Trey Anastasio will return to the Beacon Theatre on June 22nd and 23rd for two solo acoustic performances, this time with a full capacity audience. The shows will mark the first time the Beacon has had a crowd since March 2020.
After 8 weeks of Beacon Jams in Fall 2020, which found Anastasio performing with TAB and assorted guests, including the Rescue Squad Strings, he returns this June for two nights solo. All guests over the age of 16 will need to be fully vaccinated for this event and provide proof upon entry.
Tickets for the shows will go on sale Thursday, May 27 at Noon ET, here. Note – there is no pre-sale for these shows.
Update – these shows are now both sold out. James Dolan, Executive Chairman and CEO of MSG Entertainment said the following in a statement:
Trey was the only artist to play live at The Beacon during the pandemic, so we’re honored that he’ll be the first artist back on our stage playing for a packed house. There’s no question people are eager to start gathering to once again experience events they love — and are more than willing to get vaccinated to do so. We’re focused on opening up all our venues to not just usher in the return of live entertainment, but of New York.
James Dolan
For anyone looking to request to purchase a taper ticket for the shows at the Beacon Theatre, please email tapertickets@gmail.com by 9pm ET on Wednesday, May 26th. Access to taper tickets is extremely limited and not guaranteed.
The Beacon Theatre venue vaccination policy and stipulations are as follows:
Guests will need to be fully vaccinated for Two Evenings with Trey Anastasio at the Beacon Theatre, meaning the event must be at least 14 days after your second dose of the Pfizer-BioNtech or Moderna COVID-19 vaccine or at least 14 days after your single dose of Johnson & Johnson’s Janssen COVID-19 vaccine. The only exception is for children under the age of 16, who may provide proof of a negative antigen COVID-19 test, negative PCR COVID-19 test or full vaccination and are accompanied by a vaccinated adult. For more information, please visit beacontheatre.com/faqs.
The Linda: WAMC’s Performing Arts Studio will reopen to live audiences for the first time since the breakout of the COVID-19 pandemic with a performance by the Paa Kow Afro-fusion Orchestra on Saturday, June 19 at 8pm.
Ghana born drummer and composer, Paa Kow, blends rhythm and artistry from his home with jazz and African roots creating his own Afro-Fusion sound. Dubbed “Ghana’s most artistic drummer” (Modern Ghana), he plays a custom, hand-carved, traditionally inspired Ghanaian drum set that is the only one of its kind in the world, guaranteeing an extraordinary cultural and musical experience. Paa Kow has toured internationally, sharing stages with both African and American luminaries including Kojo Antwi, Amakye Dede, and Victor Wooten.
Growing up in the small village of Enyan Denkyira near Cape Coast in Ghana, West Africa, Paa Kow is widely recognized as one of the most remarkable drum set players to tour in Africa, Europe, and America. Paa Kow’s deep groove and prodigious talent reveal a unique ability to speak to listeners with his drums, inspiring a profound spiritual conversation and fulfilling his vision to spread the music and culture of his homeland by touring the world with his Afro-fusion Orchestra.
With his albums such as Hand Go Hand Come, Ask, and Cookpot, Paa Kow has spread his creativity and his culture all across the world. His newest album, Nkwa Na Ehia, released in April of this year, heavily features Paa Kow’s native language of Fante. The rhythmic songs will be a great way to celebrate the reopening of The Linda.
A restricted quantity of seats will be available to maintain social distancing guidelines. Fully vaccinated patrons will be allowed to attend maskless and unvaccinated patrons will be encouraged to wear face masks. Seating and common traffic areas will be socially distanced. Additional live concerts and performances at The Linda will be announced in the next few weeks.
Tickets for the Paa Kow Afro-fusion Orchestra are $20 in advance and $25 on the day of the show. Advanced tickets are available through The Linda’s website.
For more information and updates regarding The Linda: WAMC’ Performing Arts Studio visit The Linda’s website. To stay updated follow their Facebook and Instagram.
