Category: Alternative/Indie

  • The Smile Take Over NYC With A Trio Of Brilliant Shows at Kings Theatre and Hammerstein Ballroom  

    In the early stages of a 24-date North America excursion that kicked-off last week, The Smile (a side project by Radiohead members Thom Yorke and Jonny Greenwood, along with Sons of Kemet drummer Tom Skinner) came to New York City this past weekend for a set of three consecutive shows.

    Thom Yorke (Hammerstein Ballroom) | Photo by Michael Dinger

    The run began with two nights at the majestic Kings Theatre in Brooklyn (November 18-19) and the third at Hammerstein Ballroom in Manhattan (November 20), a turn-of-the-century opera house. NYS Music was front and center for The Smile’s opening night at King’s Theatre on Friday evening and the NYC finale at Hammerstein Ballroom Sunday night. 

    the smile kings theatre hammerstein ballroom
    Jonny Greenwood (Kings Theatre) | Photo by Joseph Buscarello

    The Smile, who take their name from a collated poem in Ted Hughes’ 1970 literary work Crow: From the Life and Songs of the Crow, are touring in support of their 13-track debut album that was released in May 2022, A Light for Attracting Attention (XL Recordings). Furthering the Radiohead connection, the record was produced by longtime Radiohead collaborator Nigel Godrich. Born during the 2019 COVID lockdown, as many creative endeavors have, The Smile released a string of singles and eventually, the announcement of a world tour.

    The current trek marks the first shows on American soil for Yorke and Greenwood since August 2018, when Radiohead wrapped up their world tour in support of 2016’s A Moon Shaped Pool. Yorke was slated to tour North America in 2020 with stops at Kings Theatre behind his excellent solo album Anima, but this tour was ultimately postponed and canceled as a result of the pandemic.

    the smile kings theatre hammerstein ballroom
    The Smile (Kings Theatre) | Photo by Joseph Buscarello

    Supporting The Smile for the tour’s duration is Robert Stillman, a multi-instrumentalist and composer born in Maine who has called the United Kingdom his home for the past decade. Like his tour mates (with whom he contributed to their album), Spillman is presenting new material from his eighth studio album What Does It Mean to Be American? (Orindal Records/KIT Records), released in January 22.

    the smile kings theatre hammerstein ballroom
    Robert Stillman (Hammerstein Ballroom) | Photo by Michael Dinger

    Taking the stage at approximately 8:15 pm each night, dressed in white from head to toe, Stillman unassumingly acknowledged the audience for a moment before taking to his synthesizer. For approximately 30 minutes, Stillman mesmerized the audience each night with a deliberate looping process between his synthesizers and a tenor saxophone, curating an eclectic sonic palette drawing on elements of jazz, drone and psychedelia.

    Kings Theatre (Friday, November 18)

    On Friday night, fans lined up early ahead of doors at Kings Theatre in Flatbush, donning various Radiohead, Thom Yorke, Sons of Kemet and other associated apparel. The recently renovated classical movie theater is an exquisite example of how a modern music venue can be incorporated into a historic space. The cavernous venue, decorated with red velvet and ornate gold accents, boasts a deep sonic experience that continually attracts artists of all genres who want their music experienced in such a gorgeous space.

    Thom Yorke (Kings Theatre) | Photo by Joseph Buscarello

    The show got underway with Yorke, Greenwood and Skinner taking to the front of the stage as they basked in a thunderous ovation, with a return of gratitude to the fans. With Yorke behind a familiar piano, Greenwood on bass guitar and Skinner behind the kit, “Pana-vision” started the festivities. The song begins with a swirling piano arpeggio before a dark, jazzy rhythm kicks in. Yorke drives the song with his signature falsetto as his voice swells and calms for several waves of the song. The band then dove into a tight rendition of “Thin Thing”, a psychedelic Kraut-rock song which highlights The Smile’s style perfectly. The music is “stripped back” in a sense that it is confined to a trio, but the blend of dissonant vocals, driving punk rock infused strings, and jazzy percussions creates a dense palette which overwhelms in a live setting.

    In addition to the songs from A Light for Attracting Attention, the band has been playing many unreleased songs on this tour. On Friday at Kings Theatre, Stillman joined the band and contributed his saxophone for two such songs “Colours Fly” and “People on Balconies”. Other new songs performed Friday were “Bending Hectic” and “Read the Room”. The main set ended with the vintage punk sounding “You Will Never Work In Television Again”, which got fans bouncing all over the venue. The final song of the night was surprisingly long-time favorite Thom Yorke solo song “Feeling Pulled Apart By Horses”, self-released back in 2009.      

