Category: Folk/Americana

  • Mortal Prophets Release Five Singles Ahead of Album Release

    NYC’s Mortal Prophets have released five singles ahead of their album, Me and The Devil, which is set for release on December 9. The songs – all covers – teeter between Leonard Cohen and Nick Cave, and bring something completely new to the table.

    mortal prophets

    “Pretty Girl In The Pines” is an adaptation of the folk classic by Lead Belly and a famous performance of “Where Did You Sleep Last Night,” was covered during Nirvana’s MTV Unplugged concert. In the Mortal Prophet’s version, it starts as an eerier version of Lead Belly’s, but drops into German electronica house, then introduces searing electric guitar. This amalgamation of genre electrifies, aptly, some of the oldest songs in our American folk canon. 

    The stirring bluesy sound in these singles feels alive, because it is. In making this debut EP, Mortal Prophets’ lead John Beckmann sent his rough tracks to William Declan Lucey, an Irish producer and multi-instrumentalist and member of Rubyhorse. Beckmann entrusted Lucey with the task of adding or subtracting tracks from Beckmann’s raw files to the album, and this collaboration between the two artists led to some of the more surprising and exciting moments — Dana Colley’s saxophone on “Baby Please Don’t Go,” for one, gives the song transformative capacity.

    There’s anger that’s jutting out behind gritted teeth in “Grinning In Your Face.” Beckmann gets to the core of the legendary Son House original. “It’s really a song of betrayal, and back stabbing, yet the musician rises above it all, and laughs in their faces, and continues his life undeterred. I think we can all relate to that on some level,” Beckmann said about his cover. 

    Crossroad Blues” feels most like a Nick Cave song, gothic and earnest. Music writers say things like, “John Beckmann’s vocals shine on this record,” but Beckmann’s voice doesn’t “shine.” It’s totally matte, deep and dark, but with low opacity, like he’s singing through fangs bared — a voice that can be brutal, ravenous, in “Grinning In Your Face,” but here it is ultimately deeply mournful, loathing, that masculine kind of somber, you know, blue.

  • Such a Night: Second Annual ‘Last Waltz on Lark Street’ a Rambling Success

    Family, friends, local musicians and fans of The Band’s ‘Last Waltz’ got into the Thanksgiving spirit a day early at Lark Hall in Albany on Wednesday, November 23rd.  

    Based on an idea conceived by drummer Joe Sorbero and building off the success of 2021’s inaugural ‘Last Waltz on Lark Street,’ an impressive ensemble of some of the Capital Region’s best players, eighteen in total, came together to celebrate the famed “farewell” performance that originally took place at Winterland Ballroom in 1976.  Martin Scorsese’s iconic documentary film of the same name is considered by many to be the best concert film of all time. 

    Last Waltz on Lark Street

    The Last Waltz on Lark Street | 11-23-2022 | Albany, NY | Lark Hall

    Set 1: Don’t Do It, Up on Cripple Creek, The Shape I’m In, Ophelia, This Wheel’s On Fire, Further Up the Road, Who Do You Love, Such a Night, Genetic Method, Chest Fever, It Makes No Difference, King Harvest, Life is a Carnival

    Set 2: The Night They Drove Ol’ Dixie Down, Acadian Driftwood, Rag Mama Rag, Baby Let Me Follow You Down, Forever Young, Evangeline, Helpless, Four Strong Winds, Caravan, W.S. Walcott Medicine Show, Stage Fright, The Weight

    Encore: I Shall Be Released (with all musicians on stage)

  • An Interview with Taconic Foothills Singer/Songwriter Deb Cavanaugh

    I met Deb when she was performing in the duo Cavanaugh and Kavanaugh at the RPI Community and Cultural Center. It was an eclectic music event, and I was drawn to Deb’s easy-going vibe. We later grew loser when my son participated in her family friendly Music Together classes. Over the years, I’ve enjoyed seeing Deb’s songwriting flourish. She always challenges herself to create new music and take a fresh spin on popular cover songs.

