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  • Loops & Loops Take a Trip Into Heartbreak’s Past With New Album

    Songwriter Peter Bogolub under the moniker Loops & Loops has created the album, Fake Face, released on June 11. 

    Knowing that this project was recorded during quarantine and almost entirely in the closet of his NYC apartment, listening to it feels like even more of a personal experience. Aptly so, Pete took a dive into analyzing failed relationships throughout his life, relying on his affinity for shoegaze-style indie rock while merging elements of pop synths and melodic guitar/ukelele loops.

    Loops & Loops Fake Face

    Citing Yo La Tengo, My Bloody Valentine, and The Magnetic Fields as his biggest musical influences, Fake Face can be seen as a return to his DIY/ indie roots. A self-taught musician and collaborator in bands for over 20 years, this album showcases a side of Pete that could only be brought out as a solo act.

    So far, the singles for this album have been “County Fair” and “Pain In My Heart”. 

    “Dark Clouds” is the opening of the album, a slow soft beginning to a melancholic motif. A stand out lyric being, “People see what they want to see / They can tell there’s something wrong with me.” 

    “The Light,” the second song, has bright happy guitars with a familiar beat. Telling the story that sometimes the end of something is really the beginning. None of the songs on the album are really happy but they’re neither all doom and gloom either, this song really highlights that.

    “Down in Mexico” is almost wistful but similar to how I do not speak Spanish beyond a high school level I could understand about 50% of the words in this song. That isn’t a dealbreaker considering what could be heard clearly is, “Someday it’ll be okay,” which is comforting. 

    “Things Are” is the focus track, an indie anthem reminding us how to get by in life. Sometimes things just don’t go our way, but not sweating what we can’t change. The line “Things are what they are no matter how you feel” a lament to the unchangeable nature of life and the relationships within them. An acceptance of the hard truths despite the hope that it won’t be true. 

    It’s a song about accepting things as they are instead wishing circumstances were different. Written during the pandemic when life was rather chaotic, the upbeat melody offers a glimpse of hope.

    Peter Bogolub

    “Pain in my Heart” with its squishy beat as if hitting a cartoon frog stretched into a banjo. Echoey vocals are a heavy feature on this album but they really shine on this track. The lines “There’s a pain in my heart / Why are we so far apart” painting the picture of when you make a promise with someone and find it is no longer being kept and you’re alone.

    “Outta Control” has the vibe of the opening track to a lighthearted coming of age movie that will inevitably take a turn and have a sad ending or the two best friends will fall in love after much trial and error. “Making bad choices too many times”

    “Gaslight” a slow track in tribute to society’s general growing awareness to the toxic trait of gaslighting. With the lyrics “that’s not really an apology,” there’s a realness. Very reminiscent of mooseblood, joyce manor. “Run To You” is very instrumental heavy where the vocals seem to be more of a background element to the song. Gives the same vibes as an underwater town being explored.

    “Drawn To You,” with the acoustic guitar being the star of the track and johnny cash style, is about being drawn to someone without control. Whether for better or for worse the attraction is there.

    “Not Yet” feels like the end credits to a comedy show. Which is ironic considering the line “You ain’t catch me yet.” “County Fair”, if “Not Yet” felt like the end “County Fair” is the after credits scene. 

    Overall the album delivered on what Pete set out to do, which is to tell the stories of relationships and their messy ends in a way that is pleasing to the ears. Stream Fake Face on your chosen platform.

  • The Strokes reopen Irving Plaza with Benefit for Maya Wiley

    Irving Plaza reopened on Saturday, June 12 with a performance by The Strokes in front of a fully vaccinated crowd, in support of Maya Wiley’s campaign for Mayor of New York City.

