Category: Media

  • Don Everly, 1937-2021

    Don Everly, the remaining half of the iconic Everly Brothers, has passed away at the age of 84. Together with his brother Phil, The Everly Brothers helped revolutionize and form the early sounds of the rock and roll movement that would engulf America. Their distinguished harmonies accompanied with elements of country music would go on to influence an entire generation of fellow musicians, enabling them to be one of the first artists to be inaugurated in the Rock & Roll Hall of Fame, alongside Elvis Presley, Chuck Berry, Little Richard, Buddy Holly and Jerry Lee Lewis in 1986. Phil Everly later passed on in 2014 at the age of 74.

    Don Everly

    Issac Donald “Don” Everly was born on February 1, 1937, about two years before his brother Phillip. They spent most of their childhood in Shenandoah, Iowa, raised by musically-inclined parents who performed country music throughout the South and Midwest before moving to Iowa. Their father Ike hosted a show on local Iowa radio, first singing with with his wife Margaret, and later “Little Donnie” and “Baby Boy Phil” joined them as the Everly Family. The family would later relocate to Knoxville, Tennessee. Here, the brothers would find work on Cas Walker’s Farm and Home Hour, a regional radio and TV variety program. They managed to catch the eye of Chet Atkins, who managed RCA Victor Studios in Nashville and was also a family friend. Atkins was somehow able to get the brothers a recording deal with Columbia Records in 1956. However, the lone single “Keep a-Lovin Me,” which Don wrote and composed ,flopped and the Everlys were quickly dropped by the label.

    Again with the help of Atkins, they were later hired by Acuff-Rose music publishers in Nashville, but strictly as songwriters. However, this connection helped finally launch their career as they were soon introduced to a Cadence Records label that was looking for recording artists. At Cadence, they were presented with a song that had been rejected by dozens of other artists previously. But the Everly Brothers would record it in February of 1957, and their lives would never be the same again. “Bye, Bye Love” reached No. 2 on the pop charts, fighting with Elvis for radio airplay, and also reached No. 1 on the country and No. 5 on the R&B charts.

    Their follow up to “Love” was somehow even more successful, with “Wake Up Little Susie” topping both the pop and country charts just a few months later. Both songs, and many of their other hits like “All I Have To Do Is Dream” and “Bird Dog,” were all written by the husband-and-wife Nashville writing team of Boudeleaux and Felice Bryant that Cadence Records employed. Their early hits helped them land an opening spot for Buddy Holly and the Crickets for tours in the late ’50s. Their innovative “countrified” rock style and distinct harmonies would begin to plant the seeds of influence for some of the greatest bands of the latter half of the 20th century. The Beatles once referred to themselves as the “British Everly Brothers” in their nascent days and Simon and Garfunkel have readily admitted to them being the driving influence behind their collaboration.

    Phil and Don were the most beautiful sounding duo I ever heard. Both voices pristine and soulful. The Everlys were there at the crossroads of country and R&B. They witnessed and were part of the birth of rock and roll.

    Paul Simon

    After three years at Cadence, the Brothers would sign with Warner Bros. Records in 1960. It was here that they recorded their first successful hit that they wrote and composed themselves, “Cathy’s Clown.” It would go on to sell eight million copies and become the duo’s biggest-selling record. It’s also the first song ever that Warner Bros. released in the UK. If there’s any doubt as to the popularity of this song, it somehow even made its way into a Phish show as the opener for their show at SPAC on 7/2/19.

    The Everly Brothers would continue to churn out Top 10 hits in both the US and UK throughout the early ’60s like “Walk Right Back,” “Crying In The Rain” and “The Price Of Love.” In fact, they would average one Top 10 hit on the pop charts every four months from 1957 to 1961. However, royalty disputes would later emerge with Acuff-Rose, to the point where The Everly Brothers would only record songs from other composers/publishers so as not to pay them anything. This also meant they were cut off from working with the Bryants who had written so many of their hits.

