th anniversary as a band, which took place last year. 

    Lettuce will be notching both their Brooklyn Comes Alive debut and their Brooklyn Mirage debut as they celebrate the release of their latest album, Unify, but the band’s individual members are all Brooklyn Comes Alive veterans.

    Brooklyn Comes Alive 2022 Lineup: 

    STS9 
    Medeski Martin & Wood 
    Lettuce 
    Cool Cool Cool (former members of Turkuaz: Craig Brodhead, Chris Brouwers, Michelangelo Carubba, Shira Elias, Sammi Garett, Greg Sanderson and Josh Schwartz*) 

    General admission tickets are available in three tiers, starting at $65 and increasing as tiers sell out. The elevated VIP experiences, VIP and Super VIP, include expedited entry, access to the VIP Mezzanine with perfect sightlines to the stage and more. With the Super VIP package including exclusive limited edition merch item.  

    All tickets, including VIP packages, can be purchased at the link here.

  • Pine Barrens Jam Will Return To Long Island

    After a successful inaugural year in 2021, Pine Barrens Jam is set to return in 2022. Billed as a “festival for Long Island, by Long Island,” the music festival will take place on August 20, once again at Blue Point Brewing in Patchogue. Pine Barrens Jam seeks to highlight everything Long Island has to offer and features a lineup that features entirely Long Island-based bands and artists.

    This year’s headliner on the Jelly Jam Stage will be high-energy funk-rock group The Chris Ruben Band, along with fellow Pine Barrens Jam alums Dysfunktone and Drop The 4. The event also features an acoustic stage set to be named in honor of Long Island native and late songwriter Travis McKeveny, with The Famous Doctor Scanlon Band set to headline a lineup of local original songwriters there.

    General Admission tickets are $40 and the VIP package is $65. (Children under the age of 5 do not need a ticket to attend.) Pine Barrens Jam has also teamed up with another local festival, STATTfest, to create a Double Fest Pass for $55. This special pass gives ticket holders access to both Pine Barrens Jam and STATTfest on September 24 at The Salt Shack in Babylon. All tickets can be purchased through pinebarrensjam.com.

    The event prides itself on its grassroots nature, fueled by a dedicated team of volunteers. Those interested in helping out Pine Barrens Jam and getting involved as a volunteer or local business sponsors looking to donate services or goods, reach out to Executive Director Nick Balzano at pinebarrensjam@gmail.com.

  • Beacon Sloop Club’s Annual Corn Festival Returns August 14

    On Sunday, August 14, the Beacon Sloop Club will hold their Annual Corn Festival from 12-5pm at Pete and Toshi Seeger Riverfront Park in Beacon. The family friendly event on the shores of the Hudson River is free to attend and will have plenty of fresh-picked, sweet Hudson Valley corn served with butter and special toppings.

    In addition, treats such as chilled watermelon and ice cold fresh squeezed lemonade will be available to quench your thirst on this August day.

    corn festival

    The Beacon Sloop Club is an all volunteer and non-profit organization. The Beacon Sloop Club’s Corn Festival raises money for the public sailing program on the Woody Guthrie and other environmental education programs, for which there is never a charge for sailing. The Beacon Sloop Club meets the first Friday of each month at the clubhouse in Beacon for a potluck dinner, business meeting and live music. The clubhouse is located on the banks of the Hudson River near the Metro-North train station. Everyone is always welcome.

    corn festival

    Held rain or shine, the Beacon Sloop Club Corn Festival features two solar powered music stages, one dedicated for young folks (children) to enjoy, will provide live music throughout the day. Numerous food and craft vendors will be on hand. Environmental non-profits will feature displays of local river history and the environment including information about their organization. Families can enjoy many free activities for children in addition to the dedicated children’s stage.

    The music line up includes  Noga Cabo, Lydia Adams Davis, Mighty Girl, Spook Handy, Ken Miller, Sharleen Leahey, Ernie Sites, Double Trouble, and Howland Wolves.

    corn festival

    Guests can enjoy the day surrounded by the majestic Hudson River. and visit the Beacon Sloop Club’s boat, the Woody Guthrie, where guests can take free sails from the Beacon Harbor, weather permitting. The public may sign up for an afternoon sail to relax and experience the beauty, power and grandeur of the Hudson.  Sign up at the Beacon Sloop Club table starting at noon.

