Category: Special

  • The Darkness Has Given: Venues Welcome Back Crowds Across New York State

    The phrase ‘this darkness has got to give’ originates in the Robert Hunter penned Grateful Dead song “New Speedway Boogie,” a line that speaks of hope and aspirations of a brighter future ahead.

    In June 2020, NYS Music started the series “This Darkness Has Got to Give,” amid uncertain times where we did not know what the next few weeks or months would provide for the musicians, venues, music industry staff and employees, as well as patrons across New York State. We hoped for the best, and while the era of streaming sufficed for a time and is permanently ingrained with bands and venus, live music has returned.

    new york state venues

    Sort of, at least. We have had some false starts, with tours cancelled shortly after they are announced, tours scaled back, and artists opting to require patrons to show proof of vaccination, as well as wear a mask inside venues. All of these are not major asks for patrons who have been deprived of live music, just as musicians have been deprived of audiences in the last year and a half. Given the tight COVID-19 protocols in place for touring musicians and at music venues, especially here in New York State, the result has been the return of live music to many venues, the arrival of crowds to outdoor and indoor events alike, and a feeling of normalcy, even if things don’t seem all the way normal just yet.

    We are still not out of the woods yet. So long as mask policies are abided by and those eligible to be vaccinated do so, the full live music experience – at venues, music festivals, on cruise ships or in basements of college houses – can return in all parts of the state and country.

    This edition of “This Darkness Has Got to Give” has a different angle to it. While we are looking at the music venues that dot the landscape all across the Empire State, we take a look this time not just at the venues, but at the crowds of fans who have flocked back to support their favorite artist and venue, and recharge ourselves through the power of live music. We begin where we started the series in June 2020, in Western New York, courtesy of Contributing Photographer Samantha Rychlicki.

    Buffalo – photos by Samantha Rychlicki

    Hudson Valley – Photos by Mickey Deneher

    Westchester and Manhattan – Steve Malinski

    Albany – photos by Conor McMahon

    Brooklyn and Manhattan – photos by Joe Buscarello

    Lake George – photo by Zak Radick

    ADK Fest – September 4-5, 2021 in Lake George

    Hudson Valley – photos by Em Walis

    Plattsburgh – photos by Jerry Cadiuex

    Saratoga Springs and Albany – photos by Zach Culver

    Utica – courtesy of Stanley Theatre

    Long Island and Manhattan – photos by Rob Tellerman

  • Governors Ball Music Festival Serves A Slice of New York for 10th Anniversary

    It wouldn’t quite be a complete outdoor music season in New York City without an installment of The Governors Ball Music Festival. After some difficulties with weather cancellations in 2019, GovBall had been looking forward to celebrating its 10th Anniversary in 2020, going as far as announcing their lineup in January 2020. Barred by the heat of the pandemic, that occasion had to be put on hold but GovBall made a triumphant return (this time to Citi Field) to celebrate its big anniversary with yet another sold-out crowd.

    governors ball music festival

    Three perfect sunny days of weather set the stage for the packed lineup consisting of several of the artists originally slated for 2020, some new additions, and plenty of New York heart and soul.

    Early birds who made it to Citi Field for the festival’s noon-hour start were treated to some excellent up-and-coming acts, several with local connections. A few of the artists representing the five boroughs were Laundry Day, Drew Lucas + Livia O, King Princess, and Harlem-born A$AP Rocky. Nearby, New Jersey made its mark on GovBall with the band ARIZONA and an incredible R&B/country/soul styling from Breland.

    governors ball music festival

    Governors Ball made a move this year from its usual home on Randall’s Island in Manhattan to Citi Field in Queens, adopting a similar stage setup to Founders Entertainment’s The Meadows Music & Arts Festival which used to be held in the same location. Although maneuvering through the packed crowds as the evenings was a bit slow, the arrangement of the stages ensured that there was always an act to treat the ears while making the trek to the next stage.