    Variety and going with the flow are hallmarks of Deb’s lifestyle. She inspires me with her free spirited, “say yes” approach to life. A 518 musician who has traveled to Germany and China sharing her talents, Deb spends her life exploring musical creativity, expression and education. You can learn about that and much more in her upcoming memoir “Stories from A Free-Spirited Life”.

    Deb Cavanaugh
    Deb Cavanaugh, photo by Stephanie Bartik

    Niki Kaos: I’m looking forward to your memoir. You have many stories to tell! What can people expect to find in the book?

    Deb Cavanaugh: All of my adventures! I start off with my childhood, which was not an easy childhood. I want people to see what led me to the choices that I made later, and the crazy lifestyle that I had. So, we start in those early days. Then I took off hitchhiking in 1975 with the man who would eventually become my husband. Our goal was to go to Mardi Gras, but we never made it because the rides kept taking us west. We ended up in a hippie commune in San Francisco, where my mind was totally blown.

    NK: That’s a hallmark of your style, free-spirited hippie. And that’s what I love about you. It keeps you open to new experiences. What are some of your favorite later experiences from the book?

    DC: There were so many crazy things! Like having a prophetic dream that got us out of California, which ended up being true later. The Corn Palace in Mitchell, SD that is an amazing work of art! Being in Portland, OR when Mt. St. Helen’s was erupting. Sticking my kids in a VW bus with a cat and driving across country and breaking down in every state across the way. My favorite things about my travels were the variety of people I met and the unique things I saw along the way. My favorite thing about the book is in the face of all these different horrible things that happened, I was able to just kind of go with the flow and look forward to whatever was coming up next. And those things led me down a path that I’m happy with.

    NK: That’s powerful. One of the things I admire about you is that you’ve always invested in your career as a musician, in addition to being a mother, and a person taking care of their family. I suspect this memoir would give some insight to the backdrop of what you were going through while you were building your music career.

    DC: Absolutely. I put all the struggles as well as all the wonderful, fun exciting things. Because I think it is important for people to realize that you can get through those struggles and maintain that goal and that focus. And one of my focuses was raising my family, so although I never gave up on my music, it did kind of take a back seat to a certain degree.

    NK: I can understand that! Pivoting to that music career, when I met you, I was always so impressed with the different things you did musically. You have such a great resume! Performer, music educator, singer-songwriter. Experimenting with new instruments. You have great technical ability with pitch. One of the things that blew me away is you took that trip to China. Tell us a little bit about how you got there and what that experience was like for you.

    DC: I really try to stay open to the Universe, I guess. I get gifts all the time, and this was one of those. I join all the different social media sites and I joined Alignable. I never really did anything with it and this woman emailed me and asked if she could observe some of my Music Together and pre-school classes.
    She came and observed and asked me if she could take me out to lunch. At lunch she explained that she was a co-owner of two pre-schools in China and would I like to go for two weeks to teach. I never say no.

    NK: Laughs

    DC: And I think that’s one of the things that helps me along. I’m going to veer off for a minute, but I went to Germany – same thing – I got this random phone call from this woman asking if I wanted to be part of this orchestra. And then a couple years later we took the show to Germany. I never thought I would leave this continent, and I’ve done it twice now.

    The hardest thing for me going to China was that I had to teach the adults and I don’t have any degree in teaching, and I felt completely incapable of doing that. But I pulled it off. And they loved it!

    NK: Wow! Your spirit of adventure has served you in life. And helped you get where you are, which is amazing! You’ve been extremely successful lately. You just did a gig at the Jive Hive with your band Dandelion Wine. You’ve got some new material you’re releasing with your take on Electric Avenue.

    DC: Jive Hive was amazing and I’m really loving these two guys I’m working with, Jared Carrozza on bass and Ben Heart on drums. I was just talking to Joel about doing some recording this winter. We’re going to use some of the tracks from Jive Hive and we’ll also go in the studio, and hopefully put out a full-length release. Ben, although he started out as a drummer, most recently has been a singer-songwriter. So, he’ll jump over to guitar for a little while sometimes. It is a very different experience playing with a singer-songwriter that plays drums. Because he understands the songs in a different way, and he colors them in a different way.

