Category: Folk/Americana

  • The Park Theater in Glens Falls announces October Events

    The Park Theater announced its programming for the month of October, kicking off the theater’s 2022/23 season. On the calendar is a broad range of events — from jazz to comedy to film screenings.

    The Park Theater opened in 1911 as the first movie theater in the town of Glens Falls, about 2 hours out of Manhattan. In 1937 the theater was converted into a printing plant for the Glens Falls Post, before returning again to its original purpose as a center for performing arts in 1984, when Dr. Harold Kirkpatrick bought the building. After a renovation in 2014, The Park Theater officially reopened as a theater in 2018. The October programming is as follows:

    October 13

    Caity Gallagher will perform on The Park Theater’s “Live & Local” night. Gallagher will be joined by bassist Ben Woodhul, pianist Dan DeKalb, and percussionist Josh Morris. Gallagher is a folk singer-songwriter with down-to-earth music complemented by acoustic live concert settings. Tickets are $15 and doors open at 6:30 p.m.

    Caity & The Gallaghers, the Park Theater

    October 20

     In The Park Theater’s “Third Thursday Jazz” series, a rotating band of regional jazz musicians will be joining Matt Neidbalski on the third Thursday of each month. This month’s Third Thursday Jazz will feature the alto saxophonist Adam Siegel and pianist Galen Pittman. Niedbalski is a drummer born and raised in New York’s Capital District; he’s known for his energetic performances. Tickets are $10 and the show is from 7:30 – 9:00 p.m.

    October 21

    The Park Theater Foundation’s inaugural gala will present music, food and a silent auction to benefit educational programming in the Glen Falls community. Funds from the gala will support the Foundation’s goal of reaching around 500 students throughout three school districts and generate interest in the arts within the next generation. The Tyler Giroux Jazz Trio — Tyler Giroux on piano, Dylan Perrillo on Base and Nick Anderson on drums — will perform live. Food is provided by Doc’s Restaurant. RSVP by Oct. 7 to secure tickets to the gala, at $99 per person. The event will run from 6 to 8 p.m.

    October 22

    Award-winning mandolinist, Jacob Jolliff will perform with his band live at “The Park Presents.” Jolliff performed with Joy Kills Sorrow and Yonder Mountain String Band across the world, and now is coming Upstate with the Jacob Jolliff Band to bring singing, original instrumentation and intricate musicianship to The Park Theater. Early Bird tickets are $20; doors at 6:00 p.m.

    October 26

    Rochmon Record Club will present a “Revolver” listening party hosted by The Park Theater. The club hopes the listening party will help attendees deepen their understanding of the personalities and stories behind The Beatles’ iconic 7th album, released in 1966. Tickets are $12 and doors open at 6:30.

    October 27

    The second “Live and Local” night of the month at The Park Theater will feature “The Lonely Road Experience,” by singer-songwriter Kaleb Dingmon. Dingmon will debut new sounds from his upcoming album, which combines genres of pop, R&B, hip hop and rap. UpstateBaby, Jay $way, Billy Floyd and Kolbie G will also be performing. Early Bird tickets are $15; doors open at 7:30 p.m.

    October 28

    New York based comedian Chris Roach will perform at The Park Theater’s “Comedy After Dark.” With experience on stages such as Gotham Comedy Club and Comic Strip Live NYC, as well as in the hit CBS sitcom “Kevin Can Wait,” a night with Chris Roach promises big laughs. Early Bird tickets are $22 and doors open at 7:30.

    October 29

    The Park Theater will host Summerland Music Society’s production of “Silent Halloween – Nosferatu: A Symphony of Horror (1922).” This screening will celebrate 100 years since F.W Murnau released his unauthorized adaptation of Bram Stoker’s “Dracula.” “Nosferatu” became a German expressionist classic, inspiring many vampire films that came after. The film is silent, but pianist Cary Brown will improvise a live soundtrack. Beer, wine and cocktails will be available for purchase from Mean Max Brewery. There is a suggested donation of $13 for the show, which starts at 6:30.

     For the full 2022/23 performance listing and to purchase tickets, visit The Park Theater’s site.

  • In Focus: The Felice County Fair at Arrowood Farms

    The Felice Brothers hosted The Felice County Fair on Saturday, October 1.  Set on a crisp, fall day at the picturesque Arrowood Farms Brewery in Accord, NY, the event featured a day of musical acts and collaborations.  