    Billie Eilish closed out the first night with several new tracks from her latest album release, Happier Than Ever, as well as several fan favorites from her catalogue. The crowd sang along with Billie through every song, which she reacted by saying that “GovBall is her favorite festival ever” and that she was so happy to be there again after her 2018 performance, this time as a headliner. The highlight of her performance was when she took to the sky on a moving platform, which lifted her up above and passed her several times over the crowd. Despite her huge set and 50,000 screaming fans, her performance felt intimate and personal.

    governors ball music festival

    The second night ended with a band as A$AP Rocky came onto the stage after crowd surfing on an inflatable car. His body men were running through the crowd dressed in head scarves to hide their faces. A$AP had been walking through the crowd before his set in disguise, and once his set began and he was on stage he revealed his face to a huge swell of cheers. Once on stage, he immediately told the crowd to open up the mosh pits, and the audience did so with enthusiasm. His set included some of his biggest tracks, and the crowd couldn’t get enough of his performance.

    governors ball music festival

    Post Malone played the final set of the festival, beginning from atop a massive catwalk rigged with lighting and pyrotechnics. Every time he took a sip from his big red party cup, the crowd egged him on to chug his drink. They did this at least four times, but rumor has it that there was only water in the cup. That didn’t stop him from making a moment out of it, and the crowd ate (or drank) it up. He opened with his hit song, Wow, and played most of the top singles from his catalog. He was joined briefly by Young Thug and the two shared the stage for one track.

    Throughout the show the pyrotechnics were hot and huge, with Post even joking that it was “hot as f**k up here.” During his performance the crowd offered to help with his vocals by singing along, and he even joked, “Ya’ll know I’d sound like s**t without auto tune” which got a big laugh and huge applause. His set and the festival ended with a big splash of fireworks, with Post thanking the crowd for their energy.

  • Freddie Gibbs Returns to Live Performances at Schimanski

    In an exciting prelude to his performance on the first day of the Governors Ball, Freddie Gibbs made an appearance at Schimanski nightclub on Thursday, September 23rd for the “Gov Ball After Dark” series.

    Freddie Gibbs

    A veteran of the rap game, Gibbs has established himself as a strong force within hip-hop’s landscape, while enjoying a cult following since his days as a member of Young Jeezy’s camp. Always considered a strong lyricist with great street tales, Gibbs’ star trajectory began to shift after his first collaborative album, Piñata, alongside legendary hip hop producer Madlib.

    After a string of quality projects (including another album with Madlib) and two projects with producer, The Alchemist, he broke into the mainstream consciousness with a Grammy nomination for Best Rap Album in 2020 with, Alfredo. From there, it’s only been an upward trend in popularity.

    Freddie Gibbs

    Like many artists post-pandemic, Gibbs had taken a long hiatus from touring. Based on his performance, it looked like any rust was quickly shaken off. In front of an adoring crowd, he ran through his most popular records from recent projects in quick succession as he was all smiles during the entire performance, seemingly basking in the glory of being afforded a chance to once again entertain the fans.

    While his performance was fairly brief, Freddie displayed his obvious mastery of live performance, as he’s a veteran of the hip-hop game. While Freddie does not have any upcoming tours or projects announced, whatever he does next will be eagerly anticipated by both his fanbase and the hip-hop community at large.

    Check out the full photo gallery from the show below.

  • Ian Lockwood creates satirical yet skilled pop with “Not Like Other Girls”

    Comedian and singer-songwriter Ian Lockwood will release his second EP, Not Like Other Girls, on October 22. The title track, also the lead single, pokes fun at the “I’m not like other girls” phenomenon, which depicts young women acting excessively quirky or unique in order to set themselves apart from the rest of their gender, often for male attention or due to internalized misogyny. Famous examples include P!nk and Avril Lavigne’s mid-2000s output, as well as the majority of love interests in John Green novels. The meme has entire Reddit subs dedicated to it, and now a pop anthem:

    https://www.youtube.com/watch?v=RaiRqv3jD7s

    Lockwood follows a long tradition of comedians crossing over into musical territory, including “Weird” Al Yankovic, Flight of the Conchords, and most recently, Bo Burnham. However, he has bigger aspirations than novelty fodder. In September, he told PASTE Magazine of his goal to challenge the notion of comedy songs as dance floor clearers.

    I want people to be able to throw [my music] on at a party and not everybody goes, ‘What the hell is this? Turn this off, next.’ I think if you’re a fan of comedy music, and you’ve ever hosted a party and tried to sneak a comedy song onto a playlist, you know the pain of people getting upset and asking to change the song. So the philosophy is good comedy and good music at the same time.

