Blog

  • Hip Hop and Marijuana – a Complicated and Evolving Relationship

    In our current social-political climate, marijuana use and the much celebrated 4/20 are no longer stigmatized. For what has always been recognized as a happy-go-lucky psychedelic, possession of marijuana had always carried serious implications, with consequences ranging from a felony to even serious jail time, even for something as small as a dime bag. However, with hip hop being an outlet for the disenfranchised to voice their frustrations, rap and marijuana have always maintained a symbiotic relationship. 

    4/20 marijuana hip hop

    As a matter of fact, the parallels between the two are obvious, with the merits of both being lauded by the public, despite higher forces turning their nose up and refusing to give each its proper due. Take for instance that despite its popularity within pop culture and beyond, marijuana didn’t begin its march towards legalization until 1996, when California voters passed Proposition 215, legalizing medical marijuana in the state. Notably, hip hop shares a similar story of adversity. In fact, The genre’s official birth date has been accepted as August 11, 1973, and in ensuing years, proceeded to spread.

    Hip Hop’s Plight

    Especially with artists like Kurtis Blow, the Beastie Boys, and Run-DMC pioneering the genre and selling millions of records along the way, it was clear that hip hop — even in its infantry — resonated with the consumers and yet, continued to be shunned at major award shows. In fact, the first Grammy wasn’t awarded to a hip hop artist until 1989 (to Will Smith and DJ Jazzy Jeff) in a non-televised portion of the ceremony. The category for “Best Rap Album” wasn’t awarded until 1995 and even then, only rappers that maintained a pristine image were recognized for their efforts (This eventually led to Jay-Z boycotting the 1999 Grammy Awards for not having DMX among the nominations, despite releasing two platinum albums the prior year). 

    4/20 marijuana hip hop

    And so, the two chugged along on their way to widespread acceptance. Hip hop artists continued to sing (or rap) the praises of weed in all its forms, while marijuana returned the favor by acting as anesthesia towards the hardships that rappers (most of whom hailed from impoverished and violence-stricken communities) faced. In the ensuing years, each respective entity has made headway in the search for acceptance. Hip hop is now the world’s most popular genre and marijuana is legally accessible in 17 states and decriminalized in another 13. 

    Best of Hip Hop and Marijuana

    While the concurrent rise in popularity and general acknowledgment is no coincidence. Safe to say, hip hop’s influence within pop culture is rampant, and surely played a role in the legality of marijuana throughout the country. As marijuana sales are now legally profitable, hip-hop artists have continued the association. Moreover, rap stars the likes of Xzibit, Snoop Dogg, Master P have all invested in or started their own marijuana dispensaries.

    So, on 4/20, honoring the prolonged, fruitful and complicated history between hip hop and marijuana, here are 20 rap songs that celebrate the drug and its usage. Even if those in positions of power have been quick to assert it’s flaws and slow to acknowledge its benefits. 

    Luniz – I Got 5 On It

    Styles P – Good Times

    Devin The Dude – Doobie Asthray

    Snoop Dogg & Whiz Khalifa – Young, Wild and Free

    D’Angelo – Brown Sugar

    Jhene Aiko – Sativa

    Method Man & Redman – How High

    DRAM – Broccoli

    Young Thug – Stoner

    50 Cent – High All The Time

    Snoop Dogg – Gin And Juice

    Wiz Khalifa – The Bluff

    Wiz Khalifa – On My Level

    Kid Cudi – Day ‘N Nite

    Chance The Rapper – Smoke Break

    Wiz Khalifa – Bake Sale

    Rick Ross – Super High

    Lil Wayne – Cali Dro

    4/20

  • On April 20, 1991, Phish played Douglass Dining Hall at University of Rochester

    On Saturday April 20, 1991, when 4/20 was not the national holiday it has since morphed into, Phish performed at the University of Rochester, at Douglass Dining Hall. Presented by the UR Student Union, tickets were $6 for students and $10 for the public.

    Show poster, via Amy Baerenklau

    Phish’s third ever show on 4/20, the unique venue was named for abolitionist Frederick Douglass, and went through a complete makeover in 2015. UR alumnus Justin Miller described the show as “stale Froot Loops in the morning, then fresh Phish that night,” an apt take on an era when Phish was certainly nascent and making their footprint on college campuses, and would move on to playing sheds with Santana a year later.

