The new album by The Tragically Hip, Saskadelphia, is a compilation of songs recorded by the band back in 1990. Recorded in New Orleans in an old mansion that looms over the neighborhood called Vieux Carré, better known as the French Quarter.
Saskadelphia album cover
The Canadian band that has gathered a large following over the years no longer put out new music after the sad death of their front man, Gord Downie. But the band is happy that they were able to put out a ‘new’ album for all of their fans.
With the only exception of ‘Montreal-Live’- you are able to feel the soul of New Orleans come out whether it be strong vocals or the instrumentals that seem to have a southern twist to them. This entire album comes out in perfect time for the summer one that can be played in the car with windows down and playing the drums on the steering wheel while listening to it.
Songs that stand out are “Ouch” and “Just As Well” that have vocals that could fit any country instrumental but are instead met with a harder rock sound that make them unique and frankly better than a lot of other bands. Then it transitions to “Reformed Baptist Blues” that keeps the country undertone but has a heavy classic rock sound.
Just two songs in, “Not Necessary,” is the best song on the album. This song brings back the angst of the early ’90s and late ’80s to now. This song could not only follow along with the trend of playing it in the car on a summer’s day but also could easily be the end to any classic high school movie.
The Tragically Hip’s album Saskadelphia is not only a blast from the past but has turned into a pleasant surprise that will be being played by all fans and hopefully some non-fans alike.
Key Tracks: Ouch, Not Necessary, Reformed Baptist Blues
Born Leonard Albert Kravitz, the multi-faceted artist from New York City, celebrates his 57th birthday today. Known for his contributions to the world of music and acting, birthday boy Lenny Kravitz is known for his flashy style that translates into all areas of his creative endeavors.
Born of bi-racial parents, actress Roxie Roker (The Jeffersons), and television producer Sy Kravitz, Lenny experienced several racial barriers at the start of his career. Often being told that his music was neither black or white enough to appeal to labels’ audiences, Kravitz took the initiative to put out his debut record, Let Love Rule, on his own. While his debut release only reached moderate success in the states, Kravitz used the momentum to land him the position of audio producer for the hit Madona single “Justify My Love” in 1990.
His contributions to the world of record production combined with his 1991 hit ” It Ain’t Over ’til its Over” skyrocketed Kravitz to fame. Throughout his musical discography, Kravitz has shown his ability to blend influences ranging from blues, jazz, contemporary R&B and psychedelia. While collaborating with artists such as Steven Tyler of Aerosmith and even Jay-Z, Kravitz has well proved that his music transcends racial barriers and appeals to audiences of various backgrounds.
Kravitz has several awards under his belt. He is the winner of two Grammy Awards for ‘Best Male Rock Vocal Performance,’ back to back for “Fly Away” and cover of The Guess Who’s “American Woman,” in 1999 and 2000, respectively. You may remember Kravitz stunning performance at the Pepsi Super Bowl XLIX Halftime Show alongside Katy Perry during which he performed a handful of hits. Also making a name for himself in the world of cinema, Kravitz has most recently featured in the Hunger Games trilogy playing the role of Cinna, a luxurious fashion designer. Ironically enough, Kravitz also is the founder of Kravitz Design which focuses on residential and commercial creative direction and design working with clients such as Swarovski Crystal.
Kravitz keeps his home close to heart. Known for spontaneously busking on the surrounding streets of Manhattan and shooting several of his music videos in Times Square, Kravitz is certainly a celebrated New Yorker.
New York City native Des Rocs has announced his first headline tour, Des Rocs Alive, consisting of more than 20 shows and kicking off on September 23 at Firefly Music Festival. The tour concludes on November 4 with a hometown show at the Bowery Ballroom in Manhattan.
Graphic from “This is our Life” Music Video
The tour will make stops at iconic venues around the country like Los Angeles’ The Troubadour, Minneapolis’ The Turf Club and Austin, TX’s Antone’s Nightclub. Des Rocs will also make stops at the Firefly Festival and the sold-out Aftershock Fest.
Des Rocs is a fourth-generation New Yorker as well as a rock-and-roll musician. He’s shared stages with The Rolling Stones, Muse, K Flay, Fall Out Boy, Weezer and Grandson.