First Generation, born in America, and sitting in the back of her Iranian parent’s car, coasting through Northern Virginia as they all sing along to “How can you mend a Broken Heart” by the Bee Gees.
Moments like these are when Susan Darvishi started to feel connected with the music that surrounded her. And with her debut album 14th and 4th, releasign on May 26th, she is able to take her relationship with music and tell the stories of the past five years living in New York City on 14th and 4th, before moving out to California.
Susan Darvishi
Of the album’s eight songs, she is able to cover five years of emotions from living in the constantly loud pumping heart of New York City. Whether it is falling in love in the city (“Polaroid” or “Dance With You”), keeping with girl code and internal struggles with heart break (“Him” and “No Choice”), or the bitter sweet goodbyes you have to make in order to start a new chapter (“New Salvation” and “Drift Away”), Davishi is able to tell her stories beautifully through songs on this album.
Darvishi’s strong voice pairs appreciably well with the beats, giving most of her songs a fun upbeat electronic pop sound to them. That is said with the exception of “No Choice” and “Drift Away” where she is able to pull away from her other songs and use a slower electric sound to really show off her strong vocals and meaningful lyrics.
From her “love [of] Latin music, I listen to in my free time” and then the “Persian music I listen to with my family” she says “sometimes those two blend. They love fast beats.” These influences of music can especially be heard in songs such as “Him” that is a very upbeat song with almost a Persian music sound to it.
This album has a very good mix between upbeat songs that make you want to get up and dance to songs that give you time to reflect on some of your past chapters. Her sound is with similar likes to artists such as Robyn and the sky seems to be the limit for her musical career.
The stories from her songs about her time in NYC still feel as though they are about a time in your life and manage to still be very relatable. Since she left her job in NYC to pursue her career in music right before covid hit she hasn’t been able to perform live but she is just as excited as her listeners for her to start performing on stage in front of a covid free audience.
On May 26, 2019, The String Cheese Incident played the second night of their Memorial Day Weekend run at the legendary Capitol Theatre in Port Chester, New York. 2019 marked the band’s 25th anniversary. SCI is Michael Kang, Michael Travis, Bill Nershi, Kyle Hollingsworth, Jason Hann and Keith Moseley.
They opened the show with their 2018 single “Vertigo”. Kyle then kicked off a 16 minute version of “Black And White”. That was transitioned very nicely into “Can’t Wait Another Day”. They then kicked off the first of many cover songs with Peter Rowan’s “Midnight Moonlight”, followed by “Valley of the Jig” and “Siren’s”. Both songs were on their 2003 album “Untying The Knot”. The first set ended with “Restless Wind” from the 1998 album “Round the Wheel”. That really highlighted Nershi tearing it up on acoustic guitar.
The second set began with “Just One Story” that got the crowd immediately charged back up after a quick break. Next up was “Rosie” and the title track to the 2014 album “Song In My Hand”, which both songs also appeared on. Then came the second cover of the night, The Jerry Garcia’s Band’s “Tore Up Over You”. Some of The Grateful Dead’s most legendary shows happened at The Capitol Theatre in the early seventies. That was long before most of the people in the audience, including myself were even born. Then there was a lengthy version of “45th of November” from the 2005 album “One Step Closer”.
Another highlight of the night was the band’s’ cover of The Talking Heads “Burning Down the House”. They also performed “Wheel Hoss” which was written by one of the founders of bluegrass music, Bill Monroe in 1955. The set then ended with a cover of The Weather Report’s classic “Birdland” before they circled back to the sets first song, “Just One Story.” The 4 hour plus show ended with a one song encore of “Barstool.”