    The all ages show hosted a reported two hundred people, who would be treated to Jesus Jones right there the following year on 4/20.

    phish 4/20 rochester
    photo by J. Adam Fenster

    The first set provides standard early 90s Phish fare, ending with the lost acapella song, “Setting Sail,” formally debuted at this show, borne from a “You Enjoy Myself” vocal jam.

    Trey welcomed Jon Fishman‘s parents and sister to the show prior to the start of Set 2, noting their recent show at Ithaca State Theater on February 14, 1991, where Dr. Fishman’s car was given away to a fan with fun pre-“Sloth” banter. The wide-ranging second set is chock full of songs, with a short and heavy “Tweezer” moving seamlessly into “The Oh Kee Pah Ceremony.”

    With graduation a few weeks away, Phish feted the seniors in the crowd with an encore of “Alumni Blues,” including “Letter to Jimmy Page” sandwiched inside, closing out one of their final dining hall performances.

    stub via Jay Bianchi

    Tune in on Relisten or PhishTracks. Check out Douglass Dining Hall food offerings here.

    Setlist via Phish.net

    Phish – 4/20/91 – Douglass Dining Hall, University of Rochester

    Set 1: Runaway Jim, Reba, Llama, Fluffhead > My Sweet One, The Landlady, Esther > Chalk Dust Torture, Bouncing Around the Room, You Enjoy Myself -> Setting Sail[1]

    Set 2: The Sloth, Ya Mar, Split Open and Melt, The Squirming Coil > Paul and Silas, Cavern > The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Tweezer > The Oh Kee Pa Ceremony > Suzy Greenberg, Sweet Adeline

    Encore: Horn > Alumni Blues > Letter to Jimmy Page > Alumni Blues

    [1] Debut.

    Trey teased Have Yourself a Merry Little Christmas in Reba. Fish led the band in the debut of Setting Sail, which arose out of the vocal jam of YEM. Tweezer contained In-A-Gadda-Da-Vida teases from Page.

  • An Afternoon Cocktail with Amanda Ashley and Rochester Groovecast

    Episode 116 of the Rochester Groovecast Podcast is a re-stream of Rochester Groovecast founder, Ben Albert, featured on the Afternoon Cocktail Talk show, hosted by Amanda Ashley.

    Afternoon Cocktail Talk Show is a wellness-based show featuring live performances and candid interviews with National and International Singer-songwriters, entrepreneurs, and various noteworthy causes. Through a collection of perspectives, Afternoon Cocktail delivers inspirational, educational, and thought-provoking entertainment that encourages awareness, self-care, kindness, and mental wellness.

    Amanda Ashley

    In episode 56 of Afternoon Cocktail, “Facing The Music,” Afternoon Cocktail host, Amanda Ashley interviews Courtney Whitehead of Bison Bone, and Ben Albert of Rochester Groovecast.

    Bison Bone is an Americana Rock and Roll band from Denver, CO. The band is a little bit country, a little bit rock & roll, and fully led by the boisterous singer/songwriter Courtney Whitehead. The veneer of their “Americana Rock & Roll band” description doesn’t seem to phase the group, as is apparent in their newest album, Find Your Way Out. Whitehead has unabashedly embraced the spirit of the aforementioned term, almost to the point of mockery.

    The Denver-based band seems fully aware of the connotations surrounding surface level labels and uses it to their advantage by tricking listeners into thinking they are listening to something they are not. It would be easy to think Bison Bone is just another simplistic Americana band, but this is not the case. – Bandwagon Mag 2020

    Bison Bone amanda ashley

    Timestamp:

    00:00: Rochester Groovecast Episode Intro

    02:32: Afternoon Cocktail Episode Intro

    04:00: Amanda’s conversation with Bison Bone and Bison Bone Live Performance

    29:09:  Amanda’s conversation with Ben Albert of Rochester Groovecast

    48:09: One more live track by Bison Bone

    51:41: Episode Conclusion

    At Rochester Groovecast, the mantra “We’re Fans First!” harnesses the belief that the best businesses are built by fans. The podcast is deeply dedicated to playing an active role in the culture of its local scene.

    The brainchild of Rochester native, Ben Albert, was created in 2016 to serve as a portfolio of the city, and nowadays, the entire region.

    The podcast believes in the artistic brilliance abundant in Rochester and the surrounding regions. Ben seeks to play a pivotal role in our community by helping give Rochester a well-earned voice. He has seen first hand the abundance of talent, character, creativity, innovation, and beauty the Flower City has continuously offered.

