The Center of The Arts in Homer hosted an astounding show on Saturday, November 5 with well known tribute band The Machine performing Pink Floyd. With a 30+ year legacy of extending the voice of Pink Floyd, The Machine continues to carry on the reputation of the British rock band that began in 1965.
The Machine is a New York based group of four, expanding the Floyd reputation of the 1970’s. The band consists of drummer Tahrah Cohen, electric guitarist Ryan Ball, pianist Scott Chasolen and lead singer and guitarist Chris Deanglis. The group performs in memory of Joe Pascarell, who founded the band back in 1988.
The Machine put on a show and performed some of Pink Floyd’s top hits, “Comfortably Numb,” “Wish You Were Here,” and many others from album Dark Side of The Moon, released in 1973. The album was conceived as a concept of mental health regarding former original band member Syd Barrett who left the group in 1968.
Overall The Machine performs Pink Floyd plays with such accuracy, it’s truly outstanding the band has been able to continue the legacy and importance of Pink Floyd which has greatly impacted the music community. Playing all around the world, sold out shows and growing their audience. The Machine has truly become a tribute phenomenon.
Indie legends Flipturn made a stop in Buffalo on November 4 on their Shadowglow tour. The fun-filled night at Buffalo Ironworks was kicked off in true alt music fashion with The Brazen Youth. They played well-known classics as well as their hit song, “Center of Gravity.” The group got the crowd even more hyped up with the obvious Buffalo crowd pleaser: a Bills chant.
Photo Credit: Maddie McCafferty
When Flipturn took over the stage there was a shift in infectious energy and warmth. No matter how small or large the venue is, Flipturn always knows how to perform. There’re no limitations when this group takes over the stage. All that’s obvious is their connection with their fans. This band is built up by Dillon Basse (lead vocals/rhythm guitar), Tristan Duncan (lead guitar), Madeline Jarman (bass), Mitch Fountain (synth), and Devon VonBalson (drums).
Photo Credit: Maddie McCafferty
Flipturn opened up their set with “The Fall” and “Playground,” off of their most recent album Shadowglow. Even though this album was just released a few months ago, fans at Buffalo Ironworks knew the latest lyrics top to bottom.
Flipturn manages to take their listeners on a journey when they play their music. Through summer drives and youthful bliss, there’s something cinematic in the experience of a Flipturn song. This band has grown up together in Florida and now plays songs that deal with the heavily relatability at being at a crossroad between young lust and the pressures of adulthood.
Photo Credit: Maddie McCafferty
The live experience only adds to the depth of their introspection between the head and the heart. This coalition Flipturn creates with their fans is one that is hard to pull away from. Even so, they closed out the night with fan favorites, “August,” and “Nickel.” It also happened to be Madeline’s birthday which was another layer of excitement for everyone.
Flipturn is continuing their tour and making another stop in NY at The Bowery Ballroom on November 9. They’re definitely a must see for indie/alt lovers!
Buffalo Ironworks has a lot of upcoming events including Nefesh Mountain on Novemebr 10 and Buku & G-Rex on Novemebr 11.
Setlist: The Fall, Playground, Chicago, Whales, Sad Disco, Halfway, Hippies, Six Below, Glistening, Goddamn, Take Care, Space Cowboy Encore: August, Nickel
The Kodak Center in Rochester on Friday, November 4th hosted the legendary Steve Vai. Playing this small city for the first time since he played at the same venue on the “Generation Axe” tour in 2018, this show was in support of his 2022 Inviolate album.
Steve Vai- Photo credit- Mike Miller
The band behind the sixty two year old Steve Vai hasn’t changed at all within the last nine years or so. Jeremy Colson on drums, Dave Weiner on guitar/sitar/acoustic has now added keys to his arsenal on the side of the stage, and rounded up by Philip Bynoe on six string bass guitar.