    John Mulaney started the night with a stand-up, not far from his run of sold-out City Winery show. Wiley and Congresswoman Alexandria Ocasio-Cortez both spoke from the stage prior to The Strokes set.

    the strokes irving plaza
    photo via The Strokes Twitter

    Guitarist Nick Valensi was unable to make the show, and had Longwave’s Steve Schlitz fill in for the night. Dev Hynes from Blood Orange joined The Strokes for “One Way Trigger” amid a 16-song setlist that spanned the group’s discography. Check out videos from the night below.

    the strokes irving plaza
    photo via The Strokes Twitter
    photo via Maya Wiley Twitter

    The Strokes – Irving Plaza, NYC – June 12, 2021

    Setlist: Juicebox Someday, The Adults Are Talking, One Way Trigger (w/ Blood Orange), You Only Live Once, Hard to Explain, Ize of the World, The Modern Age, 12:51, Is This It, Bad Decisions, Take It or Leave It

    Encore: Automatic Stop, Last Nite, Ode to the Mets, Reptilia

  • Dee Snider Rocks Long Island Homecoming

    On Friday, June 11, Dee Snider came back to Long Island and rocked Stereo Garden in Patchogue. The show was filmed and will be released simultaneously with his new album Leave a Scar. Check out the video for the first single “I Gotta Rock (Again)” below.

    dee snider long island

    Snider joined Twisted Sister in 1976 and became the band’s sole songwriter. In 1982 they released their first studio album Under the Blade. By 1984 they had released their third and most successful album Stay Hungry. The album featured the metal anthems “We’re Not Gonna Take It” and “I Wanna Rock”. In 1985 Snider was pushed further into the spotlight when he spoke before Congress against censorship in music and the PMRC (Parents Music Resource Center).

    dee snider long island

    I wasn’t sure what to expect since it has been a few years since Snider has performed. The the show was electrifying to say the least. Dee was full of energy and kept the crowd connected and engaged throughout the entire seventeen song set. His band also did a great job. He was accompanied by Charlie Bellmore on guitar, Nicky Bellmore on drums, Nick Petrino on guitar and Russell Pzutto on bass. Five songs from the new album made their debut as well as all of the classics. One of the highlights of the night was when former Twisted Sister bandmate Mark “The Animal” Mendoza joined Dee for a rendition on the 1982 song “Under the Blade.”

    dee snider long island

    The show ended with a cover of what Dee said he considers to be the greatest rock song ever, Ac Dc’s “Highway to Hell.” The show was awesome and Dee proved he can still bring it! It was also good to see live music return after 16 months. This was the perfect show to bring it back.! You can preorder Dee’s new album here

    Dee Snider – Stereo Nest, Patchogue, Long Island, NY – June 11, 2021

    Setlist: I Gotta Rock (Again), Tomorrow’s No Concern, You Can’t Stop Rock and Roll, Down But Never Out, American Made, Under the Blade, Time to Choose, I Am the Hurricane, We’re Not Gonna Take It, Before I Go, Become the Storm, Burn in Hell, Stand, Ready to Fall, I Wanna Rock, For the Love of Metal, Highway to Hell

  • NIVA And Others Call on SBA To Release Grant Funds

    The National Independent Venue Association (NIVA), along with several other leading arts organizations, has urged the Small Business Administration (SBA) and SBA Administrator Isabel Guzman to immediately fund all agencies and organizations eligible for the Shuttered Venue Operators Grant (SVOG). Furthermore, NIVA has called on the SBA to resolve any interagency issues or barriers to funding.

    According to a recent NIVA press release, “The $16.1 billion SVOG program, signed into law in December 2020, provides eligible movie theaters, live venue operators and promoters, talent representatives, and performing arts organizations with grants equal to 45% of their 2019 gross earned revenue, up to a maximum of $10 million.”

    Financial support from the government has been crucial to venue operators in the age of COVID-19 as live performances and showings halted to a stop. However, those in the industry have called out the SBA’s shortcomings and broken promises to struggling businesses.

    The SBA failed to meet the June 9 deadline to “grant funds to those businesses suffering 90% or more losses and to begin making grants to the second tier of businesses suffering 70% or more losses.” Out of over 14,000 possible grants to first and second priority businesses, the SBA has fulfilled only 90.

    SBA Administrator Isabel Guzman

    With the delay of SVOG funds, many businesses are failing to keep their doors open and book talent as live shows are finally starting to return. Fortunately, Congressional advocates and the White House itself have started to prioritize holding the SBA accountable for their promises and addressing bureaucratic delays.

