George Clinton & Parliament Funkadelic embarked on their One Nation Under A Groove tour on Wednesday, June 15 in Central Park’s Summerstage. Bands including Dopapod, The Motet, & Pimps of Joytime performed ahead of the legendary funk band, a part of Blue Note Jazz festival.
Dopapod played an incredible yet much shorter set than the excited fans were used to, but regardless it was a super tight set and the band all seemed hyped for their stacked summer tour.
Shira Elias stole the show when she joined in with The Motet and The Horn Section, all of them former members of Turkuaz, with Elias’ vocals and stage presence nothing short of amazing. As the show went on, the funk meter increased until it was finally time for P Funk who brought an intensely funky, fun, and freaky time.
Capital Region punk/metal industrial rock legends The Clay People busted out of the underground over the weekend, playing their first hometown gig in years on Friday, June 17th at Albany’s Empire Live. The enduring icons not only gave fans a preview of their forthcoming studio album, Cult Hypnotica, but also used the occasion to debut their very own comic book.
The Clay People performing at Empire Underground on 6-17-22.
From modest beginnings in the underground Industrial Darkwave scene, to the breakout release of their self-titled major label debut, it has been a long, strange journey for these Albany rockers. Born from the unique creative bond of Daniel Dinsmore, Brian McGarvey and Daniel Neet, The Clay People first started making music together in 1989. In the decades that followed, the band would add guitarist Jared Weed and bass player Eric Braymer and go on to share the stage with internationally known touring acts such as Stained, Static X, Clutch, Rob Zombie, Disturbed, Filter and Stabbing Westward to name a few. In 2020, the band seemingly rose from the dead and released Demon Hero and Other Extraordinary Phantasmagoric Anomalies & Fables, a bold and massive sounding album that sent a clear message: this band is far from finished.
Daniel Neet performing with The Clay People at Empire Underground on 6-17-22.
In fact, 2022 is shaping up to be one of The Clay People’s most prolific years in quite some time. Having spent the pandemic unleashing their trapped energy and recording a deep library of new tracks, the band just put the finishing touches on their latest studio album, the highly anticipated Cult Hypnotica, which is set to drop on July 1st with supporting dates expected to be announced shortly thereafter. To help get the hype train going a bit, The Clay People decided to treat some of their oldest and most dedicated fans to a taste of the new material during a hometown throwdown performance at the new, yet familiar Empire Underground in downtown Albany, a venue highly reminiscent of the former Northern Lights in Clifton Park where TCP played some of their most legendary shows.
The Clay People debut their very own comic book “Colossus”in Albany, NY 6/17/22.
Opening the performance with a bit of a mash-up cover of Lo Fidelity Allstars “Battle Flag,” it wasn’t long before the bedlam picked up proper with “Colossus,” the song that inspired the band’s new comic book of the same name. The comic, which was collaboratively produced by Top Cow Productions, Inc and Epitome Studios, was one sale for the first time at the bands merch table. After a squealing version of “NoW,” The Clay People then busted out a song everyone in attendance seemed to know, “Plug” off their 1998 breakthrough self-titled album.
You can’t give in Living in this guilt of sin Losing your grip What can you make of it? Are you a part of it? You can’t give in
Lyrics from “Plug”
Spending much of the show perched on top of the front row barricade, frontman Daniel Neet’s stage presence was powerful and commanding. Dressed all in black, wearing sunglasses and resembling the late Layne Staley (Alice in Chains) a bit, Neet’s unique voice effortlessly shifted from gravely baritone, to spoken word, to all out fits of shouting rage. Still sounding great after all these years, Neet poured everything he had into this performance and with enough vigor of a man half his age.
The Clay People performing at Empire Underground on 6-17-22.