    NK: I can definitely understand that. What’s coming up next that we should look out for?

    DC: I have a few gigs coming up in November and December, but mostly I’m working on new material.

    NK: On that topic – you like to pick unusual instrumentation. Are you playing the electrified dulcimer exclusively now? Or are you switching to guitar or other instruments during your performances?

    DC: It’s basically dulcimer and guitar. I’m trying to write more songs on the dulcimer, because for a long time I was writing on guitar and piano, and I really want to incorporate more dulcimer. That’s the instrument I feel the most comfortable with and that I get in an intuitive way. Whereas guitar has always just been a tool.

    NK: Thank you so much for sharing a taste of your adventures with us. I encourage readers to check out deb-cavanaugh.com and keep an eye out for your memoir and upcoming shows!

    Originally published in The Xperience Monthly

  • Twiddle Put the Frends in Frendsgiving at The Capitol Theatre

    Twiddle performed for two nights at the legendary Capitol Theatre for their annual Friendsgiving, this time welcoming Dogs In a Pile on Friday and Neighbor on Saturday.

    Dogs In a Pile have been quickly gaining fame and have been on tour with Twiddle. Twiddle welcomed a two-piece horn section and members of Dogs in a Pile for multiple sit-ins, notably a “How Sweet It Is” encore featuring both bands, as an homage to Jerry must be paid when playing The Cap.

    “Apples” proved to be a lengthy, psychedelic jam. Favorites such as “Orlando’s,” “Syncopated Healing,” and “Lost in the Cold” were great within a jam heavy set list, especially with the added horns section.

    Twiddle “Frendsgiving” – The Capitol Theatre, Port Chester – November 25, 2022

    Set 1: Every Last Leaf I [1], Beautiful, Stroganoff, Life Back Now, Complacent Race [2], Moments [2], Latin Tang [2], Polluted Beauty [2] > The Box#

    Set 2: Syncopated Healing [2], Distance Makes the Heart [3], Enter [2] > Orlandos^ [2], Apples > White Light > Mushrooms of the Sea > Apples, Lost in the Cold [2]

    Encore: How Sweet It Is (To Be Loved By You) [4]

    [1] First time played. With Adrian Tramontano on guitar
    [2] With Michael Bafundo and Mike Oehmen (Horns)
    [3] With Brian Murray and Sam Lucid (Dogs In A Pile)
    [4] Marvin Gaye (Debut). With Jeremy Kaplan and Jimmy Law (Dogs In A Pile), plus Michael Bafundo and Mike Oehmen (Horns)

    # with Mihali Cowbell Jam
    ^ with Crosseyed and Painless teases

    Twiddle “Frendsgiving” – The Capitol Theatre, Port Chester – November 26, 2022

    Set 1: Frends Theme, The Devil, Dr Remidis Melodrium [1], Fighting For, Every Soul > Mamunes The Faun [2] > Every Soul

    Set 2: Grandpa Fox > The Mission, Beethoven & Greene, Frankenfoote > Grandpa Fox, Slippin in the Kitchen [3]

    Encore: Why Can’t We Be Frends [4] > When it Rains it Poors > Every Last Leaf II [2]

    [1] Apples Vocal Reprise
    [2] With Scott Hannay
    [3] With Rick James (Neighbor) & Scott Hannay
    [4] WAR (Debut)

  • Five Must-See Shows in Rochester This December

    We’ve got five must-see music suggestions to end your year this December here in Rochester. From the 1st to the 31st, we’ve got you covered. So work off that holiday meal, take a load off your holiday shopping stress, and get down and groovy with these great shows coming to town. Get out and celebrate a full (relatively) unimpeded year of live music!

    rochester shows december
    Rochester

    December 1 – Charlie Parr at Arbor Loft

    Right off the bat we’ve got an incredible musician coming to town on the first of the month. You can’t really go wrong with an Honest Folk show, really you shouldn’t miss anyone they’re bringing in, but this show in particular is a bit extra as the kids say. As far as folk music goes, you’re not going to get much better than Charlie Parr these days. A scraggly looking Minnesotan, he’ll finger pick some blues tunes that’ll pierce your soul, up above the lit-up East End streets.

