Category: Features

Illuminating Ideas One Line At A Time: A look Into New Music And Inspiration With The Booklights

Formed in 2014 by lead singer and songwriter Rob Morrison, The Booklights have cultivated a specific breed of futuristic Americana, equal parts orchestral and gritty. In addition to Morrison on guitar and mandolin, the band is made up of Lauren Molina (cello), Rachel Green (fiddle), and Benny Elledge (percussion). Their lofty vocal harmonies conjure up Appalachian psychedelia that speaks to the future of Americana and all facets of the genre.

When not playing with the Booklights, each member of the band can be found acting shows on Broadway, Off-Broadway, TV/film projects, composing scores, doing voiceover work, or playing in separate bands. The talented New York City-based group will release their debut EP, Into a Ball, on August 6 on all streaming and listening platforms.

NYS Music recently joined the members of The Booklights in a lighthearted tell-all to get to know the artists behind a new wave of Americana. The band discussed their multitalented backgrounds, upcoming music, creative process, group direction, and a recent surge of musical inspiration around the globe.

Matthew Perez Gin: The members of this group seem to have extensive backgrounds in acting, theater, comedy, and much more. How do you think this impacts not only the way you create music together but also perform together?

Rob Morrison: The Booklights are a pretty lively bunch, and we’re very instinctual. We know that as actors, it’s really important to follow our artistic impulses, so that carries over into how we make music. It’s not a judgmental group — we have a very encouraging vibe. I wouldn’t consider myself a natural leader, but as the primary songwriter and lead singer, I’m sort of the de facto leader of the band. And to me, that means harnessing the “yes, and” energy we all naturally bring to the table, rather than trying to be too controlling of any aspect of the band. And thankfully, with such funny people onstage with me, I don’t ever have to worry about coming up with good banter while I’m re-tuning my guitar.

Rachel Green: Being performers, we share a common language, respect and understanding. We’ve all had our fair share of amazing (and terrible) experiences as actors and musicians. I think that helps us be grateful for our time together, and makes working together fun and seamless. And we laugh a lot. Also our harmonies are sick. I love harmonies.

Benny Elledge: I think we all have a natural sense of play which helps in the creative process. We definitely all have similar performing backgrounds which makes for a lot of fun when we are together. It also helps because we aren’t afraid to try and fail at different attempts while coming up with parts.

We are all a bunch of funny people. When we make music it’s not just a gathering to make music, but make each other laugh. We enjoy the banter and the collaboration.
Lauren Molina

The Booklights perform live from Rockwood Music Hall

MPG: Who are some of your inspirations and influences?

RM: There are more influences than I can list…I always feel like I’m going to forget somebody important! For the Booklights’ music, one of my biggest inspirations would be Gillian Welch and David Rawlings. Their music is hugely important to me, in not only in terms of how beautiful or haunting it can be, but because of their massive encyclopedic knowledge of folk music forms, the way they’re able to, say, reference a Son House lyric in the middle of their own song, and what that does for the listener…for me, my brain flags the homage, but also feels transported to another time and place. And it makes their music feel timeless. That’s a really powerful effect. Bob Dylan, Neil Young, The Band, John Prine, Bonnie ‘Prince’ Billy, Norman Blake, Lucinda Williams, Gram Parsons, and Townes Van Zandt are other big influences of mine from the world of (arguably) Americana. But I listen to a wide variety of music, a lot of which has shaped our music in more subtle ways. Some of my favorites include Radiohead, Soft Machine, Big Star, Fleetwood Mac, Randy Newman, the Kinks, the Bats, Tom Waits, Creedence Clearwater Revival, and of course the Velvet Underground.

RG: It really runs the gamut. I’m a huge fan of 90s hip hop and R&B, but I’m also classically trained on the violin and did musical theater for years. I love all kinds of soulful voices, from Aretha Franklin to Stevie Nicks. But also playing with bands and teaching myself to play in more of a fiddle style, I learned to really appreciate 70s rock, country and folk. The Band is iconic.

BE: My music tastes span a pretty wide range. As a percussionist, I love so much stuff from Buddy Rich to Neil Peart, Clyde Stubblefield, Carter Beauford. There are so many. I also grew up with drummers in my family, both my dad and brother are drummers as well so it’s always been important to me.

MPG: When you look at the current presence of Americana within the music industry today, where do you see it going in the future? What are you excited about and how do you plan to be a part of it?

RG: Both bands I’ve played with considered themselves some version of Americana. I think Americana is moving in the direction of society’s growth, where diversity is being more and more embraced. As an artist, for years I was told to “concentrate on one thing and get good at it. you’re spinning too many plates.” Nowadays, being a multi-hyphenate is accepted and encouraged. Humans are dynamic – why shouldn’t their music be? Plus, combining multiple influences makes for some really cool music.

RM: I think we’re at a really exciting time in Americana music…one of my favorite bands, Our Native Daughters, dropped one of the best Americana albums ever just a few years ago. And now all of those incredible women in that band (Rhiannon Giddens, Amythyst Kiah, Allison Russell, and Leyla McCalla) continue to release absolutely mind-blowing work, and are really making waves. I think the folk music scene is going through a lot of the same, necessary changes that our country is reckoning with. There have always been amazing artists of color, in every music genre. These traditions have been practiced by a wide variety of people, in some cases for centuries. I think the more inclusive the Americana/folk/country music scenes become, the better that is for everybody, and the better it is for the art form.

BE: I don’t know if I can really speak to the presence of Americana. I am thrilled that artists like The Avett Brothers and Brandi Carlisle have come into the mainstream and people are excited about them. But honestly I’m just excited to be performing in any aspect, especially after this last year.

MPG: Clearly, Americana music has so many different musical facets, origins, and explanations behind it. What is “futuristic Americana” to you and how would you define it?

BE: Um… Rob?

RM: Well, I think “Americana” is a really intriguing term to start with. Imperfect, but intriguing. It’s not “United States of Americana”…it’s not even “North Americana.” So it could be applied to music from so many regions! And I think that’s lovely because so many of these musical forms that we might consider “Americana” are the result of so many groups of people interacting with each other — immigrants settling in a given area, and their music mingling with and being changed by music from other groups of people, either indigenous, or from other immigrant groups. A melting pot. As for “futuristic Americana,” that term was coined by a friend of ours. I gave him an advance copy of the EP, and asked him if any words came to mind to describe our music, because I felt a little too close to the songs to be able to describe them. For me, “futuristic Americana” indicates a willingness to bend tradition, and mix in sounds and textures that your average listener might not associate with folk music. I have a lot of reverence for musical tradition, but none of the songs on the EP are traditional songs. So it’s helpful to be able to dip into “traditional” or familiar sounds when we need to; it’s also helpful to channel Radiohead or Low, and get spaced out and eerie at times.

RG: I think Americana in the past was associated a lot with country, folk, and bluegrass. We definitely have a lot of those influences but also incorporate some cool rock sounds and other ambient and unusual styles and effects.

MPG: The Booklights is such a unique name for a band, can you tell us the story behind it?

BE: Hahahaha! Um……Rob?

RG: That’s you, Rob.