    The nationwide recovery of the live arts and entertainment ecosystem depends on the successful delivery of this vital federal relief. As the performing arts venues and organizations that are the fabric of communities across America, we are proud of collective efforts to fight for our survival, and we are rallying to cross the finish line.

    Lisa Richards Toney, President and CEO, Association of Performing Arts Professionals (APAP)

    Regardless of the increasingly positive outlook, leaders and business owners remain displeased over how long it has taken to receive federal economic support.

    Over 95% of the revenue of artists, gig workers and talent agencies have been annihilated for 15 months and this is unsustainable…over 1 million jobs in the arts have been lost, countless businesses have shut down, and we are on the verge of more devastating losses. We can go no longer as we have exhausted the funds from our savings, PPP Loans, EIDL loans and whatever assistance we have. We need money now.

    Charlotte Lee, Founder of Performing Arts Managers and Agents Coalition (PAMAC)

    NIVA’s demands have been called on a unified front with the Association of Performing Arts Professionals (APAP), the League of Historic American Theatres, the National Association of Theatre Owners (NATO), National Independent Talent Organization (NITO), Performing Arts Managers and Agents Coalition (PAMAC), and the Performing Arts Alliance.

    While the exact next steps are unclear, shuttered venues undeniably need this relief sooner rather than later.

  • Flushing Town Hall Announces First in Person Event Since COVID-19

    Flushing Town Hall announced their first in person event since the onset of COVID-19 in March of 2020 that will have a 42 person capacity. The event will host the Queens Jazz Orchestra Ensemble on Friday, June 18 at 7PM EST for a live tribute to the late NEA Jazz Master Jimmy Heath.

    NEA Jazz Master and former Music Director of Flushing Town Hall’s Queens Jazz Orchestra Jimmy Heath passed away on January 19, 2020 at the age of 93, he passed the baton to his protégé Antonio Hart. This event is in honor of Jimmy Heath and his legacy. The Queens Jazz Orchestra Ensemble performing at Flushing Town Hall for this event and is comprised of six amazing musicians who all had a personal connection to Master Heath and are celebrating his legacy:  Antonio Hart who is the Leader and Saxophonist, Freddie Hendrix on Trumpet, Steve Davis on Trombone, Jeb Patton on Piano, David Wong on Acoustic Bass, Vince Ector on Drums. 

    This will be the first small live audience at Flushing Town Hall since March of 2020 with the onset of Covid-19. The event will observe Covid-19 safety measures that include mask requirements and social distancing. The concert will be simultaneously live streamed for a virtual audience at home for those who can’t make it in person. 

    Antonio Hart spoke about the event saying, “Due to Covid, the Queens Jazz Orchestra has not been able to perform together, but I am delighted to bring a smaller unit of members of the ensemble to Flushing Town Hall to celebrate Master Heath.”

    The event is also in honor of Flushing Town Hall’s 42nd anniversary, 42 in-person tickets are available ($15/$12 members), and unlimited virtual tickets ($10/$7 members) for audiences at home. All tickets can be purchased online here: flushingtownhall.org. Details about the logistics and safety requirements, including mask wearing and social distancing, to attend the event in-person are posted on the here.

    For more information on the event visit Flushing Town Hall’s website

  • New York City Opera to Perform in Bryant Park for Pride Month

    Bryant Park Picnic Performances season of free, ticketed live performances continues on June 18 at 7 pm with New York City Opera and Pride in the Park, a celebration of LGBTQ culture and excellence on the occasion of Pride Month in NYC. The evening of performances will be sung by a quartet of stars from City Opera’s Pride Series.

    New york city opera
    Photo Credit: Angelito Jusay

    New York City Opera’s annual LGBTQ Pride concert will feature a diverse program of selections from opera and musical theater. They will close this performance with a special new arrangement of the finale from Stonewall, Iain Bell, and Mark Campbell’s opera which was commissioned by NYCO and given its world premiere in 2019.

    For anyone unable to attend in person, a free live stream broadcast of this selection of classic opera and contemporary theater will be available nationwide via Bryant Park’s website and social media platforms.