    Show starts at 8pm and tickets are $30.

    December 3 – The Sadies at Skylark Lounge

    Rochester has been fortunate to be a longtime regular stop for Toronto’s The Sadies. Tragically they lost their founding member Dallas Good earlier this year. Though they are persevering, getting the band back on the road just recently with a tour of Europe. They’re blowing through town with a stop at the hole-in-the-wall Skylark Lounge, where they last played mere days before the pandemic shutdown. This will both rock and roll.

    Show starts at 10pm and tickets are $15/$20dos.

    December 15 – Angela Perley at Abilene Bar and Lounge

    You gotta love a venue with a well-curated show schedule. Danny Deutsch, who both owns and books Abilene, knows good music. So when he books a band multiple times, you should take notice. When he books a band multiple times in the same year, you better go see why. He’s got Angela Perley back at the joint after she played back this August. Time then to get out to see what her “cosmic swirl of alt-country, psychedelic rock, and amplified Americana” is all about.

    Show starts at 7:30 and tickets are $12/$15dos

    December 30 – Giant Panda Guerrilla Dub Squad at Water Street Music Hall

    Water Street Music Hall is closing out the year with an excellent one-two punch of live music. Rochester’s favorite roots rock reggae band Giant Panda Guerilla Dub Squad opens up the festive weekend with their homecoming blast. They’re bringing Notorious B.I.G. cover band The Frank White Experience and local groovers The Sideways along for the ride as well as other surprise guests. Both sides of the club will be open and rocking so don’t miss out on this night of music and revelry.

    Show starts at 8 and tickets are $25 presale.

    December 31 – Aqueous at Water Street Music Hall

    One night later, Buffalo jam mavens Aqueous return to Rochester for some more heady goodness. Aqueous has long found a second home here and never let us down. If you’re looking for a New Year’s Eve that stretches and elongates and parties on until 2022 is no longer visible in the rear view, Water Street is the place to be. The Funky Dawgz and The Pickle Mafia round out the evening but as with Giant Panda, there are sure to be more “friends” popping up on stage.

    Show starts at 7pm and tickets are $25.

    That’s it for this month, see you out at the shows and see you back here next year!

  • Judy Collins Earns Best Folk Grammy Nomination, Announces Tour with 4 NY Dates

    Folk singer Judy Collins has received a Grammy nomination for Best Folk Album for her record Spellbound, which is a remarkable album for Collins as it is her first album with all original songs.

    Judy Collins
    Photo credit: Shervin Lainez

    Judy Collins began her musical career in the 60s playing folk music in Colorado and Connecticut. She made her break in Greenwich Village and released her first album A Maid of Constant Sorrow in 1961. Over her life, she has played with icons like Stephen Stills, Randy Newman, and Joni Mitchell.

    Her record Spellbound explores her experiences with substance abuse, the Greenwich Village scene in the early ’60s, her love for nature, and the vast open spaces of Colorado, where she was born and raised. This record was the 29 album she released in her career.

    The Grammy nomination for Judy Collins is the first one she has had in six years and her seventh nomination overall. She previously won Best Folk Performance in 1969 for her recording of Joni Mitchell’s “Both Sides Now.”

    Judy Collins has been averaging nearly 100 shows every year and has announced a new tour. Six of these concerts are dedicated to Wildflowers, her 1967 album. She’ll be performing the album front to back, with a full orchestra. Some of the tour will be stopping in Port Washington, Tarrytown, North Tonawanda, and New York City. Tickets for her tour are on sale here.