    Watch Every Episode of Afternoon Cocktail here.

    Click here for all Rochester Groovecast links.

    Rochester Groovecast is Powered By balbertmarketing.com

  • Broadway will Return to Proctors in 2021

    Proctors Theatre in Schenectady has announced upcoming dates for Broadway to return to their MainStage, later this year.

    Proctors Broadway

    Proctors Theatre recently released dates for eight postponed shows from the two past Key Bank Broadway Series. Although the shows don’t start until December 2021, this is still exciting news for the return of live theatre.

    This Key Bank series lineup will start late for a usual fall-to-spring theatre cycle, but this is “a good thing” according to Proctors Collaborative CEO Philip Morris. Due to COVID-19 regulations, we can’t have theaters seat audiences at full capacity. “The touring industry can’t come back until we can seat audiences near or at capacity. The economics won’t work otherwise,” explains Morris. “All projections suggest we should be able to return to full capacity by December, and it goes without saying we will be fully compliant with all state and federal safety guidelines to assure patron safety.”

    Proctors Broadway

    Key Private Bank Broadway Series at Proctors schedule:
    SUMMER – The Donna Summer Musical Dec. 7-12, 2021
    Come From Away Jan. 25-30, 2022
    The Prom – March 1-6, 2022
    Dear Evan Hansen – March 22-27, 2022
    CATS – May 3-8, 2022
    My Fair Lady – May 17-22, 2022
    Harper Lee’s To Kill a Mockingbird – June 14-19, 2022
    Mean Girls – June 28-July 3, 2022
    Hadestown – New dates to be announced soon
    Disney’s The Lion King New dates to be announced soon
    Pretty Woman: The Musical New dates to be announced soon

    Dates for Hadestown, The Lion King, and Pretty Woman: The Musical are not available yet, but are coming. “The collective effort of Broadway producers and local markets working together to reconfigure routes across the country is complicated beyond belief,” Morris notes. “It takes a while for plans to settle out for every show and every market.” Information about when tickets will be available is coming this spring.

    Live shows aren’t just coming back to Schenectady. Other Proctors Collaborative venues are getting ready to welcome back in person audiences soon. Capital Repertory Theatre will open ticket sales this spring for their upcoming shows in Albany. The Universal Preservation Hall in Saratoga Springs will likely sell tickets this summer for concerts and events in their third and forth quarter.

    Proctors Broadway the rep


    While we still can’t meet in person, online theatre gives more people access to performances than ever before. theREP is currently showing its April Play Reading series online. The suggested donation to watch is $15, but virtual audience members can give any amount.

    “Our prolonged intermission is nearly over. We can’t wait to welcome audiences back!” Morris says. “And from all reports we are hearing they can’t wait to come back.”

  • Hearing Aide: Baked Shrimp ‘Conscious’

    On March 26th, Long Island funk trio Baked Shrimp released their second studio album, Conscious. Known to many as Long Island’s best kept secret, Baked Shrimp has been expanding their audience and have had sit-ins from Brandon “Taz” Niederauer and Ryan Dempsey of Twiddle.

    Cover art by Scott Reill

    The band, who were among the finalists on NYS Music’s March Madness bracket, intended to release Conscious in time for their 2020 summer tour, but had to be postponed due to the COVID-19 pandemic.

    Within this time gap, Lon “Conscious” Gellman—a close friend and loyal fan of Baked Shrimp—passed away. To honor Lon’s memory, the band named their album after his nickname.

    Conscious has been in production since February of 2020, and was recorded in Patchogue, NY with help from Nick and Mike Rufolo of The Brothers Nylon who assisted in recording, mixing, and performing on all 10 tracks. The album’s final mix was done by Anthony Cimino at Mojo Music Studio in Franconia, New Hampshire.

    Throughout Conscious, layers of horns, strings, keyboards, and synthesizers create musical textures that come together to create the defining ‘Baked Shrimp sound.’

    The first track of the album, “NO2-4U,” is a fitting start, beginning with a classical acoustic guitar introduction that captures the listener and builds into a lively jam full of funky horn lines that drive the energy of the song.

    Across the album, one thing you will always notice is the proficiency of each musician. The rhythm is always locked, the bass is grooving and locked in with the drums kick.

    Each of the many instrumental, jam sections found in songs throughout the album fit the moment well and create bridges that effectively link to later sections. These moments help keep the energy of the track, but also allows the band to breath a little bit and show their chops.

