The energy was high in Trumansburg for the final weekend of Grassroots Live. The shows were switched to the Grandstand Stage at the fairgrounds due to damage to the infield stage but that didn’t keep the people or performers present from having a great time. Friday night brought two Grassroots Festival veterans, Jimkata and Giant Panda Guerilla Dub Squad and Saturday 90s rock group The Spin Doctors graced the stage.
Giant Panda Guerilla Dub Squad opened Friday night with powerful and unifying reggae vibes. The band’s traditional sound was layered with extra horns, percussion, and vocals from local Ithaca talent. A couple of dancers joined in for a majority of the show who mirrored and increased the joyful atmosphere. Lead singer, Chris O’Brian spoke about the power of reggae music in spreading from Jamaica to corners of the world like Rochester and Ithaca and bringing people together. The whole set contained originals and covers weaved together seamlessly. A highlight of the show was a bouncy rendition of Bob Marley’s “Soul Shakedown Party” that seemed to kick the crowd into high gear.
The anticipation and excitement for Jimkata’s return to the stage was palpable. The Ithaca born band went on hiatus in 2016 after treating audiences to dynamic sets at festivals and opening for bands like Papadosio. There were many people talking about the last time they saw Jimkata and many were decked out in band merch that they had clearly had for a while. Lead vocalist and guitarist Evan Friedell walked out to the stage to adjust his pedals and was greeted at the front of the stage by what seemed like old friends.
On the heels of their new album Bonfires the band launched into a set full of synth and vocal melodies and washed the crowd in light and sound. Weaving between new songs and recognizable classics, the audience never seemed to stop moving. One would have found it hard to not dance around a bit during the sequences of dreamy rhythmic jams. Jimkata always brought a cerebral experience kept lively by clean locked in musicianship and an emotionally fueled light show. This set was no different and felt like a triumphant return.
Bred in NYC, The Spin Doctors had an extremely successful run in the 90s and have continued to put on one hell of a show. Lead singer Chris Barron charismatically introduced each song with anecdotes and banter that kept the audience engaged. The humorous interplay between bassist Mark White and Chris during the banter kept things light. Mark would roll his eyes, shoot rubber bands at Chris, and even took a seat and pretended to make a phone call during a particularly long story.
Musically, the band still holds up after all these years. The vocals sound honed in and each member of the band excels at their craft. Chris’s voice carries the familiar tunes, guitarist Aaron Comess brings clean classic rock tone and licks to the stage, Mark’s funky and energetic style is nestled perfectly in with the rest of the sound, and drummer Eric Schenkman carries the band on his hard hitting beats. The band played their hits such as “Little Miss Can’t Be Wrong” and “Two Princes” and even played some new material. The audience went nuts and sang along whenever the hits were played but both jammed out moments and new songs were equally as danceable and welcomed.
As the lights went down at the end of the show, the last attendees of the year at Grassroots left the fairgrounds smiling. It was clear in the smiles and stories of the past few weekends that Trumansburg was treated to some wonderful moments of light and sound in July.
Friends and family gathered at the Patchogue Theatre for the Performing Arts on Long Island on Monday, August 2 to bid farewell to music legend Biz Markie, with a funeral attended by hip hop icons including Busta Rhymes, Kid Capri, Treach (Naughty by Nature), Big Daddy Kane, EPMD, Ice-T and more. The eulogy was delivered by the Rev. Al Sharpton.
Markie was born in Harlem but raised on Long Island. He is best known for his 1989 single “Just A Friend.” His career took off after that. He acted, performed comedy, DJ’d and produced music for numerous artists. He also had a radio show on SiriusXm on LL Cool J’s Rock the Bells Radio.
In April 2020, Markie was hospitalized for complications of Type 2 diabetes. He died at a Baltimore hospital surrounded by family on July 16th at age 57. R.I.P. Biz!
The Great New York State Fair has released lineup of concerts and music performances for 2021 to be held in Syracuse at the State Fairgrounds from August 20th through September 6th.
The Fair was founded in 1832 by a group of farmers for agricultural improvement and local fairs. It wasn’t until the 1950s-1960s the fair was used for entertainment where singers came to perform.
Artists performing at the 2021 edition of the Great New York State Fair include the following national and local artists:
Radio & TV personality Bobby Bones brings his musical comedy band Bobby Bones & The Raging Idiots to the Great New York State Fair on opening day, Friday, August 20. The New York Times bestselling author and host and executive producer of his own breakout television series Breaking Bobby Bones on National Geographic will perform at 2 p.m. on the Chevy Park stage in the New York Experience festival grounds. All Chevrolet Music Festival concerts are free with $3 Fair admission.
Hart-topping country duoLOCASH will open what will be the largest slate of national touring band concerts ever presented at the Great New York State Fair on the Chevy Park Stage Friday, August 20. The band behind hits such as “I Know Somebody” and “I Love This Life” will perform as part of the Chevrolet Music Festival. All concerts are free with Fair admission.