    TOUR DATES:

    *Wildflowers performances 

    11/25 – Wilson Theater at Vogel Hall – Milwaukee, WI

    11/29 – Bing Crosby Theater – Spokane, WA

    12/02 – South Orange Performing Arts Center (SOPAC) – South Orange, NJ

    12/03 – Landmark on Main Street – Port Washington, NY

    12/04 – Greenwich Odeum – East Greenwich, RI

    12/09 – Tarrytown Music Hall – Tarrytown, NY

    12/10 – Sacred Heart University Community Theatre – Fairfield, CT

    12/11 – The Jay and Linda Grunin Center for the Arts – Toms River, NJ

    12/16 – Jonathan’s – Ogunquit, ME

    12/17 – Jonathan’s – Ogunquit, ME

    12/18 – Tupelo Music Hall – Derry, NH

    12/23 – Riviera Theater – North Tonawanda, NY

    01/05 – Byham Theatre – Pittsburgh, PA

    01/06 – Avalon Theatre – Easton, MD

    01/08 – Birchmere – Alexandria, VA

    01/11 – Rio Theatre – Santa Cruz, CA

    01/13 – Old Town School of Folk Music – Chicago, IL

    01/15 – Old Town School of Folk Music – Chicago, IL

    01/18 – Van Wezel Performing Arts Center – Sarasota, FL*

    01/19 – The Emerson Center – Vero Beach,  FL*

    01/21 – The Peabody Daytona Beach – Daytona Beach, FL*

    01/24 – Mackintosh Church, Queen’s Cross – Glasgow, UK

    01/31 – Florida Theatre Jacksonville – Jacksonville, FL

    02/01 – Bilheimer Capitol Theatre – Clearwater, FL*

    02/03 – Lillian S. Wells Hall at The Parker – Fort Lauderdale, FL*

    02/08 – Avalon Theatre – Grand Junction, CO

    02/09 – Sheridan Opera House – Telluride, CO

    02/12 – Fargo Theater – Fargo, ND

    02/14 – Washington’s The Armory – Ft. Collins, CO

    02/16 – Brauntex Performing Arts Theatre – New Braunfels, TX

    02/18 – Main Street Crossing – Tomball, TX

    02/25 – Town Hall – New York, NY*

    03/03 – SOKA – Aliso Viejo, CA

    03/05 – Hawaii Theatre Center – Honolulu, HI

    05/06 – Lancaster Performing Arts Center – Lancaster, CA

    05/07 – Haugh Center for the Performing Arts – Glendora, CA

    05/09 – The Tower Theater Lounge – Fresno, CA

    05/10 – Heritage Theater – San Jose, CA

    05/12 – The Colonial Theater – Idaho Falls, ID

    05/13 – Egyptian Theatre – Boise, ID

    06/02 – Saban Theatre – Beverly Hills, CA

    06/22 – Dimitriou’s Jazz Alley – Seattle, WA

    06/23 – Dimitriou’s Jazz Alley – Seattle, WA

    06/24 – Dimitriou’s Jazz Alley – Seattle, WA

    06/25 – Dimitriou’s Jazz Alley – Seattle, WA

    08/20 – The Libbey Bowl – Ojai, CA

    08/28 – Barbican Centre – London, UK

    10/01 – Birmingham Town Hall – Birmingham, UK

    10/06 – Queens Hall Edinburgh – Edinburgh, UK

    10/07 – RNCM Concert Hall – Manchester, UK

    10/09 – Apex – Bury Saint Edmunds, UK

    10/10 – City Varieties – Leeds, UK

    10/16 – TivoliVredenburg – Utrecht, Netherlands

  • The Weight Band at The Bardavon, A Hudson Valley Homecoming

    The Weight Band and special guests Larry Campbell and Teresa Williams started off the pre-Thanksgiving festivities at the Bardavon Theater in Poughkeepsie on Saturday, November 19th. With many performing having roots in Woodstock, The Band, and Levon Helm’s Midnight Ramble the night was more than just another show. 

    Larry Campbell and Teresa Williams proved to be the perfect opening act. The duo employed their roots rock style to originals and covers.  A few songs in, Larry and Teresa invited Brian Mitchell of The Weight Band to grab his accordion and join them on stage.  Jim Weider (also of The Weight Band) would follow a few songs later. This was an indication of how the night would progress. Close friends joining in at various points celebrating their love of music. 