    Baked Shrimp performing in April 2021

    “Rosa” is a good example of the dynamic instrumentals mentioned in the last paragraph. The track begins with a mellow but upbeat instrumental section that is carried by the spacey sound of the guitar and keyboard.

    This instrumental section returns later in the track, except this time with more layers of keyboard and synthesizer parts that lift the energy, which is carried through the rest of the song until its end.

    “Down the Drain” is riff heavy and has a very progressive-rock influenced sound. It definitely has a harder sound than most of the tracks on the album, but it shows the versatility of Baked Shrimp’s sound.

    Now we can only look forwards to the days when more venues reopen and tours start rolling again, so Baked Shrimp can showcase the work they put into Conscious to a larger audience.

    While opportunities for gigs are sparse now, Baked Shrimp was lucky enough to play at Lambrou’s Hall in Island Park, NY on April 3rd. In this show, the band was able to play through all of Conscious, as well as debut three other original songs. Baked Shrimp will soon be releasing full video and audio of the event.

    There are big things in store for fans of Baked Shrimp. The band is eager to show their hard work to audiences around New York state and the country.

    Hopefully, 2021 will be the year of the shrimp.

    Key tracks: NO2-4U, Rosa, Down the Drain

  • Black Rob, Rap Legend and Former Bad Boy artist, Dead at 51

    Less than one week after posting a concerning tribute video to DMX from a hospital bed of his own, rapper, Black Rob, has passed away, with speculation of the cause of death being kidney failure

    black rob
    photo via Getty Images

    Much like DMX’s passing, Black Rob’s death is another blow to hip hop, continuing a run of premature casualties of once famed rappers. It was only April 11 that a bed-stricken Rob looked worse for the wear in an Instagram video posted to his account, in which he paid his respects to DMX 

    “I don’t know, the pain is crazy, man. It’s helping me out though, it’s making me realize I got a lot to go,” he said. “I feel everything about X. X was positive. Love to X,” the former Bad Boy Records emcee shared as he struggled for words. 

    That video began speculation amongst fans about the state of the Harlem emcee’s health, with concerns being raised over his feeble appearance and his faint sounding voice. In another video posted to Instagram the “Whoa” rapper shared that he was out of the  hospital and shed light on his recent health concerns, 

    “Oh man, I’ve been dealing with this for five years. Four strokes … I don’t know what to tell you man. Shit is crazy. The shit is hard,” he said. “I don’t got no house to live in — except maybe an apartment. Me and my man be trying to get together. I’m telling you man, this shit is strange. It’s hard, you know what I’m saying?”

    He continued,

    “I don’t know what the people want to do, what the people going to say. I need some rest, man. Really, man. I need some rest. My side is killing me.”

    Amidst the rising interest in Black Rob’s condition, producer, Mike Zombie, set up a GoFundMe account with a goal of $50,000 to help Rob “find a home, pay for medical help & stability during these trying times.”

    Sadly, it was all for naught, as Rob succumbed to his reported kidney issues on April 16, with the news of his passing being shared by friend and former Bad Boy Records label-mate, Mark Curry.

    Curry announced Rob’s death in two videos posted to his Instagram account, and Variety later confirmed his passing through additional sources. 

    “I don’t know where to begin this,” “But I thank everybody for the donations. Rob passed away about an hour ago.”

    In a second video, Curry revealed that he was with the rapper when he died.

    “Rest in peace to my brother. I was there with him. I was there with him,” Curry said. 

    https://youtu.be/Xpn2rj2HZJY

    There was an outpouring of love from fellow entertainers as well as rappers, as Rob’s brief but successful run as a successful mainstream artist left him revered and loved. 

  • Gilda’s Club in NYC Announces Benefit Concert

    Gilda’s Club in New York City announced a benefit concert to help support victims of cancer. The live virtual benefit concert called “It’s Always Something” will take place on May 19 at 8PM EST and will feature big names like Jon Batiste, Rosanne Cash, Sting, and many more. 

    Gilda’s Club

    Gilda’s Club was created in the memory of Gilda Radner, an original cast member of Saturday Night Live, where she won an Emmy Award for her work in 1978. Radner died from ovarian cancer in 1989. The club was founded by Gilda’s husband, actor and comedian Gene Wilder, Joanna Bull and many of Gilda’s friends in her memory and opened its signature red door in June of 1995.

