Queens artist Greywolf debut album Operation Wolf has been hotly anticipated. In preparation for the album, Greywolf has released a new single – “Temple.”
Greywolf is a one man project masterminded by Jason Grey – lead singer, multi-instrumentalist, and producer. “Operation Wolf” see’s Grey dive into a lot of heavy themes with his unique blend of electronic, punk and indie. Operation Wolf is a culmination of a lifetime of fighting, dreaming and loving. The lyrics are fusion of poetry, journal entries and incantations — and at times a lucid journey into my own psyche.
Lead singles for the album include “Exit Key” and the newest release – “Temple,” which features Aya Nori. Grey is also the co-founder and bassist for the band Escaper. Escaper has had a solid career so far, sharing the stage with the likes of Aqueous and Karl Denson.
“Temple” touches on released, cutting of chains of everything that has weighted you down. Whether it be shame, adversity, betrayal – making a conscious choice to live your best life and project love even in times of peril.
Live For Live Music
Other songs on the album include “Arcade” and “End of Days.” “Arcade” is based on the notion that life can feel like a video game. People are constantly trying to get to the next level — at times not realizing there is a lesson to be learned. Survival is a key theme here and being able to grab the joystick and be your own hero. “End Of Days” touches on not only the idea of global apocalypse but of the personal apocalypse one may face in their own lives.
Due to the ongoing pandemic leaving endless musicians and venues in the dark, Tedeschi Trucks Band has postponed their 2021 Wheels of Soul Tour to the summer of 2022.
Led by the husband and wife team of guitarist Derek Trucks and vocalist/guitarist Susan Tedeschi, the twelve-member strong Tedeschi Trucks Band is acclaimed by fans and critics alike, and devoted to their presence on stage. The annual summer tour is meticulously crafted, with past guests including Sharon Jones & The Dap-Kings, Los Lobos, and Drive By-Truckers.
The legendary Los Lobos, longtime TTB friends and collaborators, and veterans of 2016’s Wheels of Soul will replace St. Paul and the Broken Bones and join the multi-band bill for the 2022 amphitheater run.
“We are extremely disappointed at having to postpone Wheels of Soul again,” says Derek Trucks. “We’re all missing the energy of live music – and there’s nothing like playing these large, outdoor shows alongside bands we admire. We were really hoping to get back on stage and dive into some fun big-band collaborations with St. Paul, but unfortunately, with all the uncertainty, it just couldn’t work this year.”
As the world is slowly receiving vaccinations, the band is organizing some socially-distanced, limited capacity concerts for the summer of 2021. However, in 2022, Tedeschi Trucks’ Wheels of Soul Tour will be coming to several New York cities such as Canandaigua, Patchogue, and Lewiston. Current Wheels of Soul tickets will be honored for rescheduled 2022 shows. Fans who are unable to attend rescheduled shows should contact point of purchase for refund options.
WHEELS OF SOUL – 2021 DATESNEW 2022 DATES 6/26 Jacksonville, FL Daily’s Place Rschd: 6/24/22 6/27 Mobile, AL Mobile Civic Center Rschd: 6/25/22 6/30 Canandaigua, NY CMAC Rschd: 7/1/22 7/2 Saratoga Springs, NY SPAC Rschd: 7/3/22 7/3 Gilford, NH BNH Pavilion Rschd: 7/2/22 7/4 Essex Junction, VT Midway Lawn Rschd: 7/9/22 7/6 Philadelphia, PA Mann Rschd: 7/8/22 7/9 Raleigh, NC Walnut Creek Rschd: 7/21/22 7/10 Charlotte, NC PNC Music Pav Rschd: 7/23/22 7/11 Cincinnati, OH Riverbend TBA 7/13 Lewiston, NY Artpark Rschd: 7/12/22 7/14 Indianapolis, IN White River Rschd: 6/28/22 7/15 Aurora, IL RiverEdge Park Rschd: 7/26/22 7/17 New Haven, CT Westville Music Bowl Rschd: 7/6/22 7/18 Patchogue, NY Great South Bay Rschd 7/10/22 7/20-21 Vienna, VA Wolf Trap Rschd: 7/19/22 7/23-24 Atlanta, GA Fox Theatre Rschd: 7/15-7/16 7/25 Huber Heights, OH Rose Music Center Rschd: 7/24/22 7/27 Harrington, DE Delaware State Fair Cancelled 7/30-31 Morrison, CO Red Rocks TBA
Add Midnight North to the growing list of bands that are slowly starting to announce upcoming tour dates. The Bay Ara-based rock outfit has announced a string of shows in June that cater to some East Coast states.
The spring tour begins June 3 in Asheville, NC at the The Grey Eagle and wraps up June 19 in Stowe, VT at Stowe Cider. The tour also includes a gig at Lincoln Hill Farms in Canandaigua, NY on Friday, June 11.
Midnight North Spring Tour 2021
April 18 | Terrapin Crossroads | San Rafael, CA – SOLD OUT
April 25 | Terrapin Crossroads | San Rafael, CA
June 3 | The Grey Eagle Tavern & Music Hall | Asheville, NC
June 4 | Charleston Pour House | Charleston, SC
June 10 | Phantom Power | Millersville, PA
June 11 | Lincoln Hill Farms | Canandaigua, NY
June 13 | Levitate Backyard | Marshfield, MA
June 19 | Stowe Cider | Stowe, VT
June 20 | TBA | Portsmouth, NH
Tickets go on sale today at noon. They can be purchased through the band’s website here. You can also listen to some selected tracks from their upcoming album There’s Always A Story there.
Rolling Stone hailed Midnight North as the “Best New Act” in its review of 2018’s Peach Music Festival saying the band “takes the best parts of roots music and weaves them into a tapestry of rock and Americana. They’ve opened for such acts as Phil Lesh, The Infamous Stringudusters, Twiddle and Jackie Greene. And they’ve They’ve also welcomed the likes of Bob Weir, Luther Dickinson, Karl Denson, Eric Krasno, and Nicki Bluhm to join them onstage.
In the nearly 9 years since their origins in early 2012, Midnight North has established itself as a mainstay on stages in both the Bay Area roots music scene and on the nationwide touring circuit.
The Central Brooklyn Jazz Consortium is hosting the 22nd Annual Brooklyn Jazz Festival from April 16 to April 30th.
Brooklyn’s longest continuously running festival dedicated to Jazz is excited to come back after taking 2020 off due to the COVID-19 pandemic. The series offers a blend of in person and and online musical events, with several pop up food booths being present at the conecerts. The in person concerts are located at restaurants located throughout Brooklyn in the neighborhoods of Bedford-Stuyvesant, Clinton Hill, Crown Heights, East New York, and Gowanus. All programs and concerts are free to the public and follow NYS mandated Covid Social Distancing Guidelines.
The festival offers a diverse array of performers, including the likes of Gerry Eastman Trio, The Mat Baker Trio, The October Revolution and Grammy Nominee Nicole Zuraitis. The festival simultaneously encourages people to experience the borough’s unique ethnic enclaves and sample international cuisines. Participating institutions, organizations, and venues are Fusion East, Lila’s Café, Nostrand Social, Kingsborough Community College, Rome Neal’s Banana Puddin’ Jazz, Sistas’ Place, and Williamsburg Music Center.
The social impact remains long after this music series and is less noticeable. Building relationships among neighboring businesses, interactions among the different ethnic groups, and memorable experiences are some of the intangible advantages derived from bringing people together in this environment.
Clarence Mosely Jr, CBJC Chariman
Central Brooklyn Jazz Consortium is a nonprofit organization founded in 1999, provides services and is a presenter of live music events within Brooklyn’s underserved communities. The Consortium was founded and organized by Torrie McCarthy, Viola Plummer and Alma Carrol. For the past 22 years, The Central Brooklyn Jazz Consortium has produced an annual jazz festival, established a Brooklyn Jazz Hall of Fame, and featured local jazz talent in its programming.
moe. will head out on the road for Memorial Day 2021, with performances slated for North Carolina and Virginia. They’ve also announced their first Drive-In shows for mid-June in Maryland.
On May 27, moe. will perform in North Carolina at Maggie Valley Festival Grounds, roughly 40 minutes west of Asheville. For moe.morial Day, they’ll head north to Martinsville, VA for “A Rooster Walk Family Gathering” at Pop’s Farm, the site of Rooster Walk.
Normally the date of the Rooster Walk Music & Arts Festival, social distancing guidelines have Pop’s Farm improvising with moe. and a few bands on hand for the Memorial Day weekend.
In addition to two nights of moe., the weekend at Pop’s Farm will see performances by Cris Jacobs Band and Isaac Hadden Project on May 28, and on May 29 will feature Kendall Street Company, Neal Francis, South Hill Banks and Disco Risque’.
moe.morial Day Weekend will have on-site camping, drink and food vendors, with no outside alcohol allowed. While not a POD show, there will be social distancing and mask wearing required for all in attendance. For a complete rundown of the COVID-19 Safety Plan, click here.
All ages are welcome, but all are required to have a ticket to attend the shows, so kids will not get in for free.
Finally, moe. will perform at Showtime at the Drive-In in Frederick, MD. Tickets for all shows are on sale Friday, April 9 at 10AM at moe.org. Memorial Day weekend tickets are also available here.
moe. Summer Tour 2021 dates
May 27 – Maggie Valley Festival Grounds – Maggie Valley, NC May 28 & 29 – moe.morial Day: A Rooster Walk Family Gathering – Pop’s Farm – Martinsville, VA June 18 & 19 – Showtime at the Drive-In – Frederick, MD
Bandits on the Run, hailing from New York City, premiere their brand new music video today for their song “Hurricane” on NYS Music.
A powerhouse trio, Bandits on the Run was formed in New York City. Adrian Blake Enscoe serves as both guitarist and percussion section, using a suitcase drum and foot tambourine. Sydney Shepherd is the cellist and writes string arrangements. Regina Strayhorn is the accordionist, melodica player, glockenspieler, and plays a mean shakey banana.
They have appeared at the ASCAP Cafe Stage at Sundance, shared the bill with artists like Aaron Lee Tasjan, Rain Phoenix, and Matt Berninger of The National. They’d been selected for SXSW 2020 and built a tour that included an appearance at The Kennedy Center and an opening slot for Larkin Poe at NYC’s famed Webster Hall, before the pandemic struck down the best-laid plans of every mouse and man ‘round the globe.
“Hurricane” is one of the singles off of their upcoming EP Now Is The Time which is dropping on May 21, 2021. This video has a much more conceptual approach than their other videos which is something the band was attempting to do. The video not only highlights the group’s musical ability but their artistic vision. Between the overlaid colors, fluid dance moves, harmonies, and the swoopy white dress, the video definitely gives off some early Florence + the Machine vibes.
For the video the band enlistment of choreographer and director Lane Halperin who helped create a clear and powerful and compelling story that resonates with the song’s message and meaning. The video also used images from filmmaker and visual artist Ian McClerin that were projected on the wall, their faces, and on the big white dress. They used these images in tandem with the dance and movement to enhance the dreamlike and subconscious atmosphere of the story.
The music video was produced by Bandits on the Run who also served as the production company. It was filmed, colored, and edited by Bart Cortright. It featured Lane Halperin and Landes Dixon as dancers. Grace Pendelton was the camera assistant and Chris Weihert the First Assistant director. The band also gives special thanks to Luke Slattery, Sophia Schrank, Rebecca Handler & Ruby Bird Studios for their help with the video.
For more information on Bandits on the Run visit their website.
A year ago today, the Syracuse music scene lost a legend, the likes of which will not be seen again. Eli Harris, Jr., a fixture throughout Syracuse, especially University Hill and Downtown, was a street musician of renown well beyond the 315. You could find Harris performing across town, outside the Landmark and Westcott Theatres, bringing his positive spirit and wide range of musical stylings to crowds and passersby for decades.
Whether he was performing on Marshall Street – also known as Eli’s Alleyway – near Hendricks Chapel or Crouse College before Syracuse Football and Basketball games, downtown in Armory Square, showing up for late night fraternity pranks and performances, Eli Harris was always a welcome sight to see, always with a song and a smile ready for you. While you may not have known Eli, his music or his presence in Syracuse, he made his mark and leaves a legacy behind.
Eli Harris died as a result of a pair of hit and run accidents on April 8, 2020. He was 62 years old.
Eli Harris, Jr.
Eli was one of a kind. He had a wife and kids he loved and would talk about them the rare times he put his guitar down. From late nights at Chuck’s or Faegan’s when Eli would pop in for a nightcap, to summer evenings at NBT Bank Stadium or downtown in Armory Square, Eli had a significant place in the Salt City. Eli was a legend, a staple, a key ingredient to the city, and one of the most positive people you’d ever meet, always keeping his spirits lifted high so he could lift others even higher.
Elijah Harris, Jr. was born in Syracuse on August 19, 1957. A Marine veteran, serving proudly from 1974-1977 while stationed in South Carolina, Eli was father to 9 children and 35 grandchildren. No matter what life threw at him, Eli was resilient and turned struggles in life into music. In that regard, one could call him a blues musician, but Eli was much more than that. In a 2010 interview with the Post-Standard, Harris told the Post-Standard, “I do the ‘60s thing right up to hip-hop.”
Considered by folk/hip-hop/singer-songwriter Joe Driscoll to be ‘The Godfather of Syracuse music,” a title few would contest, Driscoll first saw Eli when he was 11 or 12 years old.
We would ride our bikes down to Marshall Street, and watch Eli play for hours. I used to watch his hands to cop new chords, and learn the covers he was doing.
My first memories were of him doing medleys, blending five or six songs into one groove. Blew my mind. I vividly remember ‘Sitting on The Dock of The Bay’ by Otis Redding and ‘Easy’ by the Commodores as some of the first I fell in love with. His original “Eli’s Alleyway” as well, where he would skat and chat about all the happening on M Street (Eli’s Alleyway).
Joe Driscoll
Syracuse musician Joe Altier also first met Eli early in life, seeing him at SU events at the Carrier Dome.
No matter the weather, he was there, you couldn’t help being drawn to this musician. He was soulful, upbeat, and had a positive vibe always. This guy is about as real as it gets.
Joe Altier
When Joe started playing Bull & Bear downtown around 2000, Eli would stop in and they’d play together. Whenever they saw each other, Joe got a huge shout out from Eli and always supported him, whether he was playing music or selling shirts downtown.
It was really nice to get to know him on that level. Sometimes we just sat and had beers together at Blue Tusk and shot the shit.
He had already lived a rough life, he went through a lot of shit – personal, family, professional – but he woke up every day to sing, to hustle and to bring joy to the world. To see him pass, it was a gut punch for the town. It was unfortunate how we went out, totally preventable.
Joe Altier
Eli also served as inspiration for the song “Moon,” written by Jamie Notarthomas. Jeff Tripoli, who played drums on the track, recalled the inception and recording of the song, with Eli being such a presence in the scene in the mid-90s.
Eli was the soul of Syracuse nightlife and culture. I can remember many winter nights below freezing when these city streets were warm with the sound of Eli’s contagious vibe. He could always keep a crowd with his off the cuff lyric improvisations about “that guys goofy hat” or maybe a humorous lyric about some attractive ladies swiftly strolling by his sidewalk performances. And thats what I loved most about Eli, how present and passionate he was as a human in our society. More than just a seriously talented street musician, Eli was capable of spreading joy to every face that saw him. A lot more of these stories are detailed in a song written by Jamie Notarthomas we recorded together long ago called “Moon.”
Jeff Tripoli
In 2012, Eli completed a inpatient rehab program at the Veterans Administration in Bath. In addition to battling drug and alcohol use, Harris fought hepatitis C and depression, after the death of his wife and son. He might share his struggles privately, but through his music, he let love and positivity reign.
More than a Street Musician
Eli’s presence around town served as an influence on the next generation of Syracuse musicians, Driscoll among them.
Eli was definitely my biggest influence. Before Eli, I thought about James Taylor, Peter, Paul and Mary when I thought of acoustic guitar.
Eli was ripping James Brown, Sugar Hill Gang, and Parliament Funkadelic on a 6 string. He revolutionized my view on music. My first sets were me doing Eli covers: James Brown, Otis Redding etc…
You can still feel loads of Eli in all I do. The funk chords, the mixing and medleying of funk, soul and hip-hop. The freestyle/chat with the audience, all of that evolved from my love of watching him everyday, studying his hands, and learning his craft of showmanship and engagement.
Joe Driscoll
In 2006, SU Recordings was founded, and brought the music of Eli to a wider audience, and now, posterity. A group founded specifically for music industry majors and minors, SU Recordings gave hands-on experience in running a label, including scouting artists, working with disc manufactures, developing artwork and organizing promotional events.
Eli was one of the first three musicians asked to be a part of the label. The first album released by SU Recordings was a biographical album from Eli and the album release party was held on April 18, 2006 at Chuck’s.
A second album, Eli’s Christmas Mission, featured three classic holiday songs – “Jingle Bells,” “Santa Claus is Coming to Town” and “Rudolph, The Red-Nosed Reindeer” – as well as three originals – “Christmas Love,” “Angel” and “Glory.” The album was aptly released by Marshall Street Records.
Eli, man. Just that he was the nicest guy and I remember how excited he was when he gave me his album and I played it in Faegans.
Scott Isaacs, ’99
Eli performed the National Anthem at Syracuse Mets games, and would stick around to perform outside the stadium when fans headed for the exits. When Eli passed, the Syracuse Mets minor league team shared the following:
We’ve had the privilege of having Eli sing the national anthem for us occasionally over the years. If you didn’t hear him then, there’s a chance you’ve heard Eli playing while leaving the stadium. It is with heavy hearts that we mourn the passing of a Syracuse legend, Elijah Harris Jr. brought smiles to many and was a radiant soul that we will certainly miss.
Syracuse Mets
Legacy
Along with the praise of musicians and Syracuse locals, Eli was given even greater accolades as the years passed. At the 2019 SAMMY Awards, Eli was the recipient of the first ever Founders Award, a testament to his years of performing in Syracuse.
Eli Harris presented by with the Founders Awards by SAMMYs Founder Frank Malfitano
A scholarship in Eli’s name was announced by Syracuse University in September 2020 and will begin supporting part-time music students this fall. Harris would regularly work the line “You stay in school, get some college knowledge” into his performances, and his family worked with SU to honor him with the Eli Harris Scholarship. Harris’ daughter, Lakisha, said to The Daily Orange last year,
He gave what he had inside of him, so he could teach everyone else how to love through music. He used music to communicate that. They embraced my dad with open arms from day one.
Lakisha Harris
A mural of Eli, via art collective 315Alive!, will bring his legacy to life, close to the corner of Marshall Street and University Ave, near Marshall Street Mall. Jacob Alan Roberts of 315Alive! announced the project in July 2020, saying, “We’re gonna use sort of an artistic approach to something that will be unmistakably Eli, using, say he always wore SU gear, so a baseball cap or, course, him playing his guitar.” See a sketch of Roberts’ mural here.
With Eli’s death at the start of the COVID-19 pandemic, his funeral was private and tributes were limited to social media and online performances. One such tribute to Eli on Disruption Network brought Driscoll, Anthony “Zee” Donaldson, Jack Brown, former SU professor and Bandier program founder David Rezak and more together to honor him. Watch the tribute here.
In March 2021, the driver who hit Eli was brought to justice. During sentencing, Judge Stephen Dougherty said that while he “Can’t compare one victim to another victim, we all knew Mr. Harris, knew him for the performer he was. He was a beloved member of the community.” A GoFundMe continues to benefit Lakisha and Harris’ family that continues to cope with the loss.
He was a legendary part of this town. Everyone knew him. You walked by and whether you stopped or not or tipped him, you knew him. There will never be another Eli. He did leave his mark, not just on me but so many others.
Hip hop legend DMX’s long battle with addiction took a turn for the worse when it was reported that the “How’s It Goin’ Down” rapper had overdosed and was in a vegetative state, with TMZ reporting that the prognosis was not good. It was also revealed by Murray Richman, a lawyer who has represented the rapper-actor for 25 years, that DMX (born Earl Simmons) was hospitalized after he had a heart attack at his home in White Plains, N.Y., on Friday, April 2, according to the New York Times.
The Grammy-nominated rapper has been deemed in critical condition, with the general public worried that this might be another tragic and premature death to a beloved entertainer.
Although an icon in the hip hop realm and beyond, DMX has a long and well-documented history of substance abuse and addiction, something that has been a common theme in his music throughout the years. In a November 2020 episode of Talib Kweli’s People’s Party podcast, DMX went in-depth, explaining that he was tricked into smoking crack, when a regular smoking encounter with his rap mentor, Ready Ron, took a turn for the worse when his blunt was laced with the addictive substance. In an emotional moment where ‘X struggled for words, he admits that’s when “the monster was born.”
The solemn news was met with an outpouring of support for DMX, with fans and peers of the rapper taking to social media to show their support. After his condition was made public, members of the Ruff Ryders Sports Bike Organization gathered outside of the White Plains hospital that is currently treating the embattled star. As documented by FOX5, the motorcycle crew rolled in, playing DMX’s music in an act of tribute.
As fans await updates on the beloved emcee, a prayer vigil was held outside of the same White Plains hospital. Hosted by ‘X’s family, the streets were filled as speakers played DMX’s voice mid-prayer.
Fans of DMX are currently holding a prayer vigil outside White Plains Hospital, where the rapper remains on life support pic.twitter.com/6F2WbIgNki
It is reported that he is scheduled to undergo critical brain function tests that will determine the rapper’s prognosis, according to his manager, Steve Rifkind.
“DMX is currently on life support and in a coma. There are multiple people with inaccurate information about his well-being and it is not helpful and productive,” Rifkind told NBC News Tuesday night. “Tomorrow he will undergo further tests on his brain function and his family will determine what’s best from there.”
Phish keyboardist Page McConnell today announced the release of his new solo album, Maybe We’re the Visitors, arriving Friday, April 9 via Keyed Records. Written and recorded in Reykjavik, Iceland and Burlington, VT, the album’s first song “Radio Silence,” was released today with a visualizer. Rolling Stone writer David Fricke called in his album notes “an overture of slowly dawning arpeggios that dot the void like hopeful transmissions.”
David Fricke’s liner notes include the following details on the album:
In January 2020, shortly before the coronavirus shut down modern life, including travel, McConnell took a road trip that had nothing to do with his normal touring itinerary as the keyboard player in Phish: a holiday in Iceland. Inevitably, music got made there. But it was unlike anything McConnell had recorded before as a solo artist, for side projects or within the collaborative energies of Phish: fully electronic pieces created on location, in response to the epic landscapes, dramatic weather, and geologic fury that he experienced in Iceland. He also came back energized and determined to keep going amid, indeed despite, lockdown.MAYBE WE’RE THE VISITORS is the result: an imaginary voyage charged with eyewitness awe and intense, solitary reflection; expressed without lyrics, vocals or any sign of piano, organ or clavinet, McConnell’s signature armory with Phish.
The album is his third solo outing – following 2007’s song-based Page McConnell and a 2013 instrumental release, Unsung Cities and Movies Never Made – and a genuine breakthrough: the first McConnell has conceived and performed entirely with synthesizers. Maybe We’re the Visitors is also the most personal record he has ever made because it is an album that has been on his mind for a long time.
The narrative flow of MAYBE WE’RE THE VISITORS – exploration, colony and, finally warning; that, as Icelanders already know, we are only stewards here and nature always has the last word – did not present itself “until I was close to the end,” McConnell confesses. “But I always knew there was something alien about these pieces…”
McConnell’s side-project Vida Blue released Analog Delay in late 2019. Read an interview with McConnell with Relix.
On April 1, Rochester native, drummer and producer Dr. Steve Gadd released Steve Gadd Band at Blue Note Tokyo, from a tour of Japan in December 2019. That same year The Steve Gadd Band’s self-titled album won a GRAMMY for Best Contemporary Instrumental Album. The group also played the Rochester International Jazz Festival that summer, leading up to this year end performance in Japan.
The line up features former Beatles collaborator David Spinozza on guitar in lieu of Micheal Landau, Jimmy Johnson on bass, Kevin Hays on keyboards, Walt Fowler on trumpet and Dr. Gadd on drums.
Blue Note Tokyo is a jazz venue in the Aoyama district of Tokyo, Japan that seats about 300 people and makes for an intimate performance. The band played to the disciplined fervor the crowd has for live music. Frank Zappa alumni Walt Fowler helped write the musical intro to the show, an arrangement from the film Cape Fear. The same theme is also found in the new series Ratched, which serves as a prequel to One Flew Over the Cuckoos Nest. The whole band feeds the chilling composition, segueing to an iconic Gadd pocket groove for the tune “Where’s Earth?” World-renowned musicians like this might need some help finding it when their sounds stretch outside of our planet.
Gadd switches to a Latin beat on the drums securing his role as the consummate chameleon man of different musical genres for “Timpanogos.” Fowler and Spinozza then spread out nicely intertwining spicy solos before Hays helps cool things down with his Fender Rhodes. For those looking for a signature Gadd drum solo during the performance, there is only one to remind you why the man behind the kit is headlining the venue. “One Point Five” trails off Jimmy Johnson on bass to a full drum crescendo to end the song.
When asked about the tune “Way Back Home,” and if it has any significance to the comfortable corridor of his Upstate New York roots, Gadd said,
I like the song, I’ve played it with a lot of different bands, I did a live album in Rochester and titled it after that. I like the groove we get on it no matter how we do it, we get a good feel, it grooves, that one for me it keeps building, it gets pretty intense at the end and it takes a while to get there but it feels great the whole way to me, I love that track.
Steve Gadd
Only two tracks have vocals on the ten song performance. During a take on Bob Dylan’s “Watching the River Flow,” Hays channels appropriate lyrics for today: “That this ol’ world, will keep rolling on you know, so I’m gonna sit right on this bank of sand and watch the river flow.”
The bonus track on the Blue Note Tokyo album “Foameopathy” is one of five tracks (including “One Point Five”) played live from the GRAMMY Award winning album that year.
We worked hard mixing it too, my son Giancarlo and I, and then Rich Breen mastered it and sprinkled some magic over the whole thing and I like the way it sounds.
Steve Gadd
Keep an eye out for a full interview with Dr. Steve Gadd about his musical origins in Monroe County to his performances around the world. Download the album here.
Key Tracks: Wheres Earth?, Timpanogos, Way Back Home
