Category: Show Reviews

Bad Religion, Alkaline Trio and War On Women at Hammerstein Ballroom
Legendary punk rockers Bad Religion stopped by the Hammerstein Ballroom Friday October 29, 2021 as part of their 40th Anniversary tour. The tour was originally scheduled for last year but was postponed due to Covid-19. The supporting acts include co-headliners Alkaline Trio and openers War On Women.

War On Women is a feminist harcore-punk band from Baltimore. After being inspired by the riot grrl bands that started in the nineties, Shawna Potter and Brooks Harlan formed War On Women in 2010. Their debut album was a six-song EP titled Improvised Weapons released in 2012. Their newest album Wonderful Hell was released last year on Bridge Nine Records. The bands current lineup includes Shawna Potter (lead vocals), Brooks Harlan (guitar), Jennifer Vito (guitar), Suzanne Werner (bass) and Dave Cavalier (drums).

Alkaline Trio has been described as pop punk, punk rock, emo and harcore punk. Since 2001, the band has consisted of Matt Skiba (vocals, guitar), Dan Andriano (vocals, bass) and Derek Grant (drums, vocals). They started their eighteen song set Friday night with “Private Eye” from their 2011 album From Here to Infirmary. The crowd was amped as the trio got into some even older songs like “We’ve Had Enough” and “Nose Over Tail.” They also did a few songs from their newest album Is This Thing Cursed? released in 2018. The set ended with “Radio” from their second album Maybe I’ll Catch Fire released in 2000. The crowd was now well primed for the anticipated headliners.

Bad Religion came out and played a 22 song set that spanned their entire 40 year career from their first LP How Could Hell Be Any Worse? all the way to their latest album Age of Unreason. They started with “New Dark Ages” but quickly got into older classics like “Modern Man” and “Recipe For Hate”. As soon as they started playing I felt like it was twenty years ago and I was back at Roseland Ballroom. They sound exactly the same as did then and the mosh pit was just as rough as I remember it. You can definitely feel more energy during certain songs, especially the older ones like “I Want To Conquer The World,” and “Better Off Dead” which was the first time they played it live. I was very excited to finally see BR post covid and they did not disappoint. The band is the same, Greg Graffin (lead vocals), Jay Bentley (bass), Brian Baker (guitar), Mike Dimkich (guitar), and Jamie Miller (drums). This tour ends on November 27th in Hollywood, CA. You can see the rest of the dates here.

War On Women Setlist: YDTMHTL, Divisive Shit, White Lies, Lone Wolves, Big Words, Aqua Tofana, Predator In Chief, Silence Is the Gift, The Ash Is Not the End

Alkaline Trio Setlist: Private Eye, We’ve Had Enough, Blackbird, Is This Thing Cursed?, I Wanna Be Warhol, Nose Over Tail, Every Thug Needs A Lady, Cringe, Clavicle, Armageddon, Mercy Me, Emma, In Vein, Continental, Warbrain, Fine, This Could Be Love, Radio

Bad Religion Setlist: New Dark Ages, Modern Man, Recipe For Hate, Los Angeles Is Burning, Fuck You, Chaos From Within, Epiphany, I Want To Conquer The World, 21st Century (Digital Boy), Damned To Be Free, Man With A Mission, Murder, Better Off Dead, Candidate, Do What You Want, No Control, Generator, You, Infected, Sorrow, American Jesus Encore: We’re Only Gonna Die
November 1, 2021
Yves Tumor Plays Two Sold-Out Shows At Webster Hall
Yves Tumor and It’s Band performed in New York City this past week for two sold-out shows at Webster Hall. Fresh off the heels of a new EP, The Asymptotical World, the band brought along 4 openers for both shows, presenting musical styles ranging from industrial techno to future pop. Opening artists included the enigmatic future-pop star ECCO2K, industrial and deep house duos Deli Girls and Club Eat and experimental electronic artist, No Bra.