    The Smile (Kings Theatre) | Photo by Joseph Buscarello
    Thom Yorke (Kings Theatre) | Photo by Joseph Buscarello
    The Smile (Kings Theatre) | Photo by Joseph Buscarello

    Hammerstein Ballroom (Sunday, November 20)

    Although doors were more than two hours away, a large (and rapidly growing) contingent of fans already lined the West 34th Street sidewalk in Midtown Manhattan on a near freezing late Sunday afternoon. Mercifully, at 6:30 pm, the shivering fans hoping to get a spot on or near the stage rail were ushered into the warm confines of the Hammerstein Ballroom lobby, housed within the Manhattan Center.  Extensively renovated in 1997, elaborate architectural decorations adorn the historic venue which seats 2,500 (all of which would be sold out tonight) – complete with box seats, three balconies, a proscenium arch and a hand-painted ceiling mural 75-feet above depicting an “orchestra of angels on a heavenly stage”.

    Hammerstein Ballroom | Photo by Michael Dinger

    At approximately 9:20 pm, The Smile took to the stage, with Yorke pausing along the stage apron as the audience’s applause and wild cheers rained down. After assuming their stage positions (Yorke at stage right, Greenwood at center stage and Skinner on his kit at stage left), The Smile commenced their 90-minute set backed by a large video screen displaying broken, horizontal line patterns. Bathed in red stage lighting, the first of ten offerings from A Light for Attracting Attention was “The Same”. With Greenwood seated at the piano, Yorke took up his vintage Guild Starfire II bass and let his haunting, signature falsetto do the rest.

    Thom Yorke (Hammerstein Ballroom) | Photo by Michael Dinger
    Jonny Greenwood (Hammerstein Ballroom) | Photo by Michael Dinger
    the smile kings theatre hammerstein ballroom
    Tom Skinner (Hammerstein Ballroom) | Photo by Michael Dinger

    Throughout the evening, Yorke and Greenwood seamlessly interchanged their instruments, each playing guitar, bass and piano. Ensuing magnificent presentations of “Thin Thing”, “The Opposite” and “Speech Bubbles”, guided by the loose-limbed Skinner and his punishing rhythmic dialogues, Yorke briefly addressed the audience as he took his seat at the piano for “Pana-vision”. “We’re a new band called The Smile, but I guess you knew that”. Up next was “A Hairdryer”, with Greenwood bowing his Fender Precision bass during the opening refrain of the 8-minute masterpiece.

    The night’s only snafu followed approximately one-third into the show, a technical malfunction that led to “Waving a White Flag” being scratched from the set. While two other tracks (“Open the Floodgates” and “Free in the Knowledge”) from The Smile’s debut album were not performed Sunday night, fans were treated to three new, currently unreleased songs – “Bending Hectic”, “Read the Room” and “Bodies Laughing”.

    Up next was “Skirting on the Surface”, developed from an unreleased Radiohead song and featuring Greenwood’s guitar arpeggios. As Yorke introduced “People on Balconies”, he acknowledged The Smile fans in attendance a second time. “I very much enjoy being back to New York City. We wish we had another week, or two, at least”. After welcoming Robert Stillman and his sax back to the stage, The Smile gave us “The Smoke” and “You Will Never Work in Television Again”, a banger in every sense of the word. Following an encore break, the last fifteen minutes of the epic show comprised “Just Eyes and Mouth”, “Colours Fly” (with Stillman rejoining the band) and “Feeling Pulled Apart by Horses”.    

    The Smile will continue their string of U.S. dates until a pair of Los Angeles concerts on December 21 and 22 close out the run for the year. A 2023 show has also already been announced at the Bluebird Theater in Denver on February 16.

