Hugo Pierre Leclercq, a.k.a. Madeon wrapped up a two-night run at Terminal 5 on Friday, September 24th in support of 2019’s excellent LP Good Faith. The album was released back in November 2019, just a couple of months before COVID would force the music industry into lockdown. Madeon had completed a short first leg of the tour around the time of the release, and a planned second leg was never announced until earlier this spring when live music started to make a comeback.
Madeon at Terminal 5, 9/24/21 – Photo by BuscarPhoto
Good Faith is a lively mix of electropop and deep house elements, presented with very colorful collage-style visuals. Madeon is alone on stage, positioned on a small platform in the center of the stage and backed by a large LED screen. Flanked by two DJ tables on the sides, Madeon is in full-view and the perfectly symmetrical presentation is visually stunning and focuses the crowd’s attention towards center-stage the whole time. Even though the production was not overly large on stage, the lighting had no problem filling the cavernous Terminal 5.
Madeon at Terminal 5, 9/24/21 – Photo by BuscarPhoto
The tour continues on the east coast with a show in New Haven on Tuesday, 9/28 before heading out west for the remainder of the dates through October. See a full list of the tour dates HERE. Next up at Terminal 5 is Tinashé this Thursday, 9/30 followed by a stop on Dr. Dog’s final tour on October 2 – full list of shows at the venue can be found HERE.
Cheers filled the room as the lights dimmed at Webster Hall on Friday, September 24th as Mild High Club sauntered onto the stage to greet their fans for the first time since late 2019.
Formed in 2012, Mild High Club is the solo project of Alex Brettin. Influenced by jazz and AOR, Brettin tours with a talented supporting band to bring his music to life.
With roughly half of the crowd covering their faces in masks, the room felt friendly but tense as everyone eased back into being shoulder-to-shoulder with strangers. Once the band played a few tracks off of their first album in four years, Going Going Gone, the tension eased as the crowd sang along.
Brettin mixed in crowd favorites such as “Windowpane” and “Skiptracing” which got the crowd waving their hands in the air and dancing. The pure joy of being back at a concert was palpable as one front-row attendee gushed to his friend, “Dude, I am so happy we made it out to this show…it’s been so long since I’ve seen live music.”
After a long touring hiatus due to COVID-19, Theophilus London was able to return to his hometown of New York City for his “Bebey, It’s Never Too Late” tour on Wednesday, September 22nd at Time Square’s Sony Hall. In addition to playing many tracks off his third LP, Bebey (released in January 2020), he also played several songs from his previous albums and mixtapes.
Theophilus London at Sony Hall, 09/22/21. Photo by Kunal Khunger
Bebey was released nearly two years ago, but if an observer only went by the enthusiastic crowd reactions, they would most likely think that it came out very recently. Theophilus was a great performer, constantly interacting with the very devoted crowd and seemed incredibly thankful and happy to be back performing in front of an audience.
Theophilus London at Sony Hall, 09/22/21. Photo by Kunal Khunger
Having been active for over a decade an amassing a large collaboration list, including the likes of Kanye West, Tame Impala, & Jesse Boykins, Theophilus has a large amount of hard-hitting tracks to choose from. While Bebey has a more tropical sound, many of his previous albums have a constant mix between pop, R&B, and hip-hop. He’s able to seamlessly switch between singing and rapping at a dime, resulting in fairly riveting performances. His music has the energy that fits in live performance and the crowd was riveted by any song he played, whether it was two years old or ten years old.
Enough cannot be said about how happy Theophilus was to be back performing. He invited audience members up on stage to dance with him, took song requests from the crowd, and even asked everyone to stick around after the show outside to meet and speak with every fan who was still there. Having personally stuck around, I can attest to the enthusiasm he had and the fact that Theophilus spoke with every fan he could. No picture request was turned down and he even spent a large amount of time with each person who was interested in speaking with him.
The “Bebey, It’s Never Too Late” tour runs for the rest of September. You can see the rest of his tour dates here. Check out the full photo gallery from the show below.
Steinway & Sons have announced a five-piano concert featuring the acclaimed piano ensemble The 5 Browns, at the Naumburg Bandshell in Central Park.It’s presented in collaboration with the Central Park Conservancy and the Capital One City Parks Foundation SummerStage concert series. The concert is produced by Steinway & Sons and sponsored by the Paulson Family Foundation.
“The 5 Browns – Live in Central Park” features five Steinway concert grand pianos and eight piano pieces—from Beethoven to Gershwin to Bernstein— performed by Steinway Artists Deondra, Desirae, Gregory, Melody, and Ryan Brown. The 5 Browns were the first family of five siblings to be ever admitted to The Juilliard School, and the quintet has delivered on its word to “wake up classical music” through international tours that have brought critical and popular acclaim since 2002.
This family-friendly program is a natural outgrowth of their children’s advocacy work and commitment to delivering classical music to the widest possible audience. Included in their latest album, The Little Tin Box, are musical favorites from their childhood.
The program includes:
• Symphony No.5 in C Minor, Op.67, Ludwig van Beethoven/Jeffrey Shumway I. Allegro con brio
• Malaguena from Andalucia Suite, Ernesto Lecuona Gregory, and Ryan Brown
• Scenes from West Side Story, Leonard Bernstein/Kendall Durelle Briggs
• Flight of the Bumblebee, Nikolai Rimsky-Korsakov/Jeffrey Shumway
• Star Wars: Suite for Five Pianos, John Williams/Greg Anderson
• Rondo Alla Turca, Wolfgang Amadeus Mozart/Greg Anderson
• Clair de Lune from Suite Bergamasque, Claude Debussy/Greg Anderson Melody, Desirae, and Deondra Brown
• Rhapsody in Blue, George Gershwin/Jeffrey Shumway
The concert begins at 7 PM on Tuesday, September 28. Admission is free and attendees are advised to enter Central Park via Fifth Avenue and 72nd Street, then proceed to the Naumburg Bandshell. It is set to be aired live on WQXR 105.9 FM, New York’s classical music station, hosted by Jeff Spurgeon. The event follows all state and local regulations concerning large-scale outdoor events. Seating is provided for vaccinated, masked audience members.
Author, poet, songwriter, and Queen of New York Patti Smith graced the stage at Rumsey Playfield in Central Park with her bandfor a free Sunday evening show this past weekend as part of the Capital One City Parks Foundation SummerStage concert series.
Nearly one month ago Smith was set to perform as part of the mega NYC Homecoming Concert in the Great Lawn, which was cut short by the watery remnants of Hurricane Henri before she had her turn on stage. Confirmed in an interview she did that evening with Anderson Cooper, she we would have performed a duet with Bruce Springsteen on the song they penned together, “Because the Night.” While there was no surprise Bruce appearance, Smith made a full-hearted fancy of the tune in dedication to her late husband Fred Smith.
A NYC-cultivated setlist payed tribute and honor to Smith’s equals who’ve either passed or fortunate to still be contributing to the arts. Early in the show Smith dedicated the reggae-infused “Renando Beach” to the late Jamaican record producer Lee “Scratch” Perry and went on to pay tribute to Charlie Watts with “Beneath the Southern Cross.” In tribute to former Saturday Night Live star Norm Macdonald Smith introduced Stevie Wonder’s “Blame it on the Sun” with a quote from the late comedian. Her band paid homage to Hilly Kristal and his CBGB legacy with a cover of the Rolling Stones’ “I’m Free” with an interlude of Lou Reed’s “Walk on the Wild Side.” Lastly, Smith tipped her hat to Bob Dylan with her take on his song “One Too Many Mornings.”
As a poet Smith performed her spoken word poem “Perfect Moon” to welcome in the approaching Harvest Moon leading seamlessly into the lyrics and music of “Dancing Barefoot.”
After a short encore break, Smith’s show ended with a message of strength “People Have the Power.” With fists in the air, many sang along in solidarity with that message.
The Capital One City Parks Foundation SummerStage concert series continues into early October; for more information check out the schedule here.
Setlist: Grateful, Redondo Beach, Free Money, Ghost Dance, Perfect Moon (poem), Dancing Barefoot, Ain’t It Strange, Beneath the Southern Cross, Blame It on the Sun, I’m Free -> Walk on the Wild Side -> I’m Free, Because the Night, Pissing in a River, One Too Many Mornings, Land / Gloria
Saturday Night Live has revealed the first four hosts and musical guests of its upcoming season 47. Returning on October 2 on NBC, the lineup includes Kacey Musgraves, Halsey, Young Thug and Brandi Carlile. The premiere is the first episode of SNL since last May, when Anya Taylor-Joy hosted as Lil Nas X took the stage. Cast members Beck Bennett and Lauren Holt are exiting the show, while three new featured players are set to join: Aristotle Athari, James Austin Johnson and Sarah Sherman.
Fans of the show can likely anticipate a tribute to late alum Norm Macdonald, who passed away in September.
Today is a sad day. All of us here at SNL mourn the loss of Norm Macdonald, one of the most impactful comedic voices of his or any other generation. pic.twitter.com/KQYuuz5eM9
The season premiere kicks off on October 2, with Loki star Owen Wilson hosting and country-turned-pop singer Kacey Musgraves as the musical guest. Musgraves’ fourth studio album star-crossed was released on September 10, supported by a visual album that premiered on Paramount+. She previously performed on SNL in 2018:
On October 9th, Kim Kardashian West hosts as Halsey performs. Her August album If I Can’t Have Love, I Want Power received the best reviews of her career to date, attracting new listeners thanks to Trent Reznor and Atticus Ross’s production. Halsey has guested on SNL annually since 2018, doing double duty as a host and musical guest in 2019.
Rami Malek hosts on October 16, a change of pace from portraying the most recent Bond villain in No Time to Die. Young Thug joins Malek as the musical guest, his first time as the main performer despite assisting Megan Thee Stallion last season.
The furthest out host and musical guest announced for Season 47 of Saturday Night Live are Emmy-winning Ted Lasso star and former SNL alum Jason Sudeikis, and singer-songwriter Brandi Carlile, both for October 23.
Schitt’s Creek co-creators and the father-son duo, Eugene and Dan Levy, ended their Emmy and Golden Globe-Award winning show after 6 seasons and at the height of its fame, preserving its all around quality. Finally they give fans a little more, with Dan and Eugene Levy announcing a celebration for the launch of their book titled Best Wishes, Warmest Regards: The Story of Schitt’s Creek. If their short Netflix documentary left you in tears, hearing from them at their special one-night event at New York’s Beacon Theatre on October 25th will melt your heart.
Tickets to the Beacon Theatre event not only include admission but a copy of their upcoming book.
For those who can’t make it to the Beacon Theatre, the Levy’s will hold a simultaneous livestream on October 25th at 7:30pm EST. And if you miss the streaming, it will also be available for on-demand viewing until November 1st. The Best Wishes, Warmest Regards: The Story of Schitt’s Creek hardcover book will be mailed after publication date on Tuesday, October 26 to those with streaming access.
We are excited to be able to express our gratitude to a handful of those fans in person, safely, in New York, but also adding the livestream component… We look forward to celebrating all of you and this special book on October 25.
Dan Levy
Best Wishes, Warmest Regards: The Story of Schitt’s Creek will encapsulate the glowing and hysterical environment that was Schitt’s Creek. This book will remind you how this record breaking show came to be, including a catalogue of Moira’s wigs, vocabulary, David’s knits, and Alexis’s adventures. They’ll delve into detail of Schitt’s Creek major scenes like Moira at Herb Ertlinger Winery, the Rose Family Christmas episode, and Patrick and David’s first kiss. We may never get more episodes of Schitt’s Creek but at least Levy’s book will evoke the memories and laughs we had watching the show for the first time.
With four multi-night runs at the Fillmore East already in the books for 1970, the Grateful Dead returned to their New York City headquarters for a fifth one in September. And, once again, they would be joined by their friends in New Riders of the Purple Sage for the festivities. This would be their third run of the year here in this “Evening with the Grateful Dead” format that featured music from both bands, with the Dead playing one acoustic and one electric set of music. This show also marks the first time David Grisman played along side Jerry Garcia in a live setting for the first time. September 20 was the final night of this particular run and features, arguably, one of the better acoustic sets known to Deadheads.
The opening set is accordingly introduced as “Acoustic Dead” and the band immediately launches into “Uncle John’s Band.” It’s a delightfully casual take on a Dead classic that’s harmonized nicely and sets the tone for the set. They even get some assistance from the Fillmore crowd which is gladly clapping along in time by song’s end. Jerry Garcia continues to man lead vocals on the “Deep Elem Blues” that follows, a song that would follow him around in live settings for the rest of his life. Grisman’s mandolin play blends in perfectly with the acoustic guitars, giving this one a unique feel. And with the added strings and acoustic influence provided by Grisman, a first set “Friend Of The Devil” sounds so crisp that one would think they were playing American Beauty over the PA.
“Big Railroad Blues” features David Nelson on yet another mandolin in a fun, fast-paced version that’s like no other. It was only the third performance ever of a song the Dead would go on to play for the remainder of their playing career. This is backed up by a splendid “Dark Hollow” with Bob Weir jumping in on lead vocals. There is so much acoustic firepower on stage, Garcia actually jumps on the piano for “To Lay Me Down,” quite a rare occurrence.
“Rosalie McFall” joins the fray afterwards, a Charlie Monroe cover and another acoustic song that would go on to be a mainstay for future Garcia acoustic performances. The remainder of the opening set has a decidedly classic Dead feel to it, beginning with “Cumberland Blues,” continuing with a riveting “New Speedway Boogie” that has a lovely little acoustic jam tied to it, and ending with the always emotional “Brokedown Palace.”
The second set then brings along the electricity, both literally and figuratively. “Casey Jones” comes rolling down the tracks to open things before the iconic opening licks of “China Cat Sunflower” ring out loud and true. While not particularly stretched out or extended, a perfectly seamless transition into “I Know You Rider” follows, and with each verse the Grateful Dead delighting the Fillmore crowd even further. It’s cut off a bit on the recording below, but “Candyman” then cools things down a bit, courtesy of the delicate singing and customary harrowing guitar play from Garcia.
This Fillmore show also features a few Dead rarities. “Big Boy Pete” is played for the only sixth time ever and the last one ever with Pigpen who finally gets some lead vocal action. It’s a quick. bluesy number that the band would dust off twice more in the future, with random unshelvings in 1978 and 1985. Perhaps inspired by the last number, or just turned up in the mix, Pigpen shines on the “Me And My Uncle” that comes next, supplying some inspired fills. Seizing the momentum, he then takes center stage and belts out one of his signature songs, “Easy Wind,” that also ably serves as one of the more extended jams of the evening.
A still raw “Sugar Magnolia” follows, but has a fun little vocal breakdown and shows all the signs of being a Grateful Dead staple for years to come. After a quick run through of the Weir-led “Mama Tried,” the Dead go big for this particular Fillmore closing sequence, starting with a massive “Not Fade Away.” This may as well have been the “Drums” portion of the evening as drummers Bill Kreutzmann and Mickey Hart lead the charge on this one, trading percussive punches back and forth that fuel a mesmerizing sequence of improv.
This sets the table for “Caution (Do Not Step On Tracks)” which, it could be argued, serves as the “Space” portion tonight. It’s the Dead at their finest: frenetic and psychedelic blues, powered by probing bass lines from Phil Lesh, and adorned with Pigpen riffing on vocals while feedback and other audio wizardry abound. The jam eventually devolves to only drums, bass and Pig on harmonica for a spell. Garcia then reemerges on lead guitar and the band begins to tie a bow on the second set the only way they know how – with a six-minute feedback jam. From this, the a capella “We Bid You Goodnight” emerges, serving as the de facto encore and officially closing out another memorable Grateful Dead run at the Fillmore East.
Grateful Dead Fillmore East – New York City, NY 9/20/70
Set 1: Uncle John’s Band, Deep Elem Blues, Friend Of The Devil, Big Railroad Blues, Dark Hallow, Ripple, To Lay Me Down, Truckin’, Rosalie McFall, Cumberland Blues, New Speedway Boogie, Brokedown Palace
Set 2: Casey Jones, China Cat Sunflower -> I Know You Rider, Candyman, Sittin’ On Top Of The World, Big Boy Pete, Me And My Uncle, Easy Wind, Sugar Magnolia, Attics Of My Life, Mama Tried, Not Fade Away > Caution (Do Not Step On The Tracks) > Feedback Jam > And We Bid You Goodnight
Ghost Light members Holly Bowling and Tom Hamilton will release their first album as a duo, Lacuna, on November 19 via Royal Potato Family, with six intimate performances starting on November 26 in New York City.
The music on Lacuna comes from one stream of consciousness – a completely improvised recording session at Hamilton’s studio The Ballroom in Philadelphia. Through a series of ambient excursions, Hamilton and Bowling showcased their powerful musical connection, as seen in a video excerpt from the recording session below.
The impetus for recording Lacuna came during the summer of 2020 while Bowling was isolated at her home in Northern California and Hamilton essentially lived in his Philadelphia studio. Bowling—pregnant with her first child at the time—embarked on a cross-country road trip to visit her family in Maine. On her way back home in September, she took a detour to visit Hamilton. The pair caught up, sat down at their instruments, Bowling on baby grand piano and Hamilton on acoustic guitar, and hit record.
It was all very organic. We hit save, she left, and we didn’t talk about it.
Tom Hamilton
The music would sit on a hard drive, unheard, until Hamilton listened back in February 2021 and realized they had something special. The resulting 46 minutes of ambient instrumental improvisation became Lacuna. Recorded in one take with no overdubs, the pair had to reverse engineer the album, splitting the improvisation into eight tracks with names.
We were just playing to play. I was so intensely missing that spark and connection of playing music with someone else and having that back and forth. It was the happiest I had been in ages, even though the music sounds pretty dark in places, and it was definitely a very dark time. Tapping into that and then getting it out was cathartic.
Holly Bowling
The title Lacuna came from one of the many books Bowling read during quarantine. She didn’t know what the word meant so she looked it up and found that the definition: “a gap, an unfilled space, or an intentional, extended passage in a musical work during which no notes are played.” It perfectly encapsulated the pandemic era and the sounds the pair had made while living through it. “I’ve felt more and more comfortable in those in-between spaces,” Bowling says. “That’s really where I’ve been wanting to spend my time, and with Lacuna, that’s the entire thing.”
Among the six shows are performances in New York City, Colorado and San Francisco, with additional dates planned for 2022. The first show is at (Le) Poisson Rouge in Greenwich Village on November 26, followed by a special performance on November 27 at The Ballroom, the studio where Lacuna was born. Tickets for are on sale now, while pre-order/pre-save for Lacuna on both vinyl and digital formats is available here.
Lacuna, Featuring Tom Hamilton & Holly Bowling Tour Dates
11/26 – New York, NY – (Le) Poisson Rouge 11/27 – Philadelphia, PA – The Ballroom 12/17 – Boulder, CO – Boulder Theater 12/18 – Beaver Creek, CO – Vilar Performing Arts Center 12/19 – Denver, CO – Ophelia’s Electric Soapbox (On Sale 9.24) 3/5/22 – San Francisco, CA – The Chapel
Update – September 17, 2021: Elton John is postponing his 2021 European dates on his world tour until 2023 so that he can have an operation on an injured hip. Elton John said of the injury and postponement:
Despite intensive physio and specialist treatment, the pain has continued to get worse and is leading to increasing difficulties moving. I have been advised to have an operation as soon as possible to get me back to full fitness and make sure there are no long-term complications.
With great sadness and a heavy heart that I am forced to reschedule the 2021 dates of my Farewell Yellow Brick Road tour in Europe and the UK to 2023.
Elton John
Elton has promised fans that “the shows will return to the road next year and I will make sure they are more than worth the wait.”
REcently, Lil Nas X and Elton John have teamed up for “One of Me,” the pair’s first collaboration, appearing Lil Nas X’s debut album, Montero, which released on Friday, September 17.
Original article follows below
The final dates for Elton John’s “Farewell Yellow Brick Road” tour have been announced. This final tour for Elton John will take him around Europe, America and New Zealand, with dates into 2023.
Elton John released a statement regarding his new tour dates, and the return to his ‘final’ tour:
Hello, all you wonderful fans out there. I’m coming to you today with an announcement I’ve been working towards for, well, all my life: the shows that I announce today will be my final tour dates ever in North America and Europe. I’m going to go out in the biggest possible way, performing at my very best, with the most spectacular production I’ve ever had, playing in places that have meant so much to me throughout my career.
Elton John
photo by JTGPhoto
Elton John made his way through New York in February 2019 with a stop at the Times Union Center. Check out photos and our review of the evening for a taste of what’s in store when The Rocket Man returns to the road.
Elton John ‘Farewell Yellow Brick Road” World Tour
2021 (European dates postponed until 2023)
Sept. 01 – Berlin, DE – Mercedes Benz Arena Sept. 03 – Berlin, DE – Mercedes Benz Arena Sept. 04 – Berlin, DE 2 Mercedes Benz Arena Sept. 07 – Cologne, DE – Lanxness Arena Sept. 08 – Cologne, DE – Lanxness Arena Sept. 11 – Hamburg, DE – Barclaycard Arena Sept. 12 – Hamburg, DE – Barclaycard Arena Sept. 14 – Hamburg, DE – Barclaycard Arena Sept. 17 – Stockholm, SE – Tele2 Arena Sept. 18 – Stockholm, SE – Tele2 Arena Sept. 21 – Helsinki, FI – Hartwell Arena Sept. 22 – Helsinki, FI – Hartwell Arena Sept. 25 – Oslo, NO – Telenor Arena Sept. 26 – Oslo, NO – Telenor Arena Sept. 30 – Cologne, DE – Lanxness Arena Oct. 05 – Zurich, CH – Hallenstadion Oct. 06 – Zurich, CH – Hallenstadion Oct. 10 – Paris, FR – Accor Hotels Arena Oct. 12 – Paris, FR – Accor Hotels Arena Oct. 13 – Paris, FR – Accor Hotels Arena Oct. 16 – Antwerp, BE – Sportpaleis Oct. 17 – Antwerp, BE – Sportpaleis Oct. 22 – Barcelona, ES – Palau Sant Jordi Oct. 23 – Barcelona, ES – Palau Sant Joride Oct. 30 – Manchester, UK – Manchester Arena Nov. 02 – London, UK – O2 Arena Nov. 03 – London, UK – O2 Arena Nov. 05 – Leeds, UK – First Direct Arena Nov. 07 – London, UK – O2 Arena Nov. 09 – London, UK – O2 Arena Nov. 10 – London, UK – O2 Arena Nov. 12 – London, UK – O2 Arena Nov. 14 – London, UK – O2 Arena Nov. 16 – London, UK – O2 Arena Nov. 17 – London, UK – O2 Arena Nov. 19 – Manchester, UK – Arena Nov. 21 – Birmingham, UK – Resorts World Arena Nov. 23 – Birmingham, UK – Utilita Arena Nov. 24 – Birmingham, UK – Utilita Arena Nov. 27 – Liverpool, UK – M&S Bank Arena Nov. 28 – Liverpool, UK – M&S Bank Arena Dec. 01 – Manchester, UK – Manchester Arena Dec. 03 – Dublin, UK – 3Arena Dec. 04 – Dublin, UK – 3Arena Dec. 06 – Belfast, UK – SSE Arena Belfast Dec. 09 – Aberdeen, UK – P&J Live Dec. 10 – Aberdeen, UK – P&J Live Dec. 13 – Glasgow, UK – SSE Hydro Dec. 14 – Glasgow, UK – SSE Hydro
2022
Jan. 19 – New Orleans, LA – Smoothie King Center Jan. 21 – Houston, TX – Toyota Center Jan. 22 – Houston, TX – Toyota Center Jan. 25 – Dallas, TX – American Airlines Center Jan. 26 – Dallas, TX – American Airlines Center Jan. 29 – N. Little Rock, AR – Simmons Bank Arena Jan. 30 – Oklahoma City, OK – Chesapeake Energy Arena Feb. 01 – Kansas City, MO – T-Mobile Center Feb. 04 – Chicago, IL – United Center Feb. 05 – Chicago, IL – United Center Feb. 08 – Detroit, MI – Little Caesars Arena Feb. 09 – Detroit, MI – Little Caesars Arena Feb. 14 – Toronto, ON – Scotiabank Arena Feb. 15 – Toronto, ON – Scotiabank Arena Feb. 18 – Montreal, QC – Bell Centre Feb. 19 – Montreal, QC – Bell Centre Feb. 22 – New York, NY – Madison Square Garden Feb. 23 – New York, NY – Madison Square Garden Feb. 25 – Newark, NJ – Prudential Center March 01 – Brooklyn, NY – Barclays Center March 02 – Brooklyn, NY – Barclays Center March 05 – Long Island, NY – Nassau Coliseum March 06 – Long Island, NY – Nassau Coliseum March 19 – Fargo, ND – FARGODOME March 22 – St. Paul, MN – Xcel Energy Center March 23 – St. Paul, MN – Xcel Energy Center March 26 – Des Moines, IA – Wells Fargo Center March 27 – Lincoln, NE – Pinnacle Bank Arena March 30 – St. Louis, MO – Enterprise Center April 01 – Indianapolis, IN – Bankers Life Fieldhouse April 02 – Milwaukee, WI – Fiserv Forum April 05 – Grand Rapids, MI – Van Andel Arena April 08 – Knoxville, TN – Thompson-Boling Arena April 09 – Lexington, KY – Rupp Arena April 12 – Columbus, OH – Schottenstein Center April 13 – Hershey, PA – Giant Center April 16 – Louisville, KY – KFC Yum! Center April 19 – Greensboro, NC – Greensboro Coliseum April 20 – Columbia, SC – Colonial Life Arena April 23 – Jacksonville, FL – Vystar Veterans Memorial Arena April 24 – Tampa, FL – Amalie Arena April 27 – Orlando, FL – Amway Arena April 28 – Miami, FL – American Airlines Arena May 22 – Frankfurt, DE – Deutsche Bank Park May 29 – Leipzig, DE – Red Bull Arena June 04 – Milan, IT – San Siro Stadium June 07 – Horsens, DK – CASA Arena Horsens June 09 – Arnhem, NL – GelreDome June 11 – Paris, FR – La Defense Arena June 15 – Norwich, UK – Carrow Road June 17 – Liverpool, UK – Anfield June 19 – Sunderland, UK – Stadium of Light June 22 – Bristol, UK – Ashton Gate Stadium June 29 – Swansea, UK – Liberty Stadium July 15 – Philadelphia, PA – Citizens Bank Park July 18 – Detroit, MI – Comerica Park July 23 – East Rutherford, NJ – MetLife Stadium July 28 – Foxboro, MA – Gillette Stadium July 30 – Cleveland, OH – Progressive Field Aug. 5 – Chicago, IL – Soldier Field Sept. 7 – Toronto, ON – Rogers Centre Sept. 10 – Syracuse, NY – Carrier Dome Sept. 16 – Pittsburgh, PA – PNC Park Sept. 18 – Charlotte, NC – Bank of America Stadium Sept. 22 – Atlanta, GA – Mercedes-Benz Stadium Sept. 24 – Washington, DC – Nationals Park Sept. 30 – Arlington, TX – Globe Life Field Oct. 2 – Nashville, TN – Nissan Stadium Oct. 21 – Vancouver, BC – BC Place Oct. 29 – San Antonio, TX – Alamodome Nov. 4 – Houston, TX – Minute Maid Park Nov. 12 – Phoenix, AZ – Chase Field Nov. 19 – Los Angeles, CA – Dodgers Stadium Nov. 20 – Los Angeles, CA – Dodgers Stadium