    Both brothers enlisted in the United States Marine Corps Reserve in 1961. They did resume their career after being discharged from active duty, but their success in the US would begin to dwindle. The Everly Brothers’ last US top 10 hit was 1962’s “That’s Old Fashioned (That’s The Way Love Should Be)”, a song recorded but unreleased by The Chordettes. Album sales began to dwindle as well. The Everlys’ first two albums for Warner Bros. peaked at No. 9 US, but after that, of a dozen more LPs, only one made the top 200: 1965’s Beat & Soul. By the end of the 1960s, the Everly Brothers still maintained some success in Canada, the UK and Australia, but returned to their country rock roots with 1968’s Roots which was critically acclaimed. But this wasn’t enough to keep their contract with Warner Bros. from lapsing after ten years. In 1970, Don Everly released his first unsuccessful solo album. The following year, the brothers would resume touring once more, with Lindsey Buckingham joining them in 1972. But sadly, the brother’s relationship also frayed over the years. Their last performance together took place on July 14, 1973 at Knott’s Berry Farm in Buena Park, CA with Phil smashing his guitar and walking off stage leaving Don to finish the show by himself while famously remarking, “The Everly Brothers died ten years ago.”

    Don Everly

    Both brothers would then go on to pursue solo careers, with Don Everly finding some minimal success on the US country charts in the mid- to late-1970s with his band Dead Cowboys, and playing with Albert Lee. He also recorded with Emmylou Harris on her 1979 album Blue Kentucky Girl. But nothing approached the commercial success he had experienced with his brother.

    The brothers would later reunite in 1983, with a concert at the Royal Albert Hall in London which was recorded for a live LP and video broadcast on cable television. This helped put them back on the map and included a new album EB ’84, produced by Dave Edmunds with its single “On The Wings Of A Nightingale” written by none other than Paul McCartney. It returned The Everly Brothers to both the US and UK pop charts for the first time in more than a decade.

    Their last charting hit would be in 1986 with the title track to Born Yesterday. Afterwards, their career consisted of mainly collaborations with other artists. They would go on to provide backing vocal’s on Paul Simon’s signature solo effort, Graceland. And later, in 2003 and 2004 on Simon and Garfunkel’s “Old Friends” reunion tour, they would share the stage again. As a tribute to the Everly Brothers, Simon & Garfunkel opened their own show and had the Everlys come out in the middle of it. At almost all shows, Simon made a point to express how much of an influence the brothers had on his career.

  • This Week’s EQXposure Features Paul Moody, The William Deuel Band, And More

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Paul Moody, the William Deuel Band and many more!

    Paul moody

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Paul Moody

    Folk singer-songwriter Paul Moody is a recent Woodstock transplant from Chicago, who also performs under the name Moody Jr. His upcoming album Songs From Youth, out this October, is preceded by the contemplative, personal single “Breaking Into Cars.”

    Moody’s music is immersive and ambient, with detailed soundscapes you can almost meditate to. The best example is “All I Had Was You,” his most-played song on Spotify with almost 500K streams.

    The William Deuel Band

    Formed in Saratoga Springs in 2018, The William Deuel Band is a unique amalgamation of the Rolling Stones and Nirvana, with some country and blues thrown in for good measure. Their newest full-length effort, Moment in Time, features frontman William Deuel, drummer Chris Reed, Jr., and bassists Jason Brown and Ethan Henderson. Highlights include “Ballroom Bananas” and “Can’t Wait on Sunday.”

    The Great Pacific Garbage Patch

    “Situational Comedy” is the final track on The Great Pacific Garbage Patch’s debut album, You’ve Changed. Despite its title evoking images of Michael Scott or Leslie Knope causing hilarious hijinks at their workplace, this pop punk tune is bleak and anxious, referencing The Truman Show and a self-conscious feeling of being watched by an audience: “And it’s been a good run / I just hope that I could give the people what they want.” The Albany trio is made up of drummer Jordan Demarest, bassist Dan Haggerty and lead singer and guitarist Will Kachidurian.

    You’ve Changed by The Great Pacific Garbage Patch
  • In Focus: Lindsey Stirling at SPAC

    On August 16, 2021, Lindsey Stirling graced Saratoga Performing Arts Center with an incredible performance. From daredevil aerial spinning to intricate choreography, her show is one for the ages. Sterling said during her set that she always imagined herself becoming what she is today, a badass playing violin and dancing to dubstep, wearing the most fantastical costumes.

    Lindsey Stirling
    Photo by Zach Culver

    Lindsey’s Artemis Tour, named after her latest album release, is just as outrageously out of this world as any of her work. Every few songs a video would come up on the massive LED screen behind her playing a fable of sorts, usually incredibly strong and uplifting, inner beauty and strength being a key point in all her messages. She dives deep into each genre of… well, everything she gets into. Her music ranges from heavy dubstep to classical and back to pop, and her stage performances always have incredible themes.