    Kings Theatre Setlist: Pana-vision > Thin Thing > The Opposite > Speech Bubbles > Free in the Knowledge > A Hairdryer > Waving a White Flag > Colours Fly (with Robert Stillman) > We Don’t Know What Tomorrow Brings > Read the Room > Skrting on the Surface > Just Eyes and Mouth > People on Balconies (with Robert Stillman) > The Smoke (with Robert Stillman) > You Will Never Work in Television Again (with Robert Stillman) > Encore: Open the Floodgates > The Same > Bending Hectic > Encore 2: Feeling Pulled Apart by Horses (Thom Yorke song)

    Hammerstein Ballroom Setlist: The Same > Thin Thing > The Opposite > Speech Bubbles > Pana-vision > A Hairdryer > Bending Hectic > We Don’t Know What Tomorrow Brings > Read the Room > Bodies Laughing > Skrting on the Surface > People on Balconies (with Robert Stillman) > The Smoke (with Robert Stillman) > You Will Never Work in Television Again (with Robert Stillman) > Encore: Just Eyes and Mouth > Colours Fly (with Robert Stillman) > Feeling Pulled Apart by Horses (Thom Yorke song)

    Robert Stillman Gallery – Kings Theatre

    Robert Stillman Gallery – Hammerstein Ballroom

    The Smile Gallery – Kings Theatre

    The Smile Gallery – Hammerstein Ballroom

  • Meet the Next Generation of Western New York Bands who Rocked Out Fredonia’s Rocktoberfest and Nietzsche’s

    SUNY Fredonia’s student body is an active partaker in the local music scene, as demonstrated from the Rocktoberfest event which rocked the crowd on the night before Halloween from 6-9pm in the Multi-Purpose Room of the Williams Center.

    At the October event, which was held through the collaborative coordination between SUNY Fredonia’s Sound Services program and Music Industry Club, students dressed in festive-themed costumes to rock out to the high-energy performances delivered by the Fredonia-based band Relentless Moisture and Buffalo-based musicians Cooler and SAINT BLIND.

    Fredonia Rocktoberfest
    Rocktoberfest Poster

    Taking a look at the Rocktoberfest lineup, Cooler is a three-piece band from Buffalo comprised of Alley Sessanna, Nick Sessanna, and Jake Sessanna, who performed at the special occasion. The group creates pop and rock songs that are heavily accented by guitar chords.

    Fredonia Rocktoberfest
    Cooler Band

    Aileen (Alley), Cooler’s vocalist and bassist, opened up on details around the music, performances and influences of the band:

    Heather Occhino: When did Cooler form and who else is in the band?

    Alley Sessanna: We started in 2014. Our current lineup is me on vocals and bass, Nick on guitar and vocals, and Jake on the drums.

    HO: How would you describe the music of Cooler?

    AS: Dream-o. We really love heavy guitars and emotional lyrics people can relate to with a catchy melody of course.

    HO: How was your performance at Rocktoberfest? Have you played SUNY Fredonia before?

    AS: We’ve played at Fredonia before, but not for this specific event. We play at Fredonia any time we can. There’s just something special about the music scene.

    Fredonia Rocktoberfest
    Cooler at Rocktoberfest

    HO: It seems like your most recent work is your single “Cringe.” Is this what you performed at Rocktoberfest?

    AS: We did! If you’ve ever laid in bed at night and had intrusive thoughts about something embarrassing you did 10 years ago, this one’s for you.

    HO: Are there any artists who’ve inspired you or influenced your sound?

    AS: All three of us have very different music tastes, but some common ground bands are Smashing Pumpkins, Tigers Jaw, Pity Sex, Now Now, Mansions, and Pinback.

    HO: When and where Cooler’s next performance?

    AS: December 2nd at Mohawk Place with Quit Yourself, Amateur Hockey Club, and BP & the Oil Spills.

    Single by Cooler, “Cringe (Reprise)”

    Fredonia’s own Relentless Moisture, a post-psychedelic musical ensemble also played at Rocktoberfest, bringing with them an experimental sound as their foundation. The group described the concept behind ‘moistcore’ and much more in their chat with NYS Music.

    Fredonia Rocktoberfest
    Relentless Moisture at Rocktoberfest

    Heather Occhino: In your bio for your Instagram and Twitter account, I saw that you included that your band is a moistcore band. Can you define ‘moistcore’ and how does that correlate with your group’s name?

    Relentless Moisture: Moisture is something you can’t exactly describe, but you know it when you hear it. Sounds can absolutely be wet. Moisture is a mind set. 

    HO: How would you define the music you make?

    RM: …Moisture.

    HO: Are there any artists, whether rising or prominent, who’ve influenced your sound or who’ve inspired you creatively?

    RM: There’s a lot of Ween mentality to the music, and there’s hints of Deftones, Nirvana, Michael, Nickelback, and the Big Bopper. Alongside Rihanna, those are our major inspirations. It’s actually mostly Rihanna and Shakira.

    HO: How was your performance at Rocktoberfest? Was this your first time performing at the event/SUNY Fredonia?