    Felice County Fair at Arrowood Farms
    The Felice Brothers @ The Felice County Fair

    The fair served as a sort of homecoming celebration for The Felice Brothers, who hail from nearby Palenville, NY.  The band, made up of siblings Ian (vocals and guitar) and James Felice (vocals, keyboard, accordion), also includes Jesske Hume (bass guitar) and William Lawrence (drums) was concluding a long tour in support of their latest album, From Dreams to Dust (2021).  

    The day of music kicked off with a solo acoustic set by Will Lawrence. Lawrence delivered a quick solo set, featuring acoustic ballads off his first solo album, Through the Hollow Hills.  Lawrence, who played the acoustic guitar and kick drum, was an appropriate act to start the day.

    Felice County Fair at Arrowood Farms
    Al Olender @ The Felice County Fair

    Up next was Al Olender, who dazzled the crowd with her powerful vocals and charismatic stage presence.  Flanked by a full band,  Olender was also joined by James Felice for several songs.  Quite simply, Olender sings about life.  She delivered passionate and honest lyrics to songs dealing with the realities of a harsh break up, the death of a close family member, and life during a pandemic.  By the end of her set, the crowd was fully engaged.

    The music continued with individual sets by Haley Heynderickx, Evan Stephens Hall (Pine Grove), and Hooray For the Riff Raff.  As the day progressed, the collaborations became more plentiful.  The Felice Brothers served as the backing band for songs with Stephens Hall and Hurray for the Riff Raff.  Conor Oberst joined the fun, playing the kazoo with Stephens Hall.  Even Ian Felice’s son joined on stage at one point, banging a toy drum.

    Felice County Fair at Arrowood Farms
    Ian Felice @ The Felice County Fair

    Finally, it was time for The Felice Brothers.  As the band took the stage, James Felice proudly proclaimed the festival had sold out.  It was a well-deserved accomplishment for a band that has earned a loyal and devoted following after almost two decades of touring.  The band launched into their opening track, the catchy “Jazz on the Autobahn.”  Crowd participation was at high at this point, as the audience joined in, singing and dancing along with the band.  

    Felice County Fair at Arrowood Farms
    Brothers Simone and Ian Felice embrace @ The Felice County Fair

    On a day filled with special moments, perhaps the crowning moment occurred halfway through The Felice Brothers set when the band brought Simone Felice to the stage.  Simone, a founding member, left the band in 2009 due to medical issues.  It was clearly evident on the brothers’ faces how special this moment was.  With Simone in tow, the band closed their set with several early-era Felice Brothers favorites, including “The Devil is Real” and “Whiskey in my Whiskey” before closing their set with “White Limo.”

    Felice County Fair at Arrowood Farms
    Conor Oberst @ The Felice County Fair

    The night was not over yet, as the fair closed with headliner Conor Oberst.  Oberst, most known for his work with Bright Eyes, filled his set with tracks from his various solo albums.  He was backed again by The Felice Brothers, who have served as Oberst’s backing band for serval tours, as well as his most recent solo offering, Salutations (2016).  As the set neared a close, Oberst summoned all of the day’s performers to the stage, before closing with the Bill Withers classic “Lean On Me.”  It was a fitting end to a wonderful day of music and collaboration.  

  • Ali McGuirk brings the Work of Love to The Linda Performing Arts Studio in Albany

    Ali McGuirk delivered a pared-down but powerful performance at The Linda Performing Arts Studio in Albany on Oct 1. The theater was pleasantly packed and ready for a throaty earful from McGuirk.

    Ali McGuirk at The Linda

    Ali McGuirk performed solo with only a couple of guitars as “friends.” Her partner in performance couldn’t make it. Even so, McGuirk is a compelling and entertaining presence on stage with just guitars accompanying her! Her soulful voice and a jazzy and sparse guitar playing style connect well with her audience.

    Ali McGuirk's guitars on stage at The Linda

    McGuirk’s set was filled with songs off her recently released a full-length album entitled Til It’s Gone. The album was recorded in Los Angeles with a gaggle of studio musicians, including Little Feat guitarist Fred Tackett. Highlights included “Ex-Boyfriends” and the title track “Til It’s Gone.” The audience was rapt and appreciative of the solo performance McGuirk delivered.

    Upstate NY’ers can catch Ali McGuirk in neighboring VT at South Burlington’s Higher Ground on October 14. Her new album Til It’s Gone is available on all streaming platforms.