    Lindsey Stirling

    Artemis is very much an album based in ancient fantasy. The videos between songs showed Lindsey Stirling in full costume in the middle of the woods, bow in hand, among her clan of pre/post-apocalyptic hunters. As she dove into her other albums, her costumes and themes changed with them. A Choose Your Own Pirate Adventure got the crowd cheering as the fair maiden and her crew acted out insanely hilarious and amazing choreography.

    Lindsey Stirling

    The Artemis Tour takes Lindsey out west for a handful of shows before a five-month hiatus. In late February 2022, she begins her World Tour of the same name beginning in Sydney, Australia and ending in Kiev, Ukraine.

    Setlist: Artemis, Til the Lights Goes Out, Darkside, Shatter Me, Masquerade, Master of Tides, Love Goes On and On, Crystallize, Married Life > Once Upon a Dream > A Dream Is a Wish Your Heart Makes / You’ve Got a Friend in Me, Between Twilight, Sleepwalking, The Arena / Underground, Roundtable Rival / Don’t Let This Feeling Fade, First Light, Mirage

  • Hall and Oates are “Back Together Again” at SPAC

    Rescheduled from 2020, Daryl Hall and John Oates had been waiting to get their tour on the road for almost as long as we’ve been waiting to see them again. On Sunday, August 15th, they arrived with some 13,000 fans at Saratoga Performing Arts Center, one of the biggest crowds this venue has seen in some time. English band Squeeze opened the show.

    hall and oates
    Photo by Zach Culver

    The duo came out, clad in their best rocker gear, followed by their band. Starting out with the classic “Maneater” the crowd was in from the start. They ripped through a few of their oldies before Daryl moved over to his grand piano for “Sara’s Smile.” After tearing up the crowd’s heartstrings he moved back over to center stage with his counter-part. The whole band came in strong for “Back Together Again,” surely being a very meaningful track for them after this past year.

    hall and oates

    30 minutes before their slotted end time they left the stage, leaving the crowd hungry for more. Little did they know what they were in for. Hall and Oates came back on stage for a four song encore, starting with “Rich Girl” and flowing into “Kiss on My List,” “Private Eyes,” and lastly, “You Make My Dreams.”

    hall and oates

    The duo headed west after Saratoga and the next time they will be near New York State will be September 18th at the Merriweather Pavilion in Columbia, MD and Foxwoods Casino in Mashantucket, CT to close their tour on December 3rd and 4th.

    Setlist: Maneater, Out Of Touch, Method of Modern Love, Say It Isn’t So, You’ve Lost That Lovin’ Feelin’ (Barry Mann cover), She’s Gone, Sara Smile, Is It a Star, Back Together Again, I Can’t Go For That (No Can Do),

    Encore: Rich Girl, Kiss On My List, Private Eyes, You Make My Dreams

  • Billy Joel Dazzles Buffalo at Highmark Stadium

    Billy Joel performed at Highmark Stadium in Orchard Park on Saturday, August 14 for his rescheduled 2020 date, with thousands of fans packing the Buffalo Bills stadium in a highly anticipated event that marked the return of concerts at the venue since the pandemic began.

    This was the first full capacity event to happen at Highmark Stadium, and the fans were really enjoying it. From tailgating out in the lots, to everyone together in the stadium the atmosphere was nothing short of electrifying. 

    The rules in place were well respected to give the best and safe experience as possible. Masks were required by all fans and staff when inside of the stadium concourses or in the bathroom. 

    Shortly after 8:30pm the stadium filled in as eager fans waited for the Piano Man to take the stage. The piano sat front and center in plain sight looking immaculate as anticipation grew for the performance to start. Fans were up front holding an assortment of different signs expressing their love and gratitude to Billy Joel, one woman even holding a sign saying how she named her child after him. 

    Billy Joel buffalo

    With an eruption of applause and cheers Billy Joel took the stage, giving a brief wave and smile to the crowd before taking his seat at the piano. Immediately he opened up with “Movin’ Out’ setting the crowd off into cheers. Billy Joel transitioned his songs flawlessly as one would expect from the lifetime of experience of performing music. Billy Joel performed “Miami 2017” and then “Pressure” before addressing the crowd with a “Hello Buffalo!”