String Cheese Incident – The Capitol Theatre – May 26, 2019
Set 1: Vertigo, Black and White > Canât Wait Another Day > Midnight Moonlight, Valley Of The Jig, Sirens > Restless Wind Set 2: Just One Story > Rosie, Song In My Head, Tore Up Over You, 45th of November > Burning Down The House > Birdland > Wheel Hoss > Birdland > Just One Story Encore: Barstool
Born Leonard Albert Kravitz, the multi-faceted artist from New York City, celebrates his 57th birthday today. Known for his contributions to the world of music and acting, birthday boy Lenny Kravitz is known for his flashy style that translates into all areas of his creative endeavors.
Born of bi-racial parents, actress Roxie Roker (The Jeffersons), and television producer Sy Kravitz, Lenny experienced several racial barriers at the start of his career. Often being told that his music was neither black or white enough to appeal to labels’ audiences, Kravitz took the initiative to put out his debut record, Let Love Rule, on his own. While his debut release only reached moderate success in the states, Kravitz used the momentum to land him the position of audio producer for the hit Madona single “Justify My Love” in 1990.
His contributions to the world of record production combined with his 1991 hit ” It Ain’t Over ’til its Over” skyrocketed Kravitz to fame. Throughout his musical discography, Kravitz has shown his ability to blend influences ranging from blues, jazz, contemporary R&B and psychedelia. While collaborating with artists such as Steven Tyler of Aerosmith and even Jay-Z, Kravitz has well proved that his music transcends racial barriers and appeals to audiences of various backgrounds.
Kravitz has several awards under his belt. He is the winner of two Grammy Awards for ‘Best Male Rock Vocal Performance,’ back to back for “Fly Away” and cover of The Guess Who’s “American Woman,” in 1999 and 2000, respectively. You may remember Kravitz stunning performance at the Pepsi Super Bowl XLIX Halftime Show alongside Katy Perry during which he performed a handful of hits. Also making a name for himself in the world of cinema, Kravitz has most recently featured in the Hunger Games trilogy playing the role of Cinna, a luxurious fashion designer. Ironically enough, Kravitz also is the founder of Kravitz Design which focuses on residential and commercial creative direction and design working with clients such as Swarovski Crystal.
Kravitz keeps his home close to heart. Known for spontaneously busking on the surrounding streets of Manhattan and shooting several of his music videos in Times Square, Kravitz is certainly a celebrated New Yorker.
Brooklyn-based neo-soul singer-songwriter Kristen Merritt is releasing her first single and music video off her debut self produced album Joi. The song, “I’m Done,” is available now on all streaming platforms.
Marked with a soft, mellow guitar opening, and playful “Check, one, two,” the track sets up a bright instrumental to a sad story. The layered vocals are a refined touch to the full sound of the track. The chorus then also sees the welcoming of a warm, fun drum that pushes the song forward.
Merritt doesn’t overload the listener, she simply lets her lyrics tell the story while the music sets a leisurely pace. It’s a great break up song, but it’s also a fantastic song to play in a small COVID safe gathering, or out back by a bonfire. The tempo and vocals are perfect to both belt out in your car on the way to pick up the rest of your belongings and slow dance alone in your room.
The music video, with it’s spilt screen style, gives a visual representation to Merritt’s anger and sadness. On one side, a yellow adorned Merritt laments a failed relationship and the other shows a red dressed Merritt divulging all her frustration over a less-than partner.
“I’m Done” is the beginning of a must-follow new era for the Detroit native that will demonstrate the breadth of her powerful artistry and ability to dissect and interpret our most intimate emotions from a relatable and personal perspective. Heartfelt and soulful, Merritt scorches with her poignant lyricism and passionate delivery. It’s vulnerable and cathartic, with each jazz-tinged inflection and mesmerizing line, she finds her voice and freedom.
Merritt has been inspired by Take 6 and neo-soul greats such as Lauryn Hill, Erykah Badu, and Jill Scott and their soulful musical compositions and lyrical storytelling ability. Newer inspirations of hers include artists such as Daniel Caesar, Jacob Collier, Hope Tala, and H.E.R. These elements in her own sound have led to music with a nostalgic twist and modern warmth.