    Gilda’s Club

    The venues hope is that in the next 25 years to make their free cancer support program more accessible to more people, in more places, in more ways than currently possible. Since the launch of their virtual support program in March 2020 they have had more than 13,000 virtual visits and we’ve seen an increase in participation and attendance which is up 45% across all activities. 

    The benefit concert will feature performances by Jon Batiste, Rosanne Cash, Sting, Kenny Loggins, David Sanborn, Kandace Springs, Bernie Williams, and Gil Parris. The benefit will also include appearances from Robin Roberts, Susie Essman, Jon Hamm, Brooke Shields, and JB Smoove. 

    Gilda’s Club

    The “it’s always something” benefit is being put on by executive producers Susan Brecker and Mark Krantz with help from original SNL writer, Alan Zweibel who is a consulting producer. Ray Conley will be directing the event while Will Lee will serve as the musical director and Dan Melnick will be acting as the coordinating producer. 

    The concert will be streamed at Gilda’s Club NYC’s YouTube page. For more information or to make a donation visit the Gilda’s Club’s website.

    https://www.youtube.com/watch?v=ApqV-vci1tQ
  • ShwizZ reach for the skies with “Clock Tower”

    ShwizZ has spent recent months exploring new musical territory, releasing the nine minute music video for “Clock Tower.” A dark and brooding piece that captures feelings of reflection, the song is inspired by a simple chord progression on guitar and transformed into a winding musical journey.  

    shwizz clock tower

    This tune started off as a simple little riff this past fall for guitarist Ryan Liatsis, and developed from there.

    I was noodling on in my bedroom for a couple weeks. It was around the time Eddie Van Halen had died, so I was experimenting with tapping harmonics on the guitar, but not the shredding kind of way he did of course. I wanted to hear the notes ring like little chimes. So after I had flushed it out, I presented the riff to the group at a practice and naturally the creative juices started flowing. The song started to take shape with this brooding and cinematic texture, so we went for it. It was amazing to really develop something more melodic and emotional then a lot of our other material. Many know we like to shred and ain’t afraid to show it! 

    Ryan Liatsis, ShwizZ

    At first the song was called “Harmonix,” until someone mentioned they visualized a clock tower while listening to the track and the band agreed. The wild adventure of riffs and rock included the use of fretless instruments for some extra mood. 

    The song took shape with the addition of Scott Hogan’s melodic bass lines, and Will Burgaleta’s tasteful and elegant piano playing, and Andy Boxer adding his unique flavor of drums to tie it all together, notes Liatsis. Initial tracking was done in January 2021 at Call Hollow Studios in Pomona, NY. After overdubs, the band produced, recorded and mixed it all over a couple sessions, then sent if for mastering at Csharp Studio’s overseas in Romania. 

    Making the video for the song followed, with the band realizing quickly they had to record a video for a nine minute long prog rock instrumental song.

    It didn’t seem realistic, but we put together somewhat of a plan and found an amazing venue called Gymnopedie in Brooklyn. It was quite a place, nestled in the basement of a gigantic church in Bushwick. The place was gnarly though as you can see from some of the rooms we filmed in. Our good friend Dan Rappaport lead the video production with the help of Natasha DiMarco.

    While we were there, we made use of a little tiny stairwell full of clocks. Someone had blurted out “Clock Tower” as a song name, that’s right we had yet to properly name the song! Until then we were just calling it “Harmonix”, which was way to obviously about the intro guitar part and that’s it. So after some contemplating we agreed to call it “Clock Tower” and it sure did paint that picture.

    A dark, ominous, mysterious old clock tower in the mist, curiously observing and wondering what’s inside, what’s been inside, what has the place seen throughout history. Our long time friend Paul Holland’s actually brought this imagery to life by taking an incredible picture of an old clock tower in Nyack, NY. After some light touching up by him and Dan Rappaport we had our Clock Tower cover art. 

    Ryan Liatsis, ShwizZ

    Released by Color Red in Denver, “Clock Tower” marks the first time the four members of ShwizZ wrote a piece from the ground up. Liatsis reflects on the ‘you never know what you’re gonna get’ aspect of songwriting.

    Sometimes you set out to paint with a vision in mind, knowing exactly what will be on the canvas when you’re done. Other times you just splatter a bunch of paint on the wall and see what happens, then make sense of it afterwards. And many times it is somewhere in the gray area betwixt those extremes. It is of the utmost importance to remind yourself there’s no right or wrong way to the process.

    Ryan Liatsis, ShwizZ
  • Spotify Announces new Partnerships with four Virtual Event Platforms

    In September of 2020, Spotify joined forces with Songkick and Ticketmaster to embrace the “new normal” for the live music industry: entirely virtual events due to the ongoing COVID-19 pandemic. An “On Tour” tab was added to each artist’s Spotify profile, where users could find information about upcoming livestreams and virtual shows. Spotify also leveraged their popular personalization tools to start recommending virtual events based on listener preferences.

    spotify

    This week, Spotify has taken these efforts a step further, announcing exciting new partnerships with four virtual event platforms: StageIt, Mandolin, NoCap, and nugs.net. These strategic partnerships will grant Spotify users access to the entire event streaming catalog available on each platform. Fans will be able to explore virtual event offerings directly through Spotify’s app and more easily experience the music they love.

    Spotify users will now be able to access virtual live music events under an artist’s “On Tour” tab, or via Spotify’s Concerts hub. From there, they will be redirected to the platform’s event page where they can view these live performances. Spotify is also continuing virtual event recommendations to its users based on their listening habits and the artists they follow. Push notifications are delivered to fans 24-48 hours prior to any event they may have interest in.

    Nugs.net, one of Spotify’s new virtual event partners, has seen especially impressive growth during the COVID-19 pandemic. What began as a site where fans could download music sets has evolved into a game-changing virtual event streaming site. Nugs.net has streamed over 900 concerts during this year alone, allowing fans to watch their favorite artists perform from anywhere in the country.

    StageIt, Mandolin, and NoCap have also skyrocketed in popularity this year, as music lovers crave the live experiences they have been missing. Artists rely on these streaming sites as a way to engage with fans and regain a sense of normalcy. The overwhelming success of these platforms has now caught Spotify’s attention, opening the door for strategic partnership opportunities.

    To explore these virtual event listings for yourself, check out the updated “On Tour” hub on Spotify artist pages, now supported by StageIt, Mandolin, NoCap, and nugs.net.

  • Dawes Announce Fall 2021 Tour

    Dawes have announced a fall tour in support of their new album Good Luck with Whatever, beginning in early September 2021.

    Dawes Fall 2021

    Good Luck with Whatever is Dawes’ seventh studio LP and was produced by 6x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A. The new album received critical acclaim as well as performances on Jimmy Kimmel Live! and the Late Show with Stephen Colbert.

    https://www.youtube.com/watch?v=Bzc16xo6pho

    Leg 1

    SEPTEMBER
    9 – Charleston, SC – Charleston Music Hall
    10 – Atlanta, GA – The Eastern
    13 – Durham, NC – Carolina Theatre
    14 – Richmond, VA – The National
    15 – Washington, DC – Warner Theatre
    17 – New York, NY – Central Park Summerstage
    18 – Boston, MA – Orpheum
    21 – Toronto, ON – Phoenix Theatre
    23 – Pittsburgh, PA – TBD
    24 – Harrisburg, PA – Harrisburg University
    25 – Grand Rapids, MI – Calvin College
    26 – Cincinnati, OH – Taft Theatre
    28 – Indianapolis, IN – Egyptian Room
    30 – Auburn, AL – Auburn University Amphitheatre

    OCTOBER
    2 – Nashville, TN – The Ryman

    https://www.youtube.com/watch?v=fO802GtaBcw

    Leg 2

    NOVEMBER
    17 – Vancouver, BC – The Vogue
    18 – Seattle, WA – Showbox
    19 – Portland, OR – Crystal Ballroom
    21 – San Luis Obispo, CA – Fremont Theater
    22 & 23 – Solana Beach, CA – Belly Up
    26 & 27 – Los Angels, CA – Fonda Theatre
    28 – San Francisco, CA – Fillmore
    30 – Salt Lake City, UT – The Commonwealth

    DECEMBER
    1 – Fort Collins, CO – TBD
    3 – Minneapolis, MN – First Ave
    4 – Chicago, IL – The Vic
    5 – Milwaukee, WI – Pabst Theatre
    7 – Louisville, KY – Headliners
    8 – St. Louis, MO – The Pageant
    10 – Dallas, TX – McFarlin Memorial Auditorium
    11 – Austin, TX – Stubb’s
    12 – Houston, TX – Heights Theater

    Find out more about Dawes at dawestheband.com.