Hard-rockin’ California band Ratt will take the Chevy Park audience “Round And Round” Saturday, August 21 at the Great New York State Fair as part of the Chevrolet Music Festival. The band, known for its steady stream of rock hits as well as its appearance in a funny commercial for GEICO insurance, will perform at a time to be announced. All concerts are free with Fair admission.
The men of R&B pop supergroup 98 Degrees will bring their hits, including “Give Me Just One Night” and more to the Chevy Park stage Saturday, August 21 at 8 p.m. during the 2021 Great New York State Fair. It’s the group’s second appearance, following a concert in 2001. All concerts are free with $3 Fair admission.
Brothers Osborne bring their hard-driving, good-time country to the 2021 Great New York State Fair’s Chevy Park stage Sunday, August 22 at 8 p.m. as part of the Chevrolet Music Festival. TJ and John Osborne have had big hits with “Stay A Little Longer” and “It Ain’t My Fault,” as well as a hit collaboration with Dierks Bentley, “Burning Man.”
Jimmy Sturr and His Orchestra August 23, 2021 at 2p.m.
Grammy-winning group Jimmy Sturr and His Orchestra will bring an afternoon of high-energy polka music to the 2021 Great New York State Fair at 2 p.m. Monday, August 23. Sturr and his band won the Grammy for Best Polka Music 18 of the 24 times the prize was awarded.
Bishop Briggs will perform on the Chevy Park stage at the Chevrolet Music Festival at the 2021 Great New York State Fair Monday, August 23. The Scottish-born, Los Angeles-based singer/songwriter hit the alternative and rock charts with songs such as “Wild Horses” and “River.”
One of the most popular rock bands of all time, Foreigner, will perform on the Chevy Park stage at the Chevrolet Music Festival at the 2021 Great New York State Fair Monday, August 23 at 8 p.m. Founding member Mick Jones leads the band that scored nine Top 10 hits on the Billboard charts, including “I Want To Know What Love Is,” “Feels Like The First Time” and “Cold As Ice.” It will be the fourth appearance for Foreigner at the Fair, following shows in 1994, 2006 and 2011.
The Spinners, the legendary soul group behind unforgettable hits such as “I’ll Be Around,” “Could It Be I’m Falling In Love?” and “Rubberband Man,” will return to the Great New York State Fair with a 2 p.m. performance Tuesday, August 24 at a venue to be announced. It will be the seventh appearance for The Spinners, stretching back to 1985.
DSL* Dire Straits Legacy, which features musicians who performed and recorded with the band during its days atop the world’s music charts plus top class musicians such as Trevor Horn, will perform at the 2021 Great New York State Fair as part of the Chevrolet Music Festival.
Train, the San Francisco-based band behind the hits “Meet Virginia,” “Drops of Jupiter” and “Hey, Soul Sister,” returns to the Great New York State Fair with an 8 p.m. performance Tuesday, August 24 at the Chevy Park stage as part of the Chevrolet Music Festival.
Jameson Rodgers takes the Chevy Park stage at the 2021 Great New York State Fair’ Wednesday, August 25 at 2 p.m. as part of the Chevrolet Music Festival.
Country music star Russell Dickerson will make his Great New York State Fair debut on the Chevy Park stage at the Chevrolet Music Festival Wednesday, August 25. Dickerson owns four #1 singles: “Yours,” “Blue Tacoma,” “Every Little Thing” and “Love You Like I Used To” as well as a handful of awards nominations from the Academy of Country Music, CMT and iHeart.
Arena rock superstars REO Speedwagon return to the Great New York State Fair’s Chevrolet Music Festival with an 8 p.m. show Wednesday, August 25. The band behind classic hits such as “Ridin’ The Storm Out,” “Keep On Loving You” and “Can’t Fight This Feeling” will make its sixth appearance at the Fair.
In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than Three Dog Night. Their hits wind through the fabric of pop culture today, whether on the radio where they are heard day in and day out, in TV commercials or in major motion pictures — songs like “Mama Told Me (Not To Come)”, “Joy to the World”, “Black and White”, “Shambala” and “One” serve to heighten our emotions and crystallize their continuing popularity.
Additional New York State Fair concerts later in August and early September 2021
Updated on August 17, 2021: The NYS Fair announced on August 12, 2021 southern rock band Jackyl will be replacing Dire Straits Legacy in the line up at the Chevy Court Stage on August 24 at 7 PM.
Jazz saxophone great David Murray will perform a unique solo performance, complimented with live painting by artist Nancy Ostrovsky, August 7 at Rustic Ridge View Farm in Ulster County.
A titan of the tenor sax and bass clarinet who came to prominence in the mid-70s, David Murray has recorded dozens of albums that merge free jazz with the mature style of classicists like Coleman Hawkins and Ben Webster. He was a founding member of the World Saxophone Quartet and has performed or recorded with luminaries like Henry Threadgill, Elvin Jones, James Blood Ulmer, Olu Dara and the Grateful Dead, for whom he recorded a tribute album with his Octet in 1996. In 1989, Murray won a Grammy Award for Best Jazz Instrumental Performance for his album, Blues for Coltrane: A Tribute to John Coltrane, along with a Guggenheim Fellowship. The Village Voice named him “Musician of the Decade” in 1980.
Deeply textured and enthralling in their execution, Nancy Ostrovsky’s paintings are, just like the music itself, free improvisations inspired by and at one with the resonant vibrations and spirit created by a musician in a live performance. Her spontaneous method of smearing, dripping, squeezing and manipulating paint onto canvas, in real-time as compelled by the music, is electrifying to witness.
Over the years, the Accord, NY-based artist has collaborated at concerts with some of the jazz world’s leading names, including Roswell Rudd, Butch Morris, Michael Gregory Jackson, Michael Bisio and Murray. She has performed her live painting to music at many prestigious venues including Jazz at Lincoln Center, the Institute of Contemporary Art in Boston and the Eastman School of Music.
The event will take place Saturday, August 7 at Rustic Ridge View Farm, 15 Old Kings Highway, Kerhonkson, New York. Suggested donation is $20. It is recommended that patrons bring their own chairs or pillows for seating at this outdoor event. Refreshments will be available.
More of Ostrovsky’s work and videos of her unique live painting performances can be seen here.
On May 18, Mister Rajers’ Neighborhood dropped the new trippy summer anti-anthem “Cinco Uno Eight“ a psychedelic song about the Capital Region of Upstate New York.
“Cinco Uno Eight” is originally written, composed, and produced by L Niño. An idea to combine various local artists he had previously worked with in order to properly honor the 518 led to the development of this song. Whether it be the appearances of Mike Guagliardo and Showerpanther adding a distinctive synth sound, to including soothing ambient noises from artists from the local area.
Perhaps the highlight of the track however are the two local MC’s, Justin Sedefian aka SavandWord ClassakaMajor Capers. “Each individual layered on an instrumental or vocal to create a truly odd, strange, ode to our beautiful homeland.”
Cameos were also made by Will Fredetteof the Albany band El Modernist. The final edition of Kevin Lovely, who has known L Niño since they both attended Guilderland High School, took over mixing duties, while sound engineer legend David Tyo refined the track as the mastering engineer.
L Niño wrote the initial song and produced it and left “gaps” for people to spit verses on, and then had friends each add “layers” which which was chopped up and collaged by L Niño.
“L Niño” isa singer-songwriter, multi-instrumentalist, and producer based out of Troy, NY. He remained in the underground scene until achieving some local traction in the Albany area for his work with Major Niño which was recently in the running for an Eddie Award.
L Niño played violin all throughout highschool. But really didn’t start getting into production, until returning to Troy around 2015. He has taught himself guitar, bass, drums, and production. “My favorite thing to do is produce though, so this was a really neat opportunity to “produce” other musicians and have them spit on a track that was designed to be uh….spitted on?”
He has released music under numerous monikers and projects such as L Niño, Mister Rajers’ Neighborhood, Major Niño, and Jacques in the Bag. Featured in the Times Union and Floated Magazine with features on 102.7 WEQX-FM and local radio stations such as WCAA-LP 107.3 FM, L Niñohas also played at well-known local Capital Region venues such as The Fuze Box, The Low Beat, and Troy Kitchen.In the wake of Covid, as venues start to open back up, L Niño hopes to bring more compositions from different projects and artists to the stage.
In L Niño’s other video, “Trumpistani Breakfast,” he compares peoples obsessions with McDonalds to others obsession and fascination with Trump in this wacky video.
“I guess the tongue-in-cheek metaphor would be like…imagine if there was an individual or a whole group of individuals who for some reason thought that McDonald’s makes the BEST burger ever! Which works since Trump LOVES McDonalds. (Not saying that there’s anything wrong with a McDonalds burger, there’s a time and place where it sure hits the spot, but to believe that it’s THE BEST EVER is uh….is something) So the video was just trying to convey being disturbingly obsessed with McDonalds…..or other things.”
L Niño
You can stream the new single here and find out more by visiting the label’s website.
L Niño will be returning to gigging this summer and will begin doing small shows around the Capital Region as things start opening back up.
Ithaca-natives X Ambassadors have shared a new song called “Okay” in preparation for their third album, The Beautiful Liar, which is set for release on September 24. X Ambassadors have also announced their upcoming U.S./European Tour, including a stop at Webster Hall in October.
X Ambassadors made their full-length debut in 2015 with VHS, that transitioned the band from Ithaca alt-rockers and Brooklyn-indie-scene outsiders to Billboard chart-toppers. Now certified platinum, VHS delivered X Ambassadors’ popular hits “Unsteady” and “Renegades,” which launched them into mainstream success. Most recently, the band released EP Belong, inspired by ’60s and ’70s soul and R&B, in March 2020 as well as three-song project (Eg) in January 2021.
“Okay” follows the June release of their darkly cinematic track “My Own Monster” whose black-and-white visual finds lead vocalist Sam Harris performing a choreographed routine with his own shadow. Both songs will be featured on the band’s third studio album The Beautiful Liar.
“Okay” marks the start of a compelling new lyrical direction for X Ambassadors. With the same emotional intensity as 2015’s “Unsteady,” “Okay” adds deeper poeticism with verses like “We’ll make no mistake, whatever may come… We’ll rise up, it’s true and we go down this road…”
Written during a period of such uncertainty, “Okay” has the ability to connect with and validate the worries of today while sending the reassuring message that things will work out eventually.
Life is unpredictable… things happen that are out of control all the time. We all are living in a constant state of uncertainty. And yet… I say it all the time. ‘Everything’s gonna be okay.’
Sam Harris, lead vocalist
“Okay” is now available for streaming on all major platforms. Preorder The Beautiful Liar album here.
Tickets are on sale now for X Ambassadors’ “The Beautiful Liar” tour, which will hit New York’s Webster Hall on October 27. Scarypoolparty and Taylor Janzen will open the show on all North American dates. For ticket information, visit xambassadors.com/tour.
Check out their U.S. tour schedule below:
X Ambassadors 2021 “Beautiful Liar” Tour
Scarypoolparty direct support, Taylor Janzen will open.
October 15 – House of Blues / San Diego, CA
October 16 – Phoenix AZ / Marquee
October 18 – Tulsa, OK / Cain’s
October 19 – Austin, TX / Emo’s
October 22 – Nashville, TN / Brooklyn Bowl
October 23 – Louisville, KY / Mercury Ballroom
October 25 – Asheville, NC / Orange Peel
October 27 – New York, NY / Webster Hall
October 28 – Boston, MA / Big Night Live
October 29 – Philadelphia, PA / Theatre of the Living Arts
October 30 – Washington, DC / Lincoln Theater
November 1 – Toronto, ONT / Danforth
November 2 – Detroit, MI / St. Andrew’s
November 4 – Chicago, IL / Vic
November 5 – Indianapolis, IN / Deluxe
November 6 – Milwaukee, WI / Rave
November 8 – Kansas City, MO / Truman
November 9 – Minneapolis, MN / Varsity
November 11 – Denver, CO / Ogden
November 12 – Salt Lake City, UT / The Depot
November 13 – Boise, ID / Revolution Concert House
The City Parks Foundation has announced that the 2020 SummerStage Jubilee benefit concerthas been nominated for a New York Emmy. The documentary film shows off the impacts of the City Parks Foundation free programs in New York City parks, which was originally aired in September 2020 on WABC-TV, as well as digitally streamed. The Emmy nomination is for the Documentary Cultural Category.
The film follows the story of a young girls journey throughout the five boroughs while enjoying musical performances by Sting, Norah Jones, Trey Anastasio, Rufus Wainwright, Leslie Odom Jr., Rosanne Cash, Emily King and PJ Morton with appearances by comedian Louis Black and musical artists H.E.R., Paul Shaffer, Jimmy Fallon and many more.
Along with the City parks Foundation, SummerStage founder Joe Killian is nominated as the Executive Producer of the film. SummerStage has been around for 35 years and is a music and entertainment powerhouse.
Oscar winning producer and now Emmy-nominee Jonathan Olson breathes life into the SummerStage Jubilee at a time when public programs were halted by the COVID-19 pandemic. NYC parks remained open as some of the only public areas available to all.
Donations to SummerStage help ensure New York’s largest free outdoor performing arts festival is able to remain free and available to all New Yorkers, giving residents a chance to converse and hang out with others while attending this terrific event. For more information, visit www.SummerStage.org.
Following an exhilarating sold-out show at Nublu in New York City earlier this month and performance at Newport Jazz Festival on Sunday, August 1, The Bogie Band, led by saxophonist Stuart Bogie has combined musical talents with the legendary Joe Russo, releasing their new single, “The Witnesses.”
Leaders and founders of the 10-piece ensemble are Bogie and drummer Joe Russo. Members of The Bogie Band hail from a litany of groups, including Antibalas, The Dap Kings, Red Barat, Arcade Fire, Joe Russo’s Almost Dead, David Byrne’s American Utopia, St. Vincent, The Budos Band, and Superhuman Happiness. “The Witnesses” signifies a triumphant musical synergy. In a thrilling collaboration between old friends, Bogie’s horn arrangements meet Russo’s propulsive drumming to create an explosive combination of woodwind and brass instruments – reimagining wind music in bold and dynamic new ways.
Stuart Bogie and Joe Russo
“‘The Witnesses’ speaks to the urgency of the times in a musical language that laid the groundwork for the Bogie Band featuring Joe Russo. The brass knocks you right and left, the saxophones scream, and the drums keeping you running for your life.”
Stuart Bogie on “The Witnesses”
This band is just getting starting and will surely bring more live music – like their jam-packed Nublu debut – as we head into the fall. Be sure to catch The Bogie Band featuring Stuart Bogie and Joe Russo as they hit the stage to perform live at the Newport Jazz Festival, it will be a performance fans will not want to miss. To stay updated on the band’s upcoming events, projects, and exciting new releases check out their Instagram HERE.
Listen to “The Witnesses” via Spotify and YouTube Below:
Marco Benevento tended to his muster of peacocks near a seemingly innocuous building in Saugerties that serves as a porthole into the inspirational playground of Fred Short Recording. Later that week, he’d play at Westville Bowl for the third time this summer with Joe Russo’s Almost Dead before prepping for his upcoming 2021 solo shows, including one at Roots Rock Revival, and opening for moe. at Apple Valley. Amidst a wall of keys, eight-track players and plastic microphones, Marco discussed his creative process, upcoming tour, new music, tools of the trade, and life after shutdown.
Marco Benevento
A show and tell concluded the hour long chat. Marco shared some of his favorite devices that helped him access the mind that created his genre bending and catchy latest album Let It Slide. The whole experience felt like a movie filmed in the past, that took place in the future.
Upcoming Tour
Em Walis: How’s it going here with your tour about to start?
Marco Benevento: I was looking at my calendar and I just swipe to the right and I saw August and I was like, “Oh no, I’ve got lots of gigs.” Yeah. Which is great because, you know, gigs are back baby.
EW: I was thinking it might be a cool thing to talk about would be the idea of wearing different hats, shifting from home hat to tour hat. What does shifting from the creative process hat to, “Okay, business time. Let’s get it out there,” hat look like?
MB: I wear a bunch of hats in that regard. Because you’re like, weird musician guy. And then you’re like, also booking hotels and flights. So then we’re here, you record and how, how, you know, when that you comes out, and yeah.
Octagon Discs
Fred Short Recording
EW: Do you find for your flows, because I see you have almost different zones here, that if you’re working you have one place that’s your business zone and separately have an “I’m making stuff now” zone?
MB: I basically do it all in this one zone. I mean, here’s the headquarters right here sit behind the piano move and the piano tape machine all the gear here recording, but then here’s the laptop for music and stuff. Also dealing with manager emails. This is the office in studio basically. Yeah, this is the always curious, just how to change literally. Luckily, I have a booking agent and a manager. So there’s a lot of behind the scenes, those guys are making my days easier. That’s really so I can just focus on the music and that’s cool. And everything and even just being around the kids. Yeah, hanging out.
EW: So how many you have kids? Two kiddos?
MB: 14 and 11. One just went to a friend’s house. My other is inside just playing Legos. She’s like, “Okay, when you’re done with your interview…,” Daddy comes and goes. So it’s nice that people like helped me out. You know, making my life easier. So I enjoy being a dad.
MB: Yeah. It’s cool place. I did it last year. I just did a day workshop there. It’s just like, music camp. They have a lot of artists come in. People talk about music and improvisation. And, you know, everybody needs camp. I mean, I went to like, some heavy jazz camps growing up and learned a lot from cool clinics, you know, sleepover camps, or music all day. It’s immersion. And then you’re picking each other’s brains about stuff. On a loose level. You don’t get a lesson from a guy and you have an hour and that’s it. You’re at a camp that lasted for a week and, maybe later at night when you’re hanging out. You know? Yeah, just sort of shoot the shit about some questions you might have. Yeah, totally.
Outdoor Live Performance Experience
EW: How do you feel about like being in the “cool outdoor environment” places? I imagine with the electricity and things like that, it might be hard to like play the kind of music you want to play, or run into difficulties with like sound and light conflicts, or is it worth it when you’re in out in the middle of the woods playing at a place like Full Moon?
MB: I love that. I’m all about it. The outdoor stuff is cool. I always prefer playing outside because you’re not fighting the venue and the walls are the collection of all that stuff. Sometimes you get into a room and you’re like, “Oh, just sounds weird in here at soundcheck,” and they’re like, “Oh, when people come in, it sounds better.”
EW: The bodies right?
MB: Yeah, that does help. But for the most part, the trees in the open air, no walls by us, it’s so nice. That’s better. I’ve always wondered whether it’s preferred or not. For me, I like outside better. I’m curious to see what other musicians would say, but yeah, there’s nothing like playing an outdoor stage.
EW: What would the word be for it? If it’s not a room for us? It’d be really great woods out there. You know, the trees really just sounded great.
MB: We played this festival called Pickathon in Oregon. And they had this tree branch stage. It was just made out of branches, it was so cool, a little stage in the middle of nowhere. Yeah, it was just all these tree-like branches are all over you and around they make a dome that has branches and it’s really cool.
Marco Benevento’s Fred Short Recording
Creative Process: Starting
EW: Let’s talk creative process.
MB: I mean, creatively, I’m just in here writing and recording all the time. Yeah. It’s kind of funny, because most people, when they do their job during the day, and they come home, they want nothing to do with their job. When I do my job, and I come home, I want everything to do with my job again. Yeah, put the kids to bed and then hang out with my wife, and then she goes to bed. And then I’m in here writing and recording.
EW: The best hours?
MB: Yeah. The creative process for me is writing with playing along to a drum machine. Recording keyboards to a drum machine and then adding drums and then adding fade and then figuring out the lyrics after, if there are lyrics. Yeah, figure those out sort of, after the fact. But basically writing. Writing groups.
The creative process for me is writing with playing along to a drum machine. Recording keyboards to a drum machine and then adding drums and then adding fade and then figuring out the lyrics afterwards, if there are lyrics.
marco benevento
Marco Benevento finding inspiration in the Octagon
EW: Writing groups, that comes first. The late night is just the best creative time it seems like. Is it something about inhibitions that are just lessened at that time?
MB: Yeah. And talk about immersion. You’re just like, in here, and you almost spend too much time on one little particular thing. But then you get to the next morning, and you listen back and you’re like, “Oh, I’m glad I spent time dialing in. Yeah, that weird drum machine sound or there’s a mission.”
EW: Yeah, exactly an hour for the paper focus. Lasering in on something instead of having to have that bigger picture that seems like we feel so much pressure.
MB: Yeah, the bigger picture sort of comes after. I’ll get the groups baseline, I’ll figure out the arrangement, and then the bigger picture starts coming in.
Creative Process: Finishing
EW: How do you know when it’s time to like, start wrapping something up?
MB: It’s a good question. I find that like a lot of musicians. I guess it maybe it’s like, almost 50/50 I feel like there’s musicians that are just like, putting shit out, no problem., and not getting too hung up on certain things. Then I feel like there’s another side of musicians that says, “How long do you work on this record?” Two, three years in some cases, that’s a long time. You put that out, or even like longer, like 10 years, right?
EW: At what point does it start to deconstruct?
MB: I’m the kind of person that’s almost to the point where I should maybe be spending more time with it. But I’m like, “You know what? This is done.” And the good thing about being “This is done” is that you’re like, OK, you get excited for the for the next thing. So yeah, keep things fresh. that’s why. Recognizing when the freshness is starting to fade. I made this COVID record basically, over the last year. Now it’s starting to, fade, I’m like, I gotta put this out, because it’s just time for this to be out. I’m excited to be done with it. It’ll be done very soon.
Creative Process: Prioritizing
EW: How do you prioritize?
MB: I like deadlines. Especially when you’re planning your whole touring schedule and everything like that. If you want to know the music, you want to know the music’s ready and you want to time it. So when you do that tour, you have a new record. So by saying, “August 15, it needs to be done,” the signal will come out. Maybe the whole record comes out in the winter, but then you want to do a tour in the spring. So you time it all out. If you hold it up and the records are done, then you mess up everything down the line. So that makes so much sense, like planning a baby. Yeah, exactly. Keeping the ball rolling, that’s really it. I’m working like with all sorts of other folks, which is fun, on side projects. Specifically one with my friend Leon Michels, who lives across the river, and Ryan Cliff. He has his own thing called El Michael’s Affair. Check it out. He moved up from the city, we made my last record together and he’s just doing so many things with different folks, so he’s always having me over to like record on something that’ll eventually be used. He’s producing, having songwriting sessions at his house, it’s super fun and brings us to the Hudson Valley, it is nice to be up here. There are so many people with studios around here.
The Hudson Valley
EW: It’s the place where the real stuff is happening. This is where the people that have done well enough for themselves to make a home and be outside. And a lot of really, really amazing artwork.
MB: And there’s a lot of home studios, there’s a lot of people that are recording themselves in their side house studio, or their room or their garage or their basement and they’re really tasteful. They make great music. There’s so many folks around here and then even just professional studios. Applehead is nearby, and on the other side of the river where Leon lives, actually not far from him, it’s called The Clubhouse, which is another great studio.
Marco talks home studios and shutdown
EW: Especially after this year. It’s the home setup, for sure, and be glad if you have already had a place in the Hudson Valley.