My hope is that “I’m Done” becomes the anthem of the person who has both feet out the door, and wants to leave their former partner with a memorable goodbye. I want it to serve as the Millennial/Gen Z equivalent of Erykah Badu’s “Tyrone,” where the goodbye is short, direct, and permanent (and also a little humorous at points to cut the mounted tension).
Since emerging in 2019 with her debut EP, Spectrum, Kristen Merritt’s storytelling has been the clear driving force at the heart of her craft. Last year, Kristen unveiled three singles, “Thyme,” “Never Again,” and “Ending.” Having been featured on Spotify’s playlists, the songs have already accumulating over 32,000 streams, with more on the way, Kristen Merritt is an artist you can’t miss.
Starting her musical journey in NYC Merritt scooped up local performance slots and open mics, building her confidence on stage while developing her sound and voice. During which she worked in the background on things that felt more raw, intimate, and worth exploring. the culmination of those efforts will soon be shared.
Flushing Town Hall announced their Virtual Jazz Jam for the month of June in celebration of Pride month and the LGBTQ+ community. The celebration will highlight works for LGBTQ composers and performers and will take place on Wednesday, June 9 at 7PM EST.
Flushing Town Hall’s monthly Jazz Jam is supported by the Louis Armstrong Educational Foundation and has been led since 2016 by Astoria resident Carol Sudhalter. The house band members include illustrious musicians Joe Vincent Tranchina, Scott Neumann, and Eric Lemon. Since the COVID-19 pandemic hit the Jazz Jams have taken place virtually. On the second Wednesday of each month, the Jazz Jams embrace a theme, and this June will be no exception. The Jazz Jams will bring together both novice and professional jazz artists from near and far to celebrate the diversity and breadth of LGBTQ performing artists.
Carol Sudhalter who is Flushing Town Hall’s Jazz Band leader spoke on this upcoming month’s celebration saying, “The LGBTQ communities have had a strong influence in the history of jazz. This month’s Jazz Jam is a moment to celebrate the works of artists and composers who broke barriers in ways big and small, who were leaders in the fight for equality, and who have inspired – and continue to inspire – us to become a more accepting and compassionate global community.”
Musicians interested in participating in the celebration on June 9 should email education@flushingtownhall.org with a suggested three- to four-minute tune they intend to play in line with this month’s theme. The performance can be live or a pre-recorded audio or video (but not a professional, edited recording such as a CD or YouTube video). Musicians who performed in 2020 are now welcome to return. Each month, up to five returning musicians and up to 15 new musicians can participate. Selection is on a first-come, first-served basis.
The LGBTQ+ celebration will be streamed for free on Flushing Town Hall’s Facebook page or Zoom on Wednesday, June 9 at 7PM EST. For more information on Flushing Town Hall and the event visit their website.
Bard SummerScapecelebrates the uplifting spirit of Black music with BlackRoots Summer, presented in association with Electric Root and organized and led by the rousing vocalist, bandleader, cultural commentator, and anti-racism educator Michael Mwenso and his longtime collaborator Jono Gasparro, former curator of Ginny’s Supper Club in Harlem.
An outdoor stage at Bard’s Montgomery Place campus on the Hudson River, the Sierra Leone-born, London-raised, NYC-based Mwenso are where the concerts will be held for two weekends (July 23 & 24 and July 29-31) Even more, there will be a predominantly BIPOC lineup of more than 20 artists, singers, musicians, and dancers will premiere three original concerts.
Mwenso explains that the concert series in the midst of the pandemic, and in response to the murder of George Floyd, they realized, “Now is the time to push the doors down.” Electric Root was established and set out to collaborate with universities and presenting institutions in order to
“revolutionize how Black music is presented, expose lesser-known artists, decolonize music curriculum, provide artist-led anti-racism training, and heal people.”
All tickets go on sale on June 2. The box office can be reached by telephone at (845) 758-7900, on Mondays through Fridays at 11am–4pm EST, or by email at boxoffice@bard.edu. Tickets are also available 24/7 on Bard’s website at fishercenter.bard.edu.