    Ian Lockwood to PASTE Magazine, September 2021

    Lockwood released the EP’s second single, “No Homo,” on October 1. Lyrically, the song is about two straight “bros” who accidentally-on-purpose keep finding themselves in steamy predicaments. To add insult to injury, it’s backed by a flamboyant nu-disco beat that makes it hard to believe the narrator’s insistence that everything is straight and narrow. The second half of the song goes on an entertaining tangent, where the narrator and his subject time-travel to the 1800s as star-crossed besties.


    On October 22, Ian Lockwood is having a release show for Not Like Other Girls at Union Hall in Brooklyn. Listeners can also expect third single “Your Dad” to drop on the same day.

  • Brooklyn Comes Alive Thanks To Disco Biscuits And More At The Brooklyn Mirage

    The Brooklyn Mirage played host to the 2021 Brooklyn Comes Alive on Sunday, September 26th. The massive outdoor complex was the perfect venue for such an occasion.  

    brooklyn comes alive mirage
    Break Science: Live Band

    The day started off with a quick introduction from none other than Sirius XM’s Ari Fink, getting right into a set from Karina Rykman. The trio started the day off strong, with Karina’s heavy bass lines pumping up the growing crowd. Marlo Shankweiler of Melt came out for a couple songs, not surprisingly as she was a part of Karina’s band during quarantine. After her set, Karina dove into her role as DJ in between sets for the remainder of the evening.

    brooklyn comes alive mirage
    Karina Rykman Band

    Brooklyn Comes Alive at Brooklyn Mirage would not be the same without a set of full improvisation from a super group of incredible musicians. Joe Russo, John Medeski, and Dave Harrington combined for an incredibly eclectic and outlandish set. Russo was pulling out every conceivable instrument to rattle, bang, and drum along to Medeski’s organ while Harrington switched back and forth between bass and guitar.

    brooklyn comes alive mirage
    Medeski/Russo/Harrington Trio

    Denver, CO was presented well this night with two heavy-hitters taking the stage. First was Break Science: Live Band. Most of Lettuce usually rounds out the “Live” portion of this group, but this time around they changed it up. Eric “Benny” Bloom was in attendance, with Chris Karns and Hunter Roberts making up the rest of the band. Karns and Roberts brought a wonderfully jazzy change of pace, letting Borham Lee and Adam Deitch just groove along and keep things flowing.

    brooklyn comes alive mirage
    Break Science: Live Band

    Second up from the Mile High city was funk-masters, The Motet. Special guests Shira Elias (Turkuaz), Jeremy Schon (Pigeons Playing Ping Pong), and Benny Bloom were more than welcome on stage as the band put on a mostly instrumental set, as Lyle is no longer with them. Shira more than made up for the vocals, coming out for “Highly Compatible” and “The Beat Goes On,” with everyone coming back out for “Death and Devotion and last, but not least, “Get it Right.”

    brooklyn comes alive mirage
    The Motet

    After having both shows in New Haven canceled, fans of the Disco Biscuits knew they were in for a treat. Ari Fink once again introduced the Philly jamtronica pioneers who kicked off their set with “Helicopters” -> “Running Into the Night.” The bass line of Blondie’s “Rapture” rose from “Running,” and the band invited Shira Elias back to the stage to add vocals to “Rapture,” marking the first time the group has gone beyond an instrumental version of the 1980 new wave song, with “42” closing the set.

    Set 2 started strong with the rare-these-days “Pilin’ it Higher” that took a jam spin before slowly morphing into “I-Man,” which led into the fresh Biscuits tune “M1,” highlighted by Aron Magner’s synth work that played off Jon “The Barber” Gutwillig’s masterful guitar playing. “M1” found its way back to “I-Man” then headed into more new territory with “Evolve,” which continues to evoke some of the most enthusiastic interaction between crowd and fans, giving off a ’90s club vibe in the process. To close the set, the Disco Biscuits moved back into the end of “Helicopters,” closing out an incredible day of music at Brooklyn Comes Alive at Brooklyn Mirage.

    brooklyn comes alive mirage
    The Disco Biscuits

    Check out the photos from Zach Culver and Zatchmo Lives Media.