    Setlist: All Back, Leave Me, Milk, Evelyn, Empty Vase, Work, Let It Be You, When I see You / Til It’s Gone, Exorcist, Anti Love Song, Ex-Boyfriends

    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
    Ali McGuirk at The Linda
  • Beacon Sloop Club to host Annual Pumpkin Festival on October 16

    The Beacon Sloop Club will once again host an Annual Pumpkin Festival on Sunday, October 16th at Pete and Toshi Seeger Riverfront Park in Beacon. The rain or shine event offers free admission to all and runs from Noon to 5pm.

    beacon pumpkin festival

    The Beacon Pumpkin Festival features Hudson Valley pumpkins of all sizes & shapes, fresh homemade baked pumpkin pie, hot pumpkin soup, hot and cold apple cider and much more available for purchase.

    beacon pumpkin festival

    You’ll also find many free children’s activities,many food and craft vendors, hula hooping, free sails on the Sloop Woody Guthrie and much more. Environmental non-profits will feature displays of local Hudson River history and the environment including information about their organization.

    On two solar powered music stages (one just for the kids), much music is on tap at Beacon Pumpkin Festival, with performers including Betty and the Baby Boomers, The B2’s, Rick and Donna Nestler David & Jacob Bernz, The Judith Tulloch Band, Last Minute Soulmates, Spirit of Thunderheart, Beacon High School Chorus Singers, Beacon Songsmiths, Cosby Gibson and Tom Staudle, Bindlestick Bill, Pat Jones & Laurie Siegel, The Neverly Brothers, and Lydia Adams Davis.

    Pete and Toshi Seeger Park is located at 2 Red Flynn Drive in Beacon, right next to the Metro North Train Station.

    The Beacon Sloop Club’s boat, the Woody Guthrie, will be taking guests on free sails from the Beacon Harbor, weather permitting. The public may sign up for an afternoon sail to relax and experience the beauty, power and grandeur of the Hudson.  Sign up at the Beacon Sloop Club table starting at noon.

    The Beacon Sloop Club is an all volunteer and non-profit organization. The Beacon Sloop Club’s Strawberry, Corn and Pumpkin Festivals raises money for the public sailing program on the Woody Guthrie and other environmental education programs. The Beacon Sloop Club meets the first Friday of each month at the clubhouse in Beacon for a potluck dinner, business meeting and live music. The clubhouse is located on the banks of the Hudson River near the Metro-North train station. Everyone is always welcome.

    beacon pumpkin festival
  • NYC Artist Robert Leslie Releases UK Psychedelic Folk-Influenced “Halfway Home” Album

    Europe-native and New York City-based musical artist and busker, Robert Leslie, had his alternative folk debut recently released during last month on August 5th. Compiled are 12 tracks produced by Perry Margouleff (who also worked with Maroon 5 and Paul Rogers) that express the beautiful moments captured in day-to-day life through bridging the gap between current changes and a reflection of the past, as phrased by Leslie, speaking about the album.

    Album Cover [Credit: Emmanuel Rosario]

    The LP features names behind the instrumental elements of the music, who’ve worked with established names in the music industry, such as Tony Garnier behind bass who collaborated with Bob Dylan, Paul Simon and Tom Waits, Jake Sinclair, behind the Wurlitzer, Mellotron piano, who’s worked with Weezer! and Panic at the Disco, and Scarlet Rivera, who played the violin and has worked with Bob Dylan.

    Artist Studio Shoot

    The record rings of soothing tunes conveyed with slow guitar notes paired with bass booms and overlapping looming synths which carve echoes resonating with the vibration of rings spreading from a rock thrown in still water. Taking an approach using a poetic lens in his lyricism, Robert Leslie divulges on takes about aspects of life and love, carrying emotional overtones of nostalgia blended with wonderance on this debut influenced with sounds from UK psychedelic folk. 

    Halfway Home Music Video
  • Music at Noon Lineup Revealed by Troy Savings Bank Music Hall

    The Troy Savings Bank Music Hall have announced the return of popular lunchtime series, Music at Noon. Back for the 2022-23 season, Music at Noon has taken place on the second Tuesday of each month from October to May, since 1988.