    RM: This was our first non acoustic show on campus and certainly our first time playing at Rocktoberfest, and we loved it. The crowd was awesome, and we didn’t expect people to mosh but they certainly did. Also, Saint Blind and Cooler were amazing.  We love playing music, and we love performing.

    HO: When is your next show?

    RM: We are pulling up to Stamps in Tonawanda on January 13, it’s like 40 minutes off campus, absolutely come down if you can and get stamped.

    thirteen creatures by relentless moisture

    SAINT BLIND, a Buffalo-born alternative/indie rock and synth-pop musician (real name Aaron) is a musician familiar with the Fredonia music scene and played Rocktoberfest. He has previously performed at the Main Street Studios and interacted with music lovers there, as was the case on Saturday, October 15th, when he shared the stage with other alternative bands Karrot Kake and Personal Style.


    Five days after the Fredonia concert, on the evening of November 3, notable Buffalo venue Nietzsche’s hosted live performances by a trio of up-and-coming bands, Power Creep, Breakfast Beers, and RAM! The three bands also sat down with NYS Music to discuss their backgrounds, creative outputs and shows delivered in Buffalo.

    Liam Slater and Jon Andrews are part of the Buffalo-based rock band Power Creep, fronted by singer Tyler Will. Power Creep has two debut singles that were published this year, the most recent, “Defy Belief” from July and “Hideous,” which was released in February.

    Fredonia Rocktoberfest
    Power Creep Band

    In a taped interview, the band’s frontman Tyler Will went into further depth about the history of the foundation of the group, the band’s released works, and their show at Nietzsche’s.

    https://youtu.be/e8vM6iU1s9c
    Interview with Lead Singer of Power Creep Band, Tyler Will

    Justin McKernan, Alex Couturier, and Jacob McKernan of the three-piece band RAM!, are also from Buffalo, and are all blood-relatives. Following RAM!’s formation in 2020-the year the pandemic broke outthe group’s debut album, Mr. Russo’s Class on Teaching a Generation, was released in August 2021.

    RAM! Band

    In a recorded conversation, RAM! discussed the band’s music, the challenges being a budding band from Buffalo and the group’s formation.

    https://youtu.be/k_ACYKToGf0
    Interview with Members of RAM! band

    The eight-piece rock group Breakfast Beers are based in Buffalo and call Nietzsche’s home, as well as Philadelphia.

    Breakfast Beers members Andrew Ajaka, Darren Valdera, and Paul Guardiola, talked about how their band came to be, their musical influences, and their live performances.

    Heather Occhino: I read on your website that your band is based in Buffalo, NY and Philadelphia, PA. Can you elaborate on how this is?

    Darren Valdera: Well, when Breakfast Beers first started we were 9 people and due to school and life we’re a little separated right now. Two of our members (Sofia Fasullo and Matt Guardiola) are currently going to school in Philly, and have the capacity/permission to play as Breakfast Beers if they wanted to. So we’ve got two “branches” of Beers HQ so to speak.

    Andrew Ajaka: Also Darren and I are originally from NYC!!

    HO: What led you guys to form your band?

    DV: (I feel like someone else can answer this better than me but…) PORCHFEST!! An event in the community we lived in – in Binghamton where anyone with a porch can sign up their porch for festivities or enter to play at a specific time slot on a porch. I was originally planning to just come and watch it but the week of, Andrew asked me if I wanted to play a song or two with them and I joined Breakfast Beers!

    AA: Yea Porchfest was for sure a big part of it, but it really started during the pandemic! Paul and I were living together in Binghamton and were playing a bunch of music with our roommate Jacob Parker, and started very loosely writing stuff together with our roommate Hannah Nathanson. Moving in with Sofia Fasullo and deciding to do Porchfest were really the deadline; we all needed to really focus on our instruments and come together as a band that was actually prepared to perform live for an audience.

    Fredonia Rocktoberfest
    Breakfast Beers Members [from left to right], Sofia Fasullo, Andrew Ajaka, Paul Guardiola (on drums), Darren Valdera (wearing hat) and Jacob Parker (Photo Credit: Sullivan Harris)

    HO: Are there any artists/bands who inspired you to make music and/or influence your style of sound in your music?

    DV: A band I’d say that inspired us to make music is the Droogz (shoutouts to them for FINALLY putting out their first EP). Their music and stage presence is just insane. They’re all little rockstars. And just everyone in the local Binghamton scene is so inspiring, and our music really is an amalgamation of everything we listen to. My current rotation of artists are Pinkshift, Hello Sleepwalkers, and Good Game.

