Category: Show Reviews

  • Flashback to Jan. 11, 1988 – Dio, Megadeth and Savatage at Glens Falls Civic Center

    While a lineup of Dio, Megadeth and Savatage may sound like a great 80s metal triple-bill now, 33 years later, this show, in terms of ticket sales, was a flop.

    The late, great Ronnie James Dio is rightfully heralded as a virtual deity these days, 12 years after his death. Rainbow, Black Sabbath, those first couple Dio albums, his late work with Heaven & Hell, that voice – the man was a giant in his field. All should hail him.

    dio

    Forgotten these days is that, by the late 80s, the Dio star had faded more than a bit. By early 1988, when this show happened, the Dio solo band had gone from the upward trajectory of the killer Holy Diver and Last In Line records, which elevated Dio to huge, Madison Square Garden-headlining godhood, to a slow decline which had started with Sacred Heart, the departure of Vivian Campbell, and the treading-water, unremarkable Dream Evil record, which was current when this show happened.

    Dio, the band, seemed to be heading into their Spinal Tap phase – in 1984 they’d packed this venue (and RPI Fieldhouse in Troy a year later), when this show happened, popularity had ebbed, the stage was moved up to the middle of the floor, and half of the arena was closed off – and even cut in half, the place still didn’t look very full.

    Opening the show was Savatage, who were promoting their popular Hall of the Mountain King record. They played a short set to a small crowd, included early tracks like “The Dungeons are Calling” and “City Beneath the Surface,” but didn’t seem to make a huge impression, although their epic, 80’s power metal was a perfect match for Dio.  Savatage never broke big, but various members of the Savatage team went on to monumental success with Trans-Siberian Orchestra, so they had the last laugh.

    Megadeth was the band this writer was there to see in 1988 – their first two records were huge favorites of mine in the mid-80s, and they were about to release their third, So Far, So Good, So What. The band’s lineup had shifted: joining Dave Mustaine and David Ellefson were new guitarist Jeff Young and drummer Chuck Beehler, replacing the drug-addled Chris Poland and Gar Samuelson, who’d been in the band when they played an incredible gig at Colonie Coliseum just over 7 months earlier. They weren’t big enough yet to affect the morose ticket sales too much this night, but I remember a short, killer set, kicking off with “Wake Up Dead” and “The Conjuring,” with some as-yet unreleased new tracks (“Hook in Mouth,” “In My Darkest Hour”), and some Peace Sells-era heavies like “Devil’s Island” and “Peace Sells” itself.  The set finished with some covers, Nancy Sinatra’s “These Boots” (the only track played from their Killing is my Business debut), and the Sex Pistols’ “Anarchy in the UK”.  Megadeth would return soon after, playing the Palace Theatre in Albany in April 1988, and drawing as many or more people than had attended this Glens Falls gig with Dio.

    dio megadeth

    Dio and his band – now featuring Craig Goldy on guitar instead of original Irish guitarist Viv Campbell – hit the stage with first-album classic “Stand Up & Shout,” and stuck to a mostly crowd-pleasing set, playing a lot of the first-and-second album classics, and four songs from then-new ‘Dream Evil’.  But in 1988 things were changing, and the stage show with the costumes, mechanical spiders and endless solos – before a not-packed hall – gave it somewhat of the aforementioned Spinal Tap vibe. Dio in ’88 seemed like the past, and Megadeth seemed like the future. I’d worshipped him 5-6 years earlier, but by the time of this gig there was so much cool thrash metal and alt-rock that perhaps Dio just seemed anachronistic to me. In retrospect, he was not. 

    In ’88, things looked pretty over for Ronnie, which obviously wasn’t true at all. But (probably because of the dismal sales for this gig) I think this was the last time the DIO band played the Albany area – although he’d some back with Black Sabbath and Heaven & Hell in years to come, already by then a beloved veteran, and his legacy is solid. All hail Ronnie James Dio.

    Savatage setlist: City Beneath the Surface, 24 Hrs. Ago, Beyond the Doors of the Dark, The Dungeons Are Calling, Hall of the Mountain King, Power of the Night

    Megadeth setlist: Wake Up Dead, The Conjuring, Hook in Mouth, In My Darkest Hour, Devil’s Island, Peace Sells, These Boots Are Made for Walkin’, Anarchy in the U.K.

    Dio setlist: Stand Up and Shout, Dream Evil, Night People, Naked in the Rain (incl. Guitar Solo), The Last in Line, Holy Diver, Drum Solo, Heaven and Hell, Man on the Silver Mountain, All the Fools Sailed Away, Keyboard Solo, Rock ‘n’ Roll Children, Long Live Rock ‘n’ Roll, Rainbow in the Dark, We Rock, Don’t Talk to Strangers

  • Revisit the Star-Studded David Bowie 50th Birthday Concert

    In 1997, David Bowie threw himself a 50th birthday party at Madison Square Garden and invited an A-list of friends to join him on stage. Billed as ‘David Bowie and Friends: A Very Special Birthday Concert,’ Bowie’s life of music was highlighted with special guests throughout the night.

    Bowie was also about to release his 20th album, Earthling, a month later, and would perform a handful of songs from the album throughout the night, including the show opener “Little Wonder.” Following “This Heart’s Filthy Lesson,” Bowie informed the crowd, “Good evening. We’re your rock band for the night. We’re going to get partyfied.”

    david bowie 50

    The sold-out show was also filmed for a pay-per-view TV special, and was later issued on DVD, with proceeds from both concert and broadcast benefiting Save the Children.

    david bowie

    Bowie said early in the evening, “I have no idea where I’m going from here, but I promise I won’t bore you.” Along with new material, Bowie played 24 songs throughout the night, including “I’m Afraid of Americans,” “The Jean Genie,” and “Heroes,” but passed on 80s hits “China Girl,” “Let’s Dance” and “Modern Love.” The ever lively Bowie told the New York Daily News:

    I wouldn’t have expected to have such an appetite for life at this point. I had assumed, like romantic poetic heroes, that I would burn it all out. But nothing has been quenched. I’m still feeling fiery.

    And those special guests? Bowie was joined by The Pixies’ Frank Black, The Cure’s Robert Smith, Foo Fighters, Sonic Youth, Smashing Pumpkins’ Billy Corgan, and close friend and New Yorker, Lou Reed.

    Thurston Moore, Kim Gordon, Dave Grohl, Robert Smith, David Bowie, Billy Corgan, Pat Smear, Kim Gordon and guests (Photo by Kevin Mazur Archive/WireImage)

    Bowie’s backing band that night included Staten Island’s Reeves Gabrels on guitars and Mike Garson on keyboards, who helped in a reimagined version of “The Man Who Sold The World” with a sedate reggae tone.

    The highlight of the night came in the first encore, when Bowie was joined by Lou Reed, who performed “Queen Bitch” and three of Reed’s own songs from his Velvet Underground days, “I’m Waiting for the Man,” “Dirty Boulevard” and “White Light/White Heat.”

    david bowie
    photo by Kevin Mazur

    Following “Moonage Daydream,” Bowie returned to the stage for a second encore, with Billy Corgan from Smashing Pumpkins joining Bowie for “All the Young Dudes” and “The Jean Genie.” This proved to be a treat for Corgan, who told Lisa Robinson of the New York Post, “When I was 10 years old, growing up in the Midwest, I bought David’s Ziggy Stardust album. I really believed he was an alien. I always have been a fan, and still am a fan.”

    (Bowie) kept one eye firmly on the future. Instead of serving up dewey-eyed rehashes of sounds from eras dead and gone, Bowie – aided by an ornery mix of musical friends – shook classic numbers to their core. He also devoted roughly one-third of the show to recent and brand new material.

    Jim Farber, New York Daily News

    After the show, according to thinwhiteduke.net, a post-concert dinner was hosted by David Bowie and his wife Iman at the downtown space of Julian Schnabel (who had recently directed Bowie as Andy Warhol in Basquiat. Joining Bowie and Iman were a Beck, Moby, Courtney Love, Prince, Charlie Sexton, Fred Schneider, Matt Dillon, Matthew Modine, Jeffrey Wright, Christopher Walken, Michael Wincott, Donna Karan and Naomi Campbell.

    Setlist: Little Wonder, The Hearts Filthy Lesson, Scary Monsters (And Super Creeps),* Fashion*, Telling Lies, Hallo Spaceboy^, Seven Years in Tibet@, The Man Who Sold the World, The Last Thing You Should Do%, Quicksand%, Battle for Britain (The Letter) , The Voyeur of Utter Destruction (As Beauty), I’m Afraid of Americans$, Looking for Satellites , Under Pressure, Heroes

    Encore: Queen Bitch**, I’m Waiting for the Man**, Dirty Boulevard.**, White Light/White Heat**, Moonage Daydream

    Encore 2: Band intros, Happy Birthday#, All the Young Dudes+, The Jean Genie+, Space Oddity

    *with Frank Black
    ^ with Foo Fighters
    @ with Dave Grohl
    % with Robert Smith
    $ with Sonic Youth
    # with Gail Ann Dorsey
    ** with Lou Reed
    + with Billy Corgan

  • Best of NYS Music 2020: Best Streams

    Best of 2020 finds The Beacon Jams on the headline for threefold: It took the podium for ‘Best Streaming Series’, ‘Best Charitable Effort,’ and outstanding audience interaction. While we didn’t expect much from such a painstaking year, one thing remains true: music always prevails. The Beacon Jams and Trey also came up countless times in other Best Of categories.