MB: Absolutely. I know. I couldn’t have quarantined at a better place. It was ridiculous. Some of my musician friends were going through a really hard time. I couldn’t even imagine… I was like, “Okay, I’ll be stuck here for how long?Actually don’t even tell me, I’ll just do this.” I was so productive. Anytime anybody would like call me or FaceTime me. I’d be like, “Yo, what’s up?”
Live Streaming
EW: My family did a fake music festival with live streams. So when we were done texting we would be like, “Alright, I’m going back to camp and my sister would be like, get me a flannel and beer!”
MB: Online streaming things from festival stages, that was a kind of cool platform, and there’s a really successful tipping system where it’s really easy for people. You can scroll by all these comments, sitting here playing in my house, feeling like I’m playing and people just rolling through, so I liked it. Not a live show, it’s just something else, right? People are watching you on their computer, and we all know what that is. So it does feel somewhat rewarding, but it has its limitations, obviously.
EW: Well, if the home is interesting now, do you see an evolution happening with home fans that still will follow musicians around but not actually physically? Like, seen/listened to every show?
MB: I think that those platforms are hoping that artists don’t stop doing their online streams. It was funny, because I did a bunch of shows with StageIt and then things started opening up and my schedule got pretty busy again. I was playing shows and they were like, “Do you still want to do a StageIt show?” I thought, “I don’t know. Should I? Everyone’s going to shows, do people still watch stuff on their computers?” And they were basically like, “You know, that’s how we make our living.” So yes, of course, it’s still happening. I did one the other month, it was kind of fun. It’s still fun to do, because this room just looks cool with keyboards.
EW: They see where you hang out every day, and it can be funny when your cat knocks something over.
MB: It’s definitely more connected. Yeah, people want to go out to live but yeah, it’s more personal. It seems cool. It seems like at least I know for myself, like the gates opened a little bit more. It’s kind of cool to still feel like part of something. It’s definitely interesting.
Making memories
Return to Touring
EW: Have you found you’ve played a lot since reopening?
MB: Yeah, I play with this band called JRAD which is, which is Joe Russo’s Almost Dead and it’s like all the music of the Grateful Dead. I’ve done it a couple of shows with them in that place in New Haven at a new spot. It’s pretty awesome – Westville Music Bowl. I do love tennis and played so much tennis because of the quarantine. I’ve been playing with them, smaller shows, some smaller solo outdoor gigs which has been cool. I played with my band with Karina and Divi at Brooklyn Steel and cool stream from there. That was really, really fun. It’s fun to be able to capture the venue and do what I do, go into the venue and have a sound person that you know and everything, helping you out and doing it safely felt really good.
Connecting Post-COVID-19
EW: With the upcoming tour, do you anticipate there being a different energy or headspace in the crowd?
MB: Well, it’s not full capacity. For example, Westville in New Haven holds I think 12,000 people or something. If there were actually 12,000 people in that venue it would feel a lot different than it does now because I think they’re literally only letting in like 3000. That’s gonna be a little… it’s kind of like you’re aware but kind of wandering around a little because you have a little bit of wiggle room.
EW: Gratitude. In my experience, like it seems for some people it’s almost more of a religious experience than it’s ever been. Because artists that have been there for them through stuff, your streams kept people happy.
MB: I did feel that way, which was a nice feeling. Like, oh, I can I provide something that people like, they really love, and they really needed love, even if it’s not live, they need it through somewhere, somehow, and even as a musician, I also need that outlet as well. Even though I’m playing here all the time anyway, but just to have a concert where you’re like, actually emotionally connecting.
Cheap Keyboards
EW: And we’re like, “Yeah, music. It’s fun. It’s creative. This is who I am.” But then after it becomes like any relationship, where you were there for me, when I was going through this thing, and your music was there, almost saying “I got your back.”
MB: Yeah, I did feel that way. I also taught some lessons. I was like, I’ll just put my name out there. And if it’s just one person that wants to take a lesson every week, that’d be awesome. And they’re so stoked, they’re so stoked, right? This one guy, still takes a lesson with me. He just wants to shoot the shit about music and talk about how things roll and writing everything. It’s really loose, it’s been really cool. Now we have this connection and never met before. Now I know how smart he is. How great of a musician he is, and that’s so cool. I know that he was at this show, and for certain songs of that show, really freaking out that night.
This one guy, still takes a lesson with me. He just wants to shoot the shit about music and talk about how things roll and writing. It’s really loose. It’s been really cool. Now we have this connection, and never met before. Now I know how smart he is. How great of a musician he is, and that’s so cool. I know that he was at this show, and for certain songs of that show, really freaking out that night.
Marco Benevento on Teaching music
The Future
EW: What are you excited about right now?
MB: I’m excited. I’m very excited. I’m playing this weekend with JRAD. I played at the Newport Jazz Festival on Sunday with Christian McBride, John Scofield and Joe Russo, and some other people will probably sit. It’s like the the grand jam at the end. So I’m doing that and then I’m playing with my band at Levon Helm Studio.
