The National Jazz Museum in Harlem proudly introduces their new exhibition to the public, “The Soul of Jazz: An American Adventure,” opening on Friday, Feb. 11th, coinciding with Black History Month. Additionally, the exhibition features the new Disney movie, SOUL.
The Soul of Jazz: An American Adventure
American pianist, band leader, and jazz musician, Jon Batiste, provides the original jazz compositions and arrangements for “Soul,” and shares his excitement for “The Soul of Jazz: An American Adventure.”
National Jazz Museum emphasizes a vision “to make jazz accessible to everyone on the planet,” one echoed by Carmen Smith:
Like the film that inspired this exhibit, ‘The Soul of Jazz: An American Adventure’ is a tribute to the human experience. It was here in Harlem that jazz not only became an international sensation, but a vehicle for social change. The genre’s enduring influence is a palpable example of the barriers that can be broken when ambition and artistry meet passion and purpose. We’re proud to partner with the National Jazz Museum to preserve and celebrate that special kind of magic.
Carmen Smith, Senior Vice President, Creative Development – Product/Content & Inclusive Strategies.
In the Harlem Museum, the exhibit will include a unique collection of artifacts including items highlighting the career of pianist and jazz icon, Dr. Billy Taylor. Additionally, appearances of characters Joe Gardner and Dorothea Williams, and virtual experiences on the Play Disney Parks app.
The National Jazz Museum
The overall mission of National Jazz Museum in Harlem’s is to “preserve, promote and present Jazz by inspiring knowledge, appreciation and the celebration of jazz locally, nationally and internationally.” To further promote the educational purposes of jazz music and history, the museum offers four Core Programs: Education; Exhibits & Collections; and Partnerships & Collaborations.
The National Jazz Museum
Free reserve-time ticketing is required, no walk-ins allowed. However, you can reserve tickets up to one month in advance. As well, The National Jazz Museum in Harlem is open Thursday to Saturday from 12PM to 5PM, and proof of vaccination is required for all visitors 5 years of age and older. To reserve tickets, times are available at Eventbrite.
Composers and instrumentalists Vicente Hansen Atria and Mat Muntz are set to release their new album “The Vex Collection”, releasing on Carrier Records February 18. With a grand combination of jazz, world, contemporary classical, and experimental rock, these two trendsetters have experimented with traditional instruments to devise unforgettable musical experiences.
Atria and Muntz grew straight out of NYC’s The Shed Open Call commissioning program. This establishment is a cultural institution that welcomes and molds 21st century art and ideas. The Shed cultivates creativity in fields ranging from pop to classical music, painting to digital media, theater to literature, and sculpture to dance. Their mutual interest in double reeds, which are by far one of the most ancient musical technologies that produce intense ranging sounds, were intertwined with newly invented technology, known as live electronics that were developed through 3-D-printing.
In addition to the two composers, others joined the musical journey to mesh traditional and new sounds to produce “The Vex Collection”. Gamin, played the Korean double reed instruments the piri and taepyeongso, while Matthew Welch, specialized in the great highland bagpipe. Additionally, musician Neo, plays the carnyx, bombard, and dozaleh.
These instruments were deeply rooted in Korea and Scotland, some being one of the first to have a substantial impact in their respective cultures. Atria and Muntz made sure not to alter the natural sounds of the traditional music, but rather allowed it to clash with the live electronics on one song and flow smoothly on the next. The newer instruments that intertwined with the old, ranged from distorted guitars to aggressive synthesizers and detailed microtonality. Ultimately, the group proved that older music is still apart of today’s culture, just with an advanced technological twist.
“The Vex Collection” has pushed passed the social norms within the music industry, as we know it today. This album is full of improvisations of music between two distinct time periods, that go above and beyond what listeners could have imagined.
To check out their latest single “Fugue”, visit Foxy Digitalis. For more information about Atria and Muntz, as well as “The Vex Collection”, visit these sites: Mat Muntz, Vincent Hansen.
Blending funk, soul, and indie, Brooklyn band Pimps of Joytime showcases their unique artistry on their new single, “Are You Gonna?” The release comes in anticipation of their new album Reachin’ Up, set to release Friday, April 15th. Accompanying this release, the band will be performing at Brooklyn Made with additional shows throughout the country.