After “Plug,” The Clay People would then debut a series of songs off their upcoming album, including “Turn Me On,”” Cult Hypnotic,” “Drugs,” She Loves,” and ” Destroy All Humans,” before returning to the TCP staples like “X-Ploding Head” and “Pariah” which had the whole crowd banging their heads in unison and shouting “I don’t want to die here.” After working their way through “Strange Day,” the band would then play the most commercially successful song in their catalog, 1998’s irresistible riff heavy classic anthem, “Awake” and finally bring the performance to a close with one of their oldest songs, “Stone.”
A little older and wiser, but just as intense. While their sound has evolved over the years, The Clay People have always stayed true to their heavy punk roots and despite the odds, have managed to stay relevant for more than thirty years. Outlasting most of the bands they came up with and with a new album right around the corner, it almost feels as if The Clay People have found the fountain of youth. With the type of physically demanding music they play and their equally demanding stage show, you have to wonder how long these guys can perform at this type of level. When contemplating that very question, vocalist Dan Neet simply grinned and said, “Like a cockroach. You can’t get rid of me. We’ll keep going until we’re dead.” Cult Hypnotica comes out on July 1st.
The Clay People | June 17, 2022 | Albany, NY | Empire Underground
Setlist: Battle Flag (intro), Colossus, NoW, Plug, Turn Me On, Cult Hypnotic, Drugs, She Loves, Destroy All Humans, X-ploding Head, Strange Day, Pariah, Awake, Stone
Check out the full gallery of photos from the show and fan recorded video of “X-ploding Head,” “Awake” and “Stone,” below from NYS Music Photographer Zak Radick
Paul McCartney put on an epic show at Metlife Stadium on Thursday, June 16, just two days before his 80th birthday. The Beatles legend was joined by two New Jersey legends to help celebrate. First Bruce Springsteen joined Paul to sing his hit “Glory Days” as well as “I Wanna Be Your Man.” He also came out during the encore to trade guitar solos with Paul’s longtime touring guitar players Rusty Anderson and Brian Ray on “The End.” Jon Bon Jovi also made an appearance to wish Paul a happy 80th and lead the crowd in “Happy Birthday to You.”
Bruce Springsteen and Paul McCartney at Metlife Stadium
Another highlight, besides Bruce Springsteen and Bon Jovi unexpectedly showing up, was when Paul McCartney played a duet of “I’ve Got A Feeling” with footage of John Lennon isolated from the recent Get Back documentary. This show was the last stop on his Got Back Tour and it was a marathon. Paul played for 3 hours without leaving the stage and performed 40 songs. Other songs on the setlist included more Beatles hits like “Getting Better” and “Love Me Do” as well as “Blackbird” and “Get Back.”
Paul McCartney at Metlife Stadium
Paul sounded great and seemed to sound even better as the night went on. When asked on PaulMcCartney.com if he enjoyed being back out on the road after such a long break because of the pandemic, he said Yes! It’s always a bit of hard work trying to get back up to speed again, but the audiences make it so enjoyable that it doesn’t feel like work. So yeah, we’re all having a good time.
Before the show, some lucky fans got a glimpse of Paul as he arrived via police escort into Metlife Stadium. He passed by slowly with the window down waving to his fans, some waiting for hours just to see him for a few seconds, but it was totally worth it! It was amazing to see people of all ages, including kids from this generation, holding up signs to greet him and even getting emotional after he passed. V.I.P. ticket holders also got to attend a 13 song sound check that included many songs not on the actual setlist.