The beautiful venue had some tickets for sale at the door many fans were seen purchasing last minute. The lights dimmed down at the scheduled start time of 8pm, with a little call and response part while Steve was standing off to the side of the stage. He was getting the crowd to howl and sing along to the noises he was making with his trusty Ibanez Jem guitar, much like the start of the David Lee Roth classic “Yankee Rose” with the talking guitar or like his mentor Joe Satriani’s crowd chant.
Jeremy Colson
Steve finally walks onto the stage and after a little improv jam with the band then they immediately launch into a track called “Avalancha” from his new album. This is an upbeat number to kick off the show, lots of double bass drumming in this one with Jeremy attacking his Tama Starclassic drum set on this very melody driven song despite the rhythm shifts.
During the show Steve explained to the crowd he had to reschedule his tour due to an accident. He told the crowd he was making pizza in his pizza oven and injured his shoulder in the process. He thanked the crowd many times for attending as this venue was different than the originally scheduled one.
Dave Weiner
In total Steve played twenty songs for about a two hour set time. Each band member was given a solo spot thought the show. Drummer Jeremy started his drum solo with a didgeridoo which the crowd did not expect, but welcomed.
During the song, “Teeth of the Hydra”, Vai played a three-necked Ibanez guitar. Which is a twelve string neck, a seven string neck, and a bass neck. During “For the Love of God” Vai brought out his audio monitor engineer Danny G who sang opera for the first verse and chorus. Vai is currently on tour for another month.
Setlist: Avalanche, Giant Balls of Gold, Little Pretty, Tender Surrender, Lights Are On, Candlepower, Bass solo, Building the Church, Guitar solo, Greenish Blues, Bad Horsie, I’m Becoming, Whisper a Prayer, Dyin’ Day, Drum solo, Teeth of the Hydra, Zeus in Chains, Liberty, For the Love of God Encore: Fire Garden Suite I- Bull Whip
Water Street Music Hall hosted a living legend when they brought in Rakim on Saturday, October 29.
Dating back to the late 1980s, there have been countless MCs making music and trying to earn their 15 seconds of fame. Among the best, according to people like Marley Marl, Dr. Dre, and Kool Moe Dee, was Rakim.
Rakim center stage in Rochester NY
Rakim burst onto the scene in 1985 as half of the duo Eric B. and Rakim and immediately gained praise and recognition as a skilled MC and lyricist. Working together until 1992, the duo released 4 studio albums, including the debut Paid in Full and their final album in 1992 Don’t Sweat the Technique, both of which were big sellers and remain highly regarded to this day.
Moving on to a solo career, Rakim released The 18th Letter in 1997 and is now touring as he celebrates the 25th anniversary of this lyrical masterpiece.
Setting up the crowd for Rakim was Rochester, NY based The Frank White Experience (Notorious B.I.G. tribute band) and Styles P., both of which were welcomed by the crowd. If you are a fan of Biggie, The Frank White Experience needs to be on your radar as they cover the late rapper with their own unique twist. Styles P played the crowd for about 45 minutes with some street style raps and eventually did a little freestyle set in the crowd.
On Wednesday October 26, Renaissance made an appearance at The Homer Center of Arts on their historic Legacy Tour. Renaissance became a progressive rock band starting back in 1978 when top hits “Carpet of the Sun” and “Ashes are Burning” came out.
The Legacy Tour was a celebration for Annie Haslam’s 75th year, in celebration to Annie’s solo music career and The Renaissance band for over 50 years. The group includes Jason Hart, David Keyes, Rave Tesar, Frank Pagano and lead vocals Annie Haslam and Michael Dunford. Combining rock, classical folk, jazz, and the lead female vocal, Renaissance has maintained their musical groove.
The Homer Center of the Arts was the perfect venue for hosting the Legacy Tour. The U shaped arranged seating brings the audience together. Renaissance welcomed the crowd from beginning to end which truly connected the crowd.