Pimps of Joytime
Forming in 2005, Pimps of Joytime embellished the unique Brooklyn culture of the 2000s. After four studio albums, the band has found a unique sound encompassing a multitude of genres. They are unique, and their next album release is set to demonstrate the magnitude of this talent.
The Brooklyn band is no stranger to the soul and funk scenes, and “Are You Gonna?” showcases their experience. Combining Cuban blue rhythms, blues guitar progressions, and a vocal delivery akin to Bob Marley, the band beautifully demonstrates their ability to encompass multiple genres with grace and poise.
Their prior release, “Lesson,” also set to be on the album, further highlights their unique artistry. Pulsating drums and hypnotizing blues guitar capture the immediate attention of the listener. Most prominently, however, Brian Jay displays masterful and unique vocals that give the band its respective personality and flavor. His voice sensationally bounces over the instrumentation in a way that exhibits experience and confidence.
The latest single “Reachin’ Up” features Antibalas‘ shekere player and vocalist Marcus Farrar and singer Carol C (Si*Sé) for a funk and soul track sure to put smiles on people’s faces all spring long. Brian J comments, “‘Reachin’ Up’ originated from a batch of instrumentals I created in a two-week studio bender in 2019. I hit up old friend and early PJT collaborator Marcus Farrar to come work on one of the tracks. Marcus pretty quickly came up with great melody and lyric ideas. I had the lyric ‘Reachin’ Up’ kickin’ around for a few years and it fit perfectly. I hit record and Marcus did his thing with a stellar vocal performance. Carol C of Si*Sé and Pete Shand of New Mastersounds were the missing puzzle pieces who graced this track with an incredible vibe.”
Pimps of Joytime Winter 2022 Tour Dates:
Saturday, February 19 – The Fillmore – Denver, CO
Thursday, March 24 – Starline Social Club – Oakland, CA
Friday, March 25 – The Venice West – Venice, CA
Saturday, March 26 – Mustache Bash – San Diego, CA
Friday, April 15 – Brooklyn Made – Brooklyn, NY
Saturday, April 16 – Park City Music Hall – Bridgeport, CT
Saturday, Apr 30 – The Parish – House of Blues – New Orleans, LA
Saturday, May 28 – Denver Day of Rock – Denver, CO
Saturday, June 11 – Hog Farm Hideaway – Laytonville, CA
Jazz at Lincoln Center will head out on a “Songs We Love” tour featuring rising stars in New York City jazz.The tourfeatures Riley Mulherkar as Musical Director, with Vuyo Sotashe, Brianna Thomas and Shenel Johns on vocals with Julian Lee, Mariel Bildsten, Mathis Picard, Barry Stephenson and TJ Reddick.
Jazz at Lincoln Center Presents “Songs We Love”
Today’s rising stars in jazz music are to preform “Songs We Love,” from March 3-19. The tour will feature a journey through the first 50 years of jazz music under the musical direction of Riley Mulherkar, along with three guest vocalists who will join the band of New York’s rising stars. By combining their unique talents, the group will perform their way through decades of music, beginning with the early blues, the jazz of the 1920s, and then ending in the early 1950s. With this, Iconic singers included such as Ma Rainey, Billie Holiday, Ella Fitzgerald, Frank Sinatra and Judy Garland.
Riley Mulherkar “Songs We Love” Musical Director
The “Songs We Love” tour will kick off in March with nine shows throughout the north, east and south coasts. The tour was first presented as the 2016 Season opener at Lincoln Center in New York City. For over three decades, Jazz at Lincoln Center has been a huge advocate for genres such as jazz, culture, and arts education globally. With the help of Wynton Marsalis, Jazz at Lincoln Center Orchestra, and many guest artists throughout the generations, this venue produces thousands of performances, education, and broadcast events for people around the world.
By providing new opportunities to present great jazz programming, the Jazz at Lincon Center can feature up and coming musicians who are rising in fame. This allows for their mission ““to entertain, enrich and expand a global community for jazz through performance, education, and advocacy.”
