Ashe played two sold out nights at Webster Hall this past week on April 25th and April 26th with support from the band Brooks & the Bluff. Her energy was contagious as she danced across the stage, often interacting with her fans who were just as energetic as she was. Listen to Ashe’s latest album from 2021 here.
Setlist: Me Without You, I’m Fine, Kansas / Someone to Lose, Save Myself, Not Mad Anymore, Love Is Not Enough, Taylor, When I’m Older, Another Man’s Jeans, Somebody to Love (Queen cover), Hope You’re Not Happy, Always, ‘Till Forever Falls Apart, Moral of the Story
Photo by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika VermaPhoto by Ambika Verma
The Motet came into Brooklyn Bowl like a funk train on Friday, April 15, inviting everyone aboard to boogie. With Eggy as a perfect opener for the dance formula that is Motet, the two bands blended perfectly together for a show the fans would never forget.
Eggy has grown tremendously taking the jam scene by storm with their crisp vocals, fun lyrics and type two jam capability. It has been my distinct pleasure to watch this band grow and I am so excited for what their future music will bring.
Motet welcomed Mike Dillon aboard the funk train as the conductor of percussion and boy did he get that engine grooving! Without lead singer Lyle Divinsky, Motet steered closer to their original jam roots and took the fans on an excursion of funk.
The Motet at Brooklyn Bowl Setlists
April 15
Set: Evil Twin, Cloak and Dagger, Can’t Fool Me, Kneebone, Rippin’ Herb, All Day, ‘79, Draccus, Contraband, Sunshine, Fountain, Dance Floor#, Wearing it Out%, Nemesis Encore: Drumz > Cheap Shit #Zappa cover %Ramsey Lewis cover, whole show with Mike Dillon on percussion
April 16
Set: Cretan, Sunshine, Nemesis, Speed of Light, Evil Twin, Back Seat, Fearless, Take Control#, Shade, Drumz, All Day, Funky Weekend%, Keep On Don’t Stoppin’ Encore: Evil Wicked Bad & Nasty^ #Juno What cover %Mint Condition cover ^Manzel cover
Indigo De Souza played two sold out nights at Music Hall of Williamsburg last week on Thursday, April 21 and Sunday, April 24. Originally scheduled for January, the shows were postponed due to the pandemic surging in New York City at the time. She played with support from Friendship and Horse Jumper of Love.
Indigo De Souza at Music Hall of Williamsburg, photographed by David Reichmann
You can listen to Indigo De Souza’s latest full-length LP here, and follow Indigo’s ongoing North American Tour here. She will return to New York during her upcoming fall tour. You can listen to Horse Jumper of Love‘s music here and Friendship’s music here.
For the first time in just over two years, Phish returned to the familiar stomping grounds of Madison Square Garden (MSG), kicking off a four night run postponed from late December 2021.
This was also the band’s first show on April 20 since 1994, and first show in April in the NYC Metro area since 1998, setting up a night full of potential, the rescheduling notwithstanding.
Wasting no time, Phish began the run with 19 minutes of “Carini,” that helped set the tone for the evening. Riding the early wave of energy, Phish parlayed this into a crowd favorite in “Possum” that helped shake the Garden to its core. A funked out, but unfinished, “Moma Dance” then found itself batting third in the lineup.
“Stash” and “Blaze On” satiated fans expecting cannabis-themed references for 4/20, with the former in usual mid-set placement and delivering a blistering jam.
“Sigma Oasis” opened Set 2 and gave way to 22 minutes of “Down with Disease”, an all too prescient combo of ‘take off your mask’ and ‘down with disease / three weeks in my bed. Somewhat surprisingly, Phish didn’t use the “Disease” jam as an immediate launchpad into something else and instead rounded back into completion.
“The Howling” seems to be one of the more popular selections from the band’s Sci-Fi Soldier experiment recently unleashed in Vegas last Halloween and made another appearance mid-second set. A clean segue into “Twist” followed which brought another momentous jam along with it before Phish throttled it back down again once more with ever poignant “Mountains In The Mist.”
To the delight and surprise of many, a late set “Reba” then emerged that yielded a mesmerizing, slow build jam that was rife with euphoria, getting a well deserved cheer from the Garden crowd. The newer Ghosts of the Forest tune “Drift While You’re Still Sleeping” then capped off the emotional second set.