  • Miss Madeline Reconciles With Pop Stardom In “Lullaby”

    Modern pop phenomenon Miss Madeline has a confession to make with her new single and music video, “Lullaby.”

    Miss Madeline

    Having spent much of last year providing escapist thrills for locked down fans around the world via a series of single releases and exciting collaborations, “Lullaby” and “Bad Girls” mark the launch of a daring new era for Miss Madeline, lit up with decadent sensuality, Y2K pop power, and ever-increasing artistry. Both singles herald Miss Madeline’s soon-to-be-announced debut EP, with growing anticipation after performing four consecutive sold-out shows in New York City and Los Angeles this summer.

    I’m coming to terms with being perceived as heartless, ruthless, and realizing it goes hand in hand with being the ‘life of the party’ and a ‘money machine’. It’s about getting caught up in the pop star lifestyle. I think I would call this my most vulnerable track thus far in terms of admitting to this concept of being blinded by the limelight

    Miss Madeline

    The Jersey Girl-turned-NYC It Girl has already earned attention from a range of outlets – spanning PAPER, Office mag, and even Grindr – with tracks like “Attention,” as well as its high-energy remix featuring RuPaul’s Drag Race Season 11 winner Yvie Oddly. Recent tracks including “Platinum,” “Ready Set Go,” and Ayla D’Lyla x Miss Madeline’s “Life Could Be Sweet” have been ascending influential playlists around the globe; all are joined by official music videos streaming now via YouTube. With new music on the horizon, Miss Madeline is set to take over the world.

    Lullaby follows Miss Madeline’s summer single “Bad Girls” and its Leander Capuzzo-directed, megsuperstarprincess-styled companion visual, met with praise by MTV, PAPER, Office Mag among other outlets – the latter of which writing, “The video calls upon Bad Girls Club and Girls Gone Wild, as a set of the fiery musician’s sexy girlfriends play-fight on a trashed mattress, pour drinks on each other, and tackle the ‘resident bad boy,’ autographing his abs.”

  • Tom Petty Lives on in new Documentary

    We have some big birthdays on the horizon and what better way to celebrate Tom Petty’s birthday, than with a documentary film on his life. Somewhere You Feel Free: The Making of Wildflowers reminds us of the true humble being this rock star really was, bringing you a closer look over his incredible career. It’s hard to believe that we lost him only four years ago. The theatrical release will, of course, be on Petty’s birthday, October 20, featuring a one-night global celebration via Trafalgar Releasing with another encore screening in select cinemas on October 21.

    Be sure to be there to get the full experience on the big screen with immersive surround-sound, that is before the YouTube Originals worldwide release. But that’ll be later this year for free in full 4K resolution.

    This documentary has so much potential, already winning the Audience Award at SXSW 2021 and Best Documentary Film at the Boulder Film Festival. Director Mary Wharton aimed to please after releasing the critically acclaimed Jimmy Carter: Rock and Roll President, Sam Cooke: Legend, Elvis Lives!, and The Beatles Revolution.  After the gold reissue of Wildflowers & All The Rest from Warner Records, we have been waiting for the second half of Tom’s autobiographical masterpiece.

    Somewhere You Feel Free: The Making of Wildflowers will almost make you feel like Tom is back and rocking right in the room with you. This documentary will focus on the period of 1993-1995, where, if you forgot, Tom was working with legendary producer Rick Rubin for the first time. You’ll see some never-before-seen footage of the boisterous life of a rock and roller and innate genius. Filled with new interviews from album co-producer and Heartbreakers guitarist Mike Campbell along with Heartbreakers keyboardist Benmont Tench, the documentary is waiting to blow you away.

    Warner Music Entertainment and Warner Records with Peter Afterman, Mary Wharton, Dan Braun and Adria Petty produced a documentary that will illuminate an insider look on Tom Petty in his height of iconicity.