“I feel like I was put on this earth to play shows,” Des Rocs said. “Since I was 13, I’ve played my guitar in basements and dive bars to anyone who’d listen.”
Des Rocs has released three EPs to date, including Let the Vultures In, Martyr Parade, and This Is Our Life, released in December 2020. The album’s title track hit top 20 at Active Rock radio and top 40 at Alternative radio. Fans can expect new music to be released later this year.
Des Rocs’ song “POS” from his album This is Our Life
“This tour is a lifetime in the making,” Des Rocs said. “I can’t wait to finally put all these songs on a stage after dreaming about it for a year in isolation.”
Tickets go on sale May 21, and can be purchased on Des Rocs’ website.
Des Rocs 2021 Tour Dates:
September 23-26 – Dover, DE @ Firefly Music Festival
September 28 – Detroit, MI @ El Club
September 30 – Columbus, OH @ The Basement
October 1 – Chicago, IL @ Beat Kitchen
October 2 – St. Paul, MI @ Turf Club
October 5 – Denver, CO @ Larimer Lounge
October 8 – Sacramento, CA @ Aftershock Festival
October 10 – Seattle, WA @ Sunset Tavern
October 11 – Portland, OR @ Mississippi Studios
October 13 – San Francisco, CA @ Rickshaw Stop
October 14 – Los Angeles, CA @ The Troubadour
October 16 – San Diego, CA @ Soda Bar
October 19 – Austin, TX @ Antone’s
October 20 – Dallas, TX @ Three Links
October 21 – Houston, TX @ The Secret Group
October 23 – Nashville, TN @ The End
October 25 – Carrboro, NC @ Cat’s Cradle Backroom
October 26 – Virginia Beach, VA @ Elevation 27
October 27 – Washington, DC @ Songbyrd
November 2 – Boston, MA @ The Middle East (upstairs)
The Windy City will see the return of Pitchfork Music Festival and Lollapalooza for engagements this summer. Grant Park will host Lollapalooza July 29-August 1, while Pitchfork Music Festival will return to the friendly confines of Union Park over September 10-12.
CHICAGO, IL – JULY 31: Recording artist Flume performs on the Samsung Stage at Lollapalooza 2016 – Day 4 at Grant Park on July 31, 2016 in Chicago, Illinois. (Photo by Tasos Katopodis/Getty Images for Samsung)
Lollapalooza celebrates its 30th year as a world-class festival in 2021, and has been known since inception for its multi-genre, diverse lineups. More than 165 bands will perform on eight stages over four full days of music July 29-August 1 in Chicago’s crown jewel, Grant Park. 4-Day Tickets are on sale now at lollapalooza.com.
The all-star lineup for Lollapalooza includes Foo Fighters, Post Malone, Tyler, The Creator, Miley Cyrus, DaBaby, Marshmello, Illenium, Journey, Megan Thee Stallion, Roddy Ricch, Young Thug, Alison Wonderland, Brittany Howard, LAUV, Kim Petras, Omar Apollo, Ashe, LP, Jacob Banks, Olivia O’Brien, Princess Nokia, Trevor Daniel, and more.
Launched by founder Perry Farrell in 1991 as a touring festival, Lollapalooza remains an innovator in festival culture over 25 years later. Lollapalooza was the first festival to bring together artists from a wide range of musical genres on one bill, it was also the first to travel, the first to expand to multiple days, the first to introduce a second stage, the first to blend art and activism, the first to offset its carbon emissions, the first to put electronic music artists on the main stage, the first to create family friendly programming, the first to make its home in an urban city center and the first to expand internationally.
In accordance with current local public health guidance, full COVID-19 vaccination or negative COVID-19 test results will be required to attend Lollapalooza 2021. For patrons who are not fully vaccinated, a negative COVID-19 test result must be obtained within 24 hours of attending Lollapalooza each day. Details on the festival entry process will be available in early July. Lollapalooza is excited to partner with the City of Chicago to encourage vaccination in Chicago in the weeks prior to the festival. If you have questions about COVID-19 vaccines or to find a vaccination location near you, please visit www.vaccinefinder.org.
For 15 years, the Pitchfork Music Festival has delivered an eclectic musical lineup, singular in its ability to place contemporary, cutting-edge acts alongside some of the most revered artists of our time. It’s this unique blend of discovery and tradition that makes the Pitchfork Music Festival stand out as one of the most celebrated weekends of the year.