    AA: I feel like we’re constantly talking about all the ways the music we’re listening to at the time sort of bleeds its way into our writing in different ways. Sweet Pill and Carly Cosgrove have been heavy on my rotation lately and their new records have been super inspirational for me.

    Paul Guardiola: I definitely draw a bunch of inspiration from other local bands we see and play with. There are so many cool people in the northeast making really inspiring music, and being able to digest it while we’ve been growing as artists has been a big part of how I write. Shoutout to Bunk, Happy To Be Here, Stay Off The Fence, Dirty Band-Aid, Feeble Little Horse, Bug, and Waxgirl. We also have a whole 8 hour playlist of all our different favorite songs and inspirations on our Spotify page.

    HO: You had a show as part of Foxhead Fright Night on Saturday, Oct. 29. How was your experience performing at Main Street Studios? Do you think events like Fright Night allow for your listening/fan base to grow?

    BB: It was super sick! The venue was super cute, and everyone’s costumes were adorable. It was also a blast to meet all the heads running Foxhead and to see Ozymandias rip some Black Sabbath that night! 

    AA: For sure! Events like Fright Night give us the opportunity to play our music for people and show them who we are and what we care about. Hopefully that begins to invite people into the community we are trying to create between us and our audiences. It was a super fun time playing for Foxhead Fright Night! Shoutouts to everyone at Foxhead for having us join them, everyone’s costumes were awesome and the venue was so cool!

    DV: Events like Fright Night are definitely one of the main ways we grow as a band! It puts us in touch with cool artists who we can play with/plan events with again and lets us share our art and sound with new people who might vibe with us.

    HO: Do you have any upcoming work to be released soon?

    DV: Hopefully! We have a lot of songs in our rotation that are done that we just haven’t recorded yet. Some of them you heard at Foxhead Fright Night like Crabapple and Post Modern Baseball Reunion Tour Pt. 2. (Taylor’s Version). We’re taking a short writing/recording period break for December through January so hopefully we’ll have some new things to release by then.

    PG: Yeah nothing official to announce yet but we’re always writing new material to play out, and finding time to record when we can.

    The Western New York music scene has been home to bands like Goo Goo Dolls, Ani Difranco, Rick James, Aqueous, and dozens more. Artists including Breakfast Beers, Relentless Moisture, Cooler, SAINT BLIND, Power Creep and RAM! are among the next generation of bands from the greater Buffalo/Fredonia music scene. Catch them at clubs while you can!

  • This Week’s EQXposure Features No More Death Stars

    Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from No More Death Stars.

    no more Death Stars

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    This week the new album .jpg by No More Death Stars will be played on EQXposure. The group comes out of Albany and is the creative brainchild of Kevin Cardinale, and a bunch of collaborators. They self-identify as a pop-punk collective, being compared to indie-punk contemporaries such as Jeff Rosenstock and AJJ.

    The group reemerged this year to create their new album, which takes influence from Radiohead and Brian Wilson. It incorporates orchestral instrumentation composed by Cardinale and performed by newcomers Anthime Miller, Ben Burt, and Sam Mark.

    The songs off the new album “Halloween 2008,” “Have you ever wondered if Osama Bin Laden has ever fallen in love?” and “Emotional Lint Roller” will be played on EQXposure.

  • Hudson Valley Native Soul Blind Releases New Single “Feel It All Around”

    Local to the Hudson Valley, Soul Blind released their newest alternative single “Feel It All Around” on November 11th. “Stuck In A Loop” leans into the band’s ‘90s alternative influences, flowing through rich guitar tones into an intoxicating breakdown.

    Soul Blind Releases "Feel It All Around" On 11/11

    As you listen through tracks like “Ain’t Hard To Tell” and “System (Failing),” it’s easy to see the juxtaposition of the environment the band grew up in bleeding into how they approach music. The songs serve as a pair centered around people sucking the life out of you, as “Ain’t Hard To Tell” takes the viewpoint of watching a person change into someone unlikable, “System (Failing)” finds one progressing past the relationship.  

    The band explains how inner struggles serve as a recurring theme throughout the album, this particular track feeds into the paranoia of the mind. “Imagine the visual of being stuck in a loop inside one’s thoughts due to a mental lapse onset by a drug induced night, and not knowing how to escape” vocalist Cen comments on the song’s lyrical content. “The ‘view’ is this other, brighter side that you can put yourself in, but the ‘glue’ has you stuck in a loop until you can get yourself out.” 

