Ok Cowgirl, the lofi indie rock project of Leah Lavigne, a Brooklyn-based multi-instrumentalist has released their debut single “Get Gone.” The song describes the desire to abandon younger insecurities with appearances, wealth, and beauty. It could also be described as an unimpressed response to a superficial culture.
They discussed the various topics associated with the track, speaking about radical-self acceptance, beauty standards, and capitalistic norms. Lavigne said, “At a certain point I knew I needed to let these emotions be what they were. I needed to stop filtering them and stop judging myself for feeling these things.”
Look At My Record praised Lavigne’s “powerful and domineering vocals” of song, and mentioned her strong expression of the frustration with our current cultural values. They also described it as “descending into a fuzz-laden abyss” and finally being able to release the pent-up emotion. Ok Cowgirl has an artistry that goes into the idea of the musician and the role we provide to this world, especially with our modern challenges.
This project also represented a major change for Leah Lavigne. Her earlier solo career up consisted of a more softer energy. People would come up to her in shows and say that she was their favorite sad girl. The Detroit native realized there was so much more to her style and has expanded her lane. Lavigne used to play the piano and switched her focus towards the electric guitar.
Since the summer of 2018, Lavigne performs alongside long-time collaborator and percussionist Matt Birkenholz, bassist Jase Hottenroth, and lead guitarist Jake Sabinsky. They have been noted for their lyrically-driven rock tinged sound, with a soft synth and melodic, angsty influence.
Their new single will surely not disappoint fans of the Brookyln-based group. Their follow up single, “Don’t Go,” will also be out on November 20. “Get Gone” is out now on Spotify, Bandcamp, and Soundcloud.
While the issue of police brutality prevails in the U.S., artists are speaking out through their music to raise awareness. For Drea D’Nur, her whole life revolves around it.
I am not an entertainer. I am a master healer through music and sound. To be a vessel of healing sound is a great honor and responsibility. Moment by Moment, I seek and work to become a better vessel. Every show is an offering of my entire self. In a world, where many are living numb, my intention is that you would feel, heal, and be inspired at each Live Experience.
Drea D’Nur
Drea D’Nur
Buffalo based activist and musician, Drea D’Nur, teamed up with American Muslim figure Rami Nashashibi to release her newest single, “Mama Please,” a tribute to Cariol’s Law.
Cariol’s Law passed in early October on behalf of Cariol Horne. Horne gained national attention in 2008 when she was fired from the Buffalo Police Department because she stopped a fellow officer from choking out a black man, Neil Mack. Since then, she has continued to protest for the Black Lives Matter Movement and is still working towards getting her full pension. The law now requires officers in Buffalo to intervene if a coworker looks like they are using excessive force.
Cariol’s Law is a proposal for legislation to have a mandatory stature on police bystander intervention, provide protection from retaliation, require external investigation with mandated reprimanding for abuse or misconduct, create a required reportable registry.
According to the Cariol’s Law website
Along with being a riveting performer, D’Nur is an activist who founded Feed Buffalo, the first Organic, Safe, and Halal Food Access Resource Center in western New York, but it doesn’t stop there. She’s also a volunteer for Project Mona’s House that provides resources and housing for human trafficking survivors.
D’Nur’s purpose for “Mama Please,” is to push for Cariol’s Law to be passed nationwide. Her new single is one of the tunes from her upcoming album, ‘This LOVE Thing,’ expected to drop on Oct. 23. Meanwhile, watch and listen to this beautiful work activism to support the destruction of police brutality.
Quarantine provided many different things for many people. Spending more time with your kids, finding new recipes to experiment with, maybe even picking up embroidery. For New York City-based singer/songwriter, Aniello, quarantine gave him the opportunity to work harder on his music than ever before, leading him to make it to Billboard alongside notable names like, X Ambassadors, Andrew Bird and Kesha.
Promotion for Team Joe Sings
Last week, Aniello debuted his latest single, ‘Stand Up,’ on the virtual concert series, ‘Team Joe Sings,’ created by presidential-nominee Joe Biden and Kamala Harris’ campaign team. Aniello says he wrote this single a few years back, during the 2016 presidential election, but it remains so true to our current state of the nation now.
“I wrote this song as a message to myself, at first, to just keep standing up, but as a whole it really means to stand up for equality and your beliefs and is also really an anthem to the LGBTQ+ community.”
Aniello
He views this election as being the most important one to vote in because of how divided our country has become.
“Never have I ever been so open about my politics, but right now it is so important. I think Joe is obviously the right guy for the job. Team Joe Sings is a great way to promote people to get out and vote.”
Aniello Scibelli
Aniello Scibelli, also known as Neil Davis, grew up in the city and describes himself as a New Yorker through and through. His love for music started at a very young age and it just kept growing.