Pitchfork Music Festival opens on Friday, September 10 with Phoebe Bridgers, Big Thief, Animal Collective, Yaeji, The Fiery Furnaces (their first show in over a decade), black midi, Hop Along, Kelly Lee Owens, Ela Minus, DEHD, The Soft Pink Truth, DJ Nate, Dogleg, and Armand Hammer.
Saturday features St. Vincent, Angel Olsen, Kim Gordon, Ty Segall & Freedom Band, Waxahatchee, Jay Electronica, Jamila Woods, Georgia Anne Muldrow, Faye Webster, Amaarae, Maxo Kream, Divino Niño, Bartees Strange, and Horsegirl.
On Sunday, the festival hosts Erykah Badu, Flying Lotus, Thundercat, Danny Brown, Cat Power, Andy Shauf, Caroline Polachek, Yves Tumor, The Weather Station, Mariah the Scientist, oso oso, KeiyaA, Special Interest, and Cassandra Jenkins.
Pitchfork Music Festival tickets are now on sale here. Three-day passes are $195 and single-day passes are $90. The Pitchfork PLUS upgrade, including a range of exclusive amenities, is $385 for a three-day pass and $185 for a single-day pass. If the festival is postponed or rescheduled due to COVID-19, ticket buyers can keep their passes for the new dates or request a refund. More details are available here.
To ensure the health and safety of guests, artists, and staff, the Pitchfork Music Festival will adhere to the city of Chicago’s COVID-19 protocol, and will keep attendees updated as federal, state, and local regulations evolve.
In May 1971, when Paul McCartney teamed with his wife Linda for his second solo album, Ram, the critics greeted the occasion with guns drawn.
To many fans and music journos, McCartney was viewed as “the man who broke up the Beatles” (he wasn’t, of course; it was John who first asked for “a divorce”). At that juncture, he was also at odds with his brother Beatles over management, so they weren’t inclined to say anything nice about him or his music, especially with all their bank accounts frozen due to the legal machinations. And while Lennon took the PR offensive early and did many interviews to spin history, including the book-length “Lennon Remembers” in Rolling Stone, McCartney was hidden away in Scotland literally inventing the D.I.Y. rock aesthetic with his debut album, McCartney. The majority of his follow-up, credited to Paul and Linda McCartney equally no less (take that John and Yoko!), was largely recorded in two sessions in New York City with session players and the New York Philharmonic.
While the delightfully eclectic Ram received the full production values missing on his handcrafted debut, and while it topped the album charts and yielded a number-one single with “Uncle Albert/Admiral Halsey,” it was savaged in the press.
The Village Voice called it “a bad record,” NME “unrelieved tedium” and Playboy accused McCartney of “substituting facility for any real substance.” Rolling Stone’s Jon Landau called it “incredibly inconsequential” and “monumentally irrelevant.”
Now keep in mind that Rolling Stone was totally in Lennon’s corner at this juncture, all for the access that sold issues. It was recently revealed that magazine founder Jann Wenner went as far as having a critic rewrite his initially glowing review of McCartney’s solo debut into a pan, all to please Lennon. And let’s face it, Rolling Stone has an absurdly long history of getting it all wrong – of panning a multitude of masterpiece albums in its initial reviews. That includes everything from Jimi Hendrix’s Are You Experienced?, the debut discs of Led Zeppelin and Black Sabbath to Neil Young’s Harvest and Nirvana’s Nevermind.
As time went by, Ram slowly became noticed for what it is, maybe Paul’s best solo album after Band on the Run, by critics and especially a younger generation of indie-minded musicians. With its 2012 reissue, it’s reevaluation to an ahead-of-its-time classic was complete, with raves in outlets like Pitchfork, Mojo, AllMusic and the like. Music vlogger Elliot Roberts has put the sentiment, that the McCartneys may have created “the indie pop genre” with the disc, into a much-viewed video on YouTube.
The latest evidence of the quirky album’s mighty appeal, especially to younger musicians who weren’t even born at the time of its release, is the drop-dead spectacular new tribute album, RAM ON: The 50th Anniversary Tribute to Paul & Linda McCartney’s RAM (Spirit of Unicorn Music, distributed by Cherry Red Records).
