Get ready for an amazing 3 day concert in one of the most beautiful islands around. The Virgin Islands Shakedown will take place November 7 through the 9th, 2021 and will bring even more heat to St. Croix, USV. This festival will bring music that will bring out The Dead literally. The Dead consists of a supergroup with Al Schnier and Vinnie Amico of moe. Jason Hann of String Cheese Incident, Mark Joseph of The Big Wu, Hash of Thievery Corporation, and Steve Molitz of Particle / Phil Lesh.
The Dire Wolves will of course be headlining the evenings. Thankfully US citizens can travel to this destination with ease. There is no need to have a passport or pay customs fees seeing as though St. Croix is a constituent district of the United States Virgin Islands (USVI). When you’re not enjoying the amazing music from critically acclaimed artists, feel free to explore the island filled with snorkeling, diving, hiking, paddle boarding, boating and more. St. Croix is a friendly and polite island that invites you to have the perfect getaway and enjoy your time in the sun.
To make things even simpler Virgin Islands Shakedown is offering VIP and General Admission packages. Of course you already know the band will play November 7th, 8th, and 9th, but some of the travel packages are November 7th through 10th, and others are November 7th through 11th, giving you a couple extra days to enjoy the Island. Not only will you have some more time for a perfect tan but the VIP package offers a private party with the band, and the opportunity to purchase up to two additional VIP tickets.
More information on The Fred can be found here. From the beachfront, boutique resort, restaurant, bar to a spa, there is not much not to like. The resort’s amenities can be found It’s the only beach front resort that’s also
located in town and the first new hotel to open on St. Croix since 1986. With awards like “Best New Boutique Resort” by Caribbean Journal and “Best New Business/Spa” by the readers of the VI Daily News, The Fred is destined to show you a good time and The Dead and friends will have you needing more.
Tucked away in the hills of Coeyman’s Hollow, NY at Magic Forest Farm, artists, vendors, and fans alike came together for the first ever Diggin’ Roots Festival. Sugar Productions, Lyons Den Productions, and co-founder Koryn Shear put in countless hours, days, and months making this cozy little farm with a name to match a haven for the few hundred fans who would descend upon it.
The two-day festival started Friday evening with solo artist Matt Cosgrove covering plenty of 90’s rock hits and some amazing originals. Local Favorites, Raisinhead, were the first to grace the main stage with a few sit-ins from harmonica extraordinaire, Junebug. Ted Grey of Raisinhead stayed on stage for the next set as Quantum Cosmic came on, comprised of him and members of Annie in the Water, The Switch and the Reflexions. Last but surely not least, the Deadbeats rounded out the night with two hour long sets.
Saturday, music began at the crack of noon with the Token Locals. And no, not the heads just waking up from the night before. The wonderful Laura Leigh Band was on next. Laura and companions put on and amazingly whimsical and beautiful performance, setting a light mood for the remainder of the afternoon for Hilltop and the Lousy Slaughters.
As the day grew dark, local legends, the Wheel rolled out a classic set of Grateful Dead tunes before stepping aside for Dr. Jah and the Love Prophets. These two Captiol Region favorites have been playing here for many years, Dr. Jah looking at close to 30 years of incredible Reggae.
Hailing all the way from Harrisburg, PA, you might remember Yam Yam from their recent set at Alive at Five, Albany’s free summer concert series. Shane Spillinger of Sugar Productions noted how well they were received that night, making sure to bring them back for this festival. As the band came on stage the crowd chanted “Yam Yam! Yam Yam!” continuing, whether they liked it or not, after every song.
Long Island’s Baked Shrimp was the last band of the night, playing a quick hour set before giving way to Danish DJ David Maros who played deep into the night.
Their inaugural year was an absolute success and we at NYS Music hope there will be plenty more in the years to come as the new festival continues Diggin’ Roots.
It wouldn’t quite be a complete outdoor music season in New York City without an installment of The Governors Ball Music Festival. After some difficulties with weather cancellations in 2019, GovBall had been looking forward to celebrating its 10th Anniversary in 2020, going as far as announcing their lineup in January 2020. Barred by the heat of the pandemic, that occasion had to be put on hold but GovBall made a triumphant return (this time to Citi Field) to celebrate its big anniversary with yet another sold-out crowd.