    The Weight Band at The Bardavon
    The Weight Band

    The Weight Band’s (Jim Weider (guitar, mandolin & vocals), Michael Bram (drums & vocals), Brian Mitchell (keyboards & vocals), Matt Zeiner (keyboard & vocals), Albert Rogers (bass & vocals)) set included numerous Band classics. Crowd favorites  “Up on Cripple Creek”, “Life is a Carnival,” bellowed through the house.  The band threw in a few covers including The Allman Brothers “Come and Go Blues,” and The Grateful Dead’s “New Speedway Boogie” to round out the setlist. 

    The Weight Band at The Bardavon
    Larry Campbell and Teresa Williams

    Between songs memories of Allen Toussaint, Levon Helm and Bob (yeah, that one) were shared. The intimacy of the evening gave you the feeling that you were sitting around with old friends reminiscing. Song selection directed the activity on stage. Larry Campbell and Teresa Williams joining in at various times. Players switching from electric to acoustic guitar, keyboard to accordion, and fiddle to mandolin and back as the night progressed. It was loose, it was fun. 

    The Weight Band at The Bardavon
    The Weight Band with Larry Campbell and Teresa Williams

    With the clock inching toward midnight, the evening came to an end.  Everyone joined in on iconic song “The Weight,” sending off it off into the ethos of the Hudson Valley. From the smiles and glow affixed to those on stage, this proved to be more than just a show. This was a musical homecoming.

    And take a load off Fanny
    Take a load for free
    Take a load off Fanny
    And (and, and) you put the load right on me
    (You put the load right on me)

    “The Weight”
    Robbie Robertson

    The Weight Band

    Larry Campbell and Teresa Williams

  • Arlo Guthrie to Bring ‘What’s Left of Me’ to The Egg in April

    On Friday, April 21, 2023, folk-slinger Arlo Guthrie will settle down at The Egg in Albany for a stop on his “What’s Left of Me’ tour. Guthrie had announced his retirement from touring in 2020, but admitted that “retirement was fun while it lasted” and returns with a spoken word show.

    The show will be moderated by author, music historian, and former director of the Grammy Museum Bob Santelli. It will also include rarely-seen video footage and an audience Q&A.

    arlo guthrie whats left of me alices restaurant
    photo by Steve Malinski

    Anyone who has had the good fortune to attend a performance by Arlo Guthrie knows that while the songs are wonderful, the stories are what really make the show something really special. 

    As the oldest son of Woody & Marjorie Guthrie, Arlo first made his appearance onstage at age 13, made music history with the composition “Alice’s Restaurant” and a legendary performance at Woodstock. After 60 years on the road there should be a lot to talk about.

    Read NYS Music’s interview with Arlo Guthrie on Thanksgiving traditions and his family legacy.

    The son of legendary Woody Guthrie, Arlo Guthrie is best known for the Thanksgiving song/saga “Alice’s Restaurant Massacree,” the classic “The City of New Orleans,” and “Coming into Los Angeles.” He also performed at Woodstock in 1969 on Saturday, August 16.

    Tickets for Arlo Guthrie “What’s Left of Me” are currently on sale online at theegg.org or by telephone at 518-473-1845, or in person at The Egg Box Office Monday – Friday from 11 AM – 3 PM.         

  • Daryl Hall and Todd Rundgren: Still Jamming after Nearly 55 Years

    Frat houses, bars, stadiums, and theatres. Daryl Hall has played them all, including the Oncenter Civic Theatre in Syracuse on November 19. With special guest Todd Rundgren, the mostly over 50 crowd was treated to a night of mellow jams.

    Rundgren opened the night with set of approximately 75 minutes including “Hello it’s Me,” “Black Maria,” and “I Saw the Light.” Although he has been playing shows since the late 60s, his look hasn’t changed much as he still flaunts his famous locks and flashy attire while performing.

    Touring in support of recently released 2 disc retrospective album, Hall played a great selection on songs from his solo career as well as from Hall & Oates. The stage for this tour is a replica of his house from his 2017 webcast series, Daryl’s House. Lights, props, stairs, everything is there and lighting was amazing.