    Soul Blind Releases "Feel It All Around" On 11/11
    Soul Blind is Cen (vocals/bass), Justin Sarica (guitar), Finn Lovell (guitar), and Steve Hurley (drums).

    Much of Feel It All Around was written in Soul Blind’s hometown of Hudson Valley, NY, which the band describes as “a place of beauty within hopelessness of its people, where you find the richness between the despair.” 

    Alternative rock band Soul Blind pushes the boundaries of their genre with a rich collage of sounds and emotionally charged lyrics. Formed back in 2018, the band hit their stride in 2021 with the release of their critically acclaimed Third Chain EP. They have been praised for lush, distorted riffs and divine, whirling vocals, the band build on those elements on their upcoming full-length album, Feel It All Around.

    To listen to Soul Blind releases and Feel It All Around, click the link here.

  • East Goes West for WONDERFRONT Music and Arts Festival 2022

    After two years under wraps, The Wonderfront Music Festival makes its first return since 2019. Running from November 18-22, 2022, Wonderfront was started by CEO Paul Thornton and is located right in the marina along the waterfront piers and parks of downtown San Diego. Wonderfront is a multi genre annual festival hosting over 80+ artists, including award winning headliners Gwen Stefani, Cage The Elephant, G-Eazy, and The Zac Brown Band. 

    Wonderfront
    WonderFront 2019

    One of Southern California’s biggest cities, San Diego has become the perfect location for festival grounds in the SeaPort Village Marina. The Wonderfront Festival is bringing a full package to the comeback lineup for 2022 with many art installations, food vendors like Sophias Kitchen, Pressed and Smash City Burgers, in addition to hosting various retail vendors and partnering with The San Diego Museum of Art, one of the region’s largest and most-visited art museums to accentuate the visual arts experience.

    Wonderfront
    WonderFront Music and Arts Festival Lineup

    The lineup includes artists coming from around the globe. Headliners include Gwen Stefani, G-Eazy, The Zac Brown Band, Cage The Elephant, Young the Giant and EARTHGANG. While hosting over 80 artists, Wonderfront pulls from rock, alternative, rap, pop rock to appeal to a wide range of community for the fans. Not only does Wonderfront bring award-winning headliners but brings deserving attention to many more well established artists. Other artists featured on the lineup include Fitz and The Tantrums, Bea Miller, Joey Purp, Hippie Sabotage and many more.

    Wonderfront
    Wonderfront 2022

    NYS Music will head west for WonderFront Music and Arts Festival and will be reporting back on members of the East Coast music community, several of which are making an appearance at Wonderfront Festival 2022. Bea Miller from Maple Wood, New Jersey, launched her career after placing 9th on X- Factor at the age of only 13. Some of her top hits from album Aurora include “Song Like You,” “Like That,” and “Motherlove.” Another artist representing the East Coast is Two Feet, originally from Manhattan and gained attention in 2016 and rose to success after releases Pink and Max Marco is Dead Right? in 2021.

  • Shenanigans with Bella’s Bartok at the Hollow in Albany

    On Thursday night, November 11th, Guthrie Bell Productions threw another fantastic party at The Hollow in downtown Albany and things got more than just a little bit strange. The lineup of Bella’s Bartok and The Dust Bowl Faeries was yet another great move as the entire night was a delicious ride from “creepy carnival music” to “foot-stomping freak folk.” And despite the fact that it was a Thursday night show, no one left early and no one really even sat down.

    bella's bartok

    The Dust Bowl Faeries

    The evening opened up with a local band called The Dust Bowl Faeries. It was my first time seeing this band, but it certainly won’t be my last — and everyone I spoke with had the exact same reaction. Self-described as “dark carnival music” this band was unlike anything I have ever seen or heard before. I knew it was going to be good when the lead singer hopped on stage with a taxidermy ram’s head on her back, and they exceeded my expectations.

    bella's bartok

    If you are curious about The Dust Bowl Faeries, and you should be, you should check out their website immediately. They have a new album titled Carnival Dust coming out in January and on December 6th you can check out their brand new video by Thin Edge Films

    Bella’s Bartok

    I have to admit that Bella’s Bartok has been a favorite of mine for many years now — they are one of the most energetic, unique, and entertaining bands in the scene. Their set on Thursday night was well over two hours long and despite that, it seemed like they could have kept right on going. I can’t get enough of this band’s on-stage chemistry and their lead singer’s antics, including hopping off the stage and walking around while singing in the crowd. 

    bella's bartok

    Other bands have to work really hard to get the crowd to participate. Bella’s fans — AKA “The Strange Ones” are the exact opposite because the energy is palpable and the band is electric. If you missed them last night, they have several dates coming up in the northeast so get your tickets fast.