RM: Ha! So, funny story. At our very first live show (Spike Hill in Brooklyn, 2014) I played the first half of the set solo, then invited the band up onstage for the second half. I told the band in advance that I’d christen them with a surprise name at the gig, so when they joined me onstage, I said, “please welcome to the stage: The Booklights!” The response was hilariously underwhelming. But the name stuck! I realize it sounds like the object: a book light. That wasn’t the inspiration, but I don’t mind the connection. The inspiration for me was that feeling of writing a song, by myself, at night, with a candle or small bedside lamp throwing a little pool of light on my notebook, illuminating my ideas one line at a time. Writing is a very private experience for me; it’s almost like the only witness to my process is whatever light source is near me. Definitely not something the average person would deduce from hearing our band name, but I’m okay with that. And on the plus side, there weren’t a slew of pre-existing bands called the Booklights.

MPG: Your songs seem to invoke images, musical realism, and a strong ethos for so many listeners. What do you think is the importance of storytelling in your songs, and how do you go about finding that perfect story-song balance?

RM: There is a delicate balance between story and feeling. I think my approach to songwriting is to usually leave a lot up to the listener to decide; kind of a David Lynch approach to songcraft, if you will. It’s not important to me for everyone who listens to “Waywiser” to have the same idea of what it means. Individual interpretation is so much more exciting! Lyrical details are important. I can’t stand songs that say something like, “I love you, you’re my desire, you’re so hot, you’re like fire.” Oof. What do you love about that person? Can you find a way to say it without literally saying it? “My Woman, the Almanac” is about as straightforward a love song as I’ve written, but it doesn’t come right out and say much about love. There’s a lot of specific imagery, poetry in that song. The language hints at that feeling of romantic love. The listener goes on the journey, with the speaker of the song, and maybe they get something totally different from what I intended when I wrote it. Again, that’s really exciting to me, not a bad thing.

MPG: Your new EP Into A Ball comes out on August 6, would you mind delving into the creative process that went behind developing this, perhaps some of your starting points musically or lyrically?

RM: The Booklights were an active gigging band in 2014 and 2015…I broke my wrist in 2015, we took a little break while I healed, and then we all got pulled in so many directions as artists, so the band was on an unofficial hiatus until the pandemic hit. Like so many people, I lost employment opportunities, and of course we were all quarantining in our apartments, and it was a really hard time. I started looking back at all the projects I’ve been lucky enough to be a part of, and I thought, “gee, why didn’t the Booklights ever record anything? We’ve got so many great songs!” So I started talking with Lauren, Benny, and Rachel about making a record remotely. We tapped the wonderful James Frazee to produce, mix, and master the EP. James is incredible…I had a really great time incorporating his adjustments and ideas, things like adding or removing a chorus, layering in new overdubs that had never existed on a song before, that kind of thing. The whole process was honestly one of the few bright spots of 2020 for me. As for the creative process for the songs themselves, many of them date back to our time as a gigging band, some even before that. “Waywiser” was inspired by a trip to the Ben Franklin Museum (a waywiser is essentially an old-fashioned odometer, which Franklin built), and “My Woman, the Almanac” was written during a solo cabin retreat I took in the Catskills in 2011, inspired by my relationship with Lauren as well as all the nature I was taking in. I had the melody for “Slingshot” in my head for a while, but was having trouble with the lyrics, so Lauren and I collaborated and wound up with a playful song about summer flirtation. “Sweeter on the Vine” doesn’t sound anything like the 1930s blues and novelty songs I was listening to at the time, but it was definitely inspired by the work of folks like Bo Carter, the Memphis Jug Band, and the Dallas String Band. And “All Tomorrow’s Parties” …well that’s just one of my all-time favorite Velvet Underground songs. It works perfectly with the droney, space-folk approach we gave it on the EP.

BE: It was very interesting to record an entire album alone in our apartments without the others being there. And with no “in the moment” directions. But it was a great experience to learn that that was possible.

Rob is the major force behind the music, these songs are his creations. He comes with melody, lyrics, chords and vision, and then trusts us to build the “house” around it. All of our harmonies (instrumentally and vocally)
Rachel Green

MPG: What does this debut EP mean to you and what kind of mark do you aim to leave on fans listening to it?

RM: I’m honestly in awe of the end result. I’m so proud of everybody who came together to make this record. That includes our special guests Jay Julio (viola on “My Woman, the Almanac”) and Hilary Hawke (banjo and backup vocals on “Slingshot”) as well as our incredible visual artist, Elanor Gabriela. Making a record during the pandemic was challenging, but not making a record would’ve been even harder! Into a Ball is an apt title, because the EP rolls together all these genres, sounds, and emotions that we as musicians like to play with, and collects them into one, succinct 5-song statement. Working on the EP was a wonderful escape during a time when I really needed to be somewhere other than in the confines of my apartment; I hope it provides listeners with an aural escape too!

LM: I’m so proud of everyone involved in making this album. I love the songs and how each one takes you to a different place. I hope people feel something when they listen to it.

BE: I’m just really proud of us for getting something done during Covid and more proud of Rob for spearheading it and writing such amazing music and being such a great leader. I’m very happy the world gets to finally hear his music. I think people will really dig his unique style and his take on the “Americana” genre.

I really love how each of our songs tells a different story and has a different sound. I think fans will be taken on a journey, from breezy chillaxin’ to rockin’ out.
Rachel Green

MPG: You have also recently released a music video for the track “My Woman, The Almanac” on the EP, how was that experience for everyone? Can we expect to see more music videos in the future?

RM: Making the music video was such a joy. I want to give major kudos to our team Varya Rootwood (director), Yura Makarov (DP), Mackenzie Jamieson (key PA), David Withrow (wardrobe), and our hosts, the Big Victorian in Chester, NY. That shoot was a leap of faith; a few days earlier, we had lost our director and location, so Varya and Yura were brought on at the last minute. And they absolutely nailed it. I couldn’t have asked for a more professional team. It was also the first time our full band had hung out together in quite a while, so the camaraderie was through the roof! We hope to have another music video in the near future; I’ve been really interested in doing a stop-motion version of “Waywiser.”

LM: Shooting the music video was a blast. It was such a beautiful place with bucolic imagery. We shot it at an old Victorian mansion that had a dilapidated and beautiful feel. It was set upon a green hillside with a red barn and a swing on a tree. Our music fit so perfectly with the setting. It was magical. I hope to make more videos. It’s always fun to put a visual with a song.

RG: Working on the music video was a wonderful experience, from the amazing location to the costumes to the creative team. It was also the first time we got to hang out as a band (and friends) in 6 years! It also gave me a deeper connection to the song and its meaning or what it could mean. It was a truly beautiful day all around.

MPG: Does Into A Ball mark a new aim and direction for the band?

RM: Well, the Booklights had never recorded any of our songs before this EP, so in that way it’s a very new direction for us! We played a lot of shows in 2014-2015, so that was always our focus; putting together exciting sets of live music. It was a very different experience to take each song apart, role by role, or sound by sound, and decide what belonged in a recording, and what songs wanted a little extra juice. In the Booklights’ live shows, I usually play a resonator guitar, acoustic guitar, and mandolin. Having the flexibility to record on our own schedules, in our own homes, opened up a lot of possibilities. At James’ suggestion, I added some electric guitar overdubs to “Waywiser” and “All Tomorrow’s Parties,” tipping my hat a bit to British folk bands of the 70s like Fairport Convention, Pentangle, and Steeleye Span. Lauren layered several cellos on top of each other for “All Tomorrow’s Parties” and Rachel did the same with fiddle for that song. We created all new harmonies; “All Tomorrow’s Parties” had always been a solo vocal song for me, but we went all out with some strange, modal group vocals for the album. And adding wonderful outside musicians like Jay and Hilary also opened things up. It became less about replicating our live shows, and more about sculpting a cohesive, transportive sound for the whole record. So that was a really unique experience, to look at these songs in a whole new way.