Renaissance’s great success began in the 70’s, and this show made it clear that their passion for music has carried with them throughout the decades. Highlights of their success in the 1970’s included sold out shows at Carnegie Hall, Royal Albert Hall and The Royal Chorale Society, while also recording and releasing these sold out shows as live albums.
Wednesday’s show at Homer Center for the Arts did an outstanding job bringing the 70’s rock back on stage. While Renaissance still pursues their music career, fans are nothing but excited to see what’s next in store for these progressive rock legends.
For many, GWAR has been one of the most consistent heavy metal bands in their lives. On October 22nd, they brought their bloodbath to the Rapids Theatre in Niagara Falls.
GWAR brings a bloody great time to the Rapids Theater in Niagara Falls. Photo by Samantha Rychlicki
If you search the name GWAR, it’s easy to see just on the outside what this band brings when they put on a performance. Big costumes, heavy metal, blood and guts. When you go to see them, however, there is something so much more.
But before we go into the main event, let’s talk about the other groups that GWAR brought along.
The opener was a band from Pottsville, PA named Crobot. With a name like that, I wasn’t too sure what to expect. However, as soon as lead singer Brandon Yeagley popped out of a foam egg, the crowd was immediately enthralled with this group. With groove mixed with a lot of Rock ‘n Roll, you couldn’t help but dance/scream/head bang. The energy they brought was incredible and they are certainly a group to keep your eyes out for.
Brandon Yeagley of Crobot flies high while band mates Chris Bishop, on guitar, and Tim Peugh, on bass, rock out. Photo by Samantha Rychlicki
Immediately following Crobot, we have the melodic death-metal group Nekrogoblikon. They. Killed. It. The audience was absolutely in love with this group, and with John Goblikon. Their sound was totally unique and they definitely rocked the house down.
Nicky Calonne and John Goblikon jamming out together. Photo by Samantha Rychlicki
And finally, we have GWAR. Formed in 1984, this group has been non-stop for more than three decades. Fans of GWAR at Rapids Theater were some of the most dedicated people to a group I’ve ever seen. Normally when you go to a rock show, there is a unspoken dress code of all black all the time. But for this one, fans were dressed in white, in hopes to be part of the carnage that this band brought. Of course there were crowd surfers and mosh pits. What else can you expect? Blothar the Berserker’s vocals are out of this world and the rest of the band are a recipe for success.
This being said, there was also plenty of the blood spewing that the band is known for. From the dismemberment of a ‘GWAR fan’ and a soldier, to the ‘pissing match’ between Blothar’s alter-ego from another universe (which he said was a manifestation of everything that he hates about himself). There was a certain political undertone that was hard to miss and the crowd ate up with the infamous presidential decapitation of Joe Biden, Putin’s demise and even the destruction of Amy Coney Barrett.
Blothar’s alter-ego from another dimension. Photo by Samantha Rychlicki
The ‘so much more’ piece mentioned before about this group? The fans of the GWAR are die-hards, they are all connected in a way that is so much more than just the costumes, guts and gore.
If you ever have the chance to see this band perform, do not miss your opportunity. And if you’re too scared to get a little dirty, stay in the back or stay home. This is not for the lighthearted.
GWAR at Rapids Theater Setlist: The Cutter ft. Lzzy Hale, The Issue of Tissue (Spacecake), Bring Back the Bomb, New Dark Age, Mother Fucking Liar, Rise Again, Bored to Death, Saddam a Go-Go, Ratcatcher, Womb With a View, Black and Huge, Venom of the Platypus, Berserker Mode, U Ain’t Shit, None but the Brave Encore: Sick of You, Fuck This Place.
Gwar decapitates a “fan”. Photo by Samantha RychlickiPustulus Maximus of GWAR. Photo By Samantha RychlickiBlothar the Berserker enjoying a cup of a soldier’s blood. Photo by Samantha RychlickiPutin’s destruction. Photo by Samantha RychlickiBonesnapper surveys the area to make sure there’s no trouble (that they aren’t causing). Photo by Samantha RychlickiBeefcake the Mighty on Bass. Photo by Samantha RychlickiFans of all types enjoy the bloodbath that GWAR brings to their show. Photo by Samantha RychlickiBlothar the Berserker. Photo by Samantha RychlickiBalsac the Jaws O Death on lead guitar. Photo by Samantha RychlickiThe aftermath of the gore. Photo by Samantha Rychlicki
Nearing the end of the 2022 leg of their world tour that commenced six months ago in Croatia, East London heavy metal legends Iron Maiden landed at the Prudential Center (affectionately known as “The Rock,” a reference to the Rock of Gibraltar corporate logo) in Newark, NJ this past Friday night, October 21.
The Rock | Photo by Michael Dinger
Iron Maiden’s Legacy of the Beast Tour, inspired by the 2017 video game of the same name, is an all-encompassing retrospective of their history, complete with a visually stunning stage design featuring jaw-dropping, thematic backdrops and stage props. Dating to the first leg of the tour consisting of European dates in 2018, Iron Maiden have played nearly 150 shows to more than 3 million fans, their biggest world tour since their formation on Christmas Day 1975.
Bruce Dickinson of Iron Maiden | Photo by Michael Dinger
Taking over support duties from Trivium, who departed the tour at the end of September after opening eleven shows for the heavy metal icons, Within Temptation took the stage promptly at 7:30 pm. Formed in 1996 in the Netherlands, the symphonic metal band are led by vocalist Sharon den Adel and guitarist Robert Westerholt. The Dutch sextet is rounded out by Ruud Jolie (lead guitar), Jeroen van Veen (bass), Mike Coolen (drums), Stefan Helleblad (rhythm guitar) and Martijn Spierenburg (keyboards).
Within Temptation performed three tracks (“Raise Your Banner,” “Supernova” and “The Reckoning”) from the latest of their seven studio albums, 2019’s Resist (Spinefarm Records), which found the band exploring new genres such as industrial and electronic dance music. The remainder of their 8-song set included single offerings from their discography, albeit their 1997 debut album (Enter) and their third studio album, 2004’s The Silent Force. Nearing the end of their set, Within Temptation presented “Don’t Pray for Me,” the fourth and most recent independently-released single in a series that is a precursor to their next studio album – expected for release in 2023.
Sharon den Adel of Within Temptation | Photo by Michael DingerRobert Westerholt of Within Temptation | Photo by Michael DingerRuud Jolie of Within Temptation | Photo by Michael DingerMike Coolen of Within Temptation | Photo by Michael DingerJeroen van Veen of Within Temptation | Photo by Michael DingerMartijn Spierenburg of Within Temptation | Photo by Michael Dinger
At approximately 8:45 pm, as “Doctor Doctor” by UFO played over the house PA, the lights went dark and it was game on! To thunderous applause from the 20,000 capacity crowd, the heavy metal icons appeared before us – the 64-year old Bruce Dickinson known for his legendary, operatic-style vocals, bassist Steve Harris, drummer Nicko McBrain and the trio of guitarists comprised of Adrian Smith, Janick Gers and Dave Murray.
Maiden’s 15-song, nearly two hour set kicked-off with the three lead tracks from their most recent studio album and 17th overall, Senjutsu, including the title track, “Stratego” and “The Writing on the Wall.” The opening trifecta of songs was accompanied by a magnificent stage production that matched the Japanese theme of the record’s visual graphics, including an early appearance by their mascot Eddie as a samurai warrior. Eddie would make another appearance later in the night as “The Trooper” to do battle with Dickinson.