Yves Tumor at Webster Hall, 10/28/2021. Photo by BuscarPhoto

Yves Tumor debuted in 2015 with the highly experimental and self-released album, When Man Fails You. The record is a kaleidoscopic journey through different passages of distorted, ambient electronics and bits of futuristic pop. The sophomore release, Serpent Music, saw Yves Tumor starting to mix in soul and Motown elements into the distorted haze of electronic elements. This style became a launching point for the band’s two major label releases on Warp Records: the breakthrough, Safe In The Hands of Love, in 2018 followed by, Heaven To A Tortured Mind in 2020.

Yves Tumor at Webster Hall, 10/28/2021. Photo by BuscarPhoto

Apart from the varying musical styles, The setup for the performance was also one-of-a-kind. The drummer and keyboardist were on very high elevated platforms in the back corners of the stage, situated right in line with the house lights in the rafters, creating interesting shadowy silhouettes that stood out within the light. Yves Tumor, along with guitarist Chris Greatti graced the front of the stage, as their energy and engagement with the fans remain unmatched. Venue personnel also added several platforms within the security pit, allowing Tumor and Greatti to maneuver in and out of the crowd, since Tumor spent a portion of each song singing along with the crowd, rather than singing to them from the stage. At one point, Greatti even made his way to the VIP balcony and played a guitar solo while hanging over the railing.

Yves Tumor at Webster Hall, 10/28/2021. Photo by BuscarPhoto

The setlist for both nights were similar, but featured essential tracks “Kerosene!” and “Dream Palette” from Heaven To A Tortured Mind, “Noid” and “Licking an Orchid” from Safe In The Hands Of Love, and “Jackie” and “Crushed Velvet” from the recent EP The Asymptotical World.

Yves Tumor at Webster Hall, 10/28/2021. Photo by BuscarPhoto

Yves Tumor will continue touring, with west coast dates scheduled throughout November and a European leg kicking off in February. This live show is not to be missed; with well written albums, intoxicating music and dedicated performers, as the band feeds off of the crowd’s energy.
October 31, 2021
Phish Travel Backwards Down the Number Line in Las Vegas Opener
Rolling into Las Vegas on a tour chock full of surprises and jaw-dropping jams, Phish took a stroll “Backwards Down the Number Line,” playing a series of numerical songs throughout the night.

Opening with “2001” (Strauss’ “Also Sprach Zarathustra”) for a spacy intro to the night, and the first such opening slot for “2001” since 1999, appropriately segued into Prince’s “1999.” Two songs in, both with numbers, might not give away the gag, but when “555” and “46 Days” followed, it became apparant to some what was unfolding on night one of Phish’s four night run.

An additional bustout of “Strawberry Letter 23” by Shuggie Otis followed, with “Twenty Years Later” wrapping up the set with an exclamation point. With setbreak upon the crowd, discussion revolved around “Seven Below” and “Character Zero” which ended up bookending the set – the songs in between were remarkable in their choice and execution.

Hendrix’s “If 6 Was 9” featured Trey Anastasio strapping on a Koa2 guitar, and as one Twitter user pointed out, detuned his guitar, in pure Hendrix style. If a spacy psychedelic bustout wasn’t enough, David Bowie’s “Five Years” followed, performed for only the second time, the first being performed in the same room, five years prior (almost to the day).

A jammed out “Two Versions of Me” fell into “NO2,” with its trippy dentist chair narration from Mike Gordon. A handful of “1” songs followed, with “Army of One,” “My Sweet One” and “First Tube,” followed by the expected and regular set closer, “Character Zero.”

To cap the set off, “Backwards Down the Number Line” was properly played, with Phish walking to stage right to sing a capella to sing “Grind,” but instead of adding up their age in days, they added up the song numbers, leading to the sum 4680. A mysterious tweet from Phish followed, leading fans to speculate what it means, if anything, leading into Sunday’s Halloween show, where speculation is both a trick and a treat.