Riley Mulherkar “Songs We Love” Musical Director
Musician Riley Mulherkar has been recognized as a “smart young trumpet player” by The New York Times, along with being praised by The Wall Street Journal as a “youngster to keep an eye on.” By being a founding member of the band, The Westerlies, Riley helps create a hybrid genre of music that can be both “folk-like, lovely and intellectually rigorous” (NPR Music). Riley works with many leading and up-and-coming artists today, he was born and raised in Seattle, but later moved to New York to study at The Juilliard School, later receiving the Knowles Prize for Jazz and the Peter Mennin Prize for “outstanding achievement and leadership in music.”
In 2011, Riley was named a “rising jazz artist” by Wynton Marsalis in JET magazine, and in 2014 was the first recipient of the Laurie Frink Career Grant at the Festival of New Trumpet Music. He is serving as an ambassador for Jazz at Lincoln Center’s “Jazz for Young People” program in both New York and St. Louis. All of this experience and accolades position him as the perfect musical director for Songs We Love.
Riley Mulherkar Musical Director
Vocalists on tour include South African jazz vocalist Vuyo Sotashe, who moved to NYC in 2013 after being awarded the prestigious Fulbright Scholarship to pursue Master of Music at William Paterson University. Since then, he has gone to win numerous awards including first prize at the very first Mid-Atlantic Jazz Festival Vocal Competition in 2014, and more recently, he won the Audience prize award and placed second over-all at the Shure Montreux Jazz Voice Competition in 2015.
Brianna Thomas is another vocalist who has described by The NY Times stating, “Ms. Thomas has a strong voice and a big range, descended from Sarah Vaughan and Betty Carter and routed through Dianne Reeves, with clarity and confidence and a little dirt.”
Paring with these vocalists with a voice that embodies passion and a personal style that sways effortlessly from jazz, to R&B, to gospel is Shenel Johns, who has emerged as one of the shining stars of her generation.
Accompanying Riley Mulherkar and the three guest vocalists is Julian Lee, who quickly established himself as one of the most versatile saxophonists of his generation. Lee is the beneficiary of the 2017 Lincoln Center Emerging Artist Award from Jazz at Lincoln Center and has performed both internationally and nationally with a wide array of critically acclaimed artists.
Along with these well-astounded artists, Mariel bildsten will also join on the trombone. She is known as the lead trombonist in Arturo O’Farrill’s Afro-Latin Jazz Orchestra and tours internationally with the rock band, Brass Against. Mariel has performed at Carnegie Hall, Radio City, O2 Arena, Birdland Jazz Club, the Apollo Theater, the Chicago Jazz Festival, Perth International Arts Festival, Caramoor Jazz Festival, Smalls Jazz Club, and Smoke Jazz Club, and many more.
On piano is French-Malagasy pianist Mathis Picard, who has recently released his new album Live at the Museum, showcasing his diverse talent. Considered one of the most sought-after bassists on the scene today, Barry Stephenson also joins the tour with his raw talent. On drums is TJ Reddick, already a world traveler, who has performed in many countries including France, Brazil and Belize. TJ is an energetic musician ready to light up any stage.
Together, these musicians are bringing a young dynamic vibe to each performance that you won’t want to miss.
The Jazz at Lincoln Center Tour dates, tickets and showtimes can be found on their website.
On Saturday, February 19 at 8 PM, Flushing Town Hall is hosting Alicia Olatuja, an amazing singer who came into the national spotlight as the featured soloist of the Brooklyn Tabernacle Choir at President Barack Obama’s Second Inauguration in 2013.
“We are overjoyed to welcome Alicia Olatuja to Flushing Town Hall and excited to hear her lush vocals,” says Executive & Artistic Director Ellen Kodadek. “Audiences are in for a real treat, be they fans of jazz, folk, rock, or pop. Olatuja crosses genres seamlessly and is known for her regal presence and stunning voice.”
Photo By Harrison Weinstein
Olatuja’s show, Intuition: From the Minds of Women, will celebrate esteemed, female composers and draws from her 2019 sophomore album. Along with this, includes her interpretations of the music of Sade, Tracy Chapman, Kate Bush, Linda Creed, Angela Bofill, and Brenda Russell. This event is an in-person event but is also streaming for free on Flushing Town Hall’s YouTube channel.
Along with Olatuja’s performance, Flushing Town Hall hosts a Black History Trilogy for the celebration of Black History month. The trilogy will feature award-winning performers paying tribute to influential African-American artists, entertainers, and musical traditions.