    Vaccinated or negative-tested audience members will be able to attend the performance live. Vaccinated audience members will be offered open seating on the world-famous Bryant Park Lawn with ample space to distance themselves. In line with current CDC and New York State guidelines, attendees may remove masks at their own discretion once within the fully vaccinated areas of the lawn. Once it is the perfect place to bring a blanket to sit on to enjoy the performance or one of the many park chairs.

    Attendees presenting a negative COVID-19 test will be seated in a separate, socially distanced section with masks required. Although there will be food purchases from vendors there you can also bring your own food.

    Although this is a free event tickets are still needed and can be acquired at bryantpark.org/picnics.

  • Pixies Cancel Fall Tour Amid Delta Varient surge

    UPDATE: Monday, August 23, 2021- Pixies have announced that they are cancelling their 11-date U.S. September run that also included scheduled appearances at Summerfest in Milwaukee, and Chicago’s Riot Fest.  Pixies have determined that with the current surge in COVID cases made worse by the Delta variant, this is the right decision for their fans, crew members and themselves, and ask that their fans stay safe and healthy.

    Pixies’ cancelled dates are below; ticket holders can obtain refunds from point of purchase.

    The Pixies – Black Francis, Joey Santiago, David Lovering, and Paz Lenchantin – return to the road on Friday, September 10 at The Capitol Theatre in Port Chester, NY to kick off an 11-date trek, the band’s first U.S. shows since December 2019.  The tour consists of headline theatre dates, festival appearances, and multiple concerts with Nine Inch Nails.

    pixies
    Photo Credit:  Travis Shinn

    On this tour, the band will draw from their entire catalogue for their setlist, and, as is the norm with Pixies, there will be no firm, nightly setlist – the band will play a different set at each show, with every song determined just before its first note is played.  That said, fans can expect to hear many of their favorites such as “Here Comes Your Man,” “Wave of Mutilation,” “Where is My Mind,” “Gouge Away,” “Hey,” “Bone Machine,” “Debaser,” and “Gigantic.”

    Tickets are now on sale at pixiesmusic.com.

    SEPTEMBER

    10   Capitol Theatre, Port Chester, NY

    11   Stage AE, Pittsburgh, PA

    13   Old Forester’s Paristown Hall, Louisville, KY

    14   Foellinger Theatre, Fort Wayne, IN

    16  Summerfest, Milwaukee, WI

    17   The Factory at The District, Chesterfield, MO

    18   The Waiting Room/Outdoors – Omaha, NE

    19   Riot Fest, Chicago, IL

    21   Jacobs Pavilion, Cleveland, OH  (with NIN)

    23   Jacobs Pavilion, Cleveland, OH  (with NIN)

    26   Cain’s Ballroom, Tulsa, OK

  • Music Venues Spring Back to Life Across New York State

    Continuing NYS Music’s look at the venues of New York State, we are now more than a year since music venues were forced to shut down, and signs of life are visible everywhere this spring.

    While venues await relief from the Small Business Administration (SBA), who administer Shuttered Venue Operators Grant to eligible entities, there are some venues that have returned to live music. Restrictions are lifting, allowing for greater capacity at venues, as well as Drive-In shows and socially distanced concerts continuing well into August.

    Venues New York State

    Once New York State has 70% of the population receiving one dose of a COVID-19 vaccine, most remaining restrictions will be lifted, based on a statement from Gov. Cuomo last week.

    Our March installment of ‘This Darkness Has Got to Give’ showed venues across New York State that started to come back to life with socially distanced shows. Now in June, we have crowds returning to venues, a summer of live music ahead in various arrays and a brighter 2021 in the making.

    Woodstock and New Paltz – Em Walis

    Joe Booth – Geneva

    Ithaca – photo by Casey Martin

    Venues New York State

    New York City – photos by Joseph Buscarello

    Buffalo – photos by Zachary Todtenhagen

    Hudson Valley – photos by Steve Malinski

    Long Island – photos by Rob Tellerman

    Plattsburgh – photos by Jerry Cadieux

    Hudson Valley – photos by Mickey Deneher

    Albany and Saratoga Springs – Zach Culver

  • Warren Haynes plans Solo Tour with stops in Lake George and Lafayette

    Gov’t Mule and Allman Brothers Band guitarist Warren Haynes will venture into the Northeast for 5 solo acoustic shows, prior to his performance at Peach Music Festival on July 4.