    For more information visit www.beaconsloopclub.org

  • Andrew Bird and Iron & Wine Sound Sweet at Beak and Skiff Orchards

    Another gorgeous evening in the hills of Lafayette, nestled into the apple orchards at Beak and Skiff. Another night filled with sweet sounds by another incredible lineup brought in by Dan Smalls Presents. Tonight it was Andrew Bird and Iron & Wine providing music fans from Syracuse, and beyond, with good reason to be out on a Tuesday. The bands came through on the back end of their Outside Problems tour, a tour two years in the waiting. It was first planned for 2020, but then, you know…

    Amongst his wacky banter, Sam Beam, aka Iron & Wine, summed up the evening’s offerings quite well. “You guys just hanging out in an orchard all day listening to some music?”

    Of opener Meshell Ndegeocello, “If you don’t like that, I don’t know what’s wrong with you.” Indeed, Ndegeocello and her quartet, in a quick 30 minutes, blended reggae grooves, folk-tinged psychedelia, soul, rhythm and blues and a touch of jazz. Echoey fuzzed out guitar, cosmic keys, charging beats all swirling around her mesmerizing bass lines. What’s not to like?

    About his own set, Beam remarked, “I’ve got a lot of long, incredibly sad songs for you.” Moments later he backed off, saying his songs aren’t all the sad, they’re just not that happy. Sad or not, he had the crowd in stitches with his bizarre banter and in-song ramblings and riffing. In the set opening “Such Great Heights,” he cut-in to the beauty to talk about warming up by covering ourselves in applesauce and tears. “Rabbit Will Run” began with a story about Syracuse native Tom Cruise drifting off to sleep and dreaming about another Syracuse native, Grace Jones, whispering in his ear, singing the ensuing song, with harmonies by yet another Syracuse native, Richard Gere. Just your normal run-of-the-mill folk singer chitchat.

    He played 45 minutes, solo, amongst a neighborhood of small white houses. In the tour’s original intent, he had just completed a new album with Calexico and they would have been on with him as well. He played just one song from the album, “Father Mountain” and filled the rest of the set with some of his most recognizable tunes from throughout his career. Contrasting starkly with his playful mood, his performance of “Flightless Bird, American Mouth” went nearly acapella. His hands worked the frets of the guitar but never strummed until the final verse, quite beautiful and moving. Elsewhere and particularly on “Woman King” he worked the lower register of his guitar masterfully with a mix of picking and strumming.

    Continuing his narration of the evening, Beam previewed Andrew Bird’s closing set with, “Bird is going to whistle his way into your heart.” The set opened with a flourish of Bird’s signature fiddle and whistling looping and building to a one man orchestra briefly before his quartet broke through into “Make a Picture.” Bird was joined on stage by an incredible band, with Ted Poor on drums, Tyler Chester on keys and guitar, and Anna Butterss, on bass.

    Unlike Iron & Wine, the timing of the tour worked a bit better for Bird, with his excellent new album, Inside Problems hot off the press. He played heavily from it throughout the set. Poor impressed with complex rhythms on “Atomized” and Bird added in plucked fiddle, looped that and then added in fiddling and some whistling syncopated with more plucking. Anyone who has seen Bird solo knows him for his incredible use of layering loop upon loop to provide a unique richness of sound. But with the extra hands in his band, the richness reached another level.

    The excellence was exemplified perfectly in a mid-set “Underlands.” The lyrics and the backdrop synced up, a moon, the stars, the story was laid out for the ears and eyes. Butterss set the scene musically with an infectiously slinky bass line. Poor again was shining with some very tasty rhythms and fills while Chester worked in some nice keys. And this was just the base for Bird to work his magic. Butterss incredible harmonizing with Bird’s whistling sent the whole affair straight up to the moon for real. It was wonder to see this band present Bird’s fantastic new album from the stage.

    Midway through the set Beam came back on stage to play some duets with Bird. A perfect pair, it’s a shame it hasn’t happened sooner. On each of their own songs, like “Orpheo” and “Muddy Hymnal” their voices and instruments blended very well. The band came back to back the pair for a few more songs, mostly acoustically. They crowded to the right side of the stage for a more intimate setting, continuing with “Left-Handed Kisses”, “Lion’s Mane” and “Lusitania.” Before ceding the stage back Beam injected a bit more of his humor playing a snippet of the Golden Girls theme, “Thank You For Being a Friend.” We can only hope this friendship bears more fruit in the coming years.

  • ​​Railroad Earth play first ever show at Lincoln Hill Farms in Canandaigua

    Railroad Earth brought their Americana/bluegrass rock ‘n roll to Lincoln Hill Farms in Canandaigua on Thursday, July 28. The New Jersey band marked their first time playing at the venue, which opened in 2016, and it seemed like they would be welcomed back judging by the crowd’s reception. 