    Billy Joel buffalo

    While being considered one of the greatest musicians of all time, Billy Joel also brings with him a fun and witty sense of humor. This was showcased when he informed the crowd of the origins of Buffalo’s name, stating it was too difficult of a French word to pronounce, so it ended up being “Buffalo”

    Billy Joel went on to perform an electrifying 24 song set that seemed to go way too quickly. Joel is known for bringing other musicians on stage with him, and it was no different for Buffalo. Introducing John Rzeznik of the Goo Goo Dolls, a Buffalo native, they performed the bands hit “Iris” This was very well received by fans as everyone in the stadium was singing along, as Rzeznik looked like he was having the time of his life.

    The set consisted of many of Billy Joels top hits including “New York State of Mind”, “Allentown”, “She’s Always a Woman”, “Scenes From an Italian Restaurant” and of course to end the set was “Piano Man”. But Billy Joel wasn’t finished yet – coming back for a five song encore of “We Didn’t Start the Fire”, “Uptown Girl”, “It’s Still Rock and Roll to me”, “Big Shot”, and “You May Be Right” to finish the night off. 

    Billy Joel gave a masterclass in live performance in Buffalo, and he shows no sign of slowing down. He truly is one of the greatest performers of all time, and demonstrated that with the combination of a beautiful production and his ability to command the crowd with his presence. 

    Setlist: Movin’ Out(Anthony’s Song), Miami 2017(Seen the Lights Go out on Broadway), Pressure, Summer, Highland Falls, The Entertainer, Vienna, Zanzibar, New York State of Mind, Don’t Ask Me Why, Iris(Goo Goo Dolls cover with John Rzeznik), Allentown, My Life, She’s Always a Woman, Sometimes a Fantasy, The River of Dreams (With “Tush” by ZZ Top interlude), Only the Good Die Yound, Nessun dorma (Giacomo Puccini cover with Mike DelGuidice) Scenes From an Italian Restaurant, Piano Man

    Encore:We Didn’t Start the Fire, Uptown Girl, It’s Still Rock and Roll to Me, Big Shot, You May Be Right

  • Modest Mouse Parade Discography, ‘The golden Casket,’ Over Four Nights In Brooklyn

    Modest Mouse wrapped up a four night stay at Bushwick’s Brooklyn Steel on Saturday, August 14th in celebration of their seventh LP The Golden Casket. Providing a different setlist each night, Modest Mouse played a significant portion of the new record along with songs from their entire catalog.

    Modest Mouse golden Casket Brooklyn
    Modest Mouse at Brooklyn Steel, 8/13/2021. Photo by Buscar Photo

    The Golden Casket was released this past June, six years since the band’s previous record Strangers to Ourselves came out back in 2015. For nearly a quarter century, Modest Mouse have been making pop-infused indie rock and amassing a devout following. That was on clear display at Brooklyn Steel last week; arguably a smaller venue for the group, but four nights quickly sold out and the audience would have stayed there all night had they kept playing. Even after a 2 hour show with a 6-song encore, barely anyone left the floor until security began ushering the crowd out.

    Modest Mouse golden Casket Brooklyn
    Isaac Brock of Modest Mouse. Photo by Buscar Photo

    The new record draws on Modest Mouse’s signature sound, with a more psychedelic edge. Songs like “Leave a Light On” and “We’re Lucky” showcase shimmering guitar and horn loops while “Wooden Soldiers” and “The Sun Hasn’t Left” are reminiscent of Magical Mystery Tour era Beatles. These songs combined with quintessential Modest Mouse indie rock tunes and an artistic theme filled with rainbows and bright colors give The Golden Casket it’s own distinct place in the band’s discography.

    Modest Mouse golden Casket Brooklyn
    Modest Mouse at Brooklyn Steel, 8/13/2021. Photo by Buscar Photo

    The lengthy ‘MMXXI’ tour continues with a dense schedule all the way through the end of October. You can find the full list of dates and ticket links on the band’s website HERE. Check out the music video for The Golden Casket lead single, “We Are Between” as well as the full photo gallery from night 3 at Brooklyn Steel below.

    As of Monday, August 16th, New York City is requiring proof of vaccination for most indoor activities including concerts, indoor dining and gyms. Depending on the show in question, negative COVID tests may be required in addition to vaccination. Make sure to check the policy of the show and venue in question. You can find Bowery Presents policies HERE.

  • In Focus: Zac Brown Band, “The Come Back Tour” at Bethel woods

    Imagine if you will, the Zac Brown Band’s “The Come Back Tour” as a Phoenix rising from the depths of musical silence. The 2021 tour, running from August to October, incorporates a host of rotating special guests to help reinvigorate those who had fallen into the abyss of the last year. The stop at Bethel Woods Center for the Arts in Upstate New York featured Ashland Craft opening and Teddy Swims in the middle spot with Zac Brown Band headlining

    Ashland, inducted into CMT’s Next Women of Country Class of 2021, took to the stage with an “it’s time to party and let’s get it going” demeanor.  In shorts and knee-high boots, Craft and band reinforced the vibe with “I Smoke Weed” and the classic rocker “American Woman.”

    Teddy Swims opened his set strutting from one end of the stage to the other, deviating from a pure country sound to one with rap induce lyrics.  He is a performer who can traverse many musical paths.  At mid set, Karl Michael joined Swims on stage. The two performed their just released single “Liar.” From this point on, Swims’ vocal power became apparent.  Closing with the powerful and emotional anthem “Bed on Fire,” Teddy solidified why he is part of the tour.

    Zac Brown Band bethel
    The Zac Brown Band

    The Zac Brown Band offered the packed house a two-hour night of music that reached well beyond country.  Throughout the night, Brown introduced tunes from his upcoming album release The Owl, most notably “Same Boat.” Classics such as “As She’s Walking Away” and “Whatever It Is” were standouts to his extensive catalog and not left by the wayside.

    Zac appears like a warrior onstage: big, bold, and defiant with his guitar strapped to his barrel chest, ready to take on anyone who would challenge him.  Mid-way through the night, he stripped down to a microphone for “Colder Weather.”  That song found Brown opening himself up to the audience as if to expose his vulnerabilities.  The sold-out crowd reciprocated back with big love for this genuine gesture that found Brown tapping his hand over his heart in humble appreciation.  

    To be clear, this is The Zac Brown Band and not Zac Brown supported by a group of musicians. Members of the band, affectionally called (musical) ninjas by Zac, stepped up front and center throughout the night sharing their musical abilities.

    This was not a night devoted solely to country.  Not at all. The set included the Beatles “Blackbird,” Adele’s “Rolling in the Deep” (performed with Teddy Swims), Metallica’s “Enter Sandman” to name a few, offering something for everyone and acknowledging the bands apperception for good music, no matter the groove. The encore proved entertaining starting with an eight-song medley (Black Betty / I Want You to Want Me / Two Tickets to Paradise / La Bamba / Come Together/ Jump Around / Love in an Elevator / What’s Up), followed by Elton John’s “Rocket Man.”  Of course, no Zac Brown Band show could end without “Chicken Fried” filling the hall to take everyone home.  At the end of a hot night on the hollowed grounds of Bethel Woods, the musical horizon was once again ablaze with music, sweet music.

    Zac Brown Band

    Teddy Swims

    Ashland Craft

  • This Week’s EQXposure Features Kimberly Hawkey, Canella And More

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Kimberly Hawkey, Canella and many more!

    Canella

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    Kimberly Hawkey

    Kimberly Hawkey’s album We the Nighthawks is begging to be adapted as a musical. Combining jazz, folk and Broadway influences, each of its 13 tracks tells a stage-ready story ripped from the Great American Songbook. The album’s title track, a melancholy piano ballad, is a love letter to the insomniacs and night owls staying up while the rest of the world sleeps. Hawkey is also the lead singer of NYC swing sextet, The Swingaroos. This Tuesday, August 17, you can catch her performing at The Linda, WAMC’s performing arts studio.

    We the Nighthawks by Kimberly Hawkey

    Custom, center

    Canella

    Canella is a new project from former members of Albany band Waitress. On “Quiet Love,” lead singer Juliana Castrillon shares her experience with homelessness and finding her way back: “I won’t miss the times before, I was locked right out the door.” The video, directed by El Modernist lead singer Will Fredette, showcases Castrillon’s journey, from waiting at a bus stop with a suitcase to experiencing happiness and safety again.

    Bathrobe Robots

    Bathrobe Robots is a sibling duo made up of Devon and Linnea Seegers. Their Facebook bio reads “Sibling robots crash landed in the desolate countryside of upstate New York, and decided to make some music.” Their glitchy, politically-charged, Grimes-channeling single “Speak Now” encourages listeners to make a difference by using their voices.