    If you want to hear a little more. Mary Wharton and Adria Petty spoke about the film with rock author/journalist David Fricke on SiriusXM’s Tom Petty Radio. Tickets can be found here

  • Spaghetti Eastern Music Releases Solo Electric Guitar Score from Dance Piece “2 x 2 x 4”

    In collaboration with P.S. 122 co-founder and performance artist Charles Dennis, Spaghetti Eastern Music today releases a solo electric guitar score for the dance piece “2 X 2 X 4.” Recorded live at Avant-Garde Arama Festival in Woodstock in July 2021, the three-track, 20-minute collection is available as a digital download exclusively on Spaghetti Eastern Music’s Bandcamp site, via Bad Egg Records 3100. 

    spaghetti eastern music 2 x 2 x 4

    Premiering in 1989 to raves in media like The Village Voice, Charles Dennis’ “2 x 2 x 4” is an offbeat dance duet performed with fourteen wooden 2 x 4s, one whose mood is now heightened by Cataldi’s atmospheric, looped and layered guitar extrapolations captured on this live EP.  Avant-Garde-Arama was originated in 1980 at the legendary East Village venue P.S. 122 (now called Performance Space 122) by Dennis, who also co-founded this vibrant cultural institution. This is the first time that the two-day festival of short works of dance, performance art, poetry and music has been produced outside of New York City.

    Praised for his guitar innovations by the likes of The New York Times and Jazz Times, Cataldi’s three movement score was informed by his love of the pioneering ambient soundscapes of guitarist Robert Fripp and experience performing with avant-garde guitar orchestra composer Rhys Chatham. Cataldi performed with Chatham’s ensemble at Lincoln Center in 2010, at a concert captured on the album “A Crimson Grail: For 200 Guitars.”

    Cataldi utilized multiple loop pedals, delays, fuzz tone, a string simulator, harmonizer, arpeggiator, an Ebow note sustainer and other effects to create the 20-minute score, which is divided into three selections on the EP titled:  2 x 2 x 4 Pt. 1  Of Sawdust & Seagulls (8:09); 2 x 2 x 4 Pt. 2  Pulse the Arpeggiator (4:37) and 2 x 2 x 4 Pt. 3  The Howl of Contemplation (6:24).  The music moves from gentle chording and symphonic loops to a rhythmic pulse with dueling, echoed melodic fragments to a minimalist 4-chord organ pattern underpinning frenetic soloing and wailing wall of infinite sustained, harmonized note clusters at the culmination.

    When I heard Sal play live, I knew he would be the perfect collaborator.  I gave him a few notes about mood, pacing and rhythm and he took these ideas and ran with them – crafting three distinct movements that complemented the narrative flow. It was a unique musical soundscape, one that enhanced both my performance and the experience of Avant-Garde Arama’s live audience.

    Charles Dennis

    Cataldi’s debut album under Spaghetti Eastern Music moniker, Sketches of Spam, is a 16-track, 69-minute, genre-surfing journey through contrasting moods, with instrumentals inspired by 70’s Miles, Krautrock, Ennio Morricone, Fripp & Eno and ECM’s icy guitar great Terje Rypdal giving way to bare-bones acoustic vocal tunes reflective of the influence of John Martyn and Nick Drake. In 2020, Cataldi followed this with a trio of critically-acclaimed atmospheric singles that have been heard around the globe, “Her Lemon Peel Raincoat – Because It’s Raining,” “Peace Within” and “And This is Their New Hoax,” a COVID-19 musical editorial featuring samples of President Trump’s most noted denials to Cataldi’s soundpainting guitars and synths. His latest release, 2021’s “Blues for A Lost Cosmonaut,” is a nine-minute plus maxi single, again in the ambient mode, one that informed the live tracks he performed to Dennis’ piece. 

    This collaboration with Charles was a pure joy. It was a chance to extend on what I have been working on with my recent Spaghetti Eastern Music releases – to be ambient and minimalist and wildly maximalist, at the same time.  It was also a way to challenge myself to create a multi-layered soundpainting completely solo, in a live setting, without a net, re-dos, etc. I look forward to reprising this piece and others with Charles in further performances.