Though she is originally from St. Louis, Missouri, Olatuja grew up immersed in a wide range of musical styles, including gospel, soul, jazz and classical. Shortly after, she assembled her own jazz-based ensemble and recorded her first solo album, Timeless (2014).
Praised by DownBeat for her “full-bodied tone, precise pitch, and personal engagement at the lowest whisper or highest wail,” Olatuja’s first came into the national spotlight in 2013 when performing as the featured soloist with the Brooklyn Tabernacle Choir at President Barack Obama’s Second Inauguration.
This in-person performance will take place on Saturday, February 19 at 8 PM. Tickets can be purchased here ($15/$12 members). Lastly, all visitors, performers and staff are required to show proof of vaccination, masks will be required at all times as well.
This concert will stream live for FREE on Flushing Town Hall’s YouTube Channel
On February 12th, The Delaware Valley Arts Alliance will be presenting a performance of “2x2x4” at Krause Recital Hall. The experimental dance and music collaboration brings together dancer Charles Dennis and musician Sal Cataldi, otherwise known as Spaghetti Eastern Music.
Sal Cataldi
During “2x2x4”, the duo will captivate audiences with their use of wooden 2×4’s, carefully building, destroying and creating landscapes for Dennis to dance through. This year’s performance will coincide with the exhibition “For the Love of Wood”, a group show with Eric Baylin and Bo Stevens.
Dennis, an interdisciplinary artist with many talents, has been an active participant in downtown NY dance and performance for many years. He has also cofounded Performance Space 122, one of the country’s most active presenters of new dance, along with creating and performing in several of its performances.
Charles Dennis
Cataldi, a Saugerties and NYC based multi-instrumentalist, is responsible for the creation of Spaghetti Eastern Music. This solo project takes musical notes from krautrock and jazz, which results in a sound that only Cataldi is capable of making. His live score for “2x2x4” has recently been released on Bad Egg Records.
This event is produced in cooperation with the NY State Council on the Arts and is a centerpiece of the Delaware Valley Arts Alliance’s annual Salon Series. This year’s series focuses on the concept of creative construction and will be presented in person, as well as live streamed on the DVAA Facebook page.
Capacity for this event is limited so advanced registration will be required. Proof of vaccination or a negative COVID test is needed for attendance, as well as masks. Registration and more information can be found here.
Professor Louie’s Century will present Blues legends like Joe Louis Walker, Guy Davis, Professor Louie & The Crowmatix, and more. Music will be accompanied by a photographic retrospective Keeping the Blues Alive by JosephA. Rosen. Hudson Valley Blues Society has partnered with these amazing artists to put on a show that will be the first of its kind.
Professor Louie and The CrowMatix
Joe Louis Walker is a Blues Hall of Fame member and four-time Blues Music Award winner. Throughout his life, he has toured all around the world, preforming at mist renowned music festivals throughout the United States, Canada, Glastonbury, Notodden and Montreux. Along with this, he has toured for festivals in Japan, Australia, Taiwan, Ireland, Turkey, European festivals including The North Sea Jazz Festival, and Brazil.
Guy Davis has spent his musical life carrying his message of the blues around the world. He even holds the title of, “An Ambassador of the Blues,” because of his extensive travels from the Equator to the Arctic Circle. His work as an actor, author, and music teacher earmark him as a renaissance man of the blues. Davis often talks about how music and acting have similarities by saying, “…I don’t like people to see the challenging work and the sweat that goes in what I do. I want them to hear me and be uplifted.”
Professor Louie and The CrowMatix emerged from the music industry as the torchbearer of the true spirit of American Roots Music. As a live performer, prolific recording artist and versatile multi-instrumentalist, Professor Louie has the award-winning recording Producer and Engineer, capturing the talents of some of the world’s most highly acclaimed musicians.
The Concert will take place on March 26th, 2022, at 8:00 PM. All adult guests must be fully vaccinated or show proof of a negative COVID-19 test to enter the theatre. Tickets will range from $25 to $40 dollars. To purchase tickets or for more information visit paramounthudsonvalley.com.
Black history month can be a frustrating time of the year. The opportunity to celebrate the numerous Black vanguards is a great honor. Yet, having to encapsulate so much greatness in only 28 short days is a task in itself. How do you prioritize one Black success story over another? The truth is you can’t, but that doesn’t mean you don’t try.