In another surprise of sorts, a rolicking “Gumbo” started off the encore before Phish tapped into the feels once more with a “Slave To The Traffic Light” closer that hit just the right notes, ending the first night of the four-show run in grandiose fashion.
Setlist via Phish.net
Phish – MSG – NYC – April 20, 2022
Set 1: Carini > Possum, The Moma Dance[1] > Leaves, Strange Design, Stash, Blaze On
Set 2: Sigma Oasis > Down with Disease > The Howling -> Twist > Mountains in the Mist, Reba, Drift While You’re Sleeping
Holler stompin’ their way back through the Northeast, The Ghost of Paul Revere made a spirited stop at the historic Bearsville Theater in Woodstock on Friday, April 15. It may also have been their last.
Joined by longtime friend and frequent collaborator, Jackson Kincheloe (of Sister Sparrow and the Dirty Birds) on harmonica for the evening, the band displayed all the hallmarks and charisma that once made mainstream success seem like a “sure thing.” Playing with passion and purpose and like their lives depended on it, you could almost feel there was something more to this performance; something bubbling under the surface that the band already knew but wasn’t ready talk about yet.
They say what doesn’t kill you makes you stronger, and if that’s really true, The Ghost of Paul Revere should be ready for WrestleMania. Indeed, things have never been “easy” for the hard working alt-Americana folk rockers based out of Portland, Maine. Seemingly faced with one set back after another, things came to a literal crossroads this past Februrary in Colorado when their tour van — along with all their instruments, sound gear, swag and merch — was stolen from a hotel parking lot. With everything necessary to make a livelihood suddenly ripped away, the guys had two choices: either head back east with their tails between their legs, or take a chance and travel on into the unknown while relying on the kindness of strangers and fans. With an overwhelming show of support via a GoFundMe page set up for the band, they choose to travel on and were miraculously able to complete the tour without missing a single date. Even more inspiring, after reaching their estimated GoFundMe goal of $20,000 in just two days, GOPR gave back all extra donations, paying them forward to a charity of each band members choosing.
Riding into Bearsville on Friday, it was the first time many fans in attendance were seeing The Ghost of Paul Revere. After being treated to an intimate opening set from singer/songwriter Daniel Rodriguez, one of the founding members of critically acclaimed folk act Elephant Revival, the ‘boys from Buxton’ took the stage shortly after 9pm. Comprised of Griffin Sherry on guitar and vocals, Max Davis on banjo and vocals, Sean McCarthy on bass and vocals and drummer Chuck Gagne, GOPR wasted no time in planting foreshadowing seeds, opening the set with “Love at Your Connivence,” a song about reckoning with the emotions of walking away from someone you love. Up next came the Davis sung “Two Hundred and Twenty-Six Days” before the band welcomed an old friend to the stage, multi-instrumentalist and New York native Jackson Kincheloe. A lanky long-haired cowboy, covered in tattoos and armed with a harmonica, Kincheloe allegedly “just showed up looking like this, knowing all the songs and was ready to go,” immediately making his presence felt on the rocking, up-tempo rendition of the seldom played “Fire in the Sky.”
I lost my will to carry on the day you walked away Now I’m chained to a bottle of whiskey praying the levees goin’ break Just burn my home and take all my things, send me to the lord above Because I know on the day that the judgement comes sure as hell not going up
Lyrics from “Fire in the Sky”
A few songs in and guitar player Griffin Sherry couldn’t help but comment on how well behaved the crowd was, almost daring them to cut loose a little. It was easy for fans to do just that on one of the stand out songs of the night, an extended take on the 2015’s “Two Weeks,” which easily doubled the length of the studio recording and featured the entire band locking in on a groove lead by drummer Chuck Gagne, who appeared to be having an absolute blast playing behind the kit.
After working their way through career spanning staples like “Good at Losing Everything,” “Little Bird,” “San Antone” and “Wild Child,” Ghost of Paul Revere would introduce one of the songs they are most proud of, “Ballad of the 20th Maine” which earned them national attention in 2019 when it was named Maine’s official ballad.
Between songs, banjo player Max Davis took the opportunity to talk about what it felt like playing there that night. That there are certain rooms that have a magic about them, a rich musical history, and that this is one of them and he could feel it, stating “There’s just certain feelings and there’s no lying about it. The people that have been in this space have charted in unknowns and you just hope that you’re also charting in one of those unknowns.” He would then introduce one of his favorite songs to play, “Montreal.”