    Sal Cataldi

    In 2020, Cataldi made news more beautiful sounds with “One Act Sonix,” the critically-buzzed about debut album from his spoken word/music side project, The Vapor Vespers, with noted Alaskan playwright/slam poet Mark Muro.  The duo recently followed this up with two new singles, “Sex” and “You Changed.” Cataldi is also one half of the improvisational and ambient Hudson Valley-based guitar and efx duo, Guitars A Go Go, with Rick Warren.  Their first single, a 12-minute improv opus called “The Volcano Lovers,” was a preview of the bold experimentation featured in their June 2020 CD debut, “Travel Advisory.”

  • Soul Blind Aim to Please with new EP “Third Chain”

    Soul Blind is out to impress us once again. The Hudson Valley based alternative rock band has released their new EP Third Chain on Other People Records. Drawing from The Smashing Pumpkins, Alice in Chains, and Deftones, Soul Blind releases a nostalgic track that mimics something out of the 90s.

    The newly released music video captures the band performing in a kaleidoscope of swirling colors through a fisheye lens. If that doesn’t give you 90s nostalgia then maybe Justin Sarica and Finn Lovell’s entwined guitar riffs will remind you of The Smashing Pumpkin’s sheer rock groove.

    Soul Blind

    This track also reminds us the endless range of what the rock genre truly encaptures. Steve Hurley on drums is the foundation urging the beat forward urging nothing but a head-banging session leaving the listener engaged, asking where the melody will head to next. Third Chain gives us the original hard rock we have come to know and love while still having an original sound. Soul Blind’s other tracks including “Misplaced” and “Phantom Pool” continue delving into the lessons crucial relationships teach us about ourselves. Jon Markson and Adam Cichocki recorded each track ensuring a lush wall of guitars mixed with divine vocals.

    The EP serves a lot of self reflection lyrically, as well as the emotional turbulence within personal relationships. ALl three songs reflect different feelings, but come together in the same world. Sonically we think these songs show some diversity in our sound and a clear example of our range of what can be expected from future releases, especially going into our first full length.

    Soul Blind

    Soul Blind is working toward becoming a household name and are on their merry way. In 2018, the group made their debut with the Willpower EP, followed by Untitled later that year with a handful of promo singles in 2019. Don’t just take our word for it. No Echo, Stereogum, and New Noise Magazine have released praising reviews gloating about the band. Opening for the likes of Vein, All Out War, Death Threat, Fiddlehead, Praise, Anxious, Modern Color and One Step Closer solidify their hardcore stardom.

    Third Chain is streaming now and available for purchase here.

    Be sure to check out Soul Blind’s East Coast tour with Koyo. Tour dates can be found below.

    9/17/2021 – Poughkeepsie, NY @ APEX Studios w/ Restraining Order
    9/18/2021 – North Haven, CT @ The Cockeyed Crow w/ Restraining Order + Rule Them All + End It
    9/19/2021 – Oakdale, NY @ Shakers Pub
    9/20/2021 – Philadelphia, PA @ The Fire w/ Webbed Wing
    9/21/2021 – Greensboro, NC @ Gate City Garage
    9/22/2021 – Columbia, SC @ New Brooklyn Tavern
    9/23/2021 – Jacksonville, FL @ Archetype w/ Magnitude + Point Of Contact + Kharma
    9/24/2021 – Brandon, FL @ Noisebox w/ Magnitude + Point Of Contact + Kharma
    9/25/2021 – Tallahassee, FL @ The Bark w/ Magnitude + One Step Closer
    9/26/2021 – Pensacola, FL @ American Legion w/ Magnitude + One Step Closer
    9/27/2021 – Atlanta, GA @ The Dog House
    9/28/2021 – Richmond, VA @ The Camel w/ One Step Closer 
    10/09/2021 – Brooklyn, NY @ Gold Sounds w/  No Pressure, Koyo, Victory Garden, Charity 
    10/30/2021 – New Haven, CT @ State House w/ Narrow Head + Waveform

  • Resonance Festival 2021: Finding the Center of The Labyrinth

    As the haze descended over the stillness of West Virginia’s Marvin’s Mountaintop, one could easily miss the creatures cautiously peering out from carefully selected hideouts. Anticipation built for these mystical beings, for the game of games was about to commence. Players arrived unsure of where to go, but had confidence in their mission of finding what they had lost. On the eve of the full moon, the Resonance Music Festival provided a Labyrinth, some goblins, a few other fairy-tale characters and at the center, a Goblin King. This king kept close, but made sure to provide accommodations of the best lighting and soundtrack for the games.