LM: I’d say this was definitely a new aim as the debut album. The pandemic brought us back together after not playing for a few years due to people’s schedules. This new music feels like it’s blossoming into the world as it reopens.

This new music feels like it’s blossoming into the world as it reopens.
Lauren Molina

MPG: What is one message you would like to give to your fans and listeners?

BE: We know it’s been a tough year for everyone and this album is a great representation of pushing through and making something good come out of a bad situation. So thank you to everyone for listening! We hope you enjoy it as much as we enjoyed making it!

RG: Do what you love, follow your own path and don’t let anyone tell you otherwise.

LM: Be good. Be kind. Keep others on your mind.

To anyone who listens to this record, I want to say thank you, from the bottom of my heart. We made this EP at a time when I wasn’t sure at all about what the future held, for live musicians, as well as for the world. But we still somehow created something, in spite of all that uncertainty. So, if anyone feels inspired by the music on the EP, that would be the greatest reward.
Rob Morrison

Tracklisting For Into A Ball: EP By The Booklights

1. Waywiser

2. My Woman, the Almanac

3. Slingshot

4. Sweeter on the Vine

5. All Tomorrow’s Parties

August 6, 2021
In Focus: Nathaniel Rateliff and the Night Sweats at Belleayre Mountain
Over the last two years, the musical timbre in New York’s Catskill Mountain region has been one of tree frogs, crickets, and owls. Last Saturday, that changed. Nathaniel Rateliff and the Night Sweats rode into Belleayre Mountain, a location declared by the NYS Forest Preserve as “Forever Wild”, on a triple bill that reconfirmed the mountain’s sobriquet.

Rateliff and band blazed through a twenty-one song set, including a three-song encore. Nathaniel opened with “Shoe Boot” from his 2018 release Tearing at the Seams, kicking up his heels, pulling in all who were ready for a night of rock and roll. As he maneuvered between guitars and keyboards, the stage took on its own persona: golden glows, somber blues, spotlights, and silhouettes reflecting the nuance each song had to offer. The Night Sweats shared their prowess constructing the musical foundation to allow Rateliff’s gritty voice the opportunity to exhibit its versatility going from the up-tempo “Look It Here” to the depth of “Redemption”.

Nathaniel Rateliff

The day already had a vibe from those tailgating that afternoon which blossomed into people dancing from early on and never stopping. From the stage, set at the base of the mountain, one could see how people filled the vertical rise of the ski slope. During the encore, “S.O.B” took on a life of its own by turning the mountainside into the church of Rateliff, with the preacher calling out to his flock who, without hesitation, responded back tenfold.

Earlier in the day, with dusk spreading its golden light across the ridgeline, The Marcus King Band put their musical adroitness on full display. King, along with his long-time band mates, took the crowd through a fiery hour of rock and blues. They jammed their way into the night and threw in occasional covers, including “Poppa was a Rollin’ Stone,” that had everyone singing along.

Marcus King

Allison Russell opened the night. Russell, who curated the prior week’s 2021 Newport Folk Festival’s “Once and Future Sounds” set, brought her soulful, introspective tunes to the pastoral landscape of the Hudson Valley. Allison shared songs from her solo album Outside Child, one that pulls from her personal tragedies of childhood abuse. It went deep mid-set but offered a light of hope as she closed out her set with “Nightflyer.”

Allison Russell

Local Hudson Valley radio station WDST 100.1 Radio Woodstock produced the show, conceived as a bridge to cover the void left from two years of not having Mountain Jam. For those in attendance, it could not have come at a better time. Let’s hope the music and the mountain stay forever wild.

Nathaniel Rateliff And The Night Sweats
The Marcus King Band
Allison Russell
August 5, 2021
Jake Huffman to Debut solo Project at Mercury Lounge on August 10

Two years after finding his new sound, producer and multi-instrumentalist Jake Huffman will debut his solo project at Lower East Side venue Mercury Lounge on Tuesday, August 10th. The performance follows the release of his new single “Just a Little More,” due out on August 6th. The performance will not only be Huffman’s solo debut, but also his first post-pandemic show, following a period of songwriting and refocusing over 2020-21.

Jake Huffman is best known as the drummer and lead singer for McLovins, a role he started at the age of 14, when a video of he and his bandmates performing Phish’s “You Enjoy Myself” went viral. The group would continue to play for nearly 10 years, garnering a strong fan base and leading Huffman to work as a composer and lyricist for Sesame Street, as well as performances with Blink-182, Jack White and Post Malone, and written dozens of songs for artist likes Ed Sheeran and Leon Bridges.

When COVID-19 hit and the music industry shut down, Huffman hunkered down in his studio and went back to college, getting a Certificate in Music Producation from Berkelee School of Music in Boston. Taking time to dive into his studio work, Huffman wrote about 50 tunes over 2020-21 because he was locked in, both physically (not being able to go outside) and mentally (focused on writing 6-7 hours a day), in addition to teaching music lessons remotely four days a week.

Huffman’s writing flows into an Indie rock/Indie pop mindset, with influence from early 2000’s alt-rock, combined with deeply personal lyrics reflecting on specific moments, with some left open to interpretation. The needs of a band can change from month to month, making it a journey for individual and group personalities. That’s where his head has been since McLovins called it a day.

It’s hard to be in a band for a long time, especially for Jason (Ott, bassist) and me, who were playing together in bands for 10 years. Then a lot of shit hit at the right time, and broke everything. All of us are probably better people because of it. I loved all the time and music and the people I met through McLovins. That’s what I’ve been writing about. At times I wasn’t sure what to write about, so some is ambiguous and some relates to that. The new music relates to the journey with McLovins.
Jake Huffman

When Jake got the call for the Mercury Lounge show on August 10, he was overcome with joy. Planning for an Indie rock vibe, he’ll bring a new set up – Huffman cites the influence of Milky Chance in the stage set up – so as to avoid feeling too stiff for the performance. Jake will be behind the kit, playing guitar, and singing throughout, offering a fresh look at a musician who had been cast into the spotlight since his sophomore year of high school. With his single releasing on August 6, expect to hear “Just a Little More” as well as more debuts of future singles that tell a story for an eventual EP.

Currently working as a producer and living in central Connecticut, Huffman will aim for more shows this fall, and notes how much he loved playing with McLovins, with reflections on how to move forward having learned lessons.

We were so young and booked these long runs of shows, promoted the tour and not the individual shows. I wish we did one show at a time and just blown out that one show. I don’t want to take for granted any of the shows played, just take it one show at a time until I can get to see who’s listening.
Jake Huffman

Get tickets for the Mercury Lounge show on August 10 here. Show time is 6pm.