RAM ON is the brainchild of powerhouse L.A. multi-instrumentalist/producer Fernando Perdomo and Denny Seiwell, the drummer on the original album and many of the biggest hits of Macca’s band, Wings, including “My Love” and “Live and Let Die.”
After Seiwell received McCartney’s blessing via text, the duo gathered together over 100 musicians to make it a reality. Veteran guitarist David Spinozza and trumpeter Marvin Stamm returned to recreate their parts from the original sessions – on the off-album single “Another Day” and “Uncle Albert/Admiral Halsey” respectively. Elton John guitarist Davey Johnstone, bass ace Will Lee of The Fab Faux, Carnie Wilson (Wilson Phillips), Dan Rothchild (Heart, Sheryl Crow), Pat Sansone (Wilco), Joey Santiago (Pixies), Eric Dover (Jellyfish), Durga McBroom (Pink Floyd), Dave Depper (Death Cab for Cutie) are just some of the contributors.
Unlike some tributes which favor radical reinvention, RAM ON works to stay close to the feel, sound and fun-loving spirit of the original. To keep true to the groove, the duo began by first tracking Seiwell’s drum parts as he played along to the original album, on a kit including the original snare drum used in the 1970/71 sessions. Guitarist Spinozza also used his original axe on the remake of “Another Day.”
In recreating all the musical textures on this slyly sophisticated release, Perdomo and Seiwell went with organic sounds, with period instruments like the Wurlitzer Electric Piano, Fender Rhodes and surely a bevy of vintage guitars vs. their sampled counterparts. The playing, engineering and mastering here is all first-rate. It’s like turning the Instagram sharpen tool onto an old family photo to reveal more delicious detail in your past. Perdomo’s skill at bringing a new sheen to vintage sounds was earlier evidenced in his contributions to Echo In the Canyon, the 2019 Netflix musical documentary on the LA/Laurel Canyon music scene of the ‘60s.
Ram was one of rock’s most stylistically diverse albums at the time of its release. It mixes the quaint ukulele folk of “Ram On,” with screaming rockers like “Monkberry Moon Delight,” the acoustic blues of “3 Legs” with fully orchestrated suites like “Back Seat of My Car” and “Uncle Albert/Admiral Halsey.”
High praise should go to the many lead vocalists who had the task of trying to match the many voices of Paul McCartney at his peak, from the gentle crooner to the tonsil-ripping rocker.
Wilco’s Pat Sansone nails the vocal vibe on “Ram On,” while Nick Bertling recreates all the musical fabric of this seemingly accidental sounding masterpiece, from the reverb piano arpeggios of the opening to its footstomp rhythm and ukulele strums. Timmy Sean comports himself with the proper vocal gusto on both “Smile Away,” which features a slide guitar solo from Elton’s string man Davey Johnstone, and especially on the extra manic “Monkberry Moon Delight.” The latter is one of highlights of both the original and this tribute disc. Dan Rothchild also hits the nail on the head in his duo of lead vox on the. album opener “Too Many People” and “Heart of the Country.”
Paul was definitely deep into the ganja at the time he penned these incomprehensible lyrics, the kind of madcap nonsense (that’s a compliment, folks) for which Pink Floyd’s acid waylaid founder Syd Barrett is so revered. This track, and so many on this album, just capture an army of musicians having fun, pursuing simple, communal sonic joys rather than trying to make the grand artist statement. Beach Boys’ offspring Carnie Wilson and Rob Bonfiglio do a great job on “Long Haired Lady,” while someone called The Dirty Diamond (?) and Durga McBroom, Pink Floyd’s recent femme fatale tour vocalist, nail the dirty blues of “3 Legs.”
Perdomo and Seiwell do take subtle liberties with the orchestrations as heard in “Uncle Albert/Admiral Halsey.” The intro on the tribute features some beautiful vibraphone chording, something that sounds as if it was lifted from “Pet Sounds”-era Beach Boys. It made me go back to the original album to find that it wasn’t there in Macca’s version. This is one of many smart little additions from the tribute’s producers that make the listening experience so rewarding.