    Highlight for me, personally, was his rendition of 2022 Rock and Roll Hall of Fame inductee Eurythmics Here Comes the Rain. With his own little spin on it, Hall made the song his own. By far, my favorite song from Annie Lennox, but Daryl Hall knows how to change it up and make it sound brand new, 30+ years later.

    Made famous by Paul Young, Hall also put his piano bar style on Paul Young’s “Every Time You Go Away,” which was a Daryl Hall original in the mid 80s. Truly amazing to hear these songs again, for the first time and live as well.

    While the crowd was mostly over 50, there was a surprising amount of under 30 and I heard many of them complaining that Daryl Hall didn’t play any of his heavier songs, as they were falling asleep. I couldn’t help to think maybe they thought they were going to see Dimebag Darrell, which might have been pretty epic in an alternate universe.

    Regardless, go see these guys. For me, it was nice change of pace from the chaos I call life, and with the chaos ramping up over the next month or so, I welcomed the opportunity to kick back and chill to a couple of legends.

    That being said, get your tickets, get your beverage of choice and kick back for a couple hours.

    Todd Rundgren Setlist: Real Man/Love of a Common Man; It Wouldn’t Have Made Any Difference; We Gotta Get You a Woman; Buffalo Grass; I Saw the Light; Black Maria; Unloved Children; Hello It’s Me; Sometimes I Don’t Know How to Feel; I’m So Proud/Ooh Baby Baby/I Want You; The Want of a Nail

    Daryl Hall Setlist: Dreamtime; Romeo is Bleeding; Problem With You; Philly Mood; Cab Driver; Everytime You Go Away; Sacred Songs; Babs and Babs; Here Comes the Rain; Sara Smile; No Can Do; Wait For Me; Can We Still Be Friends; Expressway; Dreams

  • Billy Strings Electrifies Rochester

    Bursting onto the scene in 2017, Billy Strings has been selling out arenas big and small, bringing his bluegrass vibes to Rochester on November 9. Playing to a full house of denim, flannel, and tye-dye wearing fans, Strings and his ensemble gave the Blue Cross Arena a solid set of progressive roots-rock that went on for nearly three hours.

    Billy Strings rochester
    Billy Strings

    Son of Terry Barber, a bluegrass musician himself, Strings was introduced to the genre at a young age and has been influenced along the way by some of the world’s greatest artists including Jimi Hendrix, Phish, and Black Sabbath.

    Since bursting onto the music scene in 2019, Strings has collected some accolades and awards along the way including a Grammy in 2021 for Best Bluegrass Album (Home), 2022 Artist of Year from Americans Music Awards (also nominated previous two years), and 2019 International Bluegrass Music Awards for Best New Artist and Guitar Player of the Year. Assuming things keep going the way they are going, Billy will need a hall to house all his awards!

    With the classic bluegrass sounds of the Dave and Deke Combo, Allison Krauss, Doc Watson, and Old Crow Medicine Show all still influential in their own rights, Billy Strings seems to have upped the ante for bluegrass/roots music. Although the classic dualling banjos will never get old, time have changed, and Billy Strings has set the tone.

    Check out his website for upcoming tour dates.

    Billy Strings – Blue Cross Arena, Rochester, NY – Wednesday, November 9, 2022

    Set 1: Old Train; Turmoil & Tinfoil; Running the Route; Stone Walls and Steel Bars; Fire Line; Running; Ashland Breakdown; The Train That Carried My Girl From Town; Black Mountain Rag; Love and Regret; Bronzeback; Must be Seven; In The Morning Light; Everything’s the Same

    Set 2: Heartbeat of America; Red Rocking Chair; Hollow Heart; While I’m Waiting Here; Pyramid Country; And Your Bird Can Sing; Been All Around This World; The Fire on My Tounge; Air Mail Special; Hellbender; John Deere Tractor; Tipper; Dust in a Baggie; Cold, Cold World

    Encore: Roll on Buddy, Roll On, Gold Rush