Setlist via Phish.net

Phish – MGM Grand Garden Arena – Las Vegas, NV 10/28/21

Set 1: Also Sprach Zarathustra, 1999 > 555 > 46 Days, Strawberry Letter 23 > Twenty Years Later

Set 2: Seven Below > If 6 Was 9 > Five Years > Two Versions of Me->NO2, Army Of One, My Sweet One, First Tube > Character Zero

Encore: Backwards Down The Number Line, Grind
October 30, 2021
Dopapod Brings Heavy Jams and Energy to Buffalo
The room at Buffalo Iron Works filled in quickly and the energy was high for a mid-week stop for Dopapod on their 2021 Fall Tour. There was chatter and excitement from previous performances, with fans draped in the band’s merch and a general feeling that this tour felt special. The jams were unique, went harder, longer, with the Boston-bred jam-band utterly locked in. There’s been a sense of renewed energy in the jam scene after a long period of stagnation with many feeling like it’s a good time to be a jam fan.

After the intro music and the pink floyd-esque light show that have become standard to any Dopapod concert, the band walked on stage to a welcoming applause. Guitarist, Rob Compa, greeted the crowd, Keyboardist, Eli Winderman, commented on how beautiful the crowd looked, and bass player, Chuck Jones, sarcastically pointed out that “there were in fact people there.” After more amusing banter, the band kicked off the set with “Braindead.” Heads were banging, bodies were moving as fans sang along.

Aside from the pleasing aesthetics, the strobing lights are used to shift the mood as they went from dark to light, shifting to a more delicate records like “Mucho” and “Turnin’ Knobs,” as fans serenaded along. The emotion in the room could be summed up in a few images of everyone smiling. Some had their eyes closed, while others sang along with the band.

The concert ebbed and flowed, with each soaring high followed by another as the band followed with “Weird Charlie” into “Please Haalp”. The first set closed out with a sit in from Michelangelo Carubba, of Turkuaz. There was a smile on every band member’s face as Michelangelo provided a strong backbone to a rip-roaring “Freight Train.” As an older gentleman exclaimed “That was incredible! I really liked that a lot,” a seasoned younger veteran warned, “Just wait.”

A fat chunk of the second set was spent in one big jam over the other sandwiches of the show. The band flowed seamlessly from their dissonant, but catchy “Vol. 3 #86,” into “PLSS” and back and didn’t stop to let anyone pick their faces up off the floor.

It is worth noting that there were teases of “Kitty Chaser” by Aqueous, another legendary jam band that hails from Buffalo. Dopapod led the audience from the spark and zest of the moment into “Psycho Nature,” as the audience went from brooding to jazzy.

By this point, the audience had been going strong for a while, but the occasional exclamation of astonishment and amazement could be heard. The dynamic jam of “Psycho Nature” moved into an upbeat “8 Years Ended” which included “Wipeout” and “Johnny B. Good” teases. The sustained joy of this segment resulted in an uproar of cheers as the band returned to finished off “Psycho Nature”. After a short bit of banter, Dopapod cleanly finished the second set with the cerebral “Velcro” into fan favorite, “Nerds.”

Like any Dopapod show, the music featured varied sounds, rhythms and genres, as Eli spun beautiful tales from the piano or blasted the audience with sonic bliss from his synths and Rob twisted from a jazzy clean sound to a heavily distorted rock tone. Ever present at every Dopapod show is a respectful, fun-loving crowd that is even better to be around when the band plays with this kind of vigor.

Before signing off, the band came out for an encore and played their cover of Billy Eillish’s “Bad guy.” After ripping through the song, Eli commented on the audience and how great they had been. Hence, Buffalo was treated to ten more minutes of blistering beauty with “Bubble Brain.” The house lights came up and everyone was all smiles as they exited the venue.

Setlist – Dopapod – Buffalo Iron Works – Wednesday October 27, 2021

Set 1: Braindead, Mucho ->Turnin Knobs -> Mucho, Weird Charlie > Plaese Haalp, Freight Train*

Set 2: Vol. 3#86 -> PLSS^ -> Vol. 3 #86 > Psycho Nature -> 8 Years Ended% -> Psycho Nature, Velcro+ -> Nerds

Encore: Bad Guy=, Bubble Brain

*W/ Michelangelo Carubba from Turkuaz on drums

^contained teases of Kitty Chaser by Aqueous

%contained Wipeout and Johnny B Goode teases

+unfinished; contained 23 Forever teases

=Billie Eillish cover
October 29, 2021
Dumpstaphunk Grooves Brooklyn Bowl ahead of Madison Square Garden Debut

Dumpstaphunk last performed in the Empire State at the 2019 New York State Blues festival in downtown Syracuse. Later that evening, band members Tony Hall and Deven Trusclair kept the groove going at the Funk n Waffles club for a sit in on “Standing on Shaky Ground” by the Temptations that Funkadelic’s Eddie Hazel co wrote. A month later they opened for the Rolling Stones to 40,000 people in their hometown at the New Orleans Superdome.