    Best of 2020: Overall Streaming Series

    The Beacon Jams earns the Best of 2020 Streaming series, an eight-week residency featuring acoustic and electric performances from Trey Anastasio, with bonus content and audience interaction. New York City’s historic Beacon Theatre took this on as its first ever virtual residency. Anastasio performed every Friday at 8:00 p.m. ET from October 9, and concluded November 27. The effort streamed exclusively on Twitch.

    With Trey’s name attached, it is hard to believe anything would fall short of ‘Best of.’ Trey is an all-in type of musician, despite being reluctant to create anything virtual. His leap of faith: The Beacon Jams.

    Trey calls The Beacon home. With countless performances at the theatre it was a natural choice. After a crazy two years of touring Anastasio didn’t think live-streaming was necessary. Times changed and he was still creating, with the July release of Lonely Trip, as well as prerecorded SummerStage Jubilee performance and a Jimmy Fallon appearance. While the mass of energy (people) in a live performance is hard to match, Trey was not disappointed with the reaction from The Beacon Jams. In fact, it was overwhelming and inspiring. “I don’t know if I want to play without our community with me,” but we we’re right Trey. We’re right here.

    So much of my work is about getting out of my own way, rather than fighting toward something. The work is to not mess up what already exists. There’s a tsunami of energy happening, and my mind is the impediment.” 

    Trey Anastasio – Homing Beacon, Relix interview
    Best of 2020: Charitable Effort From a Streaming Series

    In true Anastasio fashion, there is always a charity or greater good in mind. With The Beacon Jams, there were two: The WaterWheel Foundation and Divided Sky Fund (DSF). Since 1997 Phish and WaterWheel have been raising money for those in need via touring, while The Divided Sky Fund focuses more on delivering quality care and compassionate treatment for those suffering form alcoholism and addiction. Likewise, all net profit from The Beacon Jams merchandise sales went directly to DSF.

    The Divided Sky Fund crushed their initial goal of $150,000. As the organization inched towards its benchmark with mass fan-donations under $100, large sums (upwards of $15,000) and merchandise sales currently raised over $422,000 dollars. This is again feat in itself, especially during times where fans may have had little money to spend. Anastiaso set the bar high, gave back, and instigated this generous giving-tree lifecycle.

    You can still donate to DSF and aide The Beacon Jams’ efforts via Paypal HERE. Not only is your donation visible, but you can feature a public note or inspiration. A $20.00 donation is auto-populated, but amounts of any kind are more than generous, and can be marked anonymous. They are very close to their new $450,000 goal.

    My hope is that this fund can touch many lives with positive support for addiction recovery. Thank you so much for music each Friday. It became something my girlfriend and I looked forward to every week.

    Chris Strohm – Comments after Donating to DSF
    Best Of 2020: Stream For Audience Interaction

    Twenty-twenty was an odd-egg, but Anastasio opened a Beacon Jam set with “Corona,” interjecting a bit of comic-relief. Music lovers found happiness in all live stream series. It made light of a crude reality around us and social detachment. Livestreams sucked us back into how music should be: a constant, ever-changing dialogue between musicians, instruments and the fans.

    Other Streaming Series in 2020

    Other streaming series were hot on NYS Music’s Best of list from Umphrey’s Mcgee, Aqueous, Goose’s Bingo Tour, Dinner and a Movie, Lotus, Noon Chorus, The Talking Dead and multiple mentions of moe. Share your favorite streams of 2020 with NYS Music.

    Syracuse beat-driven psychedelic jam band, Vaporeyes, took their own flair to a livestream series via Facebook. With over a dozen episodes and a November album release, Cantrips, the band took advantage of live streams to the fullest.

    Catch up on Vaporeyes’ live streams via Facebook

    Heavy hitters moe. rolled with the punches after their drive-in series was shut down due to COVID-19 concerns. The band fired back with a live studio stream from Big Blue, and a saucy full length album stream from The Palace Theatre lobby. If you missed it, you missed out. Click play and get taken away with soaring vocals and unmistaken live-concert energy.

    Red Rocks is magical in its own regard. Add a trippy light-show and cosmic jam band, and well, you see where this is going. Lotus dominated a livestream in two sets and you didn’t have to leave your couch. The 4K livestream sucked us into production. Lotus released Free Swim, a 10-track album on 2xLP Vinyl in August, paired with this event at the Ampitheater as we closed out September.

    Make sure you check out all of your favorite bands and support them during these, still, turbulent times. Stay updated with NYS Music as your #1 source for all things music across New York State and beyond. The Best of 2020 is just beginning. And we promise, once we recap we’ll leave it where it belongs – dead in the past. Thank you to live stream series for keeping us alive.

    Check out photos from The Beacon Jams by Jake Silco