“My parents got me this toy keyboard when I was a toddler. As I grew a little older, I would play tunes that I heard from the cartoons I watched,” recalled Aniello.
He went on to get an education at Frank Sinatra School of the Arts in Astoria, which was founded by musician Tony Bennett and his wife Susan Benedetto.
“It was really amazing to me that I had the opportunity to learn from the best. I mean, Susan was my teacher and mentored me through school and to this day is still a really good friend of mine,” he said.
After his father passed away in 2017, his strength to move on from the grief, turned into creativity. Since then, his ability to stay positive through every situation, regardless how tough, lead him to release empowering and motivational music.
‘Stand Up’ can be found on Bandcamp and Apple Music. ‘Team Joe Sings’ appears on the featured artists’ Youtube page every Thursday through Election Day.
Do you need more cowbell? Blue Oyster Cult thinks you do because they’re released music videos for “Box in My Head,” “That Was Me” and most recently, “Tainted Blood” off the Long Island classic rock group’s first album in over two decades, The Symbol Remains.
The early days of the Blue Oyster Cult.
“That Was Me” is one of the many singles being featured on their upcoming album, The Symbol Remains. Their new album comes out Oct. 9 and embodies the well-known saying, “Good things come to those who wait.”
Music video for new song, That Was Me.
Blue Oyster Cult started producing the album in 2019 and thinks it represents the where the band is ‘here and now.’ The album is a mix of music they worked on years prior and brand new tracks.
“With the song demos emerging for this record, we realized there was as much if not more variety in style and content on this record as any in our history. We embraced this and the thing tying all the disparate elements together is the band’s sound and performance,” said Eric Bloom, vocals/guitarist.
Blue Oyster Cult formed in Long Island, NY at Stony Brook University in the late 1960’s. There, Donald “Buck Dharma” Roeser and his friends created sounds of psychedelia and acid rock. Through a jam session, rock critic Sandy Pearlman overheard the band and decided they were worth it.
Over the years, they created a melody of rock tunes that would captivate the world. One of their most famous, “(Don’t Fear) the Reaper,” reached 12 on the Billboard charts and became a rock classic.
Roeser talked about the band’s goals in creating this new album saying, “The goal was for the new music to stand up to the quality and vitality of our legacy recordings, and I believe we have successfully done that. Other than that, the sound of our voices and style of our writing and playing can’t help but sound familiar to fans of our work.”
BOC has recently released the video for “Box in My Head,” the second single off The Symbol Remains, due out on October 9. For more information visit Blue Oyster Cult’s website.
The most recent premiered video for the single “Tainted Blood” was written by Eric Bloom and Richie Castellano, featuring lead vocals by guitarist Richie Castellano. The Symbol Remains will be released on Friday, October 9.
Brooklyn electro-pop funk artist Francis Aud recently released his newest single “Take Me Home,” blending bittersweet lyrics with an upbeat and unique electric funk.
Francis Aud started out as a retro-soul artist and released his debut EP Tender Things in July 2017. Since then, his music has evolved into what he calls ‘FONK,’ his own original blend of electro-pop and funk. This refreshing mix gives his music personality and makes his sound memorable. Francis tells NYS Music:
My biggest inspirations are Al Green, Marvin Gaye, and Sam Cooke. From listening to those guys, I then found Jackie Wilson, James Brown, and then followed the thread of musicians they influenced all the way up to contemporary pop artists like Bruno Mars and Parcels.
Francis Aud
What he listened to as a child has been “carried in his psyche,” and he says that listening to “super romantic Spanish crooner music or The Commodores” all the time as a kid still influences his own writing style today. “I almost exclusively write about love, relationships, and desire and I still try to phrase the lines I sing like how a crooner would…old habits die hard I guess!” He’s been releasing several FONKY singles since 2018 in preparation for a bigger release in the future.
“Take Me Home” looks back on a past relationship with bittersweet nostalgia. “When it comes to lyric-writing,” Francis says, “I’m always trying my best not to write lyrics that aren’t devoid of meaning (if that makes sense.) I think lots of the time when people hear the words ‘pop music’ their mind immediately jumps to this idea of extremely surface level and superficial lyrics that come from lazily relying on overused tropes and clichés. I think good pop music doesn’t have to be devoid of a deeper meaning and there’s lots of proof around me of that.”
Photo courtesy of Amanda Blide
Despite its somewhat sad message, the single is in no way a downer. It’s upbeat and dancey. “That comes from my shameless love of 80’s music,” the artist admits. “I seriously, positively, TRULY, love music from the 80’s, especially the movie soundtracks where the arrangements were super over the top and used cheesy keyboard sounds on everything. Because that music makes me happy, I think it’d be worth exploring the juxtaposition between that music and the lyrics and I’m just lucky to call it a success!” The 80’s vibes in “Take Me Home” are clear, but with an original and modern spin that is lacking in some other “cheesy” pop.
Francis Aud’s music and website both shine with his positivity and humor. “I don’t think I can ever remember a time where I wasn’t blatantly making terrible dad jokes and puns,” he says about his ever-present humor. “In terms of positivity,” he notes, “I think it comes from both my parents and also comes with the territory of being a musician. With my parents being immigrants and coming to this NYC during the really rough 80s’-90’s, they had to work their asses off to make things happen and they had to have an optimism that things would work out. I think I naturally picked up on that. ALSO, when it comes to being an artist, you almost have to force train yourself to become more positive on a daily basis because there really is no guarantee that your art will be heard or even enjoyed.”
Despite the global halt brought by the Coronavirus, Francis has been keeping busy working on music: “I’ve been spending most of the quarantine teaching myself more about music production and trying my best to ‘level up’ my home recording set-up,” and “I’ve been working with more getting more comfortable using synthesizers and more of the electronic aspects of music production,” he says, as he can’t record in a full studio with a band right now due to the quarantine. “Aside from that, I’m always trying to hone my writing and working to finding that distinct balance between saying something meaningful and being catchy.”
Jimkata, to the excitement of their fans, debuted their new single “Wait For You” on August 13, 2020. The band recently came out of the woodworks last month dropping their single “Wanna Go” after the band went on an indefinite hiatus back in 2017.
The new single focuses on the feeling of being in limbo. It narrates the feeling of sitting around waiting and feeling restless while navigating uncertainty which is a feeling many can relate to during the pandemic era. The music video accompanying the song was created by animator Ben Clarkson. His animation brings further depth and dimension to the notion of waiting and being in limbo. “Wait For You” isn’t just a heartbreak inspired pop song, it is also a commentary on helplessly waiting and hoping for the world to get itself together.
Frontman of Jimkata Evan Friedell shared some of his insights behind the new single saying, “I didn’t realize at the time I wrote it how prescient and universal that feeling would become as we experience a global pandemic and a world in chaos.”
The band Jimkata is a three-piece anthemic, synth-washed, electro-rock band that is based out of Ithaca, NY and Los Angeles, CA. Jimkata is known for their swirling analog synths, infectious pop hooks and candid lyrics. The band has built a distinct sound which has been resonating with listeners across the country. The band has a strong and loyal grassroots fanbase created by their relentless performing across the country before their Hiatus.
For more information on Jimkata and to check out “Wait For You” visit their website.
Danielle Ponder and Karate Boogaloo team up to create “Look Around,” a meaningful single to focus the public’s attention towards BIPOC being oppressed and murdered throughout the world.
Danille Ponder, an artist and activist from Rochester, started out this year by laying down a track for “Look Around,” a song that responds to the literal fires eating away at the continent of Australia. When she returned home to the US, she was, unfortunately, given even more dark events to add to those described in the song. The killing of George Floyd and countless other African Americans has ignited a call to action in many, Danielle Ponder included. On July 24, Danielle Ponder and Karate Boogaloo released the updated and finished version of “Look Around” as a way to remind everyone in the world of the deadly issues currently happening in America and across the globe.
Danielle Ponder spoke about the inspiration she had for “Look Around,” saying, “fires were raging through Australia and smoke covered the sky. It felt like all of our human sins had gotten the best of us and we were paying a price. I didn’t know that when I arrived back home in the U.S, the world would only get darker. I feel like my past self wrote this song for my future self knowing what was to come.” Danielle Ponder’s powerful soul vocals and visible writing talent make her voice memorable. This song was made in solidarity for all BIPOC.
Danielle Ponder Photo by Hannah Betts
Although they come from different continents, it was no problem for Danielle Ponder and Karate Boogaloo to make a connection. Their chemistry is clear in the music, as it flows naturally like they have been collaborating for years. The vocals and instrumentals together pack a powerful punch that effectively delivers the song’s message of unity for global justice.
Although Black Lives Matter is a US-based movement, it has a presence in Australia where Indigenous people undergo similarly harsh treatment. In July and August, sales of “Look Around” will be donated to the Equal Justice Initiative in the USA and Warriors Of The Aboriginal Resistance in Australia. Stream or buy “Look Around” now to support those in need.
For more information visit Danielle Ponder’s website.
Alternative rock band Miserable Chillers debuted their third single, “Saga’s Sword,” off their upcoming album, Audience of Summer, out Friday, August 7.
“The song really captures the feel of a curious young child exploring and actively pursuing new experiences, as Gallego even adds some ribbiting frogs and glimmering forest sounds to complement the track’s shiny guitar riffs and marimba-sounding percussion.”
Bandleader Miguel Gallego grew up in suburban New Jersey, where he found his passion for music. He now lives in Brooklyn. He recorded and produced his latest tracks with Baby Blue Records, in New York.
Album art for Miserable Chillers’ Audience of Summer.
Miguel’s creativity and intuition came from the world wide pandemic caused by COVID-19. “I think of myself as a late bloomer, a lot of things have only recently started to appear obvious to me,” said Gallego.
As a result, Fifty percent of the proceeds from digital purchases on Bandcamp will be donated to Bed-Stuy Strong. This is a group of over 3,000 people helping in the aid of their community during the COVID-19 crisis.
I believe that in times of economic and public health crisis, and amidst the violent failures of state policy to address the needs of vulnerable communities, the necessity of local, communal responses to communal needs is especially acute. I would like to support a local mutual aid group. Bed-Stuy Strong centers on solidarity, care, and an imaginative approach addressing the needs of the community and neighborhood that I live in.
Miguel Gallego – Bandleader
Along with Gallego, artists from other bands contributed to the making of this album. Megan Braaten from Your Sister and Kabir Kumar of Sun Kin both sang backing vocals. While others like Sarah Goldfarb (Red Widow and Ovaeasy) played the cello. Together, they created the baroque pop sounds of the new record, exactly how is described as.
Audience of Summer is out Friday, August 7.
Miserable Chiller’s newest single “Saga’s Sword”.
Mutual aid provides an alternative model for addressing need; and we badly need to embrace and imagine alternatives to our preexisting methods—be it the police, punitive and carceral responses to harm, or how we as a society provide for the healthcare of our neighbors.
In response to the first six months of this “rollercoaster year,” Ben Folds has written a new single “2020.”
The song expresses Folds’ take on 2020. “We seem to be currently reliving and cramming a number of historically tumultuous years into one,” he says. “For a moment it was all about the 1918 pandemic. Then we began seeing hints of the Great Depression before flipping the calendar forward to the Civil Rights protests of the 1960’s. Running beneath this is the feeling that we’re in the Cold War, while seeing elements that brought us to the Civil War rearing their head, making us wonder if we’ve learned a damn thing at all.”
At the start of this year, Folds was on an orchestral tour of Australia. However, it was cancelled due to the pandemic, and is set to continue in 2021 along with his US tour. Since quarantine, Folds has been working on his next album, the sequel to his 2019 New York Times best selling memoir A Dream About Lightning Bugs, and other new creative projects.
Folds notes that the current sense of accelerated time is not only “personally disorienting,” but “also artistically disorienting.” The single is about that, how so much seems to happen each day that topics can be “out of date or even inappropriate by noon.” “2020” touches on the fact that this year seems like several past years crammed into one.
Despite today’s stress, Folds optimistically hopes for a better 2021 to come. “2020” is available for streaming now.
Swing Your Concerns features two new tracks along with three of her singles “Swim,” “WHATISTODAY?,” and “Deserve This.” “I believe that as humans we see the option of distracting ourselves from our current reality as a better route than to truly work on bettering who we are. Why feel and work through what’s wrong when you can be numb instead. With the combination of expectations and eyeballs tracking your every move, that’s what ‘Hilary Duff’ is about,” Maggie comments on “Hillary Duff.” This song, along with “Deserve This” and “Swim,” seem to come at a perfect time in this global pandemic when emotions are high.
Maggie grew up surrounded by music as her father was in a Celtic rock band. She did not perform solo in front of an audience until she was 18, but has quickly gained popularity after being discovered by Bruce Gates at Pearl Street Warehouse in Washington, D.C. Since then, she has gained over 60K monthly listeners on Spotify, and her song “WHATISTODAY?” has been featured on several of the app’s playlists, such as Indie Pop and Fresh Finds. She has gained attention from Billboard, Variance, and American Songwriter.
This new single and EP follow an endorsement deal with Yamaha Music along with the emerging artist program WAY Up. Maggie spoke at a panel at the Yamaha Ginza Hall in Tokyo along with several other acclaimed up and coming artists. They spoke about their experiences creating music and conveying their inner emotions through it.
Photo by Jimmy Fisco
Maggie Miles, much like other alt pop artists, shows authenticity in her music by showcasing her wit and personality. At only 21 years old, Maggie likes to use comic relief as a means to poke fun at the hilarity that is the coming-of-age time in life. She draws inspiration from 90s grunge artists but still produces a unique sound that’s personal to her. Maggie says: “I make music for the utter reason alone that I need to create something for myself that makes sense, when nothing else around me does.” She has notable vocal talent, but can also play the piano, drums, guitar, ukulele, mandolin, banjo, bass, and keytar.
Maggie’s first full-length album will be out later this Summer.