Dumpstaphunk kicked off 2021 by releasing their first record in seven years, Where Do We Go From Here, which was just nominated in four Grammy categories. The band has been on the road promoting its sound this summer leading them up to a Labor Day Weekend of shows with Dave Matthews Band at Heavens Amphitheatre, The Gorge. All members of Dumpstaphunk sat in with DMB for Sly Stone’s “Thank You (Falletinme be mice elf again) and Peter Gabriel’s “Sledgehammer” to close the night.

Tony Hall sat in with the DMB as part of an alternate format the entire weekend on bass and vocals as well. He was reunited with Dave Matthews and Tim Reynolds on stage for the first time since their infamous Some Devil Tour in 2003. Dumpstaphunk will also be joining Dave Matthews Band at the World’s Most Famous Arena, Madison Square Garden, on November 12 and 13.

Dumpstaphunk @ Brooklyn Bowl, Photo by Russell Mangicaro III

All of this momentum could be felt on stage at Brooklyn Bowl on Saturday, October 23. Rotem Sivan Band opened the show as Dumpstaphunk hit the stage at 9:45 p.m., crushing their entire set for the Williamsburg crowd. Brooklyn Bowl founder, Peter Shapiro, appeared behind the curtain dressed as a pilot while the band took off on stage. Shapiro gave them a quick fist bump of delight after their tune “Itchy Boo.”

Come on lets get at it Brooklyn! Get up, Get down, Keep it stepping, keep it moving. Every band member was fully engaged with the Brooklyn Bowl crowd the whole set. Tim Reynolds told
You know those guys when your playing a gig, he’ll look right at you? That’s him. He’ s a bad ass.

Tony Hall, Photo by Russell Mangicaro III

Everyone was dancing to the truth that this band lets out. Lucky nobody slipped onstage due to the greasy lane funk levels. Sly Stone’s words carry on through their take on his cut “In Time.” Well, well, there’s a feelin’, oh, so real in every human On time (About time) There’s a reelin’ when you don’t know what you’re doing, In time…

If there was a clip that examples their on stave vigor, it would be from their performance of “Justice” (that features Trombone Shorty on the new album). Tony Hall took the electric guitar for a ride down the adjacent lanes to end the jam. New Orleans cats Ivan Neville, Ian Neville and Nick Daniels hit hard on Tower of Power’s “Soul Vaccination,” resonating with the New York crowd. I’m talking bout soul (soul vaccination) Everybody get in line (soul vaccination) Horns!

During the final song horn players Alex Wasily and Ashlin Parker made their way through the Brooklyn Bowl crowd for “Street Parade” to close the set like the Saints go marching in.

For the encore, the band paid tribute to legendary drummer and singer Buddy Miles. as his song “United Nation Stomp,” featuring Marcus King was nominated for a Grammy Award for best American roots performance.

In recording a new album, Tony Hall shed some light with NYS Music about the group’s creative process.

We recorded a bunch of these songs and didn’t finish them lyric-wise. Vocal-wise we can always change. It goes kind of like vice versa. We’re all a band that can sing and play too, ya know?

Photos by Russell Mangicaro III: Dumpstaphunk – Brooklyn Bowl – October 23, 2021

October 28, 2021
Princess Nokia Brings the Energy to Irving Plaza
Harlem-based rapper Princess Nokia performed a vibrant set at Irving Plaza in New York City on October 24th for one of the last domestic stops on her tour. Known for her high-energy performances and colorful stage design, Princess Nokia lived up to her reputation by giving the crowd exactly that.

As one of the more prominent female rappers in today’s pop landscape, Princess Nokia had no shortage of hits to run through, from old favorites like “Tomboy” off the 2016 project 1992 Deluxe, to the extremely popular “I Like Him” off the 2020 project Everything Sucks. Backed up by some stage dancers, she exemplified why these songs have been popular for so long, moving the crowd to the rapid rhythm and maintaining a breakneck pace.

Princess Nokia oozed charisma and charm on the stage, always interacting with fans between songs and making jokes. Between the rapid-fire rapping, dancing, banter, and screaming crowd, this concert was an absolute spectacle. The spectators were one hundred percent into her the whole time and before the concert even started, she peaked her head out on the balcony and the crowd screamed with delight. There was no shortage of electricity the whole set.

Princess Nokia’s tour has one more stop in Boston at Paradise Rock Club on Wednesday, October 27 before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!
October 27, 2021
NEO Project Funk Up Ithaca at the Upstairs
NEO Project crushed their set at The Upstairs on Friday, October 22 in Ithaca. NEO Project is a professional six piece, high energy dance band rooted in funky R&B grooves, Afro Cuban/Caribbean rhythms & jazzy, bluesy soul music. The members are music professors, a former Motown sideman and soul practitioners with years of experience.

Their eclectic repertoire will get you body movin’ with new arrangements of established hits and irresistible original party grooves. NEO Project reimagines some of the best funk, jazz and soul music out there, always delivering a powerful dose of deep pocket grooves supporting soulful melodies & juicy improvisation.

This band grooves hard as they weave irresistible R&B rhythms around Afro-Cuban & world beat syncopations. And they do it all on their toes as they re-shape their arrangements on the fly, vibing off the energy of their audiences.

Friday at the Upstairs NEO Project laid down the energy of the ’90s New York club culture. They covered “Groove is in the Heart” by Deee-Lite. The song came from a fan letter Deee-Lite sent with a demo to Bootsy Collins. The original track featured Bootsy Collins on bass, Maceo Parker on saxophone, and Fred Wesley on trombone, as well as a young Q Tip on backing vocals. The song made its way to the 1990 scene as a radio hit.

Drummer Adam Deitch from the funk band Lettuce told NYS Music this summer a similar experience with Bootsy Collins. Bootsy’s Instagram story featured a clip of him snapping his fingers whispering “keep that funk alive…keep that funk alive.” This inspired Deitch to sample the message. From here he immediately laid down a drum beat to Bootsy’s vocal tempo. The rest of Lettuce got in on the session and it was sent to Bootsy’s camp. He replied with delight and his signature bass line & vocals to boot that finished the collaboration.

NEO Project stands on the same “Shaky Ground” as many other live New York performances. When Bob Weir of the Grateful Dead played Syracuse Landmark Theater in November 2018, his wolf pack trio covered “Standing on Shaky Ground” by The Temptations which is co written by Eddie Hazel of Funkadelic, “ever since you put me down.”

When Tony Hall of legendary New Orleans band Dumpstaphunk played the 2019 New York State Blues festival he made his way to Funk N Waffles after the performance. Tony and Drummer Deven Trusclair were able to to sit in with the house band for “Shaky Ground” as well. NEO Project brought the same energy with their take on the classic throwing some Stevie Wonder Halloween Superstition spirit at the end.

The NEO Project kept the audience on the same beat, all stopping on the 1 and ending on time to close the show Friday. The Upstairs crowd all fell in line like Thriller.

When Oteil Burbridge of Dead & Company was See them play live again by following their Facebook here and check out The Upstairs venue for other live acts by Kevin Black Presents. The Upstairs is located in the heart of Ithaca and is the area’s most intimate venue providing dynamic entertainment weekly.

NEO Project Touring Act: Elly Holiday: Vocals, Jimbo – lead vocals, Prof. John White – keyboards & vocals, Franklin Henry Jr. – 5 string electric bass, Mike McCoy – drums, Dwight Carroll – guitar & vocals,

NEO Project – The Upstairs Venue, Ithaca, NY – October 22, 2021

10:30pm
1. Gentle Thoughts/Lovely Day 106 G Ji Dw/El Herbie Hancock /Bill Withers
2. I Was Made To Love Her 076 Db El/Ji Dw Stevie Wonder
3. Come Together 090 C- Ji/El Dw The Beatles
4. Tennessee Whiskey 067 A/C Ji/El Chris Stapleton
5. Stir It Up/3 Lil’ Birds/Bend Low 176 A Dw/Ji El Bob Marley
6. Make Me Feel 115 E El Ji/Dw Janelle Monae
7. Fire 124 A Ji/El Bruce Springsteen, Des’ree
8. Higher Ground 127 E El Stevie Wonder
11:30pm
1. Brown Eyed Girl 152 Ab Ji Van Morrison
2. Valerie 106 Eb El Amy Winehouse
3. Ain’t Too Proud To Beg 115 Bb Ji The Temptations
4. Crazy In Love 095 F El Ji Beyonce
5. Seven Nation Army 112 E Ji Jack White
6. Groove Is In The Heart 121 G El Deee-Lite
7. I Got You (I Feel Good) JB 144 Bb James Brown
8. Uptown Funk 115 D- El Ji/Dw Bruno Mars
12:25am
1. Addams Family Theme 126 Bb Ji All
2. Killing Me Softly With His Song 093 E- El The Fugees
3. Shaky Ground/Superstition 094 E Ji/El Temptations/Stevie Wonder
4. Manchild 119 A- Ji original
5. Freeze Frame Stop on a dime ending
October 26, 2021
TORRES Gives an Intimate Performance at Bowery Ballroom
Georgia native TORRES returned to her current city of residence, New York City, on Thursday, October 21st for one of the last stops on the North American leg of her tour. Making an appearance at Bowery Ballroom, TORRES played several songs off her most recent LP Thirstier, in addition to several fan-favorites from her previous projects.

TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

With Thirstier having been released back in July of this year, the songs from it were very fresh in the crowd’s minds. They enthusiastically sang along to songs like “Don’t Go Puttin’ Wishes in My Head” and the title track “Thirstier.” The crowd energy was infectious and it was impossible not to move a little bit and lose yourself in the great instrumentation of it all.

TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

As it has been a common thread amongst many performers I have watched recently, TORRES was visibly emotional performing for a sold-out crowd in NYC for the first time in so long, due to COVID-19. She said multiple times that she was close to tears and was just astonished by how good it felt to play in her city again. TORRES interacted extensively with the crowd and it was obvious that this was a very devoted fanbase.

TORRES at Bowery Ballroom, 10/21/21. Photo by Kunal Khunger

TORRES’s tour has one more stop in Brooklyn at Baby’s All Right on Thursday, October 28th before hopping overseas to Europe. You can see the rest of the tour dates here. Be sure to check out the full photo gallery below!
October 26, 2021
Spoon Stirs it up at The Capitol Theatre
Spoon orchestrated a six show, eight-day “min tour” to prepare for their “Back to Life” live stream from Los Angles at the end of October. The tour, isolated to the Northeast, included a stop at The Capitol Theatre in Port Chester, NY.

Spoon’s set began with the somewhat dark “The Beast and Dragon, Adored.” The song afforded the band the opportunity to pull the audience in close before engaging them in a full on rock offensive. Lead singer and founding member Britt Daniel took his position guiding the charge. But at times during the set, Daniel could be seen dropping to his knees or catapulting into full flight as if the songs were giving the commands.

Spoon

Stage right Alex Fischel was no shy puppy. Oscillating between guitar and keyboards (and occasional percussion), Fischel would at times be hidden away in the crux of his set up and then erupting into full on guitar assaults with a maladroit style all his own. Jim Eno, the other founding member of Spoon, set the pulse for the band with his drumming, enabling the band to take music in the direction it wanted to go in.

Since starting in 1993, Spoon has amassed a trove of songs in their gig bag. The set was comprised of fifteen songs including: “Don’t You Evah,” “Do You,” and “I Turn My Camera On.” The encore found Daniel and Fischel alone on stage isolated in spotlights as they harmonized on John Lennon’s “Isolation.” The band joined mid way and performed three additional songs, closing with “Rent I Pay.”