All SummerScape productions will be presented in adherence with strict COVID protocols. Learn more about SummerScape 2021 health and safety protocols here.
Modest Mouse announced their return earlier this month with two new singles off their forthcoming album and an extensive US tour. The tour includes an August 7 show at Brewery Ommegang in Cooperstown, and two stops at Brooklyn Steel on August 11 and 12. Tickets for the tour go on sale Wednesday, May 26 at 10 am local time.
Newly released is “Leave a Light On,” the second single off their anxiously awaited seventh full-length, The Golden Casket, out June 25 via Epic Records. The song finds Modest Mouse frontman Isaac Brock navigating the existential threat of losing our humanity – and the interconnectedness that comes with it – amidst a constant societal barrage of physical and digital materialism. “Leave A Light On” can be listened to here.
Earlier this month, the band shared the first single “We Are Between.” The song explores the faults that make up each person’s character as it pertains to the wider world. With a hook that will get stuck in your head all day, the band made a great first single choice. “We Are Between” can be listened to here.
Over the past 25 years, Brock has served as indie rock’s resident backwoods philosopher, pondering his infinitesimal place in the world at large and seeking balance in a universe governed by polar opposites. On Modest Mouse’s earliest records, he was surveying the changes in the world’s physical landscape from the windows of the tour van, lamenting the displacement of natural beauty with big-box blights.
The band’s seventh studio album, The Golden Casket, heralds another new chapter in the band’s unpredictable evolution. The albumexplores the degradation of America’s psychic landscape through the glass of the smartphone screen and invisible technology. Brock also touches on a new theme in his life, fatherhood.
Produced with Dave Sardy and Jacknife Lee in Los Angeles and in Modest Mouse’s studio in Portland, the album hovers in the liminal space between raw punk power and experimental studio science. Pre-order/Pre-save The Golden Casket here.
Brewery Ommegang is located on a 136-acre farmstead in Cooperstown, New York and offers tours, tastings, a 100-seat café, a well-stocked brewery store, and a calendar of public events including a summer concert series and a legendary beer festival, Belgium Comes to Cooperstown. For more information visitwww.ommegang.com. To stay up to date follow Brewery Ommehang’s Facebook, Instagram, and Twitter.
DSP Shows Presents: Modest Mouse Saturday, August 7, 2021 7:00pm (5:00pm doors). Tickets and a limited number of camping passes go on sale Wednesday, May 26 at 10am and will be available at dspshows.com. To stay up to date follow DSP’sFacebook, Instagram, and Twitter
“Opera singer-turned-indie singer-songwriter Sally Drutman seemed to appear as a sudden apparition last July when she released her dream-like first single “Milky Blue” as Sally Louise. Less than a year later, Louise has wasted no time in expanding her stylistic palette across a sprawling collection of 10 self-possessed songs with “My Hands Are On Fire,” available via Desert Flower Records…” “
Her vocal sincerity and technical skill seize the spotlight.”-Daniel J. Kushner of City Newspaper “Here lyric writing is powerful and her vocals are stunning.”-Prism Reviews In this episode, host, Ben Albert, and Louise dive deep into performance, practice, marketing, and everything LOVE of music! The best part, we listen to two of Sally’s most popular singles, “I Won’t Call Your Bluff” and “Never Be The Same Again!”
At Rochester Groovecast, the mantra “We’re Fans First!” harnesses the belief that the best businesses are built by fans. The podcast is deeply dedicated to playing an active role in the culture of its local scene.
The brainchild of Rochester native, Ben Albert, was created in 2016 to serve as a portfolio of the city, and nowadays, the entire region.
The podcast believes in the artistic brilliance abundant in Rochester, NY, and the surrounding regions. Ben seeks to play a pivotal role in our community by helping give Rochester a well-earned voice. He has seen first hand the abundance of talent, character, creativity, innovation, and beauty the Flower City has continuously offered. Listen to all episodes of the show:
