Welcome to The Dutchess. Imagine over 250 acres of land filled with the most poetic scenes. A place where you are able to not only go for a walk, or learn how to garden, but you can also enjoy your favorite music or art pieces. But, the only way to get an invite into this oasis was just through word-of-mouth. No social media. No mass emails.
You may think a place like this must be somewhere in California, but this secret venue experience is located actually right here in New York, within the Hudson Valley.
Eric Mushel works at The Dutchess and is surprised that the venue doesn’t need to purchase any ads.
“Almost fully word-of-mouth and never got any paid advertisement,” Mushel said of the unique venue. “And we have been completely COVID compliant- especially since we have so much space.”
It’s hard to describe the vibes you feel when the property’s trees welcome you down a long driveway. It feels like there is instant peace within the air. You are surprised to learn that there is also a bar and restaurant with an amazing view and plenty of space to enjoy an outdoor gallery, or even a music festival.
Even though the pandemic was not so kind to restaurants or venues, these special grounds have been able to offer residents from all over New York state; a chance to organize yoga retreats and socially-safe galleries.
We are not able to share about the many people who have rented out the space since that information is protected. However, if you are a pop-culture guru you may recognize some scenes from a movie or even a fashion shoot for a famous brand.
When you are there, you can also feel the history throughout the farmhouses and the herb gardens. The property owners have been able to reserve the country charm of the late 1700s, yet incorporate modern amenities that can make anyone feel like a celebrity.
When one hosts an event, most of the produce is grown right on the property. In fact, there are event options to pick your own food for a 5-star meal.
So, if this place sounds too good to be true, contact porter@thedutchess.com to organize your next, invite-only, event and experience the magic for yourself.
WOLF, an indie-pop artist from Queens, NY (aka Julia Wolf), released her first single of the new year, “Villain,” on January 14. As an up and coming singer-songwriter, WOLF has begun to experience the harsh realities of becoming a musical figure in today’s climate. While being a non-confrontational person, WOLF responded in the only way she knows how: “coming back bigger and fresher.”
WOLF began her career buildup at the end of 2019 from her bedroom. She released freestyles and snippets of her music via her social media platforms. WOLF curated lots of attention, turning the heads of new fans and industry professionals. This recognition led to millions of streams and hundreds of thousands of followers on both Spotify and Instagram in less than a year. Additionally, the heavy buzz has even allowed the release of her very own clothing line, Girls in Purgatory.
“Villain,” produced by Jackson Foote, is a tribute to the shy kids and to the ones that always over-accommodate. WOLF uses her signature 808s and the addition of a vintage guitar to create a mesmerizing tone. Her voice effortlessly blends with the beats she builds off of which adds a sense of groove to her music. The single holds an empowering message when looking to overcome adversity. One must always stay true to themselves, and if people want to make someone out to be the villain, then so be it.
As the world is trying to recover from drawbacks of the Coronavirus, WOLF is an inspiration to look out for. Her music provides an outlet of hope during these times of turmoil, similarly to the optimism of Ok Cowgirl. New motivation to start off the new year!
On Sunday, January 19, 2014, Jay-Z played a sold out show at Nassau Coliseum on Long Island during his Magna Carter world tour. “The last time I was in this building I brought Michael Jackson to the stage,” he said. “I know that show will be a hard one to top, but we’re going to try tonight.” Jay looked at home while he took the audience on a 27 song journey of his musical career, covering almost all of his studio 12 albums. He also had a four piece band which included DJ/producer Timbaland.
The Magna Carter tour was Jay-Z’s first headlining tour in almost four years. Initially Jay was supposed to go on tour with Justin Timberlake in support of Timberlake’s come back to music and new album The 20/20 Experience. However, on July 24, 2013 Jay-Z released his twelfth studio album Magna Carter Holy Grail and on July 26, 2013 the tour was announced. The tour started in Europe, but due to its overwhelming success, a second leg of the tour was announced on September 13, 2013 to take place in North America. Based on Pollstar reports, the tour earned $48.9 million from 52 shows from 2013 to 2014.
Jay-Z – Magna Carter Tour
Nassau Coliseum, Uniondale, Long Island – January 19, 2014
Setlist: You Don’t Know, Crown, On to the Next One, Holy Grail, Fuckwithmeyouknowigotit, Beach is Better, 99 Problems, Picasso Baby, Can I Live, No Church in the Wild, Somewhere in America, Big Pimpin’, Timbaland Interlude, Can I Get A Nigga What, Nigga Who, Dirt Off Your Shoulder, I Just Wanna Love You, Niggas in Paris, Tom Ford, Public Service Announcement, Clique, Run This Town.
Encore: Who Gon Stop Me, Empire State of Mind, Izzo, Hard Knock Life, Young Forever.
Bronx rapper, Fyütch, released a new song, “Black Women in History,” highlighting the strengths of powerful Black women on Martin Luther King Jr. Day.
photo from Fyütch.com
Fyütch is a social justice musician who uses hip-hop and visual storytelling to educate upcoming generations. He directs music and poetry workshops for K-12 students, college students and corporations. He makes music with the intent of spreading positivity through messages about fatherhood, spirituality and love.
His distant relative, Fannie Lou Hamer, and other overlooked Black women inspired the song. The lack of representation for Black women in history was apparent when he was growing up. He only recalled learning about Harriet Tubman and Rosa Parks. Fyütch felt compelled to tell their stories and in order to honor their accomplishments; he made “Black Women in History”.
It acknowledges Black women who have made history in the past and who are currently making history in the present. It began with Civil Rights Leader, Fannie Lou Hamer, who helped Black people register to vote despite voter suppression. He mentions more Black women who have fought against voter suppression such as J Frankie Pierce who also made a school for Black girls in the 1920s; and currently, Stacey Abrams and Felicia Davis. Shirley Chisolm, the first Black woman elected to Congress, and Kamala Harris, the first woman to be elected Vice President of the United States were noted for making history as political figures.
The song reveals Claudette Colvin, who was 15-years-old when she refused to give up her seat on the bus, and Ida B Wells who refused to give up her seat years before Rosa Parks. Fyütch also commemorates Black women who have made history in the medical field such as Rebecca Crumpler, who is the first Black woman to get a medical degree along with Jane Hinton and Alfreda Webb, who were the first Black veterinarians. The last impactful Black woman named in the song is Dr. Kizzmekia “Kizzy” Corbett who recently helped create the COVID-19 vaccine.
The song doesn’t only recognize Black women in history, it features two Black women musicians. Rissi Palmer and Cheri Moon, from the children’s music band Snooknuk, collaborated with Fyütch to bring the song to life. Palmer made history as the first Black woman in 20 years to reach the Billboard country charts. Her radio show on Apple Music called Color Me Country, honors the contributions of BIPOC country singers. Cheri Moon focuses on raising social awareness for children through family music and has collaborated with Missy Elliot and Timbaland.
“Black Women in History” gives thanks and gratitude to Black women that have made an impact, by standing up for what they believe in and for being the firsts, despite the struggles they have gone through.
Acclaimed singer/songwriter Mike Younger has just released a new single just right for these carnivalesque political times, “Lord of the Fleas.” And while the lyrics for this tune were just penned to reflect today’s tumultuous climate, its rhythm track, an all-star powered slice of pure Americana, is a remarkable story of its own, one dating back 20 years, and featuring none other than Levon Helm.
In January 2001, Younger was working with producer Jim Dickinson (Big Star, The Replacements) on sessions for what was to be his second album, the follow-up to his Rodney Crowell-produced 1999 debut, “Somethin in the Air.” Dickinson conjured a powerhouse band including Muscle Shoals’ legends David Hood (bass) and Spooner Oldham (keyboards), North Mississippi All Stars’ Luther Dickinson (guitar) and Levon Helm, the heartbeat behind The Band (drums). Unfortunately for Younger, his record company folded while he was finishing the recording, and the rights to the tracks were tied up in a legal battle… until now.
“Lord of the Fleas” features a stately New Orleans style swing and funeral march horns, accenting Younger’s pungent lyrics about the culture wars, the war on refugees and so much more. Sounding much like a track one of the The Band’s classic era albums, Mike Younger has found memories of the session, and the contributions Levon Helm gave to them in sound and spirit.
“Working in the studio with Levon was one of the most important musical moments of my life,” says Younger. “I had been listening to his music since I was about 13 or 14. It was both thrilling and intimidating to me to get to work with someone I admired so much. But it was a real joy to strike up a friendship with him.”
“It was equally crushing to have the music swept away from me for almost 20 years, for reasons beyond my control,” laments Younger. “So it is immeasurably gratifying to have found and completed the project we started together, in spite of all the years and obstacles thrown in my path.”
The promotional video for new single emerges as an American news reel – illuminating the great contradiction of the modern patriot. “Lord of the Fleas” is the first single and video to be released from Nashville-based Younger’s highly-anticipated long-player, entitled “Burning the Bigtop Down,” slated for release in 2021.
Thrash/hardcore band War Orphan, featuring guitarist Rich Cipriano formally of Sick Of it All and Reach fame, drummer Dante Renzi (Reach) and vocalist David Bason (Barfbag and Lords of the Drift), have released a new single titled “New Core,” which nostalgically looks back at the bands come up in the hardcore scene.
Guitarist Richie Cipriano elaborates further on the origins behind the song:
New Core is a song about growing up in the hardcore scene and making the decision not to leave it behind as you get older
Richie Cipriano, War Orphan
This song follows their recent explosive statement of a song “F*ck the NRA“, a tribute to fellow hardcore band The Exploited.
War Orphan released their debut in 2020, the politically charged trash punk EP Closer to Death Than Life. The EP delivers as a fearless protest record that doubles down on the angst which defines the hardcore scene with a particular focus on attacking rightwing extremists and the current presidential administration. Bason channels the seething dissatisfaction with the political establishment that has lead to unrest over the past few years, seeking to tackle systemic racism with “Autonomous Zone” and a deceitful president with “Prop up the Polls,” among other topics that have never been relevant and important.
War Orphan began when longtime friends Dante, Richie and David graduated from recording songs just to make each other laugh to taking it seriously. Singer David Bason is based in LA. Missing his New York friends, he would leave guitar player Richie Cipriano voicemails making fun of heavy metal. Richie and Dante would track record metal songs to the voicemails and send them back. Thus, was born Bloodbath and Beyond, what started a just a funny inside joke to kill time.
Afterwards, Richie called and said he had a song they should take seriously this time. Bason was on board and the EP was tracked, mixed and master in a matter of weeks. War Orphan came about organically and their music shows it.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Luminous Crush, Allyson Smith and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
This week EQXPosure puts a spotlight on a variety of local artists from across the 518 and Western New England.
The latest from Luminous Crush, “Radio Kills Zombies” has a haunting refrain with a smooth underlying groove, with imagery of the Cuba Gooding, Jr. film Radio attached. The Vermont band is fronted by Laura Molinelli and Ben Campbell. With Christian Heins (bass), Brad Waugaman (keyboard) and Paul Carroccio (drums), they form a quintet that focuses on original dreamlike pop and rock vignettes. Their music has been hailed as “fearless and original” by Dan Bolles, music editor at Seven Days.
Allyson Smith a singer-songwriter from Albany has recently released “The Waves.” Her songs weave together inner and outer worlds by juxtaposing emotional and spiritual experiences with keen environmental observations. The Collaborative Magazine boasts of Smith having “powerful songwriting, full of goose-bump raising lines and beautifully dark imagery.”
You’ll also catch brand new songs from Jade Relics’ freshly released collaboration between Elder Orange, Iame, and Rico James “With You,” United Crates/The Vinylcologist, Older Zealous AKA OJ, “Vodka and Polar,” and a new release from the Bathrobe Robots, “Alt-War.”
On January 14th, 2021, The String Cheese Incident released a heartwarming cover of the Tony Rice classic “Old Train,” paying homage to the bluegrass legend and his untimely death. The tribute begins with a short and sweet message thanking Tony Rice for his “incredible gift of music,” and acts as a promise to carry Rice’s legacy onwards.
The String Cheese Incident performing
David Anthony Rice was born in Danville, Virginia, on June 8th, 1951, before moving across the country to Los Angelos, first introducing Rice to the concept of bluegrass. Through this move, he discovered his first big influences, guitarists Clarence White and the Kentucky Colonels, and his immense passion for music only grew stronger throughout his upbringing.
Tony Rice’s guitar playing shaped a generation of musicians. His impeccable tone, taste and timing were unmatched and highly regarded by players and listeners alike. We are very fortunate to have so many great recordings of his life’s work. If you haven’t had the pleasure of hearing him perform, check out the Tony Rice Unit and David Grisman Quintet albums. I recommend you start with the album “Manzanita.” We’ll never forget you, Tony!
Bill Nershi
He experienced his first big break when he moved back East to pursue playing professionally, joining iconic banjo player J.D. Crowe’s band, the New South, and releasing an album together in 1975; J.D. Crowe and the New South. This album was endlessly praised for its progressive sound in the bluegrass era, becoming so well-known among fans to where it was lovingly referred to as Rounder 0044, its record label catalogue number.
The young guitarist seemed to only get bigger and better, breaking boundaries in the music business. Joining Grisman’s Quintet in San Francisco allowed him to embrace experimentalism within his music, and establish himself as an iconic household name and a legendary guitarist.
New opportunities of collaborating with John Carlini, Ricky Skaggs, Norman Blake, and Bela Fleck ensured his growing success and recognition, tackling all sorts of musical boundaries before he was unfortunately required to stop singing in the mid-1990s due to muscle tension dysphonia, a condition which constricted the muscles around his voice box. Rice continued to play the guitar with unbridled passion and energy until 2013, when he developed lateral epicondylitis and played his iconic Martin D-28 for the last time to a public audience at the International Bluegrass Music Hall of Fame.
Tony Rice passed away on Christmas morning at the age of 69, his death first being announced by the International Bluegrass Music Association. The String Cheese Incident shortly followed up with a cover of his song, “Old Train” as a heartfelt goodbye to an inspiring guitarist.
It is with a heavy heart we say goodbye to one of the most iconic voices and musicians in bluegrass. David Anthony “Tony” Rice passed away, Dec. 25, at his home in Reidsville, NC. Few will ever match his skill and influence. Rest in Peace, Tony.
January 15, 2021 marks the release of the single, “Seepin’,” from long-time Buffalo jam band veterans Organ Fairchild. While the members of the band have a history on the jam scene dating back 40 years, this is the first original music from the trio.
Organ Fairchild formed last winter and their debut performance came just before COVID-19 hit the world. Undeterred, the band performed outdoor shows, creating a buzz in Buffalo that was palpable. I caught wind of the band from Buffalo-area friends that saw them perform from a house while fans sat across the road in a socially distanced way. Whatever it takes to get the music out there.
Cited by The Buffalo News as “an incredibly hot new Buffalo band,” Organ Fairchild’s “Seepin’” precedes a full-length album tentatively scheduled for release in May of 2021. The single was mixed by Corey Kertzie (drums and percussion) and Dave Ruch (guitar) and mastered by Alan Evans of Soulive.
“Seepin’” features a groovy, funky feel that is right at home in the jam music genre. Joe Bellanti’s soaring organs and keyboard work are transportive. All three members of Organ Fairchild have such a great feel for each other, indicative of their many years experience that most new groups rarely find right away.
As the music industry recovers from the setbacks from Covid, keep your eyes out for Organ Fairchild. They’ll be jamming and you’ll be dancing and smiling.
Many bands have found it difficult to find ways to connect with fans in new and interesting ways during the COVID-19 pandemic but the alt-rock band PVRIS has found a way to do with it’s live performances of it’s albums in their entirety. They took to the virtual stage to perform AWKOHAWNOH on January 9, 2021 in its entirety for the first time including performing two songs off the album that had never been performed live before broadcasting live from Arizona.
PVRIS is an alternative rock band from Lowell, Massachusetts. The band formed back in 2012 under the name to Paris and eventually changed it to PVRIS for legal reasons. They got their big start in Warped Tour’s battle of the bands finalists in 2013 and have since grown into the the band that’s known today.
Before this virtual concert I personally have seen PVRIS perform twice in person and once virtually for their previous album White Noise. Every time they have killed it. As a big fan of listening to full albums in their entirety the bands decision to perform all of their albums in their live was extremely exciting and intriguing for me and the performances have lived up to the hype.
AWKOHAWNOH, also known as ‘All We Know Of Heaven, All We Need Of Hell’ is PVRIS second album and was originally released on August 25, 2017 and included 10 tracks. The live-stream series is being presented by Pillar which is the platform that is hosting the series. PVRIS is selling tickets either for $15 for a one time ticket or a monthly subscription for $10 a month which gives special insights and allows the viewer to re-watch the live-streams. They are also selling merchandise specialize for each album and meet and greets with the band for each show. A part of the proceeds from the AWKOHAWNOH live-stream went to The Ally Coalition to benefit mutual aid organizations in the US.
The performance featured original members Lyndsey Gunnulfsen or more commonly known as Lynn Gunn and Brain McDonald and newcomer Denny Agosto Vega. Lynn Gunn is the powerhouse behind the band and is it’s lead singer, guitarist and is also known for playing keys, bass and being the main writer behind the bands discography. Brain McDonald is the bassist and is also known for his photography as well as his guitar and keys skills. Denny Agosto Vega has been standing in as the drummer and also performed with the band during their live version of their White Noise album back in November of 2020. The noticeably missing member was EX-guitarist Alex Babinski who parted ways with the band earlier this year after Sexual Misconduct Allegations were made against him and the band made a statement saying he would no longer be associated with the band.
The show was supposed to start at 8PM EST but as people waited on the stream to start as 8PM came and went. The anticipation grew in the group chat that accompanied the stream. Music videos from PVRIS’ newest album Use Me played and then eventually everything went dark. The stage appeared with a floor full of fog and iridescent lights. Lynn Gunn on Keys, Brain McDonald on Bass, and Denny Agosto Vega on drums opened with “Heaven, the first song on AWKOHAWNOH. It opened with Lynn’s Voice and keys for the first half of the first verse and then the rest of the band came in. Although it was just streaming onto my TV it felt just as strong of an entrance at any live show I have been to and brought the same adrenaline and excitement.
Throughout the album Lynn Gunn and Brain McDonald continually switched playing bass and guitar taking turns and highlighting their musical abilities. With Alex Babinski no longer playing lead Brian McDonald filled in that position for some of the songs which was different than the last stream. On the White Noise live stream Brian McDonald stuck to bass the entire time as well as playing on the keys occasionally with Lynn Gunn playing keys and guitar. Most of the lead guitar parts were pre recorded in the last live stream though so having a fuller live sound was great during this performance.
One of my favorite moments was when they performed “No Mercy” which is a fan favorite and Lynn Gunn introduced the song saying, “We got a one-way ticket to shred-ville, this is your captain speaking.” The band were really in their element with this song and just having a good time jumping around and playing and dancing together. Denny Agosto Vega was even standing while playing drums and Lynn Shredded on the guitar like her life depended on it.
Another one I really enjoyed was when Lynn Gunn performed “Separate” stripped with just her vocals and keys. Coming after all the hyper-ness of “No Mercy” it was the perfect way to follow up a song that would be hard to follow with another upbeat song. It slows everything down and brings the focus back to Lynn Gunn’s unique and powerful lyrics.
Maybe one of the biggest high points of the show was when they performed “Walk Alone” and “Nola 1” for the first time ever. Both songs have been heavily anticipated by the PVRIS fandom known as the CVLT. Both songs lived up to the hype of being performed live for the first time. “Walk Alone” was one of my favorite’s off the album so hearing it live was a dream come true. “Nola 1” closing out the show was perfectly fitting somehow being one of the most widely anticipated songs to be performed live to wrap up a great night. After the show the band came and “sniffed” everyone watching in their goofy joking way of trying to connect to the audience and said to stay safe and that they loved them. It was a great way to spend a night during COVID-19.
The last album Use Me’s live stream performance is yet to be announced but when it is will also be available to stream on Pillar. For more information visit PVRIS website or their Pillar page.