Eddie | Photo by Michael Dinger
The setlist was a retrospective of their voluminous, four decade discography celebrating their biggest hits (“The Trooper,” “Hallowed Be Thy Name,” and “Fear Of The Dark”), while also including some deeper cuts such as “Revelations” (Piece of Mind, 1983), “Blood Brothers” (Brave New World, 2000) and “Sign of the Cross” (The X Factor, 1995). Maiden played two encores consisting of “The Trooper,” “The Clansman,” “Run To The Hills” and the closing number of the night, “Aces High,” as a life-size replica Spitfire plane swayed high overhead.
Bruce Dickinson of Iron Maiden | Photo by Michael DingerJanick Gers of Iron Maiden | Photo by Michael DingerSteve Harris of Iron Maiden | Photo by Michael DingerDave Murray of Iron Maiden | Photo by Michael DingerAdrian Smith of Iron Maiden | Photo by Michael Dinger
In the closing moments of the show, before Monty Python’s “Always Look on the Bright Side of Life,” Dickinson addressed his audience for the last time of the night:
We’d like to take you home with us, but you won’t fit through the front door. Have a great weekend, have a great week, have a great month, have a great year. In fact, have a great fucking life, because you only get one. Live every fucking day you can of it. We’ll see you again, thank you everybody.
Maiden’s 24-date journey across North America culminates at the Amalie Arena in Tampa, Florida on October 27, followed by a much-needed rest for this band on the cusp of their golden years. Lord knows they sure haven’t wasted any, especially with 2023 dates already announced for The Future Past Tour that will launch at the Sweden Rock Festival in early-June. And hopefully, by then, these metal behemoths will finally be on the Rock & Roll Hall of Fame’s list of new inductees.
Iron Maiden | Photo by Michael Dinger
Within Temptation Setlist: The Reckoning > Paradise (What About Us?) > In the Middle of the Night > What Have You Done > Supernova > Don’t Pray for Me > Raise Your Banner > Mother Earth
Iron Maiden Setlist: Senjutsu > Stratego > The Writing on the Wall > Revelations > Blood Brothers > Sign of the Cross > Flight of Icarus > Fear of the Dark > Hallowed Be Thy Name > The Number of the Beast > Iron Maiden > Encore: The Trooper > The Clansman > Run to the Hills > Encore 2: Aces High
B-Real, Sen Dog, Bobo, and Dj Lord, better known as Cypress Hill, took to the stage at The Vine, at Del Lago Casino in Waterloo, NY on Friday October 21, as the band celebrated 30 years of mainstream hip hop and rap, as well as promoting new album, Back in Black.
The Vine @Del Lago
Activists for legalization of cannabis, the band members routinely take the stage with blunts in hand and enjoy the Mary Jane throughout the show and this show did not disappoint! After an approximately 18 minute intro by DJ Lord who seemed to be in his own little haze, B-Real took the stage with blunt in hand and continued to get the crowd pumped up with collaboration of “Roll It Up, Light It Up, Smoke It Up,” “I Wanna Get High,” “Cisco Kid,” “Dr. Greenthumb,” and “Hits From the Bong.”
30+ years and 10 albums later, these guys from South Gate, CA can still kick it and toke it just as hard as they did in 1988. Fans were in the aisles, on the steps, and on section dividers grooving and moving as the beat played on.
Setlist: DJ Lord intro/ Roll It Up, Light It Up, Smoke It Up, I Wanna Get High, Cisco Kid, Dr. Greenthumb, Hits From the Bong/Real Estate/Hand on the Pump/Sound of da Police/When the Shit Goes Down/Tequilla Sunrise/Lowrider/Illusions/Latin Lingo/Lick a Shot/How I Could Just Kill a Man/Throw your set in the Air/I Ain’t Going out like that/(Rock Superstar)/Insane in the Brain/Jump Around (House of Pain cover)
Alt-rock group Mother Mother returns to an even bigger crowd in Buffalo on October 15, with Buffalo Riverworks packed with both new and old fans.