The secret spice of Ram, and much of the Wings’ output for that matter, is the background vocals by Linda McCartney. No less an authority than the curmudgeonly Pete Townsend has praised her contributions. It’s a sometimes wavery, sometimes pitchy but always honest and human sound which, if stripped from the album, might’ve cost it a key ingredient in its appeal. In retrospect, Linda’s voice is a sonic signature that gives Ram and Wings a truly unique character. Imagine “Whiter Shade of Pale” without the organ, “Strawberry Fields Forever” without the mellotron, and you see what Linda’s absence might mean.
Lauren Leigh, Emily Zuzick, Beatrix Coyle, Jody Quine, Cyndi Trissel, Cait Brennan, Marisol Koss are among the vocalists called upon to perform Linda’s parts. The background vocals are expertly arranged throughout and include more than a dozen voices on tracks like “Monkberry Moon Delight.”
In addition to wrangling this cast of 100, Perdomo wears many hats instrumentally, playing many of the acoustic and electric guitar and some keyboard parts.
RAM ON will make more people realize just how great and groundbreaking Paul and Linda’s initially maligned 1971 offering is.
For the variety of sounds, its performances and sheer reckless joy, it should be placed among his and the Beatles’ best. It is an album made by a man who was done with making grand lyrical statements or politicking through sound, at least for the moment. And the way he worked, his ability to do things from personal joy and not to please or outdo the Beatles’ myth is something that may indeed have served as a kind of template for the indie pop sound. Sure it was shoegazing, a reflection of his commitment to his relationship, family and the simple joys of life and love in the country, but it was five-star. Word from Seiwell, who remains close to Paul, is that he is pleased with the result of Perdomo and his old drummer’s efforts.
That should be enough for you to check it out, don’t you think?
KeyTracks: Monkberry Moon Delight, Ram On, Uncle Albert/Admiral Halsey”
For more, check out this recent interview with Seiwell and Perdomo with Elliot Roberts on his podcast
On Saturday, June 12th, Charles R. Wood Festival Commons in Lake George will host an evening of music featuring Max Creek and special guests The Mallett Brothers Band.
Max Creek celebrates its 50th anniversary this summer. In those rare instances that a band reaches its fifth decade, it’s usually a result of stardom. It’s easy enough to keep things together when each member has a jet and techs on retainer and the world tour rolls around every few years. But that’s not how Max Creek has done it.
In 50 years Max Creek has been small, big, regionally-huge, medium, and any other size one can think of; they’ve never graced the cover of Rolling Stone, but you’d be hard pressed to find a music fan in the Northeast that hadn’t heard of them.
The Mallett Brothers Band are an independent rock band from Maine. With a busy tour schedule since forming in 2009, the groups has built a dedicated fanbase across the U.S. and beyond while still calling the state of Maine their home. With a style that ranges from alt-country to Americana, country, jam and roots rock, theirs is a musical melting pot that’s influenced equally by the singer/songwriter tradition as by harder rock, classic country and psychedelic sounds.
The Festival Commons at Charles R. Wood Park is located at the southern end of historic Lake George. With panoramic views of “The Queen of American Lakes,” event-goers can also take advantage of all that Lake George has to offer in terms of activities and sight-seeing, all within a very short walk from the grounds.
Tickets for Max Creek and The Mallett Brother Band in Lake George are on sale now and are sold in the pod format with a sectioned off area for each group.
Pod prices range from $175 – $225 based on location and are good for up to five people. Everyone sharing a pod must arrive to the event at the same time. Gates for the show open at 5:30pm, with music starting at 6:30pm.
Preferred Parking is also available for an additional fee. It is located within 300′ of the event gates and includes 30 minutes early admission to the show. All members of a pod must arrive in one vehicle for Preferred Parking.
The Black Crowes return this summer with rescheduled dates of their long-awaited Shake Your Money Maker 30th anniversary tour, joined by special guests, Dirty Honey. The Black Crowes long-time bass player Sven Pipien will be returning to the band as well for the tour.
With their hard rock sound, southern influences, and general nontertiary they plan on performing in over 30 cities. The Black Crowes have sold out shows around the world; had legendary guitarist Jimmy Page join as a member; got kicked off a tour with ZZ Top for insulting the sponsors; fought amongst themselves and against the rest of the world. In other words, they’ve done everything a legendary rock group should do.
The Robinson Brothers, Chris and Rich, will front their classic 90s band, making three stop in New York State: September 14 at Saratoga Performing Arts Center, September 17 at Jones Beach, and the tour closer at Bethel Woods PAC on September 25.
Tickets are on sale now at TheBlackCrowes.com. All fans who purchased tickets for the previously announced 2020 dates will be honored for the 2021 shows. All summer 2021 tour dates are below.
On your way to SPAC, don’t forget that Stewart’s Shops is your ice cream shop! With over 345 shops in 31 counties across New York and southern Vermont, the convenience store chain is known for their fresh &local dairy products. With dozens of choices at the cone counter, you’re bound to find something you love! Try a shake, sundae, or cone today, What’s Your Flavor?
SHAKE YOUR MONEYMAKER 2021 TOUR DATES
July 20 – Nashville, TN – Ascend Amphitheatre
July 21 – Nashville, TN – Ascend Amphitheatre
July 24 – Gilford, NH – Bank of New Hampshire Pavilion
July 25 –Hartford, CT – The XFINITY Theatre
July 28 – Burgettstown, PA – S&T Bank Music Park
July 29 – Detroit, MI – DTE Energy Music Theatre
July 31 – St Louis, MO – Hollywood Casino Amphitheatre
August 1 – Indianapolis, IN – Ruoff Home Mortgage Music Center
August 3 – Cincinnati, OH – Riverbend Music Center
August 4 – Cuyahoga Falls, OH – Blossom Amphitheatre
August 7 – Chicago, IL – Hollywood Casino Amphitheatre
August 8 – Milwaukee, WI – American Family Insurance Amphitheatre
August 10 – Rogers, AR – Walmart Amphitheatre
August 11 – Dallas, TX – Dos Equis Pavilion
August 14 – Houston, TX – Cynthia Mitchell Woods Pavilion
August 15 – Austin, TX – Germania Amphitheatre
August 18 – San Diego, CA – North Island Credit Union Amphitheatre
August 19 – Los Angeles, CA – The Forum
August 21 – Concord, CA – Concord Pavilion
August 22 – Mountain View, CA – Shoreline Amphitheatre
August 25 – Portland, OR – Sunlight Supply Amphitheatre
August 26 – Seattle, WA – White River Amphitheatre
August 29 – Denver, CO – Red Rocks Amphitheater
August 30 – Denver, CO – Red Rocks Amphitheater
September 4 – Atlanta, GA – Cellairis Amphitheatre at Lakewood
September 5 – Birmingham, AL – Oak Mountain Amphitheatre
September 7 – West Palm Beach, FL – Coral Sky Amphitheatre
September 8– Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
September 10 – Charlotte, NC – PNC Music Pavilion
September 11 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
September 14 – Saratoga Springs, NY – Saratoga Performing Arts Center
UPDATE: Monday, August 23, 2021 – With Nine Inch Nails cancelling all 2021 tour dates, including this year’s Riot Fest, the festival has announced two major headliner additions.
Those who purchased a three-day or single-day Sunday ticket will now gain access to the festival’s Preview Party on Thursday, September 16, free of charge. Performing Thursday will be Morrissey, who will curate a selection of special guests to perform exclusively on Thursday. Plentiful vegetarian options will be offered by food vendors, following Morrissey’s tradition of no-meat at performances which will be honored across Douglass Park for the entire day on Thursday, September 16.
On Sunday, September 19, Slipknot will close the night out on the Riot Stage, bringing one of the most iconic metal acts ever to Riot Fest for the first time.
Riot Fest this fall returns to Douglass Park in Chicago over September 17–19, 2021 with their first in-person festival since 2019. In an unprecedented move, festival organizers revealed the lineup for 2021, along with tickets for 2022.
Rock & Roll Hall of Fame inductees Nine Inch Nails will headline the festival’s 2021 edition, alongside The Smashing Pumpkins and Run the Jewels. New additions for this fall’s lineup include Faith No More, a recently reunited Mr. Bungle, DEVO, NOFX, Dinosaur Jr., The Ghost Inside, Motion City Soundtrack, along with many others.
After quickly selling out 3-day passes for 2021, Riot Fest announced that for next year’s festival The Original Misfits, including Glenn Danzig, Jerry Only, and Doyle Wolfgang von Frankenstein, will headline Riot Fest 2022. The band will be performing their first album Walk Among Us in full for its 40th anniversary.