While limiting the importance of Black people to just entertainment can be negligent to the immense contributions made to math, science, architecture and communication that laid the foundation for the modern world… this is a music website.
And while the likes of Malcolm X and Marcus Garvey’s roles as revolutionaries are to be studied and admired, it is the arts that continues to push pop culture forward. There is no greater form of pop culture now than hip hop, having overtaken rock & roll as the world’s most popular genre. Yet, hip hop would not exist without those that paved the way during the Harlem Renaissance.
Black history is everywhere, and New York State occupies some of the most important landmarks, where countless fabled musicians have inhabited. From The Cotton Club — where entertainers during the Harlem renaissance helped bring Black music to the mainstream — to the Marcy Projects that once housed Jay – Z.
Cab Calloway.
Our Black History Maps give readers a chance to view the boroughs, neighborhoods and exact addresses where many a Black history that has shaped the world originated from within New York State, and the accompanying stories deriving from such landmarks. A fun interactive feature, the BHM will also serve music aficionados who may want to see just how close they are to where their favorite artist once frequented.
As the XXIV Olympic Winter Games take place in Beijing, China, we look back 42 years to the XIII Olympic Winter Games held in Lake Placid from February 13, 1980 to February 24, 1980. Home of the Miracle on Ice and speedskater Eric Heiden winning five gold medals, the Lake Placid Winter Olympics brought together 1,072 athletes from 37 countries to take part in 38 official events in February 1980.
Opening ceremony photo courtesy Lake Placid Olympic Sites
The games also featured a theme song, in the form of Rochester Jazz legend Chuck Mangione’s “Give it All You Got,” a tune released a week before the games, that would chart as high as #1 on the Adult Contemporary, #18 on the Billboard 100 and #32 on the R&B chart, and recently named by Billboard as the #1 Olympics theme song of all time. ”Give it All You Got” was Mangione’s second single to reach #1 on the Adult Contemporary chart, after “Feels So Good” achieved that feat in 1978.
Mangione was asked by Roone Arledge, then ABC Sports president, to craft a song for the Winter Olympiad. ABC had used Mangione’s recordings, including “Chase The Clouds Away,” four years earlier during their coverage of the 1976 Summer Olympics in Montreal. Featuring a lineup of Charles Meks (bass), James Bradley Jr. (drums), Grant Geissman (guitar), and Chris Vadalla (saxophone), Mangione, America’s most famous flugelhorn player wrote the Grammy-nominated song for his 1979 album Fun and Games.
This is fusion jazz at its most peppy and pristine, the network TV version of “gritty.” Mangione and saxophonist Chris Vadala volley the theme back and forth for nearly half the track’s six-minute runtime, content to let that breezy melody do most of the work. There’s some inspired composition going on beneath the surface: the way the chord structure keeps dancing between major and minor, the spots where flugelhorn and sax each converge in twin harmony. Throw in Charles Meeks’ slippery bassline and some Nile-Rodgers-style rhythm work from Geissman, and you’ve got the perfect soundtrack for cruising L.A. in a ’74 Stingray convertible.
Mangione told Wesley Hyatt for his 1999 book The Billboard Book of No. 1 Adult Contemporary Hits about the process of composing the music for the instrumental, saying:
(my) vision was to think about the athletes and their efforts to do their best now. They’re giving it all they’ve got. And we almost got to be like the athletes because we also got to perform the song at the ceremonies.
“Give It All You Got” was nominated for best instrumental composition at the 1981 Grammy Awards, losing out to John Williams’ score for The Empire Strikes Back.
Mangione would perform “Give it All You Got” live at the Winter Olympics closing ceremony (as well as the song “Pina Colada”) on Sunday, February 24, 1980, just hours after the conclusion of the gold medal hockey victory for Team USA over Finland along with the Hamilton Philharmonic Orchestra from Ontario, Canada.
In addition to Mangione, the Crane School of Music at SUNY Potsdam contributed to the Lake Placid Winter Olympics as well. A 600-member Olympic chorus and orchestra, a 50 member wind ensemble and three Olympic bands of 50 members each, who were bused in daily and wore weather appropriate parkas and boots, instead of the typical tuxedos and gowns. Brass performers tested their instruments in the meat freezer of the local supermarket in Potsdam as they prepared for the Games.
photo by Christopher Lenney
Feb. 9, 1980 featured the Collegiate Singers, directed by Brock McElheran, as they performed for the International Olympic Committee, along with visiting dignitaries from participating nations.
photo via the Crane School of Music
Four Crane School of Music faculty members composed original works for the Olympic Games, including Elliot Del Borgo, Arthur Frackenpohl, William Maul and Robert Washburn. When American gold medal winners, including speedskater Eric Heiden, received their medals, they were accompanied by an arrangement of the “Star Spangled Banner” by Frackenpohl, who also arranged the Greek and Yugoslavian national anthems. Washburn composed “Parade of Nations” for the opening ceremonies, while Del Borgo wrote the piece played during the closing, “When Dreams Are Dreamed and Dreams Are Won,” and Maul composed “March of the Athletes,” used for the closing ceremonies.
photo via the Crane School of Music
Crane School bands would provide music for the award ceremonies each evening, with Professor Emerita Rebekah Covell leading the Crane Symphonic Band for 14 performances over 14 days. With an added degree of difficulty, Covell and the musicians would often have less than an hour to rehearse national anthems needed for the medal award ceremonies, prior to playing the songs outdoors, often in freezing temperatures. Notably, Robert Mero, a former technical assistant at Crane, came out of retirement to assist musicians with technical services during the Games, per Robert Gibbs, a professor and emeritus member of the Crane School alumni board.
Between Chuck Mangione and students and faculty at the Crane School of Music, all music for the 1980 Winter Olympics can be credited to talented born and/or raised New Yorkers. Here’s to the Winter Olympics returning to Lake Placid in the coming years, perhaps split with Montreal.
While the Allman Betts Band tour has been postponed amid a hiatus, there is now a co-headlining tour with The Devon Allman Project and Samantha Fish Band in its place, with stops in Utica, Albany, Buffalo, Chester, New York City and Westhampton Beach.
Devon Allman.
The Devon Allman Project is a six-piece world-class band that has previously toured almost 20 countries. The band is led by Devon Allman, son of The Allman Brothers guitarist Gregg Allman. The band is known for gracefully blending genres and jam in the same way that the Allman family is known for.
photo by Brian Cornish
Samantha Fish is one of the most inventive artists in the blues scene, with her being placed in Guitar World Magazine’s list of “Top 10 Best Blues Guitarists in the World.”
Speaking of the tour, Devon Allman had this to say:
I can’t wait to get back out and spread some music around with my friends. I’ve known Samantha forever now and she’s such a phenomenal talent, her voice and guitar playing are smokin’ and her new band are world class…we’re gonna have some fun out there
The Devon Allman Project tour with Samantha Fish will be heading to multiple NY cities, and tickets can be found here.
THE DEVON ALLMAN PROJECT + THE SAMANTHA FISH BAND ON TOUR
Mar 3 @ The Kent Stage | Kent, OH Mar 4 @ Riverfront Live | Cincinnati, OH Mar 5 @ Robins Theatre | Warren, OH Mar 6 @ Kemba Live | Columbus, OH Mar 8 @ Jergel’s | Warrendale, PA Mar 9 @ Town Ballroom | Buffalo, NY Mar 10 @ Stanley Theater | Utica, NY Mar 11 @ HMAC | Harrisburg, PA Mar 12 @ Palladium | New York, NY Mar 13 @ Sugar Loaf Performing Arts Center | Chester, NY Mar 16 @ Musikfest Cafe | Bethleham, PA Mar 17 @ Palace Theater | Manchester, NH Mar 18 @ Loos Center for the Arts | Woodstock, CT Mar 19 @ Cabot Theater | Beverly, MA Mar 20 @ Westhampton Beach PAC | Westhampton Beach, NY Mar 23 @ Academy of Music | Northampton, MA Mar 24 @ The Egg | Albany, NY Mar 25 @ Mayo Performing Arts Center | Morristown, NJ Mar 26 @ The Beacon Theatre | Hopewell, VA
THE DEVON ALLMAN PROJECT
Apr 1 @ Hawaii Theatre Center | Honolulu, HI Apr 2 @ Castle Theater | Maui, HA