V.I.P. Soundcheck Setlist: Instrumental Jam, Matchbox, Honey Hush, Coming Up, I Wanna Be Your Man, Women and Wives, Let Em In, Every Night, Mrs. Vanderbilt, Ram On, Midnight Special, New, Lady Madonna
Setlist: Can’t Buy Me Love, Junior’s Farm, Letting Go, Got To Get You Into My Life, Come On to Me, Let Me Roll It, Getting Better, Let Em In, My Valentine, Nineteen Hundred and Eighty-Five, Maybe I’m Amazed, I’ve Just Seen a Face, In Spite of All the Danger, Love Me Do, Dance Tonight, Blackbird, Here Today, New, Lady Madonna, Fuh You, Jet, Being for the Benefit of Mr Kite!, Something, Ob-La-Di,Ob-La-Da, You Never Give Me Your Money, She Came in Through the Bathroom Window, Get Back, Band on the Run, Glory Days (With Bruce), I Wanna Be Your Man (With Bruce), Let It Be, Live and Let Die, Hey Jude,
Encore: I’ve Got A Feeling, Happy Birthday to You With Bon Jovi), Birthday, Helter Skelter, Golden Slumbers, Carry That Weight, The End
Making their first visit to Albany since October 2017, Spafford returned to the Capital Region with a vengeance on Thursday, June 16. Headlining week two of Albany’s beloved Alive at 5 concert series, organizers could not have booked a more appropriate act for “Jam Night” than the Arizona improv quartet; a band that’s bolstered their reputation in recent years by occasionally surprising audiences with unannounced single-song shows.
Despite a tornado warning in areas of Western New York, mother nature played nice and so did the band. Indeed the jams at Jennings Landing on this night went long and strong and judging by the look on many of the first timers in the crowd, it was as if the music was hitting them over the head like a sonic sledgehammer, and they loved it.
Opening band and local legends Annie in the Water started the evening as only they know how. The whole band was delighted to be playing for Alive at Five and you could tell from the first note. Although it wasn’t the jam-heavy sets fans may be accustomed to, the Annie boys threw down a well-rounded set that had a large portion of people on their feet. They chose original songs as well as an excellent cover of Fleetwood Mac’s “Dreams” that have brought their fans to fall in love with the band.
Setlist: Time to Play, In the Sand, Lights up, River, Dreams (Fleetwood Mac), Seeds, Dancing the Night Away
In an age where “jamming” is often viewed as a dirty word, Spafford makes no bones about what type of band they are. Comprised of Brian Moss (guitar/vocals), Jordan Fairless (Bass), Andrew “Red” Johnson on keyboards and Nick Tkachyk on drums, their social media bio simply says “We Jam.” But while the theme for this week was “Jam night,” this was anything but your typical Spafford show. For one thing it was totally free, thus attracting a lot of curious and first-time listeners. Second, due to the 8pm city curfew, there was only time for the band to play one set and no encore. Another key component missing was the bands elaborate light show, which due to the time of day was an impossibility.
Well aware of these limitations, Spafford played it smart and went with an almost “festival-like” setlist. With first time ears upon them, they decided to offer up a collection of some of their more well known and more accessible compositions. Kicking things off with one of the songs that put them on the map, the opening riff of “Electric Taco Stand” made it clear that despite the constraints, these Arizona cats came to Albany to boogie down. After a beautiful and contemplative version of the Andrew “Red” Johnson sung “Slip and Squander,” bassist Jordan Fairless had his chance to shine on what was perhaps the highlight of the night, “Leave the Light On.” Shifting gears from its reggae style structure, this version would drift into a delicate and blissfully sublime space before Jordan would reel it in and lead fans through the call and response portion of the song, so catchy even first timers could be seen mouthing the words in unison.
Worth noting is that the guys appeared to be having an absolute blast on stage. Smiles all around, Jordan in particular seemed more jovial than his usual self, even making all kinds of “bass faces” and playing off Brian’s tasty licks by sticking out his tongue during an absolutely epic version of “Back Door Funk.” Showcasing their versatility and flaunting their ability to blend various genres seamlessly into one, the evening had everything from filthy funk and up-tempo jamtronica, to rump-shaking reggae, introspective instrumentals and all out rock n’ roll shred fests courtesy of Mr. Brian Moss and his custom Thomas Milana guitar: The Raven. In fact, if there was an actual way to keep track of such things, I’d be willing to bet Moss played more notes during this set than any other performer in Alive at 5 history.
After working their way through “Mind’s Unchained,” the show would come to a glorious end by way of the anthemic “Salamander Song” in which the audience was encouraged to “dance the whole way home.” Judging by the look on some of the freshly melted faces of Albany’s first timers, that’s exactly what they may have done. While it may not have been your typical two-set Spafford show, there was still plenty to like about this performance. Savoring every minute of it, Albany fans can only hope it doesn’t take 5 more years for this very talented band to return.