    The free concert series has presented exceptional musicians with a diverse mix of musical styles. Sponsored by the New York State Council on the Art and the Fagan Associates,the kickoff to the season will feature guitar and vocal pops from Hui Cox and Laura Roth on October 11 and run until May 9, with various genres gracing Troy Savings Bank Music Hall. Other Music at Noon performers will include Acoustic guitarist Thomasina Winslow, Classical Pianist Akina Yura, country/bluegrass quartet The Buebillies, among many other diverse performers.

    While Music at Noon performances are free to attend, Teachers with buses and large groups should call ahead to reserve seats. There will also be a limited number of handicapped accessible spaces available.  Groups with special seating requests can contact the box office. More information about Music at Noon or Troy Music Hall’s upcoming programs can be found on their website.

    Music at Noon Lineup

    October 11th – Hui Cox & Laura Roth, Guitar and Vocal Pops

    November 8 – Thomasina Winslow, Acoustic Blues

    December 13 – Carl Gutkowski & James Fitzwilliam, Classical Flute & Piano

    January 10 – The Bluebillies, Country/ Bluegrass Quartet

    February 14 – Bleecker Consort, Renaissance & Medieval Music

    March 14 – Natalia Shevchuk, Urkanian Pianist

    April 11 – Akina Yura, Classical Piano

    May 9, Findlay Cockrell, Piano

  • Felice County Fair Coming To Arrowood Farms

    The Felice Brothers are throwing a party and you’re invited.  On Saturday, October 1, The Felice Brothers will host “The Felice County Fair” at Arrowood Farms in Accord, NY.

    The all day music event, curated by the Felice Brothers, will be headlined by Conor Oberst (Bright Eyes) and will feature supporting sets from The Felice Brothers, Hooray For the Riff Raff, Evan Stephens Hall (Pinegrove), Haley Heynderickx, Al Olender, and William Lawrence.  

    The event advertises a day of “unique and collaborative performances” and will also feature local food vendors and craft beer from the brewery.  Gates open at noon with music starting at 1pm.  

    Tickets start at $80 and can be purchased here.

    And be sure to check out our coverage of Follow The Arrow, Marco Benevento’s one day festival at Arrowood Farms this past June.

  • Conquering the Cantankerous Divide with Folk Music via Josie Bello

    As Autum begins, haunting imagery invades media marketing and entertainment. Maybe that’s why I decided to drive into National Cemetery to find some solice time after work to write this article.

    The world is a scary enough place, I can do with less creepy in my life. The days are getting shorter and finding a quiet spot as the working day draws to a close seems harder and harder.

    In 1965, at the Newport Folk Festival, Bob Dylan went electric, everyone thought it was the death knell of folk music.

    I mistakenly thought folk music was dead and gone, until I was able to connect with the “folkies” here on Long Island. It started with the interview I conducted with Linda Sussman, which led me to Josie Bello.

    The Resilience of Folk Music

    I recently interviewed Josie Bello from Huntington New York, you can find her episode on The Long Island Sound Podcast. Her voice is akin to Emmylou Harris which artfully draws us into her lyrics. Her songwriting is honest, emotional and straignt from the heart. Like many of her counterparts, she’s not afraid to lament social justice issues, especially in her song “They lie”.

    I am enamored by singer songwriters who can express what I often cannot in their song. Their ability to expand upon the muse and deliver poignant messages so important to hear. Josie calls herself a late bloomer, having sprung onto the music scene only seven years ago. After accompanying her husband Frank in the coffee houses in and around New York City during their college days, Josie decided to pick up the guitar woodshed the instrument and start writing music. Turning to her guitar teacher, Mike Nugent. Yes, the very Mike Nugent from the Cadillac Moon band and the Walkers, encouraged Josie to record her music in his Melts in Your Ears Studio. With two albums and a few singles under her belt, I see a bright future for this folk singer/songwriter. Nugent plays many of the instruments throughout the albums which are rich in texture while crossing into waters that incorportate, Folk, Americana and a smattering of the Blues.

    Where Hope Blooms

    Mike Nugent

    In Josie’s music, I found both a lament and a prayer. A thread of spirituality and a hope for change. But there’s another interesting aspect to Josie Bello, at least for me. This “late-bloomer” provides unintended consequences with her career as a singer/songwriter. I found hope for all singer/songwriters who have written tens of thousands of versus developing the Muse but not quite woodshedding the song to full potential. I am inspired by the encouragement of Mike Nugent, her guitar teacher. It is common to find singer/songwriters who are also music teachers encouraging their students at every level level, which is a testimony to generosity of the musician community. As with any artist, a little encouragment can go a long way. As an underdeveloped songwriter myself, I have discovered a glimmer of hope in Josie’s story. The hope that our voices can be heard through our own songs, good intentions and most importantly, follow through.