    Shenanigans

    All in all, it was a perfect night with a perfect lineup of strange shenanigans and creepy delights. Check out our full gallery below.

  • Listen to Syracuse Singer-Songwriter Stephen Mullane’s Folksy Single ‘Without A Me”

    When you listen to “Without A Me,” you are brought into an intimate space: a belfry filled with fluttering bats, a cluttered room, the side of a highway where people hold signs and implore honks and kool-aid condenses in its paper cup, an attic — evoking those bats again — all imaginary, all in the mind of Syracuse singer-songwriter Stephen Mullane. Except of course, that the song was recorded in Mullane’s own self-contained world as well: the song is his first to be written, performed, recorded and produced entirely in Mullane’s home studio, a space he fashioned by himself for himself.

    Stephen Mullane

    “Without A Me” is Stephen Mullane’s newest single; it follows two albums he released in 2021, recorded at More Sound Recording Studio in Syracuse. Mullane is an independent — it’s just him, his voice, his guitar. His lyrics are the highlight, they’re ripe with imagery, wit, ad-libs and inconsistent rhyme schemes that all seem to work out in the end. Called to mind are Elliot Smith’s slowly unfolding “King’s Crossing,” Pavement trading incomprehensible verse in  “… And Carrot Rope,” or Bob Dylan’s self-critical look at current affairs in “It’s Alright Ma (I’m Only Bleeding)”. 

    Mullane thrives in this folksy, rambling space of sound because his lyrics hold enough interest and nuance to be stark against the minimal acoustic background. The stream of consciousness is overwhelming, but the consistent rhythm and vocals hold strong against the current. 

    The song is out now, listen below. To see Stephen Mullane live in Syracuse, his next gig is at Skaneateles Brewery on Sunday, November 27, his third show at the brewery.

  • This Week’s EQXposure Features Jade Relics, Blur Beside You, and Fine Grain

    Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists.

    Tune into WEQX.com this Sunday night to hear new music from Jade Relics, Blur Beside You, and Fine Grain.

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    This week there will be two songs from each artist played, instead of the usual one.

    Jade Relics: “Leave us Alone” and “Mandarine”

    Jade Relics is a collective of Vermont Musicians featuring, Elder Orange, Rico James, IamE. Their music is danceable and infectious, with excellent production and instrumentation. Their songs “Leave us Alone” and “Mandarine” will be played on EQXposure.

    Blur Beside You: “Stumble more than anything” and “Nothing Feels Real”

    Blur Beside You is a shoegaze indie rock trio from New York and Florida. It features 3 founding members of the South Florida band, Mindlikewater, Jim Wells, Joseph Butera & Joseph Beaty. Their songs “Stumble more than anything” and “Nothing Feels Real” will be played on EQXposure.

    Fine Grain: “Missing Adult” and “Calculate”

    Fine Grain floats in between shoegaze haze and punk posturing. They are from Albany and stitch old punk with new to create their unique sound. Their songs “Missing Adult” and “Calculate” will be played on EQXposure.

  • Daisy the Great Celebrates Sophomore Album With Tour, Stop at NYC’s Webster Hall

    For the past couple years, Daisy the Great has been processing the experience of growing up, of changing. Their sophomore album, All You Need Is Time is a veritable coming-of-age catharsis. Armed with crystal clear, soprano vocals and an ironical approach to the absurdities of girlhood, their newest is a surprisingly relatable and honest self-examination. 

    Daisy the Great

    In All You Need Is Time, Daisy the Great ditches allusions and ambiguity to tell it like it is. Not only are their lyrics astoundingly authentic, but you can hear the earnestly in their voices. While much of recent pop and indie has turned to heavy use of technology to disguise and distort vocals, Daisy the Great often drops the backing instruments to let their voices stand alone, so you can hear this addictive kind of girlish airiness and texture behind their voices. It’s that sound that broke them, with their 2018 song “The Record Player Song,” which quickly went viral on TikTok, accumulating over 20 million streams, and counting. 