    The weather stayed perfect and there was nothing but good vibes on a beautiful, scenic farm as Railroad Earth shared their upbeat music that got many fans dancing. The band’s variety in the setlist took songs from each of their nine albums (minus one), bringing a show that gave us something old, something new and lots in between. There were so many great songs left off the table, and that will keep us coming back for more.

    railroad earth
    Lincoln Hill Farms

    The band got people moving right away with “Chasin A Rainbow.” Guitarist and lead vocalist Todd Schaefer’s lyrics flow right to the beat with this song and it already felt like the train started taking off. They segued into “Bread And Water” and that’s another fast-tempo song that helped get people moving. 

    Violin player Tim Carbone picked up the electric guitar for “When The Sun Gets In Your Blood.”

    The band played “Chains,” a song off their first album The Black Bear Sessions. They’d go into “Bill Monroe’s Old Dangerfield” and segue into “Blues Highway” which built into an epic “Black Bear,” another one off their first album fans love to chant along with. 

    Mike Robinson switched off between banjo and guitar here and there as they played “Across The Great Divide” and ended the set with “Long Way To Go.” “Blues Highway” and “Across The Great Divide” are on their most recent album, All For The Song, released this year.

    After the skies got darker during set break, the crowd was more lively and ready to go. The stage’s fancy lights started to get used and fog machines came out, changing the dynamic and turning up the excitement.

    Popular RRE cover song “Walk Beside Me” (written by Tim O’Brien) got things started with its bass-heavy intro. The band has fun with this song and each of the seven members trade off on solos for a minute. They all get their chance to have some fun.

    “Only By The Light” came next which is a nice peaceful tune. “Saddle Of The Sun” turned things more into a more upbeat feeling and then once the crowd recognized the drums for “Elko” starting off, people were excited for the RRE favorite.

    There was no shortage of playing cards as they went flying when the chorus hit. It brought a new rush of energy to the crowd and the band took the opportunity to jam out while everyone danced and picked up cards. Matt Slocum on keys went hard for his solo then they let Carbone finish it off with some crazy playing..

    They went into “Living in the Good Life” which is an upbeat happy slower song that let everyone catch their breath, then played “Potter’s Field” and the song segued into a Lonecraft Farewell jam and Robinson brought out the pedal steel.. They all continued to take the mellow jam and progressively get a little heavier as it continued. Andrew Altman’s bass lines were thick, and everyone was grooving to the funky beat. Altman would switch from electric bass to stand up bass throughout the night. The band segued into “‘Neat the Stars” afterward which really let the slide guitar shine.

    John Skehan’s mandolin with Harmon’s drums to kick off “Like A Buddah” felt like the best was yet to come. The band put everything on the table and Harmon and all of them looked like they were having the times of their lives. They all came with some intensity and Carbone shredded the violin and showed us what Railroad Earth is all about.

    The last song was “Give That Boy a Hand” and it brought some good vibes as everyone was smiling and dancing and giving the band a hand thanking them for the good times they shared. They played right up until curfew and didn’t have a chance for an encore, so Shaefer came out and thanked the fans and Lincoln Hill Farms and how much the band appreciated coming out.

    If there was one thing to say about the band is that every member looked like they were having an awesome time on stage, and they really loved what they were doing.

    As for Lincoln Hill Farms, the venue was very relaxed, and possibly one of the most chill places to see some live music. With doors at 5 p.m. and local musician Brian Ayers opened the stage at 6, there was plenty of time to get in and settle down. There’s food for dinner from tacos, pulled pork or chicken sandwiches, pizza and other snacks and sides. The food was fresh, tasted great and everything looked tasty.

    There was quite a bit to choose for the beer selection and it included local favorites. The bar is impressive the way it wraps around and gives patrons enough space. It makes it easy to grab a drink and get back to the music. 

    Talent Buyer Jon Willis said they wanted to make the venue more comfortable for that reason. There is plenty of room for people to dance, find a table to eat or they can explore part of the 95-acres the scenic venue is set on. Lincoln Hill Farms will be a great venue for a tourist to the Finger Lakes and a great way to take in the area and see some live music.

    It’s definitely one of the chilliest venues, with a relaxing atmosphere, scenic background and plenty of space. With good food, it’s the kind of place you want to come early and plan your whole night around.

    Railroad Earth – Lincoln Hill Farms, Canandaigua – July 28, 2022

    Set 1: Chasing A Rainbow > Bread & Water, When the Sun Gets In Your Blood, Chains, Old Dangerfield > Blues Highway > Black Bear, Across the Great Divide, Long Way To Go

    Set 2: Walk Beside Me > Only By The Light, Saddle of the Sun, Elko, Good Life, Potter’s Field > Lonecroft Farewell > ‘Neath The Stars, Like a Buddha, Give That Boy A Hand