August 5, 2021
Get the Scoop! Upstate New York Music Venues and Stewart’s Ice Cream Flavors

There are two things you can find a great deal of in Upstate New York – music venues in nearly every town, and Stewart’s Shops. There are more than 345 Stewart’s in New York and Vermont, and if you’ve been to a show or gone camping Upstate, you’ve probably stopped at a Stewart’s for provisions. With newly remodeled shops, Stewart’s is a staple for locals and visitors alike.

One of Stewart’s best sellers is their ice cream. Made from milk from New York farms, the variety of flavors goes well beyond the basic Chocolate, Vanilla and Strawberry. The variety of music venues Upstate is equally varied, and gives music lovers an opportunity to see their favorite bands and new artists in unique settings.

We’ve partnered with Stewart’s Shops to look at their ice cream flavors and compared them to Upstate music venues. Below you’ll find 15 flavors paired with their appropriate venue, a small sampling of the more than 30 flavors Stewart’s Shops offer. Get the scoop before you get a scoop heading to your next show!

Brownie Cookie Sundae // Ulster Performing Arts Center, Kingston

This venue and flavor have each got it all. UPAC features one of the widest arrays of musical selections in the state. From Meatloaf to Willie Nelson, the HV Philharmonic to plays and musicals, UPAC has it all. Likewise, Brownie Cookie Sundae comes loaded with vanilla ice cream, chewy brownie bites, soft cookie dough pieces and a rich fudge swirl. Available in a cone or half-gallon.

Star Gazer // Saratoga Performing Arts Center (SPAC), Saratoga Springs

Where can you see the most stars? Head north on I-87 and get off at exit 13 for Saratoga Performing Arts Center, where you’ll see the biggest artists and national touring bands at SPAC each summer! Originally the home of the NYC Ballet, SPAC has been bringing concerts to the edge of the Adirondacks since the 1960s, making this the perfect venue for seeing stars. Stargazer has Malt flavored ice cream with a rich caramel swirl and pieces of Milky Way candy bars mixed in. Available in a half-gallon.

Chocolate Sea Turtle // Snug’s Harbor, New Paltz

Turtles are found throughout the state, but they’ll always need a snug harbor somewhere to rest their shell. Snug Harbor provides a comfortable space for bands to play in the college town of New Paltz, with a variety of music and cold beer on tap. Stewart’s Chocolate Sea Turtle features chocolate ice cream with a sea salt caramel swirl and chocolate fudge pecans. Available in a cone for a limited time.

Fireworks // Empire State Plaza, Albany

One of the best spots for fireworks in Upstate New York is the Empire State Plaza in downtown Albany. Capable of hosting more than 10,000 people and room for even more nearby, the Fireworks every 4th of July and for select events are a must see event, as well as the bands that perform on the plaza during the summer months. Pop Rocks encased in vanilla ice cream with a tart cherry swirl helps this flavor live up to its name! Available in a cone.

Blueberry Pie in the Sky // Bethel Woods Center for the Arts, Bethel

Summer and blueberry pie are synonymous. The summer of love lives on through Bethel Woods. Grab a cone of Blueberry in the Sky, with blueberry ice cream with shortbread and a Maine blueberry swirl, on the way to your next show and imagine the roads filled with cars headed to Yasgur’s Farm. Available in a pint.

Happy Camper // Grey Fox Bluegrass Festival, Oak Hill

When the music on the stage is done for the day, head to your campsite anywhere at Grey Fox Bluegrass Festival’s campgrounds for pickin’ parties, where you can hear classic bluegrass songs and singalongs, just like at camp enjoy s’mores! With graham cracker flavored ice cream with a graham cracker pieces, a marshmallow swirl and peanut butter pieces, enjoy a cone of Stewart’s Happy Camper while friends old and new sit around and pluck away. Available in a cone.

Marionberry Cookie // Levon Helm’s Barn, Woodstock

Located just a few miles from Mount Marion near Saugerties, Levon Helm’s Barn is the perfect pairing for this sweet treat. Living in Woodstock at Big Pink with The Band and backing Bob Dylan for years, Levon Helm made a second home in Woodstock, establishing Midnight Rambles that continue to be a thing of legend. Marionberry Cookie is a pink-hued ice cream with a chocolate cookie swirl. Available in a cone for a limited time.

Mint Cookie Crumble // The Bardavon, Poughkeepsie

Two classics, presented in a new way. The Bardavon is the oldest continually operating music venue in New York State, offering various performing arts, cinema, theater, vaudeville, and performers ranging from David Byrne to Chick Corea, Dr. John to Gladys Knight, and Joan Baez to Natalie Merchant. Bardavon is also the home of the Hudson Valley Philharmonic, making the classic venue fresh for a new generation of music lovers. Mint Cookie Crumble is a spin on mint chocolate chip, but with a chocolate cookie crumble fudge swirl mixed in smooth cool mint ice cream. A classic, presented in a fresh new way. Available in a cone, pint or half-gallon, and now available in a non-dairy pint!

Chocolate Peanut Butter Cup // The Egg, Albany

One of Stewart’s tastiest ice creams has a swirl of peanut butter inside, ready to surprise you with each bite. Inside The Egg in Albany, you’ll find not one but two music venues – The Hart Theatre and The Swyer Theatre, both offering an array of musical offerings, not to mention surprisingly incredible acoustics! Available in a cone, pint or half-gallon.

Sweet Bourbon Cold Brew // The Falcon, Marlboro

Both of these combine bourbon and coffee together in a perfect pairing, but The Falcon also offers live jazz in their intimate, rustic venue. The sweet cream/cold brew/bourbon flavors combine for a smooth ice cream experience. Available in a pint for a VERY limited time.

Crumbs along the Mohawk // Cohoes Music Hall, Cohoes

Located 500 feet from the Mohawk River, Cohoes Music Hall, opened in 1874, has been home for live music performances, high school musicals and plays, theater performances and much more. With a name synonymous with music, Cohoes is a great small town to stop in for an evening. The perfect ice cream to go with such a classic venue is Crumbs Along the Mohawk, inspired by the 1939 film “Drums Along the Mohawk,” with graham cracker flavored ice cream holding together graham cracker pieces with a caramel swirl. Available in a pint or half-gallon.

Brew Ha Ha // Saranac Brewery, Utica; Ommegang Brewery, Cooperstown

Where in New York can you get brewery fresh beer and live music? Two places come to mind – Saranac Brewery in Utica, and Ommegang Brewery in Cooperstown. With their own wide selections of beers and other beverages, these breweries offer two things that New York is known for – great beer and great music – Brew Ha Ha takes Stewart’s richer roast coffee ice cream with espresso bean flavored chocolate flakes, a nice combination as well! Available in a cone or half-gallon.

Adirondack Bear Paw // The Waterhole, Saranac Lake

The northernmost venue on our list is The Waterhole, home to music year round, with Party on the Patio on Thursdays each summer, Winter Carnival music performances in February, and the heart of this Adirondack town. Vanilla ice cream mixed with sweet praline cashews and caramel swirls make a rich combination in this tasty northern delight. Available in a half-gallon.

Kaydeross Kreme Light // Caffe Lena, Saratoga Springs

The classic creamsicle flavor is a throwback to summers spent in Saratoga Springs, with a twist. A classic Saratoga venue, Caffe Lena, has been a fixture in the Spa City since the 1960s, and new renovations in the building put a twist on the original! Available in a half-gallon at your local Stewart’s Shops!

Colombian Coffee // Club Helsinki, Hudson

Like coffee, Club Helsinki has something for everyone, serving as a music venue, bar and restaurant. Open mic nights, both virtual and in person, welcome all people and talents. The many flavors of coffee can be found in this Columbia County venue that welcomes a variety of artists to the east shore of the Hudson River. Available in a cone or half-gallon.

August 5, 2021
Sammy Rae Brings All The Friends To Lark Hall
There was one overall concensus from Sunday’s show at Lark Hall on August 1st, and that is Sammy Rae is going to be big. The energy that this young woman brings to the stage is really unmatched at her level. Sammy’s voice and the band’s energetic soul would have been given a warm welcome at the Copacabana in the 50’s.

Lark Hall played host to one of its biggest crowds to date as hungry fans filled the great hall. Sammy Rae had them roaring on their feet from before she even came on stage and with every note and gesture they sang her praises. The band itself was exceptionally tight with a pair of backup singers who were actually front and center, and a duo of saxophones with a full band behind them. Sammy moved around the stage like a conductor, feeding off of the crowd and the band.

If you missed out then fret not as they have an extensive tour ahead of them and this was only show number three. After finishing up their summer tour and festival season at Green River Festival in Greenfield, MA, the band moves it’s way to a few shows in the southeast and then a massive run in the Northeast including stops in Brooklyn and Syracuse. Keep this young lady on your radar, because she is coming in hot.
August 5, 2021
Newport Jazz Festival: These are a Few of Our Favorite Things

Jazz was back at Fort Adams State Park last weekend as the Newport Jazz Festival staged their 2021 program at reduced capacity and with only two stages of performances. Spirits were high, on stage and off, making for a thrilling three days of non-stop music. The playing was top-notch across the board, highlights abound, there was barely time to catch your breath. What follows is a chronological list of our absolute favorite moments.

Makaya McCraven at the Quad Stage, Friday

Drummer Makaya McCraven brought his quartet, including Marquis Hill on trumpet, Matt Gold on guitar and Junius Paul on bass, to the Quad Stage on Friday afternoon. McCraven often let his band form the rhythm between them while he danced within and around it, using his kit as more of a lead instrument. He was in constant motion, rarely settling into a groove, yet somehow managing to push and pull the quartet through multiple changes, from fusion to swing to funk to more freeform. They previewed an upcoming album re-imagining the work of Gil Scott Heron that featured some singing from Paul and spoken word recordings of Heron’s. “Misplaced That Place” gave McCraven’s kit the full workout while a cover of Tony Williams’ “There Comes a Time” allowed the band to stretch out while he established a hard grooving beat. Between the quality and diversity in his playing, we didn’t see a better drummer at the festival.

Robert Glasper Acoustic Trio at the Quad Stage, Friday

In his first of three sets for the weekend, artist-in-residence Robert Glasper presented his acoustic trio, with Justin Dyson on drums and Vicente Archer on bass. They were also joined by DJ Jahi Sundance on the “ones and twos” during a set that was heavy on improvisation. The hyper-tight quartet nee trio danced around themes of both pure invention and some more familiar, like Cyndi Lauper’s “Time After Time” or an extended riff around “Happy Birthday” played for Glasper’s young daughter Lola who was hanging with mom side stage. Glasper took some long piano breaks, sang along with some of Jahi Sundance’s spoken word samples, and also gave his bandmates plenty of space to shine. The set closed with Glasper’s 2021 Grammy-winning song, “Better Than I Imagined.” The set was certainly some of the strongest improv we saw all weekend. It seemed that the trio had enough ideas to go another hour, but unfortunately they ran up against the end of their set time and had to cede the floor.

Kamasi Washington at the Quad Stage, Friday

Kamasi Washington and his big band overpowered the Quad Stage in their appearance late Friday afternoon. They closed out the stage for the day, fortunately for anyone who would have had to try and follow them. Festival artistic-director Christian McBride summed up Washington in his introduction from the stage as “A hurricane … of music.” It was an apt description! Washington’s large band featured a horn heavy front that came blasting forth while a massive rhythmic swirl was generated from the back. It sucked you in and spat you out before you realized what was happening. Whether playing the gently melodic “Announcement” from the soundtrack he made for Michelle Obama’s “Becoming” or the racial justice anthem “Fists of Fury,” the music is powerful and moving. The set peaked midway through with “Sun-Kissed Child,” a new piece written after Washington became a father that featured his most fiery playing of the afternoon. Washington created music you experienced as much as heard.

Danielle Ponder at the Quad Stage, Saturday

Rochester soul singer Danielle Ponder emerged from obscurity and quickly won over the early day crowd on the Quad Stage. She was admittedly nervous for what was likely the biggest show of her career so far, not to mention in front of a jazz crowd fixated on minutia. It didn’t show from the get-go. She commanded the stage like someone who was performing most of her life, which she has. She mixed together love songs like “The Only Way Out” and “Holding Me Down” with songs of social and environmental justice like “Poor Man’s Pain” and “Look Around,” constructing a set that took the unknowing audience on a journey establishing a clear picture of Ponder’s immense talent and m.o. Using Nina Simone as a compass, she called an audible from the stage and lead her band through an unplanned cover of Radiohead’s “Creep.” It was already midway through the set, and she had already received a standing ovation, but she played it as a comfort to calm her nerves. The repeated lyric, “What am I doing here, do I belong here?” was incredibly apt though was answered with a resounding “Yes!” as the audience provided a second standing ovation in a row. For the set closing “Darker Than Blue,” Ponder had the entire crowd standing and singing along, “Can’t you see us rising, higher!” Thousands of new fans eager to buy whatever comes from the record deal Ponder announced she had just made.

Brandee Younger at the Lawn Stage, Sunday

The last piece of the lineup puzzle was placed just weeks away from the event, and it ended up being one of the very best sets we saw all weekend. Harpist Brandee Younger and her trio, with Dezron Douglas on bass and Allan Mednard on drums opened the proceedings at the Lawn Stage on the final day of the festival. The harp was the lead instrument but each player was superb and at their greatest moments were equals within the music, a place that was reached often. There were very little established solos. One piece ended in a short drum solo which gave Younger a laugh, since Mednard had told her, “No drum solos.” on the ride up to Newport. “In Love and Struggle,” written for the play of the same name, exemplified their penchant for three-way improvisation as it built with each instrument establishing an individually fantastic sound that meshed together to form something beyond. Younger invited Rochester’s Mikaela Davis on stage to help pay tribute to harp visionaries Dorothy Ashbee and Alice Coltrane, each celebrating August birthdays. Davis lead the trio through Ashbee’s “Action Line” showcasing the range of the harp, as each artist had their own unique style. Younger followed with a Coltrane medley to complete the harp history lesson beautifully. The set closed with a humorous nod to the pandemic with a piece titled “Toilet Paper Romance,” written during her and Douglas’ live stream events from their living room. Live music is better in person, and this was a thrilling set.

