NYS Music 202​1

Category: World/Reggae

  • A Holiday Classic: Darlene Love performs “Christmas (Baby Please Come Home)” on Late Show with David Letterman

    From 1986 until 2014, David Letterman would close out his final show of the year with a Christmas episode that featured the one and only Darlene Love. Over the span of those 28 years, Love would perform her holiday hit “Christmas (Baby Please Come Home),” one of Letterman’s favorites.

    The appearance found its origins after Letterman saw Love perform the song at the Bottom Line, in a show called Leader of the Pack. He immediately had to have her on the show. Love told Variety in 2014:

    He had David [were] down to see the show. [Letterman] said, “You know that song that girl sings? That Christmas song? That’s the greatest Christmas song I’ve ever heard. We need to get her on the show.” That was 1986, and so I’ve been doing it ever since.

    The tradition spanned two networks over nearly three decades, appearing from 1986 until 1993 on Late Night with David Letterman, and later on the Late Show with David Letterman when Letterman joined CBS.

    The song was originally recorded for the 1963 Phil Spector album A Christmas Gift for You, and while Love performed the song on Letterman’s shows, she told the New York Times in 2014 that she will not sing it for any other TV talk-show hosts moving forward.

    For her final performance, the Late Show paid tribute to Darlene Love. Following her brief interview with Dave, the stage filled in with additional musician, including string and horn sections and several backup singers. These singers would not overshadow Love’s powerful voice, and sang her final last verse from the top of Paul Shaffer’s piano, with fake snow falling around her.

    Recently, an animated version of “Christmas (Baby Please Come Home)” has been released through Legacy Recordings. The short video follows a young Black girl as she walks home through a snowy neighborhood, accompanied by a happy snowman. Along the way, she stops to admire a Christmas tree and runs into her dog, who is singing along with a pair of carolers. The girl and her dog arrive home, where they are lovingly greeted by her parents. As the video nears its end, the girl opens up one of her presents to find a snow globe with the smiling snowman inside.

    At the end of the music video, Love posted a message paying tribute to her late sister, Edna Wright Perry, who sang backing vocals on the track.

    Featured on the show prior to Love’s show-stopping performance, Letterman annually welcomed comedian Jay Thomas, to share, as Letterman put it, “the best story I’ve ever heard.” Thomas would then launch into his true story about an encounter with Clayton Moore, the actor famous for playing The Lone Ranger. For 17 years starting in 1992, Thomas would come on the show and deliver the joke, much to Letterman and the audience’s approval. Watch the story unfold over the years.

    After Thomas delivered the punchline, he and Letterman would alternate throwing a football at the meatball on top of the Late Show Christmas tree. To wrap up the show, Darlene Love would come out for “Christmas (Baby Please Come Home)” and send the show into the night.

  • Burna Boy Announces One-Night Only Show at Madison Square Garden: One Night in Space

    Grammy-winning Afrobeats artist, Burna Boy, is on the verge of making history with the announcement of his one-night only show at the world’s most famous arena, Madison Square Garden. Set for April 28, 2022, the performance will see the “African Giant” singer become the first Nigerian artist the headline the iconic venue. 

    Burna Boy

    One Night in Space Follows several sold-out performances by Burna Boy at some of the world’s most renowned arenas and music festivals. As part of his 2021 Space Drift tour, Burna Boy has performed in front sold-out crowds at LA’s The Hollywood Bowl, he delivered electrifying performances at the 2021 Global Citizen Festival and The Governor’s Ball, as well as sold out international shows at London’s O2 Arena, Paris’ Accor Arena, Amsterdam’s Ziggo Dome and more venues around the globe. 

    Burna Boy is also on a musical high as his last two projects, 2019’s Grammy-nominated African Giant and 2020’s Grammy-winning Twice as Tall, have seen him go from a star within the afrobeats community to a legitimate mainstream headliner. While he hasn’t released a body of work in 2021 after releasing projects in consecutive years, he has kept his sound in circulation, collaborating with several diverse and well-known artists. 2021 saw him on the records “I Feel It” with Jon Bellion; “Want It All” featuring Polo G, “Question” ft Don Jazzy, and “Rotate” with Becky G, which featured in Pepsi’s global football campaign “Music Keeps Us Fizzing.” The African Giant also allied with Justin Bieber on the 8x Grammy-nominated album, Justice, and with 9-time Grammy-nominee Sia for “Hey Boy.” 