  • And We’re Free of Time: Phish Complete a Run for the Ages on the beach in Atlantic City

    Phish began its three-night siege of Atlantic City last night with a concert on the beach that was a year in the making. Like most of this summer tour, this was the rescheduled date after being postponed last year due to the pandemic. With plenty of fans still masked up and partying safely, Phish more than made up for lost time with a show that surely stood out among the other customary bright lights along the iconic Jersey boardwalk.

    photo: Dave DeCrescente

    In a fitting nod to the locale, “Cars, Trucks, Buses,” the notable New Jersey Turnpike driving lane designation, was tapped to open the show. This gave way to an “AC/DC Bag” that followed, with Trey Anastasio ad-libbing a “put ’em on the beach” lyric much to the crowd’s delight. The ensuing jam bled nicely into “Blaze On” and Phish was off and running. The first set later featured an appearance from drummer Jon Fishman and his trusty vacuum for “I Didn’t Know” and an explosive “Funky Bitch” contained the first of two distinct “Fire” (Ohio Players) teases from Anastasio this evening. In an all too fitting selection, an exploratory “Sand” later closed out the opening set in grandiose fashion as fans danced and kicked it around on the beach.

    Phish Atlantic city
    poster by Maria DiChiappari

    In a move that surprised no one, the second set continues to be a warehouse of monstrous, type-II jamming from Phish and the first night of Atlantic City would prove no different. The intensity on the beach reached a new level once the opening notes of “Tweezer” rang loud and true. True to form, “Tweezer” could have been jammed out for the entire second set and there would have been few complaints. Instead, after an extended visit, the music slowly veered into the opening notes of another classic jam vehicle “Bathtub Gin.”

    At one point, it seemed like the set could very well be just a few songs, all jammed extensively. Instead, Phish threw in a couple more songs, starting with the upbeat and uplifting “Everything’s Right.” A rambunctious “Possum” popped up later in the set, only to be steered directly into an intense “2001” that set off the entire beach into a synchronized frenzy. The late second set “Harry Hood” was perfectly placed and performed to perfection. However, fans will have to wait (at least) one more night for the anticipated “Tweezer Reprise” as the lone encore this evening was a cover of The Rolling Stones’ “Loving Cup,” leaving plenty on the table for nights two and three to follow.

    Phish Atlantic city
    photo: Dave DeCrescente

    Setlists via Phish.net

    Friday, August 13, 2021

    Soundcheck: Theme From the Bottom, My Soul, We Are Come To Outlive Our Brains, Lonely Trip

    Set 1: Cars Trucks Buses, AC/DC Bag > Blaze On, Wolfman’s Brother, I Didn’t Know, Funky Bitch, Rift, Sand

    Set 2: Tweezer > Bathtub Gin > Everything’s Right > Possum > Also Sprach Zarathustra > Rise/Come Together > Harry Hood > More

    Encore: Loving Cup

    On Saturday, slow Llamas got Drowned as Phish took stage for night two of their three night run in Atlantic City. The Vermont quartet immediately set the tone with a slow “Llama” to get the funk going. Page McConnell immediately got scratching on his clavinet and stayed atop of the clav for more funk on “Tube” with Trey’s Wah pedal still in effect.

    Any first set “Reba” that unfolds naturally like it did on Saturday immediately set the crowd off into a frenzy. A nod to beach side reggae ensues with Bob Marley’s “Soul Shakedown Party” The first set ended with Page’s solo over the quiet ocean for “Squirming Coil.”

    Phish Atlantic city
    photo: Dave DeCrescente

    “I Never Needed You Like This Before” a new tune that breathes rock and roll while including Phishy tension. Roger Daltery’s words “Let me get back to the ocean, let me get back to the sea” carried across the Atlantic on a raucous cover of The Who’s “Drowned.” Trey and Page reunited on the wah funk pedals and clavinet during a second set “Ghost” that came full circle with Chris Kuroda’s lights and”No Quarter” by Led Zeppelin brought in another chilling cover for the night. 

    During the encore Phish sublimated the crowd with the “Life Beyond a Dream” before revisiting the “Tweezer” that started Set 2 Friday night, with “Tweezer Reprise” certainly sending everyone back to the dunes with a smile.