    Daisy the Great started when Kelley Nicole Dugan and Mina Walker met at NYU. The two were acting majors, and Daisy the Great originally started as a musical they were writing about a fictional band, until they realized they should just actually start the band themselves. Now, Daisy the Great is a six-piece band, with Matt Lau on guitar, Bernardo Ochoa on bass, Matti Dunietz on drums, and Brie Archer on additional vocals. 

    The band is still finishing off their North American Tour, supporting The Happy Fits; and of course there will be a stop in NYC’s Webster Hall on December 17, where the band was formed and the album recorded. Tickets can be found here, see the dates below.

    Daisy the Great

    DAISY THE GREAT NORTH AMERICAN TOUR 2022

    November 8 – South Burlington, VT – Higher Ground +

    November 9 – Hamden, CT – Space Ballroom +

    November 11 – Washington, DC – Union Stage +

    November 12 – Pittsburgh, PA – Spirit Hall +

    November 13 – Columbus, OH – Newport Music Hall

    November 15 – Detroit, MI El Club +

    November 16 – Indianapolis, IN – Old National Centre +

    November 18 – St. Louis, MO – Delmar +

    November 19 – Chicago, IL – Metro +

    November 20 – Minneapolis, MN – First Avenue +

    November 22 – Denver, CO Summit +

    November 23 – Salt Lake City, UT – The Complex +

    November 25 – Portland, OR – Wonder Ballroom +

    November 26 – Seattle, WA – Neptune Theatre +

    November 29 – San Francisco, CA – August Hall +

    November 30 – San Diego, CA – House Of Blues +

    December 1 – Los Angeles, CA – The Fonda Theatre +

     December 5 – Dallas, TX – Trees +

     December 6 – Austin, TX – Scoot Inn +

     December 7– Houston, TX – White Oak Music Hall +

     December 9 – Orlando, FL – The Plaza Live +

     December 10 – Atlanta, GA – The Masquerade (Heaven) +

     December 11 – Nashville, TN – The Basement East

     December 13 –Carrboro, NC – Cat’s Cradle +

     December 14 – Washington, DC – Union Stage +

     December 16 – Boston, MA – Paradise Rock +

     December 17 – New York, NY – Webster Hall +

     December 18 – Philadelphia, PA –Theatre of The Living Arts +

    + w/ THE HAPPY FITS “UNDER THE SHADE OF GREEN TOUR”

  • Sea Glass Release Benét Collab “(I have jokes) If You Wanna Hear One”

    Project of New York-based producer Jake Muskat, Sea Glass is back in collaboration with a euphoric artist named Benét. Their dreamy new single  “(i have jokes) If You Wanna Hear One” has just dropped on all platforms. Sea Glass has been praised by the likes of Indie Shuffle, Wonderland Magazine, WFUV, Record of the Day, Variance Magazine, The Wild Honey Pie among others, garnering over 250k streams on his last EP alone.

    Sea Glass Releases Benét Collab "(I have jokes) If You Wanna Hear One"

    Inspired to release music after the birth of his first child, Sea Glass’s music taps into universal emotions around growing up and dreaming. His sound invokes yearning, hope and nostalgia filtered through a positive lens. 

    Coming back into the alternative/indie scene with his new single “(i have jokes) If You Wanna Hear One” in collaboration with euphoric artist Benét, the duo unite ethereal melodies and flowing narratives into a sound of their own. Finding its origins on a simple, classical guitar, this new single was written the week Sea Glass’s son was born as a lullaby.  

    https://www.youtube.com/watch?v=24Bq9xhNKqs

    He shares, “I liked the idea so much I decided to record it, but wanted to make it fit my production style. As I worked on it, I was more excited by its progress than anything else at the time. It took me 6 months of searching for a good top line when Benét offered to write on it. Their playful melody and lyrics just smashed the demo death loop I was in into smithereens. It came together very quickly from there. I had my close friend Jared Saltiel add live drums and the whole thing gelled together perfectly.” 

    Written during Sea Glass’s last few months in Brooklyn as he prepared to depart the city, he states, “My son was just born and I was both thrilled to have this new love in our family but also overwhelmed with the added pressure that the responsibility brought. The music was a sort of escape from the moment, an idealized version of how I hoped things would go. It was written in the summer and there are definitely island vibes to the sounds, but the escapism I’m exploring in the music also makes this song relevant for any time of year.” 

    To listen to Sea Glass’s newest song “(i have jokes) If You Wanna Hear One,” click here.