Photo Credit: Maddie McCafferty
The well-known “out-of-box” foursome Transviolet opened up the show. This pop-rock band consists of Sarah McTaggart, Mike Panek, Jon Garcia, and Judah McCarthy. All of which are all too familiar with working alongside various musicians. They easily got the crowd hyped up with McTaggart’s chilling vocals and infectious energy.
Photo Credit: Maddie McCafferty
The viral indie-rock band Vundabar followed up Transviolet. The trio of Brandon Hagen, Drew McDonald, and Zack Abramo managed to keep the fun alive. This was especially so when they played their hit “Alien Blues.”
Photo Credit: Maddie McCafferty
Earlier in 2022, Mother Mother performed at the Town Ballroom. Buffalo fanbase is so extremely loyal to this group that they made a return only 9 months later. This seemingly rapid growing band is composed of Ryan Guldemond (vocals, guitar), Molly Guldemond (vocals, synth), Jasmin Parkin (vocals, keys), Ali Siadat (drums), and Mike Young (bass).
Immediately when the group encapsulated the stage and aura washed over the venue. This band is able to bring theatrical and ethereal qualities. They opened up their performance with their songs “Verbatim” and “O My Heart.” The way Ryan, Molly, and Jasmin are able to move across stage and layer their vocals over one another creates an eeriness.
Photo Credit: Maddie McCafferty
The dark lighting and build up from one song to the next helped set the mood in Riverworks. The mystic vocals of Molly had the crowd in awe when she covered Radiohead’s “Creep,” which was especially impressive. Mother Mother is a constant reminder of what it means to never give up on your dreams. Ryan shared how the band originally started by him writing songs alone in his bedroom. He then told everyone in the crowd that despite what anyone else might think, “if you have a dream, keep chasing it and wreck any obstacles that stand in the way.” He shared that’s what gave him inspiration for their song “Wrecking Ball.”
Mother Mother then closed out their show in Buffalo with their songs “Hayloft II” and “Ghosting.” Both of which are fan favorites and left everyone screaming the lyrics.
Photo credit: Maddie McCafferty
Make sure to keep up to date with upcoming shows at Buffalo Riverworks. I Prevail and Pierce the Veil perform November 20.
Setlist: Verbatim, O My Heart, Bit by Bit, Infinitesimal, Body of Years, Creep (Radiohead cover), The Stand, Back in School, Burning Pile, Problems, Sick of the Silence, It’s Alright, Arms Tonite, Body, Wrecking Ball, Oh Ana, Hayloft/ Girl Alone, Hayloft II
SG Lewis performed at The Westcott Theater on October 11 as their official fifth stop during their 2022 Tour. SG Lewis is a London-based singer and song writer; his music produces an electronic, dance-oriented groove and dedicates his music to club culture.
Lewis is originally from Reading, England and began his music career after many years experimenting as a teenager. It only began in 2014 for SG hopping from various bands as he moved in his own direction, Lewis’s first EP Shivers was released in 2015.
Mindchatter opened, with a similar electronic pop groove. Bryce opened with some of his top hits “I can change” and DJ mix “It’s been you”. It was the perfect way to rise the vibe before the crowd broke loose for well known SG Lewis. The Westcott Theater provided the perfect dance floor for the show last Tuesday evening. With a youthful crowd, fans were excited that SG was visiting Syracuse as one of his many stops.
The London performer sung top releases and collaborative songs featuring artists JP Cooper, Bruno Major, Frances, Clairo, LANY among others. Leaning over the barricade was a screaming SG, and the crowd blew up for the band. The set also featured songs “More Than A Woman” (Paradise edit featuring Bees Gees), hit release “One More” (feat. Nile Rodgers) and one more of many “Heartbreak on The Dance floor” (feat. Frances).
Overall, SG Lewis and the band seemed to have kicked off a good start to their tour. Lewis continues to inspire the music industry and welcome the crowd and thank his fans for support. SG Lewis has a great way of captivating his audience and giving the fans a good time and a memorable show.