    Goblin friends

    It’s further than you think. Time is short.

    Keeper of the Beans

    Paths twisted and tents upon tents repeated. Nondescript thumping of DJ music could be heard in the distance of an unknown direction. Seeking direction was futile when it came to camp dwellers claiming to be “only worms” relaxed at their sites. These worms, while unhelpful, were very friendly and offered players to meet the Mrs. and stop for some tea. Tempting as it may be, Eggy was about to go on and the center had to be found.

    She Chose Down

    Satan’s Empress

    Eventually, that thing the wizard said about the jam holes filled with Magic Beans made a lot more sense. It was not a dead end, but rather, an energizing oasis. Hobbits with stimulated hemp hats were experts at foraging the Resonance grounds. They advised consumption of Magic Beans was best at The Bog of Eternal Funk You. Doing so summoned Doom Flamingo and our first peek at both Goblin King and Satan’s Empress.

    Goblin King

    The babe with the power.

    Cory Wong reminds the Goblin King of the babe with the Voodoo Power

    Attitude was everything that mattered for this maze game and Cory Wong delivered a set that helped reconciliation with players still being so early in the game. His laid back and fun energy was something to behold. To casually joke about a complex timing about to be played evoked the feeling of hope that mastery of something as complex as a guitar or a maze game could be achieved. The laughter on stage was infections and as coolness of the night set in, the next two days felt far more possible thanks to this true artist. Cory also showed that, with good listening skills, it could be possible to play with others outside of the tribe. When sitting in with TAUK Cory had slightly more reserved demeanor, which helped him listen and respond without skipping a beat.

    That’s not fair!

    Occasionally the board itself seemed to be alive. Initiated by the most subtle of Jack-O-Lantern lights, landscapes would shift dramatically.

    Melodic
    Flamingo

    “The mellow jams would pull you in, then (Umphrey’s) got real nasty with guitars. Melodic to demonic in an instant, but all with that smooth bass keeping it all together while the guitars were going wild.”

    -VIP Goblin
    Demonic
    Doom

    You have no power over me…

    Lespecial commanding attention.

    On September 16-18, Eastern met Mountain and Jam converged with EDM with roads paved in metal. The most notable hour of convergence was when Connecticut Ancient Homies Lespecial (or as the goblins playfully mis-pronounced, “lay-spesh-ee-al”) played on Saturday afternoon. From the VIP crow’s nest, hoards of players could be seen running like the fast zombies from 28 Days Later to the center of the labyrinth, easily finding their way after all the searching they had endured. The crowd grew in size and density as a universal epiphany dawned on everyone involved in the games. A next-generation metal-jam-electronic fusion band deriving from influences like Primus was the lost item no one realized they were missing.

    Your eyes can be so cruel…

    I wish…

    It has been said that legendary sets happen in the center of the Goblin King’s Labyrinth. Ask any Goose fan. The great equalizer of the center provided a grounding humility to many that thought they knew a lot about music.

    Conversations held in the crowd were surprising in that nobody had heard of anyone else’s favorite band. The players arrived deeply rooted on many teams. Disciples of Tipper were ready for Detox Unit, but had never heard of The Motet or Dizgo. Doom Flamingo fans were psyched to see Papadosio, but had never witnessed a laser show like the one Sunsquabi put on. Umphrey’s fans had however, heard of Lotus and could not wait to see Tim Palmieri display his technical mastery as if it were the plumage of a rare bird.

    “I move the stars for no one…”

    Photo courtesy of Albie Binkley

    Behind the games, behind the curtain, and beneath the veil was an Oz-like figure in control of the entire game. Only when he was satisfied, were we were released from the simulation.

    “Should you need us…”

    Dizgo members showing up for Eggy in more ways than one.

    After it all, when intensity subsided and the sun was up again, Eggy played an intimate set from the VIP Crow’s nest and provided the perfect time to reflect on the lessons learned.

    Despite the game only lasting a weekend, the friendships made were lifelong.

    Check Out Cory’s podcast here!

    Enjoy a collection of top shots from some of the fantastic photographers and friends of Resonance 2021