    Tickets for One Night in Space will go on sale to the general public at 12pm ET on Friday, December 17th at Ticketmaster.com.  

  • Joanne Shenandoah, Native American Musical Matriarch, NAMA and Grammy Award Winner, Dies at Age 63

    Joanne Shenandoah, a native of the Oneida Indian Nation who became a world-renowned singer and peace activist, has died at age 63, as reported by the Native American Music Awards & Association (NAMA).

    Joanne Shenandoah

    Shenandoah passed away late in the evening of Monday, November 22nd at the Mayo Clinic in Scottsdale, Arizona, following complications of abdominal bleeding and suffering a cardiac arrest. She was surrounded by her husband, Doug George-Kanentiio and daughter Leah.  

    Joanne Shenandoah

    A member of the Wolf Clan of the Oneida Nation, of the Haudenosaunee Six Nations Iroquois Confederacy, Shenandoah was the most critically acclaimed and honored Native American singer since her debut recording in 1989. She went on to record a total of 15 albums with numerous more collaborations, won numerous awards, including 14 Native American Music Awards, the most ever awarded to a singular artist, and a GRAMMY for her contribution on Sacred Ground: A Tribute to Mother Earth. Among her NAMA awards are Best Children’s Recording, Best Traditional Recording, Best Music Video, Best Producer, as well as multiple awards for  Best Female Artist, New Age Recording, Best Compilation, Artist of the Year, and Best Compilation.

    Shenandoah also earned two Grammy nominations for her albums, Covenant and Peacemaker’s Journey, an Emmy nomination for the PBS special “Native America,” was inducted into the Syracuse Area Hall of Fame, and received an Honorary Doctorate of Music from Syracuse University in 2002. Shenandoah was also an original board member of the Hiawatha Institute for Indigenous Knowledge, which operates in partnership with Syracuse University.

    Just this year, Joanne released her last full length recording entitled, Oh Shenandoah, a 12 track recording featuring a collection of country infused songs along with a poignant dedication to Missing Murdered Indigenous Women (MMIW), “Missing You.” Joanne, with her daughter Leah and sister Diane, delivered an emotive and moving live performance with “Missing You” at her final appearance at the 19th Annual Native American Music Awards.

    Over her five decade plus career, whether performing solo or with her musical trio featuring her daughter Leah and sister Diane, Joanne has graced the stages at The White House, Carnegie Hall, Presidential Inaugurations, Madison Square Garden, The Smithsonian, Woodstock ’94 and participated in the celebration of the canonization of Kateri Tekakwitha, the first Roman Catholic Native American saint in Rome, Italy. As a humanitarian and peace advocate, Joanne met and performed for such noted leaders such as his Holiness the Dali Lama, and Nelson Mandela.

    Joanne Shenandoah pete seeger

    Joanne’s beautiful embellishing voice, strong Iroquois traditions, unequivocal elegance and courteous grace made her a prominent role model and highly respected musical Matriarch among Native American communities as well as the mainstream music community at large. She sang with deep roots from her ancestors and flawlessly incorporated her oral traditions into contemporary Folk, Country and Americana formats. She captured the hearts of audiences all over the world and always took time to encourage and inspire younger musicians in her travels. Joanne Shenandoah made an incredible impact on this earth and has paved paths for so many. 

    Joanne Shenandoah

    Joanne leaves behind her husband Doug, daughter Leah, grandson Kieren Ryder, sisters Diane and Vicky and numerous nieces and nephews.

  • Toubab Krewe Embarks on ‘What is Tour 2021’ – Perform at NuBlu on December 2

    Toubab Krewe, the genre-defying quintet that fuses west-African traditional music with elements of rock, jam, and Appalachian styles, will continue it’s ‘What is Tour 2021’ on December 1 with a show in Wayne, PA at 118 North. The group will then head to Nublu 151 in NYC on December 2.   

    toubab krewe what is tour

    Many of the dates are re-scheduled from a COVID postponed tour in April of 2020.  The band will film the PBS special ‘Echo Sessions’ in Asheville, NC in December, and then finish the year at the No Resolutions Festival in Branford, FL on December 30, headlined by Big Gigantic, Girl Talk, and others.

    Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own.  The fruits of this hard work can be heard on their latest release, STYLO, (March 2nd, 2018).  What Justin Perkins (Kora, Kamelngoni, guitar, percussion), Terrence Houston (drumset), Drew Heller (guitar, organ), Justin Kimmel (bass, keys), and Luke Quaranta (Djembe, Congas, Dundun, Sangban, Kinkini) have wrought on STYLO reflects the many miles and musical journeys that have transpired since their last studio album, TK2.

    toubab krew what is tour

    All shows will require a COVID vaccination or negative PCR test to enter.

    Toubab Krewe ‘What is Tour 2021’ Dates

    11.17 Buffalo NY • Buffalo Iron Works
    11.18 Ferndale MI • Otus Supply
    11.19 Columbus OH • Woodlands Tavern
    11.20 Chicago IL • Martyrs’ 
    11.21 Bloomington IL • Stable Music Hall 
    12.1 Wayne PA • 118 North
    12.2 New York, NY • Nublu 151
    12.3 Bridgeport CT • Park City Music Hall 
    12.4 Newmarket NH • Stone Church 
    12.5 Waterbury VT • Zen Barn
    12.16 Asheville NC • Echo Sessions 
    12.30 Branford FL • No Resolutions Festival 

  • Main Street Music Series Is Back at Rose Hall in Cortland

    Here we are, returning back to normal. The Main Street Music Series is back in person returning to Rose Hall this month and December. Catch them with a series of four Friday night concerts with audiences, with the next show on November 19 featuring Rochester’s Dirty Blanket, James Vandeuson and the Rollin’ Rust, and Roger Decker.

    Main Street Music

    Main Street Series is committed to enriching Cortland’s culture and showing a good time in Downtown. American Vintage Productions returns as the production company, providing sound, live streaming and promotional services for the series. 

    We’re excited to return to live audience performances after being virtual only last year. This year our concert format will return to normal with three bands at each concert. The openers will perform in Studio AV on the first floor at Rose Hall and the headlining band will be in the concert hall upstairs.

    Chris Merkley, MSMS Board President

    Rose Hall doors open at 6 p.m. and admission is free. Donations to support the series can be made at the door or online. Not to worry for those wishing to watch from home, the concerts will also be streamed through the AV Live Network. 

    The remaining concerts in the Main Street Music Series include:

    • Nov. 19 – Featuring Dirty Blanket with James VanDeuson & The Rollin’ Rust and Roger Decker
    • Dec. 3 – Featuring The Unknown Woodsmen with Bug Tussle and Dana Twigg
    • Dec. 17 – Featuring Sophistafunk with People People and Gary Carpentier

  • Michele Rosewoman Brings “A Function at the Junction: Ancestral Bridge, Musical Strings” to Flamboyan Theater on November 11

    On Thursday, November 11, pianist, composer and ensemble leader Michele Rosewoman will present “A Function at the Junction: Ancestral Bridge, Musical Streams” / “Una Función en el Cruce: Puente Ancestral, Corrientes Musicales,” a collaborative, multimedia event that will bring together Rosewoman’s New Yor-Uba ensemble, Francisco Mora Catlett’s Afro Horn and Román Díaz’s Rumba Ensemble in live performance with video documentation, a subsequent HotHouseGlobal broadcast and Habana/Harlem panels.  

    Michele Rosewoman

    The program will take place at the Clemente Soto Velez Center, Flamboyan Theater in New York City at 107 Suffolk St, as part of Arts for Art’s three-day festival, Jazz Libre. Tickets are available here, with a cost of $15/set, $25/night in-erson, and $5 for a livestream. View the full schedule here.

    On December 18, the event will be broadcast on Cuban national television (and beyond) as part of a 2-night event  (Dec 18/19) through the HotHouseGlobal streaming platforms on Twitch, YouTube, HotHouse’s website, and Facebook Live. A recipient of the prestigious Southarts Jazz Road Creative Residency grant, Rosewoman has created a night that gives broader space and voice to the inspirations and traditions that have shaped and nurtured her. 

    With New Yor-Uba, we pay homage to the journey of centuries-old Yoruba traditions from Nigeria through Cuba to present-day New York, reflecting its contemporary manifestations. 