    Warren will make solo stops in Eatontown, NJ – a second show has been added on June 29 – and in Lake George. He’ll then head to East Swanzey, NH to perform at Northlands Live, and swing back to Central New York to perform at Apple Valley Park on July 3, before his July 4 performances at Peach Festival.

    I can’t wait to get back on the road and play music in front of live audiences. Leading into Peach Fest, I’ve added 4 brand new shows in Eatontown, NJ, Lake George, NY, E. Swanzey, NH and Lafayette, NY. Each show will adhere to local regulations as pertains to seating, capacity and overall public health safety protocols. Please check out the links for each show below.

    Warren Haynes Facebook post

    Warren Haynes Solo Tour dates

    June 29&30 – Concerts On The Green – Eatontown, NJ
    July 1 – Lake George Festival Commons – Lake George, NY
    July 2 – Northlands Live – East Swanzey, NH
    July 3 – Apple Valley Park – Lafayette, NY

    Tickets are now on sale here.

  • Augmented Reality Concert Experience Announced by New York Philharmonic’s Very Young Composer’s Program and Chromic Duo

    Augmented reality concert experience was announced by New York Philharmonic’s Very Young Composer’s Program and Chromic Duo. The project is titled  “Emerald Futures” and is starting on July 2, 2021. 

    New York Philharmonic Very Young Composers Program is a afterschool program through the School Partnership Program for grades 7-10, the Very Young Composer’s Program exposes students to the instruments of the orchestra, nurtures their inherent creativity, and culminates with original works performed by members of the Philharmonic.

    Chromic Duo are an award-winning electronic toy piano duo that brings new audiences together by creating new connections between classical music, electronics, and multimedia. They are “Tackling large issues with toy pianos.” They push the possibilities of genres and performance by recontextualizing classical music in multimedia work inspired by the multitudes as third-culture-kids discovering their voice within the vast Asian American diaspora. 

    The Chromic Duo curtsy of their website.

    How this “Emerald Futures” project will work is the performance of the original compositions from young composers ages 12-16 from the New York Philharmonic’s Very Young Composer’s Program will be mixed with a sound walk through New York City which will create this augmented experience. The augmented reality experience will be available to anyone who would like to participate via the app Gesso which will be available on iOS and Android.

    This “Emerald Futures” project will create music and storytelling experience using the walk to give listeners a multi-sensory experience while they explore the city immersing themselves in the sounds of original compositions. The scripted audio sound walk will lead listeners on a path through the city from New York’s Central Park to the Lincoln Center using a GPS trigger to create site-specific concert experiences. The experience come to a close with Amanda Phingbodhipakkiya’s “We Belong Here” mural as a moment of reflection and response to ending AAPI hate. This augmented reality concert experience will be accessible to the public at any time after it’s release on July 2, 2021. 

    “We Belong Here” mural

    The Chromic Duo is made up of Lucy Yao and Dorothy Chan. They both are first and second-generation Asian Americans themselves care greatly about reflecting and responding to ending AAPI hate that has been growing during the COVID-19 pandemic which is the reasoning behind ending the experience at the “We Belong Here” mural. 

    The duo hopes that this reflective music and narration will allow people to immerse themselves in an experience that brings to light the stories and perspectives of people and communities around them so that they can be inspired to respond based on empathy instead of biased judgment. Lucy Yao spoke about the project saying, “We also hope to inspire the young composers of this program to lean into their curiosities, and always be questioning and challenging the norms of how things came to be. We often ask ourselves, ‘how can we use music as a positive force and tool to bring people together?’ Music has the power to take your perceived biases and understanding of the world and challenge them.” 

    For more information on the “Emerald Futures” project visit the New York Philharmonic Very Young Composers website.