6/16/22 | Alive at Five | Albany, NY
Setlist: Electric Taco Stand, Slip and Squander, Leave the Light On, Backdoor Funk, Mind’s Unchained > Salamander Song
Up next in the Alive at 5 concert series is Classic Rock night with Lita Ford headlining and up-and-coming New York band Candy Ambulance opening things up. The event is scheduled to take place on June, 23 at Jennings Landing on Thursday, June 23, 2022 and as always, is completely free.
On Thursday, June 9th, 2022, Albany’s first Alive at 5 show of the year opened with Alternative/Indie rock band Young Culture and closed out with Pop-punk band State Champs. The show was moved to the rain location at Corning Perserve Boat Launch after rain was in the forecast. The sun was shining bright, however, for a high energy performance with crowd surfers just as high.
Both bands are originally from the Capital Region whose music might bring out feelings that a typical high schooler would have from their crush. Both bands share an alternative rock style that a teenager going through a break up could bop their head to. After many years of success, they decided to come back home to open the Alive at 5 series.
Young Culture started in Albany in 2016, and quickly blew up after the release of their EP “(This is) Heaven.” Young Culture performed at Empire Live back in November of 2021 for Grayscale’s Umbra Tour. Young Culture is gearing up for a summer tour titled, Into the Raging Sea with Broadside. State Champs also performed at Empire Live as the head liners for Frozen Fest. This was the release show for State Champs’ new album, Kings of a New Age.
Alive at 5 could not chose two better bands to open the series. Young Culture’s lead vocalist, Alex Magan connected with the young crowd with “Kinda Over You,” a song he said was about his ex-girlfriend in high school. That song, along with “Laylo,” helped the young crowd to mellow out for a short bit and connect with the band on a more personal level. Both songs where about a love that did not last, a theme that resonated well with the audience.
They left on a high note with “Party Girl” and “Holiday in Vegas.” Alex stood on equipment boxes in the pit to grab the hands of those crowd surfing. There was a long of head banging from other members of the band along with the crowd. They thanked Albany for inviting them back home.
Representatives from In Our Own Voices and the Capital Pride Center came out with Kathy Sheehan, the Mayor of Albany and Sam Mills, Albany’s 2022 Tulip Queen. They all gave a brief speeches about upcoming pride events in the Capital Region.
State Champs brought energy back up when they opened with “Here to Stay.” The band tried to remind everyone that Alive at 5 was supposed to be a family fun event, but then performed “Everybody But You,” one of their hit songs with the F-word emphasized in the chorus. Members of the band stood on the equipment boxes to greet crowd surfers during the set. The crowd surfing was constant by mostly young people. It was evident that the crowd may have been getting tired of the surfing as many surfers were being thrown to the barricade towards the end. The most pit opened twice, first for a circle mosh ad the second time for a traditional mosh.
It was a great performance from State Champs, that lasted over an hour. They answered cheers for an encore with two songs. They have a tour lined up for Sad Summer Fest starting in July. The festival comes to New York on July 22nd at Pier 17.
Young Culture Setlist: Bloodthin, Better Off as Friends, Hum, Godspeed, Kinda Over it, HB16, Fantasy, Laylo, Shiver, 21 Days, Drift, Party Girl, Holiday in Vegas
State Champs Setlist: Here to Stay, Eventually, Frozen, Outta My Head, Hard to Please, Mine is Gold, Act Like That, Simple Existence, Remedy, Easy Enough, Criminal, Just Sound, Losing Myself, Slow Burn, History, Everybody But You, Dead and Gone, Elevated, Secrets
Brooklyn-based artist mxmtoon performed two back-to-back shows at Webster Hall on June 7 and 8. A self-proclaimed “emo girl with a ukelele”, the 21-year-old expertly conducted a show that swung between positivity and embracing being sad.
A crowd full of teenagers loudly sang along to the pre-show playlist, which was filled with Pheobe Bridgers and Mitski tracks. As the lights died down, the crowd erupted in cheers. The artist (who also goes by Maia), sauntered onto the stage with a giant grin.
“You guys are LOUD…I could hear you singing along backstage” she exclaimed with a giggle.
As the audience laughed, the opening chords of “falling for u” rung out and the show began. Though Maia is a young artist, she commands the stage with authority. She fully lost herself in dance during several moments of the set, most notably during her third song “sad disco”.
The artist tactfully interspersed short stories as a way to prime the audience for shifts in energy. mxmtoon took the time to connect with her audience whilst explaining the meanings behind her songs, which ranged from experiencing depression to wanting to write a song featuring her mother and father.
A moment that particularly stood out was when the artist spotted a pride flag in the audience. Calling attention to the flag, Maia told the audience how she came to realize that she was bi. As she wrapped up her coming-out story, she fervently encouraged the crowd to embrace their authentic selves. The crowd instantly began cheering and jumping with happiness as the artist wished them a happy pride month, which was one of the many touching moments throughout her set.
mxmtoon released her new album, rising, on May 20. The album has several standout singles, such as “Mona Lisa“. rising has received praise from major outlets such as Alternative Press, Billboard, and Uproxx.
On Wednesday June 8th, Arthur’s Tavern located in the West Village had it’s long awaited grand reopening with New Orleans legend Kermit Ruffins headlining. The historic jazz club first opened its doors in 1937, but was forced to close in 2020 due to the pandemic. Arthur’s has hosted performances as well as long term residencies over the years by some of the biggest names in jazz such as Charlie Parker, Mabel Godwin, Al Bundy and The Grove Street Stompers.
Kermit Ruffins at Arthur’s NYC
Jazz trumpeter Ruffins had the honor of performing at the reopening. His band includes Yoshitaka “Z2” Tsuji on piano, Kevin Morris on bass and Jerry Anderson on drums.
I’m just a small jazz player from New Orleans, and all of a sudden I’m sitting right here. It’s full circle to be sitting here knowing the history of this place and I’m so excited.
Kermit Ruffins, just before going on stage
Ruffins, born in New Orleans, is not only a trumpeter, but a singer, composer and actor. His influences include Louis Armstrong and Louis Jordan. He plays himself in the HBO Series Treme and also owns a bar in his hometown called Kermit’s Treme Mother-In-Law Lounge. Ruffins has also sat in with Jon Batiste and Stay Human on The Late Show with Stephen Colbert.
Arthur’s has a very intimate atmosphere and offers live music every night with no cover charge. The staff is also very friendly and accommodating. It’s one of the best spots in the village and has a very “Old New York” vibe. You can see all of their upcoming events here.
Ron Carter received the perfect celebration for his 85th birthday at Carnegie Hall on May 10. The prolific Michigan-born jazz bassist is regarded as one of the most influential jazz musicians in the world, with a world record 2,221 recording session appearances since his career started in the 1960s.
Jazz connoisseurs were delighted by Carter’s presentation of three of his ensembles showcasing the diversity of his musical talents fit for the pristine acoustics of Carnegie Hall. His first set featured two traditional jazz settings supported by phenomenal musicians – the Golden Striker Trio and the Foursight Quartet – while his second set featured an orchestrated octet blending jazz and world music sounds. Closing the night after a sentimental birthday wish on stage from Carter’s son Quintell Williams Carter, he performed a solo piece on piccolo bass which is a signature invention by him and Stanley Clarke (a piccolo bass looks like a regular bass but is tuned an octave higher to give more prominence to solos and lead parts on the instrument).
Throughout the program, emcee Lester Holt and guest speakers/fellow bass virtuosos Stanley Clarke and Buster Williams spoke in great repute about Carter’s diverse talents in music, writing, collaboration, and education and each echoed his great character and humor as a person which he demonstrated throughout the night while explaining the compositions or sharing an off-the-cuff story. “We’re gonna keep comin’ out here til we get it right!” he exclaimed during each of his ensembles sets, slightly ironic to Carnegie Hall’s famous line of “practice, practice, practice!” before his closing remark of “well, I guess we finally got it right.”
After a brief intermission, Lester Holt welcomed to the stage Mikio Mori, Ambassador and Consul-General of Japan in New York. Amb. Mori expressed the deepest of gratitude to Carter for “helping jazz evolve as a language between Americans and the Japanese in the spirit of friendship and peace” which has flourished a jazz movement in Japan over the last several decades. From his various contributions along with performances in Japan following the Sept. 11, 2001 attacks and following the devastating earthquake in March 2011, Carter was bestowed the honor of the Order of the Rising Sun with Rosette in 2021.
Witnessing Mr. Carter’s performance at Carnegie Hall was an immersive exhibit of world-class talent. We would like to extend our warmest of wishes for his 85th birthday and look forward to hearing more of his virtuosity.
Ron Carter at Carnegie Hall Setlist (composer listed in parenthesis):
Golden Striker Trio: Laverne Walk (Pettiford), Candlelight (Carter), Soft Winds (Henderson)
Ron Carter Foursight Quartet: 595 (Carter), Mr. Bowtie (Carter), My Funny Valentine (Henderson), You and the Night and the Music (Schwartz)
Intermission
Ron Carter Octet: Abide with Me (trad.), El Rompe Cabeza (Carter), Song for You (Russell), Song for a Friend* (Carter), All Blues (Davis), Just a Closer Walk with Thee (trad.)
*”Song for a Friend” written in dedication to Carter’s father
What is there to say about Curren$y… a legend, a stoner rap icon, and also quite the performer. Coming off of a recent release, Curren$y gave the audience at Sony Hall a dynamic and intimate performance Friday night, May 27th.
Shante Scott Franklin, better known as Curren$y is a rapper, songwriter and record execuive with his own label Jet Life. The Louisiana native existed in the underground rap scene for over a decade finding his own niche within the stoner rap sub-genre with the likes of Wiz Khalifa and Mac Miller.
Some of his best work include The Marina which features Smoke DZA, Action Bronson, French Montana and Wiz Khalifa. Curren$y shows his charisma and charm through this thought provoking lyrics and smooth punchlines.
During the show, Curren$y stopped the music to go on a quick aside on his love for the movie Scarface. He urged the audience to understand the deeper implications of the movie and the way it represents how a unhealthy desire for fame and fortune can corrupt.
Curren$y brought down the house at Sony Hall on Friday night. Curren$y recently released Continuance which features production by esteemed producer Alchemist. He played most of his new album during his performance in additional to his beloved classic songs.
Venturing to the Village of Lake George is a typical Memorial Day Weekend activity for many in the greater 518 region, as the picture-perfect gateway to the Adirondacks offers a taste of summer up and down Canada Street. For those looking to start their summer with live music, the first annual Memorial Meltdown provided a fresh start to a season of live music in Lake George, with a lineup of regional favorites, highlighted by four sets of Twiddle.
Saturday began with The Whiskey Dicks, featuring Ryan Dempsey & Joe Cirotti, a self-described flaccid rock band from Burlington. Cirotti is a multi-instrumentalist from in Hackettstown, NJ who performs solo and with his rock band, Only Living Boy.
With the threat of rain passing the region, Marble Eyes filled in the late afternoon with rock and roll for the soul. Born in 2020 from the pandemic, Marble Eyes features a collection of New Hampshire Seacoast musicians, Eric Gould (Pink Talking Fish, Bass/Vocals), Mike Carter (Guitar/Vocals), Adrian Tramontano (Kung Fu, The Breakfast, Drums) and Max Chase (Keyboards/Vocals).
North Country legends Lucid brought the party into the early evening, with percussionist Lowell Wurster welcoming his father, George, to the stage to play harmonica on “Backwoods” and sang on The Doors’ “Roadhouse Blues,” joining Ryan “Rippy” Trumbull (drums), Kevin Sabourin (guitar and vocals), Jamie Armstrong (saxophones, clarinet and vocals), Chris Shacklett (bass, trombone and vocals), and Andrew Dellar (keyboards, accordion and vocals).
Jack Brown (Sophistafunk) and Lowell Wurster (Lucid) – photo by Laura Carbone
Twiddle played their first two sets of the weekend with Adrian Tramontano filling in for Brook Jordan. If you’ve caught Twiddle in the past few months, you know the shift in their sound is apparent with the energetic Tramontano elevating the playing of his three on-stage counterparts. The second set closed with the newest single, the radio friendly “Beautiful,” off Twiddle’s upcoming studio album.
Set 1: Earth Mama, Stroganoff, Daydream Farmer, White Light, The Devil, Jamflowman [1]
Set 2: Enter -> [2] Orlando’s -> Apples -> Mamunes the Faun -> Dr. Remidis Melodium -> Orlando’s, Breakadidown, Beautiful [3]
Encore: Beethoven & Greene -> Frankenfoote
[1] – Contained Layla teases [2] – Contained I Dreamed a Dream teases [3] – First time played
Another gorgeous day in Lake George was accompanied by five sets of music, starting with Long Island’s Baked Shrimp. The group is on the heels of their recent release, Pork Etiquette, and just about to embark on a 50 show summer tour, capped off in September with their second annual LonCon Music Festival, held in Bethel at Yasgur’s Farm.
Sophistafunk, fresh from a trip to Los Angeles where the Syracuse funk group recorded an appearance for an upcoming TV show, dropped a funk filled set. Roots of Creation followed, opening up their set with a pair of Grateful Dead covers, “They Love Each Other” and “Scarlet Begonias,” a rousing response coming from the late afternoon crowd.
photo by Laura Carbone
For Twiddle’s first set of the evening, the upbeat opener “Collective Pulse” (which has a distinct ring of Warren Zevon’s “Things to Do in Denver When You’re Dead,” prior to the refrain) was followed by “Hattiebagen McRat” and Lowell Wurster joining the band on washboard. When he was introduced, Mihali was sure to give a nod to the many years Twiddle played at Backwoods Pondfest in Peru, NY, a festival favorite for many that elicited cheers from across the commons.
Following “Lost in the Cold” a jazzy segue into “Doinkinbonk!!!” evolved into a keys/drums segment that channeled Umphrey’s McGee with its velocity and new wave tone. The energy that Tramontano brought to the stage added greatly to the night, and was on display in a cover of Primus’ “Too Many Puppies.”
The final set of Memorial Meltdown began with “Milk” and was highlighted by “Wasabi Eruption” -> “The Box” and “Latin Tang” seguing into Led Zeppelin’s “Fool In The Rain.” An encore of Radiohead’s “Creep” -and the perennial crowd sing-along “When It Rains It Pours” closed out the evening at 11pm, the crowd dispersing into the night.
Promoter Dave Ehmann made the first Memorial Meltdown a rousing success, channeling the energy of the summer into two music-filled days. With ADK Fest over Labor Day weekend in Lake George, make plans to be visit the Queen of American Lakes later this summer.
Set 1: Collective Pulse, Hattibagen McRat [1], Lost In The Cold -> Doinkinbonk!!! -> Too Many Puppies -> [2] Doinkinbonk!!!, Zazu’s Flight, Frends Theme [3]
Set 2: Milk, Syncopated Healing, Wasabi Eruption -> The Box, Latin Tang -> Fool In The Rain -> [4][5] Latin Tang [5], Slippin’ In The Kitchen
Encore: Creep -> [6] When It Rains It Pours [7]
[1] Lowell Wurster (Lucid) on washboard [2] Primus [3] w/ Scott Hannay on keytar [4] Led Zeppelin [5] w/ Scott Hannay on guitar [6] Radiohead [7] Contained ‘My Heart Will Go On’ and ‘Somewhere Over the Rainbow’ teases