    Michele Rosewoman

    The ensemble’s distinctive repertoire features Ms. Rosewoman’s original compositions and visionary arrangements that incorporate a large spectrum of Cuban spiritually-based musical traditions including, Yoruba (Nigeria), Arará (Dahomey), Abakuá (Calabar) and rumba/guaguanco, a uniquely Cuban musical form.    

    Rosewoman’s vision is that of a unique community of musicians in NYC with deep ties to both spiritually-based Cuban folkloric traditions and contemporary jazz, Rosewoman, Román Díaz and Francisco Mora Catlett share conceptual, artistic and spiritual intersections. Rosewoman sees this residency as an opportunity to “incorporate and stage the work of treasured co-creators who also highlight these traditions in unique contemporary contexts, while building bridges between artists and cultural voices based in NY and also those artificially separated by Cuba/U.S. policies.”   

    Master folklorist Román Díaz, a member of all three ensembles (leader of one), as well as a former member of Yoruba Andabo  (Cuba) has been a featured and foundational member of her New Yor-Uba ensemble since 2008. Fulfilling a desire to further share her music (deeply informed by traditions born of Cuba) with Cuban audiences through her partnership with HotHouseGlobal, especially gratifying for Ms.Rosewoman is the fact that Mr. Diaz is featured in all 3 ensembles.   

    Michele Rosewoman | Credit: Chris Drukker     

    Michele Roswoman’s New Yor-Uba lineup includes: Michele Rosewoman– piano/vocals. Alex Norris–trumpet. Mike Thomas- alto & soprano saxophone,  Isaiah Collier-tenor saxophone. Chris Washburne–trombone/bass trombone/tuba. Gregg August–bass. Robby Ameen–drums. Román Díaz – percussion/vocals. Rafael Monteagudo–percussion. Mauricio Herrera-percussion/vocals,  Abraham Rodriguez-  lead vocals.

    This project enables us to share Mr. Díaz with the Cuban communities he is born of but separated from, as they experience his impact on the jazz community here in the U.S,” says Rosewoman. “And by ‘taking’ this music to Cuba, we all return to the source and pay homage to the roots of our inspiration, nurturing this junction.

    Francisco Mora Catlett’s Afro Horn, an avant-garde ensemble that highlights the African presence in the Americas through an assemblage of prime musicians and a repertoire of written and improvised jazz expressions and Cuban folkloric influences, will also perform. Mora is especially known for his work with Motown, Sun Ra and Max Roach and as co-founder of the Oyu Oro Afro-Cuban Experimental Dance Company (2000) with his wife Danys Perez Prades, performing dance and music from the African Diaspora. Lineup: Francisco Mora Catlett–drums. Sam Newsome–soprano saxophone. Román Díaz –percussion.  James Weidman–piano.  Rashaan Carter–bass. Alex Harding–baritone saxophone.  

    Francisco Mora Catlett’s Afro Horn

    Also performing is Román Díaz, a scholar of religious and folkloric music, composer & performer of folklore and contemporary jazz. Considered both a pillar of the New York City jazz avant-garde and one of Afro Cuban music’s great innovators, his Rumba Ensemble displays his vision of the confluence of New York City’s tradition of music of the African diaspora.  He has performed and recorded with Merceditas Valdes, Raices Profundas, Paquito D’Rivera, Michele Rosewoman, Henry Threadgill, David Virelles, Jane Bunnett, Juan Carlos Formell, Orlando “Puntilla” Rios, Oriente Lopez, Afro Horn& Danilo Perez among many others. 

    Román Díaz ‘s Rumba Ensemble: Román Díaz -percussion/vocals.  TBA-percussion. Clemente Medina-percussion.  Rafael Monteagudo-percussion. Abraham Rodriguez-vocals, TBA- vocals. Onel Mulet-saxophone/flute.