Three perfect sunny days of weather set the stage for the packed lineup consisting of several of the artists originally slated for 2020, some new additions, and plenty of New York heart and soul.
Early birds who made it to Citi Field for the festival’s noon-hour start were treated to some excellent up-and-coming acts, several with local connections. A few of the artists representing the five boroughs were Laundry Day, Drew Lucas + Livia O, King Princess, and Harlem-born A$AP Rocky. Nearby, New Jersey made its mark on GovBall with the band ARIZONA and an incredible R&B/country/soul styling from Breland.
Governors Ball made a move this year from its usual home on Randall’s Island in Manhattan to Citi Field in Queens, adopting a similar stage setup to Founders Entertainment’s The Meadows Music & Arts Festival which used to be held in the same location. Although maneuvering through the packed crowds as the evenings was a bit slow, the arrangement of the stages ensured that there was always an act to treat the ears while making the trek to the next stage.
Billie Eilish closed out the first night with several new tracks from her latest album release, Happier Than Ever, as well as several fan favorites from her catalogue. The crowd sang along with Billie through every song, which she reacted by saying that “GovBall is her favorite festival ever” and that she was so happy to be there again after her 2018 performance, this time as a headliner. The highlight of her performance was when she took to the sky on a moving platform, which lifted her up above and passed her several times over the crowd. Despite her huge set and 50,000 screaming fans, her performance felt intimate and personal.
The second night ended with a band as A$AP Rocky came onto the stage after crowd surfing on an inflatable car. His body men were running through the crowd dressed in head scarves to hide their faces. A$AP had been walking through the crowd before his set in disguise, and once his set began and he was on stage he revealed his face to a huge swell of cheers. Once on stage, he immediately told the crowd to open up the mosh pits, and the audience did so with enthusiasm. His set included some of his biggest tracks, and the crowd couldn’t get enough of his performance.
Post Malone played the final set of the festival, beginning from atop a massive catwalk rigged with lighting and pyrotechnics. Every time he took a sip from his big red party cup, the crowd egged him on to chug his drink. They did this at least four times, but rumor has it that there was only water in the cup. That didn’t stop him from making a moment out of it, and the crowd ate (or drank) it up. He opened with his hit song, Wow, and played most of the top singles from his catalog. He was joined briefly by Young Thug and the two shared the stage for one track.
Throughout the show the pyrotechnics were hot and huge, with Post even joking that it was “hot as f**k up here.” During his performance the crowd offered to help with his vocals by singing along, and he even joked, “Ya’ll know I’d sound like s**t without auto tune” which got a big laugh and huge applause. His set and the festival ended with a big splash of fireworks, with Post thanking the crowd for their energy.
In an exciting prelude to his performance on the first day of the Governors Ball, Freddie Gibbs made an appearance at Schimanski nightclub on Thursday, September 23rd for the “Gov Ball After Dark” series.
A veteran of the rap game, Gibbs has established himself as a strong force within hip-hop’s landscape, while enjoying a cult following since his days as a member of Young Jeezy’s camp. Always considered a strong lyricist with great street tales, Gibbs’ star trajectory began to shift after his first collaborative album, Piñata, alongside legendary hip hop producer Madlib.
After a string of quality projects (including another album with Madlib) and two projects with producer, The Alchemist, he broke into the mainstream consciousness with a Grammy nomination for Best Rap Album in 2020 with, Alfredo. From there, it’s only been an upward trend in popularity.
Like many artists post-pandemic, Gibbs had taken a long hiatus from touring. Based on his performance, it looked like any rust was quickly shaken off. In front of an adoring crowd, he ran through his most popular records from recent projects in quick succession as he was all smiles during the entire performance, seemingly basking in the glory of being afforded a chance to once again entertain the fans.
While his performance was fairly brief, Freddie displayed his obvious mastery of live performance, as he’s a veteran of the hip-hop game. While Freddie does not have any upcoming tours or projects announced, whatever he does next will be eagerly anticipated by both his fanbase and the hip-hop community at large.
Check out the full photo gallery from the show below.
The Brooklyn Mirage played host to the 2021 Brooklyn Comes Alive on Sunday, September 26th. The massive outdoor complex was the perfect venue for such an occasion.
Break Science: Live Band
The day started off with a quick introduction from none other than Sirius XM’s Ari Fink, getting right into a set from Karina Rykman. The trio started the day off strong, with Karina’s heavy bass lines pumping up the growing crowd. Marlo Shankweiler of Melt came out for a couple songs, not surprisingly as she was a part of Karina’s band during quarantine. After her set, Karina dove into her role as DJ in between sets for the remainder of the evening.
Karina Rykman Band
Brooklyn Comes Alive at Brooklyn Mirage would not be the same without a set of full improvisation from a super group of incredible musicians. Joe Russo, John Medeski, and Dave Harrington combined for an incredibly eclectic and outlandish set. Russo was pulling out every conceivable instrument to rattle, bang, and drum along to Medeski’s organ while Harrington switched back and forth between bass and guitar.
Medeski/Russo/Harrington Trio
Denver, CO was presented well this night with two heavy-hitters taking the stage. First was Break Science: Live Band. Most of Lettuce usually rounds out the “Live” portion of this group, but this time around they changed it up. Eric “Benny” Bloom was in attendance, with Chris Karns and Hunter Roberts making up the rest of the band. Karns and Roberts brought a wonderfully jazzy change of pace, letting Borham Lee and Adam Deitch just groove along and keep things flowing.
Break Science: Live Band
Second up from the Mile High city was funk-masters, The Motet. Special guests Shira Elias (Turkuaz), Jeremy Schon (Pigeons Playing Ping Pong), and Benny Bloom were more than welcome on stage as the band put on a mostly instrumental set, as Lyle is no longer with them. Shira more than made up for the vocals, coming out for “Highly Compatible” and “The Beat Goes On,” with everyone coming back out for “Death and Devotion and last, but not least, “Get it Right.”
The Motet
After having both shows in New Haven canceled, fans of the Disco Biscuits knew they were in for a treat. Ari Fink once again introduced the Philly jamtronica pioneers who kicked off their set with “Helicopters” -> “Running Into the Night.” The bass line of Blondie’s “Rapture” rose from “Running,” and the band invited Shira Elias back to the stage to add vocals to “Rapture,” marking the first time the group has gone beyond an instrumental version of the 1980 new wave song, with “42” closing the set.
Set 2 started strong with the rare-these-days “Pilin’ it Higher” that took a jam spin before slowly morphing into “I-Man,” which led into the fresh Biscuits tune “M1,” highlighted by Aron Magner’s synth work that played off Jon “The Barber” Gutwillig’s masterful guitar playing. “M1” found its way back to “I-Man” then headed into more new territory with “Evolve,” which continues to evoke some of the most enthusiastic interaction between crowd and fans, giving off a ’90s club vibe in the process. To close the set, the Disco Biscuits moved back into the end of “Helicopters,” closing out an incredible day of music at Brooklyn Comes Alive at Brooklyn Mirage.
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As the haze descended over the stillness of West Virginia’s Marvin’s Mountaintop, one could easily miss the creatures cautiously peering out from carefully selected hideouts. Anticipation built for these mystical beings, for the game of games was about to commence. Players arrived unsure of where to go, but had confidence in their mission of finding what they had lost. On the eve of the full moon, the Resonance Music Festival provided a Labyrinth, some goblins, a few other fairy-tale characters and at the center, a Goblin King. This king kept close, but made sure to provide accommodations of the best lighting and soundtrack for the games.
Goblin friends
It’s further than you think. Time is short.
Keeper of the Beans
Paths twisted and tents upon tents repeated. Nondescript thumping of DJ music could be heard in the distance of an unknown direction. Seeking direction was futile when it came to camp dwellers claiming to be “only worms” relaxed at their sites. These worms, while unhelpful, were very friendly and offered players to meet the Mrs. and stop for some tea. Tempting as it may be, Eggy was about to go on and the center had to be found.
She Chose Down
Satan’s Empress
Eventually, that thing the wizard said about the jam holes filled with Magic Beans made a lot more sense. It was not a dead end, but rather, an energizing oasis. Hobbits with stimulated hemp hats were experts at foraging the Resonance grounds. They advised consumption of Magic Beans was best at The Bog of Eternal Funk You. Doing so summoned Doom Flamingo and our first peek at both Goblin King and Satan’s Empress.
Goblin King
The babe with the power.
Cory Wong reminds the Goblin King of the babe with the Voodoo Power
Attitude was everything that mattered for this maze game and Cory Wong delivered a set that helped reconciliation with players still being so early in the game. His laid back and fun energy was something to behold. To casually joke about a complex timing about to be played evoked the feeling of hope that mastery of something as complex as a guitar or a maze game could be achieved. The laughter on stage was infections and as coolness of the night set in, the next two days felt far more possible thanks to this true artist. Cory also showed that, with good listening skills, it could be possible to play with others outside of the tribe. When sitting in with TAUK Cory had slightly more reserved demeanor, which helped him listen and respond without skipping a beat.
That’s not fair!
Occasionally the board itself seemed to be alive. Initiated by the most subtle of Jack-O-Lantern lights, landscapes would shift dramatically.
Melodic
Flamingo
“The mellow jams would pull you in, then (Umphrey’s) got real nasty with guitars. Melodic to demonic in an instant, but all with that smooth bass keeping it all together while the guitars were going wild.”
-VIP Goblin
Demonic
Doom
You have no power over me…
Lespecial commanding attention.
On September 16-18, Eastern met Mountain and Jam converged with EDM with roads paved in metal. The most notable hour of convergence was when Connecticut Ancient HomiesLespecial (or as the goblins playfully mis-pronounced, “lay-spesh-ee-al”) played on Saturday afternoon. From the VIP crow’s nest, hoards of players could be seen running like the fast zombies from 28 Days Later to the center of the labyrinth, easily finding their way after all the searching they had endured. The crowd grew in size and density as a universal epiphany dawned on everyone involved in the games. A next-generation metal-jam-electronic fusion band deriving from influences like Primus was the lost item no one realized they were missing.
Your eyes can be so cruel…
I wish…
It has been said that legendary sets happen in the center of the Goblin King’s Labyrinth. Ask any Goose fan. The great equalizer of the center provided a grounding humility to many that thought they knew a lot about music.
Conversations held in the crowd were surprising in that nobody had heard of anyone else’s favorite band. The players arrived deeply rooted on many teams. Disciples of Tipper were ready for Detox Unit, but had never heard of The Motet or Dizgo. Doom Flamingo fans were psyched to see Papadosio, but had never witnessed a laser show like the one Sunsquabi put on. Umphrey’s fans had however, heard of Lotus and could not wait to see Tim Palmieri display his technical mastery as if it were the plumage of a rare bird.
“I move the stars for no one…”
Photo courtesy of Albie Binkley
Behind the games, behind the curtain, and beneath the veil was an Oz-like figure in control of the entire game. Only when he was satisfied, were we were released from the simulation.
“Should you need us…”
Dizgo members showing up for Eggy in more ways than one.
After it all, when intensity subsided and the sun was up again, Eggy played an intimate set from the VIP Crow’s nest and provided the perfect time to reflect on the lessons learned.
Despite the game only lasting a weekend, the friendships made were lifelong.
The inaugural Long Island music festival Pine Barrens Jam took over Blue Point Brewery in Patchogue this past Saturday, September 18th. The festival was originally supposed to happen in Center Moriches at the Ringhoff family farm, but due to extenuating circumstances and difficulties maintaining the town’s conditions, the festival had to change venues last minute.
Thankfully, the Blue Point Brewpub ended up being an excellent back up plan; the venue already has a large indoor stage with the ability to set up vendors and secondary stages outside. With plenty of parking and picture perfect weather, the festival went on without a hitch.
Pine Barrens Jam at Blue Point Brewery – 9/18/21. Photo By Buscar Photo
Debuting this year, Pine Barrens Jam was created to exhibit the best of local Long Island bands, artists, poets and other creative talent. When you arrived at the brewery, you were greeted by a row of vendors selling and showcasing their art as well as reps from radio stations and other causes. Vendors were selling t-shirts, paintings, jewelry and other items along the side of the brewery.
A small pop-up stage dubbed the “Peanut Butter Poetry & Arts Stage” was offset in the corner and hosted a slew of poets and other spoken word artists throughout the day. Featured speakers included Justin Vegh, Catheryn Berry, Brian Geraghty, Bri Onishea, MC2, Barbara Joy & Justin Poetry, Rosa Todaro, Nox, Allone and Rorie Kelly.
Peanut Butter Poetry & Arts Stage at Pine Barrens Jam, 9/18/21 – Photo By Buscar Photo
Moving along the grounds to the main entrance of the brewery, the “Lantern Sound Recording Rig Stage” greeted festival and brewery goers alike with a quaint set-up right as you arrived at the entrance. While the festival may have been competing with the brewery’s normal operating business, everyone who came out that day was pleasantly surprised to be immersed in the festival.
Even though it was a one day affair across three small stages, the festival curated a rather large lineup of artists from all over the area. The “Lantern” stage featured bands such as Hank Stone, Bryan Gallo, Leland Sundries, Mick Hargreaves, Frankie Matos, Rorie Kelly, Christine Sweeney, Pete Mancini and a triple performance from The Belle Curves, Anne O-Rourke & Featherheart.
Lantern Sound Recording Rig Stage at Pine Barrens Jam, 9/18/21 – Photo By Buscar Photo
The main space of the brewery is a massive room with several bars throughout. The kitchen was cranking out jumbo pretzels and fresh shucked oysters at a feverish pace as people were coming and going making their way around the festival. At one end of the space, the “Jelly Jam Stage” hosted the featured bands of the day: headliner Drop The 4 as well as Zestrove, Kaido, A Band In Ship, Laurie Anne Creus and Dysfunktone.
Jelly Jam Stage at Pine Barrens Jam, 9/18/21 – Photo By Buscar Photo
Attendees at the festival would have never known the brewery was a last minute venue change. The organizers did an incredible job adapting to the new space, and one might have even thought it was the intent all along. Pine Barrens Jam promises to fight to be able to use the intended farm for next year, but the debut edition of the festival succeeded in highlighting the amazing artistry and musical talent from Long Island. More photos from the day below.
After long anticipation, Buffalo came together for the Beau Fleuve Music and Arts celebration. This 5-year event brought crowds of people to the Buffalo Central Terminal on August 29.
Photo credit: Maddie McCafferty
The atmosphere was uplifting as performers took over three different stages and venders filled the walkway. In addition, silent disco sets continued throughout the day. There wasn’t a dull area in the festival as many embraced the numerous exhibits.
Musicians with an array of different genres established their unique presence on stage. From alternative to rap to rock and everything in between, nobody left room for disappointment. Mom Said No was instantly a crowd favorite from the moment they walked on stage in matching blue suits. Not to mention their infectious energy that felt reminiscent to those harmonic alt boy bands.
Photo credit: Maddie McCafferty
Just when you think the intensity can’t get any greater, it did just that. Other artists like Billie Essco, A.I. The Anomaly, and FREAK THE MIIGHTY got the crowd even more wired up. Their stage presence and crowd engagement kept many up on their feet.
Photo credit: Maddie McCafferty
Throughout the day many were highly anticipating an exciting performance from the headliner Jae Skeese. His accolades are nothing short of the clear skill and passion he places in his craft. Guests stayed alongside Jae Skeese throughout the set while dedicating the night to a friend who passed, Weeze.
Photo credit: Maddie McCafferty
Beau Fleuve Music and Arts celebration brought together a diverse group of local musicians, artists, fashion designers, and other contributors to support Buffalo. The community collectively united to uplift the talented artists that are located right in their backyards. Supporting the arts has become a priority and with that comes even greater potential in the future. This event is just the start of a more profound movement.
The inaugural LonCon Music Festival took place over August 27-29, 2021 at the legendary Arrowhead Ranch and Retreat in Parksville, NY. Organized by Long Island up-and-comers Baked Shrimp, the two day event served as a tribute to the late Lon Gellman, a well-known and beloved supporter of live music.
Fans attending LonCon 2021 saw performances by Twiddle frontman Mihali, Dogs in a Pile, RCA, Creamery Station, and artist-at-large, Hayley Jane. Unfortunately just two acts into day one, torrential rains and an intense lighting storm forced all music to be suspended due to safety concerns. Originally scheduled headliners Aqueous were unable to play their set. While gloomy and on the cusp of rain throughout all of Saturday, LonCon managed to rock on without a hitch.
RCA, comprised of Dopapod’s Rob Compa and Kung Fu members Chris DeAngelis and Adrian Tramontano, played mostly songs off Compa’s 2019 debut solo album, Same Damn Thing. In a set filled with more teases than you could count, including moe.’s “Rebubula” and the Beatles’ “Norwegian Wood,” the undisputed highlight came when artist at large Hayley Jane sat in for a ferocious take on Alanis Morissette’s ‘You Oughta Know.”
Due to their opening day set being cut short by lightning, event organizers Baked Shrimp played an extra long mid-day set to make up for lost time. Picking up right where they left off by completing a “Rosa” jam, the ambitious young band also debuted “Hurricane Jane,” which saw both Hayley Jane and Rob Compa sit in.
Jersey Shore jam band Dogs In A Pile immediately raised the energy on the farm to a whole new level. Distinguished by their colorful outfits, two guitar-attack and otherworldly sounds courtesy of multi-instrumentalist Jeremy Kaplan, the band managed to turn the soggy farmland into a veritable dance floor. Making her third appearance of the afternoon, Hayley Jane returned to the stage once again, this time with a washboard draped around her neck, joining Dogs in a Pile on a rollicking version of the beloved The Band classic “Ophelia.” Not done with sit in’s just yet, Rob Compa would later join the band for an extra funky rendition of ‘Boogie on Reggae Woman.”
With nightfall now upon LonCon 2021, Day 2 headliner Mihali Savoulidis took the stage shortly after 8pm. Before starting his set, Mihali spoke candidly about his special connection to the late Lon Gellman and explained just how much of an honor it was for him to be there at this inaugural event. He would go on to play a sentimental set, highlighted by Twiddle staples “Apples,” “Mamunes the Faun,””Every Soul,”and “Hattie’s Jam” > “When It Rains It Pours,” and “River Drift.” Other highlights included an impressive mashup medley of “Glycerine” > “No Woman No Cry” > “Farmhouse” > “Wagon Wheel” and Hayley Jane joining on a cover of No Doubt’s “Don’t Speak.” The set also featured sit-in’s from Kung Fu/RCA drummer Adrian Tramontano and Baked Shrimp members Jared Cowen and Jager Soss.
Mihali Setlist: Be There (1), Collective pulse (1), Glycerine -> No Woman No Cry ->Wagon Wheel -> Farmhouse-> One Day, Ballad of the Broken (2), Living is the Lesson, Don’t Speak (3), Cali Roads (3), Open House (4), Heart Song, Apples, River Drift, Empty Overflow, Mamunes the Faun (5), Every Soul (6) Encore: Hatties Jam (1) -> When it Rains it Pours
(1) Dedicated to Lon Conscious (2) Formally known as CaliRado (3) W/ Hayley Jane (4) Formally known as Castle in the Sky (5) w/ Jager Soss (Drums; Baked Shrimp) Jared Cowen (Guitar; Baked Shrimp) (6) w/ Adrian Tramontano (Drums; RCA / Kung Fu)
Baked Shrimp Setlists
Friday, August 27 Setlist: NO2-4U, Molly Ann, Tulu, Melting Over Nothing, Pork Etiquette, Rosa (1) (1) Cut short due to lightning storm.
Saturday, August 28 Setlist: One Set: Rosa (1), Weird Times, Who are You and What am I?, Ollie Blu, Hurricane Jane (2), Stomatopoda, Level of Gold, Pig Hearts and Mechanical Parts, Super Human Mutant, Benny, Down the Drain -> Equinox (1) Ending jam only; completes 8/27/21 version
Under the hazy light of 2021’s August Full Moon, it became apparent that attendees of Fred The Festival at LOCKN’ Farm were, in fact, getting involved. Fred, a festival hosted by Goose, included side projects of the band itself like Vasudo, Elephantproof, and the aGOOSEtic trio, as well as Peter Anspach’s debut acoustic solo performance. The festival provided a refreshing and wholesome interpretation of what a music festival could look like without ever compromising on the quality of production and music.
Stormy weather
Is It The Wind Upon My Neck?
Turned Clouds
Despite threatening skies that seem to always make for the most beautiful sunset, security guards seemed disinterested in the potential weather and said that the storms always passed behind the farm. They did.
Is It The Glowing Of The Moon?
On the weekend of August 20-22. the full moon illuminated the rolling fields at Lockn Farms in Arrington, VA.
It is said that if a seeker perceives their environment to be safe, then the light of a full moon can illuminate new intuitive understanding about how to navigate through darkness or uncertain times. New and excellent music can be medicinal in properties. ElephantProof gave the entire crowd a dose of the rare form of stoke that only comes from that ear-tingly reserved only for future favorite artists.
Sam Bardini and Andrew Goedde making Garcia’s Forest a safer, brighter, more musical place
The real magic of this moon, this gathering, and this grand reveal was that many found out just how loved they were by their chosen family. The plot twist theme seemed to be that the haze hills and dark pathways were much easier to navigate when in the company of others.
Oasis in the depth of the night illuminated by the Lover’s hoops and serenaded by the wise minstrel himself
It proved to be especially helpful when that company happened to be carrying an illuminated hula hoop at a silent disco half way back to camp. Doey Joey and Becky provided more than just a boogie-down pit stop. They offered their love and shared their creativity without hesitation. Those wise guiding lights and silent dances helped some of those that might have been lost to find their way.
The more time I spend with this (Goose) community the more I realize⦠the people you do things with become a part of you and who you will be. In your blood, family.
Doey Joey
Seekers On The Ridge
LOCKN’ Farm hosted Fred the Festival. At about a day’s drive for most participants, the rolling hills are located in the midst of the stunning Blue Ridge Mountains. The environment allowed for all seekers on the ridge to separate themselves completely from everyday responsibilities. To truly detach allowed for the examination and reevaluation of moonlit discoveries.
Get Involved
The rolling hills and open fields provided the perfect place for games. The “Get Involved Games” were held on the lawn adjacent to the main stage and in front of the much smaller Porch Stage. Color coded teams assembled every morning to play games like tug-of-war, noodle hockey and giant Jenga. Band and crew members captained the teams and provided support from afar due to Covid restrictions.
Participants were actively partying less because they did not want to let their team down during the games. One team member recalled meeting with the captain bright and early to discuss potential strategies for the games ahead. A festival that had games scheduled during an hour that required early bed times with dedicated participants begs the question of if Fred the Festival itself have been an illusion.
In Search Of An Honest Place To Call My Home
Elmeg in Love
One dedicated couple chose Fred to be the place for wedding vow renewals in celebration of their five-year wedding anniversary. After enduring years of tumultuous societal overtones, this couple learned what it truly meant to find meaning in the grounding comfort of the earth and all it has to offer. They live and love in harmony with the land and have honed the ability find joy in the most uncommon places (hint: turn over a rotting log and watch her lose her mind at all the fungi growing). Multi-tiered snow forts and multi colored livestreams filled their time together until restrictions were lifted enough to dawn their chef and spaghetti costumes for Halloween at South Farms in Connecticut way back in November. Goose helped them stay involved with each other.
Adorable Hour
One benefit to waking up early, regardless of game status, was seeing Goose Guitarist Keyboardist, Vocalist Peter Anspach deliver his first solo set on the extremely intimate Porch Stage setup. What could easily make a fabulous segment on a TV show, some fans had their heart strings pulled at the music so much that they lovingly came up with the segment intro that goes a little something like, “On this episode of The Adorable Hour with Peter Anspach: Things that make you say, “Aww.” Peter’s set truly showcased a side of vulnerability and artistic ability in himself that created a bond between the crowd and the man in only the way accepting someone when they try something new can. To lead by example in that difficult and personal way set a precedent for others to take into consideration what can be gained with honesty and vulnerability.
Danny taking a compliment
It is said that the moon represents illusion and that what might have been seen under the moonlight could have been skewed. Fred the Festival revealed the depth of misinterpretation held about what a music festival should look like. Many traveled far and wide to attend even just a day of FRED, but it was not simply a music festival to which they were so drawn. The seekers were drawn to an evolution from participants to chosen family that has occurred over the last year as a result of what Goose likes to call “getting involved.” A little over a year ago, many seekers met in chat boards during the virtual interactive Bingo Tour. As reopening began, many of the people that met and remained in contact through message boards and streaming chat rooms got to meet in person and form more personal connections.
Many felt the undying support and safety of this familial bond. Conditions like these made it possible for some to consider seeing their own inner beauty. Fred was a safe place to consider possibilities like being more athletic, or to smile genuinely in a photo.
So Ready
Disco gaggle
Fred the Festival was special because this time, it seemed like not only were most of the usual subjects present, but it was like some sort of family reunion. Those that were meeting for the first time appeared to connect through shared love for a mutual fan friend or their favorite show. The amount of streaming music Goose has put out over the last year has been a great unifier for fans.
Fearless leader and contributor to the “El Goose Times” Marc Komito, aka “Scarf Guy”
Attendees of Fred the Festival truly appeared to begin to reveal their true nature of filling familial gaps for those lonely or in need. Goose cane-wielding uncles were able to connect with grandparents of tie dye wearing sloth mayors.
Children attended and parents were rejuvenated by remembering what it was like to see live music for the first time and connect with others that shared the same values. Walking the pathways during the day or night seemed like endless reunion after reunion. Grand reunions, quick catchups and then boogying down to a song seemed to be the pattern repeating over and over.
Take Your Troubles
Brothers at boards
The complete synergy among the crew illuminated group flow with familial bonds stretching out further than the Goeddes. At front of house, the flow between Sam Bardini and Andrew Goedde was reminiscent of a synchronized wingsuit team. Sound and light existed as one and because Sam and Goedde can pivot and finesse knowing the other will by right there without having to speak. If they did take the time to talk about what adjustment they might make next, the moment would have been long gone.
Goedde flexing
This healthy, family relationship atmosphere reflects in both the product as well as the constant inspiration and motivation for everyone on crew to push their craft to the next level. This transcends the band, the crew and the attendees. Everyone seemed to be excited for another’s new venture as if they were a proud grandma.
Having a chance to be away from “real life” created a new space for gratitude as well as a space to accept new music. Fred removed any stress that might disallow the space to give new music a try. Some attendees recalled a time where listening to one song or one set helped sooth anxiety during shutdown. The signs of curiosity indicated for many that their mental space was improving as the country began some semblance of a reopening.
Cory finding optimal position for photosynthesis
Stand out performer Cory Wong captivated the audience with attention grabbing musical know-how, a charismatic band and his charming personality. There were no still feet to be found because everyone seemed to be up and dancing for Cory’s set. To win over an audience largely filled with fans that have only been out to see one act and one act only spoke volumes for those that took notice. One die hard “Gong Gang” member recalled giving Cory’s set a few minutes because the nautical shirt was reminiscent of Jeff’s sailor hat. That person ended up staying the whole set and could not wait to listen to more of Cory’s music on the way home.
The Don
Mayor Little Baby Crepes making his rounds
To travel far and wide to be with people that mean a lot and for one common connector, like Goose, had words like “family” and “vacation” being used a lot. It was rare to hear the words “music festival” because it felt like so much more than that.
Guess the song you think this face happened for!
Fred the Festival was the result of the entire Goose community working hard over the last year to cultivate an atmosphere that is conducive to those that might not normally consider a music festival an option. The Hot Tea Party on Facebook had a showing of fans in recovery and made sure to provide support for anyone that might have been struggling.
Metamorphasis
The festival allowed for participants to come together, play games, be themselves and have a safe space for contemplation. Led by a strong production and management team, the three-day music family vacation event felt extremely wholesome and like “pure happiness.”
Aptly named “Santa Todd” on instagram, one outlier story must not be overlooked. One couple found at one of the cornhole stations admitted to never having heard Goose before and shared that they were attending to see Dawes.
New fan Santa Todd
Santa Todd and Mrs. Santa (Michelle) ended up staying for both sets of Goose and quickly understood the draw.
Goose recently announced that their annual Goosemas show will be on December 12 at Mohegan Sun. Be sure to coordinate with Goose Family to get everyone covered for tickets. The presale lottery was reported to move slowly which is usually an indicator of a quick sell out.