The Bogie Band featuring Joe Russo at the Lawn Stage, Sunday

The big band format got shuffled, blended, and mixed up when saxophonist Stuart Bogie brought his band to the main stage Sunday afternoon. The band was nearly a mirrored double quintet, with two trumpets, two trombones, two saxes, a flute, sousaphone, percussionist and drummer all standing in lines across from each other. The music had a New Orleans brass flavor played with a Lounge Lizards or Frank Zappa controlled chaos with a little Beastie Boys groove thrown in. Rhythms could be established by a repetitive flute or xylophone melody, from Joe Russo’s incredible drumming or multiple percussionists. Bogie played the part of band leader, frequently stepping out from his mic to stand front and center and conduct the 11-piece band. The band grew exponentially when he employed the audience to scream “Hey!” on command, which he used beyond the confines of one song. Russo was given the opportunity to play more of a lead role on “We Organize” as the rest of the band laid down a multilayered groove for him to explore regions beyond the beat. What a joyous set of music, keep an ear out for The Bogie Band.

The Jam Jawn at the Lawn Stage, Sunday

There were some great only-at-Newport ensembles at the festival, including the Vibe Summit and Jazz Gallery All-Stars, but one stood above the rest. The Jam Jawn, with Christian McBride, Joe Russo on drums, Marco Benevento on piano and keyboards, John Scofield on guitar, and Mikaela Davis returning to the stage, again uncredited, on harp. True to their name, the Jam Jawn used songs as a mere blueprint from which to start. An electric Miles Davis groove, likely “Miles Runs the Voodoo Down” turned into a free form session with the quintet eyeing each other from across the stage, either searching for improvisational cues or more often flashing recognition of great playing. Davis formed tight bonds with Benevento and Scofield, weaving harp lines enmeshed perfectly into their soloing. Festival artistic-director McBride also ably directed traffic from the stage, holding down the grooves whether on electric or upright. Russo continued his masterful drum work from the previous set with The Bogie Band. On a set-closing loose version of “Get On the Good Foot,” the band invited up a literal lineup of players from both David Ostwald’s and Stuart Bogies’ bands. Horn solos eventually became a horn backline and just like that the set was over. The hour went all too quickly, and as special as it was, we have to hope these five make music together again, it was just too good.

The Audience, Everyday

One of the key elements to live music is of course the audience. Some have expressed concerns about returning to crowded concerts and the common annoyances they can bring. But the people out enjoying the 2021 Newport Jazz Festival proved their own importance to the music. The artists fed off the crowd’s energy, it simply isn’t the same as playing to a virtual audience or half-filled room. Even at reduced capacity, it felt like the space around both stages were quite crowded the whole weekend and their excitement was infectious.

And the people came to listen. During quiet moments you could hear a pin drop. Keep in mind that at this venue the pin is falling onto grass. Then during more exuberant sets, like Khruangbin’s Friday night closer, a dance party broke out all over the lawn. Whatever the music called for, this audience was at the ready. When crowd participation was requested, everyone was at the ready to provide extra voices, hand claps, or perfectly placed “Heys!”

The weather was perfect each day and people were out in their Friday, Saturday and Sunday best. The typical concert attire of band t-shirt and whatever shorts were next in rotation was mostly dismissed in favor of a variety of fashionable dresses, button downs, pants and a very strong hat game.

It was simply a pleasure to be a part of this audience, the excellence of the music was only enhanced by being amongst like-minded music lovers who provided encouraging woos and whoops or slapped the ground or beamed a huge smile in recognition of great playing. Here’s to hoping the relationship between performer and listener can continue on unfettered, and grow to what it was not so long ago, and even stronger. We’re still stronger when we sing together.

August 4, 2021
Band Merch – a great way to support your local Artist!

New York State has an abundance of talented musicians. While music is their main priority, artists also use their creativity to produce coveted merchandise lines so that fans can rep their favorite bands all day in a variety of ways. This page features band merch collections from artists across New York State – browse these items and support the next generation of hard working musicians from across the Empire State.

Alternative/Indie Artists:

The Demos

From Rochester, this indie band is known for their beautiful, calming melodies that are easy on the ear. Their newest music to date is a single titled “Private Eye” that was released in May. The Demos have promising potential to become big around the nation, not just around New York State. Their merchandise consists of t-shirts and CDs of their EPs.

Dark Honey

Coming from Troy, Dark Honey‘s music is lyrically-rich, indie-pop-rock with an emphasis on guitar notes. They are currently selling their creative merchandise in a variety of forms including T-shirts and sweatshirts.

Melt

Melt the Band is based out of New York City and their music has been described as “One groovy super organism.” They are soulful and funky and are currently selling epic merchandise, such as beanies, posters, hoodies, and more.

Mikaela Davis

From Rochester, Mikaela Davis continues to prove her outstanding talent with every new release. Her alternative sound pulls from rock, 70s and 80s pop, and funk vibes. This fabulous artist is currently selling physical copies of her full-length album.

Sean Rowe

Sean Rowe is an indie singer-songwriter from Troy. His music evokes emotions from listeners that they have never felt before because of his stunning vocals and peaceful guitar blends. He is selling physical forms of his four albums.

The Sea The Sea

From Troy, The Sea The Sea is a powerful indie folk-pop duo featuring Mira Costa and Chuck E. Costa, who make a lovely couple in and out of the studio. Their merchandise is currently physical albums, signed posters, and various clothing items.

Funktional Flow

This alternative band from Buffalo, is known for their ability to entertain everyone, regardless of musical preference. They have gained many fans over the years, performing at major music festivals and winning multiple awards in Buffalo. Funktional Flow‘s merchandise consists of t-shirts, pins, and stickers.

Sydney Irving

Although this singer/songwriter from Syracuse, just recently began her career, she has already been nominated for three major regional music awards. Sydney gets inspiration from artists including but not limited to Taylor Swift, Tom Petty, and Post Malone. She is currently selling merchandise such as t-shirts, tank tops, and buttons.

Bandits on the Run

Bandits on the Run is a staple band in the Metro NY music scene, both below and above ground. They released their debut indie-folk-pop album in 2017, and have become even more adored ever since. They are currently selling merchandise items such as t-shirts, bandanas, and stickers.

Architrave

Architrave is a husband and wife duo from Ballston Spa. Their alternative music is heavily reliant upon post-punk guitar and basslines. They also incorporate a funky 80s flair into their tracks. They are currently selling t-shirts with differing logos on them.

The Mountain Carol

The Mountain Carol is an atmospheric electro-pop indie band from Saranac. They are most known for their mixed media art projects as well as their mysterious fan club/utopian life cult “The Divine Council.” They are currently selling physical copies of their albums, buttons, and t-shirts.

Lucas Garrett

Lucas Garrett is from Queensbury and is known for his catchy hooks that don’t necessarily fit under one category. He started playing his original music at local coffeehouses and eventually released his debut EP in 2017. He is selling physical copies of his music as well as t-shirts.

Americana/Bluegrass Artists:

Eastbound Jesus

Eastbound Jesus, from Greenwich, is an Americana/Bluegrass Northern Rock band comprised of six males. They have five albums that they are currently selling in CD format.

Electronic Artists:

Fake Dad

From Brooklyn, Fake Dad is a band that will leave listeners assured that everything will be alright, almost as if they were giving you a tight hug while blasting their tunes. The electronic tracks that the duo creates have a calming effect when mixed with their peaceful vocals. They are currently selling two epic variations of a t-shirt.

Haley Moley

Haley Moley is a talented artist from Troy, that does not fit into one category. She excels at guitar and loves electronic and disco beats. She is selling CDs of her music as well as t-shirts.

Funk/Soul Artists:

Intrepid Travelers

From Buffalo, Intrepid Travelers is a musical quartet that is rooted in friendship, fun, and freedom. Their music can be described as upbeat, groovy jams with roots in jazz, funk, and a hint of bluegrass. They treat every show as an interactive experience with the audience rather than a typical performance. The merchandise that Intrepid Travelers currently has on sale includes shirts, koozies, and pins.

Noon Fifteen

Noon Fifteen is Ithaca’s genre-bending soul combo that produces forward-thinking jams with old school instrumentalism. Their sound has been compared to Lake Street Dive as well as The Beatles, with elements of gospel, funk, and hard rock. They are currently selling a band logo t-shirt.

Pop artists:

moon kissed

moon kissed comprises of New York City natives Emily, Khaya and Leah. Their debut album was self-released and tells stories of youth and heartbreak. Their sound is inspired by artists such as Charlie XCX and St. Vincent. The trio is currently selling t-shirts and vinyls.

Girl Blue

Girl Blue is the project of vocalist Arielle O’Keefe who is based out of Troy. Her angelic voice paired with her songwriting capabilities leads her to have an extremely positive outcome on every listener. She has tons of merchandise available now, including shirts, vinyls, and buttons.

Sulene

Originally from South Africa, Sulene started her music career out of Brooklyn. She is most well-known for being the the lead guitarist for Nate Ruess of Fun. She is active in the indie-pop Brooklyn scene and has performed on stages all across the world with all kinds of people. Her aesthetically pleasing merchandise collection features t-shirts and vinyls.

Rock Artists:

Bendt

Bendt is a modern rock band from Albany. Their distinctive sound blends hard rock, alternative, metal, and funk together to produce sensational tracks. They are currently selling t-shirts and tank tops, as well as physical copies of their music.

Vaporeyes

Vaporeyes is a progressive rock band from Syracuse. Their sound can be described as an actualized collective of overactive subconscious. Merchandise for Vaporeyes comprises of hats, buttons, stickers, and more.

Grosh

Based in Buffalo, Grosh is an energetic four-piece rock band. They are known for frequently selling out local Buffalo shows, and fans love them for their heavy-hitting rock style combined with their vulnerable lyrics. They recently released their second full-length studio album, Not Down For Long. They are now selling t-shirts, koozies, bracelets, and more.

The Jess Novak Band

The Jess Novak band is from Syracuse, and is known for their powerful, fierce vocals (by Jess Novak herself) and their engaging songwriting capabilities. They can win over any crowd with their unmatched energy and soul-pumped rock sound. They are surely on the rise and have made a great impression on New York State audiences thus far. Their merchandise includes stickers, mugs, shirts, and more.

E.R.I.E.

From Albany, E.R.I.E. can be described as “Not yer Dad’s dad-rock.” The motivational messages behind their lyrics helps them stand out from other rock bands. Their first full-length album, Don’t Wanna Live, Don’t Wanna Die, was released in August 2020. They are now selling one t-shirt and physical copies of their album.

The Erotics

The Erotics, from Albany, take a very straightforward approach to rock & roll. They released their first full-length album in 1997 and fans have loved them for their constant political incorrectness ever since. They have a comprehensive merchandise list, ranging from t-shirts to dog tags to shot glasses.

Mike Grutka

Mike Grutka describes his music as, “acoustic based funky modern roots rock-n-roll.” His most recent album takes listeners on a journey through loneliness and pain to find happiness and peace. His merchandise is currently physical copies of his albums.

Joe Mansman & The Midnight Revival Band

Joe Mansman & The Midnight Revival Band is a classic outlaw rock & roll band. They successfully carry the torch for authentic rock, featuring gnarly guitar solos and impressive vocal hooks. They are selling guitar picks, koozies, buttons, and more.

Maddy Walsh & The Blind Spots

Featuring female vocalist Maddy Walsh, this band from Ithaca, is a force to be reckon with. They have gotten tons of recognition from all over the country because of the genius blend of Maddy’s vocals and her accompanying four-piece band. They are selling apparel such as tote bags and stickers as well as vinyls and CDs.

Organ Fairchild

Organ Fairchild is a highly admired organ trio from Buffalo. Their music has been described as a party that never quits. Their vibe makes you want to jump out of your seat and jam along until the sun comes up. They are currently selling their own shirts, posters, and stickers.

August 4, 2021
El Modernist Release Electric New Single “Lines”

El Modernist is a fresh take on indie rock that has an entrancing energy and stage presence. Hailing from Albany with a focus on modernizing catchy garage-rock by incorporating unique, groovy sounds, their latest single “Lines” is an upbeat, feel-good rock song that the band is incredibly excited to be releasing.

“A modern take on New Wave, “Lines” by El Modernist encapsulates raw, angular rock riffs with upbeat percussive grooves. The simple yet universal lyrics about the fabricated life around us are captured within delightfully frenetic verses, and a laid back yet hard hitting hook. “Lines” lends itself to having an instantaneously classic sound, updated for today’s listeners.”

El Modernist has gained tremendous support from the Albany community as they venture through the music industry. Every show they put on is a party, and fans of all ages come from all over New York to hear them rip up the stage. This past year, they have worked on more music than ever before. They are slowly transitioning out of their rap-rock party days and pulling inspiration from more classical alternative rock acts such as Talking Heads, The Clash, and Blondie. They cannot wait to continue pursuing their rock careers and are looking forward to booking shows all over the country.

August 3, 2021
20 Years Later: TAB’s ‘Octet’ formation Rolls through Jones Beach and SPAC

2001 was a formative year for the relatively new Trey Anastasio Band (TAB). Since sprouting roots a few years earlier, the band had already grown from a three-piece to a six-piece ensemble. Co-founders Tony Markellis (bass) and Russ Lawton (drums), along with Trey, were supplemented with the addition of a horn section consisting of Dave Grippo (saxophone), Jennifer Hartswick (trumpet) and Andy Moroz (trombone) for a short tour earlier in the year.

Come summer, the TAB outfit would add two more full-time members, rounding into an official octet. Another Giant Country Horn, Russel Remington (saxophone/flute) was added to the fray along with Ray Paczkowski, who still mans the keyboards for the band today. The addition of Paczkowski and a keyboard rig to the lineup was a clear game changer, bringing an extra layer of sound and funk that would seem irreplaceable today. Summer of 2001 would be the first time the TAB ‘Octet’ would hit the road, one that included a pair of choice NY gigs that helped close out the tour.

August 3, 2001 Jones Beach

Trey wastes no time getting this show up and running, with the wah pedal at the ready for a bouncy “Burlap Sack and Pumps” opener. It also features an extended saxophone solo from Dave “The Truth” Grippo that helps fuel the high intensity start. The crux of the first set is a 20-minute “Last Tube” that gets smoothed out nicely after some early feedback issues. Everyone gets a turn to solo on this one in a jam that slowly but steadily picks up steam throughout. Jennifer Hartswick’s enchanting harmonies shine through on “Flock of Words” before “Cayman Review,” a song that debuted only weeks ago, picks things back up. This early version is played a step or two slower than its contemporary one, but the funk is still very much evident, showing why it’s remained a staple of TAB setlists. A spirited “Moesha” later caps off a first set that, with the exception of “Words,” never comes to a full stop.