My Chemical Romance will also return to headline the festival’s 2022 edition, a hotly-anticipated reunion, finally realized. The group initially announced their reunion in 2019, playing a single show at Shrine Exposition Hall in Los Angeles before postponing their entire sold-out North American tour—including a slot at Riot Fest—to 2022.
After the Jersey band’s 2013 hiatus fans have been waiting for another chance to catch My Chemical Romance live. Considering their reunion tour is sold out, Riot Fest is a great opportunity to snag tickets for 2022.
3-day passes for this and next year’s festivals are on sale now; single-day passes to this year’s festival will go on sale this week, alongside more band announcements for 2021. Previous ticket holders can purchase 2022 passes at a special price for a limited time; ticket transfers to next year, as well as refunds, are now available.
Safety measures regarding COVID-19 will be frequently updated, as directed by local health and public safety officials.
More info and tickets are on sale through Riot Fest’s website.
Daily lineups have now been announced for Riot Fest 2021.
THURSDAY, SEPTEMBER 16 MORRISSEY with Very Special Guests
FRIDAY, SEPTEMBER 17 THE SMASHING PUMPKINS, COHEED AND CAMBRIA, LUPE FIASCO (performing The Cool), NOFX, DIRTY HEADS, SUBLIME WITH ROME, CIRCLE JERKS, DINOSAUR JR., MOTION CITY SOUNDTRACK, THRICE, CIRCA SURVIVE, MEG MYERS, THE LAWRENCE ARMS, BEACH BUNNY, ANTI-FLAG, LIVING COLOUR, FISHBONE, ENVY ON THE COAST, THE SOUNDS, AMIGO THE DEVIL, EYEDRESS, BEACH GOONS, MEET ME @ THE ALTAR, SERATONES, RADKEY, KISSISSIPPI, JACKIE HAYES, OXYMORRONS, GIRLPUPPY, SEŃOR KINO
SATURDAY, SEPTEMBER 18 RUN THE JEWELS, FAITH NO MORE, DROPKICK MURPHYS, RANCID, TAKING BACK SUNDAY, VIC MENSA, GOGOL BORDELLO, MAYDAY PARADE, BAYSIDE, STATE CHAMPS, THE MIGHTY MIGHTY BOSSTONES, ANDREW W.K., BEST COAST, BIG FREEDIA, GWAR, HEPCAT, LES SAVY FAV, THE BRONX, FOUR YEAR STRONG, CITIZEN, FUCKED UP, JOYWAVE, NIGHT MOVES, MAN ON MAN, HOLY FAWN, THE BOLLWEEVILS, GANSER, JUST FRIENDS, THE ORPHAN THE POET, BEARINGS, SPIDER, DEVON KAY & THE SOLUTIONS
SUNDAY, SEPTEMBER 19 SLIPKNOT, MACHINE GUN KELLY, PIXIES, DEVO, MR. BUNGLE, NEW FOUND GLORY, THE GHOST INSIDE, BODY COUNT, THURSDAY, K.FLAY, KNUCKLE PUCK, HEALTH, THE BLED, MOTHER MOTHER, 3OH!3, FEVER 333, ALEX G, KENNYHOOPLA, BLEACHED, THE GORIES, FACS, RATBOYS, BLACKSTARKIDS, SKATING POLLY, PET SYMMETRY, MELKBELLY, GYMSHORTS, THE WEAK DAYS, AIRSTREAM FUTURES
On June 24, Riot Fest unveiled the first round of Late Night after shows to coincide with this year’s festival, held September 17–19, 2021. Tickets for the Late Night shows are now on sale via RiotFest.org.
RIOT FEST 2021 LATE NIGHT SHOWS On sale Friday, June 25 at 12:00 p.m. CDT
FRIDAY, SEPT. 17 more to be announced! MR. BUNGLE With Special Guests Radius 17+ | Doors: 10pm | TICKETS
SATURDAY, SEPT. 18 more to be announced! NEW FOUND GLORY and SIMPLE PLAN POP PUNK’S STILL NOT DEAD TOUR with Lolo Radius 17+ | Doors: 9pm | TICKETS
DINOSAUR JR. with Ryley Walker Bottom Lounge 17+ | Doors: 10pm | TICKETS
TOO MANY ZOOZ and BIG FREEDIA The Vic Theatre 18+ | Doors: 10pm | TICKETS
My Morning Jacket have unveiled plans for their first US headline tour in five years, with a multi-night stand at Forest Hills Stadium in Queens over September 10-11.
My Morning Jacket will present a wide-ranging live set encompassing new music alongside fan favorites and classic greatest hits from their epic catalog. In addition to the just-announced headline dates, the band will also make a number of festival appearances, including Lexington, KY’s Railbird Festival (August 28), Manchester, TN’s Bonnaroo Music & Arts Festival (September 4), Dana Point, CA’s Ohana Festival (September 24), and Live Oak, FL’s Suwannee Hulaween (October 30).
The dates begin August 27 at Charlotte, NC’s Metro Credit Union Amphitheatre, and then travel through a three-night-stand at Chicago, IL’s Auditorium Theater on November 4-6.
Special guests throughout the tour will include Flock Of Dimes (August 27), Brittany Howard (September 3-11), Durand Jones & The Indications (September 23-October 3), and Bedouine (October 29-November 6). Fan presales and VIP presales begin May 19 at 10:00 AM (local) and continue through Thursday, May 20 at 10:00 PM (local).
All remaining tickets will be released to the general public on Friday, May 21 at 10:00 AM (local) except for Chicago shows, which go on sale on Friday, May 21 at 12:00 PM (local). For complete details and ticket availability, please seewww.mymorningjacket.com/events.
In partnership with PLUS1, $1/ticket will go to support non-profits working for environmental justice, racial equity, and securing access to mental health care for all.
MY MORNING JACKET US TOUR 2021
AUGUST 27 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre” 28 – Lexington, KY – Railbird Festival SEPTEMBER 3 – Alpharetta, GA – Ameris Bank Amphitheatre ^ 4 – Manchester, TN – Bonnaroo Music & Arts Festival 7 – Columbia, MD – Merriweather Post Pavilion ^ 8 – Philadelphia, PA – The Mann – TD Pavillion ^ 10 – Queens, NY – Forest Hills Stadium ^ 11 – Queens, NY – Forest Hills Stadium ^ 23 – Santa Barbara, CA – Santa Barbara Bowl * 24 – Dana Point, CA – Ohana Festival 25 – Berkeley, CA – Greek Theatre at UC Berkeley * 28 – Troutdale, OR – McMenamins Edgefield Concerts * 29 – Spokane, WA – Riverfront Park Pavilion * OCTOBER 1 – Seattle, WA – Paramount Theatre * 2– Seattle, WA – Paramount Theatre * 3 – Bend, OR – Les Schwab Amphitheater * 29 – Birmingham, AL – Alabama Theatre # 30 – Live Oak, FL – Suwannee Hulaween 31 – New Orleans, LA – Orpheum Theater # NOVEMBER 2 – St. Louis, MO – Stifel Theater # 4 – Chicago, IL – Auditorium Theatre # 5 – Chicago, IL – Auditorium Theatre # 6 – Chicago, IL – Auditorium Theatre #
^ And Brittany Howard * Special Guests Durand Jones & The Indications # Special Guest Bedouine “Special Guest Flock of Dimes
Guided By Voices released their fall tour dates following their newest album Earth Man Blues. Their 33rd album as a band is led by lead singer and principal songwriter Robert Pollard for yet another great rock album. Guided By Voices fall tour is one with much anticipation.
Guided By Voices
The album follows Harold Admore Harold through coming of age and reckoning with darkness. Even without the story of Harlold Admore Harold this album will definitely bring you back to your youth. Songs such as “Ant Repellent,” “Wave Starter,” and “Margaret Middle School” solid riffs and sounds will bring you back to a time when rock was prominent. They do this of course while still keeping their old 80’s indie-rock sound, and keeping listeners on their toes with each song.
Tickets go on sale on 10am, Friday May 21 and will be available at www.GBV.com/tour.
Guided by Voices Fall Tour Dates
Sat 8/28 – Skully’s – Columbus, OH
Fri 9/10 – Irving Plaza – New York, NY
Sat 9/11 – The Royale – Boston, MA
Fri 10/8 – Tellus360 – Lancaster, PA
Fri 10/22 – Ottobar – Baltimore, MD
Sat 10/23 – College Street Music Hall – New Haven, CT