    Bridging The Divide

    Folk Music in particular, brings the hope of an increasted dialogue in a divided country. To jump on the soapbox for a moment, there is a great need for us to converse with our neighbors, no matter how much we disagree with their politics. How can we be the “United”States of America, if we don’t talk to each other in a peaceful and deep dialogue? Music can help us reach understanding the big question, “Why do you think this way?” The honesty of a folk song can place us in the starting gate for reconciliation.

    Give Me Original Music

    As I continue to explore the Long Island music scene, through my podcast, The Long Island Sound, I’m no longer amazed about the diversity of genes in my own backyard. At first glance you think that every bar in town, every small stage is trying to find the next great cover band. After all, Mike Nugent says: “It’s the age of the Tribute Band”. But if you are intrigued about original music, you can still find the enclaves of originality, featuring folk music, bluegrass, punk, rock and roll and of course the blues.

    “It’s the age of the Tribute Band”

    – Mike Nugent

    I lament about the days of my youth,before the disco era in the mid 80’s, it seemed that every bar and pub had a live original band playing. Today there are there are a handful of bars and venues that help support our original artists. I was thinking about Katie’s of Smithtown, Bartini in Babylon village, just to name a couple. And of course there are the big stages the Paramount of course in Huntington, 89 North in Patchogue and the ever resilient Eppy Epstein’s rebirth of My Father’s Place, at the Metropolitan in Glen Cove. We need more venues and people like Eppy who support original music.

    Josie Bello’s music is streaming on Spotify, and you’ll be able to see her live at local venues on the North Shore as well as at festivals from time to time. There’s a need for music that is unaffraid, inspiring and which calls us into deeper conversations. Thank you Josie for putting to song, that which we often struggle to say!

  • Nathaniel Rateliff & the Night Sweats bring The Future to Radio City Music Hall

    Nathaniel Rateliff & the Night Sweats supported their third studio album The Future with a few performances in New York City this month. The band performed a powerfully packed 24-song-set at Radio City Music Hall followed by a stop at Studio 6B for The Tonight Show a couple of days later.

    Nathaniel Rateliff performing with the Night Sweats at Radio City Music Hall

    As the Night Sweats ramped up for their opener “Look It Here” off the band’s self-titled debut album, Nathaniel greeted the crowd with “How’s everybody doing tonight?” pausing to take in the crowd’s roar from a sold out Radio City Music Hall. “It’s a pleasure to be here with you, my name is Nathaniel, we’re here with the Night Sweats, and we sold this place out, thank you!” The band went on to play a well-balanced set with songs across all three of their studio albums, Nathaniel Rateliff & the Night Sweats (Self-titled), Tearing at the Seams, and The Future, along with a few covers.

    Mark Shusterman performs with Nathaniel Rateliff and the Night Sweats at Radio City Music Hall
    Mark Shusterman performs with Nathaniel Rateliff and the Night Sweats at Radio City Music Hall

    As the band wrapped their eighth song of the night, “So Put Out”, Megafun’s Phil Cook joined Shusterman’s side on stage while Rateliff addressed the theater. “We have an EP coming out to follow up the record.” Rateliff shared, “…and we did another variation of one of the songs off that record called “What If I“. It was mostly Phil’s arrangement and Phil is a good friend and a big part of our family.” In addition to the remixed “What If I”, Phil came back to support Nathaniel Rateliff and the Night Sweats with “Out on the Weekend” and their closing song, “I Need Never Get Old”. The audience’s enthusiasm shook Radio City the entire evening, especially for the group’s three-song-encore.

    Nathaniel Rateliff & the Night Sweats will complete their run supporting The Future at Austin City Limits Music Festival mid-October. To close out the year, the group will headline their “7th Annual, 10th Annual Holiday Show” at Denver’s Ball Arena on December 16 with special guests Marcus Mumford and Hermanos Gutiérrez.