Spoon at The Capitol Theatre

Supporting Spoon on this whiplash of a tour is Nicole Atkins. Her brassy rock and roll swagger makes her a perfect opening act. Sporting a blond wig, Nicole strapped on a guitar for most of her time on stage. Rocking through her catalog she was backed by an ad hock band created for this tour. Currently living in Nashville, Atkins is Jersey born and bred. She cut her teeth in the Asbury music scene and her take no prisoner demeanor confirmed that. Giving acknowledgement to her rock and roll mentors, Nicole and band finished out with Led Zeppelin’s “What is and What Should Never Be.”

Nicole Atkins

Being such a short tour, those that had the opportunity to catch this combination of acts are much the richer. Better yet, being a precursor to the live stream from L.A., Spoon fans have much to look forward to.

Spoon
Nicole Atkins
October 25, 2021
A Stormy Monday Blues Sermon with Eric Gales Band at Homer Center for the Arts

Eric Gales brought his incredible five-piece touring band to the Homer Center for the Arts on Monday, October 18, 2021. Gales starts his shows in a similar manner on the microphone by himself discussing the hardships he and all of us have taken on over our lifetime. Eric told the crowd, “If you haven’t cried the blues the past 18 months then god forgot to pass you out a soul.”

Photo by Out Loud Pictures, LaDonna Gales, Eric Gales, Nick Hayes

From this angle, Eric began his performance on the acoustic guitar talking about the same blues that his grandfather had. His grandfather used to play with Howling Wolf and Muddy Waters. Gales said he wanted to spread the spirit and the inspiration his grandfather instilled in him. During the fitting titled “Grandaddy Blues,” the rest of the band appeared behind him on stage following suit to the groove. On percussion and backing vocals was his wife, LaDonna Gales, Nick Hayes on drums, and on bass from Brooklyn, Nil Jones.

Photo by Out Loud Pictures, Eric Gales band

Eric made sure the microphones and sound were on point chuckling at the familiarity of its resonance in an old church. Gales is no stranger to Jimi Hendrix’s electric church. Eric was part of the cast touring with Jimi’s bassist Billy Cox, the jellyfish Buddy Miles on drums, and Stevie Rays’ Chris Layton for the “Experience Hendrix Tour.” Robert Ranndolph was there too,

He even educated the crowd that Jimi played a right handed guitar but strung it left handed. For clarification, Gales and bassist Nil Jones were playing completely upside down and backwards.
So naturally as a salute they played Gales original “Southpaw Serenade.”

In between songs, Gales inner tales were serenading the crowd to a wide range of stories. From his funk playing days in Minnesota that caught the eye and ear of the legendary Prince to his overall approach on life. Eric told the crowd “I believe laughter and music are the best forms of communication and medication.” Gales took one four-minute break the whole night, while Jones helped rattle the brick inside Homer for a bass solo.

Gales returned to the stage fired up saying, “I’m getting tuned up I feel a sermon coming on, it’s been far too long.” At the end of a two and half hour performance, Eric treated the crowd to a bouncy funked up version of “Voodoo Child” that led to a blended jam of Led Zeppelin’s “Kashmir” and AC/DC’s “Back in Black” to remind the audience it is still Rocktober. Tony Hall told NYS Music after seeing Gales footage, “Hes a bad mother fucker”

Jimi Hendrix once said “When I get up on stage -well, that’s my whole life. That’s my religion. My music is electric church music.” Robert Cray looked to the ceiling at the Homer Center for the Arts last month during his performance and said “Jimi Can you hear me?” Eric Gales and his band channeled the same energy on a stormy Monday to start the week at the electric church in Homer.

Ana Popovic crushed the European leg of Experience Hendrix and The Center this year. Samantha Fish killed at the center Wednesday November 3rd. Mississippi’s Christone “Kingfish” Ingram took the Delta Roads from Mississippi to Homer, New York the night before Samantha. They are all blues disciples.

NYS Music loved that Eric started the week in Homer to only link up with Gary Clark Jr On “When my Train Pulls in” down the road in Greensboro. Flotations groovy I said a jelly fish will tell ya that. NYS Music agrees with Santana on Gales…its all a piece of the blues disciples history. Tony Hall and Arsenio Hall said it best “Yea he’s bad”

Photos by Out Loud Pictures:

October 23, 2021

Built in Breakdance