Well the grass may be greener and the scenery cleaner, but your heart never found a home; Are we growing apart or are we growing up? Are we stuck in a dream or are we waking up?
Lyrics to “Montreal”
One of the things that has helped GOPR gain so many new followers since forming in 2011 has been their tasteful selection of cover choices. Known for putting their unique Holler-folk twist on classics like “Baba O’Riley,” “War Pigs ,”Nothing From Nothing” and even newer songs like Dr. Dogs “Shadow People,” considering we were in Levon Country, a betting man would have probably placed his chips on them doing something like “I Shall Be Released,” a song GOPR has played rather frequently over the years. However, on this night, the band upped the ante and took things in a meta direction, opting to play a cover-of-a- cover in the form of “Atlantic City,” which received one of the biggest ovation of the evening.
Watch video of Ghost of Paul Revere covering “Atlantic City” in Bearsville, NY 4/15/2022
Ghost of Paul Revere would also play “Travel On,” a “yet to be named” new song that featured Sean McCarthy handling the bulk of singing duties before closing out the performance with one final bit of foreshadowing, a powerful and thought provoking song called “This is the End.”
Tell my father it was worth it; Tell my sister not to wait for me
Just don’t ask me if I’m doin’ okay (’cause I’m not okay)
Tell my friends that I love them Oh, my friends, this is the end, this is the end”
Lyrics to “This is the End”
The following day, Ghost of Paul Revere would play a show in Jersey City, NJ before making an announcement on social media Monday that nobody saw coming. “It has been a wild ride filled with an abundance of trials, tribulations and joy. When we first got together eleven years ago, we never could have imagined that we would be given the incredible opportunity to share our music with all of you for this long. Over 1200 shows, 400,000 miles, 46 states, 6 countries and (soon to be) 9 albums later, our journey has finally brought us to the here and now,” the band wrote. “Change is hard, it can be a subtle breeze that pushes you in a specific direction, or a rogue wave appearing without warning from the darkness. For the sake of our own health, our families and you, our fans, we have decided that this year’s Ghostland festival will be our last show – the end to a fantastic journey performing together – as The Ghost of Paul Revere,” the post continued, describing a mix of sadness and gratitude that comes with the decision, and encouraged fans to join them for shows as they finish their final last ride together.
“Although it may seem like it, we want you to know that “This is [not] the end.” The songs and music will always be there to share and enjoy with one another. We are excited to journey into the next chapter of our lives and will continue to keep everyone posted about our future, individual endeavors. We hope to see each and every one of you throughout spring and summer for “The Last Ride,” our final tour, which will include a number of new and exciting announcements and show additions coming soon! We hope to see you there so we can sing the songs we all love and share these final moments with you at least once more.
Love you all and thank you for believing,
Griffin, Sean, Max, & Chuck”
Following the announcement, long time fans flooded the internet with photos and personal memories they’ve shared with the band. Coming from a small town in Maine, it’s clear the Ghost had a far greater reach and meant more to people than they probably realize. Honest songs with beautiful harmonies, the universal appeal of the hard-working everyman and full of untapped potential. With a handful of new dates already announced before their final show in September, you’re encouraged to go see this band while you still can.
NYS Music would like to thank The Ghost of Paul Revere for the music, memories, good times, and for always making time for us over the years. We wish each member the best of luck and success in all their future endeavors.
4/15/22 | Bearsville Theatre | Woodstock, NY
One Set (partial): Love at Your Connivence, Annabelle, Fire in the Sky, Two Weeks, Little Bird, Good at Losing Everything, Travel On, New Song, Ballad of the 20th Maine, Atlantic City, Wild Child, San Antone
Encore: This is the End
For more photos from their final performance in Bearsville, NY, check out the galley below, courtesy of Rock Journalist and NYS Music contributor Zak Radick.
Twiddle and Andy Frasco and the U.N. came to The Town Ballroom in Buffalo on April 7. You can tell both bands on tour are having a ton of fun because all three sets featured various members and friends sitting in, giving a vibe that you were seeing a collective of friends and musicians versus two seperate bands doing their thing.
The show started with a set by Mihali and a few friends which was a mellow open to get the night started. Andy Frasco & The U.N. was next. Half show and half house party on stage, Andy Frasco and his band ramped up the energy, whether swigging from a bottle of Jim Beam, jumping on the piano or pulling various friends and musicians onstage, Andy Frasco is all about having a good time onstage and the Buffalo crowd ate it up.
Twiddle rode the energy from Andy Frasco and the U.N. and kept the crowd dancing all night. An encore of Baba O’Riley brought all of the musicians throughout the night back together onstage for a finale that left the crowd walking out with smiles.
Setlist: Collective Pulse > Be There, Play, The FRENDS Theme, Apples > White Light > Apples > Lost in the Cold, Milk*, Juggernaut Encore: Baba O’Riley^
* with Mike Gantzer ^ with Andy Frasco & The U.N., Mike Gantzer, and Scott Hannay
On Friday, April 9th, all the old school rockers of Albany came back together at The Hollow in Albany for a once-in-a-lifetime reunion of two of the local’s favorite bands from back in the day – The Sharks and Johnny Rabb with his Jailhouse Rockers. This was the third installment of shows celebrating the 30th anniversary of local promoter and rock legend Greg Bell of Guthrie Bell Productions. This epic show at the Hollow proved that even after several decades in the business, Greg Bell still knows what the people want, and consistently gives it to them.
Johnny Rabb & The Jailhouse Rockers
First up was Johnny Rabb & The Jailhouse Rockers. Unlike most of the other bands we have seen recently, these guys didn’t take a little pandemic break — for some of them, it had been decades since they rocked out together. Their set was packed full of well-known and loved oldies ranging from the 50s to the 70s, and it was impossible to tell they hadn’t been on tour.
The Sharks
The Sharks reunited for the first time in 19 years as part of the celebration, bringing with them a following that sold out The Hollow and a captive audience. With an early R&B sound ranging across the 50s to early 80s, the band member (short one) had a party in Albany, thrilling with “Everybody Wants to Know” and two well tuned covers – “Baba O’Riley” by The Who and “Downtown” by Petula Clark.
Setlist: Too Late to go back, I’ll Follow you, Change Your Tune, Take What You Get, Please Say Yes, Pay Day Blues, Bien Vendido, She Never Feels the Same, Too Good for Words, Baby Don’t Know It, How Can I Give You, With Your Love, Moving to America, Baba O’Riley, Little Yeeti, Rehabilitation Blues, Everybody Wants to Know, Good Old Days, Arm in Arm, Down Town, I Won’t Be Happy
The Swyer Theatre at The Egg played host to a sold out afternoon performance on Sunday, April 10 by Triveni, featuring three of the greatest musicians in Indian classical music – Zakir Hussain, Kala Ramnath, and Dr. Jayanthi Kumaresh. The three musicians have been honored in India and abroad with numerous awards, and have collaborated for Triveni’s initial tour in North America.
The mixed crowd drew from the large South Asian population in the Capital Region, all captivated by the sonic experience the trio had to offer this afternoon.
All three performers walked out shortly after 3pm, taking their seats behind their respective instruments. Hussain wished the crowd a happy Palm Sunday, and said that they were all very glad to finally be performing, which was greeted by loud applause from the audience. Ramnath and Kumaresh – wearing traditional saris – flanked Hussain on each side, with Ramnath playing violin to Hussain’s right and Kumaresh the Saraswati Veena.
Hussain noted they would treat the performance as a train on a journey, stopping at different stations. Noting the North Indian raga tradition background of Ramnath, and the South Indian veena of Kumaresh, Hussain served as the bridge for the two to meet, culminating in hypnotic interplay between all three and, at times, duets between them.
The combination of sounds from each of the stringed instruments joined with the tabla made for a consistent musical conversation, one with no breaks in between, just a constant flow from song to song. With the group’s name of Triveni derived from the mythical site of the union of three sacred rivers in India, the name was on point as a perfect one for this concert of musicians.
In one segment, after 20 minutes of continuous interplay between Ramnath and Kumaresh, Zakir joined in after quietly observed the pair. As the collaboration progressed, Hussain used the rapid drumming of his fingers on the tabla to drive the tempo of the “train” quickly uphill. After taking a lengthy solo, Hussain was joined by once again by Ramnath and Kumaresh, bringing the performance to a ferocious close.
After a slightly more than 90-minute set, the trio went out in front of their instruments to bow in appreciation to the audience. At this time, Hussain stepped back, allowing the women to soak in the appreciation from the Swyer Theatre audience.
Triveni Tour Dates
4/12/2022 Pittsburgh Cultural Arts Pittsburgh, PA 4/14/2022 Sixth&i Washington, DC 4/17/2022 Global Arts Live Somerville, MA 4/19/2022 Davidson Theatre Columbus, OH 4/20/2022 Cleveland Museum of Art Cleveland, OH 4/23/2022 Indian Classical Music Circle Austin, TX 4/24/2022 Wortham Center Houston TX
Heavy metal rockers Queensrÿche brought an extended show to Paramount Hudson Valley on April 3 in a one-off headlining set in between shows supporting Judas Priest’s North American tour. The night was packed full with opening sets from Black Dawn and Hittman.
Black Dawn
Formed in 1996 on Long Island, Black Dawn kicked off the night with songs from their five-album discography. NYC’s Hittman has an even longer history in the NY Metro area metal scene dating back to the mid 1980s. Their fast-paced set echoed some of the core sounds of their NYC scene neighbors Dream Theater, just without the higher degree of progressive metal elements.
Hittman
Queensrÿche landed on the Paramount’s stage with an off-night between supporting shows for Judas Priest in Connecticut and Massachusetts. The extended time afforded by their own headlining show allowed them to dust off some songs they weren’t able to fit in their supporting shows such as one of their latest songs “Man the Machine” (from The Verdict, 2019) and other steadfast favorites from the band’s four decade history.
With a long history Queensrÿche has had a few lineup changes over the years; most notably the departure of original singer Geoff Tate in 2012 whose vocals helped shape the band’s sound. The replacement by Todd La Torre has proven to drive the band forward with continuity in their sound and presence.
Queensrÿche Setlist: Queen of the Reich, Warning, En Force, NM 156, Breaking the Silence, I Don’t Believe in Love, Man the Machine, Walk in the Shadows, The Whisper, Silent Lucidity, Jet City Woman, Operation: Mindcrime, The Needle Lies, Eyes of a Stranger
Encore: Take Hold of the Flame, Screaming in Digital, Empire
Touring in support of their debut studio album It Won’t Always Be Like This, released on July 9, 2021 (Polydor), the Irish sensation known as Inhaler performed the second of back-to-back shows in New York City on Monday, April 4.
True to their word as they neared the end of a 20-date North American tour that kicked off one month ago in Atlanta, the quartet of young lads were making up a date that was originally scheduled for March 10, but postponed due to a positive test for COVID-19 among the touring party.
Eli Hewson (Photo: Michael Dinger)
Inhaler’s rapidly growing legion of fans, many of which are comprised of a young female demographic, lined the sidewalks of two city blocks in the Union Square neighborhood of Manhattan, all waiting for tonight’s venue to open its doors to them. Irving Plaza, more than a century and half old, was inhabited as a Polish-American community center in the late-1940s, prior to a conversion into a ballroom-style music hall in 1978. Having hosted legendary performers during its storied history, such as The Clash, Paul McCartney, The Ramones and Bob Dylan, the venue underwent an eight-month long, multi-million dollar renovation in 2019.
Irving Plaza marquee (Photo: Michael Dinger)
Upon entering the iconic venue, general admission fans blew right through the contemporary, revamped lobby and flew up the stairs to the second level stage, hoping to find themselves as close to the night’s performers as possible. Talking with dedicated fan Arianna Russell moments before Inhaler appeared on stage later in the night, I learned that she arrived to queue outside Irving Plaza more than 12 hours earlier! For her to be in the front row, leaning on the stage rail barricade, it was more than worth the effort.
Fans queue (Photo: Michael Dinger)
Having also opened for Inhaler the night before at Warsaw in Brooklyn, the up-and-coming indie-pop rockers known as Rebounder took to the stage at approximately 8:25 pm. These New Your City natives are led by the alluring Dylan Chenfield (singer-songwriter-guitarist), a self-proclaimed huge fan of Bruce Springsteen, who is already known for the nostalgic lyrics about the city that inspires him. The trio is rounded out with Dylan’s younger brother Noah (bass) and Cobey Arner (drums). The fourth offering from their seven song set included their newest single “Premium Fantasy,” a dreamy tune complete with a catchy hook combination of melody and lyrics.
Rebounder (Photo: Michael Dinger)
Noah Chenfield (Photo: Michael Dinger)
As their name suggests, Dylan is also a basketball fan, particularly that of Patrick Ewing and the New York Knicks. A deeper meaning to their moniker, however, can be attributed to their DIY mentality and strive for success, bouncing higher with each new challenge.
Cobey Arner (Photo: Michael Dinger)
Nearing the end of their time onstage, Rebounder executed a shining example of 1970s electronic energy with their synth-dominant track “Swim Zone.” After graciously thanking the audience for their support and Inhaler for inviting them to perform, Rebounder exited house right.
Dylan Chenfield (Photo: Michael Dinger)
For those unfamiliar, Inhaler formed in 2012 at St. Andrews College in Dublin and are Elijah (Eli) Hewson (lead vocals, guitar), Robert Keating (bass), Josh Jenkinson (guitar) and Ryan McMahon (drums). Also joining them for live performances is Louis Lambert (keyboards/synthesizer).
Inhaler (Photo: Michael Dinger)
As a 50-year old Gen Xer, I admittedly discovered Inhaler through my passion of Eli’s father, Paul Hewson (a.k.a. Bono of U2), the legendary frontman himself. Notwithstanding, their infectious songs have completely won me over, dating back to their first single, “I Want You,” which the group self-released in 2017. With their debut album having topped the UK chart in its first week of release, this fast-rising band is “must see” entertainment.
Fans in the front row (Photo: Michael Dinger)
Immediately following two back-to-back shows in Los Angeles, and showing no signs of jet lag, Inhaler appeared on the Irving Plaza stage accompanied by flashing strobe lights that beamed throughout the intimate setting. While surveying the 1,200 souls in attendance, including VIP guests in the mezzanine that included Bono, Christy Turlington, Ed Burns and Helena Christiansen, I heard a fan say to her friend, “If I stop breathing, [just] slap me on the back.” Opening their 12-song set with the title track “It Won’t Always Be Like This,” Eli was dressed in a white t-shirt and head-to-toe in denim. The first words out of his mouth, which he addressed to the fervent audience who jam-packed the entire floor area like sardines in a tin, were, “A Monday night never felt so good, thank you for coming to see us.”
Crowd waiting for Inhaler to take the stage (Photo: Michael Dinger)
Ryan McMahon (Photo: Michael Dinger)
Equipped with a Fender Stratocaster that was complete with an Elvis Presley guitar strap, for the next hour, Eli and his bandmates would tear through fan favorites such as “We Have To Move On,” “Ice Cream Sundae,” “When It Breaks” and “Cheer Up Baby.”
Robert Keating (Photo: Michael Dinger)
Well on their way to becoming refined songsmiths, Inhaler songs are defined with a dizzying array of sonic textures, complete with a melodic chorus that grabs your immediate attention upon first listen. Their dynamic, intricate instrumentation is anchored by Jenkinson’s soaring guitar riffs, Keating’s rhythmic, thumping bass lines and McMahon’s dynamic drumming style reminiscent of Stewart Copeland, The Police drummer he has noted as one of his inspirations. The closing number, “My Honest Face,” is a coming-of-age song that Eli wrote about losing himself, and then finding himself again, figuring out the type of performer that he wanted to be onstage, in front of a live audience.
Josh Jenkinson (Photo: Michael Dinger)
Inhaler’s It Won’t Always Be Like This North American tour wrapped in Toronto, Canada on April 6th. The band’s next plans for world domination in 2022 include 60 plus shows spanning the globe that will take them to Germany, Italy, France, Spain, Scandinavia, The Balkans, United Kingdom, and of course, The Emerald Isle. Several stops along the way will also include major festival dates, such as PinkPop (June 19), Glastonbury (June 22), Rock Werchter (July 1) and Lollapalooza (July 28). Additional details can be found on their website here: https://www.inhaler.band/
Eli Hewson (Photo: Michael Dinger)
Rebounder Setlist: Change Shapes > Slow Angel > The Library > Premium Fantasy > Lovers > Swim Zone > Night Sports
Inhaler Setlist: It Won’t Always Be Like This > We Have to Move On > Slide Out the Window > Ice Cream Sundae > When It Breaks > A Night on the Floor > Who’s Your Money On? (Plastic House) > My King Will Be Kind > Totally > In My Sleep > Cheer Up Baby > My Honest Face