    Saturday, August 14, 2021

    Set 1: Llama[1], Tube, Destiny Unbound > Ya Mar, 46 Days, Reba[2], Soul Shakedown Party, Split Open and Melt, The Squirming Coil

    Set 2: I Never Needed You Like This Before, Drowned > Ghost -> Scents and Subtle Sounds[3] > Chalk Dust Torture[4] > No Quarter > Slave to the Traffic Light > Suzy Greenberg

    Encore: A Life Beyond The Dream, Tweezer Reprise

    [1] Performed in slow, funk style

    [2] No whistling

    [3] Did not contain the intro

    [4] Unfinished

    Never miss a Sunday show. It’s been a mantra for Phish fans since the 1990s, and once again the band delivered an excellent closing to what could easily become a regular stop for the band.

    Opening up with the rare “The Landlady” caught everyone’s attention shortly before 8pm. The band dipped into the intro section of “Scents and Subtle Sounds,” which clocks in at under two minutes, but the final line “the moment never ends” segued perfectly, and lyrically, into “The Moma Dance.” Fans who caught this subtle connection were elated, but who couldn’t be when a 16 minute “Moma” was in store for the beach. A well placed “Mike’s Groove” filled the middle of the set, while an energetic 20-minute “You Enjoy Myself” closed the set. 

    cory rowe atlantic city
    Poster by Cory Rowe

    A fiery “Carini” lit up the beach to start the final hurrah of the weekend, leading into “Set Your Soul Free,” giving a release of energy for the thousands elated to be dancing to live music once again. The most perfect placement for the weekend goes to “Beneath a Sea of Stars Part 1” which followed. The timing of this serene and at times ambient number from Ghosts of the Forest has found a home in the exhaust of jams, breathing new life for the crowd here together.

    A top notch “Piper” followed, a highlight of the weekend for some, with the requisite “Waves” following and sending fans into the ocean, if they hadn’t been already. The set closed with “First Tube,” as energetic as ever, and setting the stage for a double encore of “Fluffhead” and “Backwards Down the Number Line.” 

    For a weekend on the shore, amid concerns of large gatherings, Phish pulled off a memorable as ever run of shows in Atlantic City, ones that stand free of time as their best in America’s Playground.

    Setlist via Phish.net 

    Set 1: The Landlady, Scents and Subtle Sounds[1] > The Moma Dance[2] > The Final Hurrah > Mike’s Song > I Am Hydrogen > Weekapaug Groove, The Sloth, Roggae > Back on the Train, You Enjoy Myself 

    Set 2: Carini > Set Your Soul Free > Beneath a Sea of Stars Part 1 > Piper -> Carini > Waves > Simple > About to Run, First Tube 

    Encore: Fluffhead > Backwards Down the Number Line 

    [1] Intro only[2] Unfinished Scents and Subtle Sounds was only the intro. The Moma Dance had a Scents and Subtle Sounds tease and was unfinished. Mike’s Song had a Strawberry Letter 23 tease from Trey. Set Your Soul Free had teases of I’m a Man, Carini, and Linus and Lucy. The soundcheck’s jam contained Soul Planet quotes from Trey.

  • Thunderstorms Create Impromptu ‘We Are Scientists’ Acoustic Set

    On Tuesday, August 10, NYC based band We Are Scientists were scheduled to play a one-off warm up show at Brooklyn’s Elsewhere Rooftop. Right as doors were set to open, severe thunderstorms rolled in and forced the band to postpone the show (now scheduled for September 20th at the Rooftop). The crowd waiting in the loft was told that We Are Scientists would come out and perform an impromptu acoustic set in the empty Hall downstairs. Not quite knowing what to expect, fans filed down the stairs and into the main venue at Elsewhere.

     We Are Scientists acoustic
    We Are Scientists, Elsewhere 8/10/21. Photo by Buscar Photo

    At about 9:15pm the band came out on the empty stage armed with an acoustic guitar, a snare drum, and three voices. Keith and Chris engaged in some comedic back and forth with the crowd, joked about the lack of amplification and the barrier still in place in front of the stage, then treated the fans to a 20 minute acoustic performance (plus one air-bass solo) of old and new songs. Any disappointment over the postponed show quickly evaporated as the crowd engaged in an enthusiastic sing along. In spite of the circumstances, the guys were able to give their fans a special treat that will surely be cherished by those who stuck out the rain.

     We Are Scientists acoustic
    Keith Murray of We Are Scientists – Photo by Buscar Photo

    The postponed warm-up show will be made up at Elsewhere on September 20th with a full European tour kicking off on November 24th in the UK. In between, the band’s new record, Huffy, will be released on October 8th on 100% records. Full tour dates can be found HERE – check back in September for a review of the show and the new record. You can watch the music video for latest single “Contact High” below.