On September 3, Preservation Hall Jazz Band drew in a packed house at The Ridgefield Playhouse bringing with them the soul of New Orleans jazz and heritage. With merely less than a week since the devastating Hurricane Ida hitting New Orleans, their keep-your-head-up spirit radiated from their voices and music. (Links to NOLA hurricane relief fundraisers are included at the end of the article)
Preservation Hall is celebrating a big milestone this year. It’s the 60th anniversary since their founding in 1961 after Allan and Sandra Jaffe inherited a hybrid art & music gallery space on St. Peter Street in the French Quarter. Today the band is carries on a family tradition being led by Allan’s son, Ben Jaffe. Much like the nightly concerts put on by members of the Preservation Hall collective at their New Orleans venue, the show took us through various flavors of the New Orleans jazz tradition with the spice of their own touch blending other cultural music styles in their arrangements.
The second set brought a special surprise for the audience, in a way a blessing introduced by Hurricane Ida. Jaffe walked out on stage with a clarinet to say some introductory words, referencing a musician who, because of the hurricane timing, evacuated New Orleans with the band rather than other possible alternatives. A living legend of the Preservation Hall collective, 89-years-young Charlie Gabriel, was brought out for the entirety of the remainder of the show. Gabriel’s passion for the saxophone, music, and comradery for his bandmates gave him a youthful but refined liveliness as he stood alongside his bandmates on stage.
That French Quarter street music feel had many toes tapping the whole night and as the heat grew on stage the theater was brought to their feet, seemingly shaking loose the weight of the past year. The band capped the end of the night with two burners, “La Malanga” and their Cuba-inspired composition “Keep Your Head Up.”
Preservation Hall Jazz Band Setlist:
Set 1: Tin Roof Blues, One Hundred Fires, Rich Women, Tootie Ma, So It Is, Santiago, That’s It!
Set 2: Come With Me/Convergence, Dear Lord, I Am, La Malanga, Keep Your Head Up
In the wake of Hurricane Ida, there are several ways to contribute to help New Orleans musicians and the NOLA community in Hurricane Ida relief:
Wantagh hosted “The Metal Tour Of The Year” at Northwell Health at Jones Beach Theater, featuring Megadeth, Lamb of God, Trivium, & Hatebreed. Billed as “The Metal Tour Of The Year” and rightfully so, as each one of these bands could easily headline their own respective tours.
Fans of all ages packed in the beautiful Jones Beach Theater in Long Island in a buzz waiting for the show to begin. Originally scheduled to open the tour was In Flames, but due to COVID the band ultimately decided not to tour. Hatebreed graciously accepted the position and gave a fantastic heavy, fast paced set that really set the bar for the show.
While only performing 8 songs in total, Hatebreed didn’t slow down at all performing favorites such as: “I Will be Heard”, “Smash your Enemies”, an epic Slayer cover of “Ghosts of War”, and “Perseverance”. While their set flew by, they finished with an exclamation point with their hit “Destroy Everything”. Hatebreed was the perfect replacement for In Flames to open this tour, and fans were very welcoming and receptive to their performance.
Following Hatebreed, Trivium is set to take the stage and fans are starting to fill in the theater. Anticipation was certainly high as the crowd chanted the bands name prior to them taking the stage. After a brief instrumental prelude, Trivium roars right into their new hit “In The Court of The Dragon” which sends Jones Beach into a roar. While also only playing an 8 song set, Trivium flowed seamlessly through their performance. Following up right into “Catastrophist” and then “IX” really showcased how tight of a band Trivium is. It is unfortunate they were only allotted 8 songs, though all of them being their top hits which included “What The Dead Men Say”, “Down From The Sky”, “The Heart From your Hate”, “Feast of Fire” and closing with “In Waves”. Triviums stage presence was something to be admired as singer/guitarist Matt Heafy moved around the stage and interacted with the crowd. Overall their set was very well done for the time they had allotted.
Next up was the co-headliner of the tour, and one of the biggest metal bands in the modern era – Lamb of God. Lamb of God is known for their absolutely captivating live shows, with an energy that is just unmatched by singer Randy Blythe. Tonight would be no different, as the crowd chants “Lamb of God, Lamb of God” over and over waiting for their show to start.
Opening with “Momento Mori” the lights are all dimmed down as the intro places and the band one by one takes their places on stage. As the intro progresses Randy Blythe makes his way front and center perfectly times as he opens with a epic scream of “Wake Up” and the band immediately fires on all cylinders. Randy Blythe isn’t just any front man, he is one of the absolute best in the business and commands your attention with his stage presence. From the beginning to the end of their set, Blythe doesn’t stop moving and jumping around the stage, feeding off of the crowds energy. Their set was fast paced, heavy, and in my opinion one of the best live metal shows to see.
Their set included a mix of old and new songs, all of which fit perfectly into their performance. Going right into “Ruin” the crowd doesn’t have any time to relax, as the mosh pit grows in ferocity and crowd surfers are seemingly nonstop. One of the highlights of their set was the third song, “Walk With Me In Hell” which included an enormous amount of pyrotechnics. Randy also played into the pyro of the set, performing a glorious jump off the drum risers as the flames were all rising at once. The rest of their 12 song set included hits “Now You’ve Got Something To Die For”, “512”, “Vigil” “Contractor”, “Laid To Rest”, and ending their performance with the very high energy “Redneck”. Lamb of God is a must see for any fan of metal music whenever they come around.
Lamb of God Setlist: Momento Mori > Ruin > Walk With Me In Hell > Resurrection Man > Now You’ve Got Something To Die For > Set To Fail > New Colossal Hate > 512 > Vigil > Contractor > Laid to Rest > Redneck
It was finally a time for Megadeth to take the stage and fans were pumped after Lamb of Gods performance. While not as heavy of a band, Megadeth are legends and are one of the “Big 4″(Metallica, Slayer, Anthrax being the others) so fans were in for a treat tonight. Vocalist and founder Dave Mustaine recently won a battle with throat cancer, which makes seeing them perform that much more special.
Opening with “Hangar 18” the crowd erupts into applause and screams as Dave takes the stage dressed in a white shirt and jeans. The band sounded great and Mustaine was still performing exceptionally well, especially giving the circumstances he has gone through. The production was top notch with the drums also sitting high up on risers and a giant blue “MEGADETH” sign lit up the background. The band transitioned extremely well between songs, playing “The Threat Is Real” right into “Sweating Bullets.”
Highlights of Megadeths set were during “Dystopia” when Vic Rattlehead appeared with a robot(Vic Rattlehead is the mascot Megadeth and is a skeletal figure wearing a suit who embodies the phrase “See no evil, hear no evil, speak no evil” as well as a symbol of censorship.) and during “Tornado of Souls” when Dace announced that tomorrow is his 60th birthday, which then the crowd sang “Happy Birthday”. Megadeth closed out their set with “Peace Sells” and “Holy Wars.. The Punishment Due” in epic fashion, with everyone in Jones Beach Theater giving applause.
The Metal Tour of The Year is definitely one worth seeing, as all these bands are fantastic and put on such a great performance. It was a great feeling to be back to a packed metal show again, which hopefully is a positive sign of the future for more shows.
Megadeth Setlist: Hangar 18 > The Threat Is Real > Sweating Bullets > She-Wolf > The Conjuring > Trust > Conquer or Die! > Dystopia > Tornado of Souls > Symphony of Destruction > Peace Sells > Holy Wars.. The Punishment Due
The North American Tour for Julien Baker is well underway, with her headlining show at The Beacon Theatre on, Tuesday , September 14 marking a significant milestone in her career. A packed crowd cheered on as she played hits from her catalogue, including several tracks from her latest album, Little Oblivions, which released earlier this year. Thao and Mini Trees opened up the show.
Julien Baker at Beacon Theatre, Photographed by David ReichmannJulien Baker at Beacon Theatre, Photographed by David Reichmann
Mini Trees opened up the show with songs from their debut album Always In Motion, which you can pre-order here.
Mini Trees at Beacon Theatre, Photographed by David Reichmann
Thao fired up the crowd with a lot of energy during their set. Their setlist included the track Marrow from their latest album Temple, which released in 2020.
Julien began her set with the emotional and hard-hitting track Hardline, her latest album’s opening track. She played a wide range of songs, from the quietest and loudest moments in her catalogue. You can see the full setlist here.
JulienBaker at Beacon Theatre, Photographed by David Reichmann
Between songs Julien joked about how strange is was to be in a fully vaccinated and (partly) masked audience, thanked her New York audience for making the evening possible, and remarked on how strange this tour was compared to her last.
Julien Baker at Beacon Theatre, Photographed by David Reichmann
You can check out Julien Baker’s latest album here and view her remaining Fall Tour dates here.
Julien Baker at Beacon Theatre, Photographed by David ReichmannThao at Beacon Theatre, Photographed by David ReichmannJulien Baker at Beacon Theatre, Photographed by David Reichmann
On the evening of September 9, 2021, a cacophony of spiked collars, fluorescent shorts, and favorite faded tee assembled under the Webster Hall Marquee holding the words SLEIGH BELLS. Vaccine cards in hand, fans appeared to be patient, but closer investigation revealed fingers tapping, shoulders curling and wide eyes darting.
Why the underlying excitement? Because this night celebrated the 10 year anniversary for Sleigh Bells and the release of their newest album, Texis. The sold-out, fully-vaxxed show had dedicated fans yearning to show appreciation for the band’s providing a depth of meaning far deeper than casual.
The energy reflected that night felt like an expression of survival among diverse fans that were grateful to their two heroes, Alexis Krauss and Derek Edward, for providing escape, protection, and tools for self love in order to go on in this world with a head held high.
The ferocity in the fans was unhinged. The darkness and strobes mixed with the bass and tempo perfectly, showcasing the dynamic range of response. A true reflection of the diversity and adversity many fans have experienced due to who they are and who they love.
Sleigh Bells singer Alexis Krauss recalled recognizing nearly all fans in the crowd. Like the recently released song “True Seekers,” fans did not hesitate to drive from places like Washington D.C. and Georgia for this special night.
Motif of duty seemed to resonate throughout the night. It was the responsibility for fans to let go of all the emotions trapped in the safe space both medically and metaphysically. Acceptance to show up as one’s true self allowed for joy to spark a fire that burned away all distractions from the world that existed outside of this hallowed hall.
The short version is Sleigh Bells is my fav band—it’s hard to describe why they’ve had such a profound impact on my life thru the years, but ever since the release of Treats, I can’t get enough Lol so my husband and I came all the way up from Atlanta to see this show! It was so cathartic in the age of covid…I cried after the show just from pure bliss of remembering concerts past…when you go to a Sleigh Bells show, you’ve got to bring the energy & it give it everything you’ve got! And that’s just what we did.
A True Seeker
To tie the ribbon on this musical gift, Sleigh Bells provided a sensory experience conducive for fans to walk together into the void as their authentic selves. Alexis and Derek played fast, loud and with love. New songs and old, the band paid respects to their past and ended with sights pointed towards the future.
The dragons have been awakened by their fearless leaders. Mobilization for a brighter future awaits. Tour starts now. Go see them if you can.
For more Sleigh Bells, treat yourself to a YouTube Rabbit hole of their incredible music video catalog before purchasing your show ticket.
Merch sold out before the show started so if you missed your chance, visit the online store.
The Black Crowes, led by founding brothers Chris and Rich Robinson, played the first of three shows in New York State amid their ‘Shake Your Money Maker’ 30th anniversary tour, at Saratoga Performing Arts Center (SPAC) on Tuesday, September 14
Back in November 2019, the pair appeared on The Howard Stern Show to deliver incredible news: “We’re announcing that the Black Crowes are together and that we’re going on tour next summer.” That was planned for 2020, with a tour to celebrate the 30th anniversary of their quintuple platinum debut album Shake Your Money Maker and will feature the band playing the entirety of the record every single night. Chris Robinson reflected humbly on the upcoming experience:
The real reward is knowing our music has played a vital role in many people’s lives as well as getting to see their albums on shelves alongside some of the other greats. “I always thought, ‘I’m in the same record store as Thelonious Monk? … Like, what? How did that ever happen?’
Chris Robinson
The brothers were special guests and closed a set at the Beacon Theater for the Love Rocks NYC Benefit on March 12, 2020. Just three songs were all that was played before the full 30th anniversary tour was postponed. This marked the Black Crowes last Empire State show before heading up the Hudson River to Saratoga Performing Arts Center (SPAC) on Tuesday, September 14 to keep their rock and roll promise.
Supporting the tour has been the band “Dirty Honey,” featuring Niskayuna native Marc LaBelle on lead vocals, with the group playing material from their new LP, including the single “The Wire.” They immediately got the crowd’s attention with a rock like vibe reminiscent of the Crowes infamous tour with Jimmy Page in 2000. Marc Lebelle’s hometown crowd led to him reflecting on his first show at SPAC as a fan, for an Aerosmith performance in 1990. To help come full circle, the band covered “Last Child” as an homage to Boston rock legends.
Prior to the Crowes start the stage was set like a western saloon with a full bar on site. Lead singer Chris Robinson came out head to toe, dressed with an umbrella in hand.
The Elmore James composition “Shake your Money Maker” opened the show appropriately for the album and tour it is named after. The Crowes had the same approach in the 1990s to the blues hero’s sound, much like The Rolling Stones did in the 1960s. However, the Robinson brothers from Georgia hit home a little bit closer to the mud like Gregg and Duane Allman. With a jukebox behind them onstage, they played the 1990 LP in full for the Saratoga Springs crowd. All 10 tracks hit the crowd with full indulgence, making those at home realize they were jealous again.
Fans who remembered seeing the The Black Crowes with Levon Helm In Central Park in September 2009 were hoping for songs off “Before the Frost…Until the Freeze,” recorded at Levon’s Barn in Woodstock. Instead the Crowes played to the desert saloon stage up for a complete hair raising version of their classic “Wiser Time.” Guitarist Isaiah Mitchell’s twang and Rich Robinson’s tone blended with Chris’s vocals: “No time left now for shame, horizon behind me, no more pain, windswept stars blink and smile, another song, another mile.” The band gave the crowd the remedy they all needed to close the show.
For the encore, the Crowes channeled that energy for Led Zeppelin’s “Hey Hey What Can I Do?,” with Robert Plant’s lyrics fitting for the overall vibe. “I guess there’s just one thing a-left for me to do. Going to pack my bags and move on my way … going to leave her where the guitars play.”
The Black Crowes play next in New York at Jones Beach on September 17 and Bethel Woods Performing Arts Center on September 25.
The Black Crowes, Saratoga Performing Arts Center (SPAC), Saratoga Springs, NY – Tuesday, September 14, 2021
Setlist: Shake Your Moneymaker, Twice as Hard, Jealous Again, Sister Luck, Could I’ve Been So Blind, Seeing Things, Hard to Handle, Thick N’ Thin, She Talks to Angels, Struttin’ Blues, Stare It Cold, Sting Me, Hotel Illness, Oh Josephine, Wiser Time, Thorn in My Pride, Remedy Encore: Hey Hey What Can I Do
For many bands it is a struggle to make it past a few years. However, when they do, it requires something special. To commemorate their 20th anniversary, Georgia’s Blackberry Smoke spun up the “Spirit of the South Tour: A Celebration of Southern Rock N Roll.”
To help support this momentous adventure, Blackberry Smoke brought along The Allman Betts Band and The Wild Feathers, as well as having special guests sit in at various stops along the way. As luck would have it in the year 2021, midway through the tour a member of Blackberry Smoke tested positive for Covid. With proper protocols in place, the band isolated for enough time to enabled them to finish out the run and reschedule dates where possible. NYSMUSIC caught one of the rebooked shows at The Stone Pony Summer Stage in Asbury Park, N.J.
With a light breeze flowing in from the Atlantic Ocean, The Wild Feathers opened the late Sunday afternoon show. Fired up and raring to go, this five-piece from Nashville shared songs from their 2013 debut album, The Wild Feathers, and the soon to be released Alvarado. Per the band’s website, they “have been through the wringer” in the music biz, but you wouldn’t have known it as they strutted the stage, kicked up their heels, played their hearts out and found Ricky Young and Joel King climbing out on speakers to take in all the house had to offer.
The Wild Feathers
The Allman Betts Band faced logistic issues due to the rescheduled date and surprised the crowd with a three-piece acoustic version of ABB comprised of Devon Allman, Duane Betts, and R. Scott Bryon. Devon set the expectations for the afternoon calling it a BBQ backyard show, with the band writing the set list as they went along. Being in Jersey, the trio shared their take on Springsteen’s “I’m on Fire” to the delight of the Asbury crowd. Drew Smithers sat in mid set with his slide guitar prowess and later Jimmy Hall, founding member of Wet Willie, joined in contributing vocals and harmonica. In the spirit of paying homage to their musical forefathers, the collective finished with Sonny Boy Williamson’s “One Way Out.”
The Allman Betts Band
As the sun was setting, Blackberry Smoke launched into a 16-song set covering their multi-decade existence. Front man Charles Starr thanked those in attendance for their support over the years and attendance at the rescheduled show. The night featured songs from their latest, You Hear Georgia, in addition to “Good One Comin’ On”, “Medicate My Mind”, and “One Horse Town. The band closed with “Ain’t Much Left of Me.” BBS’s performance let everyone know they were not calling it quits at 20 years.
Blackberry Smoke
After these three acts finished, one could have gone home satisfied. But then the magic took over. After a short break, Blackberry Smoke hit the stage again bringing with them a variety of players to salute those who paved the musical way. Joined by The Wild Feathers, they started in with Charlie Daniel’s “Long Haired Country Boy” followed by Lynyrd Skynyrd’s “Tuesday’s Gone.”
Larkin Poe guested on Marshall Tuckers “Can’t You See” and Jimmy Hall fronted the jam with Wet Willies “Country Side of Life.” Not to remain on the side of the stage, The Allman Betts Band led a special tribute to Charlie Watts with “Honky Tonk Woman.” Throwing in a few more southern classics for good measure, Blackberry Smoke brought it all together as everyone joined in on “Midnight Rider.”
The New Jersey shore, known for its boardwalk, games of chance, and salty air was transformed this night by Blackberry Smoke and friends into simply “Southern” Jersey.
With live music having returned to New York, Warsaw Brooklyn finally reopened its doors to fully vaccinated crowds for Andy Shauf’s sold-out two night run on September 9 and 10, 2021. Tomberlin opened both nights with lighthearted stage banter and mellow acoustic tunes, lending to the venue’s naturally intimate atmosphere.
Andy Shauf at Warsaw Brooklyn, photographed by David Reichmann
After closing its doors during 2020 for the pandemic, Warsaw Brooklyn finally brought back their famous pierogis and reopened their stage for the starting leg of Andy Shauf’s North American tour. Shauf’s latest album, The Neon Skyline, had only come out in January of 2020 when their scheduled tour had to be postponed due to the pandemic.
Tomberlin Opening for Andy Shauf, photographed by David Reichmann
Tomberlin opened for Shauf on both nights at Warsaw, playing some of her hits, including the sorrowful but sweet song, “Seventeen.” She also invited the crowd to sing along during her performance, which went over well as she smiled and sang along with her captive audience.
Andy Shauf at Warsaw Brooklyn, photographed by David Reichmann
Shauf’s latest album gained some extra attention when the title track of his latest album, The Neon Skyline, was featured in Barack Obama’s Summer 2020 Playlist. Shauf’s setlist included several tracks from The Neon Skyline as well as highlights from the preceding album, The Party.
Andy Shauf at Warsaw Brooklyn, photographed by David Reichmann
Andy Shauf’s North American Tour continues through the Fall, and you can check out his music here.
New York-based alt rock trio CANVAS has recently released a new single titled “Jealousy.” With their soaring vocals and driving distorted guitar sound, CANVAS has been favorably compared to other rock contemporaries such as Mariana’s Trench and Muse. Living up to their experimental ways, the band melds sounds of Western-roots rock and old-school funk on this release. Lead singer Jerid Nowell’s vocals dance through steady guitars, a funky bassline and triumphant trumpets in what many fans may deem a new sound for the alt-rock trio.
The emerging alt-rock trio consists of singer-songwriter Jerid Nowell, Billboard-charting producer/keyboardist Daniel Glavin, and drummer Jesse Rothman. Their divergent roots (influenced by bluegrass, folk, punk/metal and hip hop) have sparked a musical journey ranging from triumphant anthems to soulful ballads, and edgy fusions of alternative pop, rock and funk. When describing their creative process, the band states, “Our approach is different for every song. We are focused on bending genres and blending electronic/acoustic production to achieve an ever-evolving hybrid sound. We believe nothing is certain, including creation.”
On writing this record, Nowell says, “Jealousy symbolizes the moment in our minds when we lose ourselves to the buried emotions that we tend to deny are there. It references the decisions we make at weak points in our lives that we know are less dignified, yet we make them anyway to regain any semblance of control.”
CANVAS has also released “Jealousy” on YouTube that includes a full visual rundown of the lyrics which can be seen below. CANVAS has built up a loyal fan base in New York City, and their music has been streamed over 250,000 times across platforms and operate their own record label and recording studio Penthouse Studios. With their new single “Jealousy,” CANVAS lives up to their self-proclamation: Genreless, Timeless, and Relentless.
Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night to hear new music from Paul Moody, the William Deuel Band and many more!
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Paul Moody
Folk singer-songwriter Paul Moody is a recent Woodstock transplant from Chicago, who also performs under the name Moody Jr. His upcoming album Songs From Youth, out this October,is preceded by the contemplative, personal single “Breaking Into Cars.”
Moody’s music is immersive and ambient, with detailed soundscapes you can almost meditate to. The best example is “All I Had Was You,” his most-played song on Spotify with almost 500K streams.
The William Deuel Band
Formed inSaratoga Springs in 2018, The William Deuel Bandis a unique amalgamation of the Rolling Stones and Nirvana, with some country and blues thrown in for good measure. Their newest full-length effort, Moment in Time, features frontman William Deuel, drummer Chris Reed, Jr., and bassists Jason Brown and Ethan Henderson. Highlights include “Ballroom Bananas” and “Can’t Wait on Sunday.”
The Great Pacific Garbage Patch
“Situational Comedy” is the final track on The Great Pacific Garbage Patch’s debut album, You’ve Changed. Despite its title evoking images of Michael Scott or Leslie Knope causing hilarious hijinks at their workplace, this pop punk tune is bleak and anxious, referencing The Truman Show and a self-conscious feeling of being watched by an audience: “And it’s been a good run / I just hope that I could give the people what they want.” The Albany trio is made up of drummer Jordan Demarest, bassist Dan Haggerty and lead singer and guitarist Will Kachidurian.
There’s a certain feel of adrenaline, intensity and excitement before a big bout. Surely the fighters experience their own range of emotions before they enter the squared circle, but for us fans who are counted on to set the tone within the arena, our passion helps create the “big fight” atmosphere that makes an encounter between two great fighters truly special. As the hours and minutes wane before four-time world champion Evander Holyfield takes on former multi-class UFC champion Vitor Belfort, the level of vigor and forecasting might make us feel as though we’re the ones putting the gloves on.
Here lies the beauty of music, for every emotion, there is an adequate melody, lyric, or song to match. With “Fearless,” Queens emcee Irv Da God, Onyx’s Sticky Fingaz and Grammy-nominated producer Bizkit manage to capture the feeling of “the moment we’ve all been waiting for.”
The record and music video is boxing/fighting themed, beginning with an introductory ring announcer — portrayed by Bizkit’s production partner, Butta — Fitting, as rap has always been described as a “contact sport,” for the competitiveness of the artform as well as the violence it is capable of inducing. Irv Da God’s round consist of a fluid and technical style of rapping, resembling that of a pacier, quicker fighter relying on his skill and brains rather than brute force. Beginning with successive boxing idioms and finishing each bar with clever world play.
Rain on ‘em like April and give them Mayweather.
Give me a headcount, get down for the 10-count. Whoever counted me out can get knocked out.
In between each round, Bizkit serves as a pseudo corner man delivering an inspirational and anthemic hook, before Sticky Fingaz takes the proverbial ring for his own. The “Get It Up” emcee’s entire aura is based on the aggression that his raspy voice and boundless energy provides. And if Irv Da God’s verse was that of a technically proficient fighter, Sticky Fingaz represents the overwhelming knockout artist, as he delivers aggressive verbal attacks.
Representing Vitor Belford, Sticky goes on offense with his raw and vivid lyrics, while shouting out the former UFC heavyweight champion:
You Punch like a soccer mom. I swear to God I’ll break your legs and drag you into the Octagon, when you boxing with The Phenom.
It just wouldn’t be a Sticky Fingaz record if he didn’t deliver any eyebrow raisers.
It’s 9/11 the arena is ours and he goin’ down just like those towers.
Combined the trio put on a show, previewing the highly anticipated bout between Holyfield and Belfort.