    Setlist: Look It Here, I’ve Been Failing, You Worry Me, I’m on Your Side, I’ll Be Damned, Survivor, Baby I Lost My Way, (But I’m Going Home), So Put Out, What If I (Remixed version with Phil Cook), Wasting Time, A Little Honey, Love Me Till I’m Gone, Danny Boy (Cover), Face Down in the Moment, And It’s Still Alright (Nathaniel Rateliff song), Redemption, Hey Mama, Out on the Weekend (with Phil Cook), Coolin’ Out, Intro, I Need Never Get Old (with Phil Cook)
    Encore: The Future, S.O.B. (with Phil Cook), Love Don’t

  • Shakey Graves and The Ballroom Thieves Provide Early Fall Colors at Point of the Bluff Vineyards

    It was officially Fall, and unofficially, Fall weather had also arrived. But for Point of the Bluff Vineyards in Hammondsport, NY on the shore of Keuka Lake, there is still time left for outdoor music. So it was Saturday, September 24 when they invited Shakey Graves and The Ballroom Thieves to perform.

    The show got started with some rapid fire questioning from The Ballroom Thieves’ Martin Earley, “You guys wanna party? Do you have your wine? Should we start?” And start they did, just as they do on their new album, with the gently rocking “Worldender,” which included some nifty alternating “oh”s from Earley and bassist Caitlin Peters, creating an acoustically derived digital-sounding effect. They followed with another one off of Clouds, the short and punchy “In the Morning.”

    The Ballroom Thieves weren’t just sporting a new album though. Last summer founding member Devin Mauch left the band and this summer Peters and Earley got married. In fact, this show was only their second as husband and wife. The lineup was rounded out by drummer and keys player Kevin Kennedy O’Connell, from not-too-far-off Rome, NY.

    The trio found lots of space to explore, mixing up their sound with regularity during their 45 minute set. “Pendulum” and “Bees” saw Peters switching to cello and O’Connell switching to keys for a couple of finger-picked folk beauties. O’Connell left the stage completely for a spell of duo tunes, a cover of Jackson Frank’s “Blues Run the Game,” and “Borderline,” accentuating the couple’s stellar harmonies as they lovingly gazed into each other’s eyes. Then they closed on a trio of grittier rocking with the bluesy “Fistfight” and punchy “Wolf.”

    Shakey Graves entered the stage solo, already plucking out some notes on his guitar, holding a glass of wine wearing a dapper brown suit. He climbed up on a riser at the back of the stage and started banging out a rhythm with foot pedals on a cajon and cymbal, playing “Nobody’s Fool.” Before “Square One,” Graves explained how he always wished he could tour the country playing music, and it happened. But then he found that he was traveling too much so he wished he could just pause it for a bit, and unfortunately for the world, that happened too. He said he was sorry though. Then he wished he could drink wine at the top of a hill overlooking a lake and play a show, and poof here he was.

    The rest of his quintet arrive on stage, in matching suits, for “The Donor Blues.” Graves added a lot of emphasis to his music, through hand motions and asides sprinkled throughout the set. When he sang, “I got my gall from the boys back east” he added, “That’s you…” pointing out to the crowd. In “Business Lunch” and “Ready Or Not” his hands kept busy acting out various lines.

    Like The Ballroom Thieves, Graves kept the set moving with good variety. “Family and Genus” tied together with “Kids These Days” through a short burst of hectic rock, while the latter kept it up with some hard rocking energy behind solid drumming. But then Graves was alone on the stage again, sitting on the riser and picking out a long intro to “Was Here” followed by “Pansy Waltz.”

    When the band came back, they were all taking shots from a small jar of brown liquor handed up from someone in the audience. The band crowded around one mic to sing and clap their way through “Unlucky Sin,” their appropriate we’re-under-a-tent “church moment.” And that zoomed up to the off-kilter “Counting Sheep” which burst into an extended anthemic two-guitar outro. On the show-closing “Dearly Departed” the crowd was encouraged to clap along, and eventually would take over the singing duties in full, lifting the tent in voice and making Graves’ dreams come true.

    Ballroom Thieves Setlist: Worldender, In the Morning, Pendulum, Bees, Blues Run the Game (Jackson C. Frank cover), Borderline, Fistfight, Anybody Else, Wolf

    Shakey Graves Setlist: Nobody’s Fool, Square One, The Donor Blues, Business Lunch, Ready Or Not, Family and Genus > Kids These Days, Was Here, Pansy Waltz, Unlucky Sin, Counting Sheep, Century City, Dearly Departed E: Late July