Category: Genres

  • Hearing Aide: Baked Shrimp ‘Conscious’

    On March 26th, Long Island funk trio Baked Shrimp released their second studio album, Conscious. Known to many as Long Island’s best kept secret, Baked Shrimp has been expanding their audience and have had sit-ins from Brandon “Taz” Niederauer and Ryan Dempsey of Twiddle.

    Cover art by Scott Reill

    The band, who were among the finalists on NYS Music’s March Madness bracket, intended to release Conscious in time for their 2020 summer tour, but had to be postponed due to the COVID-19 pandemic.

    Within this time gap, Lon “Conscious” Gellman—a close friend and loyal fan of Baked Shrimp—passed away. To honor Lon’s memory, the band named their album after his nickname.

    Conscious has been in production since February of 2020, and was recorded in Patchogue, NY with help from Nick and Mike Rufolo of The Brothers Nylon who assisted in recording, mixing, and performing on all 10 tracks. The album’s final mix was done by Anthony Cimino at Mojo Music Studio in Franconia, New Hampshire.

    Throughout Conscious, layers of horns, strings, keyboards, and synthesizers create musical textures that come together to create the defining ‘Baked Shrimp sound.’

    The first track of the album, “NO2-4U,” is a fitting start, beginning with a classical acoustic guitar introduction that captures the listener and builds into a lively jam full of funky horn lines that drive the energy of the song.

    Across the album, one thing you will always notice is the proficiency of each musician. The rhythm is always locked, the bass is grooving and locked in with the drums kick.

    Each of the many instrumental, jam sections found in songs throughout the album fit the moment well and create bridges that effectively link to later sections. These moments help keep the energy of the track, but also allows the band to breath a little bit and show their chops.

    Baked Shrimp performing in April 2021

    “Rosa” is a good example of the dynamic instrumentals mentioned in the last paragraph. The track begins with a mellow but upbeat instrumental section that is carried by the spacey sound of the guitar and keyboard.

    This instrumental section returns later in the track, except this time with more layers of keyboard and synthesizer parts that lift the energy, which is carried through the rest of the song until its end.

    “Down the Drain” is riff heavy and has a very progressive-rock influenced sound. It definitely has a harder sound than most of the tracks on the album, but it shows the versatility of Baked Shrimp’s sound.

    Now we can only look forwards to the days when more venues reopen and tours start rolling again, so Baked Shrimp can showcase the work they put into Conscious to a larger audience.

    While opportunities for gigs are sparse now, Baked Shrimp was lucky enough to play at Lambrou’s Hall in Island Park, NY on April 3rd. In this show, the band was able to play through all of Conscious, as well as debut three other original songs. Baked Shrimp will soon be releasing full video and audio of the event.

    There are big things in store for fans of Baked Shrimp. The band is eager to show their hard work to audiences around New York state and the country.

    Hopefully, 2021 will be the year of the shrimp.

    Key tracks: NO2-4U, Rosa, Down the Drain

  • Black Rob, Rap Legend and Former Bad Boy artist, Dead at 51

    Less than one week after posting a concerning tribute video to DMX from a hospital bed of his own, rapper, Black Rob, has passed away, with speculation of the cause of death being kidney failure

    black rob
    photo via Getty Images

    Much like DMX’s passing, Black Rob’s death is another blow to hip hop, continuing a run of premature casualties of once famed rappers. It was only April 11 that a bed-stricken Rob looked worse for the wear in an Instagram video posted to his account, in which he paid his respects to DMX 

    “I don’t know, the pain is crazy, man. It’s helping me out though, it’s making me realize I got a lot to go,” he said. “I feel everything about X. X was positive. Love to X,” the former Bad Boy Records emcee shared as he struggled for words. 

    That video began speculation amongst fans about the state of the Harlem emcee’s health, with concerns being raised over his feeble appearance and his faint sounding voice. In another video posted to Instagram the “Whoa” rapper shared that he was out of the  hospital and shed light on his recent health concerns, 

    “Oh man, I’ve been dealing with this for five years. Four strokes … I don’t know what to tell you man. Shit is crazy. The shit is hard,” he said. “I don’t got no house to live in — except maybe an apartment. Me and my man be trying to get together. I’m telling you man, this shit is strange. It’s hard, you know what I’m saying?”

    He continued,

    “I don’t know what the people want to do, what the people going to say. I need some rest, man. Really, man. I need some rest. My side is killing me.”

    Amidst the rising interest in Black Rob’s condition, producer, Mike Zombie, set up a GoFundMe account with a goal of $50,000 to help Rob “find a home, pay for medical help & stability during these trying times.”

    Sadly, it was all for naught, as Rob succumbed to his reported kidney issues on April 16, with the news of his passing being shared by friend and former Bad Boy Records label-mate, Mark Curry.

    Curry announced Rob’s death in two videos posted to his Instagram account, and Variety later confirmed his passing through additional sources. 

    “I don’t know where to begin this,” “But I thank everybody for the donations. Rob passed away about an hour ago.”

    In a second video, Curry revealed that he was with the rapper when he died.

    “Rest in peace to my brother. I was there with him. I was there with him,” Curry said. 

    https://youtu.be/Xpn2rj2HZJY

    There was an outpouring of love from fellow entertainers as well as rappers, as Rob’s brief but successful run as a successful mainstream artist left him revered and loved. 

  • ShwizZ reach for the skies with “Clock Tower”

    ShwizZ has spent recent months exploring new musical territory, releasing the nine minute music video for “Clock Tower.” A dark and brooding piece that captures feelings of reflection, the song is inspired by a simple chord progression on guitar and transformed into a winding musical journey.  

    shwizz clock tower

    This tune started off as a simple little riff this past fall for guitarist Ryan Liatsis, and developed from there.

    I was noodling on in my bedroom for a couple weeks. It was around the time Eddie Van Halen had died, so I was experimenting with tapping harmonics on the guitar, but not the shredding kind of way he did of course. I wanted to hear the notes ring like little chimes. So after I had flushed it out, I presented the riff to the group at a practice and naturally the creative juices started flowing. The song started to take shape with this brooding and cinematic texture, so we went for it. It was amazing to really develop something more melodic and emotional then a lot of our other material. Many know we like to shred and ain’t afraid to show it! 

    Ryan Liatsis, ShwizZ

    At first the song was called “Harmonix,” until someone mentioned they visualized a clock tower while listening to the track and the band agreed. The wild adventure of riffs and rock included the use of fretless instruments for some extra mood. 

    The song took shape with the addition of Scott Hogan’s melodic bass lines, and Will Burgaleta’s tasteful and elegant piano playing, and Andy Boxer adding his unique flavor of drums to tie it all together, notes Liatsis. Initial tracking was done in January 2021 at Call Hollow Studios in Pomona, NY. After overdubs, the band produced, recorded and mixed it all over a couple sessions, then sent if for mastering at Csharp Studio’s overseas in Romania. 

    Making the video for the song followed, with the band realizing quickly they had to record a video for a nine minute long prog rock instrumental song.

    It didn’t seem realistic, but we put together somewhat of a plan and found an amazing venue called Gymnopedie in Brooklyn. It was quite a place, nestled in the basement of a gigantic church in Bushwick. The place was gnarly though as you can see from some of the rooms we filmed in. Our good friend Dan Rappaport lead the video production with the help of Natasha DiMarco.

    While we were there, we made use of a little tiny stairwell full of clocks. Someone had blurted out “Clock Tower” as a song name, that’s right we had yet to properly name the song! Until then we were just calling it “Harmonix”, which was way to obviously about the intro guitar part and that’s it. So after some contemplating we agreed to call it “Clock Tower” and it sure did paint that picture.

    A dark, ominous, mysterious old clock tower in the mist, curiously observing and wondering what’s inside, what’s been inside, what has the place seen throughout history. Our long time friend Paul Holland’s actually brought this imagery to life by taking an incredible picture of an old clock tower in Nyack, NY. After some light touching up by him and Dan Rappaport we had our Clock Tower cover art. 

    Ryan Liatsis, ShwizZ

    Released by Color Red in Denver, “Clock Tower” marks the first time the four members of ShwizZ wrote a piece from the ground up. Liatsis reflects on the ‘you never know what you’re gonna get’ aspect of songwriting.

    Sometimes you set out to paint with a vision in mind, knowing exactly what will be on the canvas when you’re done. Other times you just splatter a bunch of paint on the wall and see what happens, then make sense of it afterwards. And many times it is somewhere in the gray area betwixt those extremes. It is of the utmost importance to remind yourself there’s no right or wrong way to the process.

    Ryan Liatsis, ShwizZ
  • Dawes Announce Fall 2021 Tour

    Dawes have announced a fall tour in support of their new album Good Luck with Whatever, beginning in early September 2021.

    Dawes Fall 2021

    Good Luck with Whatever is Dawes’ seventh studio LP and was produced by 6x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A. The new album received critical acclaim as well as performances on Jimmy Kimmel Live! and the Late Show with Stephen Colbert.

    https://www.youtube.com/watch?v=Bzc16xo6pho

    Leg 1

    SEPTEMBER
    9 – Charleston, SC – Charleston Music Hall
    10 – Atlanta, GA – The Eastern
    13 – Durham, NC – Carolina Theatre
    14 – Richmond, VA – The National
    15 – Washington, DC – Warner Theatre
    17 – New York, NY – Central Park Summerstage
    18 – Boston, MA – Orpheum
    21 – Toronto, ON – Phoenix Theatre
    23 – Pittsburgh, PA – TBD
    24 – Harrisburg, PA – Harrisburg University
    25 – Grand Rapids, MI – Calvin College
    26 – Cincinnati, OH – Taft Theatre
    28 – Indianapolis, IN – Egyptian Room
    30 – Auburn, AL – Auburn University Amphitheatre

    OCTOBER
    2 – Nashville, TN – The Ryman

    https://www.youtube.com/watch?v=fO802GtaBcw

    Leg 2

    NOVEMBER
    17 – Vancouver, BC – The Vogue
    18 – Seattle, WA – Showbox
    19 – Portland, OR – Crystal Ballroom
    21 – San Luis Obispo, CA – Fremont Theater
    22 & 23 – Solana Beach, CA – Belly Up
    26 & 27 – Los Angels, CA – Fonda Theatre
    28 – San Francisco, CA – Fillmore
    30 – Salt Lake City, UT – The Commonwealth

    DECEMBER
    1 – Fort Collins, CO – TBD
    3 – Minneapolis, MN – First Ave
    4 – Chicago, IL – The Vic
    5 – Milwaukee, WI – Pabst Theatre
    7 – Louisville, KY – Headliners
    8 – St. Louis, MO – The Pageant
    10 – Dallas, TX – McFarlin Memorial Auditorium
    11 – Austin, TX – Stubb’s
    12 – Houston, TX – Heights Theater

    Find out more about Dawes at dawestheband.com.

  • ASCAP Pop Music Awards 2021 Winners Announced

    On April 13, 2021, The American Society of Composers, Authors and Publishers (ASCAP) announced the winners of the 2021 ASCAP Pop Music Awards, celebrating well-known stars of the genre.

    Some familiar faces who received awards are The Weeknd, celebrated as 2021 songwriter of the year with “Heartless,” and Post Malone, celebrating “Circles” as the song of the year.

    Warner Chappell Music received Publisher of the Year, being behind top tracks such as “10,000 Hours,” “Blinding Lights,” “Lose You To Love Me,” “ROCKSTAR,” and more.

    The celebration kicked off with an Instagram Live interview with Lewis Capaldi and a performance of “Before You Go.”

    For the complete list of winners, visit the ASCAP website. The American Society of Songwriters, Composers, and music Publishers is an official organization dedicated to license and promote their affiliates, ranging across every genre.

  • The Lone Grateful Dead Show In Niagara Falls: April 17, 1984

    37 years ago today, The Grateful Dead played their one and only show in Niagara Falls, NY. The band was certainly familiar with the state by this time in their touring career, but had never managed to play this section of Western New York before. In traditional fashion, the Dead started the year off with some shows in California and out west before heading east for spring tour. After a show in Rochester the night before, this would be the fourth show of the East Coast run, following two at Hampton Coliseum.

    niagara falls grateful dead

    The Dead do a little extended tuning to rev up the Niagara Falls crowd even further to start and then its off to the races with “Jack Straw.” This one comes out of the gates clean, with Bob Weir leading the way on vocals. It’s later highlighted by a sparkling run on guitar by Jerry Garcia that takes this opener to another level. Garcia then uses “Dire Wolf” as another chance to drop down a pristine solo before the opening licks of “New Minglewood Blues” emerge next. This time, its keyboardist’s Brent Mydland’s time to show off thanks to a rousing organ solo delivered midway through. The traditional first set number builds up in intensity a little before coming to a close thanks to some more Garcia runs that follow and Weir using a pedal steel-like effect on guitar in the brief jam that ensues.

    Dead Niagara Falls

    “Row Jimmy” then slows things down a tad, with Garcia noticeably stumbling early over some of the lyrics. It’s a fairly tame version that still seems like it’s trying to figure itself out. Afterwards, Weir “shadowboxes the Apocalypse” a little in the short-lived “My Brother Esau.” The first set excitement seems to return with “Ramble On Rose” that features a wicked feedback sound at the outset. Garcia has no issue with the lyrics this time and is complemented perfectly by Mydland with a harpsichord-like sound on keys throughout. This classic Dead number gets a loud roar of approval from the Niagara Falls crowd when all is said and done. The fairly short opening set then ends with “Looks Like Rain” > “Deal” with each allotting some time for a few more powerful Garcia-driven guitar solos.

    A very raspy Bob Weir and some fun audio effects begin the second set with everyone’s favorite crowd management game, “Take A Step Back.” With this out of the way, the set then takes off with a sped-up and high octane “Help On The Way” that feels like its shot out of a cannon. Although it may be quick, it begets a powerfully cohesive and psychedelic jam that patiently explores and develops for a while. So much so, in fact, that it seems to completely bypass the beginning and go right to the end of “Slipknot!” After a quick run through the main riff, the Dead quickly shift gears once again and use “Franklin’s Tower” to complete the traditional pairing that starts this second set with a bang.

    After giving the crowd a chance to catch their breath, the Dead are off and running again with “Man Smart, Women Smarter.” This seems to pick up right where the “Frankin’s” jam left off, with another rapid-fire, cohesive effort that sees Garcia leading the way once again. The drummer tag-team of Bill Kreutzmann and Mickey Hart provide the needed rhythmic support on an infectiously bouncy take on this number.

    The drum-heavy outro jam then suddenly yields to Garcia and the opening chords of “Eyes Of The World” begin to be heard, cementing an already impressive second set. Despite some ethereal tones from Mydland on keys, this “Eyes” starts fast and only gets faster as Garcia annihilates one guitar run after another, seemingly getting more powerful as the song progresses.

    Dead Niagara Falls

    In a complete contrast, the band seems to be extra patient and exploratory in the “Space” portion of the evening that follows “Drums.” The Dead take their sweet time noodling around, with Garcia running up and down scales in a variety of tones and effects. As a discernable drum beat emerges from the madness, so too does “Black Peter.” Some noticeable “spacey” effects appear to seep into this one, giving this “Peter” a real jazzy, psychedelic vibe that meshes perfectly with the blues emanating from Garcia.

    To close out tonight’s show at the Niagara Falls Convention Center, the Grateful Dead would mix in a few newer numbers, starting with the Weird-led “Throwing Stones.” A couple of dazzling keyboard fills from Mydland on piano highlight this one which was only premiered a few years prior. At its conclusion, Garcia immediately starts the introductory chords to Buddy Holly’s “Not Fade Away,” a second set Grateful Dead staple. As is tradition by now, some say beginning with the show in Binghamton last year, this keeps this crowd singing and clapping along throughout the encore break. “Touch Of Grey,” another newer song, played rather quickly and unfortunately a little sloppily, then closes out the Dead’s only show in Niagara Falls.

    Niagara Falls grateful dead

    Grateful Dead Niagara Falls Convention Center – Niagara Falls, NY 4/17/84

    Set 1: Jack Straw, Dire Wolf, New Minglewood Blues, Row Jimmy, My Brother Esau, Ramble On Rose, Looks Like Rain-> Deal

    Set 2: Help On The Way-> Slipknot!-> Franklin’s Tower-> Women Are Smarter-> Eyes Of The World-> Drums-> ->Space->Black Peter-> Throwing Stones-> Not Fade Away

    E: Touch Of Gray

  • Hearing Aide: Garage A Trois ‘Calm Down Cologne’

    Chances are high that you haven’t had your usual dose of funk over the last year. The global pandemic has slowed the release schedule of many bands and while we have gotten some great releases over the last few months, it’s nothing compared to past years. That all changes today with Garage A Trois’ newest offering, Calm Down Cologne.

    This sensational release from the band’s original lineup of prolific drummer Stanton Moore, master guitarist Charlie Hunter and multi-instrumentalist Skerik marks 22 years since their debut album, MysteryFunk. The band still delivers the same energy and excitement that they first showed over two decades ago.

    garage a trois

    The new album was recorded in 2019, across the street from Nectar’s Lounge in Seattle where the band was playing a 3-night, sold out run in Skerik’s hometown. Most of this offering is an improvisational documentation of what the trio was able to elicit together in that studio session, save for one pre-composed track. The resulting five songs are a testament to the prowess and musical moxie that each member possesses and is able to showcase as a group.

    “No Zone” is the perfect choice to start the album and illustrates how sync’d up the members of GAT are. Guitar and Organ blend seamlessly as Moore’s drumming drives the trio through nine minutes of head-bobbing, in-your-face funk. The aptly named “The Epic” is a spooky and funky carnival ride, as if a funhouse had its own effects-pedal laden jam session with it’s driving funk and electro-cacophony.

    The title track is the only non-improvised song on the album, but it’s one that you’ll find yourself listening to on repeat. Skerik’s ability to play horns and organ blend magically with Hunter’s bass as Moore provides hints of New Orleans throughout the short, but sweet ditty.

    “In-A-Pro-Pro” is the longest track on the album and is a jam that’ll get you to stand up and dance. This song is nothing short of incredible as each instrument bubbles to the surface to play their perfect part. “In-A-Pro-Pro” is like a good seltzer… effervescent with the perfect amount of flavor. Hunter has the chops and energy of at least two guitar masters as he lays out a flurry of sounds from the guitar and bass that comprise his Hybrid Big6. The album closes with the laid-back fuzzy funk of “Numinous,” a track that is reminiscent of walking off into the sunset. The drums, bass and keys paint a canvas that allows the horns and guitar to really pop in and shine.

    It might only be April, but this release will certainly be in the running for Best Album of 2021. Stream on various platforms here, and purchase the LP from Royal Potato Family or on GAT’s Bandcamp, where you can also purchase the digital album as well.

    Key Tracks: Calm Down Cologne, The Epic, In-A-Pro-Pro

  • Neil Diamond Musical will Hit Broadway in 2022

    In 2022, a bio-musical about Brooklyn born singer-songwriter Neil Diamond is coming to Broadway in summer 2022.

    Neil Diamond musical
    Neil Diamond performs onstage during the Songwriters Hall of Fame 49th Annual Induction and Awards Dinner on June 14, 2018. (Photo: Larry Busacca/Getty Images for Songwriters Hall Of Fame)

    The show, “A Beautiful Noise,” was announced in 2019, but pushed back due to the pandemic. Thanks to things slowly opening up, the show will premiere in Boston at the Emerson Colonial Theater in June 2022 and then move to Broadway after four weeks. It will show audiences Neil Diamond’s life, from growing up to stardom.

    Although we don’t know the cast yet, Steven Hoggett (Once, Harry Potter and the Cursed Child) will choreograph, Oscar-nominated screenwriter Anthony McCarten (Bohemian Rhapsody, The Theory of Everything) will write the book, and Michael Mayer, who won a Tony in 2007 for Spring Awakening will direct.

    Neil Diamond musical
    Neil Diamond (1976). by Danny Gutierrez

    Even though Broadway has seen a lot of jukebox bio-musicals, Tony award-winning producer Ken Davenport says that this new show is different. It is “a biographical musical drama and not a jukebox musical. He’s “excited to show people what separates it from some of the jukebox musicals that have been around.”

    Neil Diamond thinks that “A Beautiful Noise” opening will be “a moment of relief, unity, strength and love” much like when he performed “Sweet Caroline” at Fenway Park in 2013 after the Boston Marathon bombing.

    https://www.youtube.com/watch?v=v9P6gLUT86s&ab_channel=MLB

    After performances start “and we’re all able to safely be in the same space together, experiencing the thrill of live theater, I imagine those same emotions will wash over me and the entire audience,” Diamond says. The emotions will be just as high when “A Beautiful Noise” opens on Broadway after over a year of darkness.

    Starting this month, live theatre has come back to New York for the first time since March 2020. The NY PopsUp Festival hosts impromptu shows around the city, and other shows have opened at limited capacity. Broadway theaters will start opening on May 30, but shows will not begin immediately. In an effort to bring live theatre back in the fall, theatre workers can get vaccinated on Broadway.

    Neil Diamond musical
    Credit: NY PopsUp

    It will be a while until Broadway is back to normal. “At this point we’re thinking early fall, perhaps early September. That’s the way things are pointing,” President of the Broadway League Charlotte St. Martin said to NBC. “We believe that some of the longer-running shows may be first to come back, because a lot of the cast has muscle memory.”

    Until then, you can still see live theatre in NYC. Sign up to be able to get tickets to the Neil Diamond musical “A Beautiful Noise” 24 hours before everyone else once they’re available.

  • Alejandro Fernández Announces Fall 2021 U.S. Tour

    On April 14th, Mexican singer Alejandro Fernández announced his fall 2021 “Hecho en México” U.S. tour. The announcement comes on the heels of four consecutive number one singles.

    The 19-date tour, produced by Live Nation, will kick off on September 10th in Reno at the Grand Sierra Theatre with stops in Las Vegas, Los Angeles, Dallas, Houston, Chicago, Miami, New York and more, before wrapping October 24th in Phoenix at Arizona Federal Theatre.

    A portion of proceeds will be donated to Families Belong Together – a campaign of the National Domestic Workers Alliance, that works to end family separation and promote dignity, unity, and compassion for all children and families.

    The multiple Grammy winner and son of the legendary Vicente Fernández, has conquered stages all around the world with his personal interpretation of Mexican music.

    He has sold more than 35 million records worldwide and won countless awards and nominations. Alejandro is the first act to achieve No. 1s on Billboard’s Top Latin Albums in the 1990s, ‘00s, ‘10s, and ‘20s.

    His most recent album, Hecho en México, debuted #1 on Billboard’s Top Latin Album chart. The album marked Alejandro’s return to the mariachi format and garnered him a Latin GRAMMY win for Best Ranchero/Mariachi Album and a GRAMMY nomination for Best Regional Mexican Music Album.

    The album has earned four consecutives #1 singles at radio in the United States and Mexico with “Caballero,” “Te Olvidé,” “Decepciones,”and his current single, “Duele.”

    Throughout 2020 while live touring shut down, Alejandro Fernández remained very active, looking for new and innovative ways to be close to his fans and lend his voice to important causes impacting our community.

    In the early days of the pandemic, Alejandro partnered with Univision TV’s Dr. Juan Rivera in sharing vital information about health and COVID-19 on television and social media platforms.

    Seeing the impact of the shutdown on the artist community, Fernández released a stirring rendition of Joan Sebastian’s classic “Eso y Más” as a fundraiser for out of work musicians, donating 100% of the proceeds to MusiCares COVID-19 Relief Fund in the United States and MúsicaMéxico COVID-19 in Mexico.

    In October 2020, the singer offered a historic live streaming event, América A Una Sola Voz (America Together in One Voice), a breathtaking concert viewed by over 150,000 fans in 19 different countries across the American continents.

    During the show Alejandro paused to remind his fans of the importance of voting in the upcoming elections. Following this performance he launched (along with a coalition of artists) the “Vota Por Nosotros” (Vote For Us) get-out-the-vote campaign airing on Estrella Media, encouraging Latino voters to vote on behalf of our entire community in the November 3rd elections.

    In accepting his Latin GRAMMY, Alejandro dedicated the award to the victims of the recent hurricanes in southern Mexico donating MXN $1,000,000.00 to the Mexican Red Cross to aid with the relief efforts.

    Most recently Alejandro joined Mana’s Fher Olvera as the face of the “We Are Home” campaign calling for a fair and dignified immigration policy for the millions of Latino immigrants living in the US.

    Alejandro will be joined by his son Alex Fernandez and latin-pop duo HA*ASH on certain dates in the tour.

    Tickets go on sale beginning Friday, April 16th at 10AM local time on Ticketmaster.com.

    ALEJANDRO FERNÁNDEZ TOUR 2021 DATES:

    Fri, Sep 10 – Reno, NV – Grand Sierra Theatre^

    Sat, Sep 11 – Sacramento, CA – Golden 1 Center*

    Sun, Sep 12 – Fresno, CA – Save Mart Center*

    Wed, Sep 15 – Las Vegas, NV – MGM Grand Garden Arena*

    Fri, Sep 17 – Albuquerque, NM – Rio Rancho Events Center*

    Sat, Sep 18 – El Paso, TX – UTEP Don Haskins Center*

    Fri, Sep 24 – Houston, TX – Smart Financial Centre at Sugar Land*

    Sun, Sep 26 – Chicago, IL – Allstate Arena*

    Thurs, Sep 30 – Boston, MA – Orpheum Theatre

    Fri, Oct 1 – New York, NY – Hulu Theater at Madison Square Garden with special guest HA*ASH

    Sun, Oct 3 – Miami, FL – AmericanAirlines Arena #

    Tues, Oct 5 – Atlanta, GA – Coca-Cola Roxy

    Fri, Oct 8 – Irving, TX – The Pavilion at Toyota Music Factory*

    Sat, Oct 9 – Hidalgo, TX – Payne Arena*

    Sun, Oct 10 – San Antonio, TX – AT&T Center*

    Fri, Oct 15 – San Jose, CA – SAP Center at San Jose+

    Sat, Oct 16 – San Diego, CA – Viejas Arena+

    Fri, Oct 22 – Los Angeles, CA – The Forum+

    Sun, Oct 24 – Phoenix, AZ – Arizona Federal Theatre*

    *with Alex Fernandez
    +with Christian Nodal
    # HA*ASH

  • Hearing Aide: January Jane ‘Your Drug’

    New York City synthpop trio January Jane excitedly stake their musical claims with their with their debut EP Your Drug. The band consists of lead vocalist Pat Via, guitarist Mitch C. Mitchell, and keyboard player Peter Scialla. The EP is planned to be released on June 18 via Whiskey Vinyl/BGM.

    January Jane

    Your Drug borrows from a diverse array of influences ranging from modern day pop to 80’s pop rock in the style of songs like “Your Love” by The Outfield. The EP can be broadly categorized as pop but the band takes inspiration from several different decades and styles of pop. The soaring upbeat choruses that many of the songs offer can be directly tied to the styles of millennial pop of acts like Walk The Moon and Imagine Dragons. The band differs from many of its contemporaries by adding a 80’s rock edge to its songs. Via’s voice has a much more distinct gruffness to it which pairs nicely with the moody synth and guitar tones of the verses.

    Songs like “Addicted to The Night” offers a deceptively simple but extremely sticky hooks that that refuses to leave your head hours after you’ve listened to it. Paired with a verses that build the tension of the song with its dueling electric guitar creating a song that would go off well at any party. The edge added by Via’s voice sets many of the songs of the songs off from their contemporaries. The versatility in Via’s vocal inflections allows him to pull of the clear shimmery pop hooks as well as the more 80’s-eque moody verses.

    The infectious grooves on these tracks display their influences and love for ’80s rock and pop while sounding undeniably modern and perfect for the ’20s.

    Matt Pinfield, DJ

    The consistent infectious energy is certainly the strong suit of Your Drug. The band doesn’t miss a beat with any song, offering an EP that has a signature sound throughout but still switch up the style between each track. The 80’s throwback sound dose not come off as a gimmick, rather a new completely new direction for modern electro pop.

    The EP is also an extremely easy listen, toping out at just under 17 minutes. The exciting mixture of sounds act as perfect soundtrack for the dancefloor and exciting midnight drive. Overall, Your Drug is extremely likeable and is suitable for just about any kind of pop fan – no matter the age.

    Key Tracks: Addicted to The Night, Versions of You, NYC

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