  • Radio Free Brooklyn Celebrates Changüí and Music of Cuba with free event on November 17

    Gianluca Tramontana, music journalist and host of the Radio Free Brooklyn show Sitting with Gianluca, spent 2017–2019 in the mountains around Guantánamo City, Cuba, immersed in—and recording— joyous, all-inclusive and mostly improvised, riff-based acoustic roots music of the island.  The music was born in the sugar and coffee plantations in the mountains around the city, less than thirty miles from Guantanamo Bay, and serves as the soundtrack for joyous three-day parties called Changuisis.

    radio free brooklyn

    This incredible collection of recordings, which includes over 50 brand new remote recordings and 100 intimate photographs of the culture and its people, was released this past July 30 by Petaluma Records as a three-disc deluxe box set with a hardbound full-color book and extensive liner notes titled Changüí – The Sound of Guantánamo. This release, the most extensive exploration of the Changüí style to date, has garnered four- and five-star reviews (MOJO, Songlines, No Depression, and Afropop) and been featured on NPR’s Weekend Edition, BBC6, PRI’S The World, and the CBC. 

    radio free brooklyn

    On November 17, Radio Free Brooklyn is partnering with the Pine Box Rock Shop for a free event that will be part belated record release party, part panel discussion and slideshow dedicated to this vibrant brand of Cuban music. Hosted by Tramontana, the event will include a conversation with four-time Grammy-winning producer Steve Rosenthal (co-producer) and Ned Sublette, Cuban music expert and author of the definitive tome Cuba and its Music.  This will also serve as a “better late than never” album release party where a copy of the box (and some other special gifts) will be raffled off to a lucky audience member.

    radio free brooklyn

    The Pine Box Rock Shop is located at 12 Grattan Street, Brooklyn. The 90-minute event kickoff at 8 pm. RSVP here.

    Radio Free Brooklyn is a non-commercial freeform Internet radio station, streaming original content by the artists and residents of Brooklyn 24 hours a day, 7 days a week. Listen live here.

  • Amayo Leaving Antibalas

    Amayo, lead singer of influential Brooklyn Afrobeat group Antibalas, has announced he will depart the group after 23 years. His departure was shared in a message to fans on Friday morning. 

    Amayo infused their music of Antibalas with charisma, energy, and flair. Growing up in Lagos, Nigeria, he found a penchant for Afrobeat sneaking into The Shrine, where Fela Kuti once played.

    amayo
    Amayo with Antibalas at Industry City in 2019. Photo by Jamie Huenefeld.

    Amayo joined Antibalas in 1999, after founding members Martin Perna and Gabriel Roth encountered him on the south side of Williamsburg. After inviting him to see a show, they eventually asked him to fill in for their percussionist. Soon enough, Amayo began composing lyrics, eventually falling into the role of lead vocalist. Amayo would stay at the helm of Antibalas through a Grammy nomination, three generations of musicians, and countless sold-out festival crowds. 

    “After the success of the Fu Chronicles album, the down time with COVID, the birth of my son, and a move across the country, circumstances have provided me with the opportunity to leave Antibalas on a high creative and artistic note,” Amayo wrote, with deep unconditional love for you, our fans, and all of the musicians who have played with me over the years. 

    amayo
    Antibalas performs at the Brooklyn Bowl in 2019. Photo by Mickey Deneher.

    Amayo played his last show with Antibalas, fittingly, in New York, at Central Park Summerstage on September 18. Amayo thanked the crowd at the show for making his last night so memorable. 

    As the vocalist looks ahead, there remains music in the future. 

    “It’s time for me to embark on a solo career,” he wrote, “one dedicated to my rich Nigerian Afrobeat roots.”

    Antibalas at the Brooklyn Bowl in 2019. Photo by Mickey Deneher.

    In their own footnote message, Antibalas wished Amayo the best in his future endeavors. The band also encouraged fans to look ahead with positivity, not doubt. Antibalas released their last album, Fu Chronicles, to positive reviews in February 2020. 

    “We are excited for both of our futures,” the band shared, “and bringing new music to you all in 2022!”

    Antibalas will continue on scheduled tour dates, playing two upcoming shows at the Brooklyn Bowl on November 12 and 13.

  • Japan Society Present Experimental Theater Event “SHEEP #1”

    NYC’s Japan Society has announced SHEEP #1, a unique new live performance from New-York based artist Sachiyo Takahashi. The four-show run will be live at Japan Society from November 4 through November 7. 

    SHEEP #1 follows the story of a lone sheep seeking out the meaning of life. Takahashi’s minimalist, unique performance employs a self-designed style she coined “Microscopic Live Cinema-Theatre.” Manipulating minuscule figurines in real-time, Takahashi magnifies their live movements onscreen alongside a live musical accompaniment. She has received multiple grants from The Jim Henson Foundation, including one this year, for her innovations in puppeteering. 