Much like “Last Tube” in the first, TAB’s second set at Jones Beach is heavily influenced by one song. “Money, Love and Change,” another new to TAB song only debuted a handful of shows ago, opens the set and doesn’t let up until well after 25 minutes later. The opening composed section sounds a little shaky as one would expect for a new song, but soon another Tony Markellis-led groove heaps fuel onto the improvisational fire and the jam is off and running. After a brief Trey/Ray duel on guitar and keys, the main theme re-emerges briefly but instead of coming to a close, the horn section leads a direct charge into “Plasma,” cementing a powerhouse start to this set. Newcomer Russ Remington shines when given the chance to lead the way on flute for a little while. Afterwards, Trey makes note of the venue’s new upper level of seats that wasn’t there the last time her played Jones Beach before launching into a scorching “Mr. Completely.”

sticker via PhanArt

After closing the second set with “Sand,” the tangible Phish vibe only grew stronger as bassist Mike Gordon came out and joined Trey for a three-song acoustic encore. With Phish still in the midst of their first self-imposed hiatus at this time, this helped to quell any unfounded rumors of the band’s early demise. The “internationally acclaimed movie director” (Gordon had recently released Outside Out) showed off his versatility and joined Trey on acoustic guitar for “Back on the Train” before switching back to bass and closing out the evening with a “Bathtub Gin” that had large swaths of the Jones Beach crown clapping and/or singing along at various points.

Take a listen to the full show here.

Trey Anastasio Band – Jones Beach Amphitheater – Wantagh, NY 8/3/01

Set 1: Burlap Sack and Pumps, Acting the Devil, Last Tube, Flock of Words, Cayman Review, Sidewalks of San Francisco, Moesha

Set 2: Money, Love and Change -> Plasma, Mr. Completely, At the Gazebo, Sand

Encore: Mountains in the Mist, Back on the Train, Bathtub Gin

Mike Gordon sat in for entire encore.

August 5, 2001 SPAC

After a quick dip into Massachusetts on August 4 for a gig at the Tweeter Center, TAB was back in NY two days later for the tour closer, this time Upstate and visiting another old friend, SPAC. With this still very much being the “early days,” a lot of the song pairings and sequences that were seen in Jones Beach would reappear here as the band’s musical repertoire was nowhere near where it is today. But much like snowflakes, no two TAB shows are completely alike.

The band drops “Last Tube” right away this evening as the opener. While it doesn’t quite reach the range of the Jones Beach version, it serves as more than an apt opener that has the band in peak form early and the Saratoga Springs crowd up and dancing immediately. Another sterling solo from Grippo and a rousing peak led by Anastasio again highlight this one. Then it’s right back into the still fledged “Cayman Review,” with Pazckowski moving nimbly between both the clav and organ. “Burlap Sack and Pumps” rounds out the opening trio, enabled by a pulsating Tony Markellis bass line that doesn’t quit. Although the order differed, the only new song in tonight’s first set from two nights prior is the calypso-infused “Alive Again” that appears later in the set, another (now) classic TAB song that was only first played earlier this summer.

Greg Haymes’ Times Union recap of TAB at SPAC

The second set at SPAC has a familiar start but does finally begin to offer a little variety. At this point of the tour, it’s evident that Trey knows which songs are the heavy hitters. Thus, the second stanza begins with a return to “Money, Love and Change.” Once more, it doesn’t quite reach the depths of the Jones Beach version, but Trey still uses the groove-filled jam that ensues as a vehicle to transition right into “Plasma” again.

The setlist then starts to offer a little variety, starting with an exquisite take on the TAB original “Drifting” where the harmony between Anastasio and Hartswick again reigns supreme. Another familiar tune to the Phish faithful emerges after this as the band doubles up on “tubes” for the evening and drops a pulsating mid-set “First Tube.” One of the gems of the entire show is TAB’s take on the soul classic “Ooh Child,” a rare polished cover that dates all the way back to the days of the original trio.

The show, and tour, is closed out in proper fashion with a set-ending “Push On ‘Til the Day” that follows along in the early TAB tradition of locking into an early groove supplied by the rhythm section of Markellis and Lawton and then expanding from there. With the entire horn section locked in as well, it’s a joyous sendoff and a fitting set closer. The instrumental “Mozambique” serves as as the encore, wrapping up a successful tour and two nights in NY for TAB.

You can listen to the full show here.

Trey Anastasio Band Saratoga Performing Arts Center – Saratoga Springs, NY 8/5/01

Set 1: Last Tube, Cayman Review, Burlap Sack and Pumps, Flock of Words, Alive Again, Moesha

Set 2: Money Love and Change -> Plasma, Drifting, First Tube > Every Story Ends in Stone, At the Barbecue, O-o-h Child, Push On ‘Til the Day

Encore: Mozambique

August 3, 2021
Rocks On Rocks Festival Coming to Buffalo August 7

Resurgence Brewing Company and Twenty6 Productions present the Rocks on Rocks Festival on Saturday, Aug 7. A full day and night festival featuring music, art, craft beer, food trucks, local artisans, busker stage, and much more. Featured artists include Aqueous who have two sets, Soul Patch, Grub, and Mom Said No.

Aqueous was born of a life-long friendship rooted in music, paired with an endless appetite for elevating and evolving their craft. Following several full-length studio albums, EP’s, and live releases, high profile performances at music festivals like Electric Forest, The Peach Music Festival, and Summer Camp Music Festival. With pop infused hooks, meaningful songwriting, and all out rock n’ roll, the band is a joyful listen. No strangers to improvisational music, the natural extension of many songs live is what makes every show unique. Blurring the lines between a multitude of styles and genres, Aqueous’ sound is explosive, fresh, and undeniably their own.

Soul Patch, Buffalo’s Premier 90’s Alternative Cover-Tribute Band, features members of Every Time I Die.

Grub, a multi-genre trio capable of delivering funk-driven madness, improvisational bliss, and shoe-gazing glitch-o-matic soundscapes. A true wildcard in today’s music scene from Niagara Falls, NY. With the intent of drawing in music lovers of all sorts, the boys continue to push the envelope in modern musical expression.

Grub’s original catalog can be described as uniquely inventive, adventurous, and welcoming to new listeners. Each song showcases a seamless blend of genres such as funk, psychedelic rock, electronic, hip-hop, metal, and reggae amidst a pop-esque composition, so there are elements on the table for all. A live Grub performance showcases their original tunes as well as their improvisational chops, while captivating the crowd by teasing dancy and nostalgic covers from over the decades.

Mom Said No has perfected its own brand of high-energy, dramatic, tuneful, and memorable alternative pop.

To learn more about Twenty6 Productions, please visit the website and follow along on Facebook and Instagram.

The Rocks on Rocks festival is at Resurgence Brewing Co located on 55 Chicago St in Buffalo, NY. Gates open at 1:00 pm on Saturday Aug 7 and shows are from 2:00 pm to 11:00 pm. The event is for everyone ages 21 and over.

Rocks on Rocks General Admission tickets are $35 when bought in advance and $50 day of show. VIP tickets are $85 when bought in advance and $100 day of show. VIP tickets include: Front of stage access, private bathrooms, VIP area, VIP bar, complimentary food/snacks, and a festival poster.

Tickets for Rocks on Rocks are on sale now at twenty6productions.com.

August 3, 2021

Built in Breakdance