EW: When you are into something, do you go so deep until the point where you’re like, “Alright, I’ve done enough in order to do more. Do I have to give up something else and therefore move on?” Or do you have different psych levels, where you have many things that you’re sort of slow cooking?
MB: That was that was a good way of saying it. Just lots of things that are still simmering in this. Song ideas. I rarely look back and think, “I spent too much time on something.” Getting a sound, maybe I look back thinking I spent too much time on maybe the arrangement of the song that seems to take me a long time to figure out which parts of where it feels like if it’s too scary or too much. For example, I had a song that was like, basically three parts in it, the whole thing repeated as a song form and it was an instrumental song, you know, whatever A, B and C, then I edited it, I listened to it and was like, this doesn’t sound right. So I flipped it around and see it was C, B then A – I was like, that’s on the song with the ending that I thought was the ending but it should be the beginning of the song. The middle of that regard, this is where it’s pretty awesome.
Four Track
Fred Short Show and Tell
EW: Then mixing and mastering – is that your people that do that for you?
MB: I love using tape machines and I have a four track recorder. I basically get all my tracks down to four tracks and I’ll have drums on one track, one bass. one vocals and then put it back in the computer. This is an essential tool for me.
EW: Do you find having a lot of gear can get overwhelming? Or do you love having tools and things around?
MB: I know how they all work. So yeah. If anything, I always love more.
Random Note
MB: This is called Random Note, it just does whatever you can adjust. You can adjust the speed, and then you can adjust the world. There’s the gear shelves too. This is a favorite too, this is a Wurlitzer kind of a classic sound. I mean, you’ve heard this. Oh, this is this is another new thing. You’ll like this one. This is cool. I just got this. I do like the cheap keyboards. I love these cheap keyboards.
“I do love cheap keyboards” Marco Benevento
You can adjust the speed, and then you can adjust the world.
Marco Benevento
EW: Why is that?
MB: It sounds so cheesy, but when you hear right, I use a lot of drum machines. This keyboard plays these discs, and it’s called the octagon, it uses a light. That’s why it’s called the optimal use of the optical sensor. It has these cool grooves and then you can play along with your right hand. So they all have these funky little album covers too that you get with it. These are cool, just found on eBay. So for example, your special effects, tambourine covers, track sandbox, and that’s what this one sounds like.
I spent a lot of time over here with this keyboard because it helps me get inspired right away. This sound is awesome, then it just helps me, like that. Even though maybe at the end of the songwriting process, this might be eliminated, at least it got me there. I might not use the original drum track that inspired the song, at least in the moment this is drum sound inspired me to write something, which is what everyone’s looking for when they’re being creative.
The Octagon
EW: It’s an intervention, sort of.
MB: Yeah, this is just a quick way, an intervention. Getting started really quickly. I’ll just randomly do shit like this.
EW: What is the story with the artwork in the corner over there?
MB: That’s Billy Martin from Medeski Martin Wood. The donkey is from my friend Battista Ebar, who actually made the artwork for my first record, Invisible Baby. I’m a fan of just making weird art. My record cover, obviously. I just like doing drawings like a staple in your book, and it’s the cover of our record called The Story of Fred Short.
Gear up for a night of music, dance, and community on a rooftop in Brooklyn! “Rooftop Rock,” a live-music fundraiser event for local artists, will be held at the Bogart House in Bushwick on Sunday, August 15.
Starting at 11 a.m., various Brooklyn-based bands will take the stage at the Bogart House’s roof-deck in hopes to bring the Bushwick community together by sharing and promoting local music. New York City visual artists will also have some pieces on display and for sale. All proceeds from the event will be evenly distributed amongst all performers.
By giving back to the artist community, we give to the community as a whole. The fundamentals of creativity are essential to the well-being of every New Yorker and the city’s vibrancy at its core.
Alyssa Martin, Founder of Chelsea Records NY
Hosted by non-profit organization Chelsea Records, Rooftop Rock seeks to uplift new musical acts by relieving the pressures and financial burdens of booking shows. This more lighthearted approach allows for a concert experience where artists can express themselves without hesitation and the art can speak for itself. Especially after a year of isolation, collaboration and networking is essential to bring life into local music scenes again.
We began using a personal roster of musicians to book full line-up shows at local venues and used our own individual contacts to fill the room. (Musicians) were also exposed to a brand new audience that soaked in all of their incredible work.
Alyssa Martin, Founder of Chelsea Records NY
A full bar will be available on site and more artists are to be announced. Tickets are on sale now for $25 each on Humbler.
Rooftop Rock Details
Date: Sunday, August 15th, 2021
Time: 11:00 a.m. to 4:00 p.m.
Location: Bogart House – 230 Bogart Street Brooklyn, NY (Rooftop)