    The experimental performance combines live music, object theater, and storytelling inspired by the writings of Antoine de Saint-Exupery (Le Petit Prince). The performance’s text is a mixture of original words by Takahashi and quotes from Saint-Exupery himself. 

    Takashi’s has shown her inventive work at festivals and venues around the world. She founded her artistic collective, Nekaa Lab, in 2006, described as an “eternal playground for the curious mind.” The video, which highlights the figurines and puppets that make up the “lab members” of Nekaa Lab, is a prime example of the odd, haunting minimalism of Microscopic Live Cinema-Theatre. 

    In addition to puppetry, Takahashi also has master accreditation in Okamoto School Shinnai-bushi, a traditional form of song-storytelling from Japan. Her merging of unique and traditional styles creates a new form of avant-garde cinematic experience. In fact, she previously collaborated with Korean instrumentalist gamin to conceptualize a new music theatre, The Emotions, incorporated into the HERE Artist Residency Program in 2020. 

    In a note, Japan Society Artistic Director Yoko Shioya explained what called her to the piece. Shioya felt moved by Takahashi’s treatment of her figurines as members of her artistic company. 

    “Having the utmost reverence to a particular thing,” Shioya said, “is a meaningful gift that artists possess to create art.” 

    SHEEP #1’s run will incorporate two distinct programs. PROGRAM A, featuring Emile Blondel on piano, will be performed Thursday, November 4 at 7:30 P.M. and Sunday, November 7 at 2:30 P.M. PROGRAM B, featuring Kato Hideki on bass guitar, will be performed Friday, November 5 at 7:30 P.M. and Saturday, November 6 at 7:30 P.M.

    Tickets to the event can be purchased online at japansociety.org, or by phone through the Box Office at (212)-715-1258. 

  • Wyclef Jean, Bethenny Frankel & Fragrance Du Bois Show Support to Haiti Amidst Latest Earthquake

    For the better part of three decades Grammy-winning musician, Wyclef Jean, has made it his responsibility to not only promote, but bring aid to his embattled homeland of Haiti. Hence, it came as no surprise that ‘Clef was once again up to bringing awareness to Haiti’s latest misfortunes.

    Following his performance at Barlclays Center’s “Trillerverz” concert series — where Big Daddy Kane and Krs-One faced off in a Verzuz battle — the Fugees rapper celebrated with a good luck charm to his homeland. Given his history of wearing his flag on his sleeve, it was only fitting that the “Maria Maria” composer — unknowingly — jumpstarted the chain-of-events towards the current philanthropic efforts for Haiti. 

    It all began a few months ago when, Diane Jean — cousin of Wyclef – purchased “New York Intense” and “New York 5th Avenue” from luxury perfume house, Fragrance Du Bois, to gift ‘Clef. Unbeknownst to them, the high-priced fragrances were stolen from their South Orange, New Jersey location. On the same day of the theft, Diane Jean promptly hopped on a call with Nicola Parker, VP of Sales at Fragrance Du Bois, to secure another shipment of the luxury fragrance. The conversation led to the two discussing the devastating earthquake in Haiti, which prompted the Fragrance Du Bois team to go into action with a pledge to help Haiti. 

    Wyclef Jean Fragrance Du Bois

    They aligned with television personality and philanthropist, Bethenny Frankel, the founder of BStrong — a disaster relief initiative that provides real time emergency assistance to individuals and their families in crisis — and chose to raise funds for her charity because of its stellar reputation as a hands-on charity delivering immediate assistance. 

    So, from October 15 to November 15, 25% of sales from Fragrance Du Bois’ “New York Intense” and “New York 5thAvenue’s” online purchases will be donated to help Haiti.

    We are a globally conscious company- our giving personifies the brand’s identity of being for all people. Real luxury is all about giving.


    Nicola Parker, VP of Sales at Fragrance Du Bois

    Thus, donning a Haitian flag and top hat, Wyclef Jean doused himself in “New York Intense” in front of a packed Barclays Center as a good luck charm to his beloved Haiti and a show of good faith to Fragrance Du Bois, as they embrace the cause that ‘Clef has held dearly to his heart for so long. 

    DJ Super Cat then doused the stage with “New York Intense” and yelled to the audience: “help Haiti!”

    Wyclef Jean Fragrance Du Bois

    To purchase “New York Intense” or “New York 5